"Slipslop" Quotes from Famous Books
 ... N. absurdity, absurdness &c. adj.; imbecility &c. 499; alogy|, nonsense, utter nonsense; paradox, inconsistency; stultiloquy[obs3], stultiloquence[obs3]; nugacity[obs3]. blunder, muddle, bull; Irishism|!, Hibernicism|!; slipslop[obs3]; anticlimax, bathos; sophism &c. 477. farce, galimathias[obs3], amphigouri[obs3], rhapsody; farrago &c (disorder) 59; betise[Fr]; extravagance, romance; sciamachy[obs3]. sell, pun, verbal quibble, macaronic[obs3]. jargon, fustian, twaddle, gibberish &c (no meaning) ...
— Roget's Thesaurus
... Pamela-connection at the end to make a formal correspondence with the beginning, and to get a convenient and conventional "curtain." I am not so sure of this. Even Adams is to a certain extent suggested by Williams, though they turn out such very different persons. Mrs. Slipslop, a character, as Gray saw, not so very far inferior to Adams, is not only a parallel to Mrs. Jewkes, but also, and much more, a contrast to the respectable Mrs. Jervis and Mrs. Warden. All sorts of fantastic and not-fantastic doublets may be traced ...
— The English Novel • George Saintsbury
... as we should expect one of Defoe's characters to go through, rather than a woman whose creator had been gratified only a year before at the favourable reception accorded to Fanny and Lady Booby and Mrs. Slipslop. ...
— The History of the Life of the Late Mr. Jonathan Wild the Great • Henry Fielding
... any serious effort, and, besides, must have been secretly conscious that the "Pamela" characteristics of his hero were artistically irreconcilable with the personal bravery and cudgel-playing attributes with which he had endowed him. Add to this that the immortal Mrs. Slipslop and Parson Adams—the latter especially—had begun to acquire an importance with their creator for which the initial scheme had by no means provided; and he finally seems to have disregarded his design, only returning to it in his last chapters in order to close his work with ...
— Fielding - (English Men of Letters Series) • Austin Dobson
... IX. What passed between the lady and Mrs Slipslop; in which we prophesy there are some strokes which every one will not truly ...
— Joseph Andrews Vol. 1 • Henry Fielding
... chamber, a light broke on her. Vague, slippery, inexact, interested only in the personal—every word struck home. Had Miss Hicks set out to describe HER, in particular, she could not have done it more accurately. It was but too true: until now, she, Laura, had been satisfied to know things in a slipslop, razzle-dazzle way, to know them anyhow, as it best suited herself. She had never set to work to master a subject, to make it her own in every detail. Bits of it, picturesque scraps, striking features—what Miss Hicks ...
— The Getting of Wisdom • Henry Handel Richardson |
