"Chiaro-oscuro" Quotes from Famous Books
 ... harmony of colouring. Correggio and Barocci have left few, if any, finished drawings behind them. And in the Flemish school, Rubens and Vandyke made their designs for the most part either in colours or in chiaroscuro. It is as common to find studies of the Venetian and Flemish painters on canvas, as of the schools of Rome and Florence on paper. Not but that many finished drawings are sold under the names of those masters. Those, ...
— Seven Discourses on Art • Joshua Reynolds
... sketches? How render the thickets of foam, blendings of mountains and dreams? The indescribable is everywhere there—in the rending, in the frowning, in the anxiety, in the perpetual contradiction, in the chiaroscuro, in the pendants of the cloud, in the keys of the ever-open vault, in the disaggregation without rupture, in the funereal tumult caused ...
— The Man Who Laughs • Victor Hugo
... is the invariable and apparently intentional hiding of the feet of his figures, for which purpose sheep and cattle and household utensils are introduced. He confines himself to a bold, straightforward imitation of familiar objects, united, however, with pleasing composition, colour, and chiaroscuro. His colours, indeed, sparkle like gems, particularly the greens, in which he displays a brilliancy quite peculiar to himself. His lights are boldly infringed on the objects, and are seldom introduced except on prominent parts of the figures. In accordance with this treatment ...
— Six Centuries of Painting • Randall Davies
... night, with a very red face drew back the curtain from his grand "Fall of Chapultepec," and watched him with a lean and hungry look, Knowles, who knew no more about painting than a gorilla, walked about, looking through his fist at it, saying, "how fine the chiaroscuro was, and that it was a devilish good thing altogether." "Well, well," he soothed his conscience, going downstairs, "maybe that bit of canvas is as much to that poor chap as the Phalanstery was once to another fool." And so went on through ...
— Margret Howth, A Story of To-day • Rebecca Harding Davis
... fire. One giant arm was thrown around his head, and the other hung down in careless grace; the great chest was heaved up, and the head thrown back; the seamed and rugged features seemed more stern and marked than ever in the chiaroscuro; and the whole man was a picture of reckless strength such as one seldom sees. Tom had dozed and had awoke again, and now sat thinking, "What a terrible tough customer that fellow would be!" when ...
— The Recollections of Geoffrey Hamlyn • Henry Kingsley
... images was not to be left to the invention of artists, but to the approved legislation and tradition of the Catholic Church." But now the Church had to take a great deal that it had not bargained for. Perspective, chiaroscuro, picturesque contrast and variety, and all that belongs to the show of things, without regard to what they are,—this is now the ...
— The Atlantic Monthly, Volume 13, No. 77, March, 1864 • Various
... unless Nature is personal. If the end of the world were mere darkness or mere light it might come as slowly and inevitably as dusk or dawn. But if the end of the world is to be a piece of elaborate and artistic chiaroscuro, then there must be design in it, either human or divine. The world, through mere time, might grow black like an old picture, or white like an old coat; but if it is turned into a particular piece of black and white art— ...
— Orthodoxy • G. K. Chesterton
... spoke to my inner consciousness. "You will see that these scenes now being enacted in France are nothing but a play of chiaroscuro. They are the cosmic motion picture, as real and as unreal as the theater newsreel you have just ...
— Autobiography of a YOGI • Paramhansa Yogananda
... is the older picture-fancier. He talks, if possible, even more learnedly, discoursing of balance, tone, chiaroscuro; he despises innovations, judges in accordance with names; is of course convinced the present can bear no comparison with the past; will look through a whole gallery, and finally be captivated by some well-executed conceit—a sun shining through a hole—three ...
— Continental Monthly , Vol. 5, No. 6, June, 1864 - Devoted to Literature and National Policy • Various
... establish, beyond all question, the intellectual greatness of the one who used them just as words of many syllables sometimes fix for older children the position on the intellectual heights of those who use them. "Chiaroscuro," "cheiropterous," "eschatology," and the "unearned increment"—who, in the common, every day, grown up, world, would dare question the artistic, scientific, religious, or political, knowledge of one who could talk ...
