"Brahms" Quotes from Famous Books
 ... is about to sing? Then we shall all have a treat, for let me tell you, Lady Olivia, that my young friend possesses the voice of an angel, and the knowledge how to use it properly. Now, what is it to be? Tschaikowski, Beethoven, Schubert, Brahms, Handel, Mozart? Ah, here is something that will suit your voice, little one, 'Caro mio ben!' by Giuseppe Giordani— quaint, delicate, old-fashioned. Come, I will play your accompaniment for you." And, ...
— With Airship and Submarine - A Tale of Adventure • Harry Collingwood
... "We should have a signal, in case one of us gets warning first. Something that wouldn't mean anything to them ... musical, say ... Brahms. That's it. The very instant any one of us feels their intent to signal their attack he yells 'BRAHMS!' and we all beat them to ...
— Subspace Survivors • E. E. Smith
... thirteen-line sonnet or a ten-act tragedy could not be expected to agree on the relative merits of Milton's and Wordsworth's sonnets. Unanimity of opinion is as impossible and undesirable concerning the poetic achievement of Browning and Whitman as it is concerning the music of Brahms and Wagner, or the painting of Turner and Whistler. Great artists who have taken liberties with traditions and precedents have done much to prevent the critics from falling into a state of self-complacency over their scientific ...
— Early Reviews of English Poets • John Louis Haney
... generation of musicians and helped make the fame of many now held in the world's highest esteem. Sometimes, he admits, his ardor carried him too far in recognition of youthful talent, but in the main he was very just in his estimates. We do not forget how his quick commendation aided Brahms. ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower
... thinking?" We forget women for a little while when we are thinking about art, but only for a while. The legitimate occupation of man's mind is woman; and listening to my friend who is playing music—music I do not care to hear, Brahms—I fall to thinking which of the women I have known in years past would interest me most ...
— Memoirs of My Dead Life • George Moore
... I abominate Chopin; I abominate music. I have taken a vow never to play again anything of that vile Polish composer. But I may play for you instead a Brahms sonata. The great ...
— Melomaniacs • James Huneker
... dinner, while the clustered quartette kept their ranged companions, in the music-room, moved if one would, but conveniently motionless. Mrs. Assingham contrived, after a couple of pieces, to convey to her friend that, for her part, she was moved—by the genius of Brahms—beyond what she could bear; so that, without apparent deliberation, she had presently floated away, at the young man's side, to such a distance as permitted them to converse without the effect of disdain. It was the twenty minutes enjoyed with her, ...
— The Golden Bowl • Henry James
... Pope's translation of Homer. Some combination, all right! When I went to Minneapolis, just two years ago, I guess I'd read pretty much everything in that Curlew library, but I'd never heard of Rossetti or John Sargent or Balzac or Brahms. But——Yump, I'll study. Look here! Shall I get out of this tailoring, this pressing ...
— Main Street • Sinclair Lewis
... great friends with Frau von Mach and in loose moments sat on her kitchen-table smoking cigarettes and eating black cherries; we discussed Shakespeare, Wagner, Brahms, Middlemarch, Bach and Hegel, ...
— Margot Asquith, An Autobiography: Volumes I & II • Margot Asquith
... sat on at the piano, his great fingers rambling deftly over the keys. He was playing Brahms now and doing it magnificently. He was fifteen stone, all bone and muscle, and looked thirty pounds heavier, because you imagined, mistakenly, that he carried a little fat. He was the richest man ...
— Captivating Mary Carstairs • Henry Sydnor Harrison
... yet it was Brahms and Schumann that Mary sang; no pretty little English ballad, no ...
— The Martian • George Du Maurier
... Abend." (Friendly remembrances of a very late evening.) Since it was still very early in the morning, it may be realized that he had lost all idea of his whereabouts. Nevertheless, he sat at the piano keyboard and played tremendously difficult compositions by Liszt and Brahms—compositions which compelled his hands to leap from one part of the keyboard to the other as in the case of the Liszt Campanella. He never missed a note until he lost his balance upon the piano ...
— Great Pianists on Piano Playing • James Francis Cooke
... with Brahms, and she was not unwilling, at my suggestion, to go over and over the Three Rhapsodies. On the Third Intermezzo she was at her best, and a ...
— The Mutiny of the Elsinore • Jack London
... personality of a genius? Let any one in doubt try the following experiment: copy out some 'favourite tune' in the 'admired manner' of the present day, and show it to some musician who may happen not to know it, and ask him if it is not by Brahms; then see how he will receive any further remarks that you may make to him on the subject ...
— A Practical Discourse on Some Principles of Hymn-Singing • Robert Bridges
... sing best of all, Beta. How often you've sung it to me! Remember, at the bungalow, how I used to lay my head in your lap while you played with my Samsonesque locks and sang me to sleep? Let's see—Brahms's 'Wiegenlied.' Cradle-song, eh? A little premature; that's coming later. Eh? Found it, by Jove! Here we are, the March itself, so help me! ...
— Darkness and Dawn • George Allan England
... Major hears Sally's half of an interview, apparently through a keyhole. "I shan't open the door ... two bolts and a key and a chain—the idea! What is it?... My pocky-anky?... Keep it, it won't bite you ... send it to the wash!... No, really, do keep it if you don't mind—keep it till Brahms on Thursday. Remember! Good-night." But it isn't quite good-night, for Sally arrests departure. "Stop! What a couple of idiots we are!... What for?—why—because you might have stuffed it in the letter-box all along." And the incident closes ...
— Somehow Good • William de Morgan
... took its course and, at the end of it, Elly and Richard played as a duet Beethoven's [Footnote: Query—Brahms (translator's note).] "Festival Overture" which was intended by them to be a birthday surprise ...
— Bertha Garlan • Arthur Schnitzler |
