"Veronese" Quotes from Famous Books
 ... we might truly say, as those which give shape and order to the confused materials out of which habitable worlds are evolved. It is too late now to be sensitive over this unsuccessful attempt as a story and unconscious success as a self-portraiture. The first sketches of Paul Veronese, the first patterns of the Gobelin tapestry, are not to be criticised for the sake of pointing out their inevitable and too manifest imperfections. They are to be carefully studied as the earliest efforts of the hand which painted the Marriage at Cana, of ...
— Memoir of John Lothrop Motley, Complete • Oliver Wendell Holmes, Sr.
... thoroughly as Jan Van Eyck did, he wishes it to be taken as a report of something seen. This is as different from wishing to deceive the eye as for some one to say "and then a dog barked," instead of imitating the barking of a dog. A circumstantial description in words and a picture by Van Eyck or Veronese are equally intended to pass as reports of something visually conceived or actually seen. Pictures would have to be made peep-shows of before they could veritably deceive; and Jan Van Beers, a modern Dutchman, actually turned some ...
— Albert Durer • T. Sturge Moore
... tried to discern, and show; that they have discerned and shown; and all their greatness is first fastened in their aim at this central truth—the open expression of the living human soul. Lastly, take Veronese's "Marriage in Cana" in the Louvre. There you have the most perfect representation possible of colour, and light, and shade, as they affect the external aspect of the human form, and its immediate accessories, architecture, ...
— The Two Paths • John Ruskin
... brilliant.... In speech there are several colours—a bright, ringing quality; one soft and veiled. The bright, strident hues of purple and gold in a picture may produce a masterpiece of gorgeous colouring; so, in a different manner, may the harmonious juxtaposition of greys, lilacs and browns on a canvas by Veronese, ...
— Style in Singing • W. E. Haslam
... It is blue. And how finely her head is joined on to her shoulders!"—And he waves in the air an imaginary line with his cigar. "She would do for Judith, wouldn't she? Or how grand she would look as Herodias's daughter sweeping down a stair—in a great dress of cloth-of-gold like Paul Veronese—holding a charger before her with white arms, you know—with the muscles accented like that glorious Diana at Paris—a savage smile on her face and a ghastly solemn gory head on the dish. I see the picture, sir, ...
— The Newcomes • William Makepeace Thackeray
... to develop, and he was tireless in reinforcing his own great powers by profound and careful study of great authors, besides working perpetually to discover the secrets of the splendid paintings of Raphael, Velasquez, Veronese, and, above all, Rubens. It was his habit to spend whole days at the Jardin des Plantes, watching the animals, observing their postures and movements, aiming to pluck the heart out of the mystery of each organization. In 1828 he went ...
— Lippincott's Magazine, November 1885 • Various
... Marseilles, both of them much larger and wealthier cities than Dublin. Leaving out the Three Maries of Perugino at Marseilles, and at Lyons the Ascension, which was once the glory of San Pietro di Perugia, the Moses of Paul Veronese, and Palma Giovanni's Flagellation, these two galleries put together cannot match Dublin with its Jan Steen, most characteristic without being coarse, its Terburg, a life-size portrait of the painter's favourite model, a young Flemish ...
— Ireland Under Coercion (2nd ed.) (1 of 2) (1888) • William Henry Hurlbert
... interesting of Sidney's portraits is unfortunately lost. He sat for it while in Italy, at the request of his friend, and chose no mean artist to paint it: "As soon as ever I return to Venice, I will have it done, either by Paul Veronese or by Tintoretto, who hold by far the highest place in the art." He decided for Veronese, and sent the picture to Languet, who wrote shortly after: "As long as I enjoyed the sight of you, I made no great account of the portrait you gave me, and scarcely thanked you for so beautiful ...
— The English Novel in the Time of Shakespeare • J. J. Jusserand
... censured Eustace for bad taste in talking over his case with his lawyer in public. He laughed, and assured her that he had never even thought of his suit, but had been discussing one of the pictures on the walls, a fine Veronese—appealing to me if it were not so; but she was not satisfied; she said he should not have encouraged the presumption of that little advocate by ...
— Stray Pearls • Charlotte M. Yonge
... of 125 feet. Within the porch is a beautiful marble group of the dead Christ, supported by an angel. The pictures inside are exceptionally valuable and beautiful, including paintings by Vandyke, Murillo, Carlo Dolci, Paul Veronese (attributed), and many others. On the opposite side of the street Messrs. Crosse and Blackwell's factory also covers a house owning historical associations. No. 21 was the "White House," and 22, "Falconberg House," in former times. The latter was the residence ...
— The Strand District - The Fascination of London • Sir Walter Besant
... as Nicholas Jenson and the Aldi, who were scholars too, made Venice renowned for it. Journalism, which is the accident of business and crowded populations, in great perfection. Venice got as far as Titian and Paul Veronese and Tintoretto,—great colorists, mark you, magnificent on the flesh-and-blood side of Art,—but look over to Florence and see who lie in Santa Croce, and ask out of whose ...
— Atlantic Monthly, Vol. 3, No. 18, April, 1859 - [Date last updated: August 7, 2005] • Various
... distinguished audience. The chief point on which he dwelt was the absolute unity of all the arts and, in order to convey this idea, he framed a definition wide enough to include Shakespeare's King Lear and Michael Angelo's Creation, Paul Veronese's picture of Alexander and Darius, and Gibbon's description of the entry of Heliogabalus into Rome. All these he regarded as so many expressions of man's thoughts and emotions on fine things, conveyed ...
— Miscellanies • Oscar Wilde
... will prove this. It contains more than two thousand pictures already catalogued,—all of them worth a place on the walls. Among these there are ten by Raphael, forty-three by Titian, thirty-four by Tintoret, twenty-five by Paul Veronese. Rubens has the enormous contingent of sixty-four. Of Teniers, whose works are sold for fabulous sums for the square inch, this extraordinary museum possesses no less than sixty finished pictures,—the Louvre considers itself rich with ...
— Castilian Days • John Hay
... landscape, history, and anatomical drawing may be traced in Paolo Uccello, Dello Delli, Piero di Cosimo, Pinturicchio, the Pollajuoli, and Luca Signorelli. Here also is Gentile da Fabriano. Venice gives us G. Bellini, M. Basaiti, Giorgione, and Paul Veronese. And of the later Sienese, there are Sodoma, Matteo da Siena, and Beccafumi. The list includes, also, Domenichino, Sebastian del Piombo, Guido, Salvator Rosa, ...
— Atlantic Monthly, Vol. VI.,October, 1860.—No. XXXVI. - A Magazine Of Literature, Art, And Politics • Various
... galleries; because in numbers not so large as to distract attention or confuse the eye. "There are portraits innumerable by Titian, Rubens, Rembrandt and Vandyke; heads by Guido, and Domenichino, and Carlo Dolci; subjects by Raphael, and Correggio, and Murillo, and Paul Veronese, and Salvator; which it would be difficult indeed to praise too highly, or to praise enough. It is a happiness to me to think that they cannot be felt, as they should be felt, by the profound connoisseurs who fall into fits upon the longest notice and ...
— The Life of Charles Dickens, Vol. I-III, Complete • John Forster
... find the source which the French artists and men of letters have studied with such predilection. First in order are the Italian medals of the fifteenth and sixteenth centuries, chiefly by the famous Victor Pisano, a Veronese, whom Nasari has so much lauded. The scholars and imitators of Pisano also produced works as interesting as historical documents as they are admirable in workmanship. Here also will be found the French and English seals, in which the balance of skill in design ...
— The International Weekly Miscellany, Volume I. No. 9. - Of Literature, Art, and Science, August 26, 1850 • Various
... first time realised. It was an era of maritime enterprise; the world was circumnavigated, and new ideas streamed in from each newly-visited region. It was pre-eminently the period of art. Leonardo da Vinci and Raphael had just passed away, but Michael Angelo, Titian, Tintoretto, and Paul Veronese were still living, freeing men's spirits by the productions of their pencil from formal fancies and conventional fetters, and sending them back to the fresh teaching of Nature. The art of printing was giving a new birth ...
— Roman Mosaics - Or, Studies in Rome and Its Neighbourhood • Hugh Macmillan
... Titian, Rembrandt, Velasquez, Veronese, Da Vinci, Botticelli, Signorelli—the older the better; and tried my best to honestly feel the greatness I knew and know to be there; but for want of proper training I was unable to reach those heights, and, like most outsiders, admired them for the wrong things, for the very ...
— Peter Ibbetson • George du Marier et al
... an Italian greyhound. She seems very fond of her husband, who is amiable and accomplished; he has been in England two or three times, and is young. The sister, a Countess somebody—I forget what—(they are both Maffei by birth, and Veronese of course)—is a lady of more display; she sings and plays divinely; but I thought she was a d——d long time about it. Her likeness to Madame Flahaut (Miss Mercer that was) is ...
— Life of Lord Byron, Vol. IV - With His Letters and Journals • Thomas Moore
... keeping as possible. The pictures consisted of photographs or engravings of sacred subjects, all of Roman Catholic origin. There was a "Virgin and Child," by Botticelli, and another by Perugini; "Our Lady of the Cat," by Baroccio; the exquisite "Vision of St. Helena," by Paolo Veronese; Correggio's "Ecce Homo"; and others less well-known; with a ghastly Crucifixion too painful to be endured, especially by a young girl, had not custom dulled all genuine perception of the horror of it. The whole effect, however, was a delicious impression ...
— The Heavenly Twins • Madame Sarah Grand
... be accumulated a thousandfold from the works of Veronese, and of every succeeding painter,—that the fifteenth century had taken away ...
— Stones of Venice [introductions] • John Ruskin
... Renaissance millionaires could be vulgar and brutal, but they were great gentlemen. They were neither illiterate cads nor meddlesome puritans, nor even saviours of society. Yet, if we are to understand the amazing popularity of Titian's and of Veronese's women, we must take note of their niceness to kiss and obvious willingness to be kissed. That beauty for which can be substituted the word "desirableness," and that insignificant beauty which is the beauty of gems, were in great demand. Imitation was wanted, too; for if pictures ...
— Art • Clive Bell
... in statues is necessarily vulgar, does not seem admissible. It would be quite as just to condemn the paintings on a colossal scale in which Tintoretto and Veronese so nobly manifested their exceptional powers. The size of a work of art per se is an indifferent matter. Mere bigness or mere littleness decides nothing. But a colossal work has its conditions of being: it must conform to certain laws. It must be executed in a large ...
— The Bay State Monthly - Volume 2, Issue 3, December, 1884 • Various
... with a strong resemblance of Paul Veronese: he has all the vivacity and ease of that great painter, and fully equals him in his fancy for the singular and the shining in his draperies; but, as he shares his beauties, he is not without his faults. His composition ...
— The Mirror of Taste, and Dramatic Censor, Vol. I, No. 5, May 1810 • Various
... glory. Judith struggles between her unexpected love for the dynamic general and the resolve to destroy him that brought her there. In either type of scene, the first gray and silver, the other painted with Paul Veronese splendor, Judith moves with a delicate deliberation. Over her face the emotions play like winds on a meadow lake. Holofernes is the composite picture of all the Biblical heathen chieftains. His every action breathes power. He is an Assyrian bull, a winged lion, and a god at the same time, and ...
— The Art Of The Moving Picture • Vachel Lindsay
... cloister supported on Ionic pillars, beautifully proportioned. A flight of stairs opens into the court, adorned with balustrades and pedestals, sculptured with elegance truly Grecian. This brought me to the refectory, where the chef-d'oeuvre of Paul Veronese, representing the marriage of Cana in Galilee, was the first object that presented itself. I never beheld so gorgeous a group of wedding garments before; there is every variety of fold and plait that can possibly be imagined. The attitudes and countenances are more uniform, and ...
— Dreams, Waking Thoughts, and Incidents • William Beckford
... marrying his niece, Mariana of Austria. She had been affianced to the Infante Don Balthasar Carlos, but he had been dead for three years, and the Spanish throne was without an heir. Velazquez visited Genoa, Venice, Milan, and Padua, and brought back pictures by Veronese and Tintoretto. Rome and Naples were revisited, and the famous portrait of Pope Innocent X., of which one copy is in St. Petersburg, and the other in the Doria Palace in Rome, was painted. The former is a bust and a study; the latter is a three-quarter length, and is painted with ...
— Velazquez • S. L. Bensusan
... Charles Borromeo was making him a saint before he was canonized. Clad in the silk and velvet of Genoa, the young Englishman went to study geometry at Padua, where twenty years later Galileo would have been his teacher, and Sidney writes to Languet that he was perplexed whether to sit to Paul Veronese or to Tintoretto ...
— Literary and Social Essays • George William Curtis
... been in Florence; contemporaries of Giovanni Bellini (who, in his early years, worked in close companionship with Mantegna, his brother-in-law), as well as contemporaries of Titian and Tintoret. The painter Veronese, for instance, died a few years before Tintoret. For pomp and pageantry his great canvases are eminent. Standing in some room of the Doge's Palace, decorated entirely by his hand, we are carried back to the time ...
— The Book of Art for Young People • Agnes Conway
... of pleasure and of suffering. The seasons come and go in glad or saddening pageant, and with winged or leaden feet the years pass by before them. They have their youth and their manhood, they are children, and they grow old. It is always dawn for St. Helena, as Veronese saw her at the window. Through the still morning air the angels bring her the symbol of God's pain. The cool breezes of the morning lift the gilt threads from her brow. On that little hill by the city of Florence, where the lovers ...
— Intentions • Oscar Wilde
... which had brought him from Antwerp. How many gifted minds spoke to him from the noble works which were before him! The three Bellinis, the founders of the Venetian school; Giorgione, Titian, and Tintoretto. Then Paolo Veronese, who, though born at Verona, in 1537, adopted Venice as his home, and became the fellow-artist of Tintoretto, and the disciple of Titian. Pordenone, too, who viewed Titian as a rival and an enemy. Palma the young, and Palma the old, born in 1548, and the ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various
... he made any other attempt, hastened to the relief of Verona; and to counteract his design, Niccolo led his forces to Soave, a castle situated between the Vincentino and the Veronese, and entrenched himself by a ditch that extended from Soave to the marshes of the Adige. The count, finding his passage by the plain cut off, resolved to proceed by the mountains, and thus reach Verona, thinking Niccolo would imagine this way ...
— History Of Florence And Of The Affairs Of Italy - From The Earliest Times To The Death Of Lorenzo The Magnificent • Niccolo Machiavelli
... painter's ideal of earth as the portal to heaven. Certain spheres were beyond his ken. The marriage of Cana did not for him flow with the wine of gladness; he had no fellowship with the nuptial banquet as painted by Veronese. His pencil shunned the Song of Miriam and the Dance of the Daughter of Herodias; it could not pass, like the pen of England's epic poet, with a light fantastic touch from "Il Penseroso" to "L'Allegro;" his walk ...
— Overbeck • J. Beavington Atkinson
... noble pictures here by Giorgione, and Titian, and Tintoret, and Paul Veronese, and Bonifazio. Look at this Musical Party by Giorgione, this landscape by Titian, this portrait of the vile Duke of Alva by the same great master, the greatest master of all in portraiture. It is the Duke himself, not merely in his outward presence, but such as the insight of one as profoundly ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... sixteenth century. While in more than one branch of the painter's art he stood forth supreme and without a rival, in most others he remained second to none, alone in great pictorial decorations of the monumental order yielding the palm to his younger rivals Tintoretto and Paolo Veronese, who showed themselves more practised and more successfully daring in this ...
— The Earlier Work of Titian • Claude Phillips
... more natural effects. Of the "empasto," so much spoken of by connoisseurs, he is an admirer. He directs that the "colours which compose the empasto" should be perfectly well ground, and the ground perfectly smoothed. Yet this was not always the case in the empasto of Paul Veronese, whose empasto was often of a broken and mortary surface; and it would appear, from an examination of such parts of his pictures, as if he had purposely used water with his oil-paint, which would have the effect of ...
— Blackwood's Edinburgh Magazine, Volume 58, Number 360, October 1845 • Various
... admitting that Samanon was human). In spite of himself, Lucien shuddered at the sight of the dried-up little old creature, whose bones seemed to be cutting a leather skin, spotted with all sorts of little green and yellow patches, like a portrait by Titian or Veronese when you look at it closely. One of Samanon's eyes was fixed and glassy, the other lively and bright; he seemed to keep that dead eye for the bill-discounting part of his profession, and the other for the trade in the pornographic curiosities upstairs. A few stray white hairs escaping from under ...
— A Distinguished Provincial at Paris • Honore de Balzac
... Meyerburg's bedroom a great arched ceiling, after the narrative manner of Paolo Veronese, lent such vastness to the apartment that moving across it, or sitting in her great overstuffed armchair beside a window, she hardly struck a note. Great wealth lay in canopied silence over that room. A rug out of Persia, so large that countless extra years and countless ...
— Every Soul Hath Its Song • Fannie Hurst
... by Veronese, with her shining, fair hair, which looked as though it had given part of its color to her skin, the creamy skin of a high-born girl, hardly tinted with pink and shaded by a soft velvety down, which could ...
— The works of Guy de Maupassant, Vol. 5 (of 8) - Une Vie and Other Stories • Guy de Maupassant 1850-1893
... one side, the fashion of calling irresolute and undecided tints "art" colours; and, on the other hand, the garishness of our modern exhibitions compared with galleries of old paintings. For Titian's burning scarlet and crimson and palpitating blue; and Veronese's gold and green and white and rose are certainly not "art colours"; and I think we must feel the justice and truth of Ruskin's words spoken regarding a ...
— Stained Glass Work - A text-book for students and workers in glass • C. W. Whall
... entered young into the service of the Gonzaga lords of Mantua, receiving from them a salary of thirty pounds a year and a piece of land, on which the painter built a house, and painted it within and without—the latter one of the first examples of artistic waste, followed later by Tintoret and Veronese, regardless of the fact that painting could not survive in the open air ...
— The Old Masters and Their Pictures - For the Use of Schools and Learners in Art • Sarah Tytler
... illusion, no experiences of mere soul while the body and the bodily senses sleep, or wake with convulsed intensity at the prompting of imaginative love; but rather the great primary passions under broad daylight as of the pagan Veronese. This simplification interests us, not merely for the sake of an individual poet—full of charm as he is—but chiefly because it explains through him a transition which, under many forms, is one law of the life of the human spirit, and of which what we call ...
— Aesthetic Poetry • Walter Horatio Pater
... chloride of antimony. It was known to Basil Valentine, and was used medicinally by the Veronese physician Victor Algarotus about the end of the 16th century. Its composition is probably Sb4O5Cl2, and it may be prepared by the addition of much water to a solution of antimony chloride; a bulky amorphous ...
— Project Gutenberg Encyclopedia
... Called on Madame Durazzo, and went with her and her niece, Madame Ferrari, to the King's palace, formerly a Durazzo palace. Like the others, a fine house, full of painting and gilding, and with a terrace of black and white marble commanding a view of the sea. The finest picture is a Paul Veronese of a Magdalen with our Saviour. The King and Queen sleep together, and on each side of the royal bed there is an assortment of ivory palms, crucifixes, boxes for holy water, and other spiritual ...
— The Greville Memoirs - A Journal of the Reigns of King George IV and King William - IV, Volume 1 (of 3) • Charles C. F. Greville
... commemorated by a monument in the style of the later Scaliger tomb at Verona, and from the designs of Frauel was erected the hexagonal Gothic pavilion, surmounted by an equestrian statue of the Duke, which is so well known to architects. The Veronese prototype of the monument is a tolerably insecure affair, but the modern imitation is still larger and heavier, and two years after its completion the substructure began to come to pieces. It was then clamped with metal, but water got into ...
— The American Architect and Building News, Vol. 27, No. 733, January 11, 1890 • Various
... Lily to get me an invitation? Of course it would never have occurred to Carry Fisher to put me on the list, and I should have been so sorry to miss seeing it all—and especially Lily herself. Some one told me the ceiling was by Veronese—you would know, of course, Lawrence. I suppose it's very beautiful, but his women are so dreadfully fat. Goddesses? Well, I can only say that if they'd been mortals and had to wear corsets, it would ...
— House of Mirth • Edith Wharton
... Deserving mention only for its notably negative character. None of the great Venetian painters, Tintoret, Titian, Veronese, Bellini, Giorgione, Bonifazio, ever introduce a ship if they can help it. They delight in ponderous architecture, in grass, flowers, blue mountains, skies, clouds, and gay dresses; nothing comes amiss to them but ships and the sea. When they are forced ...
— The Harbours of England • John Ruskin
... at Cana," by Paul Veronese, which is to be seen in a Benedictine convent in the Island of St. George, was in particular mentioned to us in high terms. Do not expect me to give you a description of this extraordinary work ...
— The Works of Frederich Schiller in English • Frederich Schiller
... Paris. The impression remains that Geneva is outwardly a small moralized Bostonian Paris; and I suppose the reader knows that it has had its political rings and bosses like New York. It also has an exact reproduction of the Veronese tombs of the Scaligeri, which the eccentric Duke of Brunswick, who died in Geneva, willed it the money to build; like most fac-similes, they are easily distinguishable from the original, and you must still go to Verona to see the tombs of the Scaligeri. But they have the real Mont Blanc at ...
— A Little Swiss Sojourn • W. D. Howells
... "Why not? Paul Veronese, too, has introduced his own portrait among those of his banqueters. What is your image there handing to the Electoral Prince ...
— The Youth of the Great Elector • L. Muhlbach
... Vohr, and Evan Dhu, constant in death, and Davie Gellatly roasting his eggs or turning his rhymes with restless volubility, and the two stag-hounds that met Waverley, as fine as ever Titian painted, or Paul Veronese:—then there is old Balfour of Burley, brandishing his sword and his Bible with fire-eyed fury, trying a fall with the insolent, gigantic Bothwell at the 'Change-house, and vanquishing him at the noble battle of Loudon-hill; there is Bothwell himself, drawn to the ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... catalogue in hand, among the less important pictures, while Uncle Dan amused himself with some old engravings, and then, having earned their reward, the two girls strolled back to the great saloons, where nothing less splendid than Tintoretto and Veronese makes its appeal to the conscience ...
— A Venetian June • Anna Fuller
... that is optically possible to be seen, is to be shown in every picture. The eye delightedly dwells upon the brilliant individualities in a "Marriage at Cana," by Veronese, or Titian, to the very texture and colour of the wedding garments, the ring glittering upon the bride's fingers, the metal and fashion of the wine pots; for at such seasons there is leisure and luxury to be curious. But in a "day of judgment," or in a "day of lesser horrors, yet ...
— The Works of Charles and Mary Lamb, Volume 2 • Charles Lamb
... painter's eye for color, the sculptor's sense of form, as well as the lover's honeyed tenderness, entered into the success of this charming tenor. His stage pictures looked as if they had stepped out of the canvases of Titian, Tintoretto, and Paul Veronese. In no way was the artistic completeness of his temperament more happily shown than in the harmonious and beautiful figure he presented in his various characters; for there was a touch of poetry and proportion in them far beyond the possibilities of the stage costumer's ...
— Great Singers, Second Series - Malibran To Titiens • George T. Ferris
... architecture, and the utmost profusion of rich furniture are to be seen here, disposed with the most elegant taste, and lavish magnificence. But I am charmed with nothing so much as the collection of pictures by the pencils of Raphael, Paulo Veronese, Titian, Caracci, Michael Angelo, Guido, and Corregio, which two I mention last as my particular favourites. I own, I can find no pleasure in objects of horror; and, in my opinion, the more naturally a crucifix is represented, the more disagreeable it is. ...
— Letters of the Right Honourable Lady M—y W—y M—e • Lady Mary Wortley Montague
... Dicky," I said, "unrequited affection is, doubtless, very trying, but you're too much of an advertisement. The Veronese are beginning to stare at you; their sorcerers will presently follow you about with their patent philters. Reform your personal appearance, or here, at the foot of this statue of Victor Emmanuel, I leave ...
— A Voyage of Consolation - (being in the nature of a sequel to the experiences of 'An - American girl in London') • Sara Jeannette Duncan
... Capri and the fantastically blue mountains of the coast, to Vesuvius lifting its torch above the plain—this prodigal response to fancy's claims suggested the boundless invention of some great scenic artist, some Olympian Veronese with sea and sky for a palette. And then the city itself, huddled between bay and mountains, and seething and bubbling like a Titan's cauldron! Here was life at its source, not checked, directed, utilised, but gushing forth uncontrollably through ...
— The Valley of Decision • Edith Wharton
... repainted—a Risen Christ with SS. Peter and Herniagoras. The fine frame was carved by Giovanni Pietro di Udine in 1500, and gilded two years later by Antonio de' Tironi of Bergamo. Before 1484 the floor was of beaten earth; at that time a pavement of red Veronese marble was commenced, completed in 1544. The aisles are at a slightly higher level than the nave. The Gothic roof was remade on the pattern of those of SS. Zeno and Fermo, Verona, in 1526 (signed Giuliano q Vivente of Udine), and ...
— The Shores of the Adriatic - The Austrian Side, The Kuestenlande, Istria, and Dalmatia • F. Hamilton Jackson
... content—nous ferons route ensiemble...." I will translate: "I call myself Carlo Veronese—first barytone of the theatre of La Scala, Milan. The signora is my second wife; she is prima donna assoluta of the grand opera, Naples. The little ragazza is my daughter by my first wife. She is the greatest violinist of her age ...
— The Martian • George Du Maurier
... kept: there it is opened, and shewn, and extolled beyond any limits fixed to the admiration of the beholder. It is a rare and bewitching piece of art, I do assure you: and so, raising your expectations to their highest pitch, I will allow you to anticipate whatever is wonderful in FRANCESCO VERONESE and gorgeous in GIROLAMO DEI LIBRI.[35] Perhaps, however, this is not the most happy illustration of the art which ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Two • Thomas Frognall Dibdin
... lads. But time will show. There is a youth in Venice, One Paul Cagliari, called the Veronese, Still a mere stripling, but of such rare promise That we must guard our ...
— The Complete Poetical Works of Henry Wadsworth Longfellow • Henry Wadsworth Longfellow
... Youth sits down to his plans, and at once orders begin to fly across ocean to this port and that for the rarest marbles—rosso antico from Mount Taenarus, verde antico from Thessally; with green Carystian, likewise shipped from Corinth; Carrara, Veronese Orange, Spanish broccatello, Derbyshire alabaster, black granite from Vyell's Cornish estate, red and purple porphyries from high up the Nile. . . . The Youth conjures up his gardens as by magic. ...
— Lady Good-for-Nothing • A. T. Quiller-Couch
... apartment. Above the rich and lofty mantelpiece hung one of the last portraits of himself painted by the venerable Titian, and on the dark pannels around were suspended portraits of great men and lovely women by the gifted hands of Giorgione, Paul Veronese, Paris Bordone, and Tintoretto. Regardless, however, of all around him, and almost breathless with eagerness and impatience, the student pursued his object, and with rapid and vigorous strokes had half completed his sketch—totally unconcious the while that some one had ...
— Blackwood's Edinburgh Magazine, No. 341, March, 1844, Vol. 55 • Various
... I shall be very happy to hear from you during your sojournment abroad. Especially tell me what your impressions are when you turn from David's picture with Romulus and Tatius in the foreground, and Paul Veronese's Marriage at Cana directly opposite, at the entrance of the picture ...
— Samuel F. B. Morse, His Letters and Journals - In Two Volumes, Volume I. • Samuel F. B. Morse
... archaeology to construct the Doge's palace upon the stage. By one rich pillar, by some projecting balustrade taken in conjunction with a moored gondola, we should strive to evoke the soul of the city of Veronese: by the magical and unequalled selection of a subtle and unexpected feature of a thought or aspect of a landscape, and not by the up-piling of extraneous detail, are all great poetic ...
— Confessions of a Young Man • George Moore
... indeed apply their wholly classic instincts to the detail and ornament of this alien style; and one is struck by the delicacy and self-restraint of, say, the Tuscan ones among the Scaliger tombs compared with the more picturesque looseness of genuine Veronese and Venetian Gothic sculpture. But the constructive, and, so to speak, space enclosing, principles of the great art of mediaeval France were even less understood by the Tuscan than by any other Italian builders; and, as the finest work of ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee
... 1572, between the institution of state inquisitors and the battle of Lepanto, between the accomplishment of internal despotism and the last of the great outward victories, that the brilliant productions of Venetian art appear. John Bellini was born in 1426, Giorgone died in 1511, Titian in 1578, Veronese in 1572 and Tintoretto in 1594. In this interval of one hundred and fifty years this warrior city, this mistress of the Mediterranean, this queen of commerce and of industry became a casino for masqueraders and a den ...
— Seeing Europe with Famous Authors, Volume 7 - Italy, Sicily, and Greece (Part One) • Various
... attraction of Madrid, and is principally composed of works by the Spanish masters, though also containing many other gems. Here we find forty-four examples of Murillo, sixty-four from Velasquez, sixty by Rubens, twenty-five from Paul Veronese, thirty-four from Tintoretto, and many from Andrea del Sarto, Titian, Vandyke, Goya, Ribera, and others of similar artistic fame, in such profusion as to be a constant source of surprise to the stranger. Here one is sure to meet, daily, intelligent Americans, ...
— Due West - or Round the World in Ten Months • Maturin Murray Ballou
... surface is one united race of mad motion; all the waves dragged, as I have described, into lines and furrows by their swiftness, and every one of these fine forms is drawn with the most studied chiaroscuro of delicate color, grays and greens, as silvery and pure as the finest passages of Paul Veronese, and with a refinement of execution which the eye strains itself in looking into. The rapidity and gigantic force of this torrent, the exquisite refinement of its color, and the vividness of foam which is obtained through a general ...
— Modern Painters Volume I (of V) • John Ruskin
... was in the North of Italy that it flourished most. The Paduan School has its fine representation in Mantegna's picture, already referred to; the Brescian, in Moretto's Madonna of S. Clemente; the Veronese, in Girolamo dai Libri's splendid altar piece in San Giorgio Maggiore; the Bergamesque, in Lotto's Madonna of S. Bartolommeo. Above all, it was in Venice, the Queen City of the Adriatic, that the enthroned Madonna reached the ...
— The Madonna in Art • Estelle M. Hurll
... enslaves Pisa because she needs a way to the sea. Siena and Perugia, upon their inland altitudes, consume themselves in brilliant but unavailing efforts to expand. Milan engulfs the lesser towns of Lombardy. Verona absorbs Padua and Treviso. Venice extends dominion over the Friuli and the Veronese conquests. Strife and covetousness reign from the Alps to the Ionian Sea. But it is a strife of living energies, the covetousness of impassioned and puissant units. Italy as a whole is almost invisible to the student by reason of the many-sided, combative, ...
— Renaissance in Italy, Volume 1 (of 7) • John Addington Symonds
... Pompeii. In "The Flame of Life" we have in superb rhetoric the most colored and ardent description of Venice to be found in all literature. Perhaps the finest passage he ever wrote is that account of the speech of the Master of Life in the Doge's Palace with its incomparable eulogy upon Veronese and its allusion to Pisanello's head ...
— One Hundred Best Books • John Cowper Powys
... do not believe; that connections formed under its influence can always be desirable, we are far from thinking: but that it may exist we believe is just as certain as any of the incomprehensible laws of our wayward and yet admirable nature. We have no Veronese tale to relate here, however, but simply a homely legend, in which human feeling may occasionally be made to bear an humble resemblance to that world-renowned picture which had its scenes in the beautiful capital of ...
— Oak Openings • James Fenimore Cooper
... was about three years ago, a picture which well exemplifies this ideal colouring. It was exhibited at the Institution; it was of a female saint to whom the infant Saviour appears, by P. Veronese. The very excellence of the colouring was in its natural unnaturalness; I say natural, because it was perfectly true to the mystic dream, the saintly vision; a more common natural would have ruined it. No one ever, it is true, saw such a sky—but in a gifted trance it is such as would alone be ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 385. November, 1847. • Various
... entirely by candles in the sconces that were part of the permanent decoration. But the many lights hardly penetrated into the great depths of the pictures let into the walls. These big, dark canvases by some forgotten Italian of the school of Veronese, gave the room something of the rich gloom of a Venetian palace. Beyond a few stacks of lilies in the corners, Molly had done nothing to relieve its solemn dignity. As she came across it from the opposite corner, ...
— Great Possessions • Mrs. Wilfrid Ward
... steeple of this immense edifice. There is another magnificent church also in this city, that of St Justine, built after the designs of Palladio, the principal ornament of which is a painting of the martyrdom of the Saint by Paul Veronese. But one of the greatest curiosities in this ancient city is the immense Saloon in the Palazzo della Giustizia. It is, I presume, the loftiest and largest hall in the world that is supported by nothing but its walls, it being three hundred feet long, one hundred feet broad and one hundred feet ...
— After Waterloo: Reminiscences of European Travel 1815-1819 • Major W. E Frye
... to 307, inclusive (only 14 volumes), there was a set of "Painted Missals and curious manuscripts," which were sold for 724l. Among them, was Mr. John Towneley's matchless missal, decorated by the famous Francesco Veronese—"one of the finest productions of the kind ever imported from Italy:" see no. 296. For an account of the books PRINTED UPON VELLUM in this collection, see PART VI. Let us close this note with the Bibliotheca Boucheriana; ...
— Bibliomania; or Book-Madness - A Bibliographical Romance • Thomas Frognall Dibdin
... the great painters live in their work in a singularly vivid sense. Music and painting are more direct in popular appeal than great poetry. Yet none can ridicule the sentiment which is embodied in the statue of Beethoven at Bonn, or in that of Paolo Veronese at Verona. To accept literally the youthful judgment of Milton and his imitators is to condemn sentiments and practices which are in universal vogue among civilised peoples. It is to deny to the Poets' Corner in Westminster Abbey a rational ...
— Shakespeare and the Modern Stage - with Other Essays • Sir Sidney Lee
... Entertained in viewing the Great Gallery of the Louvre, & yet you will, I am sure, think my taste very deficient when I tell you that I do not admire the finest pictures of Raphael, Titian, Guido, and Paul Veronese, so much as I do those of Rubens, Vandyck, & le Brun, nor the landscapes of Claude and Poussin so much as Vernet's. Rembrandt, Gerard Dow & his pupils Mieris and Metsu please me more than any other artists. In the ...
— Before and after Waterloo - Letters from Edward Stanley, sometime Bishop of Norwich (1802;1814;1814) • Edward Stanley
... Florence with Gypsum and Stagg. The former was a young, industrious fellow, of German descent, who worked hard, but not wisely. He spent half a year in copying a face by Paul Veronese, and the other half in sketching an old convent yard. But he did not visit, and an artist, to get orders and take rank, must be seen as well as be earnest. He need not be hail-fellow, but should keep well in the circle of respectable travellers; ...
— Campaigns of a Non-Combatant, - and His Romaunt Abroad During the War • George Alfred Townsend
... Lesbia, or of the worldly life; so delightful and dear to the poet and to the saint, so despised in other moods conquered and victorious again, among the battles of the war in our members. The very words in which the Veronese and the Bishop of Hippo described the pleasure and gaiety of an early friendship are almost the same, and we feel that, born four hundred years later, the lover of Lesbia, the singer of Sirmio might actually have found peace in religion, ...
— Adventures among Books • Andrew Lang
... gallery to another. He found almost all of them revealed a broad middle tone which was divided again into half dark and half light tones, and these, added to the accents of light and dark made five distinct tones. The Venetian painters attracted him most and, he says, speaking of Titian, Paul Veronese and Tintoret, "they appeared to be the first painters who reduced to a system what was before practised without any fixed principle." From these painters he declares Rubens extracted his scheme of composition which was soon understood and adopted by his countrymen, ...
— Pictorial Composition and the Critical Judgment of Pictures • Henry Rankin Poore
... not monopolize the heroes, and they are always essentially the same. When, for instance, I read in a letter of Hubert Languet's to Sidney, "You are not over-cheerful by nature," or when, in another, he speaks of the portrait that Paul Veronese painted of Sidney, and says, "The painter has represented you sad and thoughtful," I can believe that he is speaking of my neighbor. Or when I remember what Sidney wrote to his younger brother,—"Being ...
— Atlantic Monthly, Vol. 8, No. 46, August, 1861 • Various
... revolution and of the emergence to power of a burgher class, you will scarce find an unappreciated genius in the whole history of art until the beginning of the nineteenth century. The great masters of the Renaissance, from Giotto to Veronese, were men of their time, sharing and interpreting the ideals of those around them, and were recognized and patronized as such. Rembrandt's greatest contemporary, Rubens, was painter in ordinary to half the courts of Europe, and Velazquez was the friend and companion of his king. Watteau and ...
— Artist and Public - And Other Essays On Art Subjects • Kenyon Cox
... Alma-Tadema plan their pictures most carefully, and so did Paul Veronese, and it requires a thorough and practical knowledge ...
— The Painter in Oil - A complete treatise on the principles and technique - necessary to the painting of pictures in oil colors • Daniel Burleigh Parkhurst
... desolations thereof, one beauty belongs. She is like a plain girl with beautiful eyes. There is no country like her in the world for colour—so delicately fresh in the rain- washed green of her pasture slopes, so keen the viridian [Footnote: Veronese green] of her turnip-fields when the dew is on the broad, fleshy, crushed leaves, so tender and deep the blue in the hollow places. It was small wonder that Ralph had set down in the note-book in which he sketched ...
— The Lilac Sunbonnet • S.R. Crockett
... been dead since October 24, 1898, critical battles are still fought over the artistic merits of Puvis de Chavannes. Whether you agree with Huysmans and call this mural painter a pasticheur of the Italian Primitives, or else the greatest artist in decoration since Paolo Veronese, depends much on your critical temperament. There are many to whom Henri Martin's gorgeous colour—really the methods of Monet applied to vast spaces—or the blazing originality of Albert Besnard make more intimate appeal than the pallid poetry, solemn ...
— Ivory Apes and Peacocks • James Huneker
... Demenichino, a Head of Christ by Gian Bellini, a Virgin of Leonardo, a Bearing of the Cross by Titian, which formerly belonged to the Marquis de Belabre (the one who sustained a siege and had his head cut off under Louis XIII.); a Lazarus of Paul Veronese, a Marriage of the Virgin by the priest Genois, two church paintings by Rubens, and a replica of a picture by Perugino, done either by Perugino himself or by Raphael; and finally, two Correggios and ...
— The Celibates - Includes: Pierrette, The Vicar of Tours, and The Two Brothers • Honore de Balzac
... great master are well shown,—and one of the finest existing pictures of Perugino, the three lower and principal compartments of an altarpiece painted for the Certosa at Pavia. We know, indeed, no work by the master of Raphael to be set above this. Two of the best pictures of Paul Veronese have also just been added ...
— Atlantic Monthly, Vol. 1, No. 6, April, 1858 • Various
... The attainment of it in all respects is, of course, impossible to man; but the complete type of such a mind has once been seen in him, and, I think, existed also in Tintoret; though, as far as I know, Tintoret has not left any work which indicates sympathy with the humor of the world. Paul Veronese, on the other hand, had sympathy with its humor, but not with its deepest tragedy or horror. Rubens wants the feeling for grace and mystery. And so, as we pass through the list of great painters, we shall find in each of them some local narrowness. Now, I do not, ...
— Modern Painters, Volume IV (of V) • John Ruskin
... pleasant Ratcatcher, with a tenor voice) did this because he knew no better. Try to realise that even a Ratcatcher knows St. George of England was not black, and did not kill the Dragon with an umbrella. The Rat-catcher is not under this delusion; any more than Paul Veronese thought that very good men have luminous rings round their heads; any more than the Pope thinks that Christ washed the feet of the twelve in a Cathedral; any more than the Duke of Norfolk thinks the lions on a tabard are like the lions at the Zoo. These things are denaturalised ...
— A Miscellany of Men • G. K. Chesterton
... sacred history or Greek mythology,—that is all among the Italians. Desiring nothing but beauty of line and color, and expressiveness provided it was beautiful, they sought a subject merely as the raison d'etre of beauty. Raphael could paint the Madonna and Child a score of times, and Veronese his Marriages of Cana, and all of them Magdalenes and St. Sebastians by the dozen, without thinking of finding fresh subjects to excite fresh interest. Nor does this restricted range of subjects imply, under the hand of a master, monotony. ...
— Lippincott's Magazine, December 1878 • Various
... garret, and dine in a cellar; but no grandee in Europe has such a drawing-room. Kings' houses have, at best, but damask hangings, and gilt cornices. What are these to a wall covered with canvas by Paul Veronese, or a hundred yards of Rubens? Artists from England, who have a national gallery that resembles a moderate-sized gin-shop, who may not copy pictures, except under particular restrictions, and on rare and particular days, may revel here to their hearts' content. ...
— The Paris Sketch Book Of Mr. M. A. Titmarsh • William Makepeace Thackeray
... The council chamber (I thought of Othello as I entered it) is now converted into a library. The walls are decorated with the history of Pope Alexander the Third, and Frederic Barbarossa, painted by the Tintoretti, father and son, Paul Veronese and Palma. Above them, in compartments, hang the portraits of the Doges; among which Marino Faliero is not; but his name only, inscribed on a kind of black pall. The Ganymede is a most exquisite little group, attributed ...
— The Diary of an Ennuyee • Anna Brownell Jameson
... House, the most magnificent assembly I ever saw, and such as I think no crowned head in Europe could display, so grand and picturesque. The appearance of the hall was exactly like one of Paul Veronese's pictures, and only wanted some tapestry to be hung over the balustrades. Such prodigious space, so cool, so blazing with light; everybody was comfortable even, and the concert combined the greatest talents in Europe all together—Grisi, Malibran, Tamburini, Lablache, ...
— The Greville Memoirs - A Journal of the Reigns of King George IV and King William IV, Vol. III • Charles C. F. Greville
... gilt frames, but for thy backing and support. By thy subserviency alone (for what were panel or laminated copper for such gigantic works?) did Raffaelle bequeath so many legacies of his immortal genius. It is the strength of thy fibres that is the strength of the loaded supper-tables of Paul Veronese; and the velvets, the furs, the satins of Titian and Vandyke, are quilted upon thee. Nor disdainest thou to render to man, who bruises thee to try thy virtue, a thousand humbler services. Thou preservest our horses ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 361, November, 1845. • Various
... and observe what has been done for Art in the collections there. Then proceed to Bologna, and study the works of the Caracci; afterwards visit Parma, and examine, attentively, the pictures of Corregio; and then go to Venice and view the productions of Tintoretti, Titian, and Paul Veronese. When you have made this tour, come back to Rome, and paint an historical composition to be exhibited to the Roman public; and the opinion which will then be formed of your talents should determine the line of our profession which you ought ...
— The Life, Studies, And Works Of Benjamin West, Esq. • John Galt
... known of this writer. He appears to have been the son of Jerome Fracastor, a Veronese who obtained a certain celebrity as a poet at the ...
— The Principal Navigations, Voyages, Traffiques, and Discoveries of The English Nation, Vol. XII., America, Part I. • Richard Hakluyt
... growth. The male defendant may not even have been aware of its existence, but subsequent events establish the diagnosis beyond cavil; and I would remind you that the melodious lines I have just quoted could not have been written by our immortal bard, Shakespeare, if two gentlemen of Verona, and two Veronese ladies as well, had not yielded to influences not altogether unlike those which governed my ...
— The Strange Case of Mortimer Fenley • Louis Tracy
... are you going to be at Paris? What have you been doing? The drawing you sent me was very pretty. So you don't like Raphael! Well, I am his inveterate admirer: and say, with as little affectation as I can, that his worst scrap fills my head more than all Rubens and Paul Veronese together—"the mind, the mind, Master Shallow!" You think this cant, I dare say: but I say it truly, indeed. Raphael's are the only pictures that cannot be described: no one can get words to describe ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... speak with a forty years' interval, the pen-and-ink drawing of Ariel, portrayed exactly like a Cinquecento angel, is fixed in my mind. It has all the graciousness and gentleness of Bellini and all the robust beauty of Veronese or Palma Vecchio. To tell the truth, I was in the mood of the lady of the Island over which Prospero waved his wand. I could say with Miranda, "O brave new world, that has such men and women in it!" Indeed, though I still stood outside the gates, as it were, I had ...
— The Adventure of Living • John St. Loe Strachey
... humorists have patterned after certain famous wits of ours. I do not know that I would have exposed this impostor, even if occasion had offered, for, after all, his fraud was a tribute to our own primacy in clowning, and the Veronese were none the worse for his ...
— Henry James, Jr. • William Dean Howells
... familiar is perhaps the greatest. It is the one that now graces the gem-room of the Louvre. I so name this room, for in it, within a few feet of one another, are pictures by Raphael, Da Vinci, Correggio, Rembrandt, Veronese, in short, by the foremost masters of the world. Among all these the vision of Murillo takes an equal rank. To many, the idea which the picture represents is of secondary importance, save perhaps as giving a reason for the name it bears. But all can see the exquisite loveliness of this ...
— Great Artists, Vol 1. - Raphael, Rubens, Murillo, and Durer • Jennie Ellis Keysor
... Benacus, which a thousand rills, Methinks, and more, water between the vale Camonica and Garda and the height Of Apennine remote. There is a spot At midway of that lake, where he who bears Of Trento's flock the past'ral staff, with him Of Brescia, and the Veronese, might each Passing that way his benediction give. A garrison of goodly site and strong Peschiera stands, to awe with front oppos'd The Bergamese and Brescian, whence the shore More slope each way descends. There, whatsoev'er Benacus' ...
— The Divine Comedy, Complete - The Vision of Paradise, Purgatory and Hell • Dante Alighieri
... threw wondering glances at the great Veronese, at Raphael's archangel, at the towering Vandyke, at the 'Virgin of the Rocks.' But he passed them by quickly. Was she here? Could he find her in this wilderness of rooms? His spirits wavered between delicious expectancy and ...
— The History of David Grieve • Mrs. Humphry Ward |