— Their Yesterdays • Harold Bell Wright
... jury will sit on them. The art jury will discuss tone and modelling, rhythm and chiaroscuro and perspective. And in the light of these discussions and decisions the art jury will sort out the masterpieces that are to be hung in the Chicago artists' exhibition and the masterpieces that ...
— A Thousand and One Afternoons in Chicago • Ben Hecht
... wherein it had to stand upright. But why say more? It would not be possible for the work to be better either in invention or in drawing, or in any other respect whatsoever of industry or art. Besides this, it contains many grotesques and other things wrought in chiaroscuro to resemble marble, executed in strange fashion with invention and most ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol. 04 (of 10), Filippino Lippi to Domenico Puligo • Giorgio Vasari
... variety and indecision of the objects offered by his surroundings and nearly unknown here. The broken and wandering touch suggested by the jagged stones of a crumbling castle is not that which one should begin by cultivating. Breadth and firmness in form, color and chiaroscuro are attainments to be first held in view, and never ...
— Lippincott's Magazine, Vol. 22, August, 1878 • Various
... of the colourist. Of the contrast of hues, upon which depend the brilliancy, force, and harmony of colouring, we have just spoken; but there is, secondly, the contrast of shades. To this belong all the powers of chiaroscuro, by which term the painter denotes the harmonious effects of light and shade; and though they form the simplest part of colouring, yet they cannot be separated from it—light and shade, the chiaroscuro, being a distinct and important branch of painting. A third mode of contrast in ...
— Field's Chromatography - or Treatise on Colours and Pigments as Used by Artists • George Field
... met in an atelier where a number of art and music students had gathered to discuss chiaroscuro, Wagner, music, Rembrandt's works, pictures, Waldteufel, wall paper, Chopin ...
— The Four Million • O. Henry
... muse upon processions of kings and generals and noble strangers, entering Venice by this water-path from Mestre, before the Austrians built their causeway for the trains. Some of the rare scraps of fresco upon house fronts, still to be seen in Venice, are left in Cannaregio. They are chiaroscuro allegories in a bold bravura manner of the sixteenth century. From these and from a few rosy fragments on the Fondaco dei Tedeschi, the Fabbriche Nuove, and precious fading figures in a certain courtyard near San Stefano, we form some notion ...
— New Italian sketches • John Addington Symonds
... stethoscoped and prescribed her change of scene. Had followed two weeks with cousins fifty miles away near Lida, Ohio, and a day's stop-over in Cincinnati allowed by her railroad ticket. But six months after, in the circle of glow from a tablelamp that left the corners of the room in a chiaroscuro kind of gloom, there were again noises of wings rustling and of water lapping and the old stricture of the throat. Across the table, a Paisley cover between them, Mr. John Burkhardt, his short spade of beard ...
— Gaslight Sonatas • Fannie Hurst
... back to us with a new significance. Hopes stifled by fear, yearnings that we dare not recognise, stand forth in new glory. Our mind is the canvas on which the artists lay their colour; their pigments are our emotions; their chiaroscuro the light of joy, the shadow of sadness. The masterpiece is of ourselves, as ...
— The Book of Tea • Kakuzo Okakura
... possible to subscribe to Ruskin's flowing judgments; but I gratefully borrow the one with which he sums up thus, in a lecture on wood-engraving: Holbein does not give many gradations of light, the speaker says, "but not because Holbein cannot give chiaroscuro if he chooses. He is twenty times a stronger master of it than Rembrandt; but therefore he knows exactly when and how to use it, and that wood-engraving is not the proper means for it. The quantity of it which is needful ...
— Holbein • Beatrice Fortescue
... was a fine type of the peasant. His features might, in the strong chiaroscuro of the candle-light, have stood as model for some church fresco of a St. Peter. His dress was of grey country homespun, cut in a long coat, and girded by a many-coloured arrow-pattern sash, and on his feet he wore a ...
— The False Chevalier - or, The Lifeguard of Marie Antoinette • William Douw Lighthall
... and purity of feeling, with patient endeavor and utter simplicity of heart. For on this labor must depend the success of his work with the public. Artists may praise his color, drawing, or manipulation, his chiaroscuro, or his lines; but the clearness, truth, and sentiment, of his work will alone affect ...
— The Germ - Thoughts towards Nature in Poetry, Literature and Art • Various
... rapturously. You would have thought, to hear me, that for drawing, breadth, finish, color, composition, chiaroscuro, and every other merit that a painting could possess, this particular chef-d'oeuvre excelled all the ...
— In the Days of My Youth • Amelia Ann Blandford Edwards
... and the partial obscurity—I might have almost written, the incomparable chiaroscuro—of the Evangelistic writings have added to the value of our Lord's character as an ideal, not only in the case of Christians, but as bringing the Christ-ideal within the reach and comprehension of an infinitely greater number of minds than it could ever otherwise have appealed to. It is true ...
— The Fair Haven • Samuel Butler
... novelist is content with pointing out that to the eye of his particular class a pickaxe looks dirty and a pewter pot looks dirty. But the man he is supposed to be studying sees the difference between them exactly as a clerk sees the difference between a ledger and an edition de luxe. The chiaroscuro of the life is inevitably lost; for to us the high lights and the shadows are a light grey. But the high lights and the shadows are not a light grey in that life any more than in any other. The kind of man who could really express the ...
— Heretics • Gilbert K. Chesterton
... decorous, tiny Bethel of a particular people. Its internal arrangements are equally sedate, condensed, and snug. A calm homeliness, a Quakerly simplicity runs all through it. Nothing glaring, shining, or artistically complex is visible; neither fresco panellings, nor chiaroscuro contrasts, nor statuary groups adorn its walls: if any of these things were seen the members would scream. All is simple, clean, modest. The walls, slightly relieved on each side by two imitation columns, are calmly coloured; the ceiling, containing a floriated centre ...
— Our Churches and Chapels • Atticus
... filled with all manner of good things from Britain or from the United States. These older-fashioned houses, built, I presume, on the Spanish model, are not without a certain stateliness, from the depth and breadth of their chiaroscuro. Their doors and windows reach almost to the ceiling, and ought to be plain proofs, in the eyes of certain discoverers of the 'giant cities of Bashan,' that the old Spanish and French colonists were nine or ten feet high apiece. On the doorsteps ...
— At Last • Charles Kingsley
... I, as if the romantic idealists with their pessimism about our civilization were, after all, quite right. An irremediable flatness is coming over the world. Bourgeoisie and mediocrity, church sociables and teachers' conventions, are taking the place of the old heights and depths and romantic chiaroscuro. And, to get human life in its wild intensity, we must in future turn more and more away from the actual, and forget it, if we can, in the romancer's or the poet's pages. The whole world, delightful and sinful ...
— Talks To Teachers On Psychology; And To Students On Some Of Life's Ideals • William James
... comprehend a carved image, but not so readily a picture. An Indian whom Catlin painted with half his face in shadow became the laughingstock of the tribe, as "the man with half a face." It is not necessary to suspect Mr. Catlin's chiaroscuro; what puzzled them was, doubtless, the bringing together in one view what they had seen only separate. They were accustomed to see the man in light and in shadow; but what they cared for, and therefore what they saw, was only the effect in making it more ...
— The Atlantic Monthly, Vol. 13, No. 76, February, 1864 • Various
... one might pass on them, I imagine, never gave Boccaccio a thought, only the way they were placed being important. The elaborate preparation for the story-telling; the grouping of them as a whole, in contrast with the greater story he put as their contrast and foil; the solemn gloom, the deep chiaroscuro of this framing, painted like a miniature; the artful way in which he prepares for his lieta brigata the way out of the charnel-house: these are the real 'Decameron.' The author presents it in a prelude which has for its scope only to give the air of reality to the whole, as if not ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various
... misery can be said to possess such alleviatings—had been the study of feet, pantaloons, and skirts. The trousers in this case detained my observation no time. They were but the darkest corner of the chiaroscuro of a Rembrandt—the mellow glow of gold was all across ...
