"Keats" Quotes from Famous Books
 ... was the son of a schoolmaster who had served as usher with George Dyer at Northampton. Afterwards he established a school at Enfield, where Keats was one of the scholars. Charles Cowden Clarke, at this time a bookseller, remained one of Keats' friends and was a friend also of Leigh Hunt's, on whose behalf he seems to have written to Lamb. Later he became a partner of Alfred Novello, the musical publisher, son of Vincent Novello. In ...
— The Works of Charles and Mary Lamb (Vol. 6) - Letters 1821-1842 • Charles and Mary Lamb
... the other evening, and heard, first a sweet complaining cry, and then footsteps, and then the dragging sound,—nothing but his bed, I am quite sure,—I felt a stirring in the roots of my hair as the feasters did in Keats's terrible poem ...
— The Professor at the Breakfast Table • Oliver Wendell Holmes (Sr.)
... for that reason of a slow rate of development. The most highly differentiated organisms are the slowest to mature, and without question Gilbert did mature very late. He was now passing through the stage described by Keats: "The imagination of a boy is healthy and the mature imagination of a man is healthy; but there is a space of life between"—a period unhealthy or ...
— Gilbert Keith Chesterton • Maisie Ward
... and defects of his poetry. He came to look below the surfaces of things for the soul beneath them. He came to be "the subtlest assertor of the Soul in Song," and like his own pair of lovers on the Campagna, "unashamed of soul." His early preference of Shelley to Keats indicated this bent. His readers are conscious always of revelations of the souls of the men and women he portrays; the sweet and tender womanhood of the Duchess, the sordid and material soul of the old ...
— Browning's Shorter Poems • Robert Browning
... left England for the last time, he communicated to Keats, of the Superb, a full explanation of his views as they then existed in his mind, and Keats has preserved it in the ...
— Fighting Instructions, 1530-1816 - Publications Of The Navy Records Society Vol. XXIX. • Julian S. Corbett
... clouds. Just beneath my window a tree was pushing into bud. Pools of water lay thick on the dirty melting snow. I got the Rat to bring a little table and put some books on it. I had near me The Spirit of Man, Keats's Letters, The Roads, Beddoes, and Pride and Prejudice. A consciousness of the outer world crept, like warmth, ...
— The Secret City • Hugh Walpole
... shapes like cloaks carried by grandees, were as nothing to her because the hurricane tore the short ends of her hair from under her hat and made them straggle on her forehead. "I doubt if I'll be able to appreciate Keats if this goes on," she meditated gloomily. And the people that went by, instead of being as usual mere provocation for her silent laughter, had to-day somehow got power over her and tormented her by making her suspect the worthlessness of her errand. It ...
— The Judge • Rebecca West
... turn on modern literature, with which his acquaintance was very slight. He seemed to avoid reading the products of modern thought lest his own strong opinions should undergo dilution. We were once talking of Keats whose fame had been constantly increasing, but of whose poetry Borrow's knowledge was of a shadowy kind, when suddenly he put a stop to the conversation by ludicrously asking, in his strong voice, 'Have they not been trying to ...
— The Life of George Borrow • Herbert Jenkins
... Rossetti, Morris, two novels by Rhoda Broughton, Dickens, Thackeray, Fielding, and Smollett; the complete works of Balzac, Gautier's Emaux et Camees, Salammbo, L'Assommoir; add to this Carlyle, Byron, Shelley, Keats, &c. ...
— A Mere Accident • George Moore
... might be added a refining of taste, something all too frequently lacking and something that can come only from the most arduous and diligent culture. When we further secure such things as these the race may indeed possess not only a Horton, a Harper, or a Whitman, but a Tennyson, a Keats, ...
— The Journal of Negro History, Volume 2, 1917 • Various
... triumph of Waterloo, and even Stoke-Newington must have awakened to the pulsing of the atmosphere. Not far away were Byron, Shelley, and Keats, at the beginning of their brief and brilliant careers, the glory and the tragedy of which may have thrown a prophetic shadow over the American boy who was to travel a yet darker path ...
— Literary Hearthstones of Dixie • La Salle Corbell Pickett
... Thackeray, Dickens, Scott, Eliot, and Victor Hugo. He should know intimately the great verse which involves spiritual problems, and human strife and aspiration,—Milton, Beowulf, Caedmon, Chaucer, Shakespeare, Spenser, ballads, sagas, the Arthur-Saga, the Nibelungenlied, Wordsworth, Coleridge, Keats, Herbert, Tennyson, Browning, Dante and Christina Rossetti, Whittier, Lowell, Longfellow, to say nothing of Goethe, Corneille, and the Greek, Roman, Persian, Egyptian, Hindu, ...
— The Warriors • Lindsay, Anna Robertson Brown
... Similarly, most of the estimates— many already reversed, others reversible—by the men of that age, of each other, can be explained. We can see how it was that Shelley overestimated both the character and the powers of Hunt; and Byron depreciated Keats, and was ultimately repelled by Wordsworth, and held out his hand to meet the manly grasp of Scott. The one enigma of their criticism is the respect that they joined in paying to the witty, genial, shallow, worldly, ...
— Byron • John Nichol
... saw Keats the other day," Mrs. Wilkins incoherently proceeded, driven on by Mrs. Fisher's look over the top of her glasses. "In Hampstead—crossing the road in front of that house—you know—the house where ...
— The Enchanted April • Elizabeth von Arnim
... Nay, when Keats died the Muses still had left One silver voice to sing his threnody, But ah! too soon of it we were bereft When on that riven night and stormy sea Panthea claimed her singer as her own, And slew the mouth that praised her; since which ...
— Poems • Oscar Wilde
... last century appeared at the western corner of Market Street, Sligo, where the butcher's shop now is, not a palace, as in Keats's Lamia, but an apothecary's shop, ruled over by a certain unaccountable Dr. Opendon. Where he came from, none ever knew. There also was in Sligo, in those days, a woman, Ormsby by name, whose husband had fallen mysteriously sick. The doctors could make nothing of him. ...
— The Celtic Twilight • W. B. Yeats
... unquenched activity where the early dead, free from the clogs and trammels of the lower world, may follow out the impulses of their diviner nature,—where Andrea has no wife, and Raphael and Van Dyck no disease,—where Keats and Shelley have all eternity for their lofty rhyme,—where Ellsworth and Koerner and the Lowell boys can turn their alert and athletic intelligence to something ...
— Castilian Days • John Hay
... and plants a shade for her. When she wakes she is pleased, and asks what he wants for such kindness. He asks nothing less than to take her to wife; and she is content, but, avowing herself a Vila, forbids him to utter that name, for if he should do so she must quit him at once. Keats has glorified one of these stories by his touch; and it was a true instinct that guided him to make Lamia's disappearance follow, not on Apollonius' denunciation of her real character, but on the echo of the words "A serpent!" ...
— The Science of Fairy Tales - An Inquiry into Fairy Mythology • Edwin Sidney Hartland
... smokin', but I've sent for yer mother.... Goin'? oh, don't run away: I won't 'arm yer. I've got a good 'art, I 'ave.... "Down with croolty to animals," I say,' and so on. It is evident that this mode of speech is not only literary, but literary in a very ornate and almost artificial sense. Keats never put into a sonnet so many remote metaphors as a coster puts into a curse; his speech is one long allegory, like Spenser's ...
— The Defendant • G.K. Chesterton
... this view of the Pacific by Balboa was September 25, 1513. Readers of the poems of Keats are familiar with the error in his sonnet "On First Looking Into Chapman's 'Homer,'" where, by a curious error, never corrected, he makes Cortez, instead of Balboa, the Spaniard who stood "silent upon ...
— Great Epochs in American History, Volume I. - Voyages Of Discovery And Early Explorations: 1000 A.D.-1682 • Various
... had begun to kindle with the splendors of day. In a group of darksome trees beside a little stream two hundred paces distant a song thrush was wont to trill forth the holy soul of awakening nature in such a paean of deathless Pan as inspired John Keats to utter the melodies of his magic ode. It consecrated the footsteps of the approaching sun, and the hearer was borne back on its swelling current to those pure early aeons of the human race, when love was the lord of life and innocence went forth ...
— The Subterranean Brotherhood • Julian Hawthorne
... Anti-Jacobin and afterwards of the Quarterly Review, in which he attacked Wordsworth, Shelley, and Keats. His satires, the Baviad and the Maviad, had some reputation in ...
— Critical and Historical Essays Volume 2 • Thomas Babington Macaulay
... over 60 authors, including Fitzgerald, Shelley, Shakespeare, Kenneth Grahame, Stevenson, Whitman, Browning, Keats, Wordsworth, Matthew Arnold, Tennyson, William Morris, Maurice Hewlett, Isaak Walton, William Barnes, Herrick, Dobson, ...
— Somehow Good • William de Morgan
... word the main history of any person or thing, past or even future, as in the 'starry Galileo' of Byron, and that ghastly foregone conclusion of the epithet 'murdered' applied to the yet living victim in Keats's story from Boccaccio,— ...
— English Critical Essays - Nineteenth Century • Various
... Evangelical home, that the parents should have unhesitatingly supplied the boy of fourteen, at some cost of time and trouble, with all the accessible writings of the "atheistical" poet, and with those of his presumably like-minded friend Keats as well. He fell instantly under the spell of both. Whatever he may have known before of ancient or modern literature, the full splendour of romantic poetry here broke upon him for the first time. Immature as he was, he already responded ...
— Robert Browning • C. H. Herford
... Baudelaire. Such complexity of style is the outcome of his cosmopolitan taste in literature, and his tendency to assimilate for future use whatever pleases him in each successive author. Shakespeare and Goethe, Keats and Heine, Plato and Zoroaster, figure among the names which throng his pages; while his unacknowledged and often unconscious indebtedness to writers of lesser magnitude,—notably the self-styled 'Sar' Joseph Peladan—has lately raised ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 2 • Charles Dudley Warner
... he answered, "to the dirtiest, most woebegone, most forlorn little children I can find. I shall do this in memory of John Keats." ...
— The Best Short Stories of 1919 - and the Yearbook of the American Short Story • Various
... in poetic susceptibility by the genius of Keats and Tennyson, should not forget the early muse of Crashaw. His verse is the very soul of tenderness and imaginative luxury: less intellectual, less severe in the formation of a broad, manly character than Herbert; catching up the brighter inspirations of Vaughan, and excelling him ...
— Gifts of Genius - A Miscellany of Prose and Poetry by American Authors • Various
... from Hume—in 1757.]—from reverting to the metre that Milton had scorned to touch. It is not till the present century that blank verse can be said to have fairly taken seisin of the epic; one of the many services that English poetry owes to the genius of Keats. ...
— English literary criticism • Various
... is our own romantic land transposed into terms of classical metre. The color is mostly Greek, and the line is Greek. You could just as well hear Glueck as Keats; you could just as well see the world by the light of the virgin lamp, and watch the smoke of old altars coiling among the cypress boughs. The redwoods of the West become columns of Doric eloquence and simplicity. The mountains and ...
— Adventures in the Arts - Informal Chapters on Painters, Vaudeville, and Poets • Marsden Hartley
... artists who seem to escape the influences of the time-spirit. The most familiar example is that of Keats. He can no doubt be assigned to the George the Fourth period by a critical examination of his vocabulary, but the characteristic political and social movements of that epoch in England left him almost untouched. Edgar Allan ...
— The American Mind - The E. T. Earl Lectures • Bliss Perry
... out of the window, to prove the value of Professor Frazer and culture. Next morning Carl and the Turk enrolled in Frazer's optional course in modern poetry, a desultory series of lectures which did not attempt Tennyson and Browning. So Carl discovered Shelley and Keats and Walt Whitman, Swinburne and Rossetti and Morris. He had to read by crawling from word to word as though they were ice-cakes in a cataract of emotion. The allusiveness was agonizing. But he pulled off his shoes, rested his feet on the ...
— The Trail of the Hawk - A Comedy of the Seriousness of Life • Sinclair Lewis
... its inception, when each quarterly gloried in the character of a literary ogre, and dead men's bones lay round its doors, as erst about the castle of Giant Despair. Authors are not now thrown to the wild beasts for the entertainment of the multitude, as in former days; and had John Keats, or even poor Henry Kirke White, written and published fifty years later, they would never have perished by the critic's pen. Yet the same malignant assault which crushed their tender muse was the only thing ...
— Continental Monthly, Vol. I., No. IV., April, 1862 - Devoted To Literature And National Policy • Various
... literary men. What would Verne think when he found the hearth only a gas log, and one that had a peculiarly offensive odour? This sickly sweetish smell had become in years of intimacy very dear to Stockton, but he could hardly expect a poet who lived in Well Walk, Hampstead (O Shades of Keats!), and wrote letters from a London literary club, to understand that sort of thing. Why, the man was a grandson of Jules Verne, and probably had been accustomed to refined surroundings all his life. And now he was doomed to plumb the sub-fuse ...
— Shandygaff • Christopher Morley
... inferior in perfection of form, but certainly informed with a deep human feeling which I found not in their elaborate works. The artist has chosen the moment in which Ruth is addressed by Boaz as she stands among the gleaners. He quoted to me the lines of Keats, on ...
— Letters of a Traveller - Notes of Things Seen in Europe and America • William Cullen Bryant
... picturesqueness. They had seen the Baths of Caracalla and the Temple of Janus and St. Peter's and the Vatican marbles, and had driven out on the Campagna and to the Pamphili-Doria Villa to gather purple and red anemones, and to the English cemetery to see the grave of Keats. They had also peeped into certain shops, and attended a reception at the American Minister's,—in short, like most unwarned travellers, they had done about twice as much as prudence and experience would have permitted, had those ...
— What Katy Did Next • Susan Coolidge
... dreams, because with such a nature he could not help it; but he must have been temporarily indifferent to them, absorbed in mastering the purely technical part of his business. If we compare the letters of the time with, say, Keats's and Shelley's, it is startling to find him enthusing over the affairs of the parish and seemingly turning his back on the great thoughts of life, on life's colour, romance, poetry—call it what we like. About the Poles he is enthusiastic and fiery enough. ...
— Richard Wagner - Composer of Operas • John F. Runciman
... enjoyment of creation, and genius itself, when going down into the fiery baptism of sorrow, or walking over the red-hot ploughshares of temptation, would rather take all its suffering and peril than not be itself;—and well it may; for it is making, what poor heart-broken Keats sung, ...
— The Atlantic Monthly, Volume 4, No. 24, Oct. 1859 • Various
... slowly progressing at the expense of the landlord and the eating-house keeper, Haydon spent his leisure in literary rather than artistic circles. At Leigh Hunt's he met, and became intimate with Charles Lamb, Keats, Hazlitt, and John Scott. In January 1813 he writes: 'Spent the evening with Leigh Hunt at West End. His society is always delightful. I do not know a purer, more virtuous partner, or a more witty and enlivening man. We talked of his approaching ...
— Little Memoirs of the Nineteenth Century • George Paston
... a grace that we fancy was Greek, lead a dance that traces the story of the spring, summer, and autumn of life. Finally the supple dancers turn gray and old and die, but not before they have given us a vision from the Ionian islands. The play might have been inspired from reading Keats' Lamia, but is probably derived from the work of Isadora Duncan. This chapter has hereafter only a passing word or two on literal sculptural effects. It has more in mind the carver's attitude toward all ...
— The Art Of The Moving Picture • Vachel Lindsay
... in the morning when she reached the Porte Banniere, and she sat three hours in her state carriage without seeing a person. With amusing politeness, the governor of the city at last sent her some confectionery,—agreeing with John Keats, who held that young women were beings fitter to be presented with sugar-plums than with one's time. But he took care to explain that the bonbons were not official, and did not recognize her authority. So she quietly ate them, and then decided to take a walk outside the ...
— The Atlantic Monthly, Volume 2, Number 9, July, 1858 • Various
... called for her in a cab each morning, and drove her to her home each night. He would have laid a carpet of flowers for her from the office to the curb had it been practicable. Also, he discovered Keats and Shelley and Byron and Swinburne, and quoted them until the office boys, who alone remained to listen to him, demanded that increase of salary justly attached to increased nervous strain. Swinburne, Harrington promptly decided, he did not like. There was an ...
— Many Kingdoms • Elizabeth Jordan
... Every one knows by heart the faces of Scott and Byron, Southey and Coleridge. But there is one little portrait, hung at the end of the gallery, in front of which we pause. It has no remarkable merit as a work of art, but it is the portrait of Keats, painted in Rome by his friend Severn. The young poet is resting his head on his hand, as if it were heavy and tired. His face has a look of illness; his eyes are large, and the spaces around them are hollow. His wide and well-formed brow, and all the features, betray a temperament delicate, ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... might be termed brutal; his intellectual self-sufficiency was worthy of a Macaulay or of a Donne. A fellow-denouncer of snobs, he made Thackeray very uncomfortable by his contemptuous ignorance of The Snob Papers, and even of the name of the periodical in which they were appearing. Concerning Keats he once asked, "Have they not been trying to resuscitate him?" When Miss Strickland wanted to send him her Lives, he broke out: "For God's sake don't, madam; I should not know where to put them or what to do with them." Scott's Woodstock he picked up more than ...
— Isopel Berners - The History of certain doings in a Staffordshire Dingle, July, 1825 • George Borrow
... life would teach, were it as vividly presented.' Again, it was the thing made that took him, the drama in the book; to the book itself, to any merit of the making, he was long strangely blind. He would prefer the AGAMEMNON in the prose of Mr. Buckley, ay, to Keats. But he was his mother's son, learning to the last. He told me one day that literature was not a trade; that it was no craft; that the professed author was merely an amateur with a door-plate. 'Very well,' said I, 'the first ...
— Memoir of Fleeming Jenkin • Robert Louis Stevenson
... best. In England he loved going to see graveyards, and knew where every poet was buried. He was very familiar with the poetry of the immediate past—Cowper, Coleridge, Gray, Wordsworth, Shelley, Keats, and the rest. He liked us, so everything we did was right to him. He could not help being guided entirely by his feelings. If he disliked a thing, he had no use for it. Some men can say, "I hate this play, but of its kind it is admirable." Willie Winter ...
— McClure's Magazine, Vol 31, No 2, June 1908 • Various
... work of art. It displays throughout great force and delicacy of conception, a fine sense of harmony, and a power and decision of expression which neither overloads nor falls short of the thought. In tone it is half way between Shelley and Keats, neither so ideal as the one nor so sensuous as the other. Keat's Endymion is so thick with fancies, and verbal daintinesses, and sweet sensations, that with all its wonderful affluence of beautiful things ...
— Graham's Magazine Vol XXXIII No. 1 July 1848 • Various
... he heard that Byron was no great poet, though a very clever man; he heard that there had been a wicked persecution against Mr. Pope's memory and fame, and that it was time to reinstate him; that his favourite, Dr. Johnson, talked admirably, but did not write English; that young Keats was a genius to be estimated in future days with young Raphael; and that a young gentleman of Cambridge, who had lately published two volumes of verses, might take rank with the greatest poets of all. Dr. Johnson not ...
— History of English Humour, Vol. 2 (of 2) • Alfred Guy Kingan L'Estrange
... difficult that it has never yet been completely answered. You may talk lightly about truth, insight, knowledge, wisdom, humour, and beauty. But these comfortable words do not really carry you very far, for each of them has to be defined, especially the first and last. It is all very well for Keats in his airy manner to assert that beauty is truth, truth beauty, and that that is all he knows or needs to know. I, for one, need to know a lot more. And I never shall know. Nobody, not even Hazlitt nor Sainte-Beuve, has ever finally explained why ...
— Literary Taste: How to Form It • Arnold Bennett
... of heart, or even in vividness of imagination to picture what they are doing: though much of the suffering and disappointment of this world is caused by men who are almost unaware of what they do. Like the brothers of Isabella, in Keats' beautiful poem, ...
— The Recreations of A Country Parson • A. K. H. Boyd
... in the style of Byron and Pope; the "Death of Harold"; his poems, written when twelve years old, shown to Miss Flower; the Rev. W.J. Fox's criticisms on them; he comes across Shelley's "Daemon of the World"; Mrs. Browning procures Shelley's poems, also those of Keats, for her son; the perusal of these volumes proves an important event in his poetic development; he leaves school when fourteen years old, and studies at home under a tutor; attends a few lectures at University College, 1829-30; chooses his career, at the age of twenty; earliest record of his ...
— Life of Robert Browning • William Sharp
... OF POETS Mother Earth Milton: Three Sonnets Wordsworth Keats Shelley Robert Browning Longfellow Thomas Bailey Aldrich ...
— The White Bees • Henry Van Dyke
... syllables which preface the speech of Saturn in Hyperion. Keats was ridding himself of the puerilities of Cockaigne when he wrote that fragment of an epic—a fragment which is unsurpassed by any modern attempt at heroic composition. In reading it, the very earth seems shaking with the footsteps of fallen divinities. ...
— Blackwood's Edinburgh Magazine - Volume 62, No. 384, October 1847 • Various
... the years 1798-1830 is romantic. I prefer to think of Cowper as a naturalist, of Shelley as an idealist, and of Wordsworth as a transcendental realist, and to reserve the name romanticist for writers like Scott, Coleridge, and Keats; and I think the distinction a serviceable one. Again, I have been censured for omitting Blake from my former volume. The omission was deliberate, not accidental, and the grounds for it were given in the preface. ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... trod without fear of pollution. It was more like home to Mr. Homer than the bare little room where he slept, and now that it was his own, he delighted in dusting, polishing, and cleaning, as a woman might have done. The walls were brightly whitewashed, and adorned with portraits of Keats and Shelley; on brackets in two opposite corners Homer and Shakespeare gazed at each other with mutual approval. The stove was black and glossy as an Ashantee chief, and the clock, once an unsightly mass of fly-specks and cobwebs, now showed a white front as immaculate ...
— Mrs. Tree • Laura E. Richards
... nothing about books, and even less about pictures. He possessed, however, a remarkable facility when it came to discussing them. He belonged to that rather extensive class of people who thrive on ignorance. If you wanted to talk about Keats or Shelley, he managed to give you the impression that he was thoroughly familiar with both,—though lamenting a certain rustiness of memory at times. He could talk intelligently about Joseph Conrad, Arnold Bennet, Bernard Shaw, Galsworthy, Walpole, Mackenzie, ...
— Quill's Window • George Barr McCutcheon
... a good autobiography of Leigh Hunt. It is the first we have from a long list of celebrated men; and no one could give us such correct, discerning, and delightful insights into their usual life and true characters. Hazlitt, Lamb, Shelley, Keats, Byron, and a crowd of others become familiar to us in these pages. It was in the Examiner that the first compositions of Shelley and Keats were introduced to the British public; and the friendship ...
— International Weekly Miscellany, Vol. 1, No. 2, July 8, 1850 • Various
... I was coming in for my share in the spiritual influences of Nature, so largely poured on the heart and mind of my generation. The prophets of the new blessing, Wordsworth and Coleridge, I knew nothing of. Keats was only beginning to write. I had read a little of Cowper, but did not care for him. Yet I was under the same spell as they all. Nature was a power upon me. I was filled with the vague recognition of a present ...
— Wilfrid Cumbermede • George MacDonald
... a poet who died in Europe Had found his way to this rose-red West; That Keats had walked by the wide Pacific And cradled his head on its healing breast, And made new songs of the sun-burned sea-folk, New ...
— The New Morning - Poems • Alfred Noyes
... the excitement of this tremendous place. I have been here a week, and have seen the Vatican and the Capitoline Museums, and the Sistine Chapel, and St. Peter's, besides the ruins on the streets and on the hills, and the graves of Shelley and Keats. ...
— The Poems of Emma Lazarus - Vol. I (of II.), Narrative, Lyric, and Dramatic • Emma Lazarus
... also died in the same year as the poet. Milton must be added to the long roll of our poets who have been natives of the city which now never sees sunlight or blue sky, along with Chaucer, Spenser, Herrick, Cowley, Shirley, Ben Jonson, Pope, Gray, Keats. Besides attending as a day-scholar at St. Paul's School, which was close at hand, his father engaged for him a private tutor at home. The household of the Spread Eagle not only enjoyed civic prosperity, but some share of that liberal cultivation, which, if not imbibed in the home, neither school ...
— Milton • Mark Pattison
... this was a diversion. There were young men who read, lying in shallow arm-chairs, holding their books as if they had hold in their hands of something that would see them through; they being all in a torment, coming from midland towns, clergymen's sons. Others read Keats. And those long histories in many volumes—surely some one was now beginning at the beginning in order to understand the Holy Roman Empire, as one must. That was part of the concentration, though it would be dangerous on a hot spring night— dangerous, perhaps, to concentrate ...
— Jacob's Room • Virginia Woolf
... hear the guns across the channel as I write—an unceasing boom! boom! boom! That's what takes the stuff out of me and gets my inside machinery wrong. Still, I'm gradually getting even that back to normal. Golf and the poets are fine medicine. I read Keats the other day, with entire forgetfulness of the guns. Here we have a comfortable house, our own servants (as many as we need), a beautiful calm sea, a perfect air and for the present ideal weather. There's nobody down here but Scottish soldiers. We've struck up a pleasant acquaintance with them; ...
— The Life and Letters of Walter H. Page, Volume II • Burton J. Hendrick
... its accomplishment, but in "The Bride of Abydos" he did not attempt to conceal the affection which he felt for the tale, or his pride in the fact that Helle's buoyant wave had borne his limbs as well as Leander's; and who can without emotion call up Keats's picture of ...
— Chapters of Opera • Henry Edward Krehbiel
... natures and kept them silent. On one side of it, half a dozen broad shelves supported a goodly row of well-bound volumes, among which the time-honored golden names of Shakespeare and Scott glittered invitingly, together with such works as Chapman's Homer, Byron's "Childe Harold," the Poems of John Keats, Gibbon's Rome, and Plutarch; while mingled with these were the devotional works in French of Alphonse de Liguori, the "Imitation," also in French,—and a number of books with titles in Norwegian,—altogether an heterogenous collection of literature, ...
— Thelma • Marie Corelli
... dead at his feet. If it was so, he must have been naturally very deficient in vitality. It certainly did not kill Byron, though it was a knock-down blow; he rose from that combat from earth, like Antaeus, all the stronger for it. The story of its having killed Keats, though embalmed in verse, is apocryphal; and if such blows were not fatal in those times, still less so are they nowadays. On the other hand, if authors are difficult to slay, it is infinitely harder work to give them life ...
— Some Private Views • James Payn
... intensifying upon the broad, long flight of steps, which foot-passengers incessantly ascended and descended with the insignificance of ants; the dusk wrapped up the house to the left, in which Shelley had lived, and that to the right, in which Keats had died. ...
— The Well-Beloved • Thomas Hardy
... midnight what a circle might come forth and visit the library! Scott and Burns and Byron, Burke and Fox and Sheridan, all in one evening; clever, pretty Mrs. Thrale comes bringing Fanny Burney to meet Jane Austen and Maria Edgeworth; Horace Walpole, patronizing Gray, Rogers, Wordsworth, Coleridge, Keats, and Charles Lamb,—what a social club that would be! Ah, the librarian of the Astor is more fortunate than we; these spirits are all invisible, and we catch not even at midnight the rustle of the leaf they turn or the passing murmur of their voices. Yet within the ...
— The Atlantic Monthly, Volume 16, No. 97, November, 1865 • Various
... only being corrected) was issued in 1829 by Gee & Bridges, Cambridge, at the instance of Arthur Hallam and Richard Monckton Milnes (Lord Houghton). The poem was included in Galignani's edition of "Coleridge, Shelley and Keats", Paris, 1829, and by Mrs. Shelley in the "Poetical Works" of 1839. Mrs. Shelley's text presents three important variations from that of the editio princeps. In 1876 an edition of the "Adonais", with Introduction and Notes, was printed for private circulation by Mr. H. Buxton Forman, C.B. ...
— The Complete Poetical Works of Percy Bysshe Shelley Volume I • Percy Bysshe Shelley
... back to Wych and when on the brow of the first rise of the road he stood looking down at Wychford in the valley below, a chill lisping wind from the east made him shiver and he thought of the lines in Keats' Eve of ...
— The Altar Steps • Compton MacKenzie
... have been seen with arms thrown over each other's shoulders, "dreaming greatly"—Coleridge aged sixteen, young Walter Scott, seventeen, and Wordsworth just eighteen. Across the Channel the French Revolution was at its height. Shelley and Keats were not yet born. Down on the Atlantic seaboard of America a new people just twelve years before had gone through the birth-throes of nationhood. It is a ...
— The New North • Agnes Deans Cameron
... rather inextricably mingled, with the effects of the preciser French and Provencal verse-scheme, and the still looser but equally musical, though half-inarticulate, suggestions of indigenous song. That English prosody—the prosody of Shakespeare and Coleridge, of Shelley and Keats—owes its origin to a similar admixture the present writer at least has no doubt at all, while even those who deny this can hardly deny the positive literary achievement of the best mediaeval hymns. They stand ...
— The Flourishing of Romance and the Rise of Allegory - (Periods of European Literature, vol. II) • George Saintsbury
... took his hat and stick and went leisurely out of the front door of the Castle. He paused on the steps for half a minute to admire the moonlit night and murmur a few lines from Keats. Then he strolled down the drive whistling the tune of an American coon song. But presently the whistle died on his lips as he considered Mr. Flexen's keen desire to discover the other firm of lawyers who had done business for Lord Loudwater. He could not but think, when he put this keenness of ...
— The Loudwater Mystery • Edgar Jepson
... a carpenter, Robert Burns a ploughman, Keats a druggist, Thomas Carlyle a mason, Hugh Miller a stone mason. Rubens, the artist, was a page, Swedenborg, a mining engineer. Dante and Descartes were soldiers. Ben Johnson was a brick layer and worked at building Lincoln Inn in London with ...
— How to Succeed - or, Stepping-Stones to Fame and Fortune • Orison Swett Marden
... for that nourishment which his crude environment did not offer,—yet he was by nature a retrospective man. His face was set towards the past, not towards the future. He never caught the restlessness of this century, nor the prophetic light that shone in the faces of Coleridge, Shelley, and Keats; if he apprehended the stir of the new spirit he still, by mental affiliation, belonged rather to the age of Addison than to that of Macaulay. And his placid, retrospective, optimistic strain pleased a public that were excited and harrowed by the mocking and lamenting of Lord Byron, and, singularly ...
— Washington Irving • Charles Dudley Warner
... an old fool, and for making you as bad. Poetry's not your business, you understand: I'm giving ye no encouragement to dabble with the fine arts. Science is the ladder for a working-man to climb to fame. In addition to which, the poet Keats, though he certainly speaks the very language of Nature, was a bit of a heathen, I'm afraid, and the fascination of him might be injurious in tender youth. Never mind, child, if ye love poetry, I'll learn ye pieces by the poet Herbert. They're just true poetry, and manly, ...
— Jan of the Windmill • Juliana Horatia Ewing
... in the rugged hand of the Past. The past is tremendously embodied in the hoary pyramid of Caius Cestius, which rises hard by, half within the wall and half without, cutting solidly into the solid blue of the sky and casting its pagan shadow upon the grass of English graves—that of Keats, among them—with an effect of poetic justice. It is a wonderful confusion of mortality and a grim enough admonition of our helpless promiscuity in the crucible of time. But the most touching element of all is the ...
— Italian Hours • Henry James
... "Keats took snuff.... It has been established by the praise-worthy editorial research of Mr. ...
— Pipe and Pouch - The Smoker's Own Book of Poetry • Various
... soul, then? Whence Came it?—It does not seem my own, and I Have no self-passion or identity! Some fearful end must be— ...... There never lived a mortal man, who bent His appetite beyond his natural sphere, But starved and died.—KEATS: Endymion. ...
— The Disowned, Complete • Edward Bulwer-Lytton
... in the manner of Ruskin, who had cast on me a passing spell, and third, in a laborious pasticcio of Sir Thomas Browne. So with my other works: CAIN, an epic, was (save the mark!) an imitation of SORDELLO: ROBIN HOOD, a tale in verse, took an eclectic middle course among the fields of Keats, Chaucer and Morris: in MONMOUTH, a tragedy, I reclined on the bosom of Mr. Swinburne; in my innumerable gouty-footed lyrics, I followed many masters; in the first draft of THE KING'S PARDON, a tragedy, I was on the trail ...
— Memories and Portraits • Robert Louis Stevenson
... before or what follows after. The Golden Age, the haunt of fauns and nymphs: there never has been such a day, or such a land: it is a mood, a vision: it has danced before the eyes of poets, from David to Keats and Tennyson: it has rocked the tired hearts of men in all ages: the vision of a resting-place which makes no demands and where the dwellers are exempt from the cares and weakness of mortality. Needless to say, it is an ideal born of the East; it is the Eastern dream ...
— The Venetian School of Painting • Evelyn March Phillipps
... become a clerk in the War Office, where he remained until 1808, when he and his brother published The Examiner. From that time he was occupied as an editor and writer, being connected with different periodicals. He was the intimate friend of Byron, Moore, Shelley, and Keats. One of his best poems, "Rimini," was written in prison, where he was condemned to remain for two years because he had published a satirical article about the prince regent. In his later years a pension of two hundred pounds was granted him. He ...
— Graded Poetry: Seventh Year - Edited by Katherine D. Blake and Georgia Alexander • Various
... new lord heard of all the hard words with a quiet self- possessed smile. He had formed his narrow theory of the universe, and he was methodically and conscientiously carrying it out. True, too often, like poor Keats's merchant brothers,— ...
— Yeast: A Problem • Charles Kingsley
... emotions when I first saw Fitzgerald's translations of the Quatrains. Keats, in his sublime ode on Chapman's Homer, has described ...
— Persian Literature, Volume 1,Comprising The Shah Nameh, The - Rubaiyat, The Divan, and The Gulistan • Anonymous
... abstract. You must not say, "This is too small a thing to put down." You must say, "This is just the sort of small thing we talk about at home. If I tell them this they will see me, as it were, they'll hear my voice, they'll know what I'm about." That is the purpose of a letter. Keats expresses the idea very well in one of those voluminous letters which he wrote to his brother George and his wife in America and in which he poured out the wealth of family affection which was one of the most ...
— Pebbles on the Shore • Alpha of the Plough (Alfred George Gardiner)
... Keats, Shelley, dipped into William Morris,—Wordsworth no—into Fiona Macleod, William Watson, John Davidson, Alfred Noyes. Now and then she was strongly attracted by something, she thought, "Will it do?" ...
— The Way of Ambition • Robert Hichens
... of radical thought, the intellectual pilgrims like Godwin, Robert Owen, Darwin, Spencer, William Morris, and scores of others; with her wonderful larks of liberty—Shelley, Byron, Keats—is another example of the influence of dramatic art. Within comparatively a few years, the dramatic works of Shaw, Pinero, Galsworthy, Rann Kennedy, have carried radical thought to the ears formerly deaf even to Great Britain's wondrous ...
— Anarchism and Other Essays • Emma Goldman
... wood note of the veery" finds response in the heart of every one who has listened to that song. Frequently the poet seems to have entered into the life of the bird and to have found his inner secret, as Keats in the "Ode ...
— Bird Day; How to prepare for it • Charles Almanzo Babcock
... by a metaphorical application of the word, is not in the least the same thing as Goodness, any more than beauty (despite Keats' famous assertion) is the same thing as Truth. These three objects of the soul's pursuit have different natures, different laws, and fundamentally different origins. But the energies which express themselves in their pursuit—energies vital, primordial, and necessary even to man's physical survival—have ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee
... executors to be destroyed or otherwise disposed of as they might think best, the proceeds (if any) to fall into residue. They were not sold: some were given to Shrewsbury School; some to the British Museum; one, an unfinished sketch of the back of the house in which Keats died on the Piazza di Spagna, Rome, to the Keats and Shelley Memorial there; many were distributed among his friends, Alfred Cathie taking fifteen and I taking all that were left over. Alfred lives in Canal Road, Mile End, and, this being on the route of the German ...
— The Samuel Butler Collection - at Saint John's College Cambridge • Henry Festing Jones
... scarcely cared for the wealth I inherited, it gave me at least one blessing—that of perfect independence. I was free to follow my own chosen vocation, and for a brief wondering while I deemed myself happy, ... happy as Keats must have been when the fragment of 'Hyperion' broke from his frail life as thunder breaks from a summer-cloud. I was as a monarch swaying a sceptre that commanded both earth and heaven; a kingdom was mine-a kingdom of golden ether, peopled with shining shapes Protean,—alas! its gates are shut upon ...
— Ardath - The Story of a Dead Self • Marie Corelli
... think there is more laughable humor, with an equal degree of Cervantic satire, if not more, than in the last," he writes of one of his chapters, to "my witty widow, Mrs. F." Many even of Walter Scott's romances are un-English in their elements; and the fame of Shelley, Keats, and Byron rests entirely upon their "foreign" work. Coleridge's poetry and philosophy bear no technical stamp of nationality; and, to come down to later times, Carlyle was profoundly imbued with Germanism, while the "Romola" of George Eliot and the "Cloister and the ...
— Confessions and Criticisms • Julian Hawthorne
... cottage on Kingsbridge road near Fordham, for the purpose of starting an organized movement to buy back the cottage, restore it to its original condition and preserve it as a memorial of Poe. So it has come at last. After helping build monuments to Shelley, Keats and Carlyle we have at last remembered this man, the greatest of our poets and the most unhappy. I am glad that this movement is in the hands of American actors, for it was among them that Poe found his best friends and warmest admirers. ...
— A Collection of Stories, Reviews and Essays • Willa Cather
... young man, "interests me strangely. She has a wild flavor in her character which is wholly different from that of any human creature I ever saw. She has marks of genius,—poetic or dramatic,—I hardly know which. She read a passage from Keats's 'Lamia' the other day, in the school-room, in such a way that I declare to you I thought some of the girls would faint or go into fits. Miss Darley got up and left the room, trembling all over. Then I pity her, she ...
— Atlantic Monthly Volume 6, No. 34, August, 1860 • Various
... any periodical without attracting attention. Readers were aroused by his bold paradox and by the tonic quality of his style. Editors appealed to him for "dashing articles," for something "brilliant or striking" on any subject. Authors looked forward to a favorable notice from Hazlitt, and Keats even declared that it would be a compensation for being damned if Hazlitt were ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... old sweet mythos), 160 She would turn a new side to her mortal, Side unseen of herdsman, huntsman, steersman— Blank to Zoroaster on his terrace, Blind to Galileo on his turret, Dumb to Homer, dumb to Keats—him, even! Think, the wonder of the moonstruck mortal— When she turns round, comes again in heaven, Opens out anew for worse or better! Proves she like some portent of an iceberg Swimming full upon the ship it founders, 170 Hungry with huge teeth of splintered crystals? Proves she as the ...
— Men and Women • Robert Browning
... grains; of the oil from one to five drops; of the tincture from half to one teaspoonful, and of the distilled water from one to two tablespoonfuls. Our Queen is known to be partial to the use of Cinnamon. Keats, the poet, wrote of "lucent syrups tinct. with Cinnamon." And Saint Francis of Sales says in his Devout Life: "With respect to the labour of teaching, it refreshes and revives the heart by the sweetness it ...
— Herbal Simples Approved for Modern Uses of Cure • William Thomas Fernie
... and Keats, with Sheridan, the orator and dramatist, and Sterne, the humorist, belong to this reign; so, too, does the witty satirist, Sydney Smith, and Sir Walter Scott, whose works, like those of Shakespeare, have "made the dead past live again." ...
— The Leading Facts of English History • D.H. Montgomery
... lucky young man," declared Jane Kelsey, who had also promised two. "If you knew how many fellows have begged for just one. But, of course," she added, "THEY were not poets, second editions of Tennyson and Keats and all that. It is Keats who was the poet, isn't it, Madeline?" she added, turning to her friend. "Oh, I'm so glad I got it right the first time. I'm always mixing him up with Watts, the man who invented the hymns and ...
— The Portygee • Joseph Crosby Lincoln
... generation will yet arise which shall take the Caracci and their scholars into favor, even as people of refinement in our own days find a charm in patches, powder, perukes, sedan-chairs, patchouli, and other lumber from the age despised by Keats. I remember visiting a noble English lady at her country seat. We drank tea in her room, decorated by a fashionable 'Queen Anne' artist. She told us that the quaintly pretty furniture of the last century which ...
— Renaissance in Italy, Volumes 1 and 2 - The Catholic Reaction • John Addington Symonds
... infinitely more at home in the beautiful New Sirens, which, for what reason it is difficult to discover, he never reprinted till many years later, partly at Mr Swinburne's most judicious suggestion. The scheme is trochaic, and Mr Arnold (deriving beyond all doubt inspiration from Keats) was happier than most poets with that charming but difficult foot. The note is the old one of yearning rather than passionate melancholy, applied in a new way and put most clearly, though by no means most ...
— Matthew Arnold • George Saintsbury
... "Spectator," a dunce, he could laugh in his face; instead of retiring as he did, perhaps hunger-bitten, to bleed out his heart's blood in secret. Were Shelley now called in "Blackwood" a madman, and Keats a mannikin, they would be as much disturbed by it as the moon at the baying of a Lapland wolf. The good old art, in short, of writing an author up or down, is dying hard, but dying fast; and the public is beginning to follow the strange new fashion of discarding its timid, or truculent, or too-much-seasoned ...
— Harper's New Monthly Magazine, Volume 1, No. 3, August, 1850. • Various
... and sounds—the flower and its shadow on the stone, the cuckoo and its echo. The poem of [98] "Resolution and Independence" is a storehouse of such records; for its fulness of lovely imagery it may be compared to Keats's "Saint Agnes' Eve." To read one of his greater pastoral poems for the first time is like a day spent in a new country; the memory is crowded for a while with its precise ...
— Essays from 'The Guardian' • Walter Horatio Pater
... grew a little older she used to wonder if something inside her would not some day be pulled in two. It seemed the desire of each of her parents to guide her from what they saw as the rocks surrounding her. Elementary science was all mixed up with Keats and Heine and Byron. Another one of her early speculations was as to whether or not poetry and science really meant to ...
— The Glory Of The Conquered • Susan Glaspell
... whispering silence. The moon rose mysteriously behind a line of black fir-trees, sending shafts of blue light into the hollow cup of mountain gorges. It was a poet's world, Blake or Shelley could have made it, it was too cold for Keats. Winn had not read these poets. It reminded him of a particularly good chamois hunt, in which he had bagged a splendid fellow, after four hours' hard climbing and stalking. The mountains receded a little, ...
— The Dark Tower • Phyllis Bottome
... characters or strange marks." Brutus therefore means that he will divulge to her the secret cause of the sadness marked on his countenance. 'Charactery' seems to mean simply 'writing' in the well-known passage in The Merry Wives of Windsor, V, v, 77: "Fairies use flowers for their charactery." So in Keats: "Before high-piled books in charactery Hold like rich ...
— The New Hudson Shakespeare: Julius Caesar • William Shakespeare
... you mean," I chimed in. "Give them half-presents! Half a lace scarf to your mother, one fur glove only to your father, afternoon-tea saucers to Aunt Emma, a Keats Calendar for 182-1/2 days to Uncle Peter, kilt-lengths instead of dress-lengths to Cook and Phoebe, and so on, all with promissory notes ...
— Punch or the London Charivari, Vol. 147, December 9, 1914 • Various
... scattered through his volumes, but he displayed everywhere a candid appreciation of our good traits and creditable doings. I was struck with his knowledge and love of lyric poetry. Byron, Shelley, Keats, Tennyson, Longfellow, and Lowell were thoroughly familiar to him. He would repeat some favorite passage of Keats, and at once turn to a discussion of the administrative details of his work in the post-office. Of course the day and evening passed very ...
— Historical Essays • James Ford Rhodes
... alabaster—and luxury of gilding that is to be seen at Rome. But I chiefly remember it because on the road that leads to it, through scenes as quiet and peaceful as if history had never known them, lies the Protestant graveyard in which Keats is buried. Quite by chance the driver mentioned it, pointing in the direction of the cemetery with his whip. We eagerly dismounted and repaired to the gate, where we were met by the son of the sexton, who spoke English through the beauteous line of a curved ...
— Italian Journeys • William Dean Howells
... ago, in many parts of the coast of Devonshire and Cornwall, where the limestone at the water's edge is wrought into crevices and hollows, the tideline was, like Keats' Grecian vase, 'a still unravished bride of quietness'. These cups and basins were always full, whether the tide was high or low, and the only way in which they were affected was that twice in the twenty-four hours they were replenished by cold streams from the ...
— Father and Son • Edmund Gosse
... Murray Island, largest : Mer. Murray Island, middle : Dowar. Murray Island, smallest : Wayer. Darnley Island : Errub. Nepean Island : Eddugor. Stephens Island : Ugar. Campbell Island : Zapker. Dalrymple Island : Dzamud. Keats Island : Umagur. York Island, larger : Massid. York Island, smaller : Kudala. Bourke Isles, westernmost : Owrid. Bourke Isles, northernmost ...
— Voyage Of H.M.S. Rattlesnake, Vol. 2 (of 2) • John MacGillivray
... place among the English poets much more expeditiously than has Byron. Is this not because in Wordsworth's case the reader is not conscious of a magnetic personality drawing his judgment away from purely aesthetic standards? Again, consider the case of Keats. For us the facts of his life must color almost every line he wrote. How are we to determine whether his sonnet, When I Have Fears, is great poetry or not, so long as it fills our minds insistently with the pity of his love for Fanny Brawne, ...
— The Poet's Poet • Elizabeth Atkins
... birds and flowers was not in all respects a disadvantage. On the contrary, to a naturalist blessed now and then with a supernaturalistic mood, it made the place, on occasion, a welcome retreat. Thus, one afternoon, as I remember, I had been reading Keats, the only book I had brought with me,—not counting manuals, of course, which come under another head,—and by and by started once more for the pine lands by the way of the cotton-shed hammock, "to see what ...
— A Florida Sketch-Book • Bradford Torrey
... into a literature with the changing forest leaves; his four ages of humanity—the childish, the adolescent, the manly, the senile—borrowed from Aristotle, expanded by Shakespeare, and taken up by Keats; his comparison of Poetry to Painting; his delineation of an honest critic. Brief phrases which have become classical abound. The "purple patch" sewn on to a sober narrative; the wine jar turning to a pitcher as the potter's wheel revolves; the injunction to keep a book ten years ...
— Horace • William Tuckwell
... aware that in their candidate's chamber politics could have yet no place. Far from the turmoil, the celebrity ate the jellies of his idolaters, and spent his waking hours in the impractical companionship of a certain Shelley and one John Keats. ...
— The Henchman • Mark Lee Luther
... So far all was hopeful. But it soon became apparent, that each poet's practical success in carrying out the theory was, paradoxically enough, in inverse proportion to his belief in it; that those who like Wordsworth, Southey, and Keats, talked most about naturalness and freedom, and most openly reprobated the school of Pope, were, after all, least natural and least free; that the balance of those excellences inclined much more to those who, like Campbell, Rogers, Crabbe, and Moore, troubled their ...
— Literary and General Lectures and Essays • Charles Kingsley
... wrongdoing, for what, after all, is Books in General as compared to Mr. Squire's Life and Letters? As a divertissement, compared to a tone poem; as a curtain-raiser to a three-act play. Life and Letters, though not lacking in the lighter touches of Mr. Squire's fancy, contains chapters on Keats, Jane Austen, Anatole France, Walt Whitman, Pope and Rabelais of that more considered character one expects from the editor of the London Mercury. This is not to say that these studies are devoid of humour; and those ...
— When Winter Comes to Main Street • Grant Martin Overton
... he didn't think Keats had more or less held his own against the drawbacks of time and place. He admitted that there were "passages in Keats," but did not specify them. Of "the older men," as he called them, he seemed to like only ...
— Enoch Soames - A Memory of the Eighteen-nineties • Max Beerbohm |
