"Bestiary" Quotes from Famous Books
 ... in modum venenis cornu ejus adversari creditur."—De Subtilitate, p. 315. Sir Thomas Browne (Vulgar Errors, Bk. iii. 23) deals at length with the pretended virtues of the horn, and in the Bestiary of Philip de Thaun (Popular Treatises on Science during the Middle Ages) is given an account of the many ...
— Jerome Cardan - A Biographical Study • William George Waters
... the type case for a whole bestiary of nonce particle names, including the 'clutron' or 'cluon' (indivisible particle of cluefulness, obviously the antiparticle of the bogon) and the futon (elementary particle of {randomness}, or sometimes of lameness). These are not so much ...
— The Jargon File, Version 4.0.0
... of the figures, and our plan was that each finished his tale of work at some amazing beast, so that we could make no mistake. Some of the panels were circles, and they were filled in with coats-of-arms; some were squares and they contained a bestiary of that day. It was hard indeed to decide whether the circles or the squares were more interesting. The former had the arms of every family in Scotland that had the remotest connection with the Carnegies, and besides swept in a wider field, comprising David, King of Israel, who was placed ...
— Kate Carnegie and Those Ministers • Ian Maclaren
... there is a fourteenth century linen cloth of German workmanship, upon which occurs the legend of the unicorn, running for protection to a maiden. An old Bestiary describes how the unicorn, or as it is there called, the "monocerus," "is an animal which has one horn on its head: it is caught by means of a virgin." The unicorn and virgin, with a hunter in pursuit, is quite a favourite bit of symbolism ...
— Arts and Crafts in the Middle Ages • Julia De Wolf Addison
... detail, the rose windows, the bell towers bristling with crosses, the kings, patriarchs, prophets, saints, angels of all the orders, the whole monstrous army of demons or chimeras, nailed, scaled, tushed, hideously winged; guivres, taresques, gargoyles, asses' heads, apes' muzzles, all the strange bestiary of the Middle Age." Nanteuil furnished illustrations for the books of the French romanticists. "Hugo's' Notre-Dame de Paris' was the object of his most fervent admiration, and he drew from it subjects for a large number of designs and aquarelles." Gautier mentions, as among his rarest vignettes, ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... the "Manuel"[342]; a prose translation of that famous "Somme des Vices et des Vertus," composed by Brother Lorens in 1279, for Philip III. of France, a copy of which, chained to a pillar of the church of the Innocents, remained open for the convenience of the faithful[343]; (a bestiary in verse, thirteenth century), devotional writings on the Virgin, legends of the Cross, visions of heaven and hell[344]; a Courier of the world, "Cursor Mundi," in verse,[345] containing the history of the Old and New Testaments. A multitude ...
— A Literary History of the English People - From the Origins to the Renaissance • Jean Jules Jusserand
... approached. He tamed a veritable wolf to keep him company like a dog. It was the first of many ambiguous circumstances about him, from which, in the minds of an increasing number of people, a deep suspicion and hatred began to define itself. The rich bestiary, then compiling in the library of the great church, became, through his assistance, nothing less than a garden of Eden—the garden of Eden grown wild. The owl alone he abhorred. A little later, almost as if in revenge, alone of all animals it clung to him, haunting him persistently ...
— Imaginary Portraits • Walter Horatio Pater |