— The Beautiful Lady • Booth Tarkington
... been appropriately named Reformers before the Reformation. So, too, Cavour's cautious policy paved the way for Garibaldi's brilliant victories. Once again, Leonardo da Vinci is named as the inventor of chiaroscuro, yet he was preceded by Fra Filippo Lippi. And in similar manner, in music, certain men are associated with certain forms. Haydn, for example, is called the father of the quartet; close investigation, however, would show that he was only a link, and certainly not ...
— The Pianoforte Sonata - Its Origin and Development • J.S. Shedlock
... touched an inner spring of the girl's nature, touched it electrically. Elfrida leaned forward consciously with shining eyes. "Truly am I, Janetta? Ah—to-night! Well, yes, perhaps to-night, I am. It is an effect of chiaroscuro. But what about always—what about generally, Janetta? I have such horrid doubts. If it weren't for my nose I should be satisfied—yes, I think I should be satisfied. But I can't deceive myself about my nose, ...
— A Daughter of To-Day • Sara Jeannette Duncan (aka Mrs. Everard Cotes)
... had left his shoulders the minute his knees touched the floor; he knelt utterly alone in the middle of what seemed to be a vast hall, or cavern, of which the size was but faintly suggested. As his eyes became accustomed to the chiaroscuro he became aware of monstrous images of stone that appeared to advance from and retreat to the far walls on either hand as the green light flared and fell, and of a great silent and motionless concourse of people grouped about the massive pedestals—a crowd ...
— The Bronze Bell • Louis Joseph Vance
... they took a lodging together in the Piazza del Grano. Their first work in partnership may probably have been the "Baptism of Christ,'' for the Florentine Compagnia dello Scalzo, a performance of no great merit, the beginning of a series, all the extant items of which are in monochrome chiaroscuro. Soon afterwards the partnership was dissolved. From 1509 to 1514 the brotherhood of the Servites employed Andrea, as well as Franciabigio and Andrea Feltrini, the first- named undertaking in the portico of the Annunziata three frescoes illustrating the ...
— Project Gutenberg Encyclopedia
... being a great painter's wife and companion for half-a-dozen years. Perhaps, good as she was, she grew rather to brandish this credit in the faces of the cloth-workers and their wives; to speak a little bigly of the galleries and the Academy, of chiaroscuro and perspective, of which the poor ignoramuses knew nothing: to be obstinate on her dignity, and stand out on her gentility far before that of the attorneys' and the doctors' wives;—and all this ...
— Girlhood and Womanhood - The Story of some Fortunes and Misfortunes • Sarah Tytler
... according to his wish, in political and other circles, as Mr. Sterling, a private gentleman of some figure. Over whom hung, moreover, a kind of mysterious nimbus as the principal or one of the principal writers in the Times, which gave an interesting chiaroscuro to his character in society. A potent, profitable, but somewhat questionable position; of which, though he affected, and sometimes with anger, altogether to disown it, and rigorously insisted on the rights ...
— The Life of John Sterling • Thomas Carlyle
... the festivities at the marriages of HenryII. with Catherine de' Medici, and of Henry IV. with Maria de' Medici, executed in 1560 after designs by Orlay. From the tapestry gallery a short stair ascends to a room hung with pictures painted in chiaroscuro, or in one colour, by several of the old painters. From this another short stair leads to the long narrow gallery on the wall of the Boboli gardens. This gallery is hung with water-colour drawings, by Bartolommeo Ligozzi, in 1695, representing ...
— The South of France—East Half • Charles Bertram Black
... favourite as in the present age. We have here, in a work by one of our most eminent artists, an homage to the genius of him 'who touched nothing which he did not adorn:' and the charming subject is handled in the most delicious manner by Mr. Smith. The chiaroscuro is admirable: the impasto is perfect. Perhaps a very captious critic might object to the foreshortening of Moses's left leg; but where there is so much to praise justly, the Pall Nall Gazette does ...
— The Newcomes • William Makepeace Thackeray
... ever, still, there could be no use in crying "accidental variations" further. If the reader wants to know whether they were accidental or no, he had better find out for himself. Mr. Darwin was a master of what may be called scientific chiaroscuro, and owes his reputation in no small measure to the judgment with which he kept his meaning dark when a less practised hand would have thrown light upon it. There can, however, be no question that Mr. Darwin, ...
— Luck or Cunning? • Samuel Butler
... J. from the master's own place of instruction in that old University building which partly formed the east side of Washington Square and figures to memory, or to fond imagination, as throbbing with more offices and functions, a denser chiaroscuro, than any reared hugeness of to-day, where character is so lost in quantity. Is there any present structure that plays such a part in proportion to its size?—though even as I ask the question I feel how nothing on earth is proportioned to present sizes. These alone are proportioned—and ...
— A Small Boy and Others • Henry James
... being able to see anything at all; whereas the true and perfect way of studying any object is simply to look what its color is in high light, and put that safely down, if possible; or, if you are making a chiaroscuro study, to take the grey answering to that color, and cover the whole object at once with that grey, firmly resolving that no part of it shall be brighter than that; then look for the darkest part of it, and if, as is probable, its darkest part be still a great ...
— Modern Painters, Volume IV (of V) • John Ruskin
... was much employed in his day; pictures by him are preserved in the Accademia at Venice, the Doria Gallery, Rome, in the Louvre, and at Modena. He studied at Padua with Mantegna, under Squarcione, and executed frescoes and chiaroscuro arabesques in the cloister of S. Giustina in that city. When the Austrians converted the convent to military uses the paintings were plastered over, and, although again uncovered in 1895, they were found to be in a much damaged condition. Bernardo died ...
— The Shores of the Adriatic - The Austrian Side, The Kuestenlande, Istria, and Dalmatia • F. Hamilton Jackson
... inspection. True, there may be something in their observations speaking too much of the technical, and too little of the more ideal faculty. They are greater upon flesh-tints and pearly grays, middle distances and chiaroscuro, than upon conception, expression, or elevation or magnificence of sentiment. Nevertheless, they know thoroughly what appertains to a good picture. They give a work its place in a moment, and assign it to its author by internal evidence, ...
— Chambers's Edinburgh Journal, No. 444 - Volume 18, New Series, July 3, 1852 • Various
... one Roman writer with being the founder of the new method. The strength of Parrhasius is said to have lain in subtlety of line, which would suggest that with him, as with Polygnotus, painting was essentially outline drawing. Yet he too can hardly have remained unaffected by the new chiaroscuro. ...
— A History Of Greek Art • F. B. Tarbell
... and a thousand plump chairs, couches, and luxurious settees covered with linen of the same pattern, and with a bow-window commanding the prospect, and gloomed with limes that shade half each window, already darkened with painted glass in chiaroscuro, set in deep blue glass. Under this room is a cool little hall, where we generally dine, hung with ...
— The Letters of Horace Walpole, Volume 2 • Horace Walpole
... the large etchings on steel, with which between '40 and '45 he illustrated Ainsworth's gory romances, indicated a power of grouping, a knowledge of composition, a familiarity with mediaeval costume, and a command over chiaroscuro, which astonished and delighted those who had been accustomed to regard him only as a funny fellow,—one of infinite whim, to be sure, but still a jester of jests, and nothing more. Unfortunately, or fortunately, as the case might ...
— The Atlantic Monthly, Volume 15, No. 87, January, 1865 • Various
... activity, of grandeur of form; all, that is, in which Greek art excels: their ideal of beauty was altogether effeminate. They prudishly despised the anatomic study of the human figure, of landscape and chiaroscuro. Spiritual expression with them was everything; but it was only the expression of the passive spiritual faculties of innocence, devotion, meekness, resignation—all good, but not the whole of humanity. Not that ...
— Literary and General Lectures and Essays • Charles Kingsley
... and lofty tenements. Soon he could see dark masses of hills silhouetted against the sky, where its dense blue merged into the amber and green of the last flicker of daylight. Not far distant, a sheet of water, still as a mirror, reflected sky and hills in even more pronounced chiaroscuro, and he had just distinguished the straight black ridge of the landward causeway when Abdullah ...
— The Wheel O' Fortune • Louis Tracy
... the spirits of his children, and teach them to look to him for the renewal of all blessings. But shadows are fleeting, and every season of gloom has its morning star. Oh, I thank God that his own hand arranged the chiaroscuro of earth!" She spoke earnestly; the expression of her eyes told that her thoughts had traveled into the dim, weird land of futurity. Beulah offered no comment; but the gloom deepened on her brow and her white fingers ...
— Beulah • Augusta J. Evans
... months, when he signified a wish to leave, it was a glad relief to the master. Lastman had tried to correct Rembrandt's vagaries as to chiaroscuro, but without success. So he wrote an ambiguous letter certifying to the pupil's "having all his future before him," gave him a present of ten florins in jingling silver, and sent ...
— Little Journeys to the Homes of the Great, Volume 4 (of 14) - Little Journeys to the Homes of Eminent Painters • Elbert Hubbard
... One does not comprehend all this, Monsieur, without well studying. I was in train to interpret for Ma'moiselle the chiaroscuro. ...
— Forsyte Saga • John Galsworthy
... painting. Let us respect these fathers of the art. Let us pardon the stiffness of their composition, the formality of their figures, the inelegance of their draperies, the hardness of their outlines, and the want of chiaroscuro;—for, in spite of all these failings, there is a truth to nature, and a richness of coloring, which always attract and win. The picture in question is the Virgin Mother in her Domestic Retirement, surrounded ...
— Account of a Tour in Normandy, Vol. I. (of 2) • Dawson Turner
... volunteer. They are at discretion; they would die, if we did NOT lift our finger!" thus I suppose Winterfeld would rejoin, if necessary;—and that, in the Winterfeld-Rutowski Conferences, the thing had probably been kept in a kind of CHIAROSCURO by ...
— History of Friedrich II. of Prussia, Vol. XVII. (of XXI.) - Frederick The Great—The Seven-Years War: First Campaign—1756-1757. • Thomas Carlyle
... necessary consequences of the difference in all respects between the repose of the Eastern, and activity of the Western mind, which we shall have to trace out completely in the inquiry into the nature of Gothic.] while the bright coloring and disregard of chiaroscuro cannot be regarded as imperfections, since they are the only means by which the figures could be rendered clearly intelligible in the distance and darkness of the vaulting. So far am I from considering them barbarous, that I believe of all works of religious ...
— Stones of Venice [introductions] • John Ruskin
... beautiful, is true; and this, indeed, is the real modernite of art: but these conditions are exactly what we cannot be always sure of, as we stroll down Piccadilly in the glaring vulgarity of the noonday, or lounge in the park with a foolish sunset as a background. Were we able to carry our chiaroscuro about with us, as we do our umbrellas, all would be well; but this being impossible, I hardly think that pretty and delightful people will continue to wear a style of dress as ugly as it is useless and as meaningless as it is monstrous, even on the chance of such a master as Mr. Whistler spiritualising ...
— Miscellanies • Oscar Wilde
... the collection is Pius VII., Lawrence's masterpiece, widely familiar by engravings. Raphael's Julius II. seems to have been in the artist's mind, but that work is not improved on, unless in so far as the critical eye of our day may delight in the more intricate tricks of chiaroscuro and effect to which Lawrence has recourse. "Brunswick's fated chieftain" will interest the votaries of Childe Harold. Could he have looked forward to 1870, he would perhaps have chosen a different side at Waterloo, as his father might at Jena, and elected to figure in oils at ...
— Lippincott's Magazine of Popular Literature and Science - February, 1876, Vol. XVII, No. 98. • Various
... due to the aforesaid sophistical faculty of proving black white. I once knew a man—no average voter he—who owned two comic papers, the one Radical, the other Conservative. How he must have chuckled as he planned the cartoons and settled the chiaroscuro! What blacks for the Tories to be answered by counter-blacks for the Radicals! Beaconsfield as a sweep, Gladstone as an Angel of Light; Beaconsfield as Ormuzd, Gladstone as Ahriman; each in turn Lucifer, Son of the Morning, and Satan, the discomfited demon. I tremble to think what ...
— Without Prejudice • Israel Zangwill
... manners, motives and external life of the French man and woman in all grades of society. When we open these volumes, we enter a gallery of striking and varied pictures, which glow with all the color, chiaroscuro and life-like detail of a Dutch panel. The power of Balzac is unique as a descriptive writer; his knowledge of the female heart is more profound, and covers a far wider range than anything exhibited by a provincial author, such as Richardson. But he has also the marvelous faculty of suggesting ...
— Introduction to the Dramas of Balzac • Epiphanius Wilson and J. Walker McSpadden
... between 1604 and 1607 he started his troubled journey through life, and of his childhood the records are scanty. Doubtless, his youthful imagination was stirred by the sights of the city, the barges moving slowly along the canals, the windmills that were never at rest, the changing chiaroscuro of the flooded, dyke-seamed land. Perhaps he saw these things with the large eye of the artist, for he could not have turned to any point of the compass without finding a picture lying ready for treatment. Even when he was ...
— Rembrandt • Josef Israels
... not get the name of the girl I had seen there in the firelight. What did remain—and that not wholly to my pleasure, so distinct it seemed—was the picture of her high-bred profile, shown in chiaroscuro at the fireside, the line of her chin and neck, the tumbled masses of her hair. These were things I did not care to remember; and I hated myself as a soft-hearted fool, ...
— The Way of a Man • Emerson Hough
... succeeded again. Here, too, the rhyme may be questioned, but the reason is sound. An entirely successful man is the most pitiful object in the universe. Not only has he nothing to look forward to, but he has nothing to look back upon. Having no regrets, no shadows, in his life, he has no chiaroscuro, no depth, no solidity in his picture. It is painted in the flat. "Regret," says George Moore, to change the figure a little, "is like a mountain top from which we survey our dead life, a mountain top on which we pause and ponder." He has no point of view, then, ...
— Penguin Persons & Peppermints • Walter Prichard Eaton
... interviewed an agent in an office, and did some very delicate work indeed in the drafting of a prospectus. He had earned a drink by then. His brain interested him he was inclined to self-analysis of a sort its chiaroscuro of limelight effects and faint nuances indicated rather than expressed. It was good to be alive to-day, and to pull as many ...
— Cinderella in the South - Twenty-Five South African Tales • Arthur Shearly Cripps
... remark, "but drawing can come only by labour." Some say that he was stung by a sarcasm of his Tuscan hero that the Venetians could not draw; be that as it may, he made accurate drawing his corner-stone; and so thorough was he in his study of chiaroscuro that he devised little toy houses in which to manufacture effects of light and shade. One of his first pictures to attract attention was a portrait of himself and his brother ...
— A Wanderer in Venice • E.V. Lucas
... multitude, there can be no time allowed for watching expression. Still less does he depend on details of murder or ghastliness of death; there is no blood, no stabbing or cutting, but there is an awful substitute for these in the chiaroscuro. The scene is the outer vestibule of a palace, the slippery marble floor is fearfully barred across by sanguine shadows, so that our eyes seem to become bloodshot and strained with strange horror and deadly vision; a lake of life before them, like the burning seen ...
— Modern Painters Volume II (of V) • John Ruskin
... animals are depicted is remarkable. Possibly one of the finest Egyptian representations of an animal is the fresco of a goat in the tomb of Gen-Amen, discovered by Mr. Mond. There is even an attempt here at chiaroscuro, which is unknown to Egyptian art generally, except at Tell el-Amarna. Evidently the Egyptian painters reached the apogee of their art towards the end of the XVIIIth Dynasty. The third, the representation of tribute-bearers, is of a type also well known at this period. In ...
— History Of Egypt, Chaldaea, Syria, Babylonia, And Assyria In The Light Of Recent Discovery • L.W. King and H.R. Hall
... Reynolds was taken by a friend to see a picture. He was anxious to admire it, and he looked it over with a keen and careful but favorable eye. "Capital composition; correct drawing; the color, tone, chiaroscuro excellent; but—but—it wants, hang it, it wants—That!" snapping his fingers; and, wanting "that," though it had everything else, it ...
— Spare Hours • John Brown
... same form, the columns being elongated, twisted, and enriched with mosaic patterns. The reader must at once perceive how vast is the importance of the difference in system with respect to this member; the whole of the rich, cavernous chiaroscuro of Northern Gothic being dependent on the ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin |
