"Rococo" Quotes from Famous Books
 ... for Friar's Oak, sister Mary," said he. "And yet you can understand that they might seem rococo in the Mall. If you leave him in my hands I shall see to ...
— Rodney Stone • Arthur Conan Doyle
... came round Gabriel found an opportunity of getting a few days' work. They were going to put up in the Cathedral the famous "Monument" between the choir and the Puerta del Perdon. It was a heavy and complicated erection, of a sumptuous and rococo style, which had cost the second Cardinal de Bourbon a fortune at the beginning of last century. A real forest of woodwork formed the basis of the monument; the riches of the cardinal had created a prodigality of solidity and sumptuousness, and several ...
— The Shadow of the Cathedral • Vicente Blasco Ibanez
... and Leslie paid for them with phlegm. They picked up not only carved olive-oil tanks and well-heads and fifteenth-century iron-work gates from ancient and impoverished gardens, but a contemporarily copied Della Robbia fireplace, and designs for Renaissance ceilings, and a rococo carved and painted altar-piece from a mountain church whose parroco was hard-up, and a piece of 1480 tapestry that Peter loved very much, whereon St. Anne and other saints played among roses and raspberries, ...
— The Lee Shore • Rose Macaulay
... mornings and afternoons spent by that bedside, and how the religieuse hovered about me, and how meek and good and inefficient she was, and how horribly black were her nails. Other figures come and go, and particularly the doctor, a young man plumply rococo, in bicycling dress, with fine waxen features, a little pointed beard, and the long black frizzy hair and huge tie of a minor poet. Bright and clear-cut and irrelevant are memories of the Basque hostess of my uncle's inn and of the family of Spanish ...
— Tono Bungay • H. G. Wells
... representative of German architecture and sculpture to the Germanic Museum at Harvard, he showed, in enumerating and discussing the restorations at Marienburg and Naumburg, the bas-reliefs at Halberstadt, the masks and statues of Andreas Schluter at Berlin, and the Renaissance and rococo work at Lubeck and Danzig, a knowledge and appreciation worthy of a trained architect ...
— Autobiography of Andrew Dickson White Volume II • Andrew Dickson White
... the men who led in this reaction, cathedrals and churches, which in the previous century had been regarded by men of culture as mere barbaric masses of stone and mortar, to be masked without by classic colonnades and within by rococo work in stucco and papier mache, became even more beloved than in the thirteenth century. Even men who were repelled by theological disputations were fascinated and made devoted reactionists by the newly revealed beauties of ...
— History of the Warfare of Science with Theology in Christendom • Andrew Dickson White
... placques of various colors, garnished with medallions and consoles; then a great rose-colored wall in which is cut a large window with columnets; all styles are found there—the Byzantine, the Saracen, the Lombard, the Gothic, the Roman, the Greek, and even the Rococo; the column and the columnet; the lancet and the semicircle; the fanciful capital, full of birds and of flowers, brought from Acre or from Jaffa; the Greek capital found in Athenian ruins; the mosaic ...
— Seeing Europe with Famous Authors, Volume 7 - Italy, Sicily, and Greece (Part One) • Various
... intensify this effect. This style was followed by the Louis Quinze, inferior to it in every respect, and in which symmetry, at least in detail, seems to be carefully avoided. It still further degenerated into the Rococo, the most extravagant and exaggerated of all the historic styles, and which prevailed in the latter part of the 18th and the ...
— Scientific American Supplement, No. 598, June 18, 1887 • Various
... paleocrystic^; fossil, paleozoolical, paleozoic, preglacial^, antemundane^; archaic, classic, medieval, Pre-Raphaelite, ancestral, black-letter. immemorial, traditional, prescriptive, customary, whereof the memory of man runneth not to the contrary; inveterate, rooted. antiquated, of other times, rococo, of the old school, after-age, obsolete; out of date, out of fashion, out of it; stale, old-fashioned, behind the age; old-world; exploded; gone out, gone by; passe, run out; senile &c 128; time worn; crumbling &c (deteriorated) ...
— Roget's Thesaurus of English Words and Phrases: Body • Roget
... with monsieur sitting complacently at the door and madame, fat and voluble, at the money-drawer, and on the floor above, a still more expensive suite of rooms to let—rooms panelled in white and gold, resplendent with rococo mouldings, and crowded with abominable furniture, intended to be coquettish—gilt chairs, scalloped tables, embroidered lambrequins, ottomans smothered in plush and fringe, beds draped with curtains ...
