"Watteau" Quotes from Famous Books
 ... their time, sharing and interpreting the ideals of those around them, and were recognized and patronized as such. Rembrandt's greatest contemporary, Rubens, was painter in ordinary to half the courts of Europe, and Velazquez was the friend and companion of his king. Watteau and Boucher and Fragonard painted for the frivolous nobility of the eighteenth century just what that nobility wanted, and even the precursors of the Revolution, sober and honest Chardin, Greuze the sentimental, had no difficulty ...
— Artist and Public - And Other Essays On Art Subjects • Kenyon Cox
... succeeded in carrying the elegance of the 18th century through the storm into the period beyond, notably Prud'hon, who has been called the Watteau of the Revolution. His portraits of the women of the Bonaparte family, Josephine, Hortense, Pauline, have all the grace and fascination of the earlier age, merge with it the abandon of the Directoire period, and touch the whole with the romanticism ...
— The French Revolution - A Short History • R. M. Johnston
... Siecle, out of which he has made certainly the most living of his Imaginary Portraits, that Prince of Court Painters which is supposed to be the journal of a sister of Jean-Baptiste Pater, whom we see in one of Watteau's portraits in the Louvre. As far back as 1889[4] Pater was working towards a second volume of Imaginary Portraits, of which Hippolytus Veiled was to have been one. He had another subject in Moroni's Portrait of a Tailor in the National Gallery, whom he was going to make a Burgomaster; ...
— Figures of Several Centuries • Arthur Symons
... Rousseau, one of the sparks which were to ignite the French Revolution, writes his popular opera to the silly story of "The Village Soothsayer." Had not Gluck written to the classics he would have had to write "a la Watteau." ...
— Critical & Historical Essays - Lectures delivered at Columbia University • Edward MacDowell
... Laurencin there was a greater sense of personal and individual creation. One can never quite think of anyone in connection with her pictures other than the happy reminiscence of Watteau. With her work comes charm in the highest, finest sense; there is nothing trivial about her pictures, yet they abound in all the graces of the 18th Century. Her drawings and paintings with spread fans and now and ...
— Adventures in the Arts - Informal Chapters on Painters, Vaudeville, and Poets • Marsden Hartley
... astonish me. There were fine gentlemen with swords and silk waistcoats and silver shoe-buckles, and ladies in filmy summer gowns. Greuze ruled the mode in France then, but New Orleans had not got beyond Watteau. As for Nick and me, we knew nothing of Greuze and Watteau then, and we could only stare in astonishment. And for once we saw an officer of the Louisiana Regiment resplendent in a uniform that might have ...
— The Crossing • Winston Churchill
... be very becoming," put in Cassandra, standing on her tiptoes and looking over Cleopatra's shoulder. "That Watteau isn't bad, either, ...
— The Pursuit of the House-Boat • John Kendrick Bangs
... fashion, and to make it the expression of a personality which belonged to a century more dignified, more leisured, and less superficial, than our own. [Footnote: Book of the Spiritual Life, p. 120.] Her dress recalled the canvases of Boucher, Van Loo, and Watteau, which ...
— The Life of the Rt. Hon. Sir Charles W. Dilke, Vol. 2 • Stephen Gwynn
... average intelligent critic in concluding that such various accomplishment must needs be superficial. It was not credible that one and the same pair—par nobile fratrum—could be not only close observers of contemporary life, but also authorities on Watteau and Outamaro, on Marie Antoinette and Mlle. Clairon. To admit this would be to emphasize the limitations of all other men of letters. Again, the uncanny element of chance which enters into every enterprise was ...
— Rene Mauperin • Edmond de Goncourt and Jules de Goncourt
... furnished in white and gold—Louis Quinze, or something of the sort—with very new decorations after Watteau covering the walls. The process of disfiguration, however, had already begun. A roll desk of the least possible Louis Quinze order stood in one of the tall windows; the carpet was marked by muddy footprints, and a matchboard screen had been run across ...
— The Inheritors • Joseph Conrad
... and was left to wait a few minutes in a very artistically-furnished room. Its floor was of polished parquetry with a few fine skins from British Columbia spread upon it here and there, and the dainty, spindle-legged chairs, the little tables, the cabinets and the Watteau figures were, he fancied, either of old French manufacture or excellent copies. The big basement heater had apparently been extinguished, but a snapping wood-fire blazed upon the English pattern hearth, and, for the light was fading outside, it flung an ...
— The Gold Trail • Harold Bindloss
... picture gallery, of which he afterwards wrote to Miss Barrett with "love and gratitude" because he had been allowed to go there before the age prescribed by the rules, and had thus learned to know "a wonderful Rembrandt," a Watteau, "three triumphant Murillos," a Giorgione Music Lesson, and various Poussins. His marked early susceptibility to music is evidenced by an incident narrated by Mr. Sharp: "One afternoon his mother was playing in the twilight to herself. She was startled to hear a sound behind her. ...
— Selections from the Poems and Plays of Robert Browning • Robert Browning
... for four years, and at last presents us with a series of pictures having all the charm of tone and the minute fidelity to nature which were the praise of the Dutch school of painters, but with a higher sentiment, a more refined humor, and an airy elegance that recalls the better moods of Watteau. We do not remember any Italian studies so faithful or the result of such continuous opportunity, unless it be the "Roba di Roma" of Mr. Story, and what may be found scattered in the works of Henri Beyle. ...
— The Function Of The Poet And Other Essays • James Russell Lowell
... true eighteenth-century style; that is to say, a tall cane at the end of which opened a green sun-shade with a green fringe. When she walked about the terrace a stranger on the high-road, seeing her from afar, might have thought her one of Watteau's dames. ...
— Sons of the Soil • Honore de Balzac
... fulfilled her part, providing a whiff of marjoram and cottage flowers for the castle chambers. She has read, written and said her prayers. She has the firm outline, the rosy cheeks, the simplicity of a Watteau peasant-girl—nothing of the Greuze languish, with its hint of a cruche cassee. She is as fresh as a March wind. Let us believe that she found a true man to relish her prettiness and ...
— In a Green Shade - A Country Commentary • Maurice Hewlett
... hinted at diamonds, a fan by Watteau, A fine water spaniel,—so great was his zeal,— A chatelaine watch, or a full set of Poe, And then at the end sent a ...
— Cap and Gown - A Treasury of College Verse • Selected by Frederic Knowles
... was the maid in the hall in a cute Watteau costume, a tiny lace cap on her head, and a kerchief over her flowered gown. She presented her salver, and each little guest laid a card upon it, with the name of the character which she represented. These were merely to be kept as souvenirs, that later ...
— Dorothy Dainty's Gay Times • Amy Brooks
... Philipse house,—Washington's head-quarters,—in the town of Yorkers. The fire-places, worthy of the wide-throated central chimney, were bordered by pictured tiles, some of them with Scripture stories, some with Watteau-like figures,—tall damsels in slim waists and with spread enough of skirt for a modern ballroom, with bowing, reclining, or musical swains of what everybody calls the "conventional" sort,—that is, the ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... jewels and gold ornaments, were on a sudden despised; every thing which could add brilliancy and dignity to the toilet was banished, the greatest simplicity and nonchalance were now the fashion; every lady strove, if possible, to resemble a shepherdess of Watteau, and it was soon impossible to distinguish a ...
— The Empress Josephine • Louise Muhlbach |
