"Veronese" Quotes from Famous Books
 ... severely in keeping as possible. The pictures consisted of photographs or engravings of sacred subjects, all of Roman Catholic origin. There was a "Virgin and Child," by Botticelli, and another by Perugini; "Our Lady of the Cat," by Baroccio; the exquisite "Vision of St. Helena," by Paolo Veronese; Correggio's "Ecce Homo"; and others less well-known; with a ghastly Crucifixion too painful to be endured, especially by a young girl, had not custom dulled all genuine perception of the horror of it. The whole effect, however, was a delicious impression of freshness and serenity, which inspired ...
— The Heavenly Twins • Madame Sarah Grand
... Gothic; that means they were painted previous to the time of Van Eyck. An interior of the Antwerp Cathedral, by Neefs, is very fine; and I was much pleased with some large pictures by Philippe Champagne, some' of whose portraits I have seen in New York. Here are four pictures by Paul Veronese. No. 285 is the Marriage of Cana. I think I never saw a picture in which I was so impressed with the magnificence of the coloring. The table is richly spread, and the light appears on it, coming down ...
— Young Americans Abroad - Vacation in Europe: Travels in England, France, Holland, - Belgium, Prussia and Switzerland • Various
... VERONESE GREEN.—A pigment consisting of hydrated chromium sesquioxide. It is a clear bluish green of great permanency. Also ...
— A Color Notation - A measured color system, based on the three qualities Hue, - Value and Chroma • Albert H. Munsell
... possible to be seen, is to be shown in every picture. The eye delightedly dwells upon the brilliant individualities in a "Marriage at Cana," by Veronese, or Titian, to the very texture and colour of the wedding garments, the ring glittering upon the bride's fingers, the metal and fashion of the wine pots; for at such seasons there is leisure and luxury to be curious. But ...
— The Works of Charles and Mary Lamb, Volume 2 • Charles Lamb
... modern writers? Shakespeare himself has, till lately, been worshipped only at home, though his plays are now the favourite amusements of Vienna; and when I was at Padua some months ago, Romeo and Juliet was acted there under the name of Tragedia Veronese; while engravers and translators live by the hero of La Mancha in every nation, and the sides of miserable inns all over England and France, and I have heard Germany too, are adorned with the exploits of Don Quixote. May his celebrity procure my pardon for a digression in praise of a writer ...
— Anecdotes of the late Samuel Johnson, LL.D. - during the last twenty years of his life • Hester Lynch Piozzi
... without losing significance, painting must proceed to accumulate symbol upon symbol, till the original impression is almost restored, but so restored that it contains all the articulation which a thorough analysis had given it. Such painting as Tintoretto's or Paolo Veronese's records impressions as a cultivated sense might receive them. It glows with visible light and studies the sensuous appearance, but it contains at the same time an intelligent expression of all those mechanisms, ...
— The Life of Reason • George Santayana
... was better by far than by dint of anxious archæology to construct the Doge's palace upon the stage. By one rich pillar, by some projecting balustrade taken in conjunction with a moored gondola, we should strive to evoke the soul of the city of Veronese: by the magical and unequalled selection of a subtle and unexpected feature of a thought or aspect of a landscape, and not by the up-piling of extraneous detail, are all great poetic ...
— Confessions of a Young Man • George Moore
... red drawing-room, and then the cedar drawing-room, then the gilt drawing-room, the state bedroom, the boudoir, etc., etc., hung with pictures by Vandyke, Rubens, Guido, Sir Joshua Reynolds, Paul Veronese, any one of which would require days ...
— Seeing Europe with Famous Authors, Volume I. - Great Britain and Ireland • Various
... and cream may grow upon the same bush. His task may be doomed to failure, but that youth at least understands that thought turned the wild rice into wheat; thought turned the sweet briar into the crimson rose; brains mixed the pigments for Paul Veronese, and gave the canvas worth a few florins the value of tens of thousand of dollars. Already wise thoughts have turned the barbarian into a gentleman and citizen, and some glad day thoughts will crown man with the attributes ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis
... of the Italian descriptive epic. With the splendid involutions of Machiavelli's and Guicciardini's prose Bacon learned their cool and disimpassioned philosophy. From the reading of Politian and Lorenzo dei Medici, from the sight of the Psyche of Raphael, the Europa of Veronese, the Ariadne of Tintoret, men like Greene and Dorset learned that revival of a more luscious and pictorial antique which was brought to perfection in Shakespeare's "Venus and Adonis" and Marlowe's "Sestiad." From ...
— Euphorion - Being Studies of the Antique and the Mediaeval in the - Renaissance - Vol. I • Vernon Lee
... Peter and Herniagoras. The fine frame was carved by Giovanni Pietro di Udine in 1500, and gilded two years later by Antonio de' Tironi of Bergamo. Before 1484 the floor was of beaten earth; at that time a pavement of red Veronese marble was commenced, completed in 1544. The aisles are at a slightly higher level than the nave. The Gothic roof was remade on the pattern of those of SS. Zeno and Fermo, Verona, in 1526 (signed Giuliano q Vivente of Udine), and restored in 1560. It is now painted in chequers. Beams resting ...
— The Shores of the Adriatic - The Austrian Side, The Kuestenlande, Istria, and Dalmatia • F. Hamilton Jackson
... and north-east we had delightful scenery, the pao d'arco trees in full bloom, of a reddish-purple colour, adding greatly to the vivid colour-scheme of that view, with its cobalt blue of the distant mountains and the Veronese green of the campos in the foreground. Nearly all the ridges we had crossed which extended from north-east to south-west were well rounded—fairly well padded with sediments of earth, ...
— Across Unknown South America • Arnold Henry Savage Landor
... Renaissance millionaires could be vulgar and brutal, but they were great gentlemen. They were neither illiterate cads nor meddlesome puritans, nor even saviours of society. Yet, if we are to understand the amazing popularity of Titian's and of Veronese's women, we must take note of their niceness to kiss and obvious willingness to be kissed. That beauty for which can be substituted the word "desirableness," and that insignificant beauty which is the beauty of gems, were in great demand. Imitation was wanted, too; for if pictures are to please ...
— Art • Clive Bell
... circumnavigated, and new ideas streamed in from each newly-visited region. It was pre-eminently the period of art. Leonardo da Vinci and Raphael had just passed away, but Michael Angelo, Titian, Tintoretto, and Paul Veronese were still living, freeing men's spirits by the productions of their pencil from formal fancies and conventional fetters, and sending them back to the fresh teaching of Nature. The art of printing ...
— Roman Mosaics - Or, Studies in Rome and Its Neighbourhood • Hugh Macmillan
... censured Eustace for bad taste in talking over his case with his lawyer in public. He laughed, and assured her that he had never even thought of his suit, but had been discussing one of the pictures on the walls, a fine Veronese—appealing to me if it were not so; but she was not satisfied; she said he should not have encouraged the presumption of that little advocate by presenting him ...
— Stray Pearls • Charlotte M. Yonge
... enchained, or rather altogether the first. Wondered how any one could translate it or the Faust, but spoke as knowing the original. Thought little of Murillo as to the mind of painting; said he could not have painted Paul Veronese's 'Marriage of Cana.' Considered that old age in great measure disqualified him by its rigid fixity of habits from judging of the works of young poets—I must say that he was here even over liberal in ...
— The Life of William Ewart Gladstone, Vol. 1 (of 3) - 1809-1859 • John Morley
... Lily to get me an invitation? Of course it would never have occurred to Carry Fisher to put me on the list, and I should have been so sorry to miss seeing it all—and especially Lily herself. Some one told me the ceiling was by Veronese—you would know, of course, Lawrence. I suppose it's very beautiful, but his women are so dreadfully fat. Goddesses? Well, I can only say that if they'd been mortals and had to wear corsets, it would have been better ...
— House of Mirth • Edith Wharton
... human and Parisian nature (always admitting that Samanon was human). In spite of himself, Lucien shuddered at the sight of the dried-up little old creature, whose bones seemed to be cutting a leather skin, spotted with all sorts of little green and yellow patches, like a portrait by Titian or Veronese when you look at it closely. One of Samanon's eyes was fixed and glassy, the other lively and bright; he seemed to keep that dead eye for the bill-discounting part of his profession, and the other ...
— A Distinguished Provincial at Paris • Honore de Balzac
... entered young into the service of the Gonzaga lords of Mantua, receiving from them a salary of thirty pounds a year and a piece of land, on which the painter built a house, and painted it within and without—the latter one of the first examples of artistic waste, followed later by Tintoret and Veronese, regardless of the fact that painting could not survive in the ...
— The Old Masters and Their Pictures - For the Use of Schools and Learners in Art • Sarah Tytler
... is all among the Italians. Desiring nothing but beauty of line and color, and expressiveness provided it was beautiful, they sought a subject merely as the raison d'etre of beauty. Raphael could paint the Madonna and Child a score of times, and Veronese his Marriages of Cana, and all of them Magdalenes and St. Sebastians by the dozen, without thinking of finding fresh subjects to excite fresh interest. Nor does this restricted range of subjects imply, under the hand of a master, monotony. There is more ...
— Lippincott's Magazine, December 1878 • Various
... did not monopolize the heroes, and they are always essentially the same. When, for instance, I read in a letter of Hubert Languet's to Sidney, "You are not over-cheerful by nature," or when, in another, he speaks of the portrait that Paul Veronese painted of Sidney, and says, "The painter has represented you sad and thoughtful," I can believe that he is speaking of my neighbor. Or when I remember what Sidney wrote to his younger brother,—"Being a gentleman born, you ...
— Atlantic Monthly, Vol. 8, No. 46, August, 1861 • Various
... whence, having got up before sunrise, I drove in a weeping morning to the wonderful Villa Maser, about twenty miles away—the villa whose halls and chambers are gorgeous from end to end with the frescoes of Paul Veronese, and whose tutelary gods look out over the vastness of the Lombard plains, though their view is slightly impeded by the bulk of a Renaissance church. That evening I ensconced myself in an ill-lit train, which, passing close to Venice and crossing the Austrian frontier, brought ...
— Memoirs of Life and Literature • W. H. Mallock
... Probably it was in the North of Italy that it flourished most. The Paduan School has its fine representation in Mantegna's picture, already referred to; the Brescian, in Moretto's Madonna of S. Clemente; the Veronese, in Girolamo dai Libri's splendid altar piece in San Giorgio Maggiore; the Bergamesque, in Lotto's Madonna of S. Bartolommeo. Above all, it was in Venice, the Queen City of the Adriatic, that the enthroned Madonna reached the greatest popularity: the spirit of the composition was peculiarly adapted ...
— The Madonna in Art • Estelle M. Hurll
... ear, as their work is goodly to the sight. Giotto, Era Angelico, Filippo Lippi, Gentile da Fabriano, Ghirlandajo, names like the beads of a rosary, commence the list, to which Botticelli, Perugino, Raffaello Santi, Leonardo da Vinci, Andrea del Sarto, Correggio, Tiziano, Veronese, and, last of all, with a name like the blast of a trumpet, the mighty Michael the Archangel, add their syllabic charm. Then the painters of more northern lands bring the tribute of their name and work; names less pleasing to the ear, ...
— McClure's Magazine December, 1895 • Edited by Ida M. Tarbell
... such studies in his house. He retired eventually from public duties, and lived at Villa Ramusia, near Padua. He died in the latter city, 10th July, 1557, but was buried at Venice in the Church of S. Maria dell' Orto. There was a portrait of him by Paul Veronese in the Hall of the Great Council, but it perished in the fire of 1577; and that which is now seen in the Sala dello Scudo is, like the companion portrait of Marco Polo, imaginary. Paolo Ramusio, his son, was the author ...
— The Travels of Marco Polo Volume 1 • Marco Polo and Rustichello of Pisa
... sun was shining into the lofty window, where Titian seated himself to talk more gaily than before with Paolo Cagliari, Veronese, and other great artists ...
— Uarda • Georg Ebers
... reaches a height of 125 feet. Within the porch is a beautiful marble group of the dead Christ, supported by an angel. The pictures inside are exceptionally valuable and beautiful, including paintings by Vandyke, Murillo, Carlo Dolci, Paul Veronese (attributed), and many others. On the opposite side of the street Messrs. Crosse and Blackwell's factory also covers a house owning historical associations. No. 21 was the "White House," and 22, "Falconberg House," in former times. The latter was the residence ...
— The Strand District - The Fascination of London • Sir Walter Besant
... at Cana," by Paul Veronese, which is to be seen in a Benedictine convent in the Island of St. George, was in particular mentioned to us in high terms. Do not expect me to give you a description of this extraordinary work of art, which, on the whole, made a very surprising, but not ...
