"Clerestory" Quotes from Famous Books
 ... floor, a row of clerestory windows, unglazed, admitted arrows of sunlight through a golden fretwork; and these arrows, piercing the incense vapor, checkered intricate patterns on the enormous, deep-piled Persian rugs of rose, lilac, ...
— The Flying Legion • George Allan England
... in the time of Abbot Parker, by Elizabeth, the wife, successively, of Lord Badlesmere, of Hugh Lord Despenser, and Sir Guy de Brien. The original Norman clerestory was taken down and the Norman columns of the choir slightly raised, as will be seen from the choir aisle on the side where the original capitals were left unaltered. At the same time the beautiful series of apsidal chapels was added; stone vaulting took the place of ...
— Bell's Cathedrals: The Abbey Church of Tewkesbury - with some Account of the Priory Church of Deerhurst Gloucestershire • H. J. L. J. Masse
... that gave us afterwards the Lady Chapels of Lichfield, Westminster, Gloucester, and elsewhere. This small excrescence, chapel it can scarcely be called, probably did not rise very high, as room had to be left above it for the east window, which, with the clerestory, was needed to light the presbytery. The latter, like the choir of the present cathedral and like that of St. Alban's, had its aisles divided ...
— Bell's Cathedrals: The Cathedral Church of Rochester - A Description of its Fabric and a Brief History of the Episcopal See • G. H. Palmer
... hymn was sung by the whole congregation, standing. It floated up to the blue roof, where the lights that burned low over the people's heads left in the gloom the texts written on the open timbers and the imaged Christ hung in the clerestory. There was one voice that did not sing the vesper hymn; and the close-locked lips of Hugh Ritson were but the ...
— A Son of Hagar - A Romance of Our Time • Sir Hall Caine
... outside calcinated the greater part of the facade, the north tower and the entire clerestory, with the flying buttresses and the turret crowning each of them. This stone, as far as its surface is concerned, is irreparably damaged and when touched detaches itself; consequently all decorative motifs wherever the ...
— New York Times Current History: The European War from the Beginning to March 1915, Vol 1, No. 2 - Who Began the War, and Why? • Various |
