"Sophocles" Quotes from Famous Books
 ... himself? What finer than the Pericles, the Marcus Aurelius of the Capitol, the Demosthenes of the Vatican, Chantrey's Scott, Houdon's Voltaire, Powers's Jackson?—Heroic? what more heroic than the Lateran Sophocles, the Venetian Colleoni, or Rauch's statue of Frederick the Great?—Poetical? What picture more sweetly poetical than Raphael's head of himself in the Uffizi, or Giotto's Dante in the Bargello? What ideal statue surpasses in poetical ...
— Atlantic Monthly, Vol. 5, No. 27, January, 1860 • Various
... scenery is not illusive; everything visible is as real as in your drawing room at home) is that it is unconvincing; whilst the imaginary scenery with which the audience provides a platform or tribune like the Elizabethan stage or the Greek stage used by Sophocles, is quite convincing. In fact, the more scenery you have the less illusion you produce. The wise playwright, when he cannot get absolute reality of presentation, goes to the other extreme, and aims at atmosphere and suggestion of mood ...
— Overruled • George Bernard Shaw
... saw the princess in the light—and what a light! He who has known that of Sicily can better comprehend the words of Sophocles: "Oh holy light!... Eye of the Golden Day!" Madame Trepof, dressed in a brown-holland and wearing a broad-brimmed straw hat, appeared to me a very pretty woman of about twenty-eight. Her eyes were luminous as a child's; but her slightly plump chin indicated ...
— The Crime of Sylvestre Bonnard • Anatole France
... . . than in the more strictly artistic drawing of some revered classicist; more enjoyment in the weird or dramatic Scottish ballad than in Pindaric or Horatian ode; and he would certainly rather have had Shakspere than Aeschylus, Sophocles, and Euripides put together." ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... well, Carteret told him "that when he was envoy in Denmark, he had been for a long time confined to his chamber, partly by illness, and partly by the severity of the weather; and having but few books with him, he had read Sophocles over and over so often as to be almost able to repeat the whole verbatim, which impressed it ever after indelibly on ...
— The Prose Works of Jonathan Swift, D.D., Vol. VII - Historical and Political Tracts—Irish • Jonathan Swift
... waste." He looked at him as he spoke, and his soul was in his eyes. It gave him a curious likeness to his cousin, and in that moment Rickman worshipped him. "Go back. Go back to your Virgil and your Homer and your Sophocles, and learn a little more restraint. There's nothing like them. They'll take you out of this ugly, weary, modern world where you and I, Rickman, had no business ...
— The Divine Fire • May Sinclair
... man, big for the North-West Police. He had two hobbies. One was trouble in the Balkans, which he was always prophesying. The other was a passion for Sophocles, which he read in the original from a pocket edition. Start him on the chariot race in "Elektra" and he would spout it while he paced the cabin and gestured with flashing eyes. For he was a Rugby and an Oxford man, though born with the wanderlust in his heart. Some day he would fall heir to a ...
— Man Size • William MacLeod Raine
... Scaliger reported himself. He had read the 'Anabasis,' some Herodotus, three plays of Euripides, and was now making some desperate efforts on Aeschylus and Sophocles. Any Plato? David made a face. He had read two or three dialogues in English; didn't want to go on, didn't care about him. ...
— The History of David Grieve • Mrs. Humphry Ward
... chances, that he was always in the wrong; and it is probable, as he was human, that he always thought himself in the right. But as the other party to the misunderstanding, being also human, would necessarily think himself in the right, such secret benefits would be, as Sophocles says, 'the gifts of foeman and unprofitable.' The secret would leak out, the benefits would be rejected, the misunderstanding would be embittered. This reminds me of an anecdote which is not given in Mr Graham ...
— Robert Louis Stevenson - a Record, an Estimate, and a Memorial • Alexander H. Japp
... its usefulness, and the emblematical lessons it was employed to teach; but I must not dwell on them. Nor need I say how it was equally honoured by Greeks and Romans. As a plant which produced an abundant and necessary crop of fruit with little or no labour (phyteum' acheiroton autopoion, Sophocles; "non ulla est oleis cultura," Virgil), it was looked upon with special pride, as one of the most blessed gifts of the gods, and under the constant protection of Minerva, to whom it ...
— The plant-lore & garden-craft of Shakespeare • Henry Nicholson Ellacombe
... learned Greek at eighty; Sophocles Wrote his grand OEdipus, and Simonides Bore off the prize of verse from his compeers, When each had numbered more than fourscore years; And Theophrastus at fourscore and ten Had but begun his "Characters of Men;" Chaucer at Woodstock with his nightingales, At sixty wrote the Canterbury Tales; ...
— The Arena - Volume 18, No. 92, July, 1897 • Various
... organic, assumed different shapes at different epochs of human culture; that only the spirit of poetry remained constant, while its form was molded anew by each age in accordance with the demands of its own life; that it was no more reasonable to judge Shakespeare's plays by the practice of Sophocles than to judge sculpture by the rules of painting. "O! few have there been among critics, who have followed with the eye of their imagination the imperishable yet ever wandering spirit of poetry through its various metempsychoses; or who ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... older world. The exiled Greek scholars were welcomed in Italy; and Florence, so long the home of freedom and of art, became the home of an intellectual Revival. The poetry of Homer, the drama of Sophocles, the philosophy of Aristotle and of Plato woke again to life beneath the shadow of the mighty dome with which Brunelleschi had just crowned the City by the Arno. All the restless energy which Florence had so long thrown into the cause of liberty she flung, now that her liberty was ...
— History of the English People, Volume III (of 8) - The Parliament, 1399-1461; The Monarchy 1461-1540 • John Richard Green
... arts than their comedy as opposed to their tragedy. But as the immediate struggle of contraries supposes an arena common to both, so both were alike ideal; that is, the comedy of Aristophanes rose to as great a distance above the ludicrous of real life, as the tragedy of Sophocles above its tragic events and passions,—and it is in this one point, of absolute ideality, that the comedy of Shakespeare and the old comedy of Athens coincide. In this also alone did the Greek tragedy and comedy unite; in every ...
— Shakespeare, Ben Jonson, Beaumont and Fletcher • S. T. Coleridge
... tragedies; drawing consolation from the ethics and philosophy of the ancient dramatists, whom he had always admired, especially the tragedies of Euripides; he formed a complete moral anthology from that poet and from the works of Sophocles, Menander, and others, which he translated into fluent Dutch verse. Becoming more and more interested in the subject, he executed a masterly rhymed translation of the 'Theban Brothers' of Euripides, thus seeking distraction from his own tragic doom ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... Arnold turns to gather truth and to imitate their spirit. Similarly, two poets of modern times, Goethe and Wordsworth, have won tranquillity. They, too, become his teachers. Arnold's chief guides for life are, then, these: two Greek poets, Sophocles and Homer; two ancient philosophers, Marcus Aurelius and Epictetus; two modern poets, Goethe ...
— Selections from the Prose Works of Matthew Arnold • Matthew Arnold
... as in Auvergne. More recent examples are recorded in historical times, of the total extinction of the volcano of Mosychlos,* on the island sacred to Hephaestos (Vulcan), whose "high whirling flames" were known to Sophocles; and of the volcano of Medina, which according to Burckhardt, still continued to pour out a stream of lava on the 2d ...
— COSMOS: A Sketch of the Physical Description of the Universe, Vol. 1 • Alexander von Humboldt
... show you a pair of Aldines, and, what is better, a pair editionum principum,—the first Sophocles and the first Thucydides. Both have the proper attestation at the end that they come from the Aldi in Venice in the year 1502,—the Thucydides in May, and the Sophocles in August; hence the former has not the ...
— The Atlantic Monthly, Volume 18, No. 106, August, 1866 • Various
... and even overtures for the orchestra. Perhaps this extreme artistic precocity has had something to do with the feverish character of his talents, by keeping his nerves in a state of tension and unduly exciting his mind. At school he composed choruses for some of Sophocles' tragedies. In 1881, Hermann Levi had one of the young collegian's symphonies performed by his orchestra. At the University he spent his time in writing instrumental music. Then Buelow and Radecke made him play in Berlin; and Buelow, who became very fond of him, ...
— Musicians of To-Day • Romain Rolland
... given; but the voice of the prompter was occasionally too loud. Tragedies are very seldom played; the language of Alfieri could never, I will not say be given with effect, but even conceived by the modern actors. It would be like a tragedy of Sophocles performed by boys at school. There is another reason too why these tragedies are not given; they abound too much in republican and patriotic sentiments to be grateful to the ears of the Princes who reign ...
— After Waterloo: Reminiscences of European Travel 1815-1819 • Major W. E Frye
... AEschylus, Euripides, Sophocles and Homer, with Terence, Tacitus, Virgil, Horace and Ovid, were constantly pillaged for thoughts to piece out the theatrical robes and blank verse eloquence of playwrights who only received for their best accepted works from five to twenty pounds; proprietors and stage managers ...
— Shakspere, Personal Recollections • John A. Joyce
... all sorts. The unfolding of a Greek myth leads directly to art, to love of beauty, to knowledge of history, to an understanding of ourselves. But whatever the beginning is, whether a classic myth, a Homeric epic, a play of Sophocles, the story of the life and death of Socrates, a mediaeval legend, or any genuine piece of literature from the time of Virgil down to our own, it may not so much matter (except that it is better to begin with the ancients ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... those who are near relations, are called by Sophocles [Greek: oi pros aimatos]. And hence the term consanguinity, employed to denote nearness of relation. Virgil uses sanguis ...
— History of the Negro Race in America From 1619 to 1880. Vol 1 - Negroes as Slaves, as Soldiers, and as Citizens • George W. Williams
... there is so much to do," a delicate girl said to me at the end of her first college year. And while her mother was in a far-off invalid retreat, she undertook the battle against fate with the same intelligence and courage which she put into her calculus problems and her translations of Sophocles. Her beautiful home and her rosy and happy children prove the measure of her hard-won success. Formerly the majority of physicians had but one question for the mother of the nervous and delicate girl, "Does she go to school?" ...
— Why go to College? an Address • Alice Freeman Palmer
... uncouth past lived on For many a year, nor are they wholly gone, For 'twas not till the Punic wars were o'er That Rome found time Greek authors to explore, And try, by digging in that virgin field, What Sophocles and Aeschylus could yield. Nay, she essayed a venture of her own, And liked to think she'd caught the tragic tone; And so she has:—the afflatus comes on hot; But out, alas! she deems it shame ...
— The Satires, Epistles, and Art of Poetry • Horace
... determine whether they did not flock as eagerly to the representation of many pieces of contemporary Authors, wholly undeserving to appear upon the same boards. Had there been a formal contest for superiority among dramatic writers, that Shakespeare, like his predecessors Sophocles and Euripides, would have often been subject to the mortification of seeing the prize adjudged to sorry competitors, becomes too probable, when we reflect that the admirers of Settle and Shadwell were, ...
— Prefaces and Prologues to Famous Books - with Introductions, Notes and Illustrations • Charles W. Eliot
... perfected his art of illusion; beyond A Doll's House and Ghosts dramatic illusion has never gone. And the irony of the ideas that work these living puppets has now become their life-blood. It is the tragic irony of a playwright who is the greatest master of technique since Sophocles, but who is only the playwright in Sophocles, ...
— Figures of Several Centuries • Arthur Symons
... some literary or artistic friend at the second. Indeed, Winthrop seems to have deliberately chosen the localities of his story with the special purpose of showing that passions almost as terrible as those which are celebrated in the tragedies of Aeschylus and Sophocles may rage in the ordinary lodging-houses of New York. He has succeeded in throwing an atmosphere of mystery over places which are essentially commonplace; and he has done it by the intensity with which he has conceived and represented the internal thoughts, struggles, and emotions of the men ...
— Atlantic Monthly, Vol. 8, No. 50, December, 1861 • Various
... philosopher. It is remarkable that galerus, which is Latin for a hat, signifies likewise a dog-fish, as the Greek word kuneae doth the skin of that animal; of which I suppose the hats or helmets of the ancients were composed, as ours at present are of the beaver or rabbit. Sophocles, in the latter end of his Ajax, alludes to a method of cheating in hats, and the scholiast on the place tells us of one Crephontes, who was a master of the art. It is observable likewise that Achilles, in the first Iliad of Homer, tells Agamemnon, in anger, ...
— The History of the Life of the Late Mr. Jonathan Wild the Great • Henry Fielding
... declares emphatically, "I will not stain speech with a lie."[2] So, again, when his appeal to a divinity is: "Thou that art the beginning of lofty virtue, Lady Truth, forbid thou that my poem [or composition] should stumble against a lie, harsh rock of offense."[3] In his tragedy of the Philoctetes, Sophocles makes the whole play pivot on the remorse of Neoptolemus, son of Achilles, over his having lied to Philoctetes (who is for the time being an enemy of the Greeks), in order to secure through him the killing of Paris and the overthrow ...
— A Lie Never Justifiable • H. Clay Trumbull
... "What touching simplicity, what pathetic resignation—he cut my throat, nothing more!" With Tennyson's picture should be compared AEschylus, 'Agamem.', 225-49, and Lucretius, i., 85-100. For the bold and picturesque substitution of the effect for the cause in the "bright death quiver'd" 'cf.' Sophocles, 'Electra', 1395, ...
— The Early Poems of Alfred Lord Tennyson • Tennyson
... certain parts of our modern heritage which are not Greek either by origin or by affinity. These will not be found in Euripides or Plato any more than in Herodotus or Sophocles. But some developments of religion which our Hellenists particularly dislike, and are therefore anxious to disclaim as alien to Greek thought and practice, such as asceticism, sacramental magic, religious persecution, and timid reliance on authority, are maladies ...
— The Legacy of Greece • Various
... poetically, in English, French, German as (interpreted to me), Italian and Portuguese, within these nine years, to Rousseau, Goethe, Young, Aretin, Timon of Athens, Dante, Petrarch, an Alabaster Vase lighted up within, Satan, Shakspeare, Bonaparte, Tiberius, AEschylus, Sophocles, Euripides, Harlequin the clown, Sternhold and Hopkins, to the Phantasmagoria, to Henry the Eighth, to Chenier, to Mirabeau, to Young, R. Dallas (the schoolboy), to Michael Angelo, to Raphael, to a petit ...
— My Recollections of Lord Byron • Teresa Guiccioli
... the actors, the "Oxford Theatre" of those days, if it had more wit in it than the present, had somewhat less decency: the ancient "moralities" were not over moral, and the "mysteries" rather Babylonish. So far we have had no great loss. Whether the judicious getting up of a tragedy of Sophocles or Aeschylus, or even a comedy of Terence—classically managed—as it could be done in Oxford—and well acted, would be more unbecoming the gravity of our collected wisdom, or more derogatory to the dignity of our noble "theatre," ...
— Blackwood's Edinburgh Magazine - Volume 54, No. 338, December 1843 • Various
... readiness astonished us all, and even himself, as he afterwards told me; for, during the time he was at the school, he never had to use a dictionary once, though we read Dalzell's selections from Aristotle and Longinus, and several plays of Sophocles. He took his idea, so he said, from what De Quincy says of one of the Eton masters fagging the lesson, to the great amusement of the class, and, while waiting for the lesson, he used to read a newspaper. While acting as second master he seldom occupied ...
— The International Monthly, Volume 3, No. 2, May, 1851 • Various
... press, while its ink is yet as wet as our dear Judy's eyes, he will have fallen from his high estate: Hall will have housed him! Punch will have taken a stationary stand at the Strand Theatre!! The last stroke will have been given to the only ancient drama remaining, except the tragedies of Sophocles, and ...
— Punch, or the London Charivari, Vol. 1, September 18, 1841 • Various
... the imaginative faculty combined with the process of reason is most plainly seen in the conceptions of the three great poets of the fifth century, Pindar, AEschylus, and Sophocles. In the words of Pindar: "All things depend on God alone; all which befalls mortals, whether it be good or evil fortune, is due to Zeus: he can draw light from darkness, and can veil the sweet light of day in obscurity. No human action escapes ...
— Myth and Science - An Essay • Tito Vignoli
... AEschylus, Sophocles, and Euripides were performed at Athens at a festival known as the Great Dionysia. This took place early in April, so that the time itself makes us suspect that its ceremonies were connected with the spring. But we have more certain evidence. Aristotle, in his treatise on the ...
— Ancient Art and Ritual • Jane Ellen Harrison
... during a lesson are so short that the boys can get no idea of the book as a whole; long before they finish it they are moved up into another form. And over all the teaching hangs the menace of the impending examination, the riddling Sphinx which, as Seeley said in a telling quotation from Sophocles, forces us to attend to what is at our feet, neglecting all else—all the imponderables in which the true value of education consists. The tyranny of examinations has an important influence upon the choice of subjects as well as upon the manner of teaching them; for some ...
— Cambridge Essays on Education • Various
... the fift Act, of the style and uniformitie, and that commonly call'd the Plot, whether intricate or explicit, which is nothing indeed but such oeconomy, or disposition of the fable as may stand best with verisimilitude and decorum; they only will best judge who are not unacquainted with Aeschulus, Sophocles, and Euripides, the three Tragic Poets unequall'd yet by any, and the best rule to all who endeavour to write Tragedy. The circumscription of time wherein the whole Drama begins and ends, is according to antient rule, and best example, within ...
— The Poetical Works of John Milton • John Milton
... reassembled, a curious incident occurred. John happened to be going up the fine flight of steps that leads to the Old Schools. He was carrying some books and papers. Scaife, running down the steps, charged into him. By great good fortune, no damage was done except to a nicely-bound Sophocles. John, however, felt assured that Scaife had deliberately intended to knock him down, seized, possibly, by an ecstasy of blind rage not uncommon with him. ...
— The Hill - A Romance of Friendship • Horace Annesley Vachell
... subject of this piece has been celebrated by several ancient and modern dramatists. Of seven tragedies of Sophocles which have reached our times, two are founded on the history of OEdipus. The first of these, called "OEdipus Tyrannus," has been extolled by every critic since the days of Aristotle, for the unparalleled art with which the story is managed. The dreadful secret, the existence ...
— The Works of John Dryden, Vol. 6 (of 18) - Limberham; Oedipus; Troilus and Cressida; The Spanish Friar • John Dryden
... Pericles reigned the undisputed master of the public policy of Athens. During the rest of his career "there was," says the historian Thucydides, "in name a democracy, but in reality a government in the hands of the first man." And the Athens of his day was the home of AEschylus, Sophocles, Euripides, Anaxagoras, Zeno, Protagoras, Socrates, as well as Myron and Phidias; while there flourished at the same time, but elsewhere in Greece, Herodotus, Hippocrates, Pindar, Empedocles, and Democritus. ...
— Great Men and Famous Women. Vol. 3 of 8 • Various
... looked into the Greek tragedians for years, with my true love for Greek poetry? That is asking a question, you will say, and not answering it. Well, then, I answer by a 'Yes' the one you put to me. I had two volumes of Euripides with me in Devonshire, and have read him as well as Aeschylus and Sophocles—that is from them—both before and since I went there. You know I have gone through every line of the three tragedians long ago, in the way ...
— The Letters of Elizabeth Barrett Browning (1 of 2) • Frederic G. Kenyon
... that name befits my composition, Old Gaunt indeed, and gaunt in being old— Gaunt am I for the grave, gaunt as the grave—' [Footnote: Ajax, or [Greek: Aias], in the play of Sophocles, which bears his name, does the same with the [Greek: aiai] which lies in that name (422, 423); just as in the Bacchae of Euripides, not Pentheus himself, but others for him, indicate the prophecy of a mighty [Greek: penthos] or grief, which is shut up in his name ...
— On the Study of Words • Richard C Trench
... page, which twenty centuries have not been able to eclipse or dim. The names of Solon and Pericles; of Socrates, Plato, and Aristotle; of Isocrates and Demosthenes; of Myron, Phidias, and Praxiteles; of Herodotus, Xenophon, and Thucydides; of Sophocles and Euripides, have shed an undying lustre on ...
— Christianity and Greek Philosophy • Benjamin Franklin Cocker
... mounts the Acropolis to the right, or he turns to the Areopagus on the left. He goes to the Parthenon to study the sculptures of Phidias; to the temple of the Dioscuri to see the paintings of Polygnotus. We indeed take our Sophocles or Aeschylus out of our coat-pocket; but, if our sojourner at Athens would understand how a tragic poet can write, he must betake himself to the theatre on the south, and see and hear the drama literally in action. Or let him go westward to the Agora, and there he will hear Lysias or Andocides ...
— Harvard Classics Volume 28 - Essays English and American • Various
... uses; a missal, ritual, and some Catholic tracts, lay on the table; and, as he happened to come on Willis unexpectedly, he found him sitting in a vestment more like a cassock than a reading-gown, and engaged upon some portion of the Breviary. Virgil and Sophocles, Herodotus and Cicero seemed, as impure pagans, to have hid themselves in corners, or flitted away, before the awful presence of the Ancient Church. Charles had taken upon himself to protest against some of these singularities, ...
— Loss and Gain - The Story of a Convert • John Henry Newman
... least of the speakers, he would manage differently. Very likely he will allege the example of the Greeks, as we have it recorded in the accounts of the banquet offered to Themistocles after the battle of Salamis, and the supper given to AEschylus on the hundredth performance of the OEdipus of Sophocles. ...
— Imaginary Interviews • W. D. Howells
... perennius," said Horace, gloriously. "Sum pius AEneas" is Virgil's expression, put into the mouth of his hero. "Ipse Menaleas," said Virgil himself. Homer and Sophocles introduce their heroes ...
— Life of Cicero - Volume One • Anthony Trollope
... latter, taste and sentiment. You are more absorbed in the plays of Corneille; you are more shaken and more softened in those of Racine. Corneille is more moral; Racine, more natural. The one appears to make Sophocles his model; the ...
— Classic French Course in English • William Cleaver Wilkinson
... he was neither laborious, nor obviously self-denying, nor very copious in alms-giving, and his theology, you perceive, was lax. His mental palate, indeed, was rather pagan, and found a savouriness in a quotation from Sophocles or Theocritus that was quite absent from any text in Isaiah or Amos. But if you feed your young setter on raw flesh, how can you wonder at its retaining a relish for uncooked partridge in after-life? And Mr. Irwine's ...
— Adam Bede • George Eliot
... the principles of dramatic writing, we shall instantly condemn them as monstrous. But if we forget the characters, and think only of the poetry, we shall admit that it has never been surpassed in energy and magnificence. Sophocles made the Greek drama as dramatic as was consistent with its original form. His portraits of men have a sort of similarity; but it is the similarity, not of a painting, but of a bass-relief. It suggests a resemblance; but it does not produce an illusion. Euripides attempted to carry ...
— Beacon Lights of History, Volume XIII • John Lord
... as the "Iliad" are put into the mouths of real personages who appear in sight of the audience and represent with fitting gestures and costumes the characters of the story. The dialogue is interspersed with songs or odes, which reach their perfection in the choruses of Sophocles. ...
— Hindu Literature • Epiphanius Wilson
... Aristophanes is sure of her comprehension. He knows that he need not adapt himself to a feebler mind: "You understand," he says again and again. At length he comes, in his narration, to the end of their feast that night, and tells how, rising from the banquet interrupted by the entrance of Sophocles with tidings of Euripides dead, he had cried to his friends that they must ...
— Browning's Heroines • Ethel Colburn Mayne
... has much to do with the generation of the romantic spirit, and [250] although this spirit, with its curiosity, its thirst for a curious beauty, may be always traceable in excellent art (traceable even in Sophocles) yet still, in a limited sense, it may be said to be a product of special epochs. Outbreaks of this spirit, that is, come naturally with particular periods—times, when, in men's approaches towards art and poetry, curiosity may be noticed to take the lead, when men come to art and poetry, with ...
— Appreciations, with an Essay on Style • Walter Horatio Pater
... fascinating"? You might as well measure its breadth and height, or estimate the number of gallons which descend daily from the broad swirling river above. A distinguished playwright once complained of Sophocles that he lacked human interest, and the charge may be brought with less injustice against Niagara. It is only through daring and danger that you can connect it with the human race; and you find yourself wondering where it was that Captain Webb was ...
— American Sketches - 1908 • Charles Whibley
... a swarm of bees settled upon his infant lips as he lay in his mother's arms. Less supernatural, but hardly more historical, is the statement in the Life that the poet left Athens for Sicily in consequence of his defeat in the dramatic contest of 468 by Sophocles; or the alternative story of the same authority that the cause of his chagrin was that Simonides' elegy on the heroes slain at Marathon was preferred to his own. Apart from the inherent improbability of such pettiness in such a man, neither story fits the facts; for in 467, the ...
— Project Gutenberg Encyclopedia
... number of Germans know Sophocles, Aeschylus, and Shakespeare better than we do, but they know nothing, and care nothing, for the sizzling, crackling stream of purposeless incident, and sterile comment, that pours in upon the readers of American ...
— Germany and the Germans - From an American Point of View (1913) • Price Collier
... describing the binding of Ulysses. I have therefore with some diffidence ventured to depart from the received translation of [Greek] (cf. Alcaeus frag. 18, where, however, it is very hard to say what [Greek] means). In Sophocles' Lexicon I find a reference to Chrysostom (l, 242, A. Ed. Benedictine Paris 1834-1839) for the word [Greek], which is probably the same as [Greek], but I have looked for the ...
— The Odyssey • Homer
... still kept the field; and he cared very little, though he had sometimes reflected that whereas Balzac had written of the Woman of Thirty, the 'woman of forty' was still to be studied by a clever novelist; unless, indeed, Sophocles had made an end of her for ever when Jocasta hanged herself. One thing, however, was clear: the Princess had not sought him out with any idea of casting upon him the spell of a flirtation to make him a sort of posthumous substitute for his brother. She had faced the ...
— The White Sister • F. Marion Crawford
... By his side sits his beautiful partner, the learned and queenly Aspasia. Phidias, one of the greatest sculptors, if not the greatest the world has known, who "formed a new style characterized by sublimity and ideal beauty," is there. Near him is Sophocles, the greatest of the tragic poets. Yonder we catch a glimpse of a face and form that offers the most striking contrast to the manly beauty of the poet, but whose wisdom and virtue have brought Athens to his feet. It is the "father of philosophy," ...
— Eclectic School Readings: Stories from Life • Orison Swett Marden
... her modesty as to her person; her intelligence as to her housekeeping; her refining influence in political as in social circles. Where a husband would blush to take his wife and daughters, let him blush to be seen by his sons. "Revere no god," says Euripides, "whom men adore by night." And Sophocles: "Seek not thy fellow-citizens to guide till thou canst order well thine own fireside." Mrs. Alcott and Louisa join in hearty ...
— History of Woman Suffrage, Volume III (of III) • Various
... Harris, "depend for their melody and rhythm upon the musical quality of the time, and not upon long or short, accented or unaccented syllables." His citation of Japanese poetry was also a case in point. Unquestionably, the lyrics and choruses of the Greek drama were thoroughly musical; Sophocles and Aeschylus were both teachers of the chorus. Many of the lyrics of the Elizabethan age were written especially for music, and more than one collector of these lyrics has bemoaned the fact that in later times there ...
— Sidney Lanier • Edwin Mims
... soap-box provender, too, sure of a crowd, offering creed, propaganda, patent medicine, and politics. It is the pulpit of the reformer and the housetop of the fanatic, this soapbox. From it the voice to the city is often a pious one, an impious one, and almost always a raucous one. Luther and Sophocles, and even a Citizen of Nazareth made of the four winds of the street corner the walls of a temple of wisdom. What more fitting acropolis for freedom of ...
— Gaslight Sonatas • Fannie Hurst
... represents a galaxy of great men: Aeschylus, Sophocles, Euripides, Herodotus, Socrates, Thucydides, Phidias, Ictinus, and others. Greek government reached its culmination and society had its fullest life in this age. The glory of the period extended on through the Peloponnesian war, and after the Macedonian conquest it gradually waned ...
— History of Human Society • Frank W. Blackmar
... investigation must be to discover the criterion by which he classifies some literature as poetry and other as not poetry. The characteristic quality, according to Aristotle, which is possessed by the Socratic dialogs, by the Homeric epics, and by the dramas of Aeschylus, Sophocles, and Euripides, and which classifies them together as poetic, is not verse but mimesis, imitation.[13] Exactly what Aristotle meant by imitation has furnished subsequent critics with an excuse for writing many volumes. The usual meaning ...
— Rhetoric and Poetry in the Renaissance - A Study of Rhetorical Terms in English Renaissance Literary Criticism • Donald Lemen Clark
... Whoever aspired to become a leader in politics, in art, in literature, or in philosophy, made his way to the capital, and so, with almost bewildering suddenness, there blossomed the civilization of the age of Pericles; the civilization which produced aeschylus, Sophocles, Euripides, Herodotus, and Thucydides; the civilization which made possible the building of ...
— A History of Science, Volume 1(of 5) • Henry Smith Williams
... Christ that he ranks with the poets. That is true. Shelley and Sophocles are of his company. But his entire life also is the most wonderful of poems. For 'pity and terror' there is nothing in the entire cycle of Greek tragedy to touch it. The absolute purity of the protagonist raises the entire scheme to a height of romantic art from which the sufferings of ...
— De Profundis • Oscar Wilde
... turned aside from Euripides for a moment and attempted a translation of the great stage masterpiece of Sophocles, my excuse must be the fascination of this play, which has thrown its spell on me as on many other translators. Yet I may plead also that as a rule every diligent student of these great works can add something to the discoveries of his predecessors, and I think I have been able to bring ...
— Oedipus King of Thebes - Translated into English Rhyming Verse with Explanatory Notes • Sophocles
... numerous churches, with their frescoes and paintings, I less regret not having seen. Its Biblioteca Capitolare, which is said to be an unwrought quarry of historic and patristic lore, I should have liked to visit. There, too, the monks of the middle ages were caught tripping. "Sophocles or Tacitus," in the words of Gibbon, "had been compelled to resign the parchment to missals, homilies, and the golden legend." The "Institutes of Caius," which were the foundation of the Institutes ...
— Pilgrimage from the Alps to the Tiber - Or The Influence of Romanism on Trade, Justice, and Knowledge • James Aitken Wylie
... respectable conceal after all their secret code; or why so impermeable? And then, doffing one's own headpiece, how strange to assume for a moment some one's—any one's—to be a man of valour who has ruled the Empire; to refer while Brangaena sings to the fragments of Sophocles, or see in a flash, as the shepherd pipes his tune, bridges and aqueducts. But no—we must choose. Never was there a harsher necessity! or one which entails greater pain, more certain disaster; for wherever I seat myself, I die in exile: Whittaker in his lodging-house; ...
— Jacob's Room • Virginia Woolf
... some drive their engines by means of boiling emotion, others by the incandescence of intellectual passion. These go forward by intense concentration on the problem; those swing with breathless precision from feeling to feeling. Sophocles, Masaccio, and Bach are intellectuals in this sense, while Shakespeare, Correggio, and Mozart trust their sensibility almost as a bird trusts its instinct. It never entered the head of a swallow to criticize its own methods; and if Mozart ...
— Since Cezanne • Clive Bell
... Dramatic Artist (1885). In parts of my analysis I am much indebted to Gustav Freytag's Technik des Dramas, a book which deserves to be much better known than it appears to be to Englishmen interested in the drama. I may add, for the benefit of classical scholars, that Freytag has a chapter on Sophocles. The reader of his book will easily distinguish, if he cares to, the places where I follow Freytag, those where I differ from him, and those where I write in independence of him. I may add that in speaking of construction I have thought it best to assume ...
— Shakespearean Tragedy - Lectures on Hamlet, Othello, King Lear, Macbeth • A. C. Bradley
... remarked, but again the loud talk went on. Someone told a story. When the laughter had ended, "I often think—"; but looking round the table I could catch no friendly or attentive eye. It was humiliating, but more humiliating the thought that Sophocles and Goethe would have always commanded attention, while the lack of it would not have troubled ...
— Trivia • Logan Pearsall Smith
... him. Ah! how calm, how holy, all outside of my heart seems! How in contrast with that charnel-house yonder vision of peaceful loveliness appears as incongruous as the nightingales which the soul of Sophocles heard singing in the grove of the Furies? After to-day will the world ever look quite the same to me? Thirty-three years have brought me swiftly to the last fatal page; and shall the hand falter that ...
— Infelice • Augusta Jane Evans Wilson
... How have you been so patient with me? A London season—and I still have Homer to read! Still have Sophocles for an unknown land! My father, I have gone far, very far, astray, and you did not ...
— Thyrza • George Gissing
... of her action, simple without redundancy, her exquisite elocution, her deep yet controlled passion, and the magic of a voice thrilling even in a whisper—this form of Phidias with the genius of Sophocles—entirely enraptured a fastidious audience. When she ceased, there was an outburst of profound and unaffected appreciation; and Lord St. Aldegonde, who had listened in a sort of ecstasy, rushed forward, with a countenance as serious as the theme, to offer his ...
— Lothair • Benjamin Disraeli
... An Athenian tragic poet, who exhibited plays as early as 524 B.C. He was said to have competed with Aeschylus, Pratinas and even Sophocles. According to F.G. Welcker, however, the rival of Sophocles was a son of Choerilus, who bore the same name. Suidas states that Choerilus wrote 150 tragedies and gained the prize 13 times. His works are all lost; only Pausanias (i. 14) mentions a play by him ...
— Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 3 - "Chitral" to "Cincinnati" • Various
... Even de Grizolles himself left off shooting beans. Instead, he conceived the notion of brewing chocolate inside his desk with a spirit-lamp and a silver patty-pan. Jean left him in peace and reopened his Sophocles with a sigh of relief. But the Superintendent, going by in the court, caught a smell of cooking, searched the desks and unearthed the patty-pan, which he offered, still warm, for the Reverend the ...
— The Aspirations of Jean Servien • Anatole France
... were made with great care, and were skilfully painted, and finished with the nicest accuracy; for every art was brought to a focus in the Greek theatres. We must not imagine, like schoolboys, that the tragedies of Sophocles were performed at Athens in such rude masks as are exhibited in our music shops. We have some representations of them in antique sculptures and paintings, with features somewhat distorted, but ...
