"Aria" Quotes from Famous Books
 ... action and movement of the play grew out of the making of the verses and the music. He was likewise prompted to compose in the prevailing forms of music, and produced a sonata, a string quartet, and an aria. ...
— Life of Wagner - Biographies of Musicians • Louis Nohl
... influence on Zambinella, for he turned his eyes at last in Sarrasine's direction, and his divine voice faltered. He trembled! An involuntary murmur escaped the audience, which he held fast as if fastened to his lips; and that completely disconcerted him; he stopped in the middle of the aria he was singing and sat down. Cardinal Cicognara, who had watched from the corner of his eye the direction of his protege's glance, saw the Frenchman; he leaned toward one of his ecclesiastical aides-de-camp, ...
— Sarrasine • Honore de Balzac
... up, and rendered the prima donna quite as effectively, interjecting "The Last Rose of Summer" as an aria in a manner that would have been encored in San Francisco. He responded with a few staccato notes, and the scene ended by their rushing into each other's arms and waltzing down the stage ...
— Lippincott's Magazine, Vol. 22, November, 1878 - of Popular Literature and Science • Various
... part of the evening was over, and to cover her confusion offered to sing something of her own composing, the Mother Goose rhyme of "Little Tommy Tucker Sings for His Supper," arranged as an operatic recitative and aria. The humor of this performance penetrated even to the remotest fastnesses of the staid cathedral circle, and the palace party ended in something that positively resembled merriment, a consummation not always to be reached in gatherings ...
— Ladies-In-Waiting • Kate Douglas Wiggin
... Malaria, (Italian, mal'aria, bad air,) a noxious vapor or exhalation; a state of the atmosphere or soil, or both, which, in certain regions, and in warm weather, produces ...
— A Treatise on Domestic Economy - For the Use of Young Ladies at Home and at School • Catherine Esther Beecher
... la terazza, volgendosi distrattamente verso la parte da veniva la voce Zanetto col liuto a tracolla, e trascinando per l'erta il mantello, entra con aria ...
— Zanetto and Cavalleria Rusticana • Giovanni Targioni-Tozzetti, Guido Menasci, and Pietro Mascagni
... Francis's sermon to the birds in the valley of Bevagna (Fioretti xvi.): "Ancora gli (a Dio) siete tenuti per lo elemento dell' aria che egli ha diputato a voi ... e Iddio vi pasce, e davvi li fiumi e le fonti per vostro bere; davvi li monti e le valli per vostro rifugio e gli alberi alti per fare li vostri nidi ... e pero guardatevi, sirocchie mie, del peccato della ingratitudine, e sempre vi studiate di lodare Iddio ...
— Renaissance Fancies and Studies - Being a Sequel to Euphorion • Violet Paget (AKA Vernon Lee)
... tone of my voice; had lowered to the barytone, impelled always by my desire to accomplish something, I took lessons in music from the Maestro Terziani, and appeared at a benefit with the famous tenor Boucarde, and Signora Monti, the soprano, and sang in a duet from "Belisaria," the aria from "Maria di Rohan,"and "La Settimana d'Amore," by Niccolai; and I venture to say that I was not third best in that triad. But I recognised that singing and declamation were incompatible pursuits, since the method ...
— [19th Century Actor] Autobiographies • George Iles
... brilliant audience, anxiously awaiting its arising, and the appearance of Duprez. The curtain does rise; the orchestra are active; Duprez has bowed her thanks to an applauding concourse; and the opera is half concluded: when, just as the theatre is hushed into death-like silence for the great aria which is to test Duprez's capacity and power, a mad impulse seizes hold of me. I have an intense desire to yell. I feel as if my life and my eternal happiness depend upon my emulating a wild Indian, or a London 'coster' boy. I look round on the ...
— Harper's New Monthly Magazine, Vol. 3, July, 1851 • Various
... distance from her. Desirous, perhaps, of escaping the praises lavished upon her, or, it may be, yielding to a real desire, she approached the young man, drew him towards the piano, and insisted upon his singing an Italian aria. ...
— The Amulet • Hendrik Conscience
... was of short duration. Scarcely had Kircher finished the first grand aria, before the door opened, and the chamberlain of the day presented himself. Leopold frowned, and, raising his head, asked somewhat impatiently, "Well,—what ...
— Prince Eugene and His Times • L. Muhlbach
... the daughter, has a delightful aria, beginning, "Ah, how sweet coffee tastes—lovelier than a thousand kisses, sweeter far than muscatel wine!" the opening bars of which are ...
— All About Coffee • William H. Ukers
... threads laid down on some geometric fashion on a backing of parchment, working over and connecting the patterns together, and afterwards liberating the entire work from the parchment, thereby making what was known at the time as "punto in aria," or working with the needle-point in the air, literally ...
— Chats on Old Lace and Needlework • Emily Leigh Lowes
... drew near, the manager was eager for its renewal; and finding that she hesitated, he became more and more liberal in his offers. Things were in this state, when Mr. King called upon Madame one day while Rosa was absent at rehearsal. "She is preparing a new aria for her last evening, when they will be sure to encore the poor child to death," said Madame. "It is very flattering, but very tiresome; and to my French ears their 'Bis! Bis!' sounds too much like ...
— A Romance of the Republic • Lydia Maria Francis Child
... dramatic art, and is founded upon and contains the greatest and deepest truths of the Christian life. As regards the actual music forms employed, we find, indeed, similar ones in the operas, such as the various forms of recitative, the aria, the duet, and the chorus, and even the scena; but in the sacred works, who are the heroes and heroines? Are they not the instruments of the Divine power, the messengers of the good tidings? And what are the subjects? Are they not the ...
— The Girl's Own Paper, Vol. VIII, No. 357, October 30, 1886 • Various
... Memory, and Recollections of the Arabian Nights, were full of color, fragrance, melody; but they had a dream-like character, and were without definite theme, resembling an artist's studies, or {289} exercises in music—a few touches of the brush, a few sweet chords, but no aria. A number of them—Claribel, Lilian, Adeline, Isabel, Mariana, Madeline—were sketches of women; not character portraits, like Browning's Men and Women, but impressions of temperament, of delicately, differentiated types of feminine ...
— Brief History of English and American Literature • Henry A. Beers
... prolong the division of profits till that time. All occurred as I wished: as the gaslight began to pale in the library and the shape of the windows was seen dimly behind the curtains, a long cock-a-doodle-doo came from beneath the old gentleman's cloak, followed by a few bars of an aria from Tannhauser, ending with a loud click. A small hand-axe, which we had used to break into the unlucky house, lay between us on the table; I picked it up. The old man seeing that further concealment was useless ...
— The Collected Works of Ambrose Bierce, Volume 8 - Epigrams, On With the Dance, Negligible Tales • Ambrose Bierce
... the concert with a brilliant solo by way of overture, which was duly reported by the musical critic in the shape of a chalk line on the table. The length of the effusion did not matter; a long aria, or a brilliant but spasmodic cadenza, each counted one, and one only. The Bermondsey bird, heedless of the issue at stake, devoted the precious moments to eating, emitting nothing beyond a dyspeptic twitter which didn't count; and ...
— Mystic London: - or, Phases of occult life in the metropolis • Charles Maurice Davies
... thrilled with the supreme pride of a woman in her best clothes—in and out of her best clothes, and liberally illuminated with jewelry. She was now something like a great singer singing the highest note of her master-aria in her best role—herself at once the perfect ...
— The Cup of Fury - A Novel of Cities and Shipyards • Rupert Hughes
... fortunately enough, these have been engraved in an orchestra score. These fragments are uneven in value. The dialogue, or recitative, which should bind them together was lost and so we are unable to judge them fairly. Among the fragments is a brilliant aria on Eurydice which is rather ridiculous, while another on Eurydice dying is charming. We also find music for mysterious English horns; it is written as for clarinets in B flat and reaches heights which are impossible for the instrument we now know as the English horn. There is ...
— Musical Memories • Camille Saint-Saens
... she showed her independence by not putting in an appearance in England until the rehearsals were far advanced. This could not have been pleasing to the composer, but when on her presenting herself at the theatre she flatly refused to sing the aria 'Falsa Immagine' in the way Handel had written it, he burst into a rage, and seizing her in his arms, cried: 'Madam, you are a very she-devil, but I vill have you know dat I am Beelzebub, de prince of devils!' ...
— Story-Lives of Great Musicians • Francis Jameson Rowbotham
... a bright gray tailor-made suit and a red satin waist; wears a broad-brimmed straw hat, very fashionable; her hair is blonde, of a reddish tint; her whole appearance is very dainty; she is singing an aria from the opera "Mignon") "Ha-ha-ha! Is 't true, really true?" (While singing she is all the time making a motion as if she were beating the dust out of her riding suit ...
— The Lonely Way—Intermezzo—Countess Mizzie - Three Plays • Arthur Schnitzler
... with undesirable citizens, white and black, and the trainmen had been earnest abettors in the injury and insult offered them. From Wilmington to Weldon at every stop crowds waited to do injury, if possible, to "Nigger" and radical refugees. Thomas Miller, Aria Bryant and other citizens had been taken off and jailed at Goldsboro, and one man in trying to escape was ...
— Hanover; Or The Persecution of the Lowly - A Story of the Wilmington Massacre. • David Bryant Fulton
... give the music, but his voice failed. So he disappeared behind the closing door, humming the aria of the splendid singer which he had ...
— The Argonauts • Eliza Orzeszko (AKA Orzeszkowa)
... the face of the sea almost touching, The boy ecstatic, with his bare feet the waves, with his hair the atmosphere dallying, The love in the heart long pent, now loose, now at last tumultuously bursting, The aria's meaning, the ears, the soul, swiftly depositing, The strange tears down the cheeks coursing, The colloquy there, the trio, each uttering, The undertone, the savage old mother incessantly crying, To the boy's soul's questions ...
— Leaves of Grass • Walt Whitman
... the aria, Gifford Barrett left them and, a moment later, came forward to the conductor's desk. Applause, a hush, then the orchestra gave out the low, ominous chords of the introduction before the violins took up the opening theme which repeated itself, met another theme, ...
— Phebe, Her Profession - A Sequel to Teddy: Her Book • Anna Chapin Ray
... agreeable sensation following upon digestion. When he left the dining-room Kemper was already humming a little Italian air, and it was not until he was seated, with his cigar, in an easy chair upon his hearthrug, that he suddenly recognised the music as a favourite aria of Madame Alta's. He had heard her sing it a hundred times, and he recalled now that she had a trick of throwing her head back as the notes issued from her round, white throat, until her beautiful, though coarsened face, was seen in an admirable foreshortening, while her eyes were shadowed by her ...
— The Wheel of Life • Ellen Anderson Gholson Glasgow
... engagement, forwarded by the Austrian consul at Patras to the consul-general in the Ionian islands, which was captured by the Greeks, the following is the account given by the Austrians:—"Il commandante della flottiglia Ottomana con terzo del Vapore ando per aria, avendogli questo gettato una granata in ...
— Blackwood's Edinburgh Magazine, Volume 58, Number 360, October 1845 • Various
... though one employs spies, one does not therefore act that part one's-self, but on emergencies,—an unwillingness which would not, however, prevent my turning to advantage the information gained; but here, to listen to this rehearsal of woes and blisses, this ah mon Fernand, this aria in an area, growing momently more fervent, was too much. I overturned the cask, scrambled upon my feet, and fled from the cellar, leaving the astounded lovers to follow, while, agreeably to my instincts, and regardless of the diamond, I escaped ...
— Atlantic Monthly Vol. 3, No. 16, February, 1859 • Various
... 'Revue Horticole' (Dec. 1, 1866, p. 457), an extraordinary case. He twice inserted grafts of the Aria vestita on thorn-trees (epines) growing in pots; and the grafts, as they grew, produced shoots with bark, buds, leaves, petioles, petals, and flower-stalks all widely different from those of the Aria. The grafted shoots were also much hardier, and flowered earlier, than those on the ...
— The Variation of Animals and Plants Under Domestication, Vol. I. • Charles Darwin
... burden, He could have done it in no way more strengthening and consoling to me. To receive it from the hands of His Vicar, and from Pius IX, and after long invocation of the Holy Ghost, and not only without human influences, but in spite of manifold aria powerful human opposition, gives me the last ...
— Eminent Victorians • Lytton Strachey
... voices they have been singing a dialogue which is most elaborately entitled a "Canzonetta Nuova, sopra un marinaro che da l' addio alla sua promessa sposa mentre egli deve partire per la via di Levante. Sdegno, pace, e matrimonio dilli medesimi con intercalare sull' aria moderna. Rime di Francesco Calzaroni." I give my baiocco and receive in return a smiling "Grazie" and a copy of the song, which is adorned by a wood-cut of a ship ...
— Atlantic Monthly, Vol. 3, No. 18, April, 1859 - [Date last updated: August 7, 2005] • Various
... vireo or two, were our main dependence for daily music, though we were favored occasionally by others. Now the Arkansas goldfinch uttered his sweet notes from the thick foliage of the cottonwood-trees; then the charming aria of the catbird came softly from the tangle of rose and other bushes; the black-headed grosbeak now and then saluted us from the top of a pine-tree; and rarely, too rarely, alas! a passing meadow-lark filled all the grove ...
— A Bird-Lover in the West • Olive Thorne Miller
... aria better played. He had no idea that anyone since Ole Bull's time could play it so well. Really, the surprises of this wonderful city were becoming greater to him every hour. Nathan, too, had caught the infection ...
