"Bach" Quotes from Famous Books
 ... little," said Phoebe, who rather piqued herself upon her music, and who was learned in Bach and Beethoven, and had an opinion of her own about Wagner. Mrs. Tom brightened visibly, for her girls played not a little, but ...
— Phoebe, Junior • Mrs [Margaret] Oliphant
... of the twelve semitones of our chromatic scale, was not developed and accepted until after the acoustical reforms of Rameau, and the system of tuning keyed instruments embodied in that work called the Well-tempered Clavichord of Sebastian Bach. Both these men published their discoveries about ...
— Music: An Art and a Language • Walter Raymond Spalding
... possessed an individuality which distinguished it from every other work of a like nature. All one could say with certainty about it was that it was not modern music. There was a simplicity and a severity about it which stamped it unmistakably as belonging to an age anterior even to Bach or Handel: modern writers employ more ornamentation and are not so restricted in their harmonies; modern art sanctions a greater liberty, a less simplicity of method, and a less rigid conformity ...
— The Argosy - Vol. 51, No. 3, March, 1891 • Various
... sorry but of course we can't do such a thing. Me and Zoeth, one of us a bach all his life, and t'other one a—a widower for twenty years, for us to take a child to bring up! My soul and body! Havin' hung on to the heft of our senses so far, course we decline! We ...
— Mary-'Gusta • Joseph C. Lincoln
... Mozart's Symphony Concertante for violin and viola,—Bach's Passacaglia,—and Schumann's overture to "Die Braut von Messina" given in New York City by ...
— Annals of Music in America - A Chronological Record of Significant Musical Events • Henry Charles Lahee
... him from one occupation to another with distracting glee. When he was tired of making music, as he called it, he demanded food, and, so long as he could cook it and serve it himself, he delighted in bacon and eggs, as much as he did in Bach and Beethoven. ...
— The Heavenly Twins • Madame Sarah Grand
... the latter found written at the bottom of the last page, "Finis, with God's help." Beethoven immediately wrote underneath, "O man! help thyself!" This was the motto of his artistic life. John Sebastian Bach said of himself, "I was industrious; whoever is equally sedulous, will be equally successful." But there is no doubt that Bach was born with a passion for music, which formed the mainspring of his industry, and was ...
— Self Help • Samuel Smiles
... beautiful, powerful touch of control. After the first bars, the Doctor's head sank back upon the cushions of the chair and the Doctor's hand stole mechanically to the matches. He smoked and she played—quiet, large music, tranquilly filling the room: Bach fugues, German Lieder, fragments of weird northern harmonies, fragments of Beethoven and Schubert, the Largo of Handel,—and all the time she played she looked at the man who lay back in the chair, half turned from her, the cigar drooping from his fingers. There was no sound in the room but the ...
— Life at High Tide - Harper's Novelettes • Various
... the classical stuff may do for those who like it well enough to stand it, but the domestic article suits me. I like the kind of beer that this man Bach turned out in the spring of the year, but I don't seem to be able to care much for his music. And so far as Chopin is concerned, I hope you'll all do ...
— Cobb's Bill-of-Fare • Irvin Shrewsbury Cobb
... me you got mighty familiar," said Obed in a jocular tone. "She didn't tell me what her name was. I suppose she looked upon me as a dried-up old bach." ...
— In A New World - or, Among The Gold Fields Of Australia • Horatio Alger
... demand of a music-hall orchestra which plays ragtime all the year round that once in the year, and once only, on Good Friday, it should pull itself together to give an adequate performance of the Passion Music of Bach. ...
— The New Society • Walther Rathenau
... pace the deck, Rachel was indignant with the prosperous matrons, who made her feel outside their world and motherless, and turning back, she left them abruptly. She slammed the door of her room, and pulled out her music. It was all old music—Bach and Beethoven, Mozart and Purcell—the pages yellow, the engraving rough to the finger. In three minutes she was deep in a very difficult, very classical fugue in A, and over her face came a queer remote impersonal expression of complete ...
— The Voyage Out • Virginia Woolf
... fellow in the overalls with a wad of greasy waste in his hand. He 's only the engineer. I mean the artist, the man that plays on the keys. Well, he knows what the people want. He has his fingers on the public pulse. Does he give them a Bach fugue, or Guillmant's "Grand Choeur?" 'Deed, he doesn't. He goes right to the heart, with "Patrick's Day in the Morning," and "The Carnival of Venice," and "Home, Sweet Home," and "Oh, Where, Oh Where has my Little Dog Gone?" He knows his business. A ...
— Back Home • Eugene Wood
... Bach, a Dane by nation, mounted guard every fourth day, and was the terror of the whole garrison; for, being a perfect master of arms, he was incessantly involved in quarrels, and generally left his marks behind him. He had served in two ...
— The Life and Adventures of Baron Trenck - Vol. 1 (of 2) • Baron Trenck
... there grows a painful thorn the floweret's stalk upon: Behind each cupboard's gilded doors there lurks a Skeleton: The crumpled roseleaf mocks repose, beneath the bed of down: In proof of which attend the tale of Bach ...
— Lyra Frivola • A. D. Godley
... buildings. A chain of beautiful promenades encircles the city, on the site of its old fortifications. Following their course through walks shaded by large trees and bordered with flowering shrubs, I passed a small but chaste monument to Sebastian Bach, the composer, which was erected almost entirely at the private cost of Mendelssohn, and stands opposite the building in which Bach once directed the choirs. As I was standing beside it, a glorious choral, swelled by a hundred voices, came through the open windows, like a ...
— Views a-foot • J. Bayard Taylor
... three Saturdays at the Opera have been prodigious. and a new opera by Bach(748) last night, was so crowded, that there were ladies standing behind the scenes during the whole performance. Adieu! my dear lord: as this goes by a private hand, you may possibly ...
— The Letters of Horace Walpole Volume 3 • Horace Walpole
... him again at the public piano, devoting all the magic of his genius to charming a contemptible Christendom. He gave them Beethoven and Bach, Paradies and Tschaikowski, unrolled to them the vast treasures of his art and memory. And very soon, lo! the Christian rats were pattering back again, only more wisely and cautiously. They came crawling from every part of the ship's ...
— Ghetto Comedies • Israel Zangwill
... was still one of Herne's company of players in Shore Acres, had no home to break up, but he said, "I'm going to get some sort of headquarters in New York. If you'll come on we'll hire a little apartment up town and 'bach' it. I'm sick ...
— A Son of the Middle Border • Hamlin Garland
... of him. He liked to arrive a few minutes before the concert commenced, and one of us would read the program to him. He had an excellent memory for music, and his taste was broad enough to embrace almost everything good from Bach to Wagner. He was a keen critic of a performance, and in the intervals between the pieces he criticized the playing from the standpoint ...
— An Adventure With A Genius • Alleyne Ireland
... nice young man," your Diddler lives and flourishes among them like a fighting cock. Diddler's "heyday" being over, he next becomes a politician—an old Hunker; attends caucusses and conventions, dinners and inaugurations. Never aspiring to matrimony among the ladies, he remains an "old bach;" never hoping for office under government, he never gets any; and when, at last, both youth and energies are wasted, Diddler dons a white neckcloth, combs his few straggling hairs behind his ears, and, dressed in a well-brushed but shocking seedy ...
— The Humors of Falconbridge - A Collection of Humorous and Every Day Scenes • Jonathan F. Kelley
... sensation, and there were loud cries of sacrilege and even proposals of police action. One indignant classicist, in token of his ire, hung a wreath of Knackwuerste around the neck of the bust of Johann Sebastian Bach in the Thomaskirche, and appended to it a card bearing the legend, Schweinehund! But the exquisite beauty of the effect soon won acceptance for the means employed to attain it, and the phonograph ...
— A Book of Burlesques • H. L. Mencken
... three principal evolutionary stages, together with descriptions of several works which are not oratorios in the strict sense, but at the same time are sacred compositions written upon a large scale and usually performed by oratorio societies, such as Bach's "Passion Music" and "Magnificat," Berlioz's, Mozart's, and Verdi's Requiems, Mendelssohn's "Hymn of Praise," Handel's "Dettingen Te Deum," Schumann's "Paradise and the Peri," ...
— The Standard Oratorios - Their Stories, Their Music, And Their Composers • George P. Upton
... for a great position in the world like Handel. Nor was he a romantic consumptive like Chopin, with a bad cough, a fastidious regard for beauty, and a flow of anaemic melody. He was divinely gifted with a greater richness of invention than was given to any other composers excepting two, Bach and Mozart; and death would not take his gifts as an excuse when he was thirty-seven. Hence our Mr. Cummings has droppings of lukewarm tears; hence, generally, compassion for his comparatively short life has ousted admiration for his mighty works from the minds of those who are readier at all ...
— Old Scores and New Readings • John F. Runciman
... of attacking a tone are generally recognized. These are described by Albert B. Bach, in The Principles of Singing, second edition, London, 1897. They are, first, the stroke of the glottis. (This is advocated by Garcia in most of his published works, although the testimony of many of his ...
— The Psychology of Singing - A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern • David C. Taylor
... aisles, and Anna, who preferred her fugues confused, felt that her spirit was being caught up to heaven, he had looked at her rapt face and wet eyelashes, and patted her hand very kindly, and said encouragingly, "In my youth I too cultivated Bach. Now I cultivate pigs. ...
— The Benefactress • Elizabeth Beauchamp
... proceeded for some time quietly, the animals stopped short and remained as if fixed to the ground, and began to tremble; their fear soon communicated itself to my people, who shouted, without intermission, the words "Bach! bach!" which means "Tiger! tiger!" I ordered them to continue making as much noise as possible, in order to scare away the animals if they really were near. I had some jungle grass gathered and made a fire, which I kept constantly blazing. However, I heard no howling, and observed no other ...
— A Woman's Journey Round the World • Ida Pfeiffer
... was necessary in order that music should be purified inside the Church that the great secular musical movement should begin with the Italian Monteverde, with the Frenchman Rameau, and with the Germans Sebastian Bach and Handel; what splendid times, Gabriel! And just think what genius followed: Gluck, Haydn, Mozart, Mehuel, Boieldieu, and, above all, our ...
— The Shadow of the Cathedral • Vicente Blasco Ibanez
... talk of music, She is Music's devotee. She will tell you that Beethoven Always makes her wish to pray; And "dear old Bach!" His very name She says, her ear enchants; But— Her favorite piece is Weber's ...
— A line-o'-verse or two • Bert Leston Taylor
... once a year gave a prize to the school, but this year it was to be finer than usual, and her Majesty had sent to Herr Bach and requested him to choose five of his best boys, each of whom was to compose a piece of his own. No one was to see it until the end of three weeks, when they were to play it at a grand concert, which the imperial family were to attend with the whole court. Franz was ...
— Standard Selections • Various
... he is, truth still more profound. What am I? Terrible question! Problem of predestination, of birth, of liberty, there lies the abyss. And yet one must plunge into it, and I have done so. The prelude of Bach I heard this evening predisposed me to it; it paints the soul tormented and appealing and finally seizing upon God, and possessing itself of peace and the infinite with an all-prevailing fervor ...
— Amiel's Journal • Mrs. Humphry Ward
... make 'em happy. An imported waist costs more'n one made in Waloo an' it keeps a girl strong enough to work for the silk stockin's she's got to have," she said with scorn. "I don't wonder there's so many bach'lors when I figure how much money it costs now to ...
— Mary Rose of Mifflin • Frances R. Sterrett
... interpretation, or even at times on the actual notes to be sung. To perform exactly as written the operas of Gluck, notably Armide and Orphee, the operas of Mozart, the Italian operas and English oratorios of Handel, the oratorios of Bach, Haydn, and Mendelssohn, would be to do the greatest injustice to these ...
— Style in Singing • W. E. Haslam
... fact, it was the practice of adhering so exclusively to the standard works of great composers which started the new Philharmonic Society, which has just come into existence. The elder body stick stanchly to the safe courses of Bach, Gluck, Beethoven, Mozart, and Mendelssohn. The newly-created association proclaim that their mission is to look after aspirants, as well as to honour the veterans of the art; and accordingly they bring forward many compositions experimentally—a ...
— Chambers's Edinburgh Journal, No. 436 - Volume 17, New Series, May 8, 1852 • Various
... no less than eight private concerts during those six weeks, and heard the same new ballad, and the same latest gavotte in C minor, at everyone of them. She was taken to pianoforte recitals in fashionable squares and streets, and heard Bach and Beethoven till her heart ached with pity for the patient labour of the performers, knowing how poorly she and the majority of mankind appreciated their efforts. She went to a few dances that were rather amusing, and waltzed to her heart's ...
— Vixen, Volume II. • M. E. Braddon
... Coffin," Racey murmured without rancour. "I wonder where they're taking him? He used to bach with Nebraska Jones, didn't he? I guess that's where they're taking him to. Yep, they've gone round the corner of the ...
— The Heart of the Range • William Patterson White
... musician, was born in Kothen in 1725, and died on the 20th of June 1787 in London. He was a great player on the viola da gamba, and composed much music of importance in its day for that instrument. He studied under Johann Sebastian Bach at the Leipzig Thomasschule; played for ten years (1748-1758) under A. Hasse in the band formed at Dresden by the elector of Saxony; and then, going to England, became (in 1759) chamber-musician to Queen Charlotte. He gave a concert of his own compositions in London, performing ...
— Project Gutenberg Encyclopedia
... the end of it, this musette enters with the most really thrilling effect of simple beauty. O - it's first-rate. I am quite mad over it. If you find other books containing Lully, Rameau, Martini, please let me know; also you might tell me, you who know Bach, where the easiest is to be found. I write all morning, come down, and never leave the piano till about five; write letters, dine, get down again about eight, and never leave the piano till I go to bed. This is a fine life. - ...
— Letters of Robert Louis Stevenson - Volume 2 • Robert Louis Stevenson
... senior partners of the old firms to return home, leaving very junior partners or senior clerks here, who receive their instructions from England. Consequently, in some of these large family dwellings there are only young men "keeping bach." There are a pretty English church, a club bungalow, a book club, lawn tennis and croquet grounds, and a small hall used for dancing, lectures and amateur theatricals. No wheeled vehicle larger than a perambulator ever disturbs the quiet. ...
— The Golden Chersonese and the Way Thither • Isabella L. Bird (Mrs. Bishop)
... Amen corner struck up a tune that had no end, but a mighty power of setting the congregation in motion. The leader had a voice like the pleasant droning of a bag-pipe, and the faculty of emitting a continuous note like that instrument, without stopping to breathe. It went on and on like a Bach fugue, winding and whining its way, turning the corners of the lines of the catch without a break. The effect was soon visible in the emotional crowd: feet began to move in a regular cadence and voices to join in, ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... nineteenth century, which statement another confirmed by giving his dates as 1817-1846; and, further, credited him with the composition of The Woman of Samaria, and as having transposed plain- song from tenor to bass. Bach is said to have been the founder of the 'Thames School Lipsic,' the composer of the Seasons, the celebrated writer of opera comique, born 16—, and having gone through an operation for one of his fingers, turned his attention to composition, wrote operas, and, lastly, that ...
— Literary Blunders • Henry B. Wheatley
... very few, float on it. In Germany everybody sings, almost everybody plays some instrument, and from the youngest to the oldest everybody understands music; at least that is the impression you carry away with you from the land of Bach, Handel, Haydn, Mozart, and Brahms, and Beethoven, and Wagner, and I might fill the ...
— Germany and the Germans - From an American Point of View (1913) • Price Collier
... country from which people here are free. There is little conventionalism, little formality, and much liberality of sentiment; very little sectarianism, and, as a general rule, a healthy, sensible tone in conversation, which I like much. But it does not do to speak about John Sebastian Bach's Fugues, or pre-Raphaelite pictures. ...
— A First Year in Canterbury Settlement • Samuel Butler
... theoretic interest. For all that we speak of the sacrosanct uniqueness of a given art work, we know very well, though we do not always admit it, that not all productions are equally intractable to transference. A Chopin etude is inviolate; it moves altogether in the world of piano tone. A Bach fugue is transferable into another set of musical timbres without serious loss of esthetic significance. Chopin plays with the language of the piano as though no other language existed (the medium "disappears"); Bach speaks the language of the piano as a handy means ...
— Language - An Introduction to the Study of Speech • Edward Sapir
... people delighted. I have known him to sit through a long and heavy organ recital, not in a resigned manner but actively attentive, clearly determined that if the minutest portion of his soul was sensitive to the fugues of J. S. Bach he would allow that portion to bask in the sunshine of an unwonted experience. So that from one point of view he was the incarnation of tolerance as he certainly was the incarnation of good-humor and generosity. He envied no man his gifts from Nature or Fortune. ...
— The Bibliotaph - and Other People • Leon H. Vincent
... does not suit, I'll throw him Weber in to boot! There's not the splitting of a splinter To chuse 'twixt him last named, and Winter. Of Doctor Pepusch old queen Dido Knew just as much, God knows, as I do. I would not go four miles to visit Sebastian Bach-or Batch-which is it? No more I would for Bononcini. As for Novello and Rossini, I shall not say a word about [to grieve] 'em, Because they're living. ...
— The Works of Charles and Mary Lamb (Vol. 6) - Letters 1821-1842 • Charles and Mary Lamb
... fab'ri cate bev'er age al'ka li gal'ax y cher'u bim al'ka line mas'to don dem'o crat ap'o gee mack'er el den'i zen al'i quot mar'i ner den'si ty as'ter isk par'a graph ex'or cist az'i muth par'al lax ed'i fy bach'e lor par'a gon em'a nate cal'a bash par'a pet em'pha size cal'a mus par'a ...
— McGuffey's Eclectic Spelling Book • W. H. McGuffey
... legal voter by the laws of Maryland. Even General Schenck's order admits him to vote, if he recants upon oath. I think that is cheap enough. My order in Missouri, which you approve, and General Scherick's order here, reach precisely the same end. Bach assures the right of voting to all loyal men, and whether a man is loyal, each allows that man to fix by his own oath. Your suggestion that nearly all the candidates are loyal, I do not think quite meets the case. In this struggle for the nation's life, ...
— The Papers And Writings Of Abraham Lincoln, Complete - Constitutional Edition • Abraham Lincoln
... crate dings from Mozart, Beethoven, und Méhul Mit chorals of Sebastian Bach Soopline und peaudiful. Der Breitmann feel like holy saints, De tears roon down his fuss; Und he sopped out, "got verdammich - dis Ist ...
— The Breitmann Ballads • Charles G. Leland
... universal. It takes all sorts to make a church; she does not ask me to be celibate. But the fact that I have no appreciation of the celibates, I accept like the fact that I have no ear for music. The best human experience is against me, as it is on the subject of Bach. Celibacy is one flower in my father's garden, of which I have not been told the sweet or terrible name. But I may be ...
— Orthodoxy • G. K. Chesterton
... octaves and two notes, from CCC to D. Sometimes two octaves only. Later it was extended to F, 30 notes, which is the compass generally found in England. Following Hope-Jones' lead, all the best builders have now extended their boards to g, 32 notes, this range being called for by some of Bach's organ music and certain pieces of the French school where a melody is played by the right foot and the bass by the left. The chief reason is that g is the top note of the string bass, and is called for in orchestral transcriptions. Henry Willis & Sons have ...
— The Recent Revolution in Organ Building - Being an Account of Modern Developments • George Laing Miller
... and then embroiders it to the limits of his own originality. The Hindu musician does not read set notes; he clothes anew at each playing the bare skeleton of the RAGA, often confining himself to a single melodic sequence, stressing by repetition all its subtle microtonal and rhythmic variations. Bach, among Western composers, had an understanding of the charm and power of repetitious sound slightly differentiated in a hundred ...
— Autobiography of a YOGI • Paramhansa Yogananda
... yet I don't decently envy the rich. I'm an old bach. I make enough money for a stake, and then I sit around by myself, and shake hands with myself, and have a smoke, and read history, and I don't contribute to the wealth of Brother Elder ...
— Main Street • Sinclair Lewis
... themselves upon a society that had occupied its continent and used most of its free land. The Centennial had revived the study of American history from patriotic reasons. An intense interest in self-analysis now kept this alive, as Henry Adams, James Schouler, and John Bach McMaster devoted themselves to a scrutiny of historic facts, as colleges began to create chairs of American history, as James Ford Rhodes retired from his office to his study to write the history of his own times. In the next few years associations for ...
— The New Nation • Frederic L. Paxson
... Schubert's famous symphony, he spoke feelingly of the author, and then gave some pictures of the lives of Beethoven and Bach. ...
— ZigZag Journeys in Northern Lands; - The Rhine to the Arctic • Hezekiah Butterworth
... You listen, and the song which you knew seems to sing itself, but enveloped with a richness and fulness of flowing accompaniment which is like the harping of aerial choirs. Then with others she plays the great music, concerted Bach or Beethoven, Chopin, Schumann, or Wagner, Weber or Mendelssohn; now an old gavotte, now a quaint fantasia, and why not a toccata of Galuppi Baldassero? It is more than a hint or a reminiscence, although it is not an orchestra. But when those fingers kindred with Cecilia's ...
— From the Easy Chair, vol. 1 • George William Curtis
... there was spinsterhood in Europe, semi-social, semi-intellectual, and monotonous in its very variety, for Althea had come to feel change as monotonous; or there was spinsterhood in England established near her friend, Miss Buckston, who raised poultry in the country, and went up to London for Bach choir practices and Woman's Suffrage meetings. Althea couldn't see herself as taking an interest in poultry or in Woman's Suffrage, nor did she feel herself fitted for patriotic duties in Boston. There was nothing for it, then, but to continue her present nomadic life. After seeing herself shut ...
— Franklin Kane • Anne Douglas Sedgwick
... by Beethoven and Mozart, by Weber and Rossini, than by their fathers, were not due in larger measure to the inherited effects of daily exercise of the musical faculty by their fathers, than to inheritance, with increase, of spontaneous variations; and whether the diffused musical powers of the Bach clan, culminating in those of Johann Sebastian, did not result in part from constant practice; but I will raise the more general question—How came there that endowment of musical faculty which characterizes modern Europeans at large, as compared with their remote ...
— Essays: Scientific, Political, & Speculative, Vol. I • Herbert Spencer
... miracles evaporate into mere chemical reactions when you once investigate! All the white-clad, ghostly spirits turn out to be clothes on the line. I suppose there's some equally natural explanation about your way on the piano—the clear, limpid phrasing of that Bach the other day, and then the color of the Bizet afterwards. It's astonishing to hear anybody of your crude youth playing Bach at all—and then to hear it played right—and afterwards to hear a ...
— The Bent Twig • Dorothy Canfield
... (Schubert died in 1828), is as modern as the masters just named. He was as boldly original as Schubert, and as great a magician in the art of arousing deep emotion by means of novel, unexpected modulations. As an originator of new harmonic progressions he has had only three equals,—Bach, Schubert, and Wagner. Harmonies as ultra-modern as those of Wagner's "Parsifal" may be found in some of the mazurkas of Chopin. He was, as Rubinstein called him, "the soul of the pianoforte." No one before or after him knew ...
— Beacon Lights of History, Volume XIV • John Lord
... melodic and acoustic aspects of identical harmonic structure at every turn. This, however, is rendered possible and interesting by the fact that the passages in such counterpoint are separated by episodes and are free to appear in different keys. Many fugues of Bach are written throughout in multiple counterpoint; but the possibility of this, even to composers such as Bach and Mozart, to whom difficulties seem unknown, depends upon the freedom of the musical design which allows the composer to select the most effective permutations ...
— Encyclopaedia Britannica, 11th Edition, Volume 7, Slice 2 - "Constantine Pavlovich" to "Convention" • Various
... Sebastian Bach must be accorded the title of "father of modern music." All succeeding composers have bowed with reverence before his name, and acknowledged in him the creative mind which not only placed music on a deep scientific ...
— The Great German Composers • George T. Ferris
... jingoistic, to a boy-and-girl melody entitled We'll Have a Moon Just for Us Two. The latter tune had been stolen from a hit of four years before, which in turn had been stolen from a hit of six years before that, and it had been stolen from a still earlier bit of Bach, so it was a rather ...
— Space Platform • Murray Leinster
... presented with suitable words; and it should not be a difficult task to provide words even more suitable and kind than the original German, which seldom observes an intelligent, dignified and consistent mood. These chorales should be sung very slow indeed, and will admit of much accompaniment. Bach's settings, when not too elaborate or of impossible compass in the parts, may be well used where the choir is numerically strong. He has made these chorales peculiarly his own, and, in accepting his interpretation of them, we are only acquiescing in a universal judgement, ...
— A Practical Discourse on Some Principles of Hymn-Singing • Robert Bridges
... drawing-room, Mrs. Lintot and one or two other ladies, severely dressed, would play the severest music in a manner that did not mitigate its severity. They were merciless! It was nearly always Bach, or Hummel, or Scarlatti, each of whom, they would say, could write both like an artist and a gentleman—a very rare but ...
— Peter Ibbetson • George du Marier et al
... listeners, the same absorbed attention, the same spell. The superficial attributed these largely to his appearance and manner; the more thoughtful looked deeper. Here was a player who was a thoroughly trained master in technic and interpretation; one who knew his Bach, Beethoven, Chopin, Schumann and Liszt. These things of themselves would not hold an audience spellbound, for there were other artists equally well equipped. In a final analysis it was doubtless Paderewski's wonderful piano tone, ...
— Piano Mastery - Talks with Master Pianists and Teachers • Harriette Brower
... classic or romantic but both—and both not only at different times in one essay, but at the same time in one sentence—in one word. And must we admit it, so is everyone. If you don't believe it, there must be some true definition you haven't seen. Chopin shows a few things that Bach forgot—but he is not eclectic, they say. Brahms shows many things that Bach did remember, so he is an eclectic, they say. Leoncavallo writes pretty verses and Palestrina is a priest, and Confucius inspires Scriabin. ...
— Essays Before a Sonata • Charles Ives
... and ere she descended from it she had conned the conversation over and over again. "But how?" she repeated to herself, as she climbed the three flights of stairs to the rooms where she and her sister "bach'ed." "But how?" And so she continued to put the interrogation, for the stubborn Scotch blood, though many times removed from Scottish soil, was still strong in her. And, further, there was need that she should learn how. Her sister Letty and she had come up from an interior town to the ...
— Moon-Face and Other Stories • Jack London
... of March, 1916, two sisters from Guebwiller—Sister Edwina, nee Bach, Mother Superior, and Sister Emertine, nee Eckert, were charged with anti-German manifestations for having treated as lies the figures regarding French and Russian prisoners sent out in the German communiques, for having protested against the bombardment of Rheims Cathedral, for having ...
— Fighting France • Stephane Lauzanne
... her hand on the little Child's head—Felicity puts stool bach, and stands by Kate taking her hand and kissing it at ...
— The Squire - An Original Comedy in Three Acts • Arthur W. Pinero
... Whatever may be thought of the relation of the apple to the fall of man, this creature certainly leads to the speedy fall of the apple. Who has not seen the ground covered with premature and decaying fruit in July, August, and September? Bach specimen will be found perforated by a worm-hole. The egg has been laid in the calyx of the young apple, where it soon hatches into a small white grub, which burrows into the core, throwing out behind it a brownish powder. After about three weeks of apple ...
— The Home Acre • E. P. Roe
... Bach, one of the world's mightiest tone poets, accomplished his mission, not by means of the contrapuntal fashion of his age, but in spite of it. The laws of canon and fugue are based upon as prosaic a foundation ...
— Edward MacDowell • John F. Porte
... dem Bach alleine Badet sich die schne Elfe; 10 Arm und Nacken, wei und lieblich, Schimmern in ...
— A Book Of German Lyrics • Various |
