"Sistine Chapel" Quotes from Famous Books
 ... denounced by his brother generals and politicians everywhere; a Field's untiring perseverance, spending years and a fortune laying a cable when all the world called him a fool; a Michael Angelo, working seven long years decorating the Sistine Chapel with his matchless "Creation" and the "Last Judgment," refusing all remuneration therefor, lest his pencil might catch the taint of avarice; a Titian, spending seven years on the "Last Supper;" a Stephenson, working fifteen years on a locomotive; ...
— How to Succeed - or, Stepping-Stones to Fame and Fortune • Orison Swett Marden
... restored by the Byzantine empire, which advanced eunuchs, like Eutropius and Narses, to the highest dignities of the realm. The cruel custom to the eternal disgrace of mediaeval Christianity was revived in Rome for providing the choirs in the Sistine Chapel and elsewhere with boys' voices. Isaiah mentions the custom (Ivi. 3-6). Mohammed, who notices in the Koran (xxiv. 31), "such men as attend women and have no need of women," i.e., "have no natural force," expressly forbade (iv. 118), "changing Allah's creatures," ...
— Supplemental Nights, Volume 1 • Richard F. Burton
... "I expected to, and was always looking for him; but these eyes never looked into his, for he died just three hundred years before I was born." But how natural was this question from this bright, country girl! She had been examining a lot of photographs of the Sistine Chapel, and had seen pictures of "Il Penseroso," the "Night" and "Morning," the "Moses"; and then she had seen on my desk a bronze cast of the hand of the "David"—that imperial hand with the ...
— Little Journeys to the Homes of the Great - Volume 14 - Little Journeys to the Homes of Great Musicians • Elbert Hubbard
... Christendom? The legitimate result of this view, unflinchingly carried out, and applied to the precise point we now have in hand, is seen in that horrible portrayal of the Last Judgment wherewith Michael Angelo has covered the ceiling of the Sistine Chapel, in Rome. The great anatomical artist consistently depicts Christ as an almighty athlete, towering with vindictive wrath, flinging thunderbolts on the writhing and helpless wilderness of his victims. The popular conception of Christ in the judgment has been borrowed from the type ...
— The Destiny of the Soul - A Critical History of the Doctrine of a Future Life • William Rounseville Alger
... Vatican would have opened wide its doors. There, relieved of financial badgering, in the company of his equals, encouraged and uplifted, he might have performed such miracles in form and color that even the wonderful ceiling of the Sistine Chapel would have faded into ...
— Little Journeys to the Homes of the Great, Volume 6 - Subtitle: Little Journeys to the Homes of Eminent Artists • Elbert Hubbard
... brought himself to accept the offered citizenship and salary, and stop on at Venice. A Duerer, not only secluded from Luther and his troubling denunciations, but living to see Titian and Giorgione's early masterpieces, perhaps forming friendships with them, and later visiting Rome, standing in the Sistine Chapel, seated in the Stanze between the School of Athens and the Disputa! I at least cannot console myself for these missed opportunities, as so many of his critics and biographers have done, by saying that doubtless had he stayed he would have been spoiled like those second-class ...
— Albert Durer • T. Sturge Moