"Ibsen" Quotes from Famous Books
 ... Doll's House Henrik Ibsen has given us Nora Hebler, a Disagreeable Girl of mature age, who, beyond a doubt, first set George Bernard Shaw a-thinking. Then looking about, Shaw saw her at every turn in every stage of ...
— Love, Life & Work • Elbert Hubbard
... "Why, I don't know; Walt Whitman, Ibsen, Longfellow, Joaquin Miller? Tolstoi had ...
— Kit of Greenacre Farm • Izola Forrester
... Their Lives and Works; with a commentary on "Faust." Essays on German Literature. Essays on Scandinavian Literature. A Commentary on the Writings of Henrik Ibsen. Literary and Social Silhouettes. The Story of Norway. Gunnar. Tales from Two Hemispheres. A Norseman's Pilgrimage. Falconberg. A Novel. Queen Titania. Ilka on the Hill-top, and Other Tales. A Daughter of the Philistines. The Light of Her ...
— Essays on Scandinavian Literature • Hjalmar Hjorth Boyesen
... you know. Very gradually getting gloomy and melancholy. It's these long winters. Ever read Ibsen?" ...
— Flappers and Philosophers • F. Scott Fitzgerald
... Bill, they prepared to renew negotiations on the Consular Question, while, at the same time, they were busily engaged in strengthening their defence and raising on the boundaries rumoured fortresses against Sweden. The Under Secretary of State, Dr. SIGURD IBSEN, instituted an inquiry as to the feasibility of having a separate Consular Service in conjunction with the existing Foreign administration. It was on this point that the Minister for Foreign affairs, for the time being, Mr. LAGERHEIM, made a proposal, the consequences ...
— The Swedish-Norwegian Union Crisis - A History with Documents • Karl Nordlund
... significance, or that, after Goethe and Heine, there were but few Germans worthy to be mentioned side by side with the great writers of other European countries. True, there is no German Tolstoy, no German Ibsen, no German Zola—but then, is there a Russian Nietzsche, or a Norwegian Wagner, or a French Bismarck? Men like these, men of revolutionary genius, men who start new movements and mark new epochs, are ...
— The German Classics of The Nineteenth and Twentieth Centuries, • Editor-in-Chief: Kuno Francke
... be shown men and women as they are; and at first it is more than we can endure.... All Ibsen's characters speak and act as if they were hypnotised, and under their creator's imperious demand to reveal themselves. There never was such a mirror held up to nature before: it is too terrible.... Yet we must return to Ibsen, with his remorseless ...
— The Evolution of Modern Capitalism - A Study of Machine Production • John Atkinson Hobson
... here also the public interest in poetry is visibly on the wane." Now whoever told him that was mistaken. The public interest in poetry and in poets has visibly wox, to use Mr. Watson's word. It is always true that an original genius, like Browning, like Ibsen, like Wagner, must wait some time for public recognition, although these three all lived long enough to receive not only appreciation, but idolatry; but the "reading public" has no difficulty in recognizing immediately first-rate work, when it is produced in the familiar forms of ...
— The Advance of English Poetry in the Twentieth Century • William Lyon Phelps
... vehemently; 'why, that is just where Ibsen was so wrong! Why, the whole aim of a house is to be a doll's house. Don't you remember, when you were a child, how those little windows WERE windows, while the big windows weren't. A child has a doll's house, and shrieks when a front ...
— Manalive • G. K. Chesterton
... philosophy of the one is given by Nietzsche, while Tolstoy, in certain extremes of his teaching, represents the other. Nietzsche, I suppose, should be regarded as a symptom, rather than a cause of anything important; but the ancestors of Nietzsche were Goethe and Ibsen, with their splendid gospel of self-realization. Nietzsche, on the contrary, with his contempt for the morality of Christianity as the morality of slaves and weaklings, with his eulogy of the blond brute striding over forgotten multitudes of his weaker fellows to a stultifying ...
— The Soul of Democracy - The Philosophy Of The World War In Relation To Human Liberty • Edward Howard Griggs
... however, to make certain distinctions between the life work of Bjoernson and that of the two men whom a common age and common aims bring into inevitable association with him. These distinctions are chiefly two,—one of them is that while Tolstoy and Ibsen grew to be largely cosmopolitan in their outlook, Bjoernson has much more closely maintained throughout his career the national, or, at any rate, the racial standpoint. The other is that while Tolstoy and Ibsen presently became, the one indifferent ...
— Bjoernstjerne Bjoernson • William Morton Payne
... awfully good of you to devote so much time to my entertainment. And so original of you to think of a circus! I haven't attended a circus for years. It's really refreshing after such a dose of Shakespeare and Ibsen as the theaters ...
— Just Patty • Jean Webster
... themselves. I should say that no first-class modern French author is more perfectly unknown and uncared-for in England than Henri Becque. I once met a musical young woman who had never heard of Ibsen (she afterwards married a man with twelve thousand a year—such is life!), but I have met dozens and scores of enormously up-to-date persons who had never heard of Henri Becque. The most fantastic and the ...
— Books and Persons - Being Comments on a Past Epoch 1908-1911 • Arnold Bennett
... eternal recurrence: it forced itself through his guard in "The Mysterious Stranger" and "What is Man?" In Shakespeare, as Shaw has demonstrated, it amounts to a veritable obsession. And what else is there in Balzac, Goethe, Swift, Moliere, Turgenev, Ibsen, Dostoyevsky, Romain Rolland, Anatole France? Or in the Zola of "L'Assomoir," "Germinal," "La Debacle," the whole Rougon-Macquart series? (The Zola of "Les Quatres Evangiles," and particularly of "Fecondite," turned meliorist and idealist, and became ludicrous.) ...
— A Book of Prefaces • H. L. Mencken
... some copies of explanatory and critical essays to be used in connection with them. She also in March sent us a copy of another lecture about the modern drama which she had herself written and delivered before her current literature club. With that she sent us some works of Ibsen and the Belgian writer, Maeterlinck, with the recommendation that we devote ourselves to the study of them at once, they being eminently calculated for the widening ...
— The Jamesons • Mary E. Wilkins Freeman
... applied to the few dramatists who have been content to work in this way. It has been applied, among others, to Euripides, to Shakespeare, to Ibsen; it will be applied to many in the future. Nothing, however, is more dubious than the way in which these two words "pessimist" and "optimist" are used; for the optimist appears to be he who cannot bear the world as it is, ...
— Forsyte Saga • John Galsworthy
... from North Tarrytown, if a little boy drops an egg on his way home from the grocery, if a casual house or two drops into the subway, if a lady loses a nickel through a hole in the lisle thread, if the police drag a telephone and a racing chart forth from an Ibsen Society reading-room, if Senator Depew or Mr. Chuck Connors walks out to take the air—if any of these incidents or accidents takes place, you will see the mad, irresistible rush of the ...
— The Voice of the City • O. Henry
... there are the regular costumes for Shakespeare's plays, all jeweled and spangled and brocaded, stage armor, great Roman togas with weights in the borders to make them drape right, velvets of every color to rest your cheek against and dream, and the fantastic costumes for the other plays we favor; Ibsen's Peer Gynt, Shaw's Back to Methuselah and Hilliard's adaptation of Heinlein's Children of Methuselah, the Capek brothers' Insect People, O'Neill's The Fountain, Flecker's Hassan, Camino Real, Children of the Moon, The Beggar's ...
— No Great Magic • Fritz Reuter Leiber
... former Prussian general and distinguished theoretical strategist, engaged a superior Danish army at Idstedt. They were beaten. Their defeat had so discouraging an effect that Prussia abandoned the struggle in their behalf. In Norway, about this time, Henrik Ibsen came into prominence with a publication of his ...
— A History of the Nineteenth Century, Year by Year - Volume Two (of Three) • Edwin Emerson
... who regard literary men merely as purveyors of amusement for people who have not wit enough to entertain themselves, Ibsen and Shaw, Maeterlinck and Gorky must remain enigmas. It is so much pleasanter to ignore than to face unpleasant realities—to take Riverside Drive and not Mulberry Street as the exponent of our life and the expression of our ...
— Arms and the Man • George Bernard Shaw
... "a combination of Ibsen and hysterics, and of—er, rather declamatory observations concerning there being one law for the man and another for the woman, and Patricia's realization of the mistake we both made—and all that sort of nonsense, you know, exactly as if, I give you my word, ...
— The Rivet in Grandfather's Neck - A Comedy of Limitations • James Branch Cabell
... honor of Heinrik Ibsen by a Norwegian society known as the Woman's League, in response to a speech thanking him in the name of the society for all he had done for the cause of women, the poet, while disclaiming the honor of having consciously worked for the woman's cause—indeed, not even being ...
— The Power of Womanhood, or Mothers and Sons - A Book For Parents, And Those In Loco Parentis • Ellice Hopkins
... old-fashioned place with a narrow entrance hall and a low-ceilinged parlour. Frederic is its proprietor, and since Joseph of the Marivaux died Frederic remains the one great "character" in the dining world of Paris. In appearance he is the double of Ibsen, the same sweeping whiskers, the same wave of hair brushed straight off from the forehead. He is an inventor of dishes, and it is well to ask for a list of his "creations," which are of fish, eggs, meat, and fruit, and are generally named ...
— The Gourmet's Guide to Europe • Algernon Bastard
... why oldish men are so often intrigued by girls in their teens. It is not that age calls maudlinly to youth, as the poets would have it; it is that age is no match for youth, especially when age is male and youth is female. The case of the late Henrik Ibsen was typical. At forty Ibsen was a sedate family man, and it is doubtful that he ever so much as glanced at a woman; all his thoughts were upon the composition of "The League of Youth," his first social drama. ...
— In Defense of Women • H. L. Mencken
... performances, a number of which were at popular prices. The dramas given included fifteen by Schiller, ten by Shakespeare, three by Goethe, three by Lessing, five by Moliere, four by Hans Sachs, four by Sheridan, eleven by Grillparzer, two each by Kleist and Hebbel, and several by Ibsen, while the operas included three by Beethoven, three by Cherubini, six by Mozart, three by Weber, and several by Wagner. Could an English provincial theatre—could all English provincial theatres together—show a record ...
— German Problems and Personalities • Charles Sarolea
... the talk had been mere confessions of faith—in Ibsen, in Browning, in Maeterlinck, in English gardens, in Art for Art's sake, ...
— The Incomplete Amorist • E. Nesbit
... was a conviction that because they were born in Tooting or Camberwell, they were the natural superiors of Beethoven, of Rodin, of Ibsen, of Tolstoy and all other benighted foreigners. Those of them who did not think it wrong to go to the theatre liked above everything a play in which the hero was called Dick; was continually fingering a briar pipe; and, after being overwhelmed with ...
— Getting Married • George Bernard Shaw
... character, stately verse, and tragic situations; but English readers too often find him mannered, artificial, dull. Corneille, I freely admit, is not Shakespeare: I greatly prefer Shakespeare; but I prefer Corneille to Ibsen. We have plenty of Ibsenites to-day, and rather a plethora than a dearth of ignoble creatures in squalid situations who expose to us their mean lives with considerable truth to nature. In such an age, it is just as well that the lessons of Adam Bede, Romola, Fedalma and Zarca, should ...
— Studies in Early Victorian Literature • Frederic Harrison
... what Lyell and Darwin sought to do for science, that is, to find the truth, and to show how it might be used to uplift humanity. Perhaps for this reason the Victorian Age is emphatically an age of realism rather than of romance,—not the realism of Zola and Ibsen, but a deeper realism which strives to tell the whole truth, showing moral and physical diseases as they are, but holding up health and hope as the normal conditions ...
— English Literature - Its History and Its Significance for the Life of the English Speaking World • William J. Long
... the little theatre was from a small town away on the plain, beyond Brescia. The curtain rose, everybody was still, with that profound, naive attention which children give. And after a few minutes I realized that I Spettri was Ibsen's Ghosts. The peasants and fishermen of the Garda, even the rows of ungovernable children, sat absorbed in watching as the Norwegian ...
— Twilight in Italy • D.H. Lawrence
... afternoons all through the winter the playhouses are crowded with people who cannot pay week-day prices, and yet are intelligent enough to enjoy a fairly good performance of Hamlet or Egmont; who are musical and choose a Mozart opera; or who are interested in the problems of life presented by Ibsen, Gorky, Tolstoy, or their own great fellow-countryman Gerhardt Hauptmann. When summer comes, as long as the theatres are open the whole audience streams out between the acts to have coffee or beer in the garden, or when there is no garden, in the nearest restaurant; ...
— Home Life in Germany • Mrs. Alfred Sidgwick
... Wordsworth, and Tennyson; and in mentioning his work at the hives in the morning, asked if we had read Maeterlinck's "Life of the Bee." From that he fell to discussing other things of Maeterlinck's with Mr. Brett, and incidentally talked of Ibsen. There wasn't the least affectation about it all. The quotations and allusions he made were mixed up incidentally with conversation about the beauty of the country, and life on a farm. He was interested in the subjects, and took it for granted ...
— Lady Betty Across the Water • Charles Norris Williamson and Alice Muriel Williamson
... in Christiania during 1894, and published in Copenhagen on December 11 in that year. By this time Ibsen's correspondence has become so scanty as to afford us no clue to what may be called the biographical antecedents of the play. Even of anecdotic history very little attaches to it. For only one of the characters has a definite model been suggested. Ibsen himself ...
— Little Eyolf • Henrik Ibsen
... the Republic of Letters, we meet no citizen without a badge of consecrated service. Pretenders, perhaps, usurpers of the titles of others, men to whom literature is nothing but merchandise. These may be totally free from the impulse. Tolstoy, Ibsen, Hauptmann, Hugo are reformers of the first order, whose words are charged with revolt. The transcendentalism of Emerson, the naturalism of Zola, the cynicism of La Rochefoucauld are all convergent streams in the torrent of reforming words which make ...
— Mountain Meditations - and some subjects of the day and the war • L. Lind-af-Hageby
... "Grinding" and "sapping" in its mother's arms, And then the pinched High-School girl, with packed satchel, And worn anaemic face, creeping like cripple Short-sightedly to school. Then the "free-lover," Mouthing out IBSEN, or some cynic ballad Made against matrimony. Then a spouter, Full of long words and windy; a wire-puller, Jealous of office, fond of platform-posing, Seeking that bubble She-enfranchisement E'en with abusive mouth. Then County-Councillor, Her ...
— Punch, or the London Charivari, Vol. 102, May 14, 1892 • Various
... remote from Europe than in its earlier days. The contact of its romanticism with that of Europe was, as has been seen, imperfect, but its touch with the later developments and reactions of the movement in Europe is far more imperfect. With Tolstoy, Ibsen, d'Annunzio, Zola, Nietzsche, Maeterlinck, Sudermann, the American people can have no effectual touch; their social tradition and culture make them impenetrable to the present ideas of Europe as they are current in literary ...
— Project Gutenberg Encyclopedia
... who saw the whole proceeding, Would have laughed but for good breeding. "Best join me," he cried, "Old Chappie! IBSEN read, be free, and happy! Who'll buy your love-knots? Who'll buy your love-knots? Have a spree—all shackles scorning, Come! We won't ...
— Punch, or the London Charivari, Vol. 100, May 2, 1891 • Various
... any but the most venturesome travellers. Still less was it supposed that Norway possessed a modern school of poets and novelists. Wergeland, Welhaven, Munch, and Moe among the former, Bjoernson, Ibsen, Kjelland, and Lie among the latter, were, as far as Englishmen were concerned, "to fortune and to fame unknown." All this has been changed; sportsmen now complain that it becomes more difficult every year to hire rivers. Tourists swarm over the country from the Naze to the North Cape. Ibsen's ...
— The Visionary - Pictures From Nordland • Jonas Lie
... after her father's insistence, Laura Van Dorn changed from the night watch to the day nurse, and from that day on for ten days, she ministered to Grant Adams' wants. Mechanically she read to him from such books as the house afforded—Tolstoi—Ibsen, Hardy, Howells,—but she was shut away from the meaning of what she read and even from the comments of the man under her care, by the consideration of her own problems. For to Laura Van Dorn it was a time of anxious doubt, ...
— In the Heart of a Fool • William Allen White
... of many and great changes in theatrical conditions and dramatic taste. He will probably survive changes greater than those which separate the picture stage with its electric lights from the projecting open-air platform of his own day, or than those which separate the dramas of Ibsen, Shaw, and Barrie from those of Marlowe and Fletcher, or the cinematograph and comic opera from the bear-baiting and jugglery which rivaled the Globe. The visitor who scans, in the Stratford Museum, the curious collection of portraits of actors and actresses in Shakespearean ...
— The Facts About Shakespeare • William Allan Nielson
... "I've been quite shocked to find how appallingly ignorant our Maids of Honour are. Fancy, they've never heard of Shakespeare, or Ibsen, or Bernard ...
— In Brief Authority • F. Anstey
... to 1880 a new spirit was stirring in the intellectual and literary world of Denmark. George Brandes was delivering his lectures on the Main Currents of Nineteenth Century Literature; from Norway came the deeply probing questionings of the granitic Ibsen; from across the North Sea from England echoes of the evolutionary theory and Darwinism. It was a time of controversy and bitterness, of a conflict joined between the old and the new, both going to extremes, in which nearly every one had a share. How many of the works of that period are already ...
— Mogens and Other Stories - Mogens; The Plague At Bergamo; There Should Have Been Roses; Mrs. Fonss • Jens Peter Jacobsen
... elaborate ritual because he is close to the earth. In short, he is close to the heavens because he is close to the earth. But we must not expect any of these elemental and collective virtues in the man of the garrison. He cannot be expected to exhibit the virtues of a people, but only (as Ibsen would say) of an enemy of the people. Mr. Shaw has no living traditions, no schoolboy tricks, no college customs, to link him with other men. Nothing about him can be supposed to refer to a family feud or to a family joke. ...
— George Bernard Shaw • Gilbert K. Chesterton
... of Oedipus and Jocasta.]—The technique of this wonderful scene, an intimate self-revealing conversation between husband and wife about the past, forming the pivot of the play, will remind a modern reader of Ibsen. ...
— Oedipus King of Thebes - Translated into English Rhyming Verse with Explanatory Notes • Sophocles
... be made clear at once, however, and that is that Galds, with regard to social questions, was neither a radical nor an original thinker. When one considers the sort of ideas which had been bandied about Europe under the impulse of Ibsen, Tolstoy and others,—the Nietzschean doctrine of self-expression at any cost, the right of woman to live her own life regardless of convention, the new theories of governmental organization or lack of organization—one cannot regard Galds as other than a social conservative, ...
— Heath's Modern Language Series: Mariucha • Benito Perez Galdos
... or sailing or fishing. He believed that he ought to read up in the summer, too, and he had the very best of the recent books, in fiction and criticism, and the new drama. He had all of the translations of Ibsen, and several of Maeterlinck's plays in French; he read a good deal in his books, and he lent them about in the hotel even more. Among the ladies there he had the repute of a very modern intellect, and of a person ...
— The Story of a Play - A Novel • W. D. Howells
... had passed with Maxwell when he wished to have this said of his play, not because he did not admire Ibsen, but because he preferred the recognition of the original quality of his work. "I don't know that it is, very. Perhaps—if one didn't ...
— The Story of a Play - A Novel • W. D. Howells
... pugreed-solar-hatted-Europeans go through Egypt. We are pestered and plagued with guides and dragomans of every rank and shade;—social and political guides, moral and religious dragomans: a Tolstoy here, an Ibsen there, a Spencer above, a Nietzche below. And there thou art left in perpetual confusion and despair. Where wilt thou ...
— The Book of Khalid • Ameen Rihani
... man, which have no watchman or lover or defender but me." This brings us to the question how far a man may legitimately live a self- contained life. Certainly there is a measure of truth in Goethe's saying, "No man can he isolates himself"; in Ibsen's "The most powerful man is he who is most alone"; and in ...
— Problems of Conduct • Durant Drake
... all the nations are tired; and it may be that only the boldest and breeziest are not too tired to say that they are tired. It may be that a man like Ibsen in Norway or a man like Gorky in Russia are the only people left who have so much faith that they can really believe in scepticism. It may be that they are the only people left who have so much animal spirits that they can really feast high and drink deep at the ancient ...
— Creatures That Once Were Men • Maxim Gorky
... how he can help it now. But I have to be very firm. He's on his knees to me to do Ibsen. I tell him I will if he'll combine with Jimmy Finnigan and bring the Surprise Party on between the acts. The only way it ...
— The Path of a Star • Mrs. Everard Cotes (AKA Sara Jeannette Duncan)
... glimmering of science, an officer who understands duty and discipline, and a clergyman with an inkling of religion, though there are nothing like enough of them to go round. But even the few who, like Ibsen's Mrs Solness, have "a genius for nursing the souls of little children" are like angels forced to work in prisons instead of in heaven; and even at that they are mostly underpaid and despised. That friend of mine who went from the hedge schoolmaster to Harrow ...
— A Treatise on Parents and Children • George Bernard Shaw
... that Edmond de Goncourt should have ended by disliking the form of the novel, which he came to regard as an exhausted convention. His pessimism was universal. Art was dying, literature was perishing daily. The almost universal acceptance of Ibsen and of Tolstoi was in itself a convincing symptom of degeneration, if the vogue of the latter writer were not indeed the result of a cosmopolitan plot against the native realistic school. It was some consolation ...
— Rene Mauperin • Edmond de Goncourt and Jules de Goncourt
... death of Ibsen and Strindberg, Hamsun is undoubtedly the foremost creative writer of the Scandinavian countries. Those approaching most nearly to his position are probably Selma Lagerloef in Sweden and Henrik Pontoppidan ...
— Hunger • Knut Hamsun
... Ibsen humps And over Rembrandt rocks, I've got some fierce Debussy bumps, Some awful ...
— A line-o'-verse or two • Bert Leston Taylor
... Bunsens, the Pasteurs. In the place of God we see Law, and the old concept of rewards and punishments has been re-stated as 'the survival of the fittest.' If, on the other hand, you need emotions, and the inspiration of concrete teaching, you must go to Balzac, to Turgenief, and to Ibsen...." ...
— Elder Conklin and Other Stories • Frank Harris
... performances of Pinero's The Amazons, (1918), and Barrie's Quality Street, (1919). The Department of Oratory has also interested itself in the drama and is responsible for several well-considered presentations of such plays as Galsworthy's Silver Box; Kennedy's The Servant in the House, (1916); Ibsen's Pillars of Society, (1917); and Masefield's ...
— The University of Michigan • Wilfred Shaw
... the road is muddy, during the thaws of spring, they always wear goloshes, and as it is considered the worst of taste to enter a room with dirty boots, the goloshes are left behind with the coat in the hall. This reminded us of Henrik Ibsen's home in Christiania, where the hall was strewn with goloshes. So much is this the fashion that we actually saw people walking about in indiarubber "gummies," as our American friends call them, during almost tropical weather. ...
— Through Finland in Carts • Ethel Brilliana Alec-Tweedie
... six to eight in the morning. Here you may hear more languages spoken than the Tower of Babel could have echoed. Polish Jews and Russian princes, Chinese mandarins and Turkish pashas, Norwegians looking as if they had stepped out of Ibsen's plays, women from the Boulevards, Spanish grandees and English countesses, mountaineers from Montenegro and millionaires from Chicago, you will find every dozen yards. Every luxury in the world Carlsbad provides for its visitors, with the one exception of pepper. ...
— Three Men on the Bummel • Jerome K. Jerome
... know, you're not a sound reformer at all. You're an impossibilist. And you give up too easily. You gave up on the new city hall, the anti-fly campaign, club papers, the library-board, the dramatic association—just because we didn't graduate into Ibsen the very first thing. You want perfection all at once. Do you know what the finest thing you've done is—aside from bringing Hugh into the world? It was the help you gave Dr. Will during baby-welfare week. You didn't demand that each ...
— Main Street • Sinclair Lewis
... drama and of music is not past, and he who knows how to handle these mighty suggestive expedients can turn the course of humanity. The herd will follow him though he lead them into the wilderness or the desert. Wagner and Ibsen have proved it. ...
— The Bride of Dreams • Frederik van Eeden
... I am soon coming to Moscow, please keep a ticket for me for "The Pillars of Society"; I want to see the marvellous Norwegian acting, and I will even pay for my seat. You know Ibsen is ...
— Letters of Anton Chekhov • Anton Chekhov
... between ourselves and Russia in the east. Germany had indeed beaten Denmark; but then Denmark was a little State, and was abandoned in her hour of need by those who should have helped her, to the great indignation of Ibsen. Germany had also beaten Austria; but somehow everybody seems able to beat Austria, though nobody seems able to draw the moral that defeats do not matter as much as the Militarists think, Austria being as important as ever. Suddenly Germany beat France right down into the dust, ...
— New York Times, Current History, Vol 1, Issue 1 - From the Beginning to March, 1915 With Index • Various
... least they are applicable to conduct. In the last few years scores of plays have been put upon the stage whose titles might be easily translated into proper headings for sociological lectures or sermons, without including the plays of Ibsen, Shaw and Hauptmann, which deal so directly with moral issues that the moralists themselves wince under their teachings and declare them brutal. But it is this very brutality which the over-refined and complicated city dwellers often crave. Moral teaching has become so intricate, creeds ...
— The Spirit of Youth and the City Streets • Jane Addams
... times remarked: "Every time I see a play by Chekhov, I want to chuck all my own stuff into the fire." Others, having no such valuable property to sacrifice on the altar of Chekhov, have not hesitated to place him side by side with Ibsen, and the other established institutions of the new theatre. For these reasons it is pleasant to be able to chronicle the fact that, by way of contrast with the casual treatment normally handed out to Russian authors, the ...
— Plays by Chekhov, Second Series • Anton Chekhov
... assistant. And finally, as the children grew older, and the family tradition of bookishness took hold of them, there were shelves and shelves to be devoured, a strange mixture—Thackeray, Maeterlinck, Fielding, Hakluyt, Ibsen, Dickens, Ruskin, Shaw, Austen, Moliere, Defoe, Cervantes, Shakespeare,—the children dipped, or tasted or swallowed whole, according to their temperaments and the ...
— The Bent Twig • Dorothy Canfield
... latter has experienced a complete turning away from self. This only difference is all the difference in the world" (p. 84). It is curious what a fascination this turn of phrase has exercised upon many and diverse intelligences. Mr. Bernard Shaw, for instance, adopts it with enthusiasm. Henrik Ibsen—if it is ever possible to tie a true dramatist down to a doctrine—preaches in Peer Gynt that "to be thyself is to slay thyself." Mr. Wells has a cloud of witnesses to back him up; and yet it is very doubtful whether the turn of phrase is a really helpful one—whether it does not rather get ...
— God and Mr. Wells - A Critical Examination of 'God the Invisible King' • William Archer
... songs, ballads or arias—call them what you will—entirely disconnected and quite destructive to the continuity that must be the essence of every drama. This continuity is an absolute necessity to every spoken play; imagine the effect if Shakespeare or Ibsen had written little pieces of rhyming verse joined up by any jumble of nonsensical prose! Neglect of this fact led every opera composer before Wagner astray. We can imagine a pre-Wagner composer telling ...
— War Letters of a Public-School Boy • Henry Paul Mainwaring Jones
... his criticisms of the greatest modern dramatist, Mr. William Archer has called attention to the fact that "habitually and instinctively men pay to Ibsen the compliment (so often paid to Shakespeare) of discussing certain of his female characters as though they were real women, living lives apart from the poet's creative intelligence." [It is evident that Mr. Archer, ...
— A Manual of the Art of Fiction • Clayton Hamilton
... Spring's Awakening by the Russian in The Brothers Karamazov: "How can Katarina have a baby if she isn't married?" cries one of the youngsters, a question which is the very nub of the Wedekind play. "Two parallel lines may meet in eternity," which sounds like Ibsen's query: "Two and two may make five on the planet Jupiter." He was deeply pious, nevertheless a questioner. His books are full of theological wranglings. Consider the "prose-poem" of the Grand Inquisitor and the second coming of Christ. Or such an idea as the "craving for community of ...
— Ivory Apes and Peacocks • James Huneker
... the same way even about Ibsen. Time was when he had an uncanny power over my imagination. He had the wand of a disenchanter. Here, I said, is one who has the gift of showing us the thing as it is. There is not a single one of these characters ...
— By the Christmas Fire • Samuel McChord Crothers
... but what she did say was magnificent. In her youth she had moved in literary circles, and now found her daily pleasure in the works of Schopenhauer, Kant, and other Germans. Her lightest reading was Sartor Resartus, and occasionally she would drop into Ibsen and Maeterlinck, the asparagus of her philosophic banquet. Her chosen mode of thought, far from leaving her inhuman or intolerant, gave her a social distinction which I had inherited from her. I could, if I had wished it, have attended ...
— Not George Washington - An Autobiographical Novel • P. G. Wodehouse
... it is, and this she found very trying. She suffered from her marriage to a man old enough to be her grandfather, and from her abortive grapplings both with the abstract problems of her soul and the concrete mischiefs of her female friends. The influence of IBSEN and a militant Suffragette didn't help her meditations, and when her husband died she had the mortification to find that the first man of her own age who professed love to her was no man but a series of artistic poses. Of her difficulties, real enough up to this point, the solution was the ...
— Punch, or the London Charivari, Vol. 146, January 7, 1914 • Various
... He and Tito Pagliardini, another phonetic veteran, were men whom it was impossible to dislike. Henry Sweet, then a young man, lacked their sweetness of character: he was about as conciliatory to conventional mortals as Ibsen or Samuel Butler. His great ability as a phonetician (he was, I think, the best of them all at his job) would have entitled him to high official recognition, and perhaps enabled him to popularize his subject, but for his Satanic contempt for all academic dignitaries and persons ...
— Pygmalion • George Bernard Shaw
... Ibsen's Peer Gynt, who is sophisticated, but the original Peter) is a lonely deer-stalker on the fells, who is asked by his neighbour to come and keep his house for him, which is infested with trolls. Peer Gynt clears them out,[43] and goes ...
— Epic and Romance - Essays on Medieval Literature • W. P. Ker
... been the genius of Evolution." Thus science has lent its authority to philosophy. The idea is charming. In its power it is irresistible. It certainly dominates modern literary art, being the principal dynamic of Ibsen and Bernard Shaw and ...
— A Tramp's Sketches • Stephen Graham
... with firmness. "Why, you are just a child," said Mrs. Barry-Smith. "We are utter strangers to each other. Please remember that, for all you know, I may have an unbridled temper, or an imported complexion, or a liking for old man Ibsen. What you ask—only you don't, you simply assume it,—is preposterous. And besides, opals ...
— The Cords of Vanity • James Branch Cabell et al
... insist that there's nothing to retribute," ran a passage in one of the letters, "but the poor fellow is saying one thing with his lips and another in his soul. What's the play in which the ghosts come back? Is it "Hamlet," or "Macbeth," or one of Ibsen's? Well, it's like that. He's seeing ghosts. He wants us to be on hand because we persuade him that they're not there—that they can't be there, so long as we're all on friendly terms, and that we're not laying up anything against ...
— The Side Of The Angels - A Novel • Basil King
... youth on his side and the future before him, it is John Synge, whose four plays.... represent accomplishment of the highest order. It is true that these dramas do deal only with peasants, but they are handled in the universal way that Ibsen used when he made the bourgeois of slow Norwegian towns representative of the human race everywhere.... it is not only in the avoidance of joyless and pallid words that Mr. Synge has chosen the better part. He has experienced the rich joy found only in what is superb and wild in reality; ...
— Ireland and the Home Rule Movement • Michael F. J. McDonnell
... beyond question, whenever it leads to forced and stagy contrasts. But surely no general indictment can lie against Schiller for taking advantage of a principle which is perfectly legitimate in itself and has been employed more or less freely by the dramatists of all ages, including realists like Ibsen and Hauptmann. After all life does really offer contrasts of character as glaring as any that poet ever imagined, only they are not apt to be found in juxtaposition. The artist, however, has a perfect right to juxtapose them if it suits his purpose; that is, if it will really enhance the ...
— The Life and Works of Friedrich Schiller • Calvin Thomas
... in particular, and to our occupation with other studies in general, may be attributed the opportunity which still exists for the discussion of one of the most interesting of all problems concerning Shakspere. Mr. Browning, Mr. Meredith, Ibsen, Tolstoi—a host of peculiarly modern problem-makers have been exorcising our not inexhaustible taste for the problematic, so that there was no very violent excitement over even the series of new "Keys" to the sonnets which came forth in the lull of the analysis of the plays; and yet, even with ...
— Montaigne and Shakspere • John M. Robertson
... out were architects playing with Noah's arks, ministers reading Darwin's "Theory of Evolution," lawyers sawing wood, tired-out society ladies talking Ibsen to the blue-sweatered sponge-holder, a neurotic millionaire lying asleep on the floor, and a prominent artist drawing a little red wagon ...
— Sixes and Sevens • O. Henry
... sexual disease—have long been prominent in these countries, and an impatience with prudish hypocrisy seems here to have been more pronounced than elsewhere; we see this spirit, for instance, emphatically embodied in the plays of Ibsen, and to some extent in Bjoernson's works. The fearless and energetic temper of the people impels them to deal practically with sexual difficulties, while their strong instincts of independence render them averse to the bureaucratic ...
— Studies in the Psychology of Sex, Volume 6 (of 6) • Havelock Ellis
... a past, like the Ibsen woman; it also has a future; but at present it is in the transmigratory period between the two, and is in consequence odious. The place is chiefly interesting because it is the oldest town in the archipelago settled by Europeans, and one revels in its queer, moss-grown churches and ...
— A Woman's Journey through the Philippines - On a Cable Ship that Linked Together the Strange Lands Seen En Route • Florence Kimball Russel
... incapable of. It is true that too much of this domestic virtue is self-denial, which is not a virtue at all; but then the following of the inner light at all costs is largely self-indulgence, which is just as suicidal, just as weak, just as cowardly as self-denial. Ibsen, who takes us into the matter far more resolutely than Jesus, is unable to find any golden rule: both Brand and Peer Gynt come to a bad end; and though Brand does not do as much mischief as Peer, the mischief he does do is ...
— Preface to Androcles and the Lion - On the Prospects of Christianity • George Bernard Shaw
... north and south, gathered as unto strife, breathed upon his mouth and filled his body—with ideas: Mr. Hind supplying the life. But this is not so: the ideas are all Mr. Hind's and the godfathers only supplied the name. What a name it is to be sure! It recalls one of Ibsen's plays: 'Claude Williamson Shaw was a miner's son—a Cornish miner's son, as you know; or perhaps you didn't know. He was always wanting plein-air.' Some one ought to say that in the book, but I must say it instead. At all events, Mr. Hind nearly ...
— Masques & Phases • Robert Ross
... drama; the label was unfortunate, and not particularly true. If Rabelais or Robert Burns appeared again in mortal form and took to writing plays, they would be "new" dramatists with a vengeance—as new as ever Ibsen was, and assuredly they would be sincere. But could they well be called "serious"? Can we call Synge, or St. John Hankin, or Shaw, or Barrie serious? Hardly! Yet they are all of this new movement in their very ...
— Another Sheaf • John Galsworthy
... in connection with this subject: the praise of Ibsen, the Scandinavian dramatist, is abroad in England; and again, as so often before, mine eyes have seen the glory of the coming of the Lord in the direction of Boston. But some of the loudest worshippers of this truly great man in both countries either wilfully ignore, or ...
— The Autobiography of a Play - Papers on Play-Making, II • Bronson Howard
... now? Not because it looks to Switzerland, or to Norway, but to Germany! Honor to Sweden for that! But what about us? We don't want to be a piddling little nation stuck up in our mountains, a nation that brings forth peace conferences, ski-runners, and an Ibsen once every thousand years; we have potentialities ...
— Look Back on Happiness • Knut Hamsun
... not have been easy a few years ago to foresee the achievement of Mr. Squire as a poet. He laboured under the disadvantage of being also a wit. It used to be said of Ibsen that a Pegasus had once been shot under him, and one was alarmed lest the reverse of this was about to happen to Mr. Squire, and lest a writer who began in the gaiety of the comic spirit should end soberly astride ...
— Old and New Masters • Robert Lynd
... not be unduly deplored. The Gloucester of John Blair was extremely amusing. Such a Richard, the most imaginative imaginer could never have dreamed of! He played the part as though the Duke of Gloucester were an Ibsen gentleman, battling with a dark green matinee. Mr. Loraine came from "Nancy Stair" to "The Lady Shore," and was Edward IV. It would be interesting to know which "heroine" he really preferred. The little princes in the tower seemed ...
— Ainslee's, Vol. 15, No. 5, June 1905 • Various
... sweet letter from the Sphinx.[13] She gives me a delightful account of Ernest[14] subscribing to Romeike while his divorce suit was running, and not being pleased with some of the notices. Considering the growing appreciation of Ibsen I must say that I am surprised the notices were not better, but nowadays everybody is jealous of everyone else, except, of course, husband and wife. I think I shall keep this last remark ...
— Oscar Wilde, Volume 2 (of 2) - His Life and Confessions • Frank Harris
... general intelligibility. Bjornson and Jonas Lie in this way have secured places in literature in no small part because of their characteristic Norwegianism; Kielland to some little extent has secured his place because of the want of it. Ibsen is here left out of the discussion. He is quite sui generis, and apart from the mere choice of environment, for his work ...
— Skipper Worse • Alexander Lange Kielland
... splendour, the vastness, the intense poetry, of that wonderful work. It is a close-knit, powerful, well-constructed play, as realistic as the tragic conventions will allow, intellectual and rebellious. Its psychology reminds one of Browning, or even of Ibsen. ...
— The Electra of Euripides • Euripides
... as a poet,' Ibsen said in a letter, 'has had its origin in a frame of mind and a situation in life; I never wrote because I had, as they say, found a good subject.' Yet his chief aim as a dramatist has been to set character ...
— Figures of Several Centuries • Arthur Symons
... musical lessons from his mother, and at 15 went to Leipzig; in 1863 was at Copenhagen and then established himself as a teacher at Christiania, where he continued eight years and became intimate with Ibsen; subsequently, after leading an unsettled life, he received a government pension, and after that devoted himself to musical composition; his music, chiefly pianoforte pieces and songs, achieved a wide popularity in England and Scotland; ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... be calm! Don't you see that you're on the verge of a new 'Midsummer Night's Dream'; that the world's tired of work and gone back to play! Don't talk like a tired business man whose wife has dragged him to see one of Ibsen's frolics—'Rosmersholm,' for example—where they talk for three hours and then jump in the well! The fact that there's one girl left in the world to dance under stars ought to hearten you for anything. We don't find in ...
— The Madness of May • Meredith Nicholson
... now adds to itself only as a vacancy occurs. Some of them have developed almost a professional ability, although contrary to all predictions and in spite of several offers, none of them have taken to a stage career. They present all sorts of plays from melodrama and comedy to those of Shaw, Ibsen, and Galsworthy. The latter are surprisingly popular, perhaps because of their sincere attempt to expose the shams and pretenses of contemporary life and to penetrate into some of its perplexing social ...
— Twenty Years At Hull House • Jane Addams
... exactly that way myself," responded John cheerfully, "so I did. I was like the man in the Ibsen parody, who said, 'I will not only make him feel, but be at home!'" He paused a moment, and looked graver. "Come here, kiddie," ...
— The Wishing-Ring Man • Margaret Widdemer
... is bound to no thesis. You cannot say where it begins or where it leaves off; and it will not allow you to say precisely what its meaning or argument is. For this reason, there are no such perfect pieces of realism as the plays of Ibsen, which have all or each a thesis, but do not hold themselves bound to prove it, or even fully to state it; after these, for reality, come the novels of Tolstoy, which are of a direction so profound because so ...
— Henry James, Jr. • William Dean Howells
... critic, though not given to over optimism, has recognized Sigurjonsson's distinction, and the Icelander is acclaimed by the public who best know Ibsen and Strindberg, in Copenhagen, Stockholm, and Christiania. Eyvind has been successful also on the German stage. "Poetic talent of high order," says Brandes, "manifests itself in this new drama, with its seriousness, rugged force, and strong feeling. Few leading ...
— Modern Icelandic Plays - Eyvind of the Hills; The Hraun Farm • Jhann Sigurjnsson
... is such modesty! How refreshing is it in this world-crisis of delirious vanity! Nevertheless Ibsen's fellow-countrymen are entitled to hold their heads high among their European brethren; for more than any other writer the great Norwegian recluse has stamped with his seal both the drama and modern thought. The eyes of Young France turned towards him; ...
— The Forerunners • Romain Rolland
... of Peer Gynt was given in two theatres during each winter of the war. All of Ibsen's dramas played to crowded houses. Reinhardt, during the last winter I was in Berlin, produced Strindberg's "Ghost Sonata," in quite a wonderful way. The play was horrible and grewsome enough, ...
— Face to Face with Kaiserism • James W. Gerard
... be blowed! Joy of life. Read Ibsen. [He goes into the pavilion to relieve his restlessness, and stares out with his hands thrust ...
— Misalliance • George Bernard Shaw
... Vaudeville delight, Musical Comedy can bore me quite; One act of Ibsen from the Gallery caught, Better than ...
— The Rubaiyat of Omar Cayenne • Gelett Burgess
... who have, more than any others, made it possible for Norway to share in the comity of intellectual intercourse so characteristic of the modern literary movement, it must be granted that Bjoernson is, more distinctly than Ibsen, the representative of their common nationality. Both are figures sufficiently commanding to belong, in a sense, to the literature of the whole world, and both have had a marked influence upon the ideals of other peoples than that from ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various
... Cornelia Pallanton had married on a new, radical basis. They had first met in the house of an intellectual woman, the wife of a university professor, where clever young persons were drawn in and taught to read Schopenhauer and Nietzsche, Ibsen and George Moore, and to engage gracefully in perilous topics. They had been rather conscious that they were radicals,—"did their own thinking," as they phrased it, these young persons. They were ...
— Together • Robert Herrick (1868-1938)
... Sydney and he rather discredited the sincerity of it for he was being wearied to death by lion-hunters. Eminene men from the Old Country either get feted or cut in the Colonies. He was feted because he happened to arrive at a time when "culture" was fashionable, and Shakespeare Societies, Ibsen Evenings, History Saturday Afternoons and Science Sundays were the rage. Foreign legations and Government officials gave him dinners as deadly as any in England. He saw that he was to appear in character at these dinners. He was expected to wear a phylactery on his ...
— Captivity • M. Leonora Eyles
... us remember in this connection, that up to the time in question no dramatic work of similar importance had ever been produced in Sweden. Its completion was more epoch-making for Sweden than that of Brand was for Norway in 1865—since the coming of Ibsen's first really great play was heralded by earlier works leading up to it, while Master Olof appeared where nobody had any reason to expect it. This very fact militated against its success, of course; it was ...
— Master Olof - A Drama in Five Acts • August Strindberg
... thinking that men who still hold to the old traditions should stick together and form some kind of a phalanx. I was not sorry, therefore, to hear that you had expressed yourself freely about the craze of a noisy minority for formlessness and ugliness in realistic literature. Ibsen's style, regarded merely as style, bears the same relation to good writing that the Star newspaper does to a Greek statue. I don't myself much mind what morals a man teaches, so long as he preserves the morality of beautiful form, but at the rate we are now going, literature ...
— Recollections • David Christie Murray
... education largely abroad. He studied law at Harvard and Columbia, and was admitted to the bar in 1882. He was married, in 1892, to Marion Lea, of London, whose name was connected with the early introduction of Ibsen to the English public; she was in the initial cast of "The New York Idea," and to her the ...
— Representative Plays by American Dramatists: 1856-1911: The New York Idea • Langdon Mitchell
... themselves could not forbear laughing. Wagner was greatly over-estimated, in her opinion; she asked for invertebrate music, the free harmony of the passing wind. As for her moral views, they were enough to make one shudder. She had got past the argumentative amours of Ibsen's idiotic, rebellious heroines, and had now reached the theory of pure intangible beauty. She deemed Santerre's last creation, Anne-Marie, to be far too material and degraded, because in one deplorable passage the author remarked that Norbert's kisses had left their trace ...
— Fruitfulness - Fecondite • Emile Zola
... doubt, with the after-effects of her dip into Ibsen that, on her sitting down to write the work that was to form her passport to the Society, her mind should incline to the most romantic of romantic themes. Not altogether, though: Laura's taste, such as it was, for literature had, like all young people's, ...
— The Getting of Wisdom • Henry Handel Richardson
... unsubstantial shadow. Here we have the deification of the woman reproduced in the heart of the individual. To illustrate my point, I will quote the very pertinent conversation between Foldal, the embittered old clerk, and John Gabriel Borkman (Ibsen). ...
— The Evolution of Love • Emil Lucka
... Poetry has occupied the purest and the fieriest minds in all ages, and you will remember that Plato, who excluded the poets from his philosophical Utopia, was nevertheless an exquisite writer of lyrical verse himself. So, to come down to our own day, Ibsen, who drove poetry out of the living language of his country, had been one of the most skilful of prosodical proficients. Such instances may allay our alarm. There cannot be any lasting force in arguments ...
— Some Diversions of a Man of Letters • Edmund William Gosse
... its height and its depth, its freedom, and its wide horizon. This drama has for the most part little to do with the operation of the Fate which works itself out when a man's soul is in the stern clutch of Necessity. We are far here from Euripides and from Ibsen. Life is always a pageant here, a tragi-comedy, which may lean sometimes more to comedy, and sometimes more to tragedy, but has in it always, even in Lear, an atmosphere of ...
— Impressions And Comments • Havelock Ellis
... what is "natural" and what is cultural. In the widest sense everything is natural; in the narrowest very few things are natural. Cooked food, clothing, houses, marriages, education, etc., are not found in a state of nature, any more than clocks and plays by Ibsen are. Our judgment as to what is good and bad is mainly instinctive leaning ...
— The Foundations of Personality • Abraham Myerson
... Vale, looking at the book, "if you are an admirer of Ibsen." And as he nodded, she proceeded with a slight smile. "I know that he is scarcely the usual thing for a spring morning. But there are times when ...
— Ashton-Kirk, Investigator • John T. McIntyre
... cowardice. 'Fast and Loose' is not an ordinary novel. A writer who dares to show up the hollowness of social conventions must have the courage of her convictions and be willing to accept the consequences of defying society. Can you imagine Ibsen or Tolstoy writing under a false name?" Mrs. Fetherel lifted a tragic eye to her cousin. "You don't know, Bella, how often I've envied you since I began to write. I used to wonder sometimes—you won't mind my saying so?—why, with all your cleverness, you hadn't taken up ...
— The Descent of Man and Other Stories • Edith Wharton
... disturbing realms of love, and with an egotistic single-mindedness which is beyond all praise overwhelms her into marriage by the heroic process of ignoring all objections, refusals and obstacles. And lo! in this manse of lonely Koekensee we have a problem! Elizabeth, tongue in cheek, in the mask of IBSEN!... I couldn't get myself to believe in the ineffable preoccupations of Herr Dremmel that made so desolate a pastor's wife; nor could I see the later enchanting Ingeborg in the little negligible mouse of the ...
— Punch, or the London Charivari, Vol. 147, October 28, 1914 • Various
... to feel the chill of despondency. Without taking into account this new mood, it is vain to try to understand the latest in art, music, fiction, poetry, thought, politics. The one word "despair" is the key that opens up the meaning of Ibsen's dramas, and Tolstoi's ethics, of Zola's novels, and Carmen Sylva's poems, of Bourget's romances, and Baudelaire's Fleurs du Mal. It is the spiritual bond that connects Wagner's operas with Turgenieff's novels, Amiel's journal with Marie Bashkirtseff's diary. Naturalism in fiction, "decadence" ...
— The Arena - Volume 4, No. 24, November, 1891 • Various
... desire to take her by the shoulders and shake her out of her calm superiority. It was very trying to him. No girl had a right to act as if she thought herself the superior of any man. Just to show her how inferior she was he dropped the subject of the tariff entirely and began a conversation on Ibsen. He did not know much about Ibsen but he knew a little and he could lead her beyond her depths and make her feel her inferiority that way. Kitty listened to him with an amused smile, and then told him a few things about Ibsen, quoted a few enlightening pages ...
— The Cheerful Smugglers • Ellis Parker Butler
... I am the representative of the International Ibsen Society. You know who Ibsen was, ...
— King Arthur's Socks and Other Village Plays • Floyd Dell
... feast with his presence, and especially honored the Chianti and Genzano wines, which were served copiously, in fiascos. When you see Ibsen, with his lion face and tangle of hair, for the first time, you are fascinated by him, knowing what a genius he is, but when you talk with him, and feel his piercing, critical eyes looking at you from under his ...
— The Sunny Side of Diplomatic Life, 1875-1912 • Lillie DeHegermann-Lindencrone
... he means a thing or not. We think he meant in this case, as Ibsen means in all cases, that you ...
— Imaginary Interviews • W. D. Howells
... for years they have been very reticent about it. Others, however, have not been still. Scientists have made us feel the ancient heritage that must be fought against; novelists have written no great novel that does not swirl around some central sin; the work of the dramatists from Shakespeare until Ibsen is centrally concerned with the problem of human evil; and now the psycho-analysts are digging down into the unremembered thoughts of men to bring up into the light of day the origins of our spiritual miseries in frustrated ...
— Christianity and Progress • Harry Emerson Fosdick
... young men of gentle birth from the public schools and universities. Paul's infallible instinct drew him into timid companionship with the last. He knew little of the things they talked about, golf and cricket prospects, and the then brain-baffling Ibsen, but he listened modestly, hoping to learn. He reaped the advantage of having played "the sedulous ape" to his patrons of the studios. His tricks were somewhat exaggerated; his sweep of the hat when ladies passed him at the stage door entrance was lower than custom deems necessary; he ...
— The Fortunate Youth • William J. Locke
... into Danish and widely read; the "Letters from Clara Raphael," of Mathilde Fibiger, which appeared still earlier, in 1850; the writings of Camilla Collett, of Norway; the liberal utterances of the great poets of the North, Bjoernsen, Hostrup and Ibsen, whose "Nora" has rightfully procured for him the title of "Woman's Poet"; the great progress in America, England and Sweden; all these influences stimulated thought, weakened prejudices and prepared the way for reforms in the Danish peninsula. Kirstine ...
— History of Woman Suffrage, Volume III (of III) • Various
... mutterings finally jogged Parliament into inspecting his activities, the Lord Chamberlain was somewhat taken aback by the tactics of Shaw, who, instead of hissing him for forbidding public performances of certain Shaw and Ibsen plays, derided and denounced him instead for the plays he had not suppressed. And indeed, for every play which the Lord Chamberlain has suppressed, the old playgoer of London could point to five which, had he been more intelligent, he ...
— Nonsenseorship • G. G. Putnam
... into each other's way, wrecking each other's plans, frustrating each other's schemes. The woman almost never is able to adjust her life so as fully to satisfy both. She is between two fires. Euripides understood this when he put into Medea's mouth a cry as modern as any that Ibsen has conceived:— ...
— The Business of Being a Woman • Ida M. Tarbell
... of almost perpetual fogs and mists, there died not long ago an extraordinary man. Ibsen, by some called revolutionary, by others evolutionary, dreamed in all his works of a new day of peace and concord for all mankind. This dream did not exist in the poet's brain alone, for it has imbedded itself in the mind and heart of ...
— Latin America and the United States - Addresses by Elihu Root • Elihu Root
... Dealing with IBSEN'S Ghosts at the Kingsway Theatre, the critic of a halfpenny morning paper refers to it as a "medley of weird psychopathy and symbolism." Just as if he were ...
— Punch, or the London Charivari, Vol. 152, May 9, 1917 • Various
... tried to paint sun-rhythms, the rhythms of the quivering sky, which is never still even when it seems most immobile; I tried to paint the rhythms of the atmosphere, shivering as it is with chords of sunlight and chromatic scales as yet unpainted. Like Oswald Alving in Ibsen's Ghosts, my last cry will be for 'the sun.' How did my friends act? What did the critics say? A black sun was too much for the world, though astronomers have proven my theory correct. The doctors swore I drank too much absinthe; the ...
— Visionaries • James Huneker
... a Cab, and told her Husband that the Liquor League had tried to Assassinate her, because she was Reforming so many Drunkards. That settled it with her—she said she wouldn't try to be Benevolent any more—so she joined an Ibsen Club. ...
— Fables in Slang • George Ade
... disguises and antiquarian charm the inflammation of literature's purple draught; one hears there a peculiar thin scandal like no other scandal in the world—a covetous scandal—so that I am always reminded of Ibsen in Cambridge. In Cambridge and the plays of Ibsen alone does it seem appropriate for the heroine before the great crisis of life to "enter, take off her overshoes, and put her wet umbrella upon the ...
— The New Machiavelli • Herbert George Wells
... widely read by all lovers of adventurous travel on the one hand, and on the other by those who will be more especially interested with the personal chapters upon such names of fame as Nansen and the latter day dramatists of Norway, Ibsen and Björnsen.... Many of our authoress's chapters are immensely entertaining.... The pages from start to finish are really a treat; her book of travel is altogether too racy, too breezy, too observant, too new, to let us part from her with anything ...
— A Girl's Ride in Iceland • Ethel Brilliana Alec-Tweedie
... and able to save the suicidal Ibsenites. For my part,—that is, as one of the audience drawn by curiosity,—I should say that were it not for the excellent acting of all concerned in the piece, and especially of Miss ELIZABETH ROBINS as the Hanwellian heroine, IBSEN's Hedda Gabler would scarcely have been allowed a second night's existence at the Vaudeville. Miss ROBINS is so much in earnest—as a true artist should be—that she excites your curiosity to discover ...
— Punch, Or The London Charivari, Vol. 100, May 16, 1891 • Various
... with garage to match; a widowed mother, a lamented father who made all kinds of money, so naturally some of it was honest money; two brothers, a married sister; a love for Henry James, and Galsworthy; substantial familiarity with Ibsen, Hauptman, Bergsen, Wagner, Puccini, Brahms, Freud, Tschaikovsky, and Bernard Shaw; a whole-hearted admiration for Barrie; and a record as organizer in the suffrage campaign which won in her state three years ago, plus a habit of buying ...
— The Martial Adventures of Henry and Me • William Allen White
... type—as in Tchaikowsky and Dvo[vr]ak, or may employ any material suggested by the fantastic imagination of the composer—as in Debussy and Ravel. Among the most attractive modern Suites may be cited: The Peer Gynt (put together from incidental music to Ibsen's play) and the Holberg by Grieg; the two L'Arlesienne Suites by Bizet (written to illustrate Daudet's romantic story)—the first, with its dainty Minuet and brilliant Carillons (Peal of bells); Dvo[vr]ak's Suite ...
— Music: An Art and a Language • Walter Raymond Spalding
... form. He had gained all at once, as he wrote to Georg Brandes, the eminent Danish critic, "eyes that saw and ears that heard." Up to this time the poet in him had been predominant; now it was to be the social philosopher that held the reins. Just as Ibsen did, so Bjornson abandoned historical drama and artificial comedy for an attempt at prose drama which should have at all events a serious thesis. In this he anticipated Ibsen; for (unless we include the satirical political comedy, The League ...
— Three Dramas - The Editor—The Bankrupt—The King • Bjornstjerne M. Bjornson
... it. I cannot imagine the plain man who, having a couple of hours to spare of a night, and having also the sincere desire but not the will-power to improve his taste and knowledge, would deliberately sit down and work sums by way of preliminary mental calisthenics. As Ibsen's puppet said: "People don't do these things." Why do they not? The answer is: Simply because they won't; simply because human nature will not run to it. "Esperance's" suggestion of learning poetry is ...
— Mental Efficiency - And Other Hints to Men and Women • Arnold Bennett
... he has a way of staring at one that is rather ill-bred.... There is a gold band around his left wrist and a scar upon his right cheek.... I am sure he is the SAME man I met at one of Sadakichi-Hartmann's readings from Ibsen's Ghosts.... He may recall the time.... It was in an abandoned palace on Russian Hill, somewhere in America; the lady at his left was discussing the difficulties of getting her motor car into Ragiz; the younger one on his right was ...
— Rescuing the Czar - Two authentic Diaries arranged and translated • James P. Smythe
... nugget of wisdom in Ibsen's remark, "The strongest man is he who stands alone," and Kipling's paraphrase, "He travels the ...
— Little Journeys to the Homes of the Great - Volume 12 - Little Journeys to the Homes of Great Scientists • Elbert Hubbard
... into the novels of Hamsun in the same manner as they did into the plays of Ibsen. Hamsun would seem to take life as it is, not with any pretense at its complete acceptability, but without hope or avowed intention of making it over. If his tolerance be never free from satire, his satire is on the other hand always easily ...
— Pan • Knut Hamsun
... went to a tea, and then I stopped in to hear Madame Ruvier read a paper on the Ethics of Ibsen, and she—" ...
— Cinderella - And Other Stories • Richard Harding Davis
... Germans are, brave, conceited, sentimental, prosaic, patriotic, and yet no people so soon lose their national characteristics, and become citizens of another country as Germans. Many of their intellectual poses are absolutely morbid. They adore Ibsen as a playwright and despise Goldsmith and Sheridan; they worship Gauguin, and the school of Impressionists, and have little appreciation nowadays for pre-Raphaelitism. They are intensely and truly musical, and it is amazing, ...
— A War-time Journal, Germany 1914 and German Travel Notes • Harriet Julia Jephson
... exhibits the inverse process: the triumph of mundane policy and genial savoir faire in the person of Ogniben over the sickly and equivocal "poetry" of Chiappino. Browning seems to have thrown off this bitter parody of his own idealisms in a mood like that in which Ibsen conceived the poor blundering idealist of the Wild Duck. Chiappino is Browning's Werle; the reverse side of a type which he had drawn with so much indulgence in the Luigi of Pippa Passes. Plainly, it was a passing mood; as plainly, ...
— Robert Browning • C. H. Herford
... towns, however, richness is found only in sonnets, or prose poems, or in one or two elaborate books that are far away from the profound and common interests of life. One has, on one side, Mallarme and Huysmans producing this literature; and on the other, Ibsen and Zola dealing with the reality of life in joyless and pallid words. On the stage one must have reality, and one must have joy; and that is why the intellectual modern drama has failed, and people have grown sick of ...
— The Playboy of the Western World • J. M. Synge
... the suggestion or inspiration of many of his pieces from poetic suggestion. One of the most famous and best known of this kind is the first "Peer Gynt" suite. Peer Gynt is a ne'er-do-weel in Ibsen's poem. He had a variety of adventures in the course of his unprofitable life, a few of which are alluded to in the suite here under consideration. For example, it begins with a prelude in 6/8 time—a movement somewhat pastoral in character, designated "Morgenstimmung," ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews
... to put the masked man down to Quamina's vivid imagination," declares Eleanor, "if you had not personally encountered him, Carol. He is like a sort of 'troll,' one of Ibsen's ...
— When the Birds Begin to Sing • Winifred Graham
... Hansen, best known to the English-speaking world for his relations with Bjornson and Ibsen, reviewed[11] the eleventh installment of Lembcke's translation of Shakespeare. The article does not venture into criticism, but is almost entirely a resume of Shakespeare translation in Norway and Denmark. It is less well informed than we should expect, and contains, among several other ...
— An Essay Toward a History of Shakespeare in Norway • Martin Brown Ruud
... him, and he read a really remarkable account of "the vine-leaf man" magnetizing the mob and carrying out a fainting girl. It was absurd to him, though Ibsen's subtlety, queerly enough, gave the story force.... No face of the audience had impressed him; none had appeared to notice him in the dark. He wondered how the newspaper had obtained the account.... There was a light, quick knock at ...
— Fate Knocks at the Door - A Novel • Will Levington Comfort
... correct and conventional—musical advantages and oratorios and lectures on Emerson, and village improvement and associated charities and all that, but no vaudeville nor movies. I suppose if there were a theatre they'd only play Ibsen ...
— Elsie Marley, Honey • Joslyn Gray
... compressed lips, and his sharp, penetrating gaze from behind his spectacles. It would be impossible for literary hostilities to overthrow this man, and for him there never existed that greatest danger to authors (a danger which for a long time menaced his great rival Henrik Ibsen), namely, that of having his name shrouded in silence. Even as a very young author, as a theatrical critic and political writer, he had entered the field of literature with such an eagerness for combat that a rumbling noise arose about him wherever he appeared. Like his own Thorbjoern ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various
... precisely it. You see, we've just discovered that instead of committing suicide, as Ibsen made them do in the play, they eloped and were eventually married. You can't imagine how delighted we all are to discover that Hedda is still alive. As soon as we found that out, ...
— King Arthur's Socks and Other Village Plays • Floyd Dell
... a communication to one of the daily papers, it appears that "a hundred ladies and gentlemen who find the works of HENDRIK IBSEN (perhaps not all for exactly the same reasons, but who agree in finding them) among the most interesting productions of the modern theatre, have guaranteed the estimated expenses of a series of twelve performances, ...
— Punch, or the London Charivari, Vol. 104, May 20, 1893 • Various
... anarchist and the Marxian socialist. In the case of the former, it has been necessary to present the views of a particular school of anarchism, more or less regardless of certain other schools. Proudhon, Stirner, Warren, and Tucker do not advocate violent measures, and Tolstoi, Ibsen, Spencer, Thoreau, and Emerson—although having the anarchist point of view—can hardly be conceived of as advocating violent measures. It will be obvious to the reader that I have not dealt with the philosophical anarchism, or whatever one may call it, of these last. ...
— Violence and the Labor Movement • Robert Hunter
... destructive biblical criticism, like most destructive engines, coming all the way from Germany, and at its more vital centres by importations of strong meat from Russia and Scandinavia. Tolstoi and Ibsen were his archprophets. ...
— The Romance of Zion Chapel [3d ed.] • Richard Le Gallienne
... Excursions. He himself describes them as "Prose Recreations of a Rhymer." "Prosy" would have been the truer epithet. The meeting of an Interviewer with Dr. JOHNSON is the best, and it is also the last. Poet WATSON'S criticism of Tess of the D'Urbevilles, his Essay on IBSEN'S Plays, and another on GEORGE MEREDITH, may have been recreations to the writer, but, like most of the other papers in this volume, they will never be so considered by the lightheaded and unbiassed reader. What is recreation to WILLIAM WATSON is boredom to the Baron, and, ...
— Punch, or the London Charivari, Vol. 104, April 29, 1893 • Various
... the more unsympathetic and contemptible of the two. They are nearly as despicable as they are funny, and their creator has little pity for them on that account. There is a "plentiful lack of tenderness," but an abundance of humour to excuse it. This quality is not visible in "Mr. Punch's Pocket Ibsen"—a parody so good that we sometimes wonder if the part we are reading is not really from the hand of the Norwegian master. Nothing, surely, could be truer, nothing touched with a lighter hand than "Pill-doctor Herdal"—an achievement ...
— The History of "Punch" • M. H. Spielmann
... I mean. We didn't make this world. We've got to take it as it is. You can't make it over. There are always going to be rich people and poor ones. Just because you've fed indigestibly on Ibsen and Shaw ...
— The Vision Spendid • William MacLeod Raine
... eagles have not ceased to peck at the liver of men's benefactors. All great and high art is purchased by suffering—it is not the mechanical product of dexterous craftsmanship. This is one part of the meaning of that mysterious Master Builder of Ibsen's. "Then I saw plainly why God had taken my little children from me. It was that I should have nothing else to attach myself to. No such thing as love and happiness, you understand. I was to be only a master builder—nothing else." And ...
— The Idler Magazine, Vol III. May 1893 - An Illustrated Monthly • Various |
