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Schiller   /ʃˈɪlər/   Listen
Schiller

noun
1.
German romantic writer (1759-1805).  Synonym: Johann Christoph Friedrich von Schiller.






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"Schiller" Quotes from Famous Books



... square, with hedges of sere lime trees, where a big, periwigged Roman Emperor of an Elector presides, making one think of the shouts of "Hurrah, lads, for America!" of the bought and sold Hessians of Schiller's "Cabal and Love." At the other end was a promenade, terraced above the yellow tree-tops of a park, above a gentle undulating country, with villages and steeples in the distance. "Schoeneaussicht" the place called itself; and the view was looked at by the wide and many windows of pleasant ...
— Hortus Vitae - Essays on the Gardening of Life • Violet Paget, AKA Vernon Lee

... the thin disguise of "the Friend of Humanity" he satirized Tierney in the poem, "The Knife-Grinder," a parody, in form, of Southey's "Widow," and, in meaning, of Tierney's philanthropic appeals. In a play, "The Rovers," he sportfully satirized the romantic drama of Schiller, "The Robbers." In one of the incidental poems he represented the hero, while in ...
— William Pitt and the Great War • John Holland Rose

... authorship find in the lecture-room a firm stand and rank in society, as Government is ever ready to insure a life-position to distinguished scholars. To mention only a few examples of men who would scarcely be thought of in a professorial career,—Schiller was Professor of History in Jena, Rueckert Professor in ...
— Atlantic Monthly, Volume 7, Issue 41, March, 1861 • Various

... no theories of play in Froebel's day, but he had certainly read Levana, and in all probability he knew what Schiller had said in his Letters on Aesthetic Education. The play theories are now too well known to require ...
— The Child Under Eight • E.R. Murray and Henrietta Brown Smith

... the first cultivated grape vine which produced fruit in Hermann. It was an Isabella, planted by a Mr. FUGGER, on the corner of Main and Schiller streets, and trained over an arbor. It produced the first crop in 1845, twenty years ago, and so plentifully did it bear, that several persons were encouraged by this apparent success, to plant vines. In 1846, the first wine was made here, and agreeably surprised all who tried it, by its good quality. ...
— The Cultivation of The Native Grape, and Manufacture of American Wines • George Husmann

... day on which her child was born in poverty, and in a humble home; the same who, in after-years, became rich, became the noble woman-hearted poet, a blessing to the world—the glorious, the sublime, the immortal bard, John Christoper Frederick Schiller! ...
— Fairy Tales of Hans Christian Andersen • Hans Christian Andersen

... history are Martin Luther, Mademoiselle Lamballe, Abraham Lincoln; my favorite poems are Koerner's "Battle Prayer," Wordsworth's "We are Seven," Newman's "Lead, Kindly Light," Luther's "Hymn," Schiller's "The Diver," Horace's "Fons Bandusiae," and Burns's "Cotter's Saturday Night." I dislike Dante and Byron. I should like to have known Jeremiah, the prophet, old man Poggio, Walter Scott, Bonaparte, Hawthorne, Mademoiselle Sontag, Sir ...
— Eugene Field, A Study In Heredity And Contradictions - Vol. I • Slason Thompson

... debates, we have repeatedly thought of a pregnant passage in Schiller. It is that scene in "The Piccolomini," where Wallenstein, after compromising himself privately with the enemy, attempts to win over the ardent and enthusiastic Max, the nursling of his house, to the revolt. It is so apposite to the present situation of affairs, that ...
— Blackwoods Edinburgh Magazine, Volume 59, No. 365, March, 1846 • Various

... Algernon gravely. "But I don't know what to order. I don't want to start out with Goethe and Schiller. I asked the German minister, and he gave a list of religious books, but that isn't ...
— The Wide Awake Girls in Winsted • Katharine Ellis Barrett

... "Norwegian Melodies" for Orchestra given by the Symphony Society in New York City. Also Saint-Saens's "Pianoforte Concerto," with Madame Madeline Schiller as soloist. ...
— Annals of Music in America - A Chronological Record of Significant Musical Events • Henry Charles Lahee

... or more of German potentates were crowned; and then, in succession, the poet Boerne's birthplace, the Judengasse, the original home of the Rothschilds, the Ariadneum (named from Daennecker's marble group of Ariadne and the lioness), the Art Museum, the Goethe and Schiller monuments, and the beautiful sylvan resort for popular recreation, known as "The Wald." General Grant visited also, by invitation, some of the great wine-cellars of Frankfort, and was conducted through the immense crypts ...
— Lippincott's Magazine, October 1885 • Various

... in Germany went hand in hand with the Romantic literature, found likewise a faint reflection in Russia. A number of young professors and students in Moscow, who had become ardent admirers of German literature, passed from the works of Schiller, Goethe, and Hoffmann to the writing of Schelling and Hegel. Trained in the Romantic school, these young philosophers found at first a special charm in Schelling's mystical system, teeming with ...
— Russia • Donald Mackenzie Wallace

... was, naturally, not "Hernani or Castilian Honour," but Schiller's "Robbers." Szilard recognized it at the very first three words. He also noticed that the characters of Karl and Franz Moor were acted by one and the same person (the manager himself, as he was informed) with a simple change of voice and mask, and despite the different ...
— The Poor Plutocrats • Maurus Jokai

... effort of the imagination to liken the lightning to a serpent. It does not require any remarkable acuteness to guess the conundrum of Schiller:— ...
— The Myths of the New World - A Treatise on the Symbolism and Mythology of the Red Race of America • Daniel G. Brinton

... the enjoyment of a life in the past, and in the future, as well as in the present. Under its light and warmth, we wake from our torpidity and coldness, to a sense of our capabilities. This impulse once given, a great object is gained. Schiller has truly said, "Poetry can be to a man, what love is to a hero. It can neither counsel him nor smite him, nor perform any labour for him, but it can bring him up to be a hero, can summon him to deeds, and arm him with strength for all ...
— Three Years in Europe - Places I Have Seen and People I Have Met • William Wells Brown

... more success than ever any before him, might not find a handful of hearers another winter. But it is the opinion of many friends whose judgment I value, that a person of so many claims upon the ear and imagination of our fashionable populace as the "author of the Life of Schiller," "the reviewer of Burns's Life," the live "contributor to the Edinburgh and Foreign Reviews," nay, the "worshipful Teufelsdrockh," the "personal friend of Goethe," would, for at least one season, batter down opposition, and ...
— The Correspondence of Thomas Carlyle and Ralph Waldo Emerson, - 1834-1872, Vol. I • Thomas Carlyle and Ralph Waldo Emerson

... my favorite of all books is The Three Musketeers. I have also read something of Shakespeare, Goethe, Schiller, and many other writers. I like parts of the great Spanish novel Don Quixote, but I find it hard to read as a whole. I think that music students ought to read a great deal. It makes them think, and ...
— Great Pianists on Piano Playing • James Francis Cooke

... better. He thought there was something which every one could do better than anybody else—which might possibly be true if there were as many professions as individuals. When some one spoke of a young German poet, whom it was thought but for his untimely death might have been the rival of Schiller, he said, "Yes, but he ...
— Sketches from Concord and Appledore • Frank Preston Stearns

... one recalls the spiritual heritage of Germany: when one thinks of Herder, Schiller and Goethe; Tauler, Luther and Schleiermacher; Froebel, Herbart and Richter; Kant, Fichte and Novalis; Mozart, Beethoven and Wagner; one feels that something of the old German heritage must survive. When the German people find out what has ...
— The Soul of Democracy - The Philosophy Of The World War In Relation To Human Liberty • Edward Howard Griggs

... superior to the German and French?—for the whole endeavour in this country has been toward a closer adherence to nature. In France and in Germany the ancient method of declamation still prevails, and the great speeches of Goethe and Schiller and Racine and Corneille are to all intents and purposes intoned. No doubt this sounds very fine in German and French, but how would you ...
— [19th Century Actor] Autobiographies • George Iles

... and their cause." The hour was fixed for 8 A.M. After this was settled, the General added, "But I will not do the thing by halves, I will get you Massenbach also." He called in an officer who was of Massenbach's cavalry, and who had just left them. Much like Schiller's Wallenstein, he asked, walking up and down the room the while, "What say your regiments?" The officer broke out with enthusiasm at the idea of a riddance from the French alliance, and said that every man of the troops in ...
— On War • Carl von Clausewitz

... to any number of men of Genius—say, for instance, Mr. W. Scott, Mr. Southey, Mr. Wordsworth, Mr. Wilson, Mr. Sotheby, Sir G. Beaumont, etc., whether the "Wallenstein" with all its defects (and it has grievous defects), is not worth all Schiller's other plays put together. But I wonder not. It was too good, and not good enough; and the advice of the younger Pliny: "Aim at pleasing either all, or the few," is as prudentially good as it is philosophically accurate. I wrote to Mr. Longman before ...
— A Publisher and His Friends • Samuel Smiles

... was Schiller who once intimated that it took two to love anything into being. But Correggio seems to have performed the task of conjuring forth these putti all alone; yet it is quite possible that Veronica Gambara helped him. That he loved them ...
— Little Journeys to the Homes of the Great, Volume 6 - Subtitle: Little Journeys to the Homes of Eminent Artists • Elbert Hubbard

... no more— Somehow or other now they will not sell; And to invent new passions is a bore— I find the Magazines pay quite as well. Translating's simple, too, as I can tell, Who've hawked at Schiller on his lyric throne, And given the astonished bard ...
— The Humourous Poetry of the English Language • James Parton

... no dramatic character, conveying the same impression of singleness of purpose, and devotion of heart and soul, except the Thekla of Schiller's Wallenstein: she is the German Juliet; far unequal, indeed, but conceived, nevertheless, in a kindred spirit. I know not if critics have ever compared them, or whether Schiller is supposed to have had the English, or rather the ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 20, - Issue 563, August 25, 1832 • Various

... writings, a mass of criticism even more illuminating and appreciative than Schlegel's. {345} Although Goethe deemed Shakespeare's works unsuited to the stage, he adapted 'Romeo and Juliet' for the Weimar Theatre, while Schiller prepared 'Macbeth' (Stuttgart, 1801). Heine published in 1838 charming studies of Shakespeare's heroines (English translation 1895), and acknowledged only one defect in Shakespeare—that ...
— A Life of William Shakespeare - with portraits and facsimiles • Sidney Lee

... in her soul? Who can scale the heights to which her eyes have risen? Yes, a man fears to find in such a woman something unattainable, unpossessable, unconquerable. The woman of strong mind should remain a symbol; as a reality she must be feared. Camille Maupin is in some ways the living image of Schiller's Isis, seated in the darkness of the temple, at whose feet her priests find the dead bodies of the daring men ...
— Beatrix • Honore de Balzac

... grand duke of Weimar. Saxe-Weimar-Eisenach is a grand duchy of Germany. The grand duke referred to was Charles Augustus, who died in 1828. He was the friend and patron of the great German authors, Goethe, Schiller, Herder, and Wieland.] ...
— Essays • Ralph Waldo Emerson

... precepts of Horace and Boileau, and held that among the works of Shakespeare there was not one veritable tragedy. The romanticists, on the other hand, showed by their criticisms and works that their sympathies were with Schiller, Goethe, Burger, Byron, Shukovski, &c. Wilna was the chief centre from which this movement issued, and Brodziriski one of the foremost defenders of the new principles and the precursor of Mickiewicz, the appearance ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks

... have gone on with the story, but on SECOND thoughts, I thought myself TWO CENTURIES at least too late for the subject; which, though admitting of very powerful feeling and description, yet is not adapted for this age, at least this country. Though the finest works of the Greeks, one of Schiller's and Alfieri's, in modern times, besides several of our OLD (and best) dramatists, have been grounded on incidents of a similar cast, I therefore altered it as you perceive, and in so doing have weakened the whole, ...
— The Life of Lord Byron • John Galt

... through the room, in various stages of discouragement. My studies at this period were mainly in the direction of history, though with considerable reading on art and literature. Valuable and interesting to me at this time were the representations of the best dramas of Goethe, Schiller, Lessing, and Gutzkow, at the Berlin theaters. Then, too, really began my education in Shakspere, and the representations of his plays (in Schlegel and Tieck's version) were, on the whole, the most satisfactory I have ever known. I thus heard plays ...
— Volume I • Andrew Dickson White

... the same mould with the original conceiver of the piece. To form an adequate and correct conception of the proper representation of the leading characters in the masterpieces of Sophocles, Shakspeare, or Schiller, requires a mind of the same cast as that of those poets themselves. The performer must throw himself, as it were, into the mind of the author; identify himself with the piece to be represented; conceive the character in reality, as the poet had portrayed it in words, and then convey by acting ...
— Blackwood's Edinburgh Magazine, Volume 59, No. 363, January, 1846 • Various

... it for sixpence at the railway bookstall," said J.R.G. Mr. Goschen himself, however, was a man of wide cultivation, as befitted the grandson of the intelligent German bourgeois who had been the publisher of both Schiller and Goethe. His biography of his grandfather in those happy days before the present life-and-death struggle between England and Germany has now a kind of symbolic value. It is a study by a man of German descent who had become ...
— A Writer's Recollections (In Two Volumes), Volume II • Mrs. Humphry Ward

... that was the reason she gave me such a stupid, childish, sing-song nursery rhyme to learn. I can say lots of Schiller and some Goethe.' ...
— The Two Sides of the Shield • Charlotte M. Yonge

... immediate study could provide. General preparation consists of all that a man has put into himself, all that heredity and environment have instilled into him, and—that other rich source of preparedness for speech—the friendship of wise companions. When Schiller returned home after a visit with Goethe a friend remarked: "I am amazed by the progress Schiller can make within a single fortnight." It was the progressive influence of a new friendship. Proper friendships form one of the best means for the ...
— The Art of Public Speaking • Dale Carnagey (AKA Dale Carnegie) and J. Berg Esenwein

... where there is brutal indifference to the moral rights of others. What remains to her is that which she has inherited and preserved of the results of the great advancement in knowledge which began under the inspiration of Lessing and Kant, and culminated in the teaching of Goethe and Schiller and of the thinkers who were their contemporaries. That movement only came to a partial end in 1832. No doubt its character changed after that. The idealists in poetry, music, and philosophy gave place to great men of science, to figures such as those of Ludwig and Liebig, ...
— Before the War • Viscount Richard Burton Haldane

... philosophical thoughts in beautiful garment. Hence Mrs. Henry Pott may have found vestiges of a more perfected and nobler style in Bacon's Diaries, on which she founded her wild theory. Had not Kant and Fichte great influence on their contemporary, Schiller? Does not Goethe praise the influence exercised by Spinoza upon him? Let us assume that the latter two had been contemporaries; that they had lived in the same town. Would it not have been extraordinary if they had remained intellectual strangers to each other, instead of ...
— Shakspere And Montaigne • Jacob Feis

... the idealities of Kant and Hegel. Although he insisted that his faith in German thought and literature was exalted, he failed to approach German thought, and he shed never a tear of emotion over the pages of Goethe and Schiller. When his father rashly ventured from time to time to write him a word of common sense, the young man would listen to no sense at all, but insisted that Berlin was the best of educations in the best of Germanies; yet, when, at last, April came, and some ...
— The Education of Henry Adams • Henry Adams

... self-interest with the practical pursuit of advantages we have not yet got; and overlooking the fact that such appreciation implies enjoyment and is so far the very reverse of disinterested. The second philosophical theory (originally Schiller's, and revived by Herbert Spencer) takes advantage of the non-practical attitude connected with the word Beautiful to define art and its enjoyment as a kind of play. Now although leisure and freedom from cares ...
— The Beautiful - An Introduction to Psychological Aesthetics • Vernon Lee

... detective could not be deceived—something had occurred of more than usual import, and he was determined to ascertain what it was. Pressing him closely, Bucholz admitted, with a forced smile, that on the day before, he had been reading Schiller's play of "The Robbers," and that becoming excited by the heroic action of "Carl von Moor," he had thoughtlessly plunged his penknife, which he had in his hand at the time, into his own side. The blade had ...
— Bucholz and the Detectives • Allan Pinkerton

... [from Friedrich Schiller's 'Der Zauberlehrling' via the film "Fantasia"] n. A bug in a protocol where, under some circumstances, the receipt of a message causes multiple messages to be sent, each of which, when received, triggers ...
— THE JARGON FILE, VERSION 2.9.10

... which the Greeks appear to have realized, and for which Goethe and Schiller hoped, musicians must have acquired experience of physical movements; this, however, is certainly not the case to-day, for music has become beyond all others an intellectual art. While awaiting this transformation, ...
— The Eurhythmics of Jaques-Dalcroze • Emile Jaques-Dalcroze

... Schiller's Robbers Shakspeare Scotch Novels Lord Byron John Kemble Mathews Parliamentary Privilege Permanency and Progression of Nations Kant's Races of Mankind Materialism Ghosts Character of the Age for Logic Plato and Xenophon Greek Drama Kotzebue Burke ...
— Specimens of the Table Talk of S.T.Coleridge • Coleridge

... swindle and cheating—the adulteration of food, the stock exchange, etc.,—with the abolition of private capitalism. The halls in the Temples of Mammon will stand vacant; national bonds of indebtedness, stocks, pawn-tickets, mortgages, deeds, etc., will have become so much waste paper. The words of Schiller: "Let our book of indebtedness be annihilated, and the whole world reconciled" will have become reality, and the Biblical maxim: "In the sweat of thy brow shalt thou eat bread" will now come into ...
— Woman under socialism • August Bebel

... By Henry W. Nevinson. "Presents the leading facts of the poet's life in a neatly rounded picture, and gives an adequate critical estimate of each of Schiller's separate works and the effect ...
— Life of John Milton • Richard Garnett

... charm, and infuse delight. For the Muses, as Hesiod[5] says, were born that they might be "a forgetfulness of evils, and a truce from cares": and it is not enough that the poet should add to the knowledge of men, it is required of him also that he should add to their happiness. "All art," says Schiller, "is dedicated to joy, and there is no higher and no more serious problem, than how to make men happy. The right art is that alone, which ...
— Selections from the Prose Works of Matthew Arnold • Matthew Arnold

... at Harvard College before he was eighteen years of age. He then traveled in Europe, spending some time at the German universities. On his return, in 1822, he was appointed tutor in Greek at Harvard. His writings at this time were a small volume of original poems, some translations from Schiller and Goethe, and a few striking essays. Mr. Bancroft has held numerous high political offices. In 1838 he was appointed collector of the port at Boston; in 1845 he was made secretary of the Navy; in 1849 he was sent as United States Minister to ...
— McGuffey's Fifth Eclectic Reader • William Holmes McGuffey

... you call it," said Mab, flirting away her thimble. "Call it a chapter in Revelations. It makes me want to do something good, something grand. It makes me so sorry for everybody. It makes me like Schiller—I want to take the world in my arms and kiss it. I must kiss you instead, little mother?" She threw her arms ...
— Daniel Deronda • George Eliot

... between sentences as I read or wrote. They seemed to have a higher flavor, being seasoned with thoughts; but it was not equally sure if the thoughts were better for being seasoned with apple. However, one must not count herself so recherche as Schiller, who could only write when his desk ...
— The Atlantic Monthly, Volume 17, No. 102, April, 1866 • Various

... not apt to say any thing very fresh. And Julia only said she thought the flowers seemed happy in the sunlight In answer to this speech, which seemed to the lover a bit of inspiration, he quoted from Schiller the lines: ...
— The End Of The World - A Love Story • Edward Eggleston

... blessing to have the wider sight of the astral plane, for upon one in whom that vision is opened the sorrow and misery, the evil and the greed of the world press as an ever-present burden, until he often feels inclined to echo the passionate adjuration of Schiller: "Why hast thou cast me thus into the town of the ever-blind, to proclaim thine oracle with the opened sense? Take back this sad clear-sightedness; take from mine eyes this cruel light! Give me back my blindness—the happy darkness ...
— The Astral Plane - Its Scenery, Inhabitants and Phenomena • C. W. Leadbeater

... ornament being for the most part structural, or necessary. As the painter in his picture, so the artist in his book, aims at the production by honourable artifice of a peculiar atmosphere. "The artist," says Schiller, "may be known rather by what he omits"; and in literature, too, the true artist may be best recognised by his tact of omission. For to the grave reader words too are grave; and the ornamental word, the figure, the accessory form or ...
— Appreciations, with an Essay on Style • Walter Horatio Pater

... some one, believed to be his father; was seized, tried, and convicted, though sentence against him was never pronounced; died shortly after; the story of Don Carlos has formed the subject of tragedies, especially one by Schiller, the German poet (1545-1568). ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood

... with her usual child-like activity, and thoughtless yet not offensive inquisitiveness, she was rummaging the cupboard and the table-drawer of my little kitchen, she discovered first two French books, a volume of Schiller, a German grammar and dictionary, and then my drawing-materials and some sketches, including a pencil-head of a pretty little cherub-like girl, one of my scholars, and sundry views from nature, taken in the Vale of Morton and on the surrounding moors. She was first transfixed ...
— Jane Eyre - an Autobiography • Charlotte Bronte

... type of mind—it would be presumptuous to call it the best type of mind—which prefers Euripides to Sophocles, and Heine to Schiller, prefers also Emily Bronte to Charlotte Bronte, and Oliver Onions to Compton Mackenzie. Given the mind that in compiling such a list would at once drag in The Odyssey and The Psalms, and run hastily on ...
— One Hundred Best Books • John Cowper Powys

... whose works have reflected the characteristic hues of his sentiment and style; or to adduce particular instances of his influence upon writers of higher and more contrasted genius, such as Goethe and Byron, Schiller and Richter: what is to be noted, as underlying all such examples and illustrations, is the fact that a literature distinguished from that which had immediately preceded it by earnestness, simplicity and depth, by spontaneous and vivid conceptions ...
— Lippincott's Magazine of Popular Literature and Science, Vol. XII, No. 29. August, 1873. • Various

... In Schiller's house in Weimar there still hangs an engraving of the battle of Bunker Hill, by Mueller, a German, and a friend ...
— Germany and the Germans - From an American Point of View (1913) • Price Collier

... we find them also seriously used by writers whom we must respect, whether they are anonymous or not; something like one or another of them might be quoted, for example, from Professor Saintsbury, the late R.A.M. Stevenson, Schiller, Goethe himself; and they are the watchwords of a school in the one country where Aesthetics has flourished. They come, as a rule, from men who either practise one of the arts, or, from study of it, are interested in its methods. The general reader—a being so general that I may say ...
— English Prose - A Series of Related Essays for the Discussion and Practice • Frederick William Roe (edit. and select.)

... fruitful in great critics, historians, philosophers, economists, poets, and novelists, who won immortal fame, like Pope, Goldsmith, Johnson, Addison, Gibbon, Bentley, Hume, Robertson, Priestley, Burke, Adam Smith, in England; Klopstock, Goethe, Herder, Schiller, Lessing, Handel, Schlegel, Kant, in Germany; and Voltaire, Rousseau, Diderot, Marmontel, D'Alembert, Montesquieu, Rollin, Buffon, Lavoisier, Raynal, Lavater, in France,—all of whom were remarkable men, casting their fearless ...
— Beacon Lights of History, Volume VII • John Lord

... lifting up a volume of Schiller, and turning to the fly-leaf he read, "Helen Lennox, from Cousin Morris," just as Katy returned and with her Helen, whom ...
— Family Pride - Or, Purified by Suffering • Mary J. Holmes

... picture, and the staircase whereon he was first crowned Doge and subsequently decapitated. This was the thing that most struck my imagination in Venice—more than the Rialto, which I visited for the sake of Shylock: and more, too, than Schiller's 'Armenian,' a novel which took a great hold of me when a boy. It is also called the 'Ghost Seer,' and I never walked down St. Mark's by moonlight without thinking of it. And 'at nine o'clock he died.' But I hate things all fiction, ...
— My Recollections of Lord Byron • Teresa Guiccioli

... Madame Francs. I have passed several pleasant evenings with the former, and talked much of the literature of our country with him and his newly married spouse: a lively, lady-like, and intelligent woman. She is warm in commendation of the Mary Stuart of Schiller; which, in reply to a question on my part, she considers to be the most impassioned of that Dramatist's performances. Of English she knows nothing; but her husband is well read in Thomson, Akenside, and Pope; and of course is sufficiently well acquainted with our ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Two • Thomas Frognall Dibdin

... the story gone over the boards: in 1762 in Venice as "Turandotte," one of the fiabe of Count Carlo Gozzi; in 1804 in Weimar, as Friedrich Schiller's "Turandot." Both versions lived their passing hour, and ...
— Turandot, Princess of China - A Chinoiserie in Three Acts • Karl Gustav Vollmoeller

... evening somewhat long, when for the first time Alice discontinued her usual lesson; but Maltravers had abundant resources in himself. He placed Shakespeare and Schiller on his table, and lighted his German meerschaum—he read till he became inspired, and then he wrote—and when he had composed a few stanzas he was not contented till he had set them to music, and tried their melody with his voice. ...
— Ernest Maltravers, Complete • Edward Bulwer-Lytton

... but beautiful palace shaded by enormous trees, where royalty delighted to forget its cares. Here Ferdinand the Seventh spent his latter days, surrounded by lovely senoras and Andalusian bull-fighters: but as the German Schiller has it in one ...
— The Bible in Spain • George Borrow

... even when it is true insight into what some one else felt in some other age, draws its force and sublimity from current passions, passions potential in the auditor's soul. Mary Queen of Scots, for instance, doubtless repeated, in many a fancied dialogue with Queen Elizabeth, the very words that Schiller puts into her mouth in the central scene of his play, "Denn ich bin Euer Koenig!" Yet the dramatic force of that expression, its audacious substitution of ideals for facts, depends entirely on the scope which we lend ...
— The Life of Reason • George Santayana

... at eight. It was a beautiful panorama, but not surpassing all others I have seen. The vine-clad hillsides, the ruins of the old castles (nothing like as many of them as I had thought) and the winding of the river were all very lovely. We visited the cathedral, the monuments of Gutenberg and Schiller, and then the fortress and the remains of a Roman monument erected nine years ...
— The Life and Work of Susan B. Anthony (Volume 2 of 2) • Ida Husted Harper

... like a bearded Schiller, grey in the wings, tall, long-legged, with large remote grey eyes which sometimes filled with meaning and became almost beautiful, with nose a little to one side, and bearded lips just open—Ashurst, forty-eight, ...
— Forsyte Saga • John Galsworthy

... and taking down a picture from the wall, he begged her acceptance of it. It represented a scene from Schiller's "Song of the Bell," a fair young woman, surrounded by her children, seated on the balcony of her house. As title to the picture were printed ...
— Stories by Foreign Authors: German • Various

... has been written upon this subject of Free Will in the past; the point has been bitterly disputed for years. It may be said, however, that, at the present day, practically all philosophers and scientists, with few exceptions (e.g., James, Schiller, Bergson, etc.), believe in Determinism. The arguments for that doctrine are certainly weighty, and may ...
— The Problems of Psychical Research - Experiments and Theories in the Realm of the Supernormal • Hereward Carrington

... an organ endowed with organic life toward the inner stimuli which it receives from other parts of the body. That this also influences the activity of the imagination, Goethe has indicated in his statement to Schiller: "Impressions must work silently in me for a very long time before they show them selves willing to be ...
— Robin Hood • J. Walker McSpadden

... deceived by princes than the Germans. Constitutions were promised, and the promises shamefully violated, sometimes ostensibly conceded, but really never acted upon. The oaths of kings were synonymous for falsehood throughout the great fatherland. Schiller has sung— ...
— The History of England in Three Volumes, Vol.III. - From George III. to Victoria • E. Farr and E. H. Nolan

... shape in the Gemara ( doctrine). The Palestinian Gemara was reduced to writing in perhaps the 4th or 5th century; unfortunately it has been preserved to us only in part, but appears to have reached the Middle Ages in a perfect state (compare Schiller-Szinessy in the Academy, 1878, p. 170 seq.). Even thus the process which issued in the production of the Talmud was not yet completed; the Babylonian Amoraim carried it forward for some time longer, until at last at the rise of Islam ...
— Prolegomena to the History of Israel • Julius Wellhausen

... which is used for the purpose of wounding. From this point of view, some sentiments prove to be the most cruel weapons which man can employ against his fellow man. The genius of Schiller, lucid as it was comprehensive, seems to have revealed all the phenomena which certain ideas bring to light in the human organization by their keen and penetrating action. A man may be put to death by a thought. Such is the moral of those heartrending ...
— The Physiology of Marriage, Part III. • Honore de Balzac

... Tardrew, unfortunately on the wrong side; and backed by the collective ignorance, pride, laziness, and superstition of Aberalva, showed to his new assailant that terrible front of stupidity, against which, says Schiller, "the gods ...
— Two Years Ago, Volume I • Charles Kingsley

... was not Gussiter this time, but one Weissmann, but his game was identical—'deep breathing'. The Hun style was different from the English—all about the Goddess of Health, and the Nymphs of the Mountains, and two quotations from Schiller. But the ...
— Mr. Standfast • John Buchan

... of its tapestry, or a rifle of Namur; we had honored the vast manufacturing interest of the Netherlands, their commercial prosperity and noble enterprise; but here all thought of them had ended. Schiller had not taught us that the ancestors of the miners of Mons, the artisans of Brussels, the seamen of Antwerp, the professors of Leyden, were heroes, worthy to stand beside Leonidas and Bozzaris; Strada had failed to rouse us to enthusiasm at the thought of their long, noble battle for life. Grotius ...
— Continental Monthly - Volume 1 - Issue 3 • Various

... sad end. As to military historians, Kinglake's History of the Crimean War takes up, I think, some eight volumes. The whole course of the recent Boer War has been related in five substantial volumes. Neither of these wars lasted more than two years, yet both histories are many times larger than Schiller's History of the Thirty Years' War in Germany. The only edition of Schiller's work that I have found in the library of this University ...
— Studies in Literature and History • Sir Alfred Comyn Lyall

... subject of Alfred the Great. Therefore he is, in the German sense, a barbarian. Poor fellows like Gorky and Dostoieffsky have to form their own reflections on the scenery, without the assistance of large quotations from Schiller on garden seats; or inscriptions directing them to pause and thank the All-Father for the finest view in Hesse-Pumpernickel. The Russians, having nothing but their faith, their fields, their great courage, and ...
— The Appetite of Tyranny - Including Letters to an Old Garibaldian • G.K. Chesterton

... backs and the round table make it clear that the room serves the purposes of an office. On the table is a decanter for water and several glasses; above the desk hang a number of photographs. These photographs represent HASSENREUTER in the part of Karl Moor (in Schiller's "Robbers"), as well as in a number of other parts. One of the mailed dummies wean a huge laurel wreath about its neck. The laurel wreath is tied with a riband which bears, in gilt letters, the following inscription: "To our gifted manager Hassenreuter, from his grateful ...
— The Dramatic Works of Gerhart Hauptmann - Volume II • Gerhart Hauptmann

... boast of two things: theirs is the oldest branch of the order in Switzerland, dating from 1581, and they carry on in it the somewhat unappetizing industry of cultivating snails for the gourmands of foreign countries. Above the Capuchins is the famous Bannwald, mentioned by Schiller—a tract of forest on the mountain-slope, in which no one is allowed to fell trees, because it protects the village ...
— Seeing Europe with Famous Authors, Volume VI • Various

... Reformation was not essentially connected. Every event in the history of the world in this interval, if not directly occasioned, was nearly affected, by this religious revolution, and every state, great or small, remotely or immediately felt its influence."—Schiller's Thirty Years' War, vol. i. ...
— Luther and the Reformation: - The Life-Springs of Our Liberties • Joseph A. Seiss

... on the best books for study and use in all departments of literature. Yet one will look in vain there for such names as Montaigne, Shaftesbury, Benjamin Franklin, D'Alembert, Turgot, Adam Smith, Malebranche, Lessing, Goethe, Schiller, Fenelon, Burke, Kant, Richter, Spinoza, Flechier, and many others. Characteristically enough, if you turn up Rousseau in the index, you will find Jean Baptiste, but not Jean Jacques. You will search in vain for Dr. Thomas Reid the metaphysician, but will readily ...
— How to Form a Library, 2nd ed • H. B. Wheatley

... originality whatsoever, failing to recognize the grandeur of Israel's past, the Meassefim despised their Jewish surroundings too heartily to seek inspiration in them. For the most part they were shallow imitators, second-rate translators of Schiller and Racine. The language of the Jewish soul they could not speak, and they could not formulate a new ideal to take the place of the tottering traditions of the past and the faltering hope of a Messianic time. An entire generation was ...
— The Renascence of Hebrew Literature (1743-1885) • Nahum Slouschz

... the mind to which my attention has been called by an able paper read this spring to the Cambridge Moral Science Club by my friend Miss Amber Reeves. In this she has developed a suggestion of Mr. F.C.S. Schiller's. The current syllogistic logic rests on the assumption that either A is B or it is not B. The practical reality, she contends, is that nothing is permanent; A is always becoming more or less B or ceasing to be more ...
— First and Last Things • H. G. Wells

... most entirely descriptive poem ever written by Browning. In The Glove we have a new version, from an original and characteristic standpoint, of the familiar old story known to all in its metrical version by Leigh Hunt, and more curtly rhymed (without any very great impressiveness) by Schiller. Browning has shown elsewhere that he can tell a simple anecdote simply, but he has here seized upon the tale of the glove, not for the purpose of telling over again what Leigh Hunt had so charmingly and sufficiently told, but in order to present the old story in a new light, to show how the lady ...
— An Introduction to the Study of Browning • Arthur Symons

... purifies the affections, enlarges the imagination, and adds spirit to sense, is useful." Music is useful because it does this, and it is useful in many other ways. Singing strengthens the lungs, playing the muscles, and both stimulate the mind. Milton, Schiller, George Sand, Alfieri, and other geniuses have testified that music aroused their creative faculties; and in Beaconsfield's "Contarini" occurs this passage: "I have a passion for instrumental music. A grand orchestra fills my mind with ideas. I forget everything ...
— Chopin and Other Musical Essays • Henry T. Finck

... near the station of Amsteg on the Gotthard railway you've seen a tower, called Zwing-Uri, sung of by Schiller in his Wilhelm Tell. It stands there as a monument to the cruel oppression which the inhabitants of Uri suffered at the hands of the German Emperors. Good! On the Italian side of the Gotthard ...
— The Road to Damascus - A Trilogy • August Strindberg

... was meant was, that as those that had the power to avenge themselves when injured would use it, so people should be cautious how they provoked them. I am confirmed in this view by the following passage in the Wallenstein's Tod of Schiller, Act ...
— Notes and Queries, Number 211, November 12, 1853 • Various

... companions.—Having learned or sensed these distinctions, he elects to consort with Burns, Keats, Shelley, Southey, Homer, Dante, Virgil, Hawthorne, Scott, Maupassant, Goethe, Schiller, and George Eliot. In such society he never has occasion to explain or apologize for his companions. He reads their books in the open and gains a feeling of elation and exaltation. When he would see life in the large, he ...
— The Vitalized School • Francis B. Pearson

... inspired many poets, and Roland's death has been sung again by Goethe, Schiller, Pulci, Boiardo, Ariosto, Berni, Bornier, etc. History claims that French armies, once in the reign of Dagobert and once in that of Charlemagne, were attacked and slaughtered in the Pyrenees, but not by the Saracens. Besides, Charlemagne's ...
— The Book of the Epic • Helene A. Guerber

... his brethren the Soofis dealt in innuendoes. A third quotation has been trained into a likeness of the Hymn of Life, despite the commonplace and the navrante vulgarit which characterize the pseudo-Schiller-Anglo-American School. The same has been done to the words of Is (Jesus); for the author, who is well-read in the Ingl (Evangel), evidently intended the allusion. Mansur el-Hallj (the Cotton-Cleaner) was stoned ...
— The Kasidah of Haji Abdu El-Yezdi • Richard F. Burton

... dualism: "And what sort of an affair is it? Whose interests are suffering by it?" Frau von Stein, his senior by seven years, was thirty-four years old, and mother of seven children when Goethe first met her. According to Schiller she "can never have been beautiful," and in a letter to Koerner the latter says: "They say that their relationship (Goethe's and Charlotte von Stein's) is absolutely pure and irreproachable." It was a great mistake ever to regard this relationship as anything but a purely spiritual ...
— The Evolution of Love • Emil Lucka

... Sophocles a higher genius than Euripides; but Euripides has that idiosyncrasy, and Sophocles not. I doubt whether women would accept Goethe as their interpreter with the same readiness with which they would accept Schiller. Shakspeare, no doubt, excels all poets in the comprehension of women, in his sympathy with them in the woman-part of his nature which Goethe ascribes to the highest genius; but, putting aside that "monster," I do not remember any English poet whom we should consider conspicuously ...
— The Parisians, Complete • Edward Bulwer-Lytton

... broad shoulders and six feet one of her new master. This face was not handsome, for, true to his fatherland, the Professor had an eminent nose, a blonde beard, and a crop of "bonny brown hair" long enough to have been gathered into a ribbon, as in the days of Schiller and Jean Paul; but Dolly liked it, for its strength was tempered with gentleness; patience and courage gave it dignity, and the glance that met her own ...
— On Picket Duty and Other Tales • Louisa May Alcott

... is the supreme name in this order of poets, the men of sympathy and of humor, Milton stands first in that other great order which is too didactic for humor, and of which Schiller is the best recent representative. He was called the lady of his college not only for his beautiful face, but because of the vestal purity and austerity of his virtue. The men of the former class are intuitive, passionate, ...
— Stories of Authors, British and American • Edwin Watts Chubb

... Schiller.—By many friends of German literature it will be remembered that Goethe, during his life, carefully preserved a particular portion of his papers and letters, which he in 1827 transferred to the government of ...
— International Weekly Miscellany, Vol. 1, No. 2, July 8, 1850 • Various

... I were to praise his ode entitled Fire, Famine, and Slaughter, as an effusion of high poetical enthusiasm, and strong political feeling. His Sonnet to Schiller conveys a fine compliment to the author of the Robbers, and an equally fine idea of the state of youthful enthusiasm in which he ...
— Lectures on the English Poets - Delivered at the Surrey Institution • William Hazlitt

... from making the book a compromise and a failure, is one of the greatest sources of its charm, for each condition must be met as if the other did not exist, and when both are so met, we derive the same satisfaction as from any other combination of strength and grace, such as Schiller celebrates in his ...
— The Booklover and His Books • Harry Lyman Koopman

... on Venice, from Schiller and Radcliffe to Madame de Stael and Madame Dudevant! and yet we hardly know if any one, with the exception of the last, has more completely imbued his mind with the peculiar spirit of Venice, or reflected its impressions with more truth than Mr Whyte. Schiller, indeed, and Mrs Radcliffe, had never ...
— Blackwood's Edinburgh Magazine, Volume 59, No. 364, February 1846 • Various

... loftiest music,—in Wordsworth's lyrics as in Beethoven's sonatas—it is by what they unerringly suggest and not by what they exhaustively express that their truth and power are known. "In what he leaves unsaid," wrote Schiller, "I discover the master of style." It depends, no doubt, upon the vision of the "inward eye," and the reproductive power of the idealising mind, whether the result is a travesty of Nature, or the embodiment of a truth ...
— The Poetical Works of William Wordsworth - Volume 1 of 8 • Edited by William Knight

... appreciate the poets and mystics of Germany, and he did more even than Coleridge to make Englishmen familiar with them. He acquired at this time a knowledge of French and Italian literature too; but the philosophy of Kant and the writings of Goethe and Schiller roused him to greater enthusiasm. From Kant he learnt that the guiding principle of conduct was not happiness, but the 'categorical imperative' of duty; from Goethe he drew such hopefulness as gleams occasionally through his despondent utterances ...
— Victorian Worthies - Sixteen Biographies • George Henry Blore

... her own image the more bright from the darkness that surrounded it. For was it not with the daughter of his foe that the lover of Verona fell in love at first sight? And is not that a common type of us all—as if Passion delighted in contradictions? As the Diver, in Schiller's exquisite ballad, fastened upon the rock of coral in the midst of the gloomy sea, so we cling the more gratefully to whatever of fair thought and gentle shelter smiles out to us in the ...
— Night and Morning, Complete • Edward Bulwer-Lytton

... but am more interested in theater and literature. I read Wedekind, Rilke, and others. Goethe also. I don't like Schiller and George. ...
— The Prose of Alfred Lichtenstein • Alfred Lichtenstein

... of Romance, and the masters in whom the Italian Romanticists had studied them were the great German and English poets. The tragedies of Shakespeare were translated and admired, and the dramas of Schiller were reproduced in Italian verse; the poems of Byron and of Scott were made known, and the ballads of such lyrical Germans as Buerger. But, of course, so quick and curious a people as the Italians had been sensitive to all preceding influences in the literary ...
— Modern Italian Poets • W. D. Howells

... we the mentioned reforms execute, will it no longer so bad be. Doch noch eins. I might gladly the separable verb also a little bit reform. I might none do let what Schiller did: he has the whole history of the Thirty Years' War between the two members of a separable verb in-pushed. That has even Germany itself aroused, and one has Schiller the permission refused the History of the Hundred Years' War to compose—God be it thanked! After all these reforms established ...
— Innocents abroad • Mark Twain

... that the Customs' Union may lower our estimate of Weimar; a five years' war with Austria and Prussia, especially if we were assisted by the French, would make us rank Schiller himself—the greatest of German names—on the same humble level where we now place Victor Hugo. But there are thousands, of people in this good realm of England, who actually consider such beings a Spindler and Vandervelde ...
— Blackwood's Edinburgh Magazine, Volume 54, No. 337, November, 1843 • Various

... 150,000 to 210,000 men. Parliament was on the eve of a bitter constitutional quarrel with Bismarck, who became Prussian Prime Minister (Minister President) in 1862, about the grant of the necessary army funds. Most of the great intellects of Germany—Kant, Goethe, Schiller, Hegel, Fichte, Schleiermacher—had long passed away. Heinrich Heine died in Paris in 1856. Frederick Nietzsche was a youth, Richard Wagner's "Tannhaeuser" had just been greeted, in the presence of the composer, with a storm of ...
— William of Germany • Stanley Shaw

... favourable towards what is usually termed the pleasures of life; but I never was a votary at the shrine of luxury or fashion. A round of company, a routine of pleasure, were to me sources of weariness, if not of disgust. "There's nothing in all this to satisfy the heart," says Schiller; and I admit the force ...
— The Backwoods of Canada • Catharine Parr Traill

... See Schiller's Raeuber Act V., Scene 1. Franz Moor, seeing that the failure of all his villainous schemes is inevitable, and that his own ruin is close upon him, is at length overwhelmed with the madness of despair, and unburdens the terrors of his conscience to the old servant Daniel, bidding ...
— Weird Tales. Vol. I • E. T. A. Hoffmann

... than this mere sense of physical necessity, there are forces limiting the influence of romance. Schiller put it all into one ...
— The American Mind - The E. T. Earl Lectures • Bliss Perry

... fail to remind those who are conversant with Herodotus or Schiller of the legend of King Polycrates, which dates back five or six centuries before the present era. Polycrates, the king of Samos, was one of the most fortunate of men, and everything he took in hand was fabled to prosper. This ...
— Hebraic Literature; Translations from the Talmud, Midrashim and - Kabbala • Various

... away," sang Byron; and if Gay did not extinguish the failing flame of our night errantry—unlike the "Robbers" of Schiller, which is said to have inflamed the Saxon youth with an irrepressible mania for brigandage—, the "Beggar's Opera" helped not to fan the dying fire. That laugh was fatal, as laughs generally are. Macheath gave the highwayman ...
— Rookwood • William Harrison Ainsworth

... the clouds into vital contact with the immediate problems of the day. Thus there was developed a body of literature strongly polemic in purpose, quite hostile to the ideals of detachment and disinterested worship of beauty that Goethe and Schiller in their classical period had preached and practised. This literature took the form of fiction, drama, and journalism, as well as of poetry. Indeed, the only important lyric poet of the Young German group was HEINRICH HEINE (1797-1856), who had begun his ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VII. • Various

... by Rubens in the gallery at Munich. He would even keep a woman's fur cloak on an ottoman in his study and stroke it from time to time, finding that his brain thus received the same kind of stimulation as Schiller found in the odor ...
— Studies in the Psychology of Sex, Volume 3 (of 6) • Havelock Ellis

... walls. Produce a volume of Plato or of Shakespeare, he says somewhere, or 'only remind us of their names,' and instantly we come into a feeling of longevity. That is the scholar's speech. Opening a single essay at random, we find in it citations from Montesquieu, Schiller, Milton, Herodotus, Shelley, Plutarch, Franklin, Bacon, Van Helmont, Goethe. So little does Emerson lend himself to the idle vanity of seeking all the treasures of wisdom in his own head, or neglecting the hoarded authority of the ages. It is true that ...
— Critical Miscellanies, Vol. 1, Essay 5, Emerson • John Morley

... speak of myself, and say that this, the greatest work I have ever written, is well worth 1000 florins C.M. It is a new grand symphony, with a finale and voice parts introduced, solo and choruses, the words being those of Schiller's immortal "Ode to Joy," in the style of my pianoforte Choral Fantasia, only of much greater breadth. The price is 600 florins C.M. One condition is, indeed, attached to this Symphony, that it is not to appear till next year, July, 1825; but to compensate for this long delay, I will ...
— Beethoven's Letters 1790-1826 Vol. 2 • Lady Wallace

... him, he was plying him with sympathetic and attentive questions. This touched the old man; he ended by showing the visitor his music, played and even sang in a faded voice some extracts from his works, among others the whole of Schiller's ballad, Fridolin, set by him to music. Lavretsky admired it, made him repeat some passages, and at parting, invited him to stay a few days with him. Lemm, as he accompanied him as far as the street, agreed at once, and warmly pressed his hand; but when he was ...
— A House of Gentlefolk • Ivan Turgenev

... as we have seen, cast its spell over Germany's greatest poet and inspired the lyric genius of his later years for one of its most remarkable efforts, it remained practically without any influence on his illustrious friend and brother-poet Schiller. If Schiller had lived longer, it is not impossible that he too might have contributed to the West-Eastern literature. As it is, however, he died before the Oriental movement in Germany had really begun. At no time did he feel any particular interest in the ...
— The Influence of India and Persia on the Poetry of Germany • Arthur F. J. Remy

... in Schubert's mind at this time in connection with music, for the 'Hagar' was followed by another piece of even more lugubrious character, called 'Leichenfantasie' (Corpse-fantasia), a musical setting of Schiller's grim poem beginning: ...
— Story-Lives of Great Musicians • Francis Jameson Rowbotham

... good fortune to witness one original of Dannecker's chisel—of transcendent merit. I mean, the colossal head of SCHILLER; who was the intimate friend, and a townsman of this able sculptor. I never stood before so expressive a modern countenance. The forehead is high and wide, and the projections, over the eye-brows, are boldly, but finely and gradually, marked. The eye is rather full, but retired. The cheeks ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Three • Thomas Frognall Dibdin

... all into large barricades in front of their heads, leaving their occipital region exposed without ornament, as if that, being a back view, was of no consequence, dreamed as little that their daughters would read a selection of German poetry, and be able to express an admiration for Schiller, as that they would turn all their hair the other way—that instead of threatening us with barricades in front, they would ...
— Scenes of Clerical Life • George Eliot

... affair there is one person who adores while the other allows himself to be adored, and that saying may, with equal justice, be applied to the many literary and artistic friendships of which, pace the elder D'Israeli, history knows so many examples. Petrarch and Boccaccio, Schiller and Goethe, Byron and Shelley immediately occur to the mind in such a connection; but in none of these is the mutual position of giver and receiver of worshipper and worshipped so distinctly marked as ...
— Correspondence of Wagner and Liszt, Volume 1 • Francis Hueffer (translator)

... bound, and they bear marks of assiduous reading. Among the "unbelieving books" are the works of Fenelon, Bossuet, and Pascal, peacefully assorted with those of Voltaire and the Encyclopaedists, whilst Lavater, Gellert, Lessing, and Klopstock find a place by the side of Goethe and Schiller, and the plays ...
— Major Frank • A. L. G. Bosboom-Toussaint

... minute or two before eleven I turned up at the Schiller Platz in my short serge dress and cycling jacket. The great square was thronged with spectators to see us start; the police made a lane through their midst for the riders. My backer had advised me to come to the post as late as possible, 'For I have ...
— Miss Cayley's Adventures • Grant Allen

... philosophy of the eighteenth century, rather than in coincidence with or in admiration of its works and tendencies. During my residence in Paris, German metaphysics and literature had been my favourite study; I read Kant and Klopstock, Herder and Schiller, much more frequently than Condillac and Voltaire. M. Suard, the Abbe Morellet, the Marquis de Boufflers, the frequenters of the drawing-rooms of Madame d'Houdetot and of Madame de Rumford, who received me with ...
— Memoirs To Illustrate The History Of My Time - Volume 1 • Francois Pierre Guillaume Guizot



Words linked to "Schiller" :   writer, Johann Christoph Friedrich von Schiller, author



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