— The Mirror Of Literature, Amusement, And Instruction, No. 391 - Vol. 14, No. 391, Saturday, September 26, 1829 • Various
... educators of humanity. Tutors and professors instruct princes and kings, but poets (and all genuine artists are poets) educate nations. Take from Greece Homer and Phidias, and Sophocles and Scopas, and the planner of the Parthenon, and you efface Greece from history. Wanting them, she would not have been the great Greece that we know; she would not have had the vigor of sap, the nervous ...
— Essays AEsthetical • George Calvert
... shell of the theatre. Plato affirms it was capable of containing thirty thousand persons. It contained statues of all the great tragic and comic poets, the most conspicuous of which were naturally those of AEschylus, Sophocles, and Euripides, among the former, and those of Aristophanes and Menander among the latter. On the southwest side of the Acropolis is the site of the Odeum, or musical theatre of Herodes Atticus, named by him the theatre of Regilla, in honor of his wife. On the northeast side of the Acropolis ...
— The International Monthly Magazine, Volume 5, No. 1, January, 1852 • Various
... these scenes, one feels that it may, indeed, be said of him as Matthew Arnold said of Sophocles, that he sees life steadily, and sees it whole. What a masterly handling is his of the facts of the universe, giving his reader the truths of the scientist touched with an idealism such as is only known to the poet's soul! A friend, writing me of "The Summit of the Years," spoke ...
— Our Friend John Burroughs • Clara Barrus
... any other, the master-mover of his spirit. It may be added, that great judgment and taste are perceptible in this translation, which is by no means a literal one; and in which the phraseology of Sophocles is not ill substituted, in some ...
— Spare Hours • John Brown
... Attic tragedians, the Middle and New Comedy, as they culminated in Menander, exercised an even wider and more pervasive influence. A vast gap lay between the third and fifth centuries before Christ. Aeschylus, and even Sophocles, had become ancient literature in the age immediately following their own. Euripides, indeed, continued for centuries after his death to be a vital force of immense moment; but this force he owed ...
— Latin Literature • J. W. Mackail
... to compare these last hours of one of the noblest women in English history to those of that rare and radiant Greek maiden, whom the genius of Sophocles has glorified in his immortal tragedy. The comparison is altogether in favour of the English heroine, for while Antigone went to her death bravely, yet her final words were those of bitter complaint and almost whining lamentation. Compare with these words the Christlike simplicity of Miss ...
— The Case of Edith Cavell - A Study of the Rights of Non-Combatants • James M. Beck
... and Latin was to move with the times and to follow the fashion. "All men," says Ascham, less displeased with this novelty than with the travelling propensities of his compatriots, "covet to have their children speake latin"; and "Sophocles and Euripides are more familiar now here than Plautus was formerly."[52] Dazzled by what he saw and heard, Erasmus was announcing to the world in enthusiastic letters that "the golden age" was to be born again in this fortunate island.[53] ...
— The English Novel in the Time of Shakespeare • J. J. Jusserand
... you?" was the question met by Livingstone in the untraveled wilds of Africa. "Have you no charm against death?" The Greek as well as the barbarian confessed to the helplessness of man before the great enemy. Centuries before Christ, Sophocles the ...
— Our Day - In the Light of Prophecy • W. A. Spicer
... their religious dramas with such convincing enthusiasm that even Pindar could say "Happy is he who has seen them (the Mysteries) before he goes beneath the hollow earth: that man knows the true end of life and its source divine"; and concerning which Sophocles and Aeschylus ...
— Pagan & Christian Creeds - Their Origin and Meaning • Edward Carpenter
... strike us—paradoxical as it may sound to say so—about the Athenian 'Old Comedy' is its modernness. Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides. Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary ...
— The Eleven Comedies - Vol. I • Aristophanes et al
... mixture of man and nature, fact and mind, which is art. And this is as true of all books which are meant to be literature as of painting or sculpture. The story of Electra is, broadly speaking, the same for Aeschylus, Sophocles, {59} and Euripides: but each contributes to it himself, and the result differs. Virgil's tale of Troy is not Homer's: Chaucer gives us one Troilus and Cressida, and Shakespeare another: the fable of the Fox and the Goat ...
— Dr. Johnson and His Circle • John Bailey
... to Mars' Hill and the Acropolis I passed the monument of Lysicrates, the theater of Bacchus, and the Odeon. This first-mentioned theater is said to have been "the cradle of dramatic art," the masterpieces of Aeschylus, Sophocles, and others having been rendered there. The Odeon of Herod Atticus differed from other ancient theaters ...
— A Trip Abroad • Don Carlos Janes
... man recalls two characteristic anecdotes about a well-known Harvard professor, Sophocles, or "Sophy," as he was generally called. He was an excellent teacher, but he had his favorites, whom he would never allow to fail in recitation. One day the question under discussion was the dark color of the water of a certain river. "Why was the water dark?" ...
— Golden Days for Boys and Girls, Vol. XIII, Nov. 28, 1891 • Various
... killed in a combat near Syracuse; which gave rise to another interpretation of the dream, namely, that, when the spirit or soul of Eudemus left his body, it went thence straight to his own house.—A cup of massy gold having been stolen from the temple of Hercules, this god appeared in a dream to Sophocles three consecutive times, and pointed out the thief to him; who was put to the torture, confessed the delinquency, and gave up the cup. The temple afterwards received ...
— Thaumaturgia • An Oxonian
... terms deceive themselves when they say, that virtue consists in a good disposition of mind, or doing what is right, or something of this sort. They do much better who enumerate the different virtues as Georgias did, than those who thus define them; and as Sophocles speaks of a woman, we think of all persons, that their 'virtues should be applicable to ...
— Politics - A Treatise on Government • Aristotle
... only admitted the masters, following the guidance of his own eccentric judgment quite as much as he followed traditional estimate. Homer, Virgil, Dante, and Milton of course had undisputed possession of the department devoted to the "Kings of Epic," as he styled them. Sophocles, Calderon, Corneille, and Shakespeare were all that he admitted to his list of "Kings of Tragedy." Lope he rejected on literary grounds, and Goethe because he thought his moral tendency bad. He rejected Rabelais from his chief humorists, but accepted Cervantes, ...
— The End Of The World - A Love Story • Edward Eggleston
... efflorescence of loveliness, to our statuaries and our builders, to our goldsmiths and musicians? Ah, we have rediscovered the secret of Greece. It is Homer that we love, it is Plato, it is the noble simplicity of Sophocles; our Dante lied when he said it was Virgil who was his guide. The poet of Mantua never led mortal to those dolorous regions. He sings of flocks and bees, of birds and running brooks, and the simple loves of shepherds; ...
— Dreamers of the Ghetto • I. Zangwill
... somewhat of a theatrical air. “But a good time is coming; meanwhile, not having much to do here, I employ my time as well as I can. You shall see my little library;”—and he brought in some volumes, mostly classical, the Odyssey, Euripides, Sophocles, Æschylus, and Cornelius Nepos. After awhile he pulled out of his bosom, with some mystery, for he was still professedly a catholic, a small copy of Diodati's Italian version of the New Testament. “This,” he said, with emphasis, “is my greatest consolation; ...
— Rambles in the Islands of Corsica and Sardinia - with Notices of their History, Antiquities, and Present Condition. • Thomas Forester
... matter-of-fact thinker, Jenkin was an equally clear and graphic writer. He read the best literature, preferring, among other things, the story of David, the ODYSSEY, the ARCADIA, the saga of Burnt Njal, and the GRAND CYRUS. Aeschylus, Sophocles, Shakespeare, Ariosto, Boccaccio, Scott, Dumas, Dickens, Thackeray, and George Eliot, were some of his favourite authors. He once began a review of George Eliot's biography, but left it unfinished. Latterly he had ceased to admire her work as much as before. ...
— Heroes of the Telegraph • J. Munro
... is play of a sort; the 'sport-impulse' (to translate a German phrase) is deep at the root of the artist's power; Sophocles, Shakespeare, Moliere, and Goethe, in a very profound sense, make game of life. But to make game of life was to each of these the very loftiest and most imperative employ to be found for him on this planet; ...
— Robert Louis Stevenson • Walter Raleigh
... condemnation that weighed upon the soul of Herod or Judas, or the approval of conscience that transfigured the face of the martyred Stephen or Savonarola. For all happiness comes only through peace with one's self, one's record, and one's God. All the great, from AEschylus and Sophocles to Channing and Webster, have emphasized man's conscience as the oracle divine. Let the witnesses speak. Here is the Judge, famous in English history: It became his duty to sentence a servant for murdering his master. Suddenly, before ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis
... ignorant immigrants from other parts of southeastern Europe, welcome an occasion to present Greek plays in the ancient text. With expert help in the difficulties of staging and rehearsing a classic play, they reproduced the Ajax of Sophocles upon the Hull-House stage. It was a genuine triumph to the actors who felt that they were "showing forth the glory of Greece" to "ignorant Americans." The scholar who came with a copy of Sophocles in hand and followed the play with real enjoyment, did not in the least realize ...
— Twenty Years At Hull House • Jane Addams
... behindhand: Dante, Giotto, Brunelleschi, and Donatello were dead, but Ariosto, Raphael, Bramante, and Michael Angelo were now living. Rome, Florence, and Naples had inherited the masterpieces of antiquity; and the manuscripts of AEschylus, Sophocles, and Euripides had come (thanks to the conquest of Mahomet II) to rejoin the statue of Xanthippus and the works of Phidias and Praxiteles. The principal sovereigns of Italy had come to understand, when they let their eyes dwell upon the fat harvests, the wealthy villages, the ...
— The Borgias - Celebrated Crimes • Alexandre Dumas, Pere
... achiever of something. We have been apt to think of him as a great teacher, a teacher of charm and insight, or as the great example of idealism, "who saw life steadily and saw it whole." He lived, some hold, the rounded and well-poised life, the rhythmic life. No, that was Sophocles. He is greater. Here is one who penetrates far deeper into things. His treatment of the psychology of sin itself shows how much more than an example was needed. Here, as in the other chapters, but here above all we have to remember the clearness of his insight, his swiftness of penetration, ...
— The Jesus of History • T. R. Glover
... that tenor, or for a brief interval raised the curtain which veiled it. Hence the subordinate part which women play upon the Greek stage in all but some half dozen cases. In the paramount tragedy on that stage, the model tragedy, the (OEdipus Tyrannus of Sophocles), there is virtually no woman at all; for Jocasta is a party to the story merely as the dead Laius or the self-murdered Sphinx was a party, viz., by her contributions to the fatalities of the event, not by anything she does or says spontaneously. In ...
— Biographical Essays • Thomas de Quincey
... Scipio's Dream, Letter to Quintus. Cicero On Oratory and Orators. Cicero's Tusculan Disputations, The Nature of the Gods, and The Commonwealth. Juvenal. Xenophon. Homer's Iliad. Homer's Odyssey. Herodotus. Demosthenes. 2 Vols. Thucydides. AEschylus. Sophocles. Euripides. 2 Vols. ...
— The Comedies of Terence • Publius Terentius Afer
... At the altar of Dionysus. Greek poetry and music. Aristotle on Greek stage-plays. AEschylus and Sophocles. Euripides. Words, music and scenic effect. Lenaean theatre exhibitions. More costly than Peloponnesian war. Roman dominion. Primitive Christian church. St. Augustine. Mystery, miracle, morality and passion ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore |
