"Underlip" Quotes from Famous Books
... Dering's underlip becomes very pronounced, but he goes off into the garden. Barbara attempts to attend ... — Echoes of the War • J. M. Barrie
... Her underlip pouted and shook. She didn't want to sit by herself on Papa's knee. She wanted to sit in Mamma's lap beside Mark. She wanted Mark to make orange-peel flowers for her. She wanted Mamma to look down at ... — Mary Olivier: A Life • May Sinclair
... was only by a painful and violent exercise of the will that he was able to keep back the blood which had begun to rush towards his cheeks. In the endeavour to check or suppress the blush, he had grown ashy pale; but now that Brogten's dark and cruel eye was upon him—now that the protruding underlip curled with a sneer that left no more room to doubt that he was master of Kennedy's guilty secret—the effort was useless, and spite of will, the burning crimson of an uncontrollable shame burst and flashed over Kennedy's usually clear and open face. It was no ordinary ... — Julian Home • Dean Frederic W. Farrar
... the erotic impulses. As Finck has pointed out, this romantic sentiment is inseparable from the ideals of personal beauty.[3] As criteria of beauty he lists such characteristics as well-shaped waist, rounded bosom, full and red underlip, small feet, etc., all of which have come to be considered standards of loveliness because the erotic emotion has been conditioned to respond to their stimulation. Literature is full of references to such marks of beauty in its characters (Jane ... — Taboo and Genetics • Melvin Moses Knight, Iva Lowther Peters, and Phyllis Mary Blanchard
... at her; she stood bending forward, listening. I hardly knew her. So lost in attention she was that she took no heed of herself, but was ugly, foolish looking; her underlip hung ... — Pan • Knut Hamsun
... National Bank, a banker keen at a bargain, shot out his underlip when Keith, with Sandy in attendance, tendered him the money for all shares of the Molly Mine sold in Hereford, ... — Rimrock Trail • J. Allan Dunn
... Emerson, and upon the captious Carlyle, whose respect was not willingly accorded to any contemporary, much less to a representative of American democracy. Webster's looks and manner were characteristic. His form was massive, his skull and jaw solid, the underlip projecting, and the mouth firmly and grimly shut; his complexion was swarthy, and his black, deep set eyes, under shaggy brows, glowed with a smoldering fire. He was rather silent in society; his delivery in debate was grave and weighty, rather than fervid. ... — Brief History of English and American Literature • Henry A. Beers |