"Aria" Quotes from Famous Books
... sing to-night—that is, if you will care to listen to me." Jean said this with a very demure air of mock modesty, knowing well that the reception of a new ballad from him would equal the furor for a new aria from the prima donna of the ... — The Golden Dog - Le Chien d'Or • William Kirby
... elements of a great picture were here shown in the highest degree, and no words of praise could be too strong to express the idea of its merits and its charm. This tableau lasted nearly two minutes, with the most complete steadiness, the basso singing an aria. The curtain then fell, and the Chorus, taking its place, sang and retired as before. This ended the first part, Cain's hate prefiguring the ... — Lippincott's Magazine of Popular Literature and Science, Vol. 17, - No. 97, January, 1876 • Various
... a tenor ever finish that provoking aria, that we have heard so often? How drawlingly he drags ... — The Young Duke • Benjamin Disraeli
... "I Dolori di Maria sempre Vergine," "Il Sagrifizio d' Abramo," "Il Martirio di Santa Teodosia," and "La Concezzione della beata Vergine." He gave to the oratorio more breadth, boldness, and dignity of style, improved the form of the aria, made the accompanied recitative more dramatic, and developed the treatment of several instruments, among them the trumpet, whose real beauty and effect he was the first to bring out. Mazzocchi is chiefly known by his ... — The Standard Oratorios - Their Stories, Their Music, And Their Composers • George P. Upton
... evening at the end of August I had been hearing L'Africaine at the grand opera, and at the same time Marie Sass' delivery of the Marseillaise—she sang as though she had a hundred fine bells in her voice, but she sang the national anthem like an aria. Outside the opera-house I hailed a cab. The coachman was asleep; a man jogged him to wake him, and he started to drive. I noticed that during the drive he looked at his watch and then drove on for all that he was worth, as fast as the harness and reins would stand. ... — Recollections Of My Childhood And Youth • George Brandes
... himself how sorry he felt for Post. At last Miss Ayrshire returned, escorted by her accompanist, and gave the people what she of course knew they wanted: the most popular aria from the French opera of which the title-role had become synonymous with her name—an opera written for her and to her and round about her, by the veteran French composer who adored her,—the last and not the palest flash of his creative fire. This brought her audience all the way. They ... — Youth and the Bright Medusa • Willa Cather
... defended passed out to execution. The tenth knock-out in the prize ring received by the professional pugilist was followed by the immediate sequestration of his fee for that particular encounter, and the tenth aria vibrating from the lips of a prima donna was either compounded for at a certain rate or taken in kind by the official who attended at every performance of ... — First and Last • H. Belloc
... bird opened the concert with a brilliant solo by way of overture, which was duly reported by the musical critic in the shape of a chalk line on the table. The length of the effusion did not matter; a long aria, or a brilliant but spasmodic cadenza, each counted one, and one only. The Bermondsey bird, heedless of the issue at stake, devoted the precious moments to eating, emitting nothing beyond a dyspeptic twitter which didn't count; and his proprietor stood by me evidently chagrined, ... — Mystic London: - or, Phases of occult life in the metropolis • Charles Maurice Davies
... stories, led the conversation; refreshments were offered, which our traveler did not refuse. Then some one opened the piano, upon which Figaro was lying, and Eugenie began to sing, to the Baron's accompaniment, Susanne's passionate aria in the garden scene. The embarrassment which for a moment made her bright color come and go, fled with the first notes from her lips, and ... — The German Classics of The Nineteenth and Twentieth Centuries, Vol. VII. • Various
... as follows: When a silent syllable is immediately followed by a word beginning with another vowel, the E mute (by a prolongation of the sound of the penultimate) is suppressed with the next letter. Thus in the aria of Joseph ... — Delsarte System of Oratory • Various
... served him one day with a new kind of fish that had begun to run in the creek. It tasted like Carlton sole, he said. And it made him feel so good that, being quite by himself and the morning blue and warm, he began, sitting on his little cannon, to hum an aria. Further inspirited by his own tunefulness, he rose (and of course struck an attitude) and opened his mouth ... — IT and Other Stories • Gouverneur Morris
... yarns won't bore you. I put down what seems new and amusing to me at the moment, but by the time it reaches you, it will seem very dull and commonplace. I hear that the Scotchman who attacked poor Aria, the crazy Hottentot, is a 'revival lecturer', and was 'simply exhorting him to break his fiddle and come to Christ' (the phrase is a clergyman's, I beg to observe); and the saints are indignant that, after ... — Letters from the Cape • Lady Duff Gordon
... priestess," sings the chorus, and Jenny Lind has comprehended and shows to us this holy priestess in the aria, Casta diva. In Copenhagen she sang all her parts in Swedish, and the other singers sang theirs in Danish, and the two kindred languages mingled very beautifully together; there was no jarring; even in the Daughter of the Regiment ... — The True Story of My Life • Hans Christian Andersen
... impelled always by my desire to accomplish something, I took lessons in music from the Maestro Terziani, and appeared at a benefit with the famous tenor Boucarde, and Signora Monti, the soprano, and sang in a duet from "Belisaria," the aria from "Maria di Rohan,"and "La Settimana d'Amore," by Niccolai; and I venture to say that I was not third best in that triad. But I recognised that singing and declamation were incompatible pursuits, since the method of producing the voice is totally different, and they ... — [19th Century Actor] Autobiographies • George Iles
... Che son la Terra, e l'Acqua, e l'Aria, e'l Foco, Composti sono gli universi Animali, Pigliando di ciascuno assai o poco." (Dati, ... — The Travels of Marco Polo Volume 1 • Marco Polo and Rustichello of Pisa
... Pinus excelsa from Bhotan, peaches, walnuts, and weeping willows. A tall poplar was pointed out to me as a great wonder; it had two species of Pyrus growing on its boughs, evidently from seed; one was a mountain ash, the other like Pyrus Aria. ... — Himalayan Journals (Complete) • J. D. Hooker
... threatened disruption of the entire organism and the further disintegration of the city's already weakened coordination. The values of realestate dropped, houses were sold for a song, officebuildings for an aria, hotels ... — Greener Than You Think • Ward Moore
... the most popular of all Wagner's operas. No need to say more about its music, which is so generally known and admired, that every child in Germany knows the graceful aria, where Lohengrin dismisses the swan, ... — The Standard Operaglass - Detailed Plots of One Hundred and Fifty-one Celebrated Operas • Charles Annesley
... and the aria, Gifford Barrett left them and, a moment later, came forward to the conductor's desk. Applause, a hush, then the orchestra gave out the low, ominous chords of the introduction before the violins took up the opening theme which repeated itself, met another theme, paused to ... — Phebe, Her Profession - A Sequel to Teddy: Her Book • Anna Chapin Ray
... all the rest: as the chorus of peasants and soldiers, of men and women who impartially accompany the orchestra in the differing sentiments of the occasion; as the rivals who vie with one another in recitative and aria; as the heroine who holds them both in a passion of suspense while she weaves the enchantment of her trills and runs about them; as the whole circumstance of the divinely impossible thing which defies nature and triumphs over prostrate probability. What does a ... — Imaginary Interviews • W. D. Howells
... naturalness and grace than the Polonaise of 1822, but in addition to these qualities, it has also at least one thought (part 1) which contains something of the sweet ring of Chopinian melancholy. The trio of the Polonaise is headed by the words: "Au revoir! after an aria from 'Gazza ladra'." Two foot-notes accompany this composition in the Breitkopf and Hartel edition (No. 16 of the Posthumous Works). The first says that the Polonaise was composed "at Chopin's departure from [should be 'for'] Reinerz"; and ... — Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... a dream—a most lovely dream. I was at the opera in Gale Beacon's box, and Mr. G. Bird was out on the stage singing that glorious coo in the aria in Saint-Saens' "Samson and Delilah," and I was trying to answer him. Suddenly I was wide awake sitting up in a billowed softness, while moonlight of a different color was sifting in through the gable windows and the most lovely calling notes ... — The Golden Bird • Maria Thompson Daviess
... an exercise I have set the aria, 'Non so d'onde viene,' which Bach composed so beautifully. I did it because I know Bach so well, and the aria pleases me so much that I can't get it out of my head. I wanted to see whether or not in spite of these things I was able to make an aria that should not be ... — Mozart: The Man and the Artist, as Revealed in his own Words • Friedrich Kerst and Henry Edward Krehbiel
... their ears, however, before their wonder and astonishment were manifest in an interchange of glances and words of approval; and the hearty applause that responded to the first verse she sang was good evidence of the satisfaction she afforded. The aria, 'O native scenes!' was loudly encored; and in response she gave the pretty ballad, 'When stars are in ... — Music and Some Highly Musical People • James M. Trotter
... Nights, were full of color, fragrance, melody; but they had a dream-like character, and were without definite theme, resembling an artist's studies, or {289} exercises in music—a few touches of the brush, a few sweet chords, but no aria. A number of them—Claribel, Lilian, Adeline, Isabel, Mariana, Madeline—were sketches of women; not character portraits, like Browning's Men and Women, but impressions of temperament, of delicately, differentiated types of feminine beauty. In Mariana, expanded ... — Brief History of English and American Literature • Henry A. Beers
... began to play a noisy Strauss waltz, which started with such a mighty and rapid trill as made even Gedeonovsky start; in the very middle of the waltz, she abruptly changed into a mournful motif, and wound up with the aria from "Lucia": "Fra poco."... She had reflected that merry music was not compatible with her situation. The aria from "Lucia," with emphasis on the sentimental notes, greatly ... — A Nobleman's Nest • Ivan Turgenieff
... parallel case to this in musical history. Grimm tells us, as one of the most remarkable manifestations of Mozart's infant genius, that at the age of nine he was required to give an accompaniment to an aria which he had never heard before, and without notes. There were false accords in the first attempt, he acknowledges; but the second was pure. When the music to which Tom plays secondo is strictly classical, he sometimes balks for an instant in passages; to do ... — Atlantic Monthly, Vol. 10, No. 61, November, 1862 • Various
... on which Mr. Innes was playing there hung a portrait of a woman, and, happening to look up, a sudden memory came upon him, and he began to play an aria out of Don Giovanni. But he stopped before many bars, and holding the candle end high, so that he could see the face, continued the melody with his right hand. To see her lips and to strike the notes was almost like hearing her sing it again. Her voice came to him through many years, from the first ... — Evelyn Innes • George Moore
... in hopes of meeting their friends, they anchored, on the 7th of February, before Aria, where they took two barks, with about eight hundred pound weight of silver, and, pursuing their course, seized another vessel, laden ... — The Works of Samuel Johnson, Vol. 6 - Reviews, Political Tracts, and Lives of Eminent Persons • Samuel Johnson
... birds, with the addition of a vireo or two, were our main dependence for daily music, though we were favored occasionally by others. Now the Arkansas goldfinch uttered his sweet notes from the thick foliage of the cottonwood-trees; then the charming aria of the catbird came softly from the tangle of rose and other bushes; the black-headed grosbeak now and then saluted us from the top of a pine-tree; and rarely, too rarely, alas! a passing meadow-lark filled all the grove with his ... — A Bird-Lover in the West • Olive Thorne Miller
... that her part of the evening was over, and to cover her confusion offered to sing something of her own composing, the Mother Goose rhyme of "Little Tommy Tucker Sings for His Supper," arranged as an operatic recitative and aria. The humor of this performance penetrated even to the remotest fastnesses of the staid cathedral circle, and the palace party ended in something that positively resembled merriment, a consummation not always to be reached in ... — Ladies-In-Waiting • Kate Douglas Wiggin
... old-fashioned Italian opera, and there are certainly many resemblances. In a Chinese play, when the situation becomes tragic, or when one of the characters is seized with some strong emotion, it finds vent in a kind of aria. The dialogue is generally given in the most monotonous manner possible—using only high throat and head tones, occasionally lowering or raising the voice on a word, to express emotion. This monotonous, and to European ... — Critical & Historical Essays - Lectures delivered at Columbia University • Edward MacDowell
... modern maps, there are four other towns or residences on the western coast of the peninsula of Matsaki, named Jemasina, Sirekosawa, Famomoli, and Aria.—E.] ... — A General History and Collection of Voyages and Travels, Volume IX. • Robert Kerr
... casually, but she was thrilled, thrilled with the supreme pride of a woman in her best clothes—in and out of her best clothes, and liberally illuminated with jewelry. She was now something like a great singer singing the highest note of her master-aria in her best role—herself at once the perfect instrument and the ... — The Cup of Fury - A Novel of Cities and Shipyards • Rupert Hughes
... divine voice faltered. He trembled! An involuntary murmur escaped the audience, which he held fast as if fastened to his lips; and that completely disconcerted him; he stopped in the middle of the aria he was singing and sat down. Cardinal Cicognara, who had watched from the corner of his eye the direction of his protege's glance, saw the Frenchman; he leaned toward one of his ecclesiastical aides-de-camp, and apparently asked the ... — Sarrasine • Honore de Balzac
... black, and the trainmen had been earnest abettors in the injury and insult offered them. From Wilmington to Weldon at every stop crowds waited to do injury, if possible, to "Nigger" and radical refugees. Thomas Miller, Aria Bryant and other citizens had been taken off and jailed at Goldsboro, and one man in trying to ... — Hanover; Or The Persecution of the Lowly - A Story of the Wilmington Massacre. • David Bryant Fulton
... creation with real passion. Instead of using wax he had recourse to clay, and formed a tall figure which represented Antinous as the youthful Bacchus, as the god might have appeared to the pirates. A mantle fell in light folds from his left shoulder to his ankles, leaving the broad breast and right aria entirely free; vine-leaves and grapes wreathed his flowing locks, and a pine-cone, flame-shaped, crowned his brow. The left arm was raised in a graceful curve, and his fingers lightly grasped a thyrsus which ... — Uarda • Georg Ebers
... Duque of Santa Aria was helping us to identify places mentioned in Calancha and Ocampo, the references to "Vilcabamba Viejo," or Old Uilcapampa, were supposed by two of his informants to point to a place called Conservidayoc. ... — Inca Land - Explorations in the Highlands of Peru • Hiram Bingham
... drooping, the face of the sea almost touching; The boy ecstatic—with his bare feet the waves, with his hair the atmosphere, dallying, The love in the heart long pent, now loose, now at last tumultuously bursting; The aria's meaning the ears, the soul, swiftly depositing, The strange tears down the cheeks coursing; The colloquy there—the trio—each uttering; The undertone—the savage old Mother, incessantly crying, To the boy's soul's questions sullenly timing—some drowned ... — Poems By Walt Whitman • Walt Whitman
... I can hum a little to myself; there is yet some pleasure in that. But in opera, no, never again. Has not Mrs. Coldfield told you? No? Imagine! One night in Dresden, in the middle of the aria, my voice broke miserably and I could ... — A Splendid Hazard • Harold MacGrath
... across the room, puffed out into balls, "pouring out their souls," and entrancing us not only with their suggestive melody, but with graceful and poetical movements, and a beauty of look and bearing that moved one deeply. During the aria both birds stood motionless, one with wings drooping, and accenting every note, the other with tail slightly jerking for the ... — In Nesting Time • Olive Thorne Miller
... on, Shoemaker! Now comes the aria; it must be rendered with feeling. Then you shall see that the ... — Lucky Pehr • August Strindberg
... Phyllis thrumming on the piano. She was singing in a low voice the aria from "Lucia." I stood on the threshold of the drawing-room and waited till she had done. I believed her to be unaware of my presence. She was what we poets call a "dream of loveliness," a tangible dream. Her neck and shoulders were like satin, ... — Arms and the Woman • Harold MacGrath
... demeanor—swaggering along as if conscious of there being a full-grown man buttoned up within a boy's ragged coat. The swagger was accompanied by a whistle, whose neat crispness announced habits of leisure and a sense of the refined pleasures of life; for an artistic rendering of an aria from "La Fille de Madame Angot" was cutting the ... — In and Out of Three Normady Inns • Anna Bowman Dodd
... a bright gray tailor-made suit and a red satin waist; wears a broad-brimmed straw hat, very fashionable; her hair is blonde, of a reddish tint; her whole appearance is very dainty; she is singing an aria from the opera "Mignon") "Ha-ha-ha! Is 't true, really true?" (While singing she is all the time making a motion as if she were beating the dust out of her riding suit with ... — The Lonely Way—Intermezzo—Countess Mizzie - Three Plays • Arthur Schnitzler
... divisions into aria and recitative in Wagner's operas, but dramatic continuity is retained by the voices of the characters singing music the succession of whose notes is determined by the emotional requirements of the moment. Meanwhile, ... — War Letters of a Public-School Boy • Henry Paul Mainwaring Jones
... provide variety of material—a heavy number followed by a light one; a slow, flowing adagio by a bright snappy scherzo; a tragic and emotionally taxing song like the Erl-King by a sunny and optimistic lyric; a song or a group of songs in major possibly relieved by one in minor; a coloratura aria by a song in cantabile style; a group of songs in French by a group in English; a composition in severe classic style by one of romantic tendency, et cetera. These contrasting elements are not, of course, to ... — Essentials in Conducting • Karl Wilson Gehrkens
... mouse had certain songs for certain occasions. When she had awakened from a long sleep, and had taken some nice food, she would sing her great aria, which he called ... — The Great Round World and What Is Going On In It, Vol. 1, No. 19, March 18, 1897 - A Weekly Magazine for Boys and Girls • Various
... 2: St. Francis's sermon to the birds in the valley of Bevagna (Fioretti xvi.): "Ancora gli (a Dio) siete tenuti per lo elemento dell' aria che egli ha diputato a voi ... e Iddio vi pasce, e davvi li fiumi e le fonti per vostro bere; davvi li monti e le valli per vostro rifugio e gli alberi alti per fare li vostri nidi ... e pero guardatevi, sirocchie mie, del peccato della ingratitudine, e sempre vi studiate di lodare Iddio ... ... — Renaissance Fancies and Studies - Being a Sequel to Euphorion • Violet Paget (AKA Vernon Lee)
... after a passionate aria ("Il pianto rasciuga") by Elvira, we are introduced to the market-place, crowded with market-girls and fishermen disposing of their fruits and fish. After a lively chorus, a fascinating and genuine Neapolitan tarantelle ... — The Standard Operas (12th edition) • George P. Upton
... miscarried. The reconciliation, so cleverly planned, would not take place. Hemerlingue did not want it. If only the duke did not break his word! It was getting late. La Wauters, who was to sing the "Night" aria from the Magic Flute, after the performance at her theatre, had just arrived all muffled ... — The Nabob, Volume 1 (of 2) • Alphonse Daudet
... my vexation always, when reading a play, to find its progress constantly being halted and its structure loosened by elaborate explanatory parentheses, that I resolved when I should publish Aria da Capo to incorporate into its text only those explanations the omission of which might confuse the reader or lend a wrong interpretation to the lines. Since, however, Aria da Capo was written not only to be read but also to be acted, ... — Aria da Capo • Edna St. Vincent Millay |