— The Fortunes of Oliver Horn • F. Hopkinson Smith
... back here after my first season in St. Petersburg and London the curé requested me to sing at our local fête. I gladly consented, and, standing by his side on the steps of the Mairie, gave the great aria from the Huguenots in my best manner. To my astonishment the performance was received in complete silence. ‘Poor Calvé,’ I heard an old friend of my mother’s murmur. ‘Her voice used to be so nice, and now it’s all gone!’ Taking in the situation at a glance, I threw ...
— The Ways of Men • Eliot Gregory
... somewhat unusually. "The same price, if you please, Signor." The Cardinal's agent, for such I guessed this tender-hearted individual before us to be, flashed a keen sudden glance of mingled scrutiny and surprise at the calm dignified face of the philosopher, whistled pleasantly a short aria of two notes, apparently with some design of assisting his mental digestion to victory over a tough morsel; and then turning to an iron-bound cashbox at his elbow, unlocked it, and produced therefrom the stipulated sum, which he counted out with much celerity, and forthwith ...
— Dreams and Dream Stories • Anna (Bonus) Kingsford
... strong poetical sensitiveness. His work is even more poetical than musical. The suppression of the lyrical element, and therefore of melody, is with him a systematic parti pris. No more duos or trios; monologue and the aria are alike done away with. There remains only declamation, the recitative, and the choruses. In order to avoid the conventional in singing, Wagner falls into another convention,—that of not singing at all. He subordinates the voice to articulate ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 2 • Charles Dudley Warner
... Covent Garden, usually reserved, except to old-established favorites, seemed wrapped in more than their conventional coldness on that particular evening. Ere long, however, indeed before she had finished the opening aria, a change manifested itself in the feelings of all present. The habitues looked round in astonishment, and people near me almost held their breath in amazement. The second act followed, and to surprise quickly succeeded delight, for when in the third act she threw all her vocal and ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various
... from him," said Goethe, "in which he complains that the performance of the oratorio of the Messiah was spoiled for him by one of his female scholars, who sang an aria too weakly and sentimentally. Weakness is a characteristic of our age. My hypothesis is, that it is a consequence of the efforts made in Germany to get rid of the French. Painters, natural philosophers, sculptors, musicians, poets, with but few exceptions, all are weak, and the ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. II • Editor-in-Chief: Kuno Francke
... followed by a light one; a slow, flowing adagio by a bright snappy scherzo; a tragic and emotionally taxing song like the Erl-King by a sunny and optimistic lyric; a song or a group of songs in major possibly relieved by one in minor; a coloratura aria by a song in cantabile style; a group of songs in French by a group in English; a composition in severe classic style by one of romantic tendency, et cetera. These contrasting elements are not, ...
— Essentials in Conducting • Karl Wilson Gehrkens
... the necessary rerouting around the affected area, threatened disruption of the entire organism and the further disintegration of the city's already weakened coordination. The values of realestate dropped, houses were sold for a song, officebuildings for an aria, hotels ...
— Greener Than You Think • Ward Moore
... to approach since the woods prevented observation and motor cars could get right up into the woods itself. While standing in Ploegsteert woods by the car one day I heard somebody singing an aria from Faust; the voice was magnificent and evidently that of a highly trained singer who had sung in grand opera; I listened with great delight while he sang with the utmost abandon, and when he stopped, I watched for the owner ...
— On the Fringe of the Great Fight • George G. Nasmith
... 'Era costui al presente di anni 18 o 19; ancora non se radeva barba; e mostrava tanta forza e tanto ardire, e era tanto adatto nel fatto d' arme, che era gran maraveglia; e iostrava cum tanta gintilezza e gagliardia, che homo del mondo non l' aria mai creso; et aria dato con la punta de la lancia in nel fondo d' uno bicchiere da la mattina a la ...
— Sketches and Studies in Italy and Greece, Complete - Series I, II, and III • John Symonds
... seat before the instrument, and played the symphony of an aria from "Favorite," which Salome placed on the piano-board. Barilli had assured her that she rendered this fiery burst of rage and hatred as well as he had ever heard it; and, folding her fingers tightly around each other she drew herself up to her ...
— Vashti - or, Until Death Us Do Part • Augusta J. Evans Wilson
... or environment led (though this is disputed by etymologists) to the further use of the word "air'' to mean "manner'' or "appearance''; and so to its employment (cf. Lat. modus) in music for "melody.'' (See ARIA.) ...
— Project Gutenberg Encyclopedia
... 'Tannhaeuser.' Musically 'Lohengrin' marks the culminating point of Wagner's earlier manner. All the links with the Italian school are broken save one, the concerted finale. Here alone he adheres to the old tradition of cavatina and cabaletta—the slow movement followed by the quick. The aria in set form has completely disappeared, while the orchestra, though still often used merely as an accompaniment, is never degraded, as occasionally happens in 'Tannhaeuser,' to the ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild
... on the altar; then another—and the tale unfolds. Francesco, sorrowing over his lost love, Maria, observes the Father Confessor enter the Confessional and, reminded of his too worldly thoughts, kneels and sings an aria, "The Confession," in which the tragedy of his ...
— The Dead Men's Song - Being the Story of a Poem and a Reminiscent Sketch of its - Author Young Ewing Allison • Champion Ingraham Hitchcock
... there was the low and murmuring music of a country that was at peace because it was empty of men. Everywhere was the rippling sound of running water, and he heard strange sounds that he knew was life; the twittering of a rock-sparrow, the silver-toned aria of a black-throated thrush down in the fen, the shrill paean of a gorgeously coloured Canada jay exploring for a nesting place in a brake of velvety balsam. And then, far over his head, a screaming cry that made him shiver. It was instinct again that told him in that cry was danger. Noozak looked ...
— Nomads of the North - A Story of Romance and Adventure under the Open Stars • James Oliver Curwood
... had her first note fallen upon their ears, however, before their wonder and astonishment were manifest in an interchange of glances and words of approval; and the hearty applause that responded to the first verse she sang was good evidence of the satisfaction she afforded. The aria, 'O native scenes!' was loudly encored; and in response she gave the pretty ballad, 'When stars ...
— Music and Some Highly Musical People • James M. Trotter
... in addition to these qualities, it has also at least one thought (part 1) which contains something of the sweet ring of Chopinian melancholy. The trio of the Polonaise is headed by the words: "Au revoir! after an aria from 'Gazza ladra'." Two foot-notes accompany this composition in the Breitkopf and Hartel edition (No. 16 of the Posthumous Works). The first says that the Polonaise was composed "at Chopin's departure from [should be 'for'] Reinerz"; and the second, in connection with ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... country. He visited Oxford and London, and was received by scientific men as a conquering hero. He saw Garrick act and heard George Frederick Handel, where the crowd was so great that a notice was posted requesting gentlemen to come without swords and ladies without hoops. Handel composed an aria in his honor. ...
— Little Journeys to the Homes of the Great - Volume 12 - Little Journeys to the Homes of Great Scientists • Elbert Hubbard
... long yarns won't bore you. I put down what seems new and amusing to me at the moment, but by the time it reaches you, it will seem very dull and commonplace. I hear that the Scotchman who attacked poor Aria, the crazy Hottentot, is a 'revival lecturer', and was 'simply exhorting him to break his fiddle and come to Christ' (the phrase is a clergyman's, I beg to observe); and the saints are indignant that, after executing the pious purpose as far as the fiddle went, he was prevented by the ...
— Letters from the Cape • Lady Duff Gordon
... of ridge bare, northern thickety, consisting of Rhododendron fruticosum, foliis ellipticis basi cordatis punctato lepidotis, Salix, Berberis, Pyrus aria, Bambusa, Tetranthera. ...
— Journals of Travels in Assam, Burma, Bhootan, Afghanistan and The - Neighbouring Countries • William Griffith
... chancellor paused. She was singing. It was the same aria he had heard that memorable night when he found her in ...
— The Goose Girl • Harold MacGrath
... act, after a passionate aria ("Il pianto rasciuga") by Elvira, we are introduced to the market-place, crowded with market-girls and fishermen disposing of their fruits and fish. After a lively chorus, a fascinating and genuine Neapolitan tarantelle ...
— The Standard Operas (12th edition) • George P. Upton
... the art as a false antithesis wrecks a philosophy. Perhaps the only great composers who escaped the direct influence of Bach are Gluck and Berlioz. Even Gluck reproduced in every detail of harmony and figure the first twelve bars of the Gigue of Bach's B flat Clavier-Partita in the aria "Je t'implore et je tremble" in Iphigenie en Tauride. But plagiarism, however unconscious, is a very different thing from that profound indebtedness which makes a great man attain his truest originality; and Gluck's training practically ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 1 - "Austria, Lower" to "Bacon" • Various
... case to this in musical history. Grimm tells us, as one of the most remarkable manifestations of Mozart's infant genius, that at the age of nine he was required to give an accompaniment to an aria which he had never heard before, and without notes. There were false accords in the first attempt, he acknowledges; but the second was pure. When the music to which Tom plays secondo is strictly classical, he sometimes balks for an instant in passages; ...
— Atlantic Monthly, Vol. 10, No. 61, November, 1862 • Various
... Titian drew the designs for one of these books for "punti tagliati." The laces made in the Greek islands probably owe their origin to Venice, showing the same "punti in aria." ...
— Needlework As Art • Marian Alford
... the rest of the ludicrous adventures are carried off in unfailing good humor. The scene finally changes to the rescuing ship. Here a most hilarious hornpipe is interrupted by the distant call of Gulliver's aria, and the rescue ...
— Contemporary American Composers • Rupert Hughes
... revert to the Indians. That meant ruin to large numbers of those who had put their faith in his star, or else it meant renewed conflict either with the Indians or with the parent State. The probabilities aria that Sevier hoped to play the Spaniards against the Easterners who, even while denying the Westerners' contention that the mountains were a "natural" barrier between them, were making of them a barrier of indifference. It would seem so, because, ...
— Pioneers of the Old Southwest - A Chronicle of the Dark and Bloody Ground • Constance Lindsay Skinner
... quattro principali, Che son la Terra, e l'Acqua, e l'Aria, e'l Foco, Composti sono gli universi Animali, Pigliando di ciascuno assai o poco." (Dati, La ...
— The Travels of Marco Polo Volume 1 • Marco Polo and Rustichello of Pisa
... master of all varieties and shades of vocal colour, and displayed his mastery with certainty and unfailing effect in the different fields of Oratorio and Opera. In the recitative "Deeper and deeper still," with its subsequent aria "Waft her, angels, through the skies" [Handel], he ranged through the entire gamut of tone-colour. As Edgardo in Donizetti's Lucia di Lammermoor, he launched the "Maladetta" phrase of the curse with a voice that ...
— Style in Singing • W. E. Haslam
... Gallicism; and when Mr. Symonds, after genially comparing Jonson's blank verse to the front of Whitehall (a comparison, by the way, that would have enraged the poet beyond measure) proceeds to play a fantastic aria on the same string, and tells us that 'Massinger reminds us of the intricacies of Sansovino, Shakespeare of Gothic aisles or heaven's cathedral . . . Ford of glittering Corinthian colonnades, Webster of vaulted crypts, . . . Marlowe of masoned ...
— Reviews • Oscar Wilde
... concert to commence with Madame Pasta's grand scena in "Medea," previous to the murder of the children, by Miss Corinna Grouts. 2. Nicholson's grand flute concerto in five sharps, by Mr. Frederick Snodgrass. 3. Grand aria, with variations, guitar, by Miss Euphemia Grouts. 4. Sweet Bird; accompaniment, flute obligato, Miss C. G. and Mr. F. S.—and 5. The Dettingen Te Deum (arranged for three voices, by Mr. F. S.) by Miss Euphemia, Miss Corinna, and Mr. Frederick Snodgrass. The "interstices," as Mr. Bagshaw ...
— Stories of Comedy • Various
... my vexation always, when reading a play, to find its progress constantly being halted and its structure loosened by elaborate explanatory parentheses, that I resolved when I should publish Aria da Capo to incorporate into its text only those explanations the omission of which might confuse the reader or lend a wrong interpretation to the lines. Since, however, Aria da Capo was written not only to be read but also to be acted, and being conscious that the exclusion of the usual ...
— Aria da Capo • Edna St. Vincent Millay
... old man," mused Helene, as she sat in a box that night at the Academy of Music and listened to an aria from "William Tell." "Why do I think of ...
— The Music Master - Novelized from the Play • Charles Klein
... into balls, "pouring out their souls," and entrancing us not only with their suggestive melody, but with graceful and poetical movements, and a beauty of look and bearing that moved one deeply. During the aria both birds stood motionless, one with wings drooping, and accenting every note, the other with tail slightly jerking for the ...
— In Nesting Time • Olive Thorne Miller
... superintendent ushered me into a small and exceedingly neat parlor, containing, among other indications of refined taste, many books, drawings, pots of flowers, and musical instruments. A cheerful fire blazed upon the hearth. At a piano, singing an aria from Bellini, sat a young and very beautiful woman, who, at my entrance, paused in her song, and received me with graceful courtesy. Her voice was low, and her whole manner subdued. I thought, too, that I perceived ...
— The Works of Edgar Allan Poe - Volume 4 (of 5) of the Raven Edition • Edgar Allan Poe
... as follows: When a silent syllable is immediately followed by a word beginning with another vowel, the E mute (by a prolongation of the sound of the penultimate) is suppressed with the next letter. Thus in the aria ...
— Delsarte System of Oratory • Various
... music for representation and comment, and thus, upon the expressive side, music received the highest possible stimulation. At the same time, through the competition of composers for pleasing the ear, there was an ever increasing tendency toward symmetry and graceful forms. And so the aria became, after a little, a piece of vocal display, often entirely opposed to the action, and sometimes foreign to the genius of the scene; still, it was heard for the sake of the pleasure which people have in a skilfully managed voice. Toward the end ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews
... ballad ready on the Golden Dog, which I shall sing to-night—that is, if you will care to listen to me." Jean said this with a very demure air of mock modesty, knowing well that the reception of a new ballad from him would equal the furor for a new aria from the prima donna of ...
— The Golden Dog - Le Chien d'Or • William Kirby
... play a noisy Strauss waltz, which started with such a mighty and rapid trill as made even Gedeonovsky start; in the very middle of the waltz, she abruptly changed into a mournful motif, and wound up with the aria from "Lucia": "Fra poco."... She had reflected that merry music was not compatible with her situation. The aria from "Lucia," with emphasis on the sentimental ...
— A Nobleman's Nest • Ivan Turgenieff
... time for the last selection," he remarked, as he reconnected the aerial. "We'll wind up in the regular way this time. It's an aria from Lucia and I don't ...
— The Radio Boys Trailing a Voice - or, Solving a Wireless Mystery • Allen Chapman
... Risler, and Madame Dobson were together in the salon. While honest Risler turned the leaves of an old handbook of mechanics, Sidonie sang to Madame Dobson's accompaniment. Suddenly she stopped in the middle of her aria and burst into a peal of laughter. The clock had just ...
— Fromont and Risler, Complete • Alphonse Daudet
... GALILEI SONETTO. Mostro son' io piu strano, e piu difforme, Che l'Arpia, la Sirena, o la Chimera; Ne in terra, in aria, in acqua e alcuna fiera, Ch' abbia di membra cosi varie forme. Parte a parte non ho che sia conforme, Piu che s' una sia bianca, e l' altra nera; Spesso di Cacciator dietro ho una schiera, Che de' miei pie van ritracciando l' orme. Nelle tenebre oscure e il mio soggiorno; Che ...
— Notes and Queries, Number 204, September 24, 1853 • Various
... In our more modern maps, there are four other towns or residences on the western coast of the peninsula of Matsaki, named Jemasina, Sirekosawa, Famomoli, and Aria.—E.] ...
— A General History and Collection of Voyages and Travels, Volume IX. • Robert Kerr
... general character occupy a very subordinate place to these particulars. The ultimate principles of beauty, according to which the eye judges 'senza appello,' are for Firenzuola a secret, as he frankly confesses; and his definitions of 'Leggiadria,' 'Grazia,' 'Aria,' 'Maesta,' 'Vaghezza,' 'Venusta,' are partly, as has been remarked, philological, and partly vain attempts to utter the unutterable. Laughter he prettily defines, probably following some old author, as a radiance of the soul. The literature of all countries ...
— The Civilization of the Renaissance in Italy • Jacob Burckhardt
... of the Armenians are in accordance with those of the Greeks. The Armenian Geography applies the name of Cush, or Ethiopia, to the four great regions, Media, Persia, Susiana or Elymais, and Aria, or to the whole territory between the Indus and the Tigris. Moses of Chorene, the great Armenian historian, identifies Belus, King of Babylon, with Nimrod; while at the same time he adopts for him a genealogy only slightly different from that in our present copies of Genesis, making ...
— The Seven Great Monarchies Of The Ancient Eastern World, Vol 1. (of 7): Chaldaea • George Rawlinson
... the Alps probably," he said, "and if not, no matter. It is as really the thing as all the rest: as the chorus of peasants and soldiers, of men and women who impartially accompany the orchestra in the differing sentiments of the occasion; as the rivals who vie with one another in recitative and aria; as the heroine who holds them both in a passion of suspense while she weaves the enchantment of her trills and runs about them; as the whole circumstance of the divinely impossible thing which defies nature and triumphs over ...
— Imaginary Interviews • W. D. Howells
... face glows at them,—like a light behind a mask! It is quite the opera, when he comes. I will sing to him an aria, and then it ...
— Atlantic Monthly, Volume 14, No. 84, October, 1864 - A Magazine Of Literature, Art, And Politics • Various
... his mouse had certain songs for certain occasions. When she had awakened from a long sleep, and had taken some nice food, she would sing her great aria, which he ...
— The Great Round World and What Is Going On In It, Vol. 1, No. 19, March 18, 1897 - A Weekly Magazine for Boys and Girls • Various
... came a dream—a most lovely dream. I was at the opera in Gale Beacon's box, and Mr. G. Bird was out on the stage singing that glorious coo in the aria in Saint-Saens' "Samson and Delilah," and I was trying to answer him. Suddenly I was wide awake sitting up in a billowed softness, while moonlight of a different color was sifting in through the gable windows and the most lovely calling notes were coming in on ...
— The Golden Bird • Maria Thompson Daviess
... for an introduction to this queen of the evening, and when she went to the piano a great hush fell upon the room. She sang melodies, Slavonic airs, that had never before been heard in Paris, and then an aria of a great composer, and when she concluded there was ...
— The Son of Monte Cristo • Jules Lermina
... into aria and recitative in Wagner's operas, but dramatic continuity is retained by the voices of the characters singing music the succession of whose notes is determined by the emotional requirements of the moment. Meanwhile, the orchestra forms a sort of musical background by giving forth music which ...
— War Letters of a Public-School Boy • Henry Paul Mainwaring Jones
... for the last fourteen years on an income of 200 florins, but as he has already done his duty well, and has lately provided a very accomplished singer for the Elector, he has now actually 400 florins. My aria for De' Amicis she sings to perfection ...
— The Love Affairs of Great Musicians, Volume 1 • Rupert Hughes
... possibility of failure; she had at first sung almost unconsciously, under the influence of a glorious excitement like a beautiful dream, but she was now thoroughly aware of what she was doing and sang the intricate music of the aria with a judgment, a discrimination and a perfectly controlled taste which appealed to the real critics much more than all that had gone before. But the applause, though loud, was short, and hardly delayed Margaret's exit ten seconds. A moment later she ...
— Fair Margaret - A Portrait • Francis Marion Crawford
... human sorrow. Of such, however, is not the kind made by young girls, which is at all times a help to the intensity of judicious grief. Let me assure you, with the candor of an idolized friend, that some of the saddest hours of my life have been spent in teaching you to try to sing a humorous aria from DONIZETTI; and the moments in which I have most sincerely regretted ever having been born were those in which you have played, in my hearing, the Drinking-song from La Traviata. Believe me, then, my devoted pupil, there can be nothing at all inconsistent ...
— Punchinello, Vol. 1, No. 26, September 24, 1870 • Various
... academic purposes other than performance, single or multiple copies of excerpts of works may be made, provided that the excerpts do not comprise a part of the whole which would constitute a performable unit such as a section [1], movement or aria, but in no case more than 10 percent of the whole work. The number of copies shall not exceed one copy per ...
— Reproduction of Copyrighted Works By Educators and Librarians • Library of Congress. Copyright Office.
... open, disclose a brilliantly lit conservatory and hall with palms and oleanders in bloom. On the left a heavily curtained window looks out upon the garden; on the right is a closed door. Unseen, an orchestra is playing an aria ...
— The Man from Home • Booth Tarkington and Harry Leon Wilson
... an opera of his own composition before enraptured multitudes is an event that stands to the credit of Mozart, and Mozart alone. "Evviva the Little Master—Evviva the Little Master!" cried the audience. "It is music for the stars," and against all precedent aria after aria had to be repeated. The boy, always rather small for his age, stood on a chair to wield his baton, and the flowers that were rained upon him nearly covered the ...
— Little Journeys to the Homes of the Great - Volume 14 - Little Journeys to the Homes of Great Musicians • Elbert Hubbard
... in 1814, and whom Goethe calls "the happiest man of the century," and the other was composed in honour of the 70th birthday of his friend Zelter the composer, when Goethe was himself more than 79 (1828). The following sweet aria introduced in the latter is, however, ...
— The Poems of Goethe • Goethe
... called an unconscious parody of our old-fashioned Italian opera, and there are certainly many resemblances. In a Chinese play, when the situation becomes tragic, or when one of the characters is seized with some strong emotion, it finds vent in a kind of aria. The dialogue is generally given in the most monotonous manner possible—using only high throat and head tones, occasionally lowering or raising the voice on a word, to express emotion. This monotonous, and to European ears, strangely ...
— Critical & Historical Essays - Lectures delivered at Columbia University • Edward MacDowell
... conscious of there being a full-grown man buttoned up within a boy's ragged coat. The swagger was accompanied by a whistle, whose neat crispness announced habits of leisure and a sense of the refined pleasures of life; for an artistic rendering of an aria from "La Fille de Madame Angot" was cutting the ...
— In and Out of Three Normady Inns • Anna Bowman Dodd
... was of some importance to her. Besides, by craning her neck a little to avoid the hat of the rather strikingly dressed young woman in front of her, she could, at least, see the stage. The programme which she held in one hand announced that Miss Agatha Ismay would sing a certain aria from a great composer's oratorio, and she leaned further forward in her chair when a girl of about her own age, which was twenty-four, slowly advanced to ...
— Hawtrey's Deputy • Harold Bindloss
... lake Urmi; left his home in his thirtieth year, went into the province of Aria, and, during ten years of solitude in the ...
— Thus Spake Zarathustra - A Book for All and None • Friedrich Nietzsche
... which Monsieur de St. Aulaire, who was at the harpsichord, had just begun. It was Blondel's song from Gretry's "Richard Coeur de Lion," about which all Paris was crazy and which Garat sang nightly with a prodigious success at the Opera. This aria Monsieur de St. Aulaire essayed in faithful imitation of the great tenor's manner and in a voice which showed traces of having once been beautiful, but which age and excesses had now broken and rendered harsh ...
— Calvert of Strathore • Carter Goodloe
... kept time to "aria" or "chorus," heard above the witching melody the solemn minor of "St. Mary's," or the tearful tenderness ...
— Winter Evening Tales • Amelia Edith Huddleston Barr
... the extreme, even to the powers of the great singer for whom it was written, and quite sure not to be a favorite with prime donne from its excessive strain upon the voice, particularly in what is the weaker part of almost all soprano registers; and Reiza's first great aria, the first song of the fairy king, and Huon's last song in the third act, are all compositions of which the finest possible execution must always be without proportionate effect on any audience, from the extreme difficulty of rendering them and their comparative want of melody. ...
— Records of a Girlhood • Frances Anne Kemble
... alti guai Risonavan per l' aer senza stelle, Perch' io al cominciar ne lacrimai. Diverse lingue, orribili favelle, Parole di dolore, accenti d' ira, Voci alte e fioche, e suon di man con elle Facevano un tumulto, il qual s' aggira Sempre 'n quell' aria senza tempo tinta, Come la rena quando 'l turbo spira. * * * * * Ed io: maestro, che e tanto greve A lor che lamentar li fa si forte? Rispose: dicerolti molto breve. Questi non hanno speranza di morte." Inferno, ...
— Blackwood's Edinburgh Magazine — Volume 57, No. 351, January 1845 • Various
... hip he had you right. In music, though he had no ears Except for that amongst the spheres, (Which most of all, as he averred it, He dearly loved, 'cause no one heard it,) Yet aptly he, at sight, could read Each tuneful diagram in Bede, And find, by Euclid's corollaria, The ratios of a jig or aria. But, as for all your warbling Delias, Orpheuses and Saint Cecilias, He owned he thought them much surpast By that redoubted Hyaloclast[7] Who still contrived by dint of throttle, Where'er he went to crack ...
— The Complete Poems of Sir Thomas Moore • Thomas Moore et al
... Perfida incantatrice, empia Megera Tesifone d'Inferno, Arpia del' mondo; T ben' veder potrai Guizzar nell'aria i pesci; Gl' augei volar nell'onde; Farsi gelido il fuoco, Brugiar il gelo, ed' appianarsi i monti, E alle nubi salir, le valli, e gl'antri; M far' gi non potrai Ch' il feruido desio Mai si stanchi ...
— Amadigi di Gaula - Amadis of Gaul • Nicola Francesco Haym
... Prince's Hall, Mr. Whistler made his first public appearance as a lecturer on art, and spoke for more than an hour with really marvellous eloquence on the absolute uselessness of all lectures of the kind. Mr. Whistler began his lecture with a very pretty aria on prehistoric history, describing how in earlier times hunter and warrior would go forth to chase and foray, while the artist sat at home making cup and bowl for their service. Rude imitations of nature they were first, like the gourd bottle, till the sense of beauty and form developed ...
— Miscellanies • Oscar Wilde
... melody, tune, descant, aria, song; publicity, vent; appearance, look, bearing, mien, ...
— Putnam's Word Book • Louis A. Flemming
... brighten even the brightest scene (L am P) I very nearly an ostrich had been (E m U) I with a hood once pass'd all my days (M aria N) I am a fop in a play of all plays (O sri C) To its greatness the city of Bath I ...
— The History of "Punch" • M. H. Spielmann
... example of the rich broken rhythms of the English Bible, the example of Ossian, Blake, and many another European experimenter during the Romantic epoch, Whitman really succeeded in elaborating a mode of poetical expression, nearer for the most part to recitative than to aria, yet neither pure declamation nor pure song: a unique embodiment of passionate feeling, a veritable "neutral zone," which refuses to let itself be annexed to either "prose" or "verse" as those terms are ordinarily understood, but for which "free verse" is precisely the right expression. ...
— A Study of Poetry • Bliss Perry
... suffered a great and visible alteration, (Reflexions sur la Poesie et sur la Peinture, part ii. sect. 16.) * Note: This question is discussed at considerable length in Dr. Arnold's History of Rome, ch. xxiii. See likewise Bunsen's Dissertation on the Aria Cattiva Roms Beschreibung, ...
— The History of The Decline and Fall of the Roman Empire - Volume 6 • Edward Gibbon
... the Count, "that there was one of his songs in particular which was called the 'Husbands' Air'—L'Aria dei Marit—because they didn't enjoy it quite as much as their better-halves.... My grand-aunt, Pisana Renier, married to the Procuratore Vendramin, was a patrician of the old school, of the style ...
— Hauntings • Vernon Lee
... at that conclusion, Gustave Rameau felt the touch of a light, a soft, a warm, yet a firm hand, on his aria. He turned, and beheld the face of the woman whom, through so many dreary weeks, he had sought to shun—the face of Julie Caumartin. Julie was not, as Savarin had seen her, looking pinched and wan, with faded robes, nor, as when met in the cafe by Lemercier, in the faded ...
— The Parisians, Complete • Edward Bulwer-Lytton
... those hard questions? For if you are,' said Caper, 'I will answer you thus: A fishwoman passing along a street in Philadelphia one day, heard from an open window the silver-voiced Brignoli practising an aria, possibly from the Traviata: 'That voice,' quoth she, 'would be a fortune for ...
— The Continental Monthly , Vol. 2 No. 5, November 1862 - Devoted to Literature and National Policy • Various
... 'Vuol' dire che hai l'aria dolorosa,' cried Maria, like a chorus interpreting. And there was always a sort of loud ring of challenge somewhere ...
— Twilight in Italy • D.H. Lawrence
... l'aria era bianchissima.' Perhaps this ought to be: 'and the air blazed with lightnings.' Goethe takes ...
— The Autobiography of Benvenuto Cellini • Benvenuto Cellini
... like a well-spun peg-top, striking a few villanous chords by way of accompaniment Krespel laughed outrageously and screamed, "Ha! ha! methinks I hear our German-Italians or our Italian-Germans struggling with an aria from Pucitta,[5] or Portogallo,[6] or some other Maestro di capella, or rather schiavo d'un primo uomo."[7] Now, thought I, now's the time; so turning to Antonia, I remarked, "Antonia knows nothing of such singing as that, I believe?" ...
— Weird Tales. Vol. I • E. T. A. Hoffmann
... had miscarried. The reconciliation, so cleverly planned, would not take place. Hemerlingue did not want it. If only the duke did not break his word! It was getting late. La Wauters, who was to sing the "Night" aria from the Magic Flute, after the performance at her theatre, had just arrived all muffled up in her ...
— The Nabob, Volume 1 (of 2) • Alphonse Daudet
... tempo, e l' aria scura Divenne chiara, e il ciel tutto sereno, E aspro monte si fece pianura; E dove prima fa di spine pteno, Se coperse de fiori e de verdura: E Uagedar dell' altra veni La qual, con miglior viio che non mole, Verso del Conte usava tel parole. ...
— Gryll Grange • Thomas Love Peacock
... Holle Rache, etc., then Hebe sich, etc., then Ach, Ich liebte, etc. In this embarrassment, I propose, Ein Veilchen auf der Wiese, etc. But she is for the heroic style; she wants to make a display, and finally selects the aria in Constantia. ...
— Hyperion • Henry Wadsworth Longfellow
... the Damned drank and said, "Brave, O desire of hearts! But thou owest me still another aria." Then he filled the cup and signed to her to sing. Quoth she, "Hearkening and obedience, and chanted ...
— Supplemental Nights, Volume 2 • Richard F. Burton
... valiantly snatched away from the great devil of Mindanao. I was caused some anxiety by the coming that Saturday morning of a certain Moro, who appeared, his whole body covered with mud, and came up the river in a small boat with two fowls, asking to be taken to the seor Aria (for thus they call the governor of these islands, this word meaning "king" in their language), for he wished to present the fowls to him with his own hand. Questioned as to the cause and motive for his coming, he said he was driven by hunger and necessity, because they ...
— The Philippine Islands, 1493-1898 (Vol 27 of 55) • Various
... singing, but silence was obtained with greater difficulty. The aria selected was a duet from La Favorita, sung by young Monsieur Tissot and a lady of ripened charms, whose hair was dressed in childish style. Pauline, standing at one of the doors, amidst a crowd of black coats, gazed at the male singer with a look of undisguised admiration, ...
— A Love Episode • Emile Zola
... are mostly vocal, for school and church use, though some are of a gay and playful nature. The best remembered of his secular and sacred styles are his blithe aria to the song of Moore, "Life let us cherish, while yet the taper glows" and the sweet ...
— The Story of the Hymns and Tunes • Theron Brown and Hezekiah Butterworth
... harmonies, sounding so strangely beautiful to ears accustomed only to the severity of the polyphonic school, and his delicious and affecting melodies, sometimes rising almost to the dignity of an aria, must have seemed something more than human to the eager Venetians as they listened for the first time to music as rich in colour as the gleaming marbles of the Ca d'Oro or the radiant canvases of Titian ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild
... through the chill dim corridors that had formerly so appalled Beryl's soul, and upon the steps of the chapel, both paused to listen. On the small cabinet organ, a skilful hand was playing a grand and solemn aria, which Leo had heard once before in the cool depths of Freiburg Cathedral. It had impressed her then most powerfully, as the despairing invocation of some doomed Titan; to-day it thrilled her with keen and intolerable pain. Waving the ...
— At the Mercy of Tiberius • August Evans Wilson
... Metaphysics and spiritualism rise dimly out of the charm of this book. There is a duchess who mews like a cat and somewhere we are assured that Perche non posso odiarte from La Sonnnambula is the most beautiful aria in the Italian repertory. Here is a true and soul-revealing epigram: "The best way to master a subject of which you are ignorant is to write it up." Certainly not Saltus at his best, this opus, but far from ...
— The Merry-Go-Round • Carl Van Vechten
... different——" She arose abruptly. "I must go now. Come into the concert, I'm going to sing." She glanced at him in a sad, half-smiling way. "I can't sing If I Were a Voice for you, but perhaps you'll like my aria better." ...
— The Eagle's Heart • Hamlin Garland
... anathematized, and a graphic description given of the poor degraded women who had lost the one jewel in their crown. It is needless to say that both Mrs. Hazelton and her paramour felt exceedingly uncomfortable during this discourse; the former who was to have sung a brilliant aria at its close, grew deadly pale, and had to leave the room. The lecturer requested Mr. Grandison to substitute a piano solo, but strange to say, he was unable to perform anything without notes, so the announcement ...
— The Mysteries of Montreal - Being Recollections of a Female Physician • Charlotte Fuhrer
... shade. [Footnote: The text of this chapter is given in facsimile on Pls. XXXVI and XXXVII. The two halves of the leaf form but one in the original. On the margin close to lines 4 and 5 is the note: rossore d'aria inverso l'orizonte—(of the redness of the atmosphere near the horizon). The sketches on the lower portion of the page will be spoken of in ...
— The Notebooks of Leonardo Da Vinci, Complete • Leonardo Da Vinci
... Mabel sat on his knee and explained everything to him, and they were all very happy together. Their merriment was so infectious that it extended to the poor giantess, who had been very pensive all day at the prospect of losing her good place, and who now raised her voice in the grand aria from "Orfeo," and made the kitchen ring with the passionate demand "Che faro senza Eurydice?" The splendid notes, full of fire and lamentation, rang out across the saucepans as effectively as if they had been footlights; and Katy, rising softly, ...
— What Katy Did Next • Susan Coolidge
... resting—myself, my guides, and their mules—on a road from Sciacca to Girgenti, at a tavern in the miserable village of Monte-Allegro, whose inhabitants, consumed by the mal aria, continually shiver in the sun. But nevertheless they are Greeks, and their gaiety triumphs over all circumstances. A few gather about the tavern, full of smiling curiosity. One good story would ...
— The Crime of Sylvestre Bonnard • Anatole France
... defended passed out to execution. The tenth knock-out in the prize ring received by the professional pugilist was followed by the immediate sequestration of his fee for that particular encounter, and the tenth aria vibrating from the lips of a prima donna was either compounded for at a certain rate or taken in kind by the official who attended at every performance of ...
— First and Last • H. Belloc
... recourse to clay, and formed a tall figure which represented Antinous as the youthful Bacchus, as the god might have appeared to the pirates. A mantle fell in light folds from his left shoulder to his ankles, leaving the broad breast and right aria entirely free; vine-leaves and grapes wreathed his flowing locks, and a pine-cone, flame-shaped, crowned his brow. The left arm was raised in a graceful curve, and his fingers lightly grasped a thyrsus which rested on the ground and stood taller than the god's head; by the ...
— Uarda • Georg Ebers
... hearers, and she had been used to unmingled applause. She had the rare advantage of looking almost prettier when she was singing than at other times, and that Herr Klesmer was in front of her seemed not disagreeable. Her song, determined on beforehand, was a favorite aria of Belini's, in which she felt ...
— Daniel Deronda • George Eliot
... angustifolium), Mitcheldean Meand. Petty Whin (Genista Anglica), the waste between the Dampool and the Speech House. Gromwell (Lithospermum officinale), throughout the Forest. Bee Orchis (Ophrys apifera), road to Bishopswood. Services (Pyrus pinnatifida and aria), Bicknor Rocks. Barberry (Berberis vulgaris), Bicknor Rocks. Cotyledon umbilicus, Purlieu Road. Narcissus biflorus, Hope Mansel. Mentha ...
— The Forest of Dean - An Historical and Descriptive Account • H. G. Nicholls
... more told himself how sorry he felt for Post. At last Miss Ayrshire returned, escorted by her accompanist, and gave the people what she of course knew they wanted: the most popular aria from the French opera of which the title-role had become synonymous with her name—an opera written for her and to her and round about her, by the veteran French composer who adored her,—the last and not the palest flash of his creative fire. ...
— Youth and the Bright Medusa • Willa Cather
... she turned towards the stage. The applause died away, and the contralto once more sang the aria. The melody was simple, the tempo easily followed; it was not a very high order of music. But to Laura it was nothing short ...
— The Pit • Frank Norris
... bars of a piece of music which lay open before her. A half-hour went by. There was the occasional sound of people going and coming in the lower hall. She was growing interested in her occupation of picking out the aria, when there was a second rap at the door. She vaguely wondered what these people did when they found ...
— The Awakening and Selected Short Stories • Kate Chopin
... The Gluck aria, which Mme. Homer has made famous, was effectively cited by the critic Hanslick to show that in vocal music the subject is determined only by the words. ...
— The So-called Human Race • Bert Leston Taylor
... eyes turned immediately toward him, and when he bent forward from his box, and seemed to greet the audience with his merry eyes and winning smile, there arose a storm of applause as though a favorite singer had just concluded an aria di bravura and received the thanks of the enraptured listeners. Suddenly, however, the loud applause died away, perhaps because the prince had waved his hands as if he wished to calm this roaring sea—perhaps because the attention of the ...
— LOUISA OF PRUSSIA AND HER TIMES • Louise Muhlbach
... What I foresaw then was also confirmed to a hair, for it proved, as everybody knows, that all the sympathy of the public went in favor of whatever Frau Lind did, so that the so-called Artist- concert on the third day was the most fully attended, because in it there were an aria from "Beatrice di Tenda" and Swedish songs as special attraction—for which marvels the very simplest pianoforte accompaniment was no doubt sufficient.—Should the Committee of Aix-la-Chapelle be minded to take to heart the motto of Hiller's ...
— Letters of Franz Liszt, Volume 1, "From Paris to Rome: - Years of Travel as a Virtuoso" • Franz Liszt; Letters assembled by La Mara and translated
... before her eyes. It was the Manse parlour, the music professor with dirty, claw-like fingers but face alight with rapturous delight playing for her while she sang her first great oratorio aria. She could feel to-day that mysterious thrill in the dawning sense of new powers as the old man, with his hands upon her shoulders, cried in his trembling, broken voice, "My dear young lady, the world will listen to you some day!" That was the beginning of her great ambition. That ...
— The Doctor - A Tale Of The Rockies • Ralph Connor
... to an organ-lesson—that's why I'm here. For I can't expect a PENSION to keep dinner hot for me till nearly three o'clock—can I? Morning rehearsals are a mistake. What?—you were there, too? Really?—after a night in the train? Well, you didn't get much, did you, for your energy? A dull aria, an overture that 'belongs in the theatre,' as they say here, an indifferently played symphony that one has heard at least a dozen times. And for us poor pianists, not a fresh dish this season. Nothing but yesterday's remains ...
— Maurice Guest • Henry Handel Richardson
... a comical farce. That a man should advance to the piano with far greater confidence than a David, strike with his forefinger the note which he thinks his song should begin with, and then entonner like a thunder-clap (generally a tone or two lower than the pitch), and sing through a long aria without an accompaniment of any kind, except the most wonderful distortions of face, is a thing one must have seen to believe it possible, especially in the presence of at least ...
— Little Memoirs of the Nineteenth Century • George Paston |
