"Sculptural" Quotes from Famous Books
 ... most pleasing features of Rome is its numerous beautiful fountains, generally to be found in the piazzas, sometimes surrounded by fine architectural and sculptural groupings. It seems as if the great men of every age in this city "have found no better way of immortalizing their memories than by the shifting, indestructible, ever-new, ever-changing upgush and downfall of water. They have written their names in that unstable ...
— Fair Italy, the Riviera and Monte Carlo • W. Cope Devereux
... Apsley House. Nor will you, I hope, think me severe,—certainly, whatever you may think me, I am using only the most temperate language, in saying of both these monuments, that they are absolutely devoid of high sculptural merit. But, consider how much is involved in the fact thus dispassionately stated, respecting the two monuments in the principal places of our capital, to our two ...
— The Crown of Wild Olive • John Ruskin
... smoothly back, was done in two thick tresses for the night. Heyst noticed the good form of her brow, the dignity of its width, its unshining whiteness. It was a sculptural forehead. He had a moment of acute appreciation intruding upon another order of thoughts. It was as if there could be no end of his discoveries about that girl, at the most ...
— Victory • Joseph Conrad
... allegorical "Two Natures" (1894, in the Metropolitan Museum, New York City); "The Hewer" (1902, at Cairo, Illinois); "Great God Pan" (in Central Park, New York City); the "Rose Maiden"; the simple and graceful "Maidenhood"; and sculptural decorations for the new Capitol building for the state ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 - "Banks" to "Bassoon" • Various
... is true that the highest art, pictorial and sculptural, is always struggling towards naturalism, the art of decoration is, by its nature, constantly tending to conventionalism. Patterns, if not absolutely geometrical or naturalistic, must be classed under this principle. Let us examine what is meant ...
— Needlework As Art • Marian Alford
... the trail were tree trunks whereon some loitering young Siwash had delineated a human face by a few deft and powerful strokes of the axe, the sculptural planes of cheeks, brow, and chin being indicated broadly but with truth and decision. Often by some old camp a tree would bear on a planed surface the rude pictographs, so that those coming after could read the number, size, sex, and success ...
— The Trail of the Goldseekers - A Record of Travel in Prose and Verse • Hamlin Garland
... describes it: "Built of white marble in the Gothic style, enriched with every kind of ornament, and storied with bas-reliefs illustrative of the Madonna's history from her birth to her death, it rises in stately beauty toward the roof of the church, and, whether considered from an architectural, sculptural, or symbolic point of view, must excite the warmest admiration in all who can appreciate the perfect unity of conception through which its bas-reliefs, statuettes, busts, intaglios, mosaics, and incrustations of pietre dure, gilded ...
— A History of Art for Beginners and Students: Painting, Sculpture, Architecture - Painting • Clara Erskine Clement
... represented in an archaistic and conventional character, this copy cannot be relied on as giving us much information as to the usual style of Alcamenes, who was almost certainly a progressive and original artist. It is safer to judge him by the sculptural decoration of the Parthenon, in which he must almost certainly have taken a share under ...
— Project Gutenberg Encyclopedia
... in a much-magnified sound of groans, and there entered a youngish, undersized man, who was frantically clutching his head in his hands and contorting all the muscles of his face. On perceiving the sculptural group of two prone, interlocked girls, one enveloped in a crinoline, and the other with a wool-work bunch of flowers pinned to her knee, he jumped back, ceased groaning, arranged his face, and seriously tried to pretend that it was not he who had been vocal ...
— The Old Wives' Tale • Arnold Bennett
... Black's yard all was quiet. The charred timbers of the balcony lay where they had fallen. It was evident that since the fire the builders had not returned to their work. The magnolia had unfolded a few more sculptural flowers; the view ...
— The Early Short Fiction of Edith Wharton, Part 1 (of 10) • Edith Wharton
... this Mr. Turner was working from Greek models. Color was lavishly used on the Athenian temples, rich backgrounds of red or blue serving to throw the sculptural adornments into vivid relief. Buffalo was in this a commentary on classic art, revealing what fine effects may be produced by out-of-door coloring when suited to surroundings. We saw that in our timid, ...
— History of the United States, Volume 5 • E. Benjamin Andrews
... sculptural designs, the two lions on either side of the main approach are by E. C. Potter. They have been subjected to much criticism, mainly of a humorous nature, and in the daily press. This adverse comment has not been endorsed by critics of art and architecture. Mr. Potter was chosen for this work ...
— Handbook of The New York Public Library • New York Public Library
... watch the blacks and half-breeds working naked to the waist,—on the landings, in the gas-houses and slaughter-houses or on the nearest plantations. They are not generally large men, perhaps not extraordinarily powerful; but they have the aspect of sculptural or even of anatomical models; they seem absolutely devoid of adipose tissue; their muscles stand out with a saliency that astonishes the eye. At a tanning-yard, while I was watching a dozen blacks at work, a young mulatto with the mischievous face of a faun walked by, wearing nothing ...
— Two Years in the French West Indies • Lafcadio Hearn
... portal into the light of the free and open world. She was rather tall, but admirably proportioned, with a figure full of native grace and dignity: her hands, arms, and shoulders were models of pure sculptural beauty. An expression of singular gentleness and serenity characterized her fair, oval countenance and regular features. Her open forehead, dark and well-arched eyebrows, and eyes of a gray so deep that it was ...
— Harper's New Monthly Magazine, Volume 1, No. 2, July, 1850. • Various
... literature relating to Burgos, much remains unedited and in manuscript. A general description of the city and its monuments is given by A. Llacayo y Santa Maria in Burgos, &c. (Burgos, 1889). See also Architectural, Sculptural and Picturesque Studies in Burgos and its Neighbourhood, a valuable series of architectural drawings in folio, by J.B. Waring (London, 1852). The following are monographs on particular buildings:—Historia de la Catedral de Burgos, &c., by P. Orcajo (Burgos, ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various
... whole compositions that might have been expressed with propriety in colour. The point of Sir Joshua's criticism, therefore, is that Ghiberti's practice of distributing figures on a small scale in spacious landscape framework was at variance with the severity of sculptural treatment. The pernicious effect of his example may be traced in much Florentine work of the mid Renaissance period which passed for supremely clever when it was produced. What the unique genius of Ghiberti made not merely pardonable but even admirable, ...
— Renaissance in Italy Vol. 3 - The Fine Arts • John Addington Symonds |