— The Works of Frederich Schiller in English • Frederich Schiller
... simplicity. They were great colourists, not because they had peculiar secrets about oil and colour, but because when they saw a thing red, they painted it red; and ... when they saw it distinctly, they painted it distinctly. In all Paul Veronese's pictures, the lace borders of the table cloths or fringes of the dresses are painted with just as much care as the faces of the principal figures; and the reader may rest assured that in all great art it is so. Everything ...
— Frederic Lord Leighton - An Illustrated Record of His Life and Work • Ernest Rhys
... be commemorated by a monument in the style of the later Scaliger tomb at Verona, and from the designs of Frauel was erected the hexagonal Gothic pavilion, surmounted by an equestrian statue of the Duke, which is so well known to architects. The Veronese prototype of the monument is a tolerably insecure affair, but the modern imitation is still larger and heavier, and two years after its completion the substructure began to come to pieces. It was then clamped ...
— The American Architect and Building News, Vol. 27, No. 733, January 11, 1890 • Various
... camp of Holofernes, where all is Assyrian glory. Judith struggles between her unexpected love for the dynamic general and the resolve to destroy him that brought her there. In either type of scene, the first gray and silver, the other painted with Paul Veronese splendor, Judith moves with a delicate deliberation. Over her face the emotions play like winds on a meadow lake. Holofernes is the composite picture of all the Biblical heathen chieftains. His ...
— The Art Of The Moving Picture • Vachel Lindsay
... She is like a plain girl with beautiful eyes. There is no country like her in the world for colour—so delicately fresh in the rain- washed green of her pasture slopes, so keen the viridian [Footnote: Veronese green] of her turnip-fields when the dew is on the broad, fleshy, crushed leaves, so tender and deep the blue in the hollow places. It was small wonder that Ralph had set down in the note-book in which he sketched for future use all that ...
— The Lilac Sunbonnet • S.R. Crockett
... as some of the recent English humorists have patterned after certain famous wits of ours. I do not know that I would have exposed this impostor, even if occasion had offered, for, after all, his fraud was a tribute to our own primacy in clowning, and the Veronese were none the worse for his ...
— Henry James, Jr. • William Dean Howells
... Benvenuto Cellini is meditating his Perseus, Ghiberti is carving the Baptistery doors at the same time that Donatello is rearing his marbles on the bridges of the Arno; and whilst the city of the Medici is staking masterpieces against that of Leo X and Julius II, Titian and Paul Veronese are rendering the home of Doges illustrious. Saint Mark's competes ...
— Bohemians of the Latin Quarter • Henry Murger
... a clever woman, too. She showed the prettiest kind of curiosity—so perfectly managed. She has a studio—I don't know just how she puts it to use—with a painter girl in one of those studio apartment houses on the West Side: The Veronese, I believe. You must go and see her; I'll let you have next Tuesday off; ...
— Henry James, Jr. • William Dean Howells
... of Marseilles, both of them much larger and wealthier cities than Dublin. Leaving out the Three Maries of Perugino at Marseilles, and at Lyons the Ascension, which was once the glory of San Pietro di Perugia, the Moses of Paul Veronese, and Palma Giovanni's Flagellation, these two galleries put together cannot match Dublin with its Jan Steen, most characteristic without being coarse, its Terburg, a life-size portrait of the painter's favourite model, a young Flemish gentleman, presented ...
— Ireland Under Coercion (2nd ed.) (1 of 2) (1888) • William Henry Hurlbert
... valuations are not only exorbitant, but injudicious. They who made the estimate seem to have considered the rarity of the hands more than the excellence. Three-The, Magi's Offering, by Carlo Maratti, as it is called, and two supposed Paul Veronese,-are very indifferent copies, and yet all are roundly valued, and the first ridiculously. I do not doubt of another picture in the collection but the Last Supper, by Raphael, and yet this is set down at 500 pounds. I miss three pictures, at least they are not set down, the Sir Thomas ...
— Letters of Horace Walpole, V4 • Horace Walpole
... of the sixteenth century. While in more than one branch of the painter's art he stood forth supreme and without a rival, in most others he remained second to none, alone in great pictorial decorations of the monumental order yielding the palm to his younger rivals Tintoretto and Paolo Veronese, who showed themselves more practised and more successfully daring ...
— The Earlier Work of Titian • Claude Phillips
... thousand rills, Methinks, and more, water between the vale Camonica and Garda and the height Of Apennine remote. There is a spot At midway of that lake, where he who bears Of Trento's flock the past'ral staff, with him Of Brescia, and the Veronese, might each Passing that way his benediction give. A garrison of goodly site and strong Peschiera stands, to awe with front oppos'd The Bergamese and Brescian, whence the shore More slope each way descends. There, whatsoev'er Benacus' bosom holds not, tumbling o'er Down falls, and winds a ...
— The Divine Comedy • Dante
... There is nothing so improbable in the story of Romeo and Juliet as to make us doubt the tradition that it is a real fact. "The Veronese," says Lord Byron, in one of his letters from Verona, "are tenacious to a degree of the truth of Juliet's story, insisting on the fact, giving the date 1303, and showing a tomb. It is a plain, open, and partly decayed sarcophagus, with withered leaves in it, in a wild ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 20, - Issue 563, August 25, 1832 • Various
... spirit of the rule be preserved." We have marked in italics the latter part of the sentence, because it shows that the rule itself must be ill-defined or too particular. Indeed, we receive with caution all such rules as belong to the practical and mechanical of the art. He instances Paul Veronese. "In the great composition of Paul Veronese, the 'Marriage of Cana,' the figures are for the most part in half shadow. The great light is in the sky; and indeed the general effect of this picture, which is so striking, is no more ...
— Blackwood's Edinburgh Magazine, No. CCCXXVIII. February, 1843. Vol. LIII. • Various
... Paradisaical naturalness. Lodge wrote it on a voyage to "the Islands of Terceras and the Canaries"; and he seems to have caught, in those southern seas, no small portion of the qualities which marked the almost contemporary Art of Venice,—the glory and the glow of Veronese, or Titian, or Tintoret, when he most resembles Titian, and all ...
— The Golden Treasury - Of the Best Songs and Lyrical Poems in the English Language • Various
... Florence. Only a few of the pictures can be named here: Madonna, by Raphael (1508); Holy Family, by Fra Bartolommeo; Mountainous Coast (fishermen in foreground), by Salvator Rosa; Nativity, by Carlo Dolce; Virgin Enthroned, by Paul Veronese; Third Earl Cowper and His Family; First Earl Cowper, by Sir Godfrey Kneller; Francis Bacon, by Van Somer; Turenne, by Rembrandt; Charles Villiers, Duke of Buckingham, by Janssens. The whole collection is worth ...
— Hertfordshire • Herbert W Tompkins
... the Saint, together with the Christian priest Hermolaus, was bound to an olive tree and beheaded with a sword. The story of his martyrdom has been frequently treated in Venetian art, for as an eastern Saint Pantaleone has a church dedicated to him in Venice, wherein the brush of Paul Veronese has painted in glowing colours the chief incidents of his life and death. As in the case of other physician-saints of the Roman Church—St Roch, St Cosmo and St Damiano—Pantaleone was especially besought in cases of the plague, which owing ...
— The Naples Riviera • Herbert M. Vaughan
... and their scholars. The progress of landscape, history, and anatomical drawing may be traced in Paolo Uccello, Dello Delli, Piero di Cosimo, Pinturicchio, the Pollajuoli, and Luca Signorelli. Here also is Gentile da Fabriano. Venice gives us G. Bellini, M. Basaiti, Giorgione, and Paul Veronese. And of the later Sienese, there are Sodoma, Matteo da Siena, and Beccafumi. The list includes, also, Domenichino, Sebastian del Piombo, Guido, Salvator Rosa, Holbein, ...
— Atlantic Monthly, Vol. VI.,October, 1860.—No. XXXVI. - A Magazine Of Literature, Art, And Politics • Various
... on Modern Art before a select and distinguished audience. The chief point on which he dwelt was the absolute unity of all the arts and, in order to convey this idea, he framed a definition wide enough to include Shakespeare's King Lear and Michael Angelo's Creation, Paul Veronese's picture of Alexander and Darius, and Gibbon's description of the entry of Heliogabalus into Rome. All these he regarded as so many expressions of man's thoughts and emotions on fine things, conveyed through visible or audible modes; and starting from this point he approached the question ...
— Miscellanies • Oscar Wilde
... that has ever existed. So much has Ruskin's development seemed to contradict itself, that one is scarcely surprised at one conclusion being apparently opposed to the former one; but a change so great as this, from Giotto, Perugino, and Cima, to Tintoret, Titian, and Veronese, as the religious ideals, will, indeed, amaze all who read it. Yet this is but the logical consequence of his progression hitherto. If he commenced with a belief that asceticism was religion, he would recognize Perugino and Giotto as the true religious ...
— Atlantic Monthly Volume 6, No. 34, August, 1860 • Various
... chatting like birds. And what about? About the blond tint used by Venetian painters! Yes, about the "Venetian blond." That little serpent of a Gelis was telling Jeanne the secret of the dye with which, according to the best authorities, the women of Titian and of Veronese tinted their hair. And Mademoiselle Jeanne was expressing her opinion very prettily about the honey tint and the golden tint. I understood that that scamp of a Vecellio was responsible—that they had been bending over the book together, and that they ...
— The Crime of Sylvestre Bonnard • Anatole France
... a Holy Family by Albano, a Saint-Jerome of Demenichino, a Head of Christ by Gian Bellini, a Virgin of Leonardo, a Bearing of the Cross by Titian, which formerly belonged to the Marquis de Belabre (the one who sustained a siege and had his head cut off under Louis XIII.); a Lazarus of Paul Veronese, a Marriage of the Virgin by the priest Genois, two church paintings by Rubens, and a replica of a picture by Perugino, done either by Perugino himself or by Raphael; and finally, two Correggios and one ...
— The Celibates - Includes: Pierrette, The Vicar of Tours, and The Two Brothers • Honore de Balzac
... country; and Isabella—who with her friends sang boleros and danced the cachuca; with her brother, read Racine and Corneille—was equally happy while she hung enraptured upon the strains of Pergolese's music, or gazed entranced upon the pictures of Correggio and the Veronese. The princess herself was both a painter and musician, and no one, more than she, ...
— Joseph II. and His Court • L. Muhlbach
... aristocracy of poetry and passion; Lotto sympathetically laid bare the heart's secrets and showed the pathetic helplessness of humanity. Tintoretto communicated his own savage grandeur, his own unrest, to those whom he depicted; Paolo Veronese charmed without arriere-pensee by the intensity of vitality which with perfect simplicity he preserved in his sitters. Yet to Titian must be conceded absolute supremacy in the rendering not only of the outward but of the essential ...
— The Later works of Titian • Claude Phillips
... portrait by Veronese, with her shining, fair hair, which looked as though it had given part of its color to her skin, the creamy skin of a high-born girl, hardly tinted with pink and shaded by a soft velvety down, which ...
— The works of Guy de Maupassant, Vol. 5 (of 8) - Une Vie and Other Stories • Guy de Maupassant 1850-1893
... protecting pictures by glass?—Yes, in every case. I do not know of what size a pane of glass can be manufactured, but I have never seen a picture so large but that I should be glad to see it under glass. Even supposing it were possible, which I suppose it is not, the great Paul Veronese, in the gallery of the Louvre, I think would be more beautiful ...
— On the Old Road, Vol. 2 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... another perfect day, a forenoon after Veronese, a day of which the charm was heightened by the witcheries that Harlem knows—the shouted temptations of push-carts; the pastimes of children, so noisy, so dirty, so dear! the engaging conversation of German ladies; the ambient odour ...
— The Paliser case • Edgar Saltus
... to the divan and seated himself on the other side, in view of the great canvas on which Paul Veronese had depicted the marriage-feast of Cana. Wearied as he was he found the picture entertaining; it had an illusion for him; it satisfied his conception, which was ambitious, of what a splendid banquet should be. In the left-hand corner of the picture is a young woman with yellow ...
— The American • Henry James
... and so far realise the painter's ideal of earth as the portal to heaven. Certain spheres were beyond his ken. The marriage of Cana did not for him flow with the wine of gladness; he had no fellowship with the nuptial banquet as painted by Veronese. His pencil shunned the Song of Miriam and the Dance of the Daughter of Herodias; it could not pass, like the pen of England's epic poet, with a light fantastic touch from "Il Penseroso" to "L'Allegro;" his walk was narrow ...
— Overbeck • J. Beavington Atkinson
... Florence with Gypsum and Stagg. The former was a young, industrious fellow, of German descent, who worked hard, but not wisely. He spent half a year in copying a face by Paul Veronese, and the other half in sketching an old convent yard. But he did not visit, and an artist, to get orders and take rank, must be seen as well as be earnest. He need not be hail-fellow, but should keep well in the circle ...
— Campaigns of a Non-Combatant, - and His Romaunt Abroad During the War • George Alfred Townsend
... affianced to the Infante Don Balthasar Carlos, but he had been dead for three years, and the Spanish throne was without an heir. Velazquez visited Genoa, Venice, Milan, and Padua, and brought back pictures by Veronese and Tintoretto. Rome and Naples were revisited, and the famous portrait of Pope Innocent X., of which one copy is in St. Petersburg, and the other in the Doria Palace in Rome, was painted. The former is a bust and ...
— Velazquez • S. L. Bensusan
... upholstery; painting; sculpture. Printing, as a mechanical art,—just as Nicholas Jenson and the Aldi, who were scholars too, made Venice renowned for it. Journalism, which is the accident of business and crowded populations, in great perfection. Venice got as far as Titian and Paul Veronese and Tintoretto,—great colorists, mark you, magnificent on the flesh-and-blood side of Art,—but look over to Florence and see who lie in Santa Croce, and ask out of ...
— Atlantic Monthly, Vol. 3, No. 18, April, 1859 - [Date last updated: August 7, 2005] • Various
... romantic. But we are apt to disbelieve in the romance which we hear from those concerned. I cannot disbelieve, since I knew this sad, stern Italian woman. Can you disbelieve, who have seen Titian's, and Tintoretto's, and Paolo Veronese's portraits of Venetian women? You, who have floated about the ...
— Gifts of Genius - A Miscellany of Prose and Poetry by American Authors • Various
... seems to me to indicate that this passage was not written in France, but was written from oral information. We have no evidence as to when this note may have been written beyond the circumstance that Fra Giocondo the Veronese Architect left France not before the year 1505. The greater part of the magnificent Chateau of Blois has now disappeared. Whether this note was made for a special purpose is uncertain. The original form and extent of the Chateau is shown ...
— The Notebooks of Leonardo Da Vinci, Complete • Leonardo Da Vinci
... 292 to 307, inclusive (only 14 volumes), there was a set of "Painted Missals and curious manuscripts," which were sold for 724l. Among them, was Mr. John Towneley's matchless missal, decorated by the famous Francesco Veronese—"one of the finest productions of the kind ever imported from Italy:" see no. 296. For an account of the books PRINTED UPON VELLUM in this collection, see PART VI. Let us close this note with the Bibliotheca Boucheriana; of which such respectable mention ...
— Bibliomania; or Book-Madness - A Bibliographical Romance • Thomas Frognall Dibdin
... the interest and the suggestion of the downward lines and of the magnificent perspective toward the left, and the effect of the whole space composition is of superb largeness of life and feeling. Compare Titian's "Presentation of the Virgin," also the two great compositions by Veronese, "Martyrdom of St. Mark," etc., in the Doge's Palace, Venice, and "Esther before Ahaseurus," in the Uffizi, Florence. In these last two, the mass, direction of interest, movement, and attention are toward the left, while all the lines tend diagonally to the ...
— The Psychology of Beauty • Ethel D. Puffer
... I think it was about three years ago, a picture which well exemplifies this ideal colouring. It was exhibited at the Institution; it was of a female saint to whom the infant Saviour appears, by P. Veronese. The very excellence of the colouring was in its natural unnaturalness; I say natural, because it was perfectly true to the mystic dream, the saintly vision; a more common natural would have ruined it. ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 385. November, 1847. • Various
... indisputable meaning, that of simple kindness; the wine being provided here, when needed, as the bread and fish were afterwards for the hungry multitudes. The whole value of the miracle, in its serviceable tenderness, is at once effaced when the marriage is supposed, as by Veronese and other artists of later times, to have taken place at the house of a rich man. For the rest, Giotto sufficiently implies, by the lifted hand of the Madonna, and the action of the fingers of the bridegroom, as if they held sacramental bread, that ...
— Giotto and his works in Padua • John Ruskin
... public place, with faces that were like paintings of Mantegna or Masaccio; the slender supple form of the accused drooping like a bruised lily between the upright figures of two carabineers; the judge leaning down over his high desk in black robes and black square cap, like some Venetian lawgiver of Veronese or of Titian; and beyond, through an open casement, the silvery, watery, sun-swept landscape that was still the same as when Romeo came, banished, to Mantua. All these had remained impressed upon his mind by the tragedy which there came to its close as a lover, passionate as Romeo and yet ...
— Wisdom, Wit, and Pathos of Ouida - Selected from the Works of Ouida • Ouida
... white, securely moving hands, which seemed to express their potential genius in every deft and delicate gesture, she took up and cut open and unfolded her letters, pausing between them now and then to tweak off and eat a grape as large as a plum from the bunch lying on its leaves in a Veronese-like ...
— Tante • Anne Douglas Sedgwick
... multiplying indefinitely was lost when it ceased to be of use.... John Hunter, supported by his experiments on anabiosis, hoped to prolong the life of man indefinitely by alternate freezing and thawing; and the Veronese Colonel Aless. Guaguino made his contemporaries believe that a race of men existed in Russia, of which the individuals died regularly every year on the 27th of November, and returned to life on the 24th of the following April. There cannot however ...
— The Belief in Immortality and the Worship of the Dead, Volume I (of 3) • Sir James George Frazer
... glasses he gave a rapid and impatient glance at the works that adorned the walls. None of them could charm the numismatist's heart. After he had enjoyed the pleasure of proving how feeble in comparison were the charms of a Titian or a Veronese, then only did M. Charnot walk step by step to the first case and bend ...
— The Ink-Stain, Complete • Rene Bazin
... reflects with playful wit and skepticism the splendid luxury and joy of living in Renaissance court life. The care with which he chiselled each line proves that his real seriousness and conscience lay in his artistic purpose. Without Ariosto's wit, Paolo Veronese depicted a similar side in painting, though his Venetian birthright made him celebrate the glory of the Republic. Poet and painter alike expressed far more than either could know. If such a test be applied ...
— Thoughts on Art and Life • Leonardo da Vinci
... figures will prove this. It contains more than two thousand pictures already catalogued,—all of them worth a place on the walls. Among these there are ten by Raphael, forty-three by Titian, thirty-four by Tintoret, twenty-five by Paul Veronese. Rubens has the enormous contingent of sixty-four. Of Teniers, whose works are sold for fabulous sums for the square inch, this extraordinary museum possesses no less than sixty finished pictures,—the ...
— Castilian Days • John Hay
... now Peschiera, at the conflux of the lake and river; ascertains the villa of Catullus, in the delightful peninsula of Sirmio, and discovers the Andes of Virgil, in the village of Bandes, precisely situate, qua se subducere colles incipiunt, where the Veronese hills imperceptibly slope down into the plain of Mantua. * Note: Gibbon has made a singular mistake: the Mincius flows out of the Bonacus at Peschiera, not into it. The interview is likewise placed at Ponte Molino. and at Governolo, at the conflux of the Mincio and the Gonzaga. bishop of Mantua, ...
— The History of The Decline and Fall of the Roman Empire - Volume 3 • Edward Gibbon
... Senator Pisani. This was intended for an exterior decoration of his palace; but when it was done Pisani considered it worthy of a place in his gallery, already famous on account of the painting of Darius and his Family, by Paul Veronese, and other fine works. This may be called Canova's last work in Venice, as he went to Rome ...
— A History of Art for Beginners and Students - Painting, Sculpture, Architecture • Clara Erskine Clement
... until straight before him the mighty wall of the Alps rose, as if to bar his further progress. But through the great hill-rifts stretched the fair valley of the Adige; and from Verona, city of palaces, to red-walled Trent, the boy and his Veronese escort hurried on along the banks of the swift-flowing river. Midway between the two cities, his escort turned back; and with but a handful of followers the young monarch demanded admittance at the gates of the old Roman town, which, ...
— Historic Boys - Their Endeavours, Their Achievements, and Their Times • Elbridge Streeter Brooks
... amatory adventures of which half the charm consists in prattling and poetizing about the mysteries of love, the delightful life of youth with full cups and empty purses, the pleasures of travel and of poetry, the Roman and still more frequently the Veronese anecdote of the town, and the humorous jest amidst the familiar circle of friends. But not only does Apollo touch the lyre of the poet, he wields also the bow; the winged dart of sarcasm spares neither the tedious verse-maker nor the provincial who corrupts the language, but it hits ...
— The History of Rome (Volumes 1-5) • Theodor Mommsen
... natural effects. Of the "empasto," so much spoken of by connoisseurs, he is an admirer. He directs that the "colours which compose the empasto" should be perfectly well ground, and the ground perfectly smoothed. Yet this was not always the case in the empasto of Paul Veronese, whose empasto was often of a broken and mortary surface; and it would appear, from an examination of such parts of his pictures, as if he had purposely used water with his oil-paint, which would have the effect of slightly separating the particles, ...
— Blackwood's Edinburgh Magazine, Volume 58, Number 360, October 1845 • Various
... was most highly Entertained in viewing the Great Gallery of the Louvre, & yet you will, I am sure, think my taste very deficient when I tell you that I do not admire the finest pictures of Raphael, Titian, Guido, and Paul Veronese, so much as I do those of Rubens, Vandyck, & le Brun, nor the landscapes of Claude and Poussin so much as Vernet's. Rembrandt, Gerard Dow & his pupils Mieris and Metsu please me more than any other artists. In the whole Collection they have but one of Salvator's, but that one, I think, is preferable ...
— Before and after Waterloo - Letters from Edward Stanley, sometime Bishop of Norwich (1802;1814;1814) • Edward Stanley
... Disagreeable Girl being everywhere, Shaw, dealer in human character, cannot write a play and leave her out, any more than the artist Turner could paint a picture and leave man out, or Paul Veronese produce a canvas and ...
— Love, Life & Work • Elbert Hubbard
... shades which are seen when the sunlight is only reflected under the clear blue sky and between the high palaces. Therefore, you often think that you see, for instance, groups of gondoliers on the Piazzetta in gay silvery notes, as in any painting by Paolo Veronese; and in the warm daylight in the great, gorgeous halls of the Palazzo Ducale there are still figures walking about in a colour as golden and fresh as if they were ...
— The Mind of the Artist - Thoughts and Sayings of Painters and Sculptors on Their Art • Various
... of "this evening" well enough. For my adored Dorothy was all romance, and by preference granted me rendezvous in the back garden, where she would tantalize me nightly, from her balcony, after the example of the Veronese lady in Shakespeare's spirited tragedy, which she prodigiously admired. As concerns myself, a reasonable liking for romance had been of late somewhat tempered by the inclemency of the weather and the obvious unfriendliness of the dog; but there is no resisting a lady's commands; ...
— Gallantry - Dizain des Fetes Galantes • James Branch Cabell
... Renaissance theatre like Paris. The impression remains that Geneva is outwardly a small moralized Bostonian Paris; and I suppose the reader knows that it has had its political rings and bosses like New York. It also has an exact reproduction of the Veronese tombs of the Scaligeri, which the eccentric Duke of Brunswick, who died in Geneva, willed it the money to build; like most fac-similes, they are easily distinguishable from the original, and you must still go to Verona to see the tombs of the ...
— A Little Swiss Sojourn • W. D. Howells
... Romans availed themselves to a great degree. On the other hand, this looseness of arrangement, and what may be termed ornamental, not only spread through Germany, but infected the schools of Venice; witness the works of Tintoret and Paul Veronese, in which the expression of the countenance absolutely goes for nothing, and the whole arrangement is drawn out in a picturesque point of view, merely to amuse and gratify the eye ...
— Rembrandt and His Works • John Burnet
... peremptorily forbidden to use actual solidities on a plane surface. He must represent gold by colour, not by sticking gold on his fIgures. [This was done with naivete by the early painters, and is really very effective in the pictures of Gentile da Fabriano—that Paul Veronese of the fifteenth century—as the reader will confess if he has seen the "Adoration of the Magi," in the Florence Academy; but it could not be tolerated now]. Our applause is greatly determined by our sense of difficulty overcome, and to stick gold on a picture ...
— The Principles of Success in Literature • George Henry Lewes
... "Titian, Veronese, Tintoretto," she said over and over again, as she looked at the pictures which Rafael pointed out to her in the long rooms. "If I find more of their paintings in other cities of Italy, it will ...
— Rafael in Italy - A Geographical Reader • Etta Blaisdell McDonald
... VERONESE (Paul): noted for his great want of historical correctness and elegance of design; but he abounds in spirited banquets, sumptuous edifices, brilliant aerial spectres, magnificent robes, ...
— Character Sketches of Romance, Fiction and the Drama - A Revised American Edition of the Reader's Handbook, Vol. 3 • E. Cobham Brewer
... to discern, and show; that they have discerned and shown; and all their greatness is first fastened in their aim at this central truth—the open expression of the living human soul. Lastly, take Veronese's "Marriage in Cana" in the Louvre. There you have the most perfect representation possible of colour, and light, and shade, as they affect the external aspect of the human form, and its immediate accessories, architecture, furniture, ...
— The Two Paths • John Ruskin
... created by Shakespeare. The play is all Hamlet: the other personages are mere occasions for his presence and means of his development. But Polonius is something the same kind of man as old Capulet in "Romeo and Juliet;" and although there were opportunities enough for the noble Veronese father to utter sententiously the knowledge of the world which he had gained by living in it, see how comparatively meagre and superficial his "wise saws" are compared with the counsel that Polonius gives to his son and to his daughter, and to the King and Queen; ...
— The Galaxy - Vol. 23, No. 1 • Various
... are four points chiefly to be remarked. The first, that in the year 1759 the Italian painters were, in our author's opinion, sunk in the very bathos of insipidity. The second, that the Venetian painters, i.e. Titian, Tintoret, and Veronese, are, in our author's opinion, to be classed with the Dutch; that is to say, are painters in a style "in which the slowest intellect is always sure to succeed best." Thirdly, that painting naturally is not a difficult thing, nor one on which a painter should pride himself. ...
— Selections From the Works of John Ruskin • John Ruskin
... confused materials out of which habitable worlds are evolved. It is too late now to be sensitive over this unsuccessful attempt as a story and unconscious success as a self-portraiture. The first sketches of Paul Veronese, the first patterns of the Gobelin tapestry, are not to be criticised for the sake of pointing out their inevitable and too manifest imperfections. They are to be carefully studied as the earliest efforts ...
— Memoir of John Lothrop Motley, Complete • Oliver Wendell Holmes, Sr.
... Feast in the House of Simon," now in the Dublin Gallery—belongs approximately to this period. It is a most beautiful representation of the scene, and is treated somewhat in the gay manner of Bonifazio or Paolo Veronese. At a long table, crowded with guests, Christ sits, with His Mother on His right hand, the master of the feast being conspicuous in the middle. Over Christ's head, the Magdalen, a charming and graceful figure, pours the ointment, and on the left of the table Judas, with expressive ...
— Luca Signorelli • Maud Cruttwell
... great master are well shown,—and one of the finest existing pictures of Perugino, the three lower and principal compartments of an altarpiece painted for the Certosa at Pavia. We know, indeed, no work by the master of Raphael to be set above this. Two of the best pictures of Paul Veronese have also just been added ...
— Atlantic Monthly, Vol. 1, No. 6, April, 1858 • Various
... quadrangle of the convent, surrounded by a cloister supported on Ionic pillars, beautifully proportioned. A flight of stairs opens into the court, adorned with balustrades and pedestals, sculptured with elegance truly Grecian. This brought me to the refectory, where the chef-d'oeuvre of Paul Veronese, representing the marriage of Cana in Galilee, was the first object that presented itself. I never beheld so gorgeous a group of wedding garments before; there is every variety of fold and plait that can possibly be imagined. The attitudes and countenances are more uniform, and the guests ...
— Dreams, Waking Thoughts, and Incidents • William Beckford
... picture-gallery made a magnificent ball-room—a polished floor of dark wood—a narrow line of light under the projecting cornice, the famous Paul Veronese, the world-renowned Rubens, the adorable Titian—ideal beauty looking down with art's eternal tranquillity upon the whisk and whirl of actual life—here a calm Madonna, contemplating, with deep unfathomable eyes, these brief ephemera of a night—there Judith with a white muscular arm holding ...
— Vixen, Volume I. • M. E. Braddon
... a thousandfold from the works of Veronese, and of every succeeding painter,—that the fifteenth century had taken away ...
— The Stones of Venice, Volume I (of 3) • John Ruskin
... Flora MacIvor (whom even we forgive for her Jacobitism), the fierce Vich Ian Vohr, and Evan Dhu, constant in death, and Davie Gellatly roasting his eggs or turning his rhymes with restless volubility, and the two stag-hounds that met Waverley, as fine as ever Titian painted, or Paul Veronese:—then there is old Balfour of Burley, brandishing his sword and his Bible with fire-eyed fury, trying a fall with the insolent, gigantic Bothwell at the 'Change-house, and vanquishing him at the noble battle of Loudon-hill; there is Bothwell himself, drawn to the life, proud, cruel, selfish, ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... quality; one soft and veiled. The bright, strident hues of purple and gold in a picture may produce a masterpiece of gorgeous colouring; so, in a different manner, may the harmonious juxtaposition of greys, lilacs and browns on a canvas by Veronese, Rubens, or Delacroix. ...
— Style in Singing • W. E. Haslam
... voluptuous coloring; it had not become so banal as any of the French Louis'. And so Arabella had been instructed to drum into her head the names of the geniuses of that time, and their works, and she could now babble sweetly all about Giorgione, Paolo Veronese and Titian's later works without making a single mistake. And while the pictures bored her unspeakably, she took a deep pleasure in her own cleverness about them, and delighted in tracing the influence Paolo Veronese must have had upon Boucher, a hint from ...
— Halcyone • Elinor Glyn
... the festival air in "Romeo." Oh! the solo of the clarionets, the beloved women, with the harp accompaniment! Something enrapturing, something white as snow which ascends! The festival bursts upon you, like a picture by Paul Veronese, with the tumultuous magnificence of the "Marriage of Cana"; and then the love-song begins again, oh, how softly! Oh! always ...
— His Masterpiece • Emile Zola
... sometimes succeeded. I recollect one which still makes me laugh. No person would suspect it was to me, the lovers of the theatre at Paris, owe Coralline and her sister Camille, nothing however, can be more true. Veronese, their father, had engaged himself with his children in the Italian company, and after having received two thousand livres for the expenses of his journey, instead of setting out for France, quietly ...
— The Confessions of J. J. Rousseau, Complete • Jean Jacques Rousseau
... did, he wishes it to be taken as a report of something seen. This is as different from wishing to deceive the eye as for some one to say "and then a dog barked," instead of imitating the barking of a dog. A circumstantial description in words and a picture by Van Eyck or Veronese are equally intended to pass as reports of something visually conceived or actually seen. Pictures would have to be made peep-shows of before they could veritably deceive; and Jan Van Beers, a modern Dutchman, actually turned some of his paintings into peep-shows. Duerer in the ...
— Albert Durer • T. Sturge Moore
... on art for children (1907). Contains sketches of eighteen Italian painters from Giotto to Paul Veronese, based on Vasari, and attractively written. Sixteen color and eight black and white reproductions. NEW YORK ...
— A Mother's List of Books for Children • Gertrude Weld Arnold
... influence can always be desirable, we are far from thinking: but that it may exist we believe is just as certain as any of the incomprehensible laws of our wayward and yet admirable nature. We have no Veronese tale to relate here, however, but simply a homely legend, in which human feeling may occasionally be made to bear an humble resemblance to that world-renowned picture which had its scenes in the beautiful capital of ...
— Oak Openings • James Fenimore Cooper
... judicious eye with a strong resemblance of Paul Veronese: he has all the vivacity and ease of that great painter, and fully equals him in his fancy for the singular and the shining in his draperies; but, as he shares his beauties, he is not without his faults. ...
— The Mirror of Taste, and Dramatic Censor, Vol. I, No. 5, May 1810 • Various
... enslaves Pisa because she needs a way to the sea. Siena and Perugia, upon their inland altitudes, consume themselves in brilliant but unavailing efforts to expand. Milan engulfs the lesser towns of Lombardy. Verona absorbs Padua and Treviso. Venice extends dominion over the Friuli and the Veronese conquests. Strife and covetousness reign from the Alps to the Ionian Sea. But it is a strife of living energies, the covetousness of impassioned and puissant units. Italy as a whole is almost invisible to the student by reason of the many-sided, combative, ...
— Renaissance in Italy, Volume 1 (of 7) • John Addington Symonds
... young actress, I would not ask to go back to those days of primitive costuming. In Shakespere's day there appeared over a "drop," or curtain of green, a legend plainly stating, "This is a street in Verona," and every man with an imagination straightway saw the Veronese street to his complete satisfaction; but there were those who had no imagination, and to hold their attention and to keep their patronage, scenes had to be painted for them. One would not like to see a woman draped in ...
— Stage Confidences • Clara Morris
... mere soul while the body and the bodily senses sleep, or wake with convulsed intensity at the prompting of imaginative love; but rather the great primary passions under broad daylight as of the pagan Veronese. This simplification interests us, not merely for the sake of an individual poet—full of charm as he is—but chiefly because it explains through him a transition which, under many forms, is one law of the life of the human spirit, and of which what we call the Renaissance ...
— Aesthetic Poetry • Walter Horatio Pater
... 1898, critical battles are still fought over the artistic merits of Puvis de Chavannes. Whether you agree with Huysmans and call this mural painter a pasticheur of the Italian Primitives, or else the greatest artist in decoration since Paolo Veronese, depends much on your critical temperament. There are many to whom Henri Martin's gorgeous colour—really the methods of Monet applied to vast spaces—or the blazing originality of Albert Besnard make more intimate appeal than the pallid poetry, solemn rhythms, and faded moonlit tonal gamut of ...
— Ivory Apes and Peacocks • James Huneker
... be at Paris? What have you been doing? The drawing you sent me was very pretty. So you don't like Raphael! Well, I am his inveterate admirer: and say, with as little affectation as I can, that his worst scrap fills my head more than all Rubens and Paul Veronese together—"the mind, the mind, Master Shallow!" You think this cant, I dare say: but I say it truly, indeed. Raphael's are the only pictures that cannot be described: no one can get words to describe their perfection. Next to him, I retreat to the Gothic imagination, ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... not say I shall be very happy to hear from you during your sojournment abroad. Especially tell me what your impressions are when you turn from David's picture with Romulus and Tatius in the foreground, and Paul Veronese's Marriage at Cana directly opposite, at the entrance of the picture ...
— Samuel F. B. Morse, His Letters and Journals - In Two Volumes, Volume I. • Samuel F. B. Morse
... Rembrandt, Velasquez, Veronese, Da Vinci, Botticelli, Signorelli—the older the better; and tried my best to honestly feel the greatness I knew and know to be there; but for want of proper training I was unable to reach those heights, and, like most outsiders, ...
— Peter Ibbetson • George du Marier et al
... route ensiemble...." I will translate: "I call myself Carlo Veronese—first barytone of the theatre of La Scala, Milan. The signora is my second wife; she is prima donna assoluta of the grand opera, Naples. The little ragazza is my daughter by my first wife. She is the greatest violinist of her age now living—un' ...
— The Martian • George Du Maurier
... apartments contain a rich museum filled with almost priceless relics of the olden time. Here are also valuable paintings and other works of art, among them Vandyck's portrait of Charles I. and many masterpieces of Rembrandt, Paul Veronese, Leonardo da Vinci, Rubens, Holbein, and Salvator Rosa. In December, 1871, the great hall and suite of private apartments at Warwick were burnt, but the valuable contents were almost all saved with little injury. The castle ...
— England, Picturesque and Descriptive - A Reminiscence of Foreign Travel • Joel Cook
... majesty of the draperies of Paul Veronese; but we are touched with the simplicity of Raphael, and ...
— The History of Emily Montague • Frances Brooke
... suffering. The seasons come and go in glad or saddening pageant, and with winged or leaden feet the years pass by before them. They have their youth and their manhood, they are children, and they grow old. It is always dawn for St. Helena, as Veronese saw her at the window. Through the still morning air the angels bring her the symbol of God's pain. The cool breezes of the morning lift the gilt threads from her brow. On that little hill by the city of Florence, where the lovers of Giorgione ...
— Selected Prose of Oscar Wilde - with a Preface by Robert Ross • Oscar Wilde
... one might be mistaken for another, and at times studied and copied each other. Andrea del Sarto's copy of Raphael's Leo Tenth passed undetected even by Giulio Romano, who had himself worked on the latter. Rubens and Velasquez imitated and copied the great Italian masters, particularly Paul Veronese and Titian; the Caracci and their followers multiplied Correggios, Raphaels, and the chief Venetians; Girolamo da Carpi of Ferrara the same; and all with a degree of success that has greatly perplexed ...
— Atlantic Monthly Volume 6, No. 37, November, 1860 • Various |