— Affairs of State • Burton E. Stevenson
... by Shakspere, Daniel, Drayton, Drummond, Constable, Watson, and others, all dedicated to some mistress real or imaginary. Pastorals, too, were written in great number, such as William Browne's Britannia's Pastorals and Shephera's Pipe (1613-1616) and Marlowe's charmingly rococo little idyl, {95} The Passionate Shepherd to his Love, which Shakspere quoted in the Merry Wives of Windsor, and to which Sir Walter Raleigh wrote a reply. There were love stories in verse, like Arthur Brooke's Romeo and Juliet (the source of Shakspere's tragedy), Marlowe's ...
— Brief History of English and American Literature • Henry A. Beers
... of these rooms also dated from the days of Augustus the Strong. They were luxurious with heavy silk and rich rococo furniture, all of which were much soiled with age. As a matter of fact, I was delighted by these large strange rooms, looking out upon the bustling Leipzig market-place, where I loved above all to watch the students in the crowd making their ...
— My Life, Volume I • Richard Wagner
... commonplace crowds are indeed good things, like violets and geraniums; but they do not go together. A billycock is a beautiful object (it may be eagerly urged), but it is not in the same style of architecture as Ely Cathedral; it is a dome, a small rococo dome in the Renaissance manner, and does not go with the pointed arches that assault heaven like spears. A char-a-banc is lovely (it may be said) if placed upon a pedestal and worshipped for its own sweet sake; but it does not harmonize with the curve and outline of the old three-decker ...
— Alarms and Discursions • G. K. Chesterton
... may strike as freshly as ever—they were not according to the Ideal of their own time—just now, they drop into the ready ear,—next hundred years, who will be the Rossini? who is no longer the Rossini even I remember—his early overtures are as purely Rococo as Cimarosa's or more. The sounds remain, keep their character perhaps—the scale's proportioned notes affect the same, that is,—the major third, or minor seventh—but the arrangement of these, the sequence the law—for them, if it should change every thirty years! To Corelli nothing ...
— The Letters of Robert Browning and Elizabeth Barrett Barrett, Vol. 1 (of 2) 1845-1846 • Robert Browning and Elizabeth Barrett Barrett
... of the Water Fairies. [Footnote: Also called from a legend, Oonahgemessuk k'tubbee, the Water Fairies' Spring. This appropriate and beautiful name has been rejected in favor of the ridiculously rococo term "Diana's Bath." As there is a "Diana's Bath" at almost every summer watering place in America, North Conway must of course have one. The absolute antipathy which the majority of Americans manifest for the aboriginal names, even in a translation, is really remarkable.] Now ...
— The Algonquin Legends of New England • Charles Godfrey Leland
... the dinner hour at his home, decided to find his evening meal at a restaurant. One of these, with a display of shell-fish grouped about a miniature fountain in its window, confronted him ere long and he entered a rococo interior of mirrored walls. What caught his fancy more than the ornate furnishings, however, was a very pretty girl sitting within a cashier's cage of ...
— Port O' Gold • Louis John Stellman
... a blank and helpless air, as if, for the first time in his life, he was beginning to question the finality of his own judgment. Then his eyes wandered off to the cornice of the wall, whose florid rococo upholstery won his ...
— Ilka on the Hill-Top and Other Stories • Hjalmar Hjorth Boyesen
... by flaws such as every Mrs. Moggridge can point out,—faces that begin in one style and end in another, half Greek perhaps and half Gothic; yet even such faces, if their individuality is strong enough, have their own rococo charm. For all but supremely great faces, of which perhaps the world has not seen half-a-dozen, absolute regularity, so-called correctness, of features is a calamity, and regular beauty on the ordinary human levels is only ...
— The Romance of Zion Chapel [3d ed.] • Richard Le Gallienne
... Cupid hold the mirror in which she tests her majestic allure with cold satisfaction. He looks as though his task were becoming burdensome enough. The picture is painted flattery. Later an 'expert' in the Rococo period baptized the lady with the name of Venus. The furs of the despot in which Titian's fair model wrapped herself, probably more for fear of a cold than out of modesty, have become a symbol of the tyranny and cruelty that constitute woman's ...
— Venus in Furs • Leopold von Sacher-Masoch |
