"Adagio" Quotes from Famous Books
 ... independent parts, and two bassoons. Mozart has also used the instrument with great effect in his opera La Clemenza di Tito, where he has written a fine obbligato for it in the aria "Non piu di Flori"; in Zauberfloete; and in chamber music, viz. short adagio for two basset horns and bassoon, and another for two clarinets and three basset horns (Series 10 of Breitkopf & Haertel's complete edition). Beethoven employed it in his Prometheus overture. Mendelssohn used it in military music, and in two concerted ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 - "Banks" to "Bassoon" • Various
... chosen was loftier and stronger. It was the quartet in D minor of Mozart, and the quartet in C major of Beethoven, separated by a Spohr concerto. This last, vivid, and brilliant as a whole, has fire in the allegro, feeling in the adagio, and elegance in the finale, but it is the product of one fine gift in a mediocre personality. With the two others you are at once in contact with genius; you are admitted to the secrets of two great souls. Mozart stands for inward liberty, Beethoven for the power of enthusiasm. The one ...
— Amiel's Journal • Mrs. Humphry Ward
... adagio went fairly successfully though Panshin made more than one false note. His own compositions and what he had practised thoroughly he played very nicely, but he played at sight badly. So the second part of the ...
— A House of Gentlefolk • Ivan Turgenev
... Jimson—I don't believe it sounds as nice as Mrs Forsyth; but then "Gideon" is so really odious! And here is some of his music too; this is delightful. Orange Pekoe—O, that's what he meant by some kind of tea.' And she trilled with laughter. 'Adagio molto espressivo, sempre legato,' she read next. (For the literary part of a composer's business Gideon was well equipped.) 'How very strange to have all these directions, and only three or four notes! O, here's another with some ...
— The Wrong Box • Robert Louis Stevenson and Lloyd Osbourne
... ad agio, at ease), a term in music to indicate slow time; also a slow movement in a symphony, sonata, &c., or an independent piece, such as Mozart's pianoforte "Adagio in ...
— Project Gutenberg Encyclopedia
... to the good pleasure of the author]. With this you will, no doubt, agree, and in consequence we shall, as before, be bound to give "Lohengrin" without cut and to study the whole finale of the second act of "Tannhauser," with the exception of the little cut in the adagio. This will be done at our next representation. Send me therefore the necessary instructions about the study of the "Flying Dutchman," and be assured that I shall not deviate from them by a ...
— Correspondence of Wagner and Liszt, Volume 1 • Francis Hueffer (translator)
... the general structure of the work. The founding of Christianity, as illustrated in four principal scenes of the life of St. Peter, supplies the material for the dramatic development of the subject. The overture, beginning with an adagio movement in B-flat minor, gives expression to the vague yearnings of that time of doubt and hesitancy when the "oracles were dumb," and the dawning of a new era of stronger and diviner faith was matter of presentiment rather than of definite hope ...
— The Unseen World and Other Essays • John Fiske
... indulge in hysterical laughter occasionally, the control is better brought about. No chance is allowed for repose, poise or sane consideration. When the time seems ripe a general promise of joy is made and the music takes an adagio turn. The speaker's voice now tells of triumph—offers of forgiveness are tendered, and then the ...
— Love, Life & Work • Elbert Hubbard |
