"Beethoven" Quotes from Famous Books
 ... was peaceful now with the exception of a gent in lower No. 4, who had a strangle hold on a Beethoven sonata and was beating the cadenza ...
— Skiddoo! • Hugh McHugh
... London. There are often concerts, etc., for those who like them; I only go to a shilling affair that comes off every Saturday at what they call the Pump Room. On these occasions there is sometimes some Good Music if not excellently played. Last Saturday I heard a fine Trio of Beethoven. Mendelssohn's things are mostly tiresome to me. I have brought my old Handel Book here and recreate myself now and then with pounding one of the old Giant's Overtures on my sister's Piano, as I used to do on that Spinnet at my ...
— A Letter Book - Selected with an Introduction on the History and Art of Letter-Writing • George Saintsbury
... appearance was to be in Chicago as soloist with the Chicago Symphony Orchestra, in the season's opening program in October. Any music-wise Chicagoan will tell you that the Chicago Symphony Orchestra is not only a musical organization functioning marvelously (when playing Beethoven). It is an institution. Its patrons will admit the existence, but not the superiority of similar organizations in Boston, Philadelphia and New York. On Friday afternoons, during the season, Orchestra Hall, situate on Michigan Boulevard, holds more pretty girls and ...
— Fanny Herself • Edna Ferber
... the first row of stalls (most uncomfortable seats) who followed every note of the music, turning around and frowning at any unfortunate person in a box who dropped a fan or an opera-glass. It was funny to hear the hum of satisfaction when any well-known movement of Beethoven or Mozart was attacked. The orchestra was perfect, at its best I think in the "scherzos" which they took in beautiful style—so light and sure. I liked the instrumental part much better than the singing. French voices, the women's particularly, are thin, as a rule. I think they sacrifice too ...
— My First Years As A Frenchwoman, 1876-1879 • Mary King Waddington
... is an absurd title which has for years been attached, both in Germany and England, to one of Beethoven's sonatas. It is said to have been derived from the expression of a German critic comparing the first movement to a boat wandering by moonlight on ...
— The Girl's Own Paper, Vol. VIII: No. 353, October 2, 1886. • Various
... Agassiz? O no, not we! Witness the shout that shook Wild Tupper Lake; witness the mute all-hail The joyful traveller gives, when on the verge Of craggy Indian wilderness he hears From a log cabin stream Beethoven's notes On the piano, played with master's hand. 'Well done!' he cries; 'the bear is kept at bay, The lynx, the rattlesnake, the flood, the fire; All the fierce enemies, ague, hunger, cold, This thin spruce roof, this clayed log-wall, This wild plantation will ...
— Poems - Household Edition • Ralph Waldo Emerson
... Thou in bird-notes. Lo, this tearful night Methinks I see thee, fresh from Death's despite, Perched in a palm-grove, wild with pantomime O'er blissful companies couched in shady thyme. Methinks I hear thy silver whistlings bright Meet with the mighty discourse of the wise, — 'Till broad Beethoven, deaf no more, and Keats, 'Midst of much talk, uplift their smiling eyes And mark the music of thy wood-conceits, And half-way pause on some large courteous word, And call thee 'Brother,' O ...
— Bird Neighbors • Neltje Blanchan
... painting to suit every conviction, and the work that one man would give his all to possess would not find hanging space upon the wall controlled by another. But before Velazquez even artists forget their controversies; he stands, like Bach and Beethoven in the world of music, respected even by those who do not understand. No controversy rages round him; he has marched unchallenged to the highest place in ...
— Velazquez • S. L. Bensusan
... popular hero is Admiral Dewey, whose name is in every mouth and on every boarding. He is the one living celebrity whom the Italian image-vendors admit to their pantheon, where he rubs shoulders with Shakespeare, Dante, Beethoven, and the Venus of Milo. It is related that, at a Camp of Exercise last year, President McKinley chanced to stray beyond bounds, and on returning was confronted by a sentry, who dropped his rifle and bade him halt. "I have forgotten the pass-word," said Mr. McKinley, "but if you will look ...
— America To-day, Observations and Reflections • William Archer
... had a perverse streak in her to-day. Instead of rising as Nora expected she would, she wheeled on the stool and began Morning Mood from Peer Gynt, because the padre preferred Grieg or Beethoven to Chopin. Nora frowned at the pretty head ...
— The Place of Honeymoons • Harold MacGrath
... thinking of the Linn Moore of years and years ago who used to reveal to the companion of his boyhood all his high aims and strenuous ambitions—how he was resolved to become a Mendelssohn, a Mozart, a Beethoven? Whither had fled all those wistful dreams and ardent aspirations? What was Linn Moore now?—why, a singer in comic opera, his face beplastered almost out of recognition; a pet of the frivolous-fashionable ...
— Prince Fortunatus • William Black
... with Mozart, he was an old man before he gave his first concert—namely, nine years. Then the poverty of his parents and the ambition of his father found assistance in a stipend from Hungarian noblemen, and he was sent to Vienna to study. When he was eleven years old, after one of his concerts, Beethoven kissed him. He survived. Then on to Paris and duchesses and princesses galore. Here he became a proverb of popularity as "Le petit Litz"—the French inevitably gave some twist to a foreign name, then as to-day, when two of their favourite ...
— The Love Affairs of Great Musicians, Volume 2 • Rupert Hughes
... scanned the record of Beethoven's thought, And made the dumb chords speak both clear and low, And spread the dead man's voice till I was caught Away, and now seemed long and long ago. Methought in Tellus' bosom still I lay, While centuries like steeds tramped overhead, To the wild rhythms that, ...
— Songs, Sonnets & Miscellaneous Poems • Thomas Runciman
... all for Beethoven," the professor is saying. "Young people find such melody in 'Songs without Words.' But I want you to listen to this nocturne of Chopin's, though it ...
— Floyd Grandon's Honor • Amanda Minnie Douglas
... Faust has been a battlefield of controversy since its publication, and demands fuller attention. Its fate may be compared with that of the latest works of Beethoven. For a long time it was regarded as impossible to understand, and as not worth understanding, the production of a great artist whose faculties had been impaired by age. By degrees it has, by careful labor, become intelligible to ...
— Autobiography • Johann Wolfgang von Goethe
... gave rise thereto; men who preceded, I should rather say, not the rule, but the discovery of the rule, men whose intuitive perception led them to the right practice. We cannot imagine Homer to have studied rules, and the infant genius of those giants of their art, Handel, Mozart, and Beethoven, who composed at the ages of seven, five, and ten, must certainly have been unfettered by them: to the less brilliantly endowed, however, they have a use as being compendious safeguards against error. Let ...
— Samuel Butler's Cambridge Pieces • Samuel Butler
... and aberrations from good taste. The origin of synagogue melodies was attributed to remoter and remoter periods; the most soulful hymns were adapted to frivolous airs. Later still, at a time when German music had risen to its zenith, when Bach, Handel, Haydn, Mozart, and Beethoven flourished, the Jewish strolling musician Klesmer, a mendicant in the world of song as in the world of finance, was wandering through the ...
— Jewish Literature and Other Essays • Gustav Karpeles
... the old book-room, where, staring into the playing flames, he could fall at peace into the almost motionless reverie which he seemed merely to harass and weary himself by trying to disperse. She opened the little piano at the far end of the room and played on and on as fancy led—Chopin and Beethoven, a fugue from Bach, and lovely forlorn old English airs, till the music seemed not only a voice persuading, pondering, and lamenting, but gathered about itself the hollow surge of the water and the darkness; wistful and clear, as the thoughts of a solitary child. Ever and again a log burnt ...
— The Return • Walter de la Mare
... much Beethoven. I wanted Wagner. Beethoven insists on exalting you, but Wagner lets you revel and feel naughty. Winnie, d'you hear ...
— The Folly Of Eustace - 1896 • Robert S. Hichens
... saw Mary Ann he did not remember having seen her before. This time she was a biped, and wore a white cap. Besides, he hardly glanced at her. He was in a bad temper, and Beethoven was barking terribly at the intruder who stood quaking in the doorway, so that the crockery clattered on the tea-tray she bore. With a smothered oath Lancelot caught up the fiery little spaniel and rammed him into the pocket of his dressing-gown, where he quivered into silence like a struck gong. ...
— Merely Mary Ann • Israel Zangwill
... I never heard an oratorio, for instance, in my life—judge by that! It is a guess, I make, at all the greatness and divinity ... feeling in it, though, distinctly and certainly, that a composer like Beethoven must stand above the divinest painter in soul-godhead, and nearest to the true poet, of all artists. And this I felt in my guess, long before I knew you. But observe how, if I had died in this illness, I should have left a sealed world behind me! you, unknown too—unguessed at, you, ...
— The Letters of Robert Browning and Elizabeth Barrett Barrett, Vol. 1 (of 2) 1845-1846 • Robert Browning and Elizabeth Barrett Barrett
... beauty as not only permissible, but desirable and frequent and of a thousand hitherto unsuspected rich aspects of life. One night in a real rapture, I walked round the upper gallery of the Albert Hall and listened for the first time to great music; I believe now that it was a rendering of Beethoven's ...
— Tono Bungay • H. G. Wells
... of Handel and Beethoven alone had been encouraged by her professors, Juanita had learnt with some enthusiasm the folk songs of the Basques, considered worthy only of the attention of the people. She had a pretty voice, round and young with strange low notes in it that seemed to belong not to her but to some ...
— The Velvet Glove • Henry Seton Merriman
... fine September day," he writes again to his wife, "health and spirits good, but with a soft touch of melancholy, a little homesickness, a longing for deep woods and lakes, for a desert, for yourself and the children, and all this mixed up with a sunset and Beethoven." ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. X. • Kuno Francke
... All the vague yet eager hopes that had run riot in his brain, for months past, seemed to have been summed up and made clear to him, in one supreme phrase of it, a great phrase in C major, in the concluding movement of Beethoven's Fifth Symphony. First sounded by the shrill sweet winds, it had suddenly been given out by the strings, in magnificent unison, and had mounted up and on, to the jubilant trilling of the little flutes. There was such a courageous sincerity in this theme, such undauntable ...
— Maurice Guest • Henry Handel Richardson
... you simply have to say, "I shall!" Beethoven's fame is rendered transitory; And Titian cloys beside your ...
— The Battle of the Bays • Owen Seaman
... of such a spirit would be fittingly commemorated by the grand marches of Chopin and Beethoven, or the majestic requiems of Mozart, rather than by our simple words. And yet they are our hearts' testimony to her in whose name we are assembled and, let us hope, made worthy. To us who believe that life reels not back ...
— Memories of Jane Cunningham Croly, "Jenny June" • Various
... a Beethoven number, a sonata. Uncle William apparently went to sleep. Sergia, watching him, smiled gently. He must be very tired, poor dear. The next number will keep him awake all right. It did. It was sung by a famous baritone—"Fifteen men on a dead man's chest! Yo ho! Yo ho!" Uncle ...
— Uncle William - The Man Who Was Shif'less • Jennette Lee
... inattentive of historical students who can afford to ignore this. No modern aesthetician from the Rhine to the Spree affects to dispute the succession of Teutonic thought, in its various forms of passion, from Beethoven to Goethe, from Schiller, Jean Paul, or Weber, or Ravner, or Kleist, or Immermann, down to the latest high priest of the pre-historic cult—down to Richard Wagner himself! It was precisely this that the Emperor Frederick knew as crown prince, and that the ...
— The Arena - Volume 4, No. 21, August, 1891 • Various
... that the faces on the pipes are beautiful, and do not look as if it hurt them to pipe. The world may be too small; but the organ cannot possibly be too large. Malibran, Jenny Lind, or Mrs. Mott usually sings to it of an evening, accompanied by Franz, Schubert, or Mendelssohn; or Beethoven drops in to play one of his symphonies. Sunday nights, Handel performs upon it regularly for a choir composed of Vaughan, Herbert, the minister who chants 'Calm on the listening ear of night,' Madame Guyon, and Sarah Adams. Between their hymns, ...
— The Continental Monthly, Vol. 6, No 3, September 1864 - Devoted To Literature And National Policy • Various
... heard was a pavane for five viols and a harpsichord, composed by Ferrabosco, son of the Italian musician who had settled in Greenwich at the end of the sixteenth century. Sir Owen was extraordinarily pleased and interested, and declared the pavane to be as complete as a sonata by Bach or Beethoven; but his appreciation was suddenly interrupted by someone looking ...
— Evelyn Innes • George Moore
... culture. She was passionately devoted to music, which inspired some of her best poems; and during the last years of her life, in hours of intense physical suffering, she found relief and consolation in listening to the strains of Bach and Beethoven. When she went abroad, painting was revealed to her, and she threw herself with the same ardor and enthusiasm into the study of the great masters; her last work (left unfinished) was a critical analysis of the genius and personality ...
— The Poems of Emma Lazarus - Vol. I (of II.), Narrative, Lyric, and Dramatic • Emma Lazarus
... bath, or go to the Italian Opera, two things that are more necessary to him than bread. His works abound in references to his beloved art, and when he was writing "Massimilla Doni" he employed a professional musician to instruct him about it. Beethoven, in particular, he speaks of with the utmost enthusiasm, and after hearing his "Symphony in Ut mineur," he says that the great musician is the only person who makes him feel jealous, and that he prefers him even to Rossini and Mozart. "The spirit of the writer," he says, ...
— Honore de Balzac, His Life and Writings • Mary F. Sandars
... Social Union" would devote one of their sweetly heretical evenings at the Beethoven Rooms, Harley Street, to an examination of the Darwinian development of the Evil Spirit, was one not to be scorned by an inquirer into the more eccentric and erratic phases of theology. Literary engagements stood in the way—for the ...
— Mystic London: - or, Phases of occult life in the metropolis • Charles Maurice Davies
... touching, sweet yet strong, Hath risen Goethe's, Wordsworth's song; Yet even I (and none will bow Deeper to these) must needs allow, They yield us not, to soothe our pains, Such multitude of heavenly strains As from the kings of sound are blown, Mozart, Beethoven, Mendelssohn." ...
— Poetical Works of Matthew Arnold • Matthew Arnold
... will have told the pupils a few facts about Beethoven and, if possible, will have shown them his picture. He will also have asked them to read the lesson at home and ...
— Ontario Teachers' Manuals: Literature • Ontario Ministry of Education
... wonderful eyes of yours; those devouring eyes; those thirsty eyes; those portrait-eating, portrait-painting eyes of thine." Men of genius, whether expressing themselves in prose or verse, on canvas or in harmony, are, save when smitten, like Beethoven, by some malignity of Nature, endowed with keener physical senses than other men. They actually, not metaphorically, see more and hear more than their fellows. Carlyle's super-sensitive ear was to him, through life, mainly a torment; but the intensity of ...
— Thomas Carlyle - Biography • John Nichol
... the perpetual, passionate failure of art, before they can see its beauty or demand that beauty from the artist. When they themselves become like little children, then they see that the greatest artists, in all their seeming triumphs, are like little children too. For in Michelangelo and Beethoven it is not the arrogant, the accomplished, the magnificent, that moves us. They are great men to us; but they achieved beauty because in their effort to achieve it they were little children to themselves. They impose awe on us, but it is their own awe that they impose. It is not ...
— Essays on Art • A. Clutton-Brock
... and proved to be unquestionably the greatest theatrical pageant ever staged in this country. The elaborate settings were handled mechanically. Forests dissolved into regal courts; fields melted into castles. A hidden orchestra played the superb music of Beethoven's "Eroica," which accentuated the ...
— Charles Frohman: Manager and Man • Isaac Frederick Marcosson and Daniel Frohman
... His art is perpetual creation, not repetition of a thing created once and for all. The art that is lived, howsoever imperfect, has an advantage over the most finished art that is merely repeated. Next after the music of, as one might say, superhuman creative force—like Bach's and Beethoven's—comes this kind, ...
— A Poor Man's House • Stephen Sydney Reynolds
... cannot now remember whether it was Harriet or Ann Spencer who brought it in—when It came in, Dick, who pretends to be abashed upon such occasions, gave one swift glance upward and then emitted a long, low, expressive whistle. When Beethoven found himself throbbing with undescribable emotions he composed a sonata; when Keats felt odd things stirring within him he wrote an ode to an urn, but my friend Dick, quite as evidently on fire with his emotions, merely whistled—and then looked around evidently embarrassed lest he should ...
— Adventures In Friendship • David Grayson
... will become a favorite with our people. It contains sketches, legends, and traditions of many of the great musicians. Bach, Gluck, Mozart, Mendelssohn, Pergolesi, Schubert, Scarlatti, Weber, Paganini, Gretry, Catalani, Malibran, Handel, Anderle, Haydn, Boieldieu, Cimarosa, Beethoven, Lully, Berger, etc., float pleasantly through its fanciful pages. Romance and reality mingle genially together, the reality half persuading us that the romance is true. It is appreciative and tender in the original, and the translation is well executed. The vignette of the music-making cherubs ...
— Continental Monthly, Volume 5, Issue 4 • Various
... is the first book on the subject, it is given, perhaps, especial novelty by the fact that advantage could be taken of much new material given to the public for the first time (with one exception) in the last few months, notably: a revelation of the exact identity of Beethoven's "Immortal Beloved;" the letters of Liszt to his princess; letters of Chopin long supposed to have been burned, as well as diaries and letters gathered by an intimate friend for a biography whose completion was prevented by death; the publication of a vast ...
— The Love Affairs of Great Musicians, Volume 1 • Rupert Hughes
... culture in music certainly distinguishes the civilization of this age. It has taken eighteen hundred years for the principles of the Christian religion to begin to be practically incorporated in government and in ordinary business, and it will take a long time for Beethoven to be popularly recognized; but there is growth toward him, and not away from him, and when the average culture has reached his height, some other genius will still more profoundly and delicately express ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... known by his work. You stand in front of some great picture, or you listen to some great symphony, or you read some great book, and you say, 'This is the glory of Raphael, Beethoven, Shakespeare.' Christ points to His saints, and He says, 'Behold My handiwork! Ye are my witnesses. This ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... fierce dragoon, or most chivalrous hussar. But peace be to the kettle-drums,—ay, peace be to them, say we! and may our ears never again be subjected to the torture of hearing Handel's massive chorus, or Beethoven's fearfully dramatic harmony, disfigured by their most abominable ...
— Blackwood's Edinburgh Magazine, Volume 59, No. 364, February 1846 • Various
... student, but the march of civilization had been such at Bleighton that a prospective shepherd of souls might listen to one of Beethoven's symphonies in a city opera-house without having any sin imputed unto him! Such music-loving inhabitants of Bleighton as listened to one of these symphonies, which was also heard by Mr. Brown and Miss Elserly, noticed that when the young couple exchanged ...
— Romance of California Life • John Habberton
... apex of the top segment stands often one man, and only one. His joyful vision cloaks a vast sorrow. Even those who are nearest to him in sympathy do not understand him. Angrily they abuse him as charlatan or madman. So in his lifetime stood Beethoven, solitary and insulted. ...
— Concerning the Spiritual in Art • Wassily Kandinsky
... which our sensibilities have early been educated. Even the most catholic of tastes becomes restricted in the course of education. To Western ears, there is at first no music at all in Chinese music, and Beethoven would appear to the Chinese as barbarous as their ...
— Human Traits and their Social Significance • Irwin Edman
... the second quartet concert. It stirred me much more than the first; the music chosen was loftier and stronger. It was the quartette in D minor of Mozart, and the quartette in C major of Beethoven, separated by ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner
... musicians and the great painters live in their work in a singularly vivid sense. Music and painting are more direct in popular appeal than great poetry. Yet none can ridicule the sentiment which is embodied in the statue of Beethoven at Bonn, or in that of Paolo Veronese at Verona. To accept literally the youthful judgment of Milton and his imitators is to condemn sentiments and practices which are in universal vogue among civilised peoples. It is to deny to ...
— Shakespeare and the Modern Stage - with Other Essays • Sir Sidney Lee
... last illustration of the class of difficulties described, let us ask how we are to interpret the development of the musical faculty. I will not enlarge on the family antecedents of the great composers. I will merely suggest the inquiry whether the greater powers possessed by Beethoven and Mozart, by Weber and Rossini, than by their fathers, were not due in larger measure to the inherited effects of daily exercise of the musical faculty by their fathers, than to inheritance, with increase, of spontaneous variations; and whether the diffused ...
— Essays: Scientific, Political, & Speculative, Vol. I • Herbert Spencer
... Heine sang, and Beethoven made music, and Goethe and Schiller wrote and Schopenhauer thought! If ever a land had the philosophy and the poetry of democracy Germany had it. Democracy tried to bloom in the revolutionary days of the forties, but Germany ...
— The Martial Adventures of Henry and Me • William Allen White
... singers and players of the season, and Epicurus' soul could rest in peace, for her chef had an international reputation. Oh, remember, you music-fed ascetic, many, aye, very many, regard the transition from Tschaikowsky to terrapin, from Beethoven to burgundy with hearts aflame with anticipatory joy—and Mrs. ...
— The Fifth String, The Conspirators • John Philip Sousa
... wealth of her present stage of development. Consider Germany's contributions to the arts, the poetical achievements of the period of Schiller and Goethe, the music of Handel, Bach, Haydn, Mozart, and Beethoven; the thought systems of Kant, ...
— New York Times Current History: The European War, Vol 2, No. 1, April, 1915 - April-September, 1915 • Various
... would take her place next at the piano, and reproduce the music morsel by morsel, by ear. A professor was appointed to pronounce sentence on me, and declare if I could be trusted not to misinterpret Mozart, Beethoven, and the other masters who have written for the piano. Through this ordeal I passed with success. As for my references, they spoke for themselves. Not even the lawyer (though he tried hard) could pick holes in them. It was arranged on both sides ...
— Poor Miss Finch • Wilkie Collins
... understanding of their immeasurable preeminence. Taine has told us that "there are four men in the world of art and of literature exalted above all others, and to such a degree as to seem to belong to another race—namely, Dante, Shakspere, Beethoven, and Michelangelo. No profound knowledge, no full possession of all the resources of art, no fertility of imagination, no originality of intellect, sufficed to secure them this position, for these they all had. These, moreover, are of secondary ...
— Inquiries and Opinions • Brander Matthews
... almost complete. The musicians, in order to keep together, agreed at length to follow the slight indications of time which the concertmeister (first violin-player) gave them; and not to attend to Beethoven's conducting-stick. Moreover, it should be observed, that conducting a symphony, an overture, or any other composition whose movements remain continual, vary little, and contain few nice gradations, is child's play in comparison with conducting an opera, or like work, where there are ...
— The Orchestral Conductor - Theory of His Art • Hector Berlioz
... to the city. This is now the fourth that has been erected within two years to commemorate the triumphs of genius. Monuments that have risen from the same idea, and in such quick succession, to Schiller, to Goethe, to Beethoven, and to Scott, signalize the character of the new era still more happily than does the railroad coming up almost to ...
— At Home And Abroad - Or, Things And Thoughts In America and Europe • Margaret Fuller Ossoli
... beyond its outside, or even for their own ears. John Effingham executed brilliantly on the violin; and, as it appeared on inquiry, the two younger gentlemen performed respectably on the flute, flageolet, and one or two other wind instruments. We shall leave them doing great justice to Beethoven, Rossini, and Mayerbeer, whose compositions Mr. Dodge did not fail to sneer at in the outer cabin, as affected and altogether unworthy of attention, and return on deck to the company ...
— Homeward Bound - or, The Chase • James Fenimore Cooper
... with the serene grace of a frail bubble ascending through the still atmosphere of a June day. The perfect roundness of her limbs formed suave and enchanting curves. It was like listening to the most spiritual symphony of Beethoven the divine, to watch the harmonious flow of lines. This, indeed was a pleasure cheaply purchased at any price. What cared I if I had waded to the portal of this wonder through another's blood. I would have given my own to enjoy one such moment ...
— The Diamond Lens • Fitz-James O'brien
... Shade of Beethoven! A hybrid cough and laugh, smothered decorously, but still recognizable, from the courtly Guy himself! ...
— The Atlantic Monthly, Volume 14, No. 83, September, 1864 • Various
... 29, 1819. Beethoven, whom I should have liked to see once more in this life, lives somewhere in this country, but nobody can tell me where. I wanted to write to him, but I am told he is almost unapproachable, as he is almost ...
— The World's Greatest Books, Vol IX. • Edited by Arthur Mee and J.A. Hammerton
... oboe rendered a considerable number necessary. The perfection of certain instruments, too, is the cause of modifications in the music written for them. The limited compass of the pianoforte, for example, was certainly the sole reason why Beethoven failed to continue in octaves the entire ascending scale in one of his sonatas. Had the piano in his day possessed its present compass, he would undoubtedly have written the passage throughout in octaves, i.e., as modern pianists play ...
— Style in Singing • W. E. Haslam
... impiety to frame in words the feelings they inspire. Yet there are some sayings, hallowed by long usage, which throng the mind through a whole summer's day, and seem in harmony with its emotions—some portions of the Psalms or lines of greatest poets, inarticulate hymns of Beethoven and Mendelssohn, waifs and strays not always apposite, but linked by strong and subtle chains of feeling with the grandeur of the mountains. This reverential feeling for the Alps is connected with the Pantheistic form of our religious sentiments to which I have before alluded. It is ...
— Sketches and Studies in Italy and Greece • John Addington Symonds
... daughter walking in a fardingale of gold with the negro page to find a bambino Moses kicking in Venetian sunlight; the Raeburns, coarse and wholesome as a home-made loaf; the lent Whistler collection like a hive of butterflies. And at the Music Hall Frederick Lamond was playing Beethoven. How his strong hands would beat out the music! Oh, as to the beauty of the world there ...
— The Judge • Rebecca West
... long ago" when as a little chap in my native Bonn, I had first listened with interest to the charming voices of the golden-haired daughters of old Albion who came in large numbers to reside in the famous Beethoven-town. ...
— Legends of the Rhine • Wilhelm Ruland
... longing for the elegant, the amorous, the tripping, the tearful, and his belief in the South, can still appeal to SOMETHING LEFT in us! Ah, some time or other it will be over with it!—but who can doubt that it will be over still sooner with the intelligence and taste for Beethoven! For he was only the last echo of a break and transition in style, and NOT, like Mozart, the last echo of a great European taste which had existed for centuries. Beethoven is the intermediate event between an ...
— Beyond Good and Evil • Friedrich Nietzsche
... of the whole forces of their mind; and the changing views which accompany the growth of their experience are marked by still more sweeping alterations in the manner of their art. So that criticism loves to dwell upon and distinguish the varying periods of a Raphael, a Shakespeare, or a Beethoven. ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 16 (of 25) • Robert Louis Stevenson
... remarkably long. In the summer-time he used to forage for himself, subsisting mainly on roach, with an occasional conger-eel which he caught in the Dodder. One day early in April, 1902, the cat—whom we called Beethoven, because of his indulgence in moonlight fantasias—came to the back door mewing, and on opening the door my father found that it had lost an eye—probably in a fight—and evidently wished him to supply the loss artificially, which he did. I have never heard a cat purr so loudly as Beethoven did ...
— Punch, or the London Charivari, Vol. 147, August 26th, 1914 • Various
... baton—that magic wand whose graceful yet mysterious motion evokes with equal ease, seemingly, the thunder of a storm, the song of a bird, the horrid din of an inferno, or a harmony so pure and lofty as to suggest heavenly strains. One of Beethoven's exquisite symphonies was to be rendered, and Van Berg threw away his half-burned cigar, settled himself in his chair and glanced around with a congratulatory air, as if to say, "Now we are to have one of those pleasures which fills the ...
— A Face Illumined • E. P. Roe
... one's self to technical sacred music. Any grave, solemn, thoughtful, or pathetic music has a proper relation to our higher spiritual nature, whether it be printed in a church service-book or on secular sheets. On me, for example, Beethoven's Sonatas have a far more deeply religious influence than much that has religious names and words. Music is to be ...
— Household Papers and Stories • Harriet Beecher Stowe
... relatives such names as Shakspeare, Goethe, Milton, the two Bacons, Lessing, Richter, Schiller, Carlyle, Hegel, Luther, Behmen, Swedenborg, Gustavus Adolphus, William of Orange, Cromwell, Frederick II., Wellington, Newton, Leibnitz, Humboldt, Beethoven, Handel, Turner; and nations might be enriched out of the names that remain when the supreme ones in each class have been mentioned. Consider what incomparable range and variety, as well as depth, of genius are here affirmed. Greece and ...
— The Atlantic Monthly, Volume 2, Issue 12, October, 1858 • Various
... to find in real life such love as this, eternal and absolute, is but to seek on public squares a woman such as Venus, or to expect nightingales to sing the symphonies of Beethoven. ...
— Child of a Century, Complete • Alfred de Musset
... Ludwig Von Beethoven, the greatest of composers, was born Dec. 17, 1770, at Bonn, Germany, his father being a court singer in the chapel of the Elector of Cologne. He studied in Vienna with Haydn, with whom he did not always agree, however, and afterwards with Albrechtsberger. His first symphony appeared ...
— The Standard Operas (12th edition) • George P. Upton
... final lingering notes of an andante from one of Beethoven's sublime symphonies clashed the loud ...
— The Girl from Montana • Grace Livingston Hill
... way arguments for artistic result, it is also no reproach to the most finished scholar or greatest gentleman in the land that he be absolutely without eye for painting or ear for music—that in his heart he prefer the popular print to the scratch of Rembrandt's needle, or the songs of the hall to Beethoven's "C Minor Symphony." ...
— The Mind of the Artist - Thoughts and Sayings of Painters and Sculptors on Their Art • Various
... nation, Holland first developed them so that they became characteristic of the whole people. It was the slow, steady stream of Hollanders pushing southward that civilized Germany. Music as a science was born in Holland. The grandfather of Beethoven was a Dutchman. Gutenberg's forebears were from Holland. And when the Hollanders had gone clear through Germany, and then traversed Italy, and came back home by way of Venice, they struck the rock of spiritual resources and the ...
— Little Journeys to the Homes of the Great, Volume 11 (of 14) - Little Journeys to the Homes of Great Businessmen • Elbert Hubbard
... is for me not for Adela Sellingworth," thought Miss Van Tuyn. "Let her listen to Bach and Beethoven, or to Brahms if she likes. She can have the classics and the intellectuals. But the songs of Naples are ...
— December Love • Robert Hichens
... the young people of our happy century, has been accustomed, for three or four consecutive years, to press her fingers on the keys of a piano, a long-suffering instrument. She has hammered out Beethoven, warbled the airs of Rossini and run through the exercises of Crammer. I had already taken pains to convince her of the excellence of music; to attain this end, I have applauded her, I have listened without yawning ...
— The Physiology of Marriage, Part II. • Honore de Balzac
... Beethoven? He was one of the greatest musical composers that ever lived. His great, his sole delight was in music. It was the passion of his life. When all his time and all his mind were given to music, he became deaf—perfectly deaf; so that he never more heard one ...
— The Crofton Boys • Harriet Martineau
... dropped her peekaboo waist in the piano player and turned out a Beethoven sonata, has her equal in the lady who stood in front of a five-bar fence and sang all the dots ...
— Toaster's Handbook - Jokes, Stories, and Quotations • Peggy Edmund & Harold W. Williams, compilers
... special talent in a family is transmitted. The bodily transmission of an individual science is something very rare. Do the sons of philologists easily become philologists? Dubito. Thus there is no such accumulation of philological capacity as there was, let us say, in Beethoven's family of musical capacity. Most philologists begin from the beginning, and even then they learn from books, and not through travels, &c. They get some training, ...
— We Philologists, Volume 8 (of 18) • Friedrich Nietzsche
... to that vulgar, yet extensive, class of sportsmen with whom fishing means nothing but catching fish,—to that select minority of illuminati who go trouting for intellectual culture, because they cannot hear Booth or a Sonata of Beethoven's,—who write rhapsodies of much fire and many pages on the divine superiority of the curve of an hyperbola over that of a parabola in the cast of a fly,—who call three little troutlings "a splendid ...
— The Atlantic Monthly, Volume 13, No. 80, June, 1864 • Various
... waltz; Yet distance gives it dignity. Who knows? Journeying through the woods the master haunted. Under the cyclamen, among the bracken, It may have chanced upon Beethoven's soul! ...
— L'Aiglon • Edmond Rostand
... the world? Why may there not be different points of view for surveying it, within each of which all data harmonize, and which the observer may therefore either choose between, or simply cumulate one upon another? A Beethoven string-quartet is truly, as some one has said, a scraping of horses' tails on cats' bowels, and may be exhaustively described in such terms; but the application of this description in no way precludes the simultaneous applicability of an entirely different description. Just so ...
— The Will to Believe - and Other Essays in Popular Philosophy • William James
... whispering leaves and gloom, I saw, too dark, too dumb for bronze or stone, One tragic head that bowed against the sky; O, in a hush too deep for any tomb I saw Beethoven, dreadfully alone With his own grief, and his ...
— The New Morning - Poems • Alfred Noyes
... barque made of mother-of-pearl, and studded with jewels of surpassing lustre. The sand was of grains of gold, and my keel slid through them without jar or sound. The air was radiant with excess of light, though no sun was to be seen. I inhaled the most delicious perfumes; and harmonies, such as Beethoven may have heard in dreams, but never wrote, floated around me. The atmosphere itself was light, odor, music; and each and all sublimated beyond anything the sober senses are capable of receiving. Before me—for a ...
— The Lands of the Saracen - Pictures of Palestine, Asia Minor, Sicily, and Spain • Bayard Taylor
... tell me, but no polish. I suppose I oughtn't to say that—ungrateful of me! But I'm sick of it all, the invasion of the classes, the women in trousers, the beggars on horseback, the Jazz music. I want the old world back—the womanly women, everybody labeled, and Beethoven." ...
— The Kingdom Round the Corner - A Novel • Coningsby Dawson
... just heard, from Mrs. Carnaby, that you are back in town. Could you spare us tomorrow evening? It would be so nice of you. The quartet will give Beethoven's F minor, and Alma says it will be well done—the conceit of the child! We hope to have some interesting people What a shocking affair of poor Mrs. Carnaby's! I never knew anything quite ...
— The Whirlpool • George Gissing
... against it, her eyes looking into the blue depths above her, she played on and on. The old tunes were merged in new ones, and the high sustained notes of the Cavalleria, the subtle minor of Wagner, the exquisite sweetness of Beethoven and Schubert filled the moonlit canon, and still she played on, melodies new to Adam, intoxicating, full of a wild ecstasy, that filled his very soul, and thrilled through him till he felt all power of resistance swept away. Every other desire in the world was lost in the supreme and overwhelming ...
— The Master-Knot of Human Fate • Ellis Meredith
... out, to uncover, one's true style; to lay bare one's self: how is this to be set about? Primarily, by experiment in the way of imitation, which is the commencement of all art. Every great artist—Shakspere, Beethoven, Velasquez, Inigo Jones—has started by imitating the models which he admired and to which he felt drawn. You must do the same. It is the surest and indeed the only way of arriving at ...
— Journalism for Women - A Practical Guide • E.A. Bennett
... thirties, he is much mistaken. Servants were scarce, and young ladies of cultured homes might any day be called upon to cook the dinner or the supper, and afterward to "do up" the work; but they could leave the kitchen after preparing a good meal, walk into the parlor and play Beethoven and Mozart with credit to themselves and their instructors, and pleasure to their audience. They could leave the piano and discuss Shakespeare, Addison, Dick Steele, Provost, and Richardson; and, being part of the immutable feminine, could also discuss their neighbors ...
— A Forest Hearth: A Romance of Indiana in the Thirties • Charles Major
... pure show-off from a Madigan point of view. Split would hear and taunt her with it later, she knew. But though she scorned the servile and downtrodden Crosby, Sissy, no more than he, dared disobey that grenadier, his mother. She took her seat at the piano, opened a Beethoven that Mrs. Pemberton had given her the last Christmas, under the impression that she was fostering a taste for the classical, and, with a revengeful little hand that couldn't reach the octaves, she began to ...
— The Madigans • Miriam Michelson
... best love-poetry in existence (except, perhaps, the "Sonnets from the Portuguese ") has not been written by men; whether the song which embodies the ideal of pure and tender passion—"Adelaida "—was written by Frau Beethoven; whether it was the Fornarina, or Raphael, who painted the Sistine Madonna. Nay, we have known one such heretic go so far as to lay his hands upon the ark itself, so to speak, and to defend the startling paradox that, even in physical beauty, man is the ...
— Science & Education • Thomas H. Huxley
... great a person to be "Mistered." Fancy Mr. Beethoven, or Mr. Paderewski! Joyselle the Great and Glorious would help him. The mater appeared to like him. It was strange, for she had been in a terrible rage the first day or two—but she certainly was as pleased as ...
— The Halo • Bettina von Hutten
... for a walk, and take up her work again when she returned. She was getting her coat and hat when Mr. Clendon began to play; she changed her mind about the walk and went to the door to open it an inch or so, that she might hear more distinctly the soft strains of the Beethoven Sonata which came floating up to her. As she opened the door, she heard a strange sound rising above the notes of the music; it was that, perhaps, most terrible of all sounds, the unbidden, irresistible groan, rising from a man's tortured heart; and ...
— The Woman's Way • Charles Garvice
... these contrivances may be seen in a six-pedal grand pianoforte belonging to Her Majesty the Queen, at Windsor Castle, bearing the name as maker of Stein's daughter, Nannette, who was a friend of Beethoven. The diagram represents the wooden framing of such ...
— Scientific American Supplement, No. 385, May 19, 1883 • Various
... what he wanted to sing. (I might have spared myself the trouble.) He went toward the piano, but before he sang he took out of the mysterious basket an egg, which he broke and swallowed raw, to clear his voice. He began at the first song on the list, "Adeleide" (Beethoven), and sang that and one after another of those on the list. It seemed queer to have the roles reversed in this way. I generally sang for royalty, but here royalty was ...
— The Sunny Side of Diplomatic Life, 1875-1912 • Lillie DeHegermann-Lindencrone
... sympathy. In proportion as a man would care less for the rights and welfare of his fellow, if he did not believe in a future life, in that proportion is he wanting in the genuine feelings of justice and benevolence; as the musician who would care less to play a sonata of Beethoven's finely in solitude than in public, where he was to be paid for it, is wanting in ...
— The Essays of "George Eliot" - Complete • George Eliot
... first year of the century dedicates to him his Genie du Christianisme, that work which, after La Nouvelle Heloise, most deeply moulded the thought of France in the generation which followed. And in that year, Beethoven throws upon paper, under the name "Bonaparte," the first sketches of his mighty symphony, the serenest achievement in art, save the Prometheus of Shelley, that the Revolutionary epoch has yet inspired. In that year, at Weimar, Schiller, at the height of his enthusiasm, is repelled, as he had ...
— The Origins and Destiny of Imperial Britain - Nineteenth Century Europe • J. A. Cramb
... such as the ideas contained in words. Any one must admit the futility of the attempt to give a dramatic interpretation or language to instrumental music, who reads the description attempted by Lenz and other writers of some of Beethoven's sonatas. Instrumental music does not lend itself to these interpretations, since it is an art with an independent existence. We have observed that in its first development it was used as an accompaniment to the voice, or ...
— Myth and Science - An Essay • Tito Vignoli
... exquisitely beautiful. It flashes instant communication of all that architecture and painting and music for a thousand years have gropingly striven to express. It is the soul of Michael Angelo and of Beethoven. ...
— The Life Radiant • Lilian Whiting
... passed over to the organ, and performed some sacred music of Mozart and Beethoven. They then paused and looked ...
— Gryll Grange • Thomas Love Peacock
... far as she can without neglecting duties she feels more important. Even when she has no musical talent, but merely a love for music, though she cannot give much pleasure to others, I think she may get an elevation of mind from stumbling through Beethoven and Wagner which is worth the time she spends. Still, I think singing is of more practical use than instrumental music, and the power to play simple things well which is so rare is in most cases more to the purpose than to ...
— Girls and Women • Harriet E. Paine (AKA E. Chester}
... of civilization. He most certainly has not, and in this he is not very unlike all the other people in America. The whole country is still in only the earlier years of its striving. While the United States has made great advance in applied science, she has as yet produced no Shakespeare or Beethoven. If America has not yet reached her height after three hundred years of striving, she ought not to be impatient with the Negro after only sixty years of opportunity. But all signs go to prove the assumption of limited intellectual ability fundamentally ...
— A Social History of the American Negro • Benjamin Brawley
... rigidly chronological sequence, however, rather fits a collection aiming at instruction than at pleasure, and the Wisdom which comes through Pleasure:—within each book the pieces have therefore been arranged in gradations of feeling or subject. The development of the symphonies of Mozart and Beethoven has been here thought of as a model, and nothing placed without careful consideration. And it is hoped that the contents of this Anthology will thus be found to present a certain unity, "as episodes," in the noble ...
— The Golden Treasury - Of the Best Songs and Lyrical Poems in the English Language • Various
... greatest calamity that ever befell Germany, not only in the seeds of hatred which it sowed, of which there is now a harvest of blood past precedent, but also in the development of an arrogant pride which has profoundly affected to its prejudice the noble Germany of Luther, Bach, Beethoven, Goethe, Schiller, ...
— The Evidence in the Case • James M. Beck
... good enough to write a biography of Beethoven, suitable for children? I am simultaneously writing to H. G. Wells, whom I ask to let me have a life of Addison; Fridtjof Nansen will do the life of Christopher Columbus; I shall myself deal with the life of Garibaldi; the Hebrew poet Bialik ...
— The Forerunners • Romain Rolland
... until Mrs. Duane, seeing the Captain return, ran to him and asked, were the Crows on the war-path? Then her Frank told her yes, and that he had detailed Albumblatt to vanquish them and escort them to Carlisle School to learn German and Beethoven's sonatas. ...
— The Jimmyjohn Boss and Other Stories • Owen Wister
... the peasants know nothing of Beethoven's symphony in C, they are not familiar with the melodies of Rossini, Madame Grisi has never in her terrible finale "Qual cor tradisti" made them weep, nor has the orchestra of Monsieur Jullien made them deaf. But what are these splendid wonders of the town to them? Have they not ...
— Le Morvan, [A District of France,] Its Wild Sports, Vineyards and Forests; with Legends, Antiquities, Rural and Local Sketches • Henri de Crignelle
... cultivable faculty; and it is these who, I trust, may find some profit in the following discussions.[3] Let them not forget, however, that the topics treated of are merely the indispensable rudiments of the art, and are not for a moment to be mistaken for its ultimate and incommunicable secrets. Beethoven could not have composed the Ninth Symphony without a mastery of harmony and counterpoint; but there are thousands of masters of harmony and counterpoint who could not compose the ...
— Play-Making - A Manual of Craftsmanship • William Archer
... going through some trashy modern Italian music. "Now, my child, you shall hear something worth listening to;" and with a sigh of relief he would turn to some old piece by Mozart or Bach, some minuet of Haydn's, some romance of Beethoven's, which he would play with no great power of execution, indeed, but with a rare sweetness and delicacy of touch and expression, and with an intense absorption in the music, which communicated itself to even so small ...
— My Little Lady • Eleanor Frances Poynter
... like Moscheles on the piano, Paganini on the violin, or Farinelli on his own larynx,—men who have developed enormous faculties, but who have not created music. You must permit me to discriminate between Beethoven and la Catalani: to one belongs the immortal crown of genius and of martyrdom, to the other innumerable five-franc pieces; one we can pay in coin, but the world remains throughout all time a debtor to the other. Each day increases our debt to Moliere, but Baron's ...
— Modeste Mignon • Honore de Balzac
... to stay away. You needn't fear being shocked." At the end of the hall was a little partitioned-off room. Few enough personal goods could be taken along, but she had made this place hers, a painting, a battered Shakespeare, the works of Anker, a microplayer. Her tapes ran to Bach, late Beethoven and Strauss, music which could be studied endlessly. She took hold of a stanchion and nodded, all at ...
— The Burning Bridge • Poul William Anderson
... woman-worship with uncomprehending eyes. Perhaps we shall feel a little less bewildered when we meet it, stripped of courtly theories and mediaeval fashions, in some of the great men who are closely connected with our own period; in Michelangelo, in Goethe, and in Beethoven. ...
— The Evolution of Love • Emil Lucka
... do on arriving at a symphony concert is to express the wish that the orchestra will play Beethoven's Fifth. If your companion then says "Fifth what?" you are safe with him for the rest of the evening; no metal can touch you. If, however, he says "So do I"—this is a danger signal and he may require ...
— Perfect Behavior - A Guide for Ladies and Gentlemen in all Social Crises • Donald Ogden Stewart
... quadrille, stiff and artificial; the polka, inelegant and essentially vulgar; and the various hybrid measures with which the low ingenuity of professors has filled society. But we move like gods and goddesses to the sadly joyful strains of Strauss and Weber and Beethoven and Mozart, and the mighty art of these great masters fills and re-creates ...
— Continental Monthly, Vol. III, No IV, April 1863 - Devoted to Literature and National Policy • Various
... like a piece of music, like a movement in a sonata by Beethoven. The chords, the volume of sound are gravely added to, till that solemn close on a single note. It is emotion, perfectly rendered, so grave, so sincere, so restrained as to be almost inimitable. And alike in the ...
— Hilaire Belloc - The Man and His Work • C. Creighton Mandell
... there grows a painful thorn the floweret's stalk upon: Behind each cupboard's gilded doors there lurks a Skeleton: The crumpled roseleaf mocks repose, beneath the bed of down: In proof of which attend the tale of Bach Beethoven Brown. ...
— Lyra Frivola • A. D. Godley
... might be added songs of exaltation, such as Beethoven's "Nature's Adoration." Character songs, in which the singer assumes a character and expresses its sentiments. A good example of this is "The Poet's Love" cycle by Schumann. Classifying the song in this ...
— The Head Voice and Other Problems - Practical Talks on Singing • D. A. Clippinger
... profession? By this time she is wondering herself that she never did. They are not satisfied with hearing her once. They ask for more, and they get it. The other evening I had to keep quiet on my chair while she thumped through four pieces one after the other, including the Beethoven Sonata. We knew it was the Beethoven Sonata. She told us before she started it was going to be the Beethoven Sonata, otherwise, for all any of us could have guessed, it might have been the 'Battle of Prague.' We all sat round with wooden faces, staring ...
— The Angel and the Author - and Others • Jerome K. Jerome
... memorable for his intercourse with Beethoven, who had a profound admiration for him which he could neither realize nor reciprocate. It is too much to expect that the mighty genius of Beethoven, which broke through all rules in vindication of the principles ...
— Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 1 - "Chtelet" to "Chicago" • Various
... he is wearied, keeping his papers in order, correcting his proofs and doing all his typing for him. I, too, for my part, have visions of her taking all household cares off my shoulders, mending, cooking, making my blouses and her own clothes, and playing Beethoven to us in the evenings when our work is done. In her spare time we anticipate that she will write books and plays that ...
— Our Elizabeth - A Humour Novel • Florence A. Kilpatrick
... every untoward sound, he had gone out at dark, and gradually the peacefulness of the night had soothed and calmed him as the dew of dusk cools the earth after the heat of a summer's day. The familiar strains of Beethoven's 'Moonlight Sonata' came to his mind, and as he walked he idly traced the different movements of the music in the moods of ...
— The Parts Men Play • Arthur Beverley Baxter
... should be largely posthumous is probably the result of his exceeding simplicity and diffidence, for he always shrank from popular applause; therefore we may believe his compositions were not placed in the proper light during his life. It was through Mozart, Haydn, and Beethoven, that the musical world learned what a master-spirit had wrought in the person of John Sebastian Bach. The first time Mozart heard one of Bach's hymns, he said, "Thank God! I learn something absolutely new." Bach's great compositions include his "Preludes ...
— The Great German Composers • George T. Ferris
... near the table now, but no one saw him, for this moment was one of deep gravity. Schoppenvoll, a tall, straight-backed man with the dignity of a major, a waving gray pompadour, and a clean-cut face that might have belonged to a Beethoven, set down the tray at the very edge of the table and slid it gently into place. An overgrown fat boy, with his sleeves rolled to his shoulders, brought three shining glasses, three bottles of Glanzen Wasser and ...
— Five Thousand an Hour - How Johnny Gamble Won the Heiress • George Randolph Chester
... breeze which sighs through the branches, and cloud-shadows flitting over far-off blue mountains, while little birds sing their love-songs, and golden-haired children weave garlands of wild roses; or when in the solemn twilight we listen to wondrous harmonies of Beethoven and Chopin that stir the heart like voices from an unseen world; at such times one feels that the profoundest answer which science can give to our questionings is but a superficial answer after all. At these moments, when the world seems fullest of beauty, one feels most strongly that ...
— The Unseen World and Other Essays • John Fiske
... husband with the accustomed heavy courtesy of the Societe Harmonique. She went early to the hall that she might hear the entire music-making of the evening—Van Kuyp's tone-poem, Sordello, was on the programme between a Weber overture and a Beethoven symphony, an unusual honour for a young American composer. If she had gone late, it would have seemed an affectation, she reasoned. Her husband kept within doors; she could tell him all. And then, ...
— Visionaries • James Huneker
... Yiddish with English phrases like "rare technique," "vonderful touch," "bee-youtiful tone," or "poeytic temperament." She assured me that her son was the youngest boy in the United States to play Brahms and Beethoven successfully. At first I thought that she was prattling these words parrot fashion, but I soon realized that, to a considerable extent, at least, she ...
— The Rise of David Levinsky • Abraham Cahan
... line. The kittens were still going on, but owing to some failure in the Developing Fluid, they were not materialized. The air was thick with letters for a few days afterward. Unseen hands played Glueck and Beethoven on finger-bowls and clock-shades; but all men felt that Psychic Life was a mockery without materialized Kittens. Even Lone Sahib shouted with the majority on this head. Dana Da's letters were very insulting, and if he had then offered to ...
— Indian Tales • Rudyard Kipling
... ready for dancing. Urania was sitting at the piano playing the Swing Song, with dainty mincing touch, ambling and tripping over the keys with the points of her carefully trained fingers. She had given up Beethoven and all the men of might, and had cultivated the niminy-piminy school, which is to music as sunflowers and blue ...
— The Golden Calf • M. E. Braddon
... Russia, and William was ascending the English throne. From its poetry Cowper, Wordsworth, Tennyson, and Browning would catch the divine afflatus; from its statesmanship Burke, Romilly, and Bright would learn how to create and redeem institutions; from its melodies Handel, Bach, Mendelssohn, and Beethoven would write oratorios, masses, and symphonies; from its declaration of divine sympathy Wilberforce, Howard, and Florence Nightingale were to emancipate slaves, reform prisons, and mitigate the cruelties of war; from its prophecies Dante's hope of a united Italy was ...
— The World's Great Sermons, Volume 10 (of 10) • Various
... Chiavenna. He is not called Mendelssohn, but I knew him by his legs. He is in the costume of a dandy of some five-and-forty years ago, is smoking a cigar, and appears to be making an offer of marriage to his cook. Beethoven both my friend Mr. H. Festing Jones and I have had the good fortune to meet; he is an engineer now, and does not know one note from another; he has quite lost his deafness, is married, and is, of course, a little squat man ...
— Essays on Life, Art and Science • Samuel Butler
... masters, and with whatever necessary imperfectness of actual performance, it was with sure and lasting results of musical ability and taste and knowledge. It was in this society, I suppose, that Professor Putnam first became practically acquainted with some of the great works of Handel and Haydn, Beethoven and Mozart, and with the lighter but yet substantial excellencies of some of the English masters. Here he cultivated and disciplined his nice ear to the instinctive perception of the hidden harmonies of poetry, to the feeling of those finer beauties which hardly ...
— The History of Dartmouth College • Baxter Perry Smith
... into an easy chair, and resting his head upon his hand, prepared himself to listen. I noted an abstracted, moody look in his eyes, and it was in vain that he tried to hide it. I began to play one of Beethoven's sonatas, but drifted on from that to my own fancies, and glancing out into the dusky twilight, seemed to feel, rather than see, great banks of heavy, gloomy clouds roll up and envelop us in their darkness. A strange depression seemed to take possession of me, a heavy ...
— Dwell Deep - or Hilda Thorn's Life Story • Amy Le Feuvre
... and by 1877 he had already appeared in concert at Danzig. His family was very poor, and his early years were full of difficulties. It is said that, at the age of nine, he copied the whole score of Wagner's Ring, the scores of the nine Beethoven symphonies and the complete works of Mozart. His regular teacher, in those days, was Stadtpfeifer Schmidt, who instructed him in piano and thorough-bass. In 1884, desiring to have lessons in counterpoint from Prof. Kalbsbraten, ...
— A Book of Burlesques • H. L. Mencken
... closely fitting case being often sufficient. Sometimes, on the reverse, it is from being in too large a one, getting well shaken while being taken home after some orchestral rehearsal; the joy of having mastered Mozart or battered Beethoven for an evening is turned in the morning to grief and vexation, when in response to the gentle persuasions of the bow there are but chatters and jarrings. Under such circumstances the treatment administered by ...
— The Repairing & Restoration of Violins - 'The Strad' Library, No. XII. • Horace Petherick
... with me directly, with a smile that seemed to me full of mockery. He explained to me that he had brought some scores, in order to prepare for the Sunday concert, and that they were not in accord as to the piece to choose,—whether difficult, classic things, notably a sonata by Beethoven, ...
— The Kreutzer Sonata and Other Stories • Leo Tolstoy
... remained arid, hard, incapable of absorbing, while whole Joachim quartets flowed and rippled all round, but never into, us; and then, some other time, our soul seems to have drunk up (every fibre blissfully steeping) a few bars of a sonata (it was Beethoven's 10th violin, and they were stumbling through it for the first time) heard accidentally while walking up and down under an ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee
... table and built a shelving house of gold. He sat down and began to count. Clink-clink! Clink-clink! What a pleasant sound it was, to be sure. It was sweeter than woman's laughter. And what symphony of Beethoven's could compare with this? Clink-clink! Three hundred and ninety, four hundred, four hundred and ten; clink-clink! And Hillard, turning restlessly on his pillow, heard this harsh music away into the small ...
— The Lure of the Mask • Harold MacGrath
... ever seen," replied the genial gentleman. "There were only ten performers, and really, in all my experience as an attendant at concerts, I never saw such a magnificent rendering of Beethoven as we had last night. I wish you could have been there. It was a sight ...
— Coffee and Repartee • John Kendrick Bangs
... have never been able to discover. It must have been an old church hymn, like those which many a time stirred the rugged soul of our Luther. I never heard it again, but many a time even now when I hear an adagio of Beethoven's, or a psalm of Marcellus, or a chorus of Handel's, or a simple song in the Scotch Highlands or the Tyrol, it seems to me as if the lofty church windows again glistened and the organ-tones once more surged through my soul, and a ...
— Memories • Max Muller
... symphony of Beethoven was to be played, Cosmo led Amos Blank through the crowded saloon and placed him near the musicians. He resisted at first, and when he saw the ...
— The Second Deluge • Garrett P. Serviss
... very nice, polite young man. When I made a mistake yesterday he said: 'Pray, mademoiselle, why do you take so much pains to improve upon Beethoven?'" ...
— More Toasts • Marion Dix Mosher
... our own creation, subject to our will, built up from the conclusions gathered in our day-life, with the faculties and powers which by practice and use we have in this same life made our own. To say for this reason that nothing new awaits us would be equal to the assertion that Beethoven had given nothing new to the world, because, after all, he only employed combinations of familiar sounds and tones. I again repeat - nothing in our actual day-life can equal the ecstasy of even a single ...
— The Bride of Dreams • Frederik van Eeden
... I was, I sometimes had pence enough to satisfy this craving, and discovered in time such realms of joy as I had never dreamed of; such monarchs as Mozart, Handel, and Beethoven, and others, of whom my father knew apparently so little; and yet they were more potent enchanters than Gretry, Herold, and Boieldieu, whose music he sang ...
— Peter Ibbetson • George du Marier et al
... passage on the piano about a hundred times in succession, while Woloda, who was dozing on a settee in the drawing-room, kept addressing no one in particular as he muttered, "Lord! how she murders it! WHAT a musician! WHAT a Beethoven!" (he always pronounced the composer's name with especial irony). "Wrong again! Now—a second time! That's it!" and so on. Meanwhile Katenka and I were sitting by the tea-table, and somehow she began to talk about her favourite subject—love. I was in the right frame of mind to philosophise, ...
— Youth • Leo Tolstoy
... I can play. I always had a taste for music; and up in one of the forts there was an old melodeon, so I hammered away for years. I had to learn difficult things at the start, or none at all, or else those I improvised; and that's how I can play one or two of Beethoven's symphonies pretty well, and this song, and a few others, and go a cropper with a ...
— The Judgment House • Gilbert Parker
... happy account of a pet mocking-bird, worthy of being placed beside Dr. Brown's 'Rab and his Friends'; his books for boys: 'Froissart', 'King Arthur', 'Mabinogion', and 'Percy', which have had, as they deserve, a large sale; and his posthumous 'From Bacon to Beethoven', a highly instructive essay ...
— Select Poems of Sidney Lanier • Sidney Lanier
... this unspeakable monster the Father of Christ? Is he the God who inspireth Buddha and Shakespeare and Beethoven and Darwin and Plato? No, not he. But in warfare and massacre, in rapine and rape, in black revenge and in deadly malice, in slavery and polygamy, and the debasement of women, and in the pomps, vanities and greeds of royalty, of clericalism, and of usury and barter—we may ...
— The Red Conspiracy • Joseph J. Mereto
... herself on one!), "Rosalie, the Prairie Flower," "Old Dog Tray," and ever so many others. It was a very miscellaneous concert, but did as well for Eyebright and the fishes as the most classical music could have done; better, perhaps, for Mozart and Beethoven might have sounded a little mournful, and "songs without words" would never have answered. Songs with words were what were wanted in ...
— Eyebright - A Story • Susan Coolidge
... jacket. There are kid gloves on her hands; there is a suspicion of perfume about her; there is a rustling of silk and satin, and a waving of ostrich feathers. The daughter is pale and interesting, and interprets Beethoven, and paints the old mill; while a skilled person, hired at a high price, rules in the dairy. The son rides a-hunting, and is glib on the odds. The 'offices'—such it is the fashion to call the places in which work was formerly ...
— Hodge and His Masters • Richard Jefferies
... the regretful exception to so many points taken by the clarionet. If so, you have no doubt felt, as we have, a sense of perfect satisfaction at faultless musical structure, without having to surrender your soul unconditionally to the passionate appeal of a Beethoven, or to split your musical brains in conjectures about what Volkanikoffsky is driving at. You will find at the end that you have passed an hour or so of tranquil enjoyment, and are mighty content with yourself, the performers, and ...
— Somehow Good • William de Morgan
... with regret that the improved Psalmody of Gardiner had not yet been introduced into the service of this church, and that the drawling-monkish tunes are preferred to those sublime passages of Haydn, Mozart, and Beethoven, which that gentleman has so ingeniously adapted to the Psalms of David. It might have been expected that every church in the enlightened vicinage of the metropolis would, ere this, have adopted a means of exalting the spirit of devotion, which has received the high sanction of the Regent ...
— A Morning's Walk from London to Kew • Richard Phillips
... whole real secret of versification is a musical secret, and is not attainable to any vital effect, save by the ear of genius. All the mere knowledge of feet and numbers, of accent and quantity, will no more impart it, than a knowledge of the 'Guide to Music' will make a Beethoven or a Paisiello. It is a matter of sensibility and imagination; of the beautiful in poetical passion, accompanied by musical; of the imperative necessity for a pause here, and a cadence there, and a quicker or slower utterance in this or that place, created by analogies ...
— English Critical Essays - Nineteenth Century • Various
... to the Music of that grand last Scene in Fidelio: Sullivan & Co. supplying the introductory Recitative; beginning dreamily, and increasing, crescendo, up to where the Poet begins to 'feel the truth and Stir of Day'; till Beethoven's pompous March should begin, and the Chorus, with 'Arthur is come, etc.'; the chief Voices raising the words aloft (as they do in Fidelio), and the Chorus thundering in upon them. It is very grand in Fidelio: and I am persuaded might have a ...
— Letters of Edward FitzGerald in Two Volumes - Vol. II • Edward FitzGerald
... things, Beethoven's Overture to Leonore began to take visible form in the night, and I would rather be able to set down what we saw than write Homer's Iliad! It must be that we knew then all that Beethoven did. It was not just wind music, ...
— Caves of Terror • Talbot Mundy
... there will be no music for him. Moreover, the nature of this sensory foundation will determine the character of the music to be found in his world. He may be satisfied with "Tipperary" or he may yearn for Handel, Haydn, Mozart, Beethoven, Melba, and Schumann-Heink. He may not be able to rise above the plane of ragtime, or he may attain to the sublime plane of "The Dead March in Saul." He has access to all the music from the discordant hand organ to the oratorio and grand opera. In his introduction ...
— The Vitalized School • Francis B. Pearson
... us remember, and all who remember must respect, said to our poet once at a concert—"That he did not seem much interested with a piece of Rossini's which had just been performed." Coleridge answered, "It sounded to me exactly like nonsense verses. But this thing of Beethoven's that they have begun—stop, let us listen to this, ...
— Famous Reviews • Editor: R. Brimley Johnson
... departmental stores. Materially it is an immense building, containing all things that any upper-middle-class person could conceivably want. Such a store includes even Art, with the same bland omnipotence. If you wander into the vast auditorium, it is equal chances whether you hear a work of Beethoven, Victor Herbert, Schonberg, or Mr Hirsch. If you are 'artistic,' you may choose between a large coloured photograph of the Eiffel Tower, a carbon print of Botticelli, and a reproduction of an 'improvisation' by Herr ...
— Letters from America • Rupert Brooke
... tactfully smooth over a roughness and for Christ's sake bear a snub, and take any place which may open. Women who can take everything to Jesus and there get strength to smile and persevere and pull on under any circumstances. If they can play Beethoven and paint and draw and speak French and German so much the better, but we can want all these latter accomplishments if they have only a loving heart, willing hands, and common sense. Surely such women are not out of our ...
— Mary Slessor of Calabar: Pioneer Missionary • W. P. Livingstone
... a musical intention which I have somewhere seen advertised. It is an important-looking device in a polished mahogany case, and I recall in the advertisement I saw it was surrounded by a numerous enthralled-looking family in a costly drawing-room, while the ghost of Beethoven simpered above it in ineffable benignancy. Something now told me the worst, even as Lew Wee adjusted the needle to the revolving disk. I waited for no more than the opening orchestral strains. It is ...
— Somewhere in Red Gap • Harry Leon Wilson |
