"Titian" Quotes from Famous Books
 ... told, Fanny Brawne is a fairly good-looking young woman, blue-eyed and long-nosed, her hair arranged with curls and ribbons over her brow: she has a curious but striking resemblance to the draped figure in Titian's "Sacred and Profane Love": and for the rest, she is by no means poetic or sentimental, but a voluminous reader, whose strong point is an extraordinary knowledge of the history of costume. She accepts the homage of Keats, much as she accepts the fact of their tacit betrothal, and the fact that ...
— A Day with Keats • May (Clarissa Gillington) Byron
... breaks spontaneously into the language of personality. In the exquisite sense of deliverance from sharp trouble,—when the trouble itself seems more than justified by the heightened gladness, as in Titian's Assumption the face of the Virgin Mother shines in the welcome of that heaven to which the way has led through all earthly and motherly sorrow,—in such emergence, the heart utters again the very words of the Psalmist: ...
— The Chief End of Man • George S. Merriam
... great excellence appears in the grandeur of his compositions; the art of colouring was by him carried to the highest pitch. Rubens, however great his skill, deserves the praise of modesty, as, although he is allowed to have been little inferior to Titian in landscape, he employed Widens and Van-uden when landscapes were introduced into his paintings, and Snyders for animals, who finished them from ...
— A tour through some parts of France, Switzerland, Savoy, Germany and Belgium • Richard Boyle Bernard
... whole canvas is so gray and quiet, that as I now hold it by this Dutch landscape, with the vermilion jacket, you would fancy Hogarth's had no color in it at all, and that the Dutchman was half-way to becoming a Titian; whereas Hogarth's is a consummate piece of the most perfect colorist school, which Titian could not beat, in its way; and the Dutchman could no more paint half an inch of it than he could summon a ...
— Ariadne Florentina - Six Lectures on Wood and Metal Engraving • John Ruskin
... of the painter's art such as few collections might boast. The entire ceiling was covered with a colossal "Battle of the Amazons," by Rubens, each figure thrown out in startling distinctness, full of voluptuous life and action; the walls were mantled by vast golden frames holding the best of Titian, Correggio and Giorgione, Raphael and Ribera. And jewels flashed everywhere; cunningly placed lamps, themselves encrusted with the reddest of rubies, the subtlest of green emeralds, flooded walls and furnishings with a soft yet searching light which seemed to be carefully calculated ...
— The Pirate Woman • Aylward Edward Dingle
... hope that the huge mallet, buttoned up under his elegant surtout, with a view to the little business that awaited him about ninety minutes further on, had not inflicted any pain on the stranger with whom he had come into collision. Titian, I believe, but certainly Rubens, and perhaps Vandyke, made it a rule never to practise his art but in full dress—point ruffles, bag wig, and diamond-hilted sword; and Mr. Williams, there is reason to believe, when he went out for a grand compound massacre ...
— The Notebook of an English Opium-Eater • Thomas de Quincey
... thoughts which are reflected in the works of this the greatest of the painters of the age. You understand Raphael, and would give me a different answer from what Velasquez[2.12] did when I asked him not long ago what he thought of Sanzio. 'Titian,' he replied, 'is the greatest painter; Raphael knows nothing about carnation.' This Spaniard, methinks, understands flesh but not criticism; and yet these men in St. Luke elevate him to the clouds because he once painted cherries ...
— Weird Tales. Vol. I • E. T. A. Hoffmann
... most gorgeous and picturesque days of Venetian history. And a most magnificently handsome pair they made. Bianca's dress, or at least the general appearance and effect of it, will readily be imagined by those acquainted with the full-length portraits of Titian or Tintoretto. A more strictly "proper" costume no lady could wish to wear. And the jeunesse doree of Ravenna, who had thought it likely that the Diva would appear as some light- skirted Flora, or ...
— A Siren • Thomas Adolphus Trollope
... resold by its fortunate discoverer for fifteen thousand dollars, although the original proprietor instituted a suit against him for its recovery, but without success. In Florence, within three years past, a fine portrait, by Titian, of the Doge Andrea Gritti, was picked out from a large lot of worthless canvases for six dollars. The Madonna del Gran Duca, at the Pitti, was bought by the father of the late Grand Duke, with some other pictures, of a widow, for a few dollars. Instances like these might be multiplied, to ...
— Atlantic Monthly Volume 6, No. 37, November, 1860 • Various
... of several reformers, is the most interesting. The ducal palace, standing in extensive grounds, contains a collection of historical curiosities and a gallery of pictures, which includes works by Cimabue, Lippi, Rubens, Titian and Van Dyck. Among other buildings are the town hall (built 1899-1900), the palace of the hereditary prince, the theatre, the administration offices, the law courts, the Amalienstift, with a picture gallery, several high-grade ...
— Encyclopaedia Britannica, 11th Edition, Volume 8, Slice 2 - "Demijohn" to "Destructor" • Various
... Titian-haired star!" cried Hippy, clasping his hands in mock admiration. "You are the rarest jewel in the casket. Words fail ...
— Grace Harlowe's Junior Year at High School - Or, Fast Friends in the Sororities • Jessie Graham Flower
... and gentry of England, France, Italy and Russia will be in Queer Street, his collection cannot but grow and become more and more amazing. He even had the cheek to send the Trustees of the National Gallery a blank cheque asking them to fill it up as they wished whenever they were ready to part with TITIAN'S "Bacchus and Ariadne." Though he calls himself a patriot, directly the War is done he will make overtures to Germany. There is a Vermeer in Berlin on which he has set his heart, ...
— Punch, or the London Charivari, Vol. 153, Aug. 22, 1917 • Various
... across the road to Masson's old studio. It was strangely changed. On the walls were tapestry, a few good etchings, and some amazing pictures—a Rousseau, a Corot, a really superb old Crome, a Whistler, and a piece which my host claimed (and I believe) to be a Titian. The room was furnished with comfortable English smoking-room chairs, some American rockers, and an elaborate business table; spirits and soda-water (with the mark of Schweppe, no less) stood ready on a butler's tray, and in ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 13 (of 25) • Robert Louis Stevenson
... the women of the families sit under the arches in the court. There was the fig-girl, beautiful beyond all others, with an immense coil of deep black hair twisted round a head of which Raphael was worthy to draw the outline and Titian to paint the colour. I wonder the Sultan has not swept her off, or that the Persian merchants, who come with silks and sweetmeats, have not kidnapped her for the Shah ...
— Notes on a Journey from Cornhill to Grand Cairo • William Makepeace Thackeray
... of these grave old painters are as different from the fat little pink Cupids or lovely laughing children of Titian and Correggio as are the sermons of President Edwards from the love-songs of Tom Moore. These old seers of the pencil give you grave, radiant beings, strong as man, fine as woman, sweeping downward in lines ...
— Atlantic Monthly, Vol. 9, No. 52, February, 1862 • Various
... hues had the very intensity of life. But the sight of sights beneath the sumptuous panelled ceiling adorned with golden roses, the unique spectacle of a richness not to be equalled, was the collection of masterpieces such as no museum could excel. There were works of Raffaelle and Titian, Rembrandt and Rubens, Velasquez and Ribera, famous works which in this unexpected illumination suddenly showed forth, triumphant with youth regained, as if awakened to the immortal life of genius. And, as their Majesties would not arrive ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... single day, between night and morning, the absurd became the possible! All that was axiomatic has become chimerical. All that was false has become living fact. What! the most brilliant concourse of men! the most magnificent movements of ideas! the most formidable sequence of events! a thing that no Titian could have controlled, that no Hercules could have turned aside,—the human flood in full course, the French wave sweeping onward, civilization, progress, intelligence, revolution, liberty,—he stopped it all one fine morning, stopped it short, he, this mask, this ...
— Napoleon the Little • Victor Hugo
... back in the wind; on one side of this a Venice front, and on another a crag of Norway pines; here and there, small leaves of photographs from original drawings by the old masters, Leonardo, Raphael, Titian, and Luini; and everywhere, in all possible and impossible places, flowers and vines. I never saw walls so decorated. Yellow wall-flowers waved above the picture of the Norway pines; great scarlet ...
— Saxe Holm's Stories • Helen Hunt Jackson
... with canvases on which Beautrelet recognized the most famous signatures. There were Raphael's Madonna of the Agnus Dei, Andrea del Sarto's Portrait of Lucrezia Fede, Titian's Salome, Botticelli's Madonna and Angels and numbers of ...
— The Hollow Needle • Maurice Leblanc
... several choice specimens of Titian, Holbein, and Domenichino; with a few cabinet pictures in the Dutch school, by Teniers, Ostade, &c. In this palace are Raphael's celebrated cartoons, which are too well known to need describing in this ...
— The Mirror of Literature, Amusement, and Instruction - Vol. 10, Issue 285, December 1, 1827 • Various
... these—the "Noli me tangere" of Titian, Giorgione's "Knight in Armour," and Guide's "Ecce Homo"—are now in the National Gallery, to which they were ...
— De Libris: Prose and Verse • Austin Dobson
... were it not for a fear of Mrs. Sanders and a tender love of the little Sanderses. There is young Smooch,—he who smashed the Fly-Gallery in "The Mahlstick" newspaper, and was not for a moment taken in by the new Titian. There is Crosshatch, who has the marvellous etching by Rembrandt, of which there are only three copies in the world, and which he will not sell,—no, Sir,—not to the British Museum. There is Mr. Brevier Lead, who has in my time successively and successfully ...
— Atlantic Monthly, Volume 3, Issue 15, January, 1859 • Various
... beautiful of all, for through them we see, not beauty made flesh, but beauty while it is still spirit. In our eager fanaticism, indeed, we cannot conceive that there can be beauty in any other types as well. Yet, because we chance to have fallen under the spell of Botticelli, shall there be no more Titian? Our taste is for a beauty of dim silver and faded stars, a wistful twilight beauty made of sorrow and dreams, a beauty always half in the shadow, a white flower in the moonlight. We cannot conceive how beauty, for others, ...
— Vanishing Roads and Other Essays • Richard Le Gallienne
... to be sincerely in love with two people at the same time, although perhaps on different planes with each individual, and deceiving them both. But that brought Mrs. Goopes down on him with the lesson Titian teaches so beautifully in his "Sacred and Profane Love," and became quite eloquent upon the impossibility of ...
— Ann Veronica • H. G. Wells
... evenings. This should be furnished in warm positive colours, and sofas and floor thick with rich furs. The hearth, where you burn wood of aromatic quality on silver dogs, tiled round about with Bible pictures; the seats deep and easy; a single Titian in a gold frame; a white bust or so upon a bracket; a rack for the journals of the week; a table for the books of the year; and close in a corner the three shelves full of eternal books that never weary: Shakespeare, Moliere, Montaigne, Lamb, Sterne, De ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 16 (of 25) • Robert Louis Stevenson
... and mustache of her disguise were gone and her beautiful Titian hair was spread out on the water as it carried her now this way, now that, while she struck out with all her strength to keep afloat. I did not stop to think how or why she was there. I swung over the bridge rail, stripping off my coat, ...
— The Romance of Elaine • Arthur B. Reeve
... the new Titian, it seemed to him that he might drive to Victoria Street; Harding's work must be over for ...
— Sister Teresa • George Moore
... a whole collection of large pictures?—Supposing very beautiful pictures of a large size (it would depend entirely on the value and size of the picture), supposing we ever acquired such large pictures as Titian's Assumption, or Raphael's Transfiguration, those pictures ought to have a room to themselves, and to have a ...
— On the Old Road, Vol. 2 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... was on a visit at the time) to sew an egg up in it; and when the egg was boiled it came out all over the pattern of the calico. My boy's brother once had a calico-egg that seemed to my boy a more beautiful piece of color than any Titian he has seen since; it was kept in a bureau-drawer till nobody could stand the smell. But most Easter eggs never outlasted Easter Day. As soon as the fellows were done breakfast they ran out of the house ...
— A Boy's Town • W. D. Howells
... story. No, sir, you shall never be an artist—at least not with my consent. Why, do you suppose that because you can scribble caricatures on the fly-leaves of your books you have necessarily the genius of Rubens or Titian?" ...
— Digging for Gold - Adventures in California • R.M. Ballantyne
... carelessly. "You have made yourself very valuable to me. I like the artistic manner you have twined these roses in my hair; the effect is quite picturesque." She glanced satisfiedly at her own magnificent reflection in the cheval-glass opposite. Titian alone could have reproduced those rich, marvelous colors—that perfect, queenly beauty. He would have painted the picture, and the world would have raved about its beauty. The dark masses of raven-black ...
— Daisy Brooks - A Perilous Love • Laura Jean Libbey
... she was gaining the attention of the room. Mr. Adair ceased to listen to Lord Dungory, who was explaining why Leonardo da Vinci was a greater painter than Titian. Mr. Lynch left off talking to Alice; the little blonde honourable looked sillier and sillier as his admiration grew upon him. Mrs. Barton, to hide her emotion, engaged in an ardent discussion concerning the rearing of calves with Mrs. Gould. Lady Sarah bit her lip, and, unable ...
— Muslin • George Moore
... but have been false and conventional in their pretended realism. And whenever they have painted truly, they have painted successfully. The authenticity of their work has given it all the value which in the nature of things such work could have. Titian's portrait of "The Young Man with a Glove" is a great work of art, though not of great art. It is infinitely higher than a portrait of Cromwell, by a painter unable to see into the great soul of Cromwell, and to make us see it; but it is infinitely ...
— The Principles of Success in Literature • George Henry Lewes
... Tintontintino from Florence. He discoursed of Cimabue, Arpino, Carpaccio, and Argostino—of the gloom of Caravaggio, of the amenity of Albano, of the colors of Titian, of the frows of Rubens, and of ...
— The Works of Edgar Allan Poe - Volume 4 (of 5) of the Raven Edition • Edgar Allan Poe
... of art, the modest Zoffany, whose Florence Gallery, Portraits of the Royal Family, and other pictures, will always raise him among the highest class of painters. He long resided on this Green, and, like Michael Angelo, Titian, and our own West, produced master-pieces at four-score. The ...
— A Morning's Walk from London to Kew • Richard Phillips
... gifted of his generation of artists, not only in England, where art is, if not exotic, at least sporadic, but in Europe, and I consider that if he had been of Titian's time he would have been one of the greatest of the Venetians. His imaginative force and intensity were extraordinary, and some of the elaborate compositions he drew in pen and ink, for future painting, are as remarkable in ...
— The Autobiography of a Journalist, Volume II • William James Stillman
... carpets had been brought for the rooms which were prepared for a royal inmate. The walls of the Emperor's bedchamber were hung in black in token of his deep mourning for his mother, but many pictures from the brush of Titian were hung in that apartment. As Charles lay in bed he could see the famous "Gloria," which represented the emperor and empress of a bygone age in the midst of a throng of angels. He could also join in the chants ...
— Heroes of Modern Europe • Alice Birkhead
... he, "you conceive beauty to consist in a long, slim, attenuated, almost angular figure; but at the time of the Renaissance the type of the beautiful was very different. Take Rubens, take Titian, take even Raffaelle, and you will see that their women were of robust build. Even their Virgin Marys have a motherly air. To my thinking, moreover, if we reverted to some such natural type of beauty, if women were not encouraged ...
— Fruitfulness - Fecondite • Emile Zola
... glad to be in Rome again. Venice is beautiful, but it does not inspire me. It has no associations for me. What do I care for the Doges, or for Titian's fat, golden-haired women with their sore eyes—Caterina Cornaro and the rest. Rome is a crystal in which I seem to see faces of dear women, women who lived and loved and saw the sun set behind that rampart of low hills—Virginia, the Greek slave Acte, Agnes, Cecilia, ...
— Olive in Italy • Moray Dalton
... like manner, Modeste, who knew nothing of the painter's art except what she had seen her sister do in the way of water-color, would have stood subdued and fascinated before the pictures of Raphael, Titian, Rubens, Murillo, Rembrandt, Albert Durer, Holbein,—in other words, before the great ideals of many lands. Lately, for at least a month, Modeste had warbled the songs of nightingales, musical rhapsodies whose ...
— Modeste Mignon • Honore de Balzac
... smoked out, the artist drew from a dusty pile of canvases one on which he had painted a family group. It was a fancy piece. An old man lay upon his death bed, over which bent a weeping wife and a sorrowing and lovely child. The face of the latter was one of unearthly beauty, and Raphael or Titian might not have disdained the painting of those glistening blue eyes, and the falling sunbeams of that golden hair. The painter had poured out his soul upon that angelic countenance and ...
— The Three Brides, Love in a Cottage, and Other Tales • Francis A. Durivage
... in by Alcibiades and sung by Catullus. Leo X died after having assembled under his reign, which lasted eight years, eight months, and nineteen days, Michael Angelo, Raffaelle, Leonardo da Vinci, Correggio, Titian, Andrea del Sarto, Fra Bartolommeo, Giulio Romano, Ariosto, Guicciardini, ...
— Celebrated Crimes, Complete • Alexandre Dumas, Pere
... died on the 9th of July 1843. He was elected an associate of the Royal Academy in 1819. In colour and the management of light and shade Allston closely imitated the Venetian school, and he has hence been styled the "American Titian.'' Many of his pictures have Biblical subjects, and Allston himself had a profoundly religious nature. His first considerable painting, "The Dead Man Revived,'' executed shortly after his second visit to England, and now at the Pennsylvania Academy of Fine Arts in Philadelphia, gained ...
— Project Gutenberg Encyclopedia
... dei Schiavoni, he had followed a Venetian. "Shabbily dressed, and fancy, my friend, bare-headed, in a yellow shawl with ragged green fringe! No, I do not know whether she was pretty, but she possessed in her person all the attractions of Giorgione's goddesses and Titian's courtesans combined!" ...
— A Romance of Youth, Complete • Francois Coppee
... measured the strength to be overcome." For the word strength use difficulty, and we should say that, to the unpractised, the difficulties must always appear greatest. He gives, as illustration, "Titian's flesh tint;" it may be possible that, by some felicitous invention, some new technicality of his art, Titian might have produced this excellence, and to him there would have been no such great measurement ...
— Blackwood's Edinburgh Magazine, No. CCCXXXVI. October, 1843. Vol. LIV. • Various
... scorns to speak any tongue but Italian: "Quanto per these ones here?" and "What did you say was the prezzo?" "Ah! troppo caro! Too much! No, no! Don't I tell you it's troppo?" All the while insists that the gondolieri shall show us What she calls Titian's palazzo, and pines for the house of Othello. Annie, the dear little goose, believes in Fred and her mother With an enchanting abandon. She doesn't at all understand them, But she has some twilight views of their cleverness. Father ...
— Poems • William D. Howells
... Florence, Pisa, Rome, with occasional flying excursions into Switzerland and the Tyrol. Once, as she passed, I heard something murmured low about Botticelli's "Primavera"; when next she went by it was the Alps from Murren; a third time, again, it was the mosaics at St. Mark's, and Titian's "Assumption," and the doge's palace. What so innocent as art, in ...
— Stories by English Authors: The Sea • Various
... God returning from the conquest of India, crowned with vine-leaves, and drawn by panthers, and followed by troops of satyrs, of wild men and animals that he had tamed. You would think, in hearing him speak on this subject, that you saw Titian's picture of the meeting of Bacchus and Ariadne—so classic were his conceptions, so glowing his style. Milton is his great idol, and he sometimes dares to compare himself with him. His Sonnets, indeed, have something of the same high-raised tone and prophetic ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... to an expert holding forth on a subject he had made his own. Now and then he said something non-committal. There was no evidence that he had any knowledge of Italian pictures, that he could distinguish between a Giovanni Bellini and a Raphael, tell a Luini from a Titian. ...
— December Love • Robert Hichens
... lean as her mistress was stout. Her hair was magnificent in quality and quantity, but, alas! was of the unpopular tint called red; not auburn, or copper hued, or the famous Titian color, but a blazing, fiery red, which made it look like a comic wig. Her face was pale and freckled, her eyes black—in strange contrast to her hair, and her mouth large, but garnished with an excellent set ...
— The Silent House • Fergus Hume
... Paul Veronese (what an impudence to talk so to a man who has just purchased a real Titian!) does not quite disprove my theory. You like the picture because you like the verses you once made upon it: you associate the picture (naturally enough) with them: and so shall I in future, because I like the verses ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... that shone in them was crescent. That the world should know Marlowe and Giorgione, Raphael and Mozart, only by the products of their early manhood, is indeed a cause for lamentation, when we remember what the long lives of a Bach and Titian, a Michelangelo and Goethe, held in reserve for their maturity and age. It is of no use to persuade ourselves, as some have done, that we possess the best work of men untimely slain. Had Sophocles been ...
— Percy Bysshe Shelley • John Addington Symonds
... corridors and courtyards by De Hooghe, with their figures far off and near, one feels that their charm consists greatly in their perspective, as well as in their light and tone and colour. Or if we study those Venetian masterpieces by Paul Veronese, Titian, Tintoretto, and others, we become convinced that it was through their knowledge of perspective that they gave such space and ...
— The Theory and Practice of Perspective • George Adolphus Storey
... you will be inclined to exclaim, if you have any general knowledge of the subsequent art. "This Giotto! why it's a cheap rechauffe of Titian!" No, my friend. The boy who tried so hard to draw those steps in perspective had been carried down others, to his grave, two hundred years before Titian ran alone at Cadore. But, as surely as Venice looks on the sea, Titian looked upon ...
— Mornings in Florence • John Ruskin
... king resumed his agitated walk about his chamber, and consulted, as he walked, several papers drawn from a casket of which he alone had the key. A third time the nurse returned. M. de Mazarin had just uttered a joke, and had ordered his "Flora," by Titian, to be revarnished. At length, towards two o'clock in the morning, the king could no longer resist his weariness: he had not slept for twenty-four hours. Sleep, so powerful at his age, overcame him for about an hour. But he did not go to bed for that hour, he slept in a fauteuil. About four o'clock ...
— Ten Years Later - Chapters 1-104 • Alexandre Dumas, Pere
... chatting like birds. And what about? About the blond tint used by Venetian painters! Yes, about the "Venetian blond." That little serpent of a Gelis was telling Jeanne the secret of the dye with which, according to the best authorities, the women of Titian and of Veronese tinted their hair. And Mademoiselle Jeanne was expressing her opinion very prettily about the honey tint and the golden tint. I understood that that scamp of a Vecellio was responsible—that ...
— The Crime of Sylvestre Bonnard • Anatole France
... expression of delight in the prolonged contemplation of a vile thing, and delight in that is an 'unmannered,' or 'immoral' quality. It is 'bad taste' in the profoundest sense—it is the taste of the devils. On the other hand, a picture of Titian's, or a Greek statue, or a Greek coin, or a Turner landscape, expresses delight in the perpetual contemplation of a good and perfect thing. That is an entirely moral quality—it is the taste of the angels. And all delight in art, and all love of it, resolve themselves into simple ...
— The Crown of Wild Olive • John Ruskin
... approach is needed. A broad garden separates the house, which is eighteenth-century English, from the sidewalk. The gallery, the low wing at the upper corner, with lunettes in sculpture by Sherry Fry, Phillip Martiny, Charles Keck, and Attilio Piccirilli, contains pictures by Titian, Paul Veronese, Velasquez, Murillo, Van Dyck, Franz Hals, Rembrant, Daubigny, Corot, Diaz, Manet, Millet, Rousseau, Troyon, Constable, Gainsborough, Lawrence, Raeburn, Reynolds, Romney, Turner, and Whistler. The chief artistic feature of the interior decorations of the house, which, ...
— Fifth Avenue • Arthur Bartlett Maurice
... at the instigation of his confessor, he destroyed every picture in the ducal gallery that contained any naked figure or represented any subject offensive to religion. Among them was Titian's famous portrait of Duke Ascanio's mistress, known as the Goldsmith's Daughter, and a Venus by the Venetian painter Giorgione, so highly esteemed in its day that Pope Leo X. is said to have offered in exchange ...
— The Valley of Decision • Edith Wharton
... me with him to see the Academy of Arts, a building which on my former visit to Venice I had only known from the outside. In spite of all my indifference, I must confess that the 'Assumption of the Virgin' by Titian exercised a most sublime influence over me, so that, as soon as I realised its conception, my old powers revived within me, as though by ...
— My Life, Volume II • Richard Wagner
... we have seen and heard around us, it is like turning, with a thankful sense of rest, from the contemplation of some tricky effect of colour, to a painting by Titian or Velasquez; it is, in an artistic sense, transition from darkness to light—from the glare of the lamp to the glory ...
— Normandy Picturesque • Henry Blackburn
... Her hair wasn't even Titian colour now, but a decided bright brown, and the curly roughness seemed just to suit her. Then the freckles were disappearing. He didn't know as freckles spoiled any one's complexion when it had ...
— A Little Girl of Long Ago • Amanda Millie Douglas
... boundless floods, And chasms, and caves, and Titian woods, With forms that no man can discover For the dews that drip all over; Mountains toppling evermore Into seas without a shore; Seas that restlessly aspire, Surging, unto skies of fire; Lakes that endlessly outspread Their lone waters—lone ...
— The Works of Edgar Allan Poe - Volume 5 (of 5) of the Raven Edition • Edgar Allan Poe
... of the very mind of the master. Were this not the case, how are we to account for the charm felt in turning over a portfolio of old drawings? How exquisitely beautiful are those of Raffaelle and Titian! The sale of the collection of Sir Thomas Lawrence proves the high estimation in which these are ever held. Thousands of pounds for a few drawings! What sums were given for Claude's "Liber Veritatis!" and why?—Because these original drawings of the old masters possess this ...
— Blackwood's Edinburgh Magazine — Vol. 56, No. 346, August, 1844 • Various
... factory bell and the rush into the steaming and dirty workroom, the bell of a convent on Fiesole, and the slow walk through its cool cloisters; in place of the dead files of uniform ugly houses, Venetian palaces, with the water at their base, reflecting the colors which Giorgione and Titian, housepainters at Venice, left upon their stones; in place of the racket of the street, the quiet greenness of an English lane, or the inaccessible ice and glory of a far-off mountain summit; in place of the burnt waste of fields covered with ashes and ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... looked for it. But when I found them, they greeted me, so I fancied, like old acquaintances. The meek-looking "Belle Jardiniere" was as lamb-like as ever; the pearly nymph of Correggio invited the stranger's eye as frankly as of old; Titian's young man with the glove was the calm, self-contained gentleman I used to admire; the splashy Rubenses, the pallid Guidos, the sunlit Claudes, the shadowy Poussins, the moonlit Girardets, Gericault's terrible shipwreck of the Medusa, the exquisite home pictures ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... then how must the souls of Shakespeare and Webster have been stirred, after so long converse with things that stopped their ears, whether above or below the soil, at his exquisite appreciations of them; the souls of Titian and of Hogarth too; for, what has not been observed so generally as the excellence of his literary criticism, Charles Lamb is a fine critic of painting also. It was as loyal, self-forgetful work for others, ...
— Appreciations, with an Essay on Style • Walter Horatio Pater
... family, and to the income which he derived from his professorships, Andreas was able to secure for his work the aid of some of the best artists of the day. To Jean Calcar, one of the ablest of the pupils of Titian, are due the splendid anatomical plates which illustrate the "Corporis Humani Fabrica," and which are incomparably better than those of any work which preceded it. To him most likely is due also the woodcut which adorns the first page, ...
— Fathers of Biology • Charles McRae
... the patient phlegm and honest stiffness of the old Dutch masters and the dazzling warmth and abounding joy of the Italians. You have tried to follow, at one and the same time, Hans Holbein and Titian; Albrecht Durier and Paul Veronese. Well, well! it was a glorious ambition, but what is the result? You have neither the stern attraction of severity nor the deceptive magic of the chiaroscuro. See! at this place the rich, clear color of Titian ...
— The Hidden Masterpiece • Honore de Balzac
... (1499-1546), Italian painter, was born at Calcar, in the duchy of Cleves. He was a disciple of Titian at Venice, and perfected himself by studying Raphael. He imitated those masters so closely as to deceive the most skilful critics. Among his various pieces is a Nativity, representing the angels around the infant Christ, ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various
... Museum and the Windsor and Oxford Collections of this character and period. One at Oxford was probably the original sent to Vittoria, but all are of the same sacred inspiration; in fact, the religious element becomes very strong indeed in all his later work, just as in the later work of Titian. These artists had the near prospect of death in view, and thus they turned their thoughts entirely to work from which they hoped for reward in the world to come. The fear of hell was not without its influence upon both ...
— Michael Angelo Buonarroti • Charles Holroyd
... his work is very Flemish in character, and apparently it was not till he had been to Venice, Mantua, and Rome that the influence of Italy and the Italian masters may be really found in his work. A disciple of Titian almost from his youth, it is the work of that master which gradually emancipates him from Flemish barbarism, from a too serious occupation with detail, the over-emphasis of northern work, the mere boisterousness, without ...
— Florence and Northern Tuscany with Genoa • Edward Hutton
... Memoranda he says—"I considered myself as playing a great game; and instead of beginning to save money, I laid it out faster than I got it, in purchasing the best examples of art that could be procured, for I even borrowed money for this purpose. The possession of pictures by Titian, Vandyke, Rembrandt, &c., I considered as the ...
— Rembrandt and His Works • John Burnet
... noblest speech. Imagine a world in which every work which was inspired by the Church, or by the concepts of religion embodied in it, should be left out. What would we then lack? We would lack the greatest works of Michelangelo, Raphael, Titian, Francesca, Botticelli, Murillo; we would not see the cathedrals of Milan, Strasburg, or Cologne; we would never read the poems of Caedmon, Milton, or Dante. The hamlet would be without a spire; philanthropy would be almost unknown; ...
— The Warriors • Lindsay, Anna Robertson Brown
... What finer history than Titian's Paul III., Raphael's Leo X., Albert Duerer's head of himself? What finer than the Pericles, the Marcus Aurelius of the Capitol, the Demosthenes of the Vatican, Chantrey's Scott, Houdon's Voltaire, Powers's Jackson?—Heroic? what ...
— Atlantic Monthly, Vol. 5, No. 27, January, 1860 • Various
... strain, And Samuel sings, "The King shall have his ain": Two Georges in his loyal zeal are slur'd,[64] A gracious pension only saves the third!— By Nature's gifts ordain'd mankind to rule, He, like a Titian, form'd his brilliant school; And taught congenial spirits to excel, While from his lips impressive wisdom fell. Our boasted GOLDSMITH felt the sovereign sway; From him deriv'd the sweet yet nervous lay. To Fame's proud cliff he ...
— A Poetical Review of the Literary and Moral Character of the late Samuel Johnson (1786) • John Courtenay
... which terminated only with his life.—And yet I doubt if the example of Poussin has, on the whole, been favorable to the progress of French art. Horace Walpole, in his summary of the excellencies and defects of great painters, observed with much justice, that "Titian wanted to have seen the antique; Poussin to have seen Titian." The observation referred principally to the defective coloring, which is admitted to exist in the greater part of the works of the painter ...
— Account of a Tour in Normandy, Vol. II. (of 2) • Dawson Turner
... to tassel and the fat cattle were loafing in the pastures. Subsequently, when it appeared that there was then no readily available English version of the Roman agronomists, this translation was made, in the spirit of old Piero Vettori, the kindly Florentine scholar, whose portrait was painted by Titian and whose monument may still be seen in the Church of Santo Spirito: in the preface of his edition of Varro he says that he undertook the work, not for the purpose of displaying his learning, but to aid others in the study of an excellent ...
— Roman Farm Management - The Treatises Of Cato And Varro • Marcus Porcius Cato
... intoxication of life in the verses of Ludovico Ariosto form a protesting opposition to the old, gloomy, worn-out Catholicism? The painters of Italy waged a polemic against priestdom which was perhaps more effective than that of the Saxon theologian. The blooming rosy flesh in the pictures of Titian is all Protestantism. The limbs of his Venus are more thorough theses than those which the German monk pasted on the church door of Wittenberg. Then it was that men felt as if suddenly freed from the force and pressure of a thousand ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VI. • Editor-in-Chief: Kuno Francke
... masters and-when open for exhibition—a bewildering collection of young nurses. The latter are frequently inaccurate in anatomical details, but in point of brilliancy of color they far outshine the best efforts of RUBENS and TITIAN. The flesh tints produced by many of our Fifth Avenue belles infinitely surpass the obsolete tints upon which the great Venetians ...
— Punchinello, Vol. II., Issue 31, October 29, 1870 • Various
... hand, he was almost entirely ignorant of Marcus Aurelius, Henry James, Step-dancing, Titian, the Manners and Customs of Polite Society, Factory-Girl Reclamation, Cardinal Newman, or the Art of Self-advertisement. He said, with an entire absence of pretension, that these things were not on ...
— Marge Askinforit • Barry Pain
... you must take me in hand with respect to the fine arts. I yet recollect there was a man called Raffaelle Sanctus. How delightful it will be once again to see, in the Fitzwilliam, Titian's Venus. How much more than delightful to go to some good concert or fine opera. These recollections will not do. I shall not be able to-morrow to pick out the entrails of some small animal with half my usual gusto. Pray tell me some news about Cameron, ...
— The Life and Letters of Charles Darwin, Volume I • Francis Darwin
... walks, and interior fountains, like those of the Alhambra, was a perfect bower of roses, jasmine, and clematis. Every sense, of sight and smell particularly, was gratified, and formed a most charming framework for the picture of love which Charles II. unrolled among the voluptuous paintings of Titian, of Pordenone, and of Vandyck: the same Charles whose father's portrait—the martyr king—was hanging in his gallery, and who could show upon the wainscots of the various apartments the holes made by the balls of the puritanical followers of Cromwell, on the 24th ...
— The Vicomte de Bragelonne - Or Ten Years Later being the completion of "The Three - Musketeers" And "Twenty Years After" • Alexandre Dumas
... one owned a Raphael or a Titian!" said Mr. Vertrees, finishing the implication, not in words, but with a wave of his hand. "Go on, Mary. None of the rest of them came in? You didn't meet Mr. Sheridan or—" He paused and adjusted a lump of coal in the fire delicately with the ...
— The Turmoil - A Novel • Booth Tarkington
... the door in surprise and astonishment. She was already asleep. Sleep had overcome her when she had finished undressing, and she was reposing in the charming attitude of one of Titian's women. ...
— The Works of Guy de Maupassant, Vol. 1 (of 8) - Boule de Suif and Other Stories • Guy de Maupassant
... was pleased by the effect of the black—it was just THAT note which brought the rest together. "Ah, one may learn to paint at fifty! There's Titian..." and so, having found the right tint, up he looked and saw to his horror a cloud over ...
— Jacob's Room • Virginia Woolf
... shame to come here and not see the whole place," he remarked. "I wonder if you would excuse me while I drop downstairs to look over things there—perhaps ingratiate myself with that Titian? Tell Miss Kendall about our visit to Langhorne's office while I ...
— The Ear in the Wall • Arthur B. Reeve
... 2. 867, Titian: Madonna. The picture is wider than it is high. M. stands slightly to Right of Cn.; C. on Right. Both turn slightly to Left, and the drapery of M. makes a long sweep to Left. Also a deep perspective occupies ...
— Harvard Psychological Studies, Volume 1 • Various
... covered with dust and smoke. Within a few years some artist had the curiosity to examine this then unknown altarpiece. The picture was taken down, and being thoroughly cleaned, proved to be 'The Assumption'"—Titian's masterpiece, some think. It is now in the Academy of Fine Arts in Venice. Cooper tells of a monument Canova had "designed for Titian, beautifully chiseled out of spotless marble." The author found it "beneath the gloomy arches of the church," and thought it "singularly dramatic ...
— James Fenimore Cooper • Mary E. Phillips
... see Victor Hugo's Burgraves, he reported that it was nothing to speak of as history, altogether poor as invention, but nevertheless poetic, with a poetry that carried away the spectator. It was Titian painting on a mud wall. He chiefly remarked the absence of feeling, which, in Victor Hugo, was more and more noticeable. The author of the Burgraves lacked the true. As he did not publish these opinions, he was able to go on dining with the poet and to praise the ...
— Balzac • Frederick Lawton
... were a dream That over Persian roses flew to kiss The curled lashes of Semiramis. Troy never was, nor green Skamander stream. Provence and Troubadour are merest lies, The glorious hair of Venice was a beam Made within Titian's eye. The sunsets seem, The world is very old and nothing is. Be still. Thou foolish thing, thou canst not wake, Nor thy tears wedge thy soldered lids apart, But patter in the darkness of thy heart. Thy brain ...
— The Little Book of Modern Verse • Jessie B. Rittenhouse
... and Michael Angelo, who practised the immutable principles by which art could be advanced; and rapidly following in their steps, Fra Bartolommeo, Fra Angelico, Rossi, and Andrea del Sarto made the age an era in painting, until the art culminated in Raphael and Corregio and Titian. And divers cities of Italy—Bologna, Milan, Parma, and Venice—disputed with Rome and Florence for the empire of art; as also did many other cities which might be mentioned, each of which has a history, each of which is hallowed by poetic associations; ...
— Beacon Lights of History, Volume VI • John Lord
... at one glance I had the 'Madonna del Cardellino,' Pope Julius II., a female portrait by Raphael, and above it a lovely Holy Family by Perugino; and so close to me that I could have touched it with my hand the Venus de' Medici; beyond, that of Titian . . . The space between is occupied by other pictures of Raphael's, a portrait by Titian, a Domenichino, etc., etc., all these within the circumference of a small semi-circle no larger than one of your own rooms. This is a spot where a man feels his own insignificance ...
— The Way of All Flesh • Samuel Butler
... by excess that we for the most part distinguish what seems to us genius; and it is often by its excess that genius first really shows itself. But the rarest genius is without excess, and may seem colourless in his perfection, as Giorgione seems beside Titian. But Giorgione will ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... Council met at the River Gate immediately on receipt of the news of the fall of Janiculum. It was decided to accept the offer of Port-Captain HORATIUS (S.P.Q.R.'s Own), SPURIUS LARTIUS (Ramnian Regt.), and HERMINIUS ("Titian Toughs"), who gallantly volunteered to hold the bridge-head in order to give time for the bridge itself to be destroyed. All hope of saving the town should ...
— Punch, Or The London Charivari, Vol. 152, January 24, 1917 • Various
... at one of the Misses Stone. If Rose had dropped her pencil in the course of her work, the highly-born pupil, by force of example, if for no other reason, would immediately have risen and picked it up, though she might not have made the speech about a Titian being worthy to be served by a Caesar. In fact Rose was in danger of being killed with kindness. Soon she was conscious of something choking, crushing, dwarfing in this artificial system. This was made more conspicuous to her by the ...
— A Houseful of Girls • Sarah Tytler
... said Master Gabriel with diffidence, "the so-called Venus with the Mirror. Master Titian has twice painted this design, only that in one picture two Cupids appear, while the other shows only ...
— The Youth of the Great Elector • L. Muhlbach
... district school into the high school, and come to the ages of seventeen and eighteen without the least conception of literature, or of art, or of the continuity of the relations of history; are ignorant of the great names which illuminate the ages; have never heard of Socrates, or of Phidias, or of Titian; do not know whether Franklin was an Englishman or an American; would be puzzled to say whether it was Ben Franklin or Ben Jonson who invented lightning—think it was Ben Somebody; cannot tell whether they lived ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... should think he was. Aren't they always saying he's the finest colourist since Titian? And look ...
— The Great Adventure • Arnold Bennett
... frontpiece, which, from time to time, has caused question as to its origin. To Bliss he says: "It is a thing which I manufactured by pasting a popular comic picture into the middle of a celebrated Biblical one—shall attribute it to Titian. It needs to be ...
— Innocents abroad • Mark Twain
... haughty and rapacious profile of a bird of prey, the metal may change, but the imprint remains the same. Many of the faces that seemed the most pronouncedly Italian, with a Luini smile, or the voluptuous, calm gaze of a Titian, flowers of the Adriatic, or the plains of Lombardy, had blossomed on the shrubs of the North transplanted to the old Latin soil. Whatever colors be spread on the palette of Rome, the color which ...
— Jean-Christophe Journey's End • Romain Rolland
... Lyra Goodman as a long, lazy, red-haired girl who laughed easily; and she could not readily realise her in the character of a Titian-esque beauty with a gift for humorous dramatics, which she had filled out into during the years of her absence from Hatboro'; but she said "Oh yes," in the necessity of polite acquiescence, and ...
— Annie Kilburn - A Novel • W. D. Howells
... portraits.... I do not know how well he painted. But he cared for nothing else, except his wife. When he spoke at all it was to her of Raphael, and of Titian, and particularly of our Benjamin West, who had his first three colours of ...
— The Hidden Children • Robert W. Chambers
... beauty, we do not know. Certainly they never derived such an idea from a contemplation of those monuments of perfect beauty bequeathed to posterity by the chisels of Attic artists, nor from those exquisite figures which lend to the canvas of Titian and Raphael such immortal fame. Look, for instance, at that work of the former artist, now rendered so familiar by the chromo-lithographic process, called 'Titian's Daughter.' It is the portrait of ...
— The Physical Life of Woman: - Advice to the Maiden, Wife and Mother • Dr. George H Napheys
... know the Titian-haired queen you were so taken up with at the station last evening that you couldn't greet your guests?" asked Tom Harbison. "I saw her ...
— The Comings of Cousin Ann • Emma Speed Sampson
... clergymen, the House of Lords is unattainable. Brown may reach the highest range of artistic excellence, he may achieve world-wide fame as an architect, his canvas may glow with the marvellous coloring of Titian or repeat the rare and delicate grace of Correggio, the triumphs of his chisel may reflect honor upon England and his age; the inventive genius of Jones, painfully elaborating, through long and suffering years of obscure poverty, the crude conceptions of his boyhood, ...
— Atlantic Monthly, Vol. 12, August, 1863, No. 70 - A Magazine of Literature, Art, and Politics • Various
... and his wife of Utica. Judge Hunt had recently been appointed a Justice of the Supreme Court, and I immediately renewed my associations of former days with his family. Next door to the Hunts lived Mr. and Mrs. Titian J. Coffey, the former of whom had accompanied ex-Governor Andrew G. Curtin of Pennsylvania upon his mission to Russia; and the adjoining residence, the old "Hill house," was the home of Mr. and Mrs. James C. Kennedy, the latter of whom was Miss Julia Rathbone of Albany. Their hospitality was ...
— As I Remember - Recollections of American Society during the Nineteenth Century • Marian Gouverneur
... heavy braid, partly undone and falling upon the luggage behind her, shone in rich and changing colors that fascinated Philip. He had thought that Jeanne's hair was very dark, but he saw now that it was filled with the rare life of a Titian head, running from red to gold and dark brown, with changing shadows and flashes of light. It was beautiful. And Jeanne, as he looked at her, he thought to be the most beautiful thing on earth. The ...
— Flower of the North • James Oliver Curwood
... down and I studied his head, what seemed most significant about him was his hair. It was reddish-gold, thick, curled, and upstanding, like the hair on the head of a lovely child, or in the painting of a Titian ...
— The Gay Cockade • Temple Bailey
... but I suppose I must use it—of the gentry in the neighbourhood. They are sad Goths in Art, Mr. Hartright. People, I do assure you, who would have opened their eyes in astonishment, if they had seen Charles the Fifth pick up Titian's brush for him. Do you mind putting this tray of coins back in the cabinet, and giving me the next one to it? In the wretched state of my nerves, exertion of any kind is unspeakably disagreeable to me. Yes. ...
— The Woman in White • Wilkie Collins
... to the British Museum at London, or the Louvre at Paris, but is probably the best in Scotland. Paintings from the hands of many of the masters, such as Sir A. Vandyke, Tiziano, Vercellio and Van Dellen, were hanging on the wall, and even the names of Reubens, and Titian, were attached to some of the finer specimens. Many of these represent some of the nobles, and distinguished families of Rome, Athens, Greece, &c. A beautiful one representing a group of the Lomellini family of Genoa, seemed to attract the attention ...
— Three Years in Europe - Places I Have Seen and People I Have Met • William Wells Brown
... and marring the work, until, when each could receive its due, the one corrected the other, and they combined, producing by this marriage of the living reality with the dead but immortal beauty, the great art of Michel Angelo, of Raphael, and of Titian: double like its origin, antique and modern, ...
— The Contemporary Review, Volume 36, September 1879 • Various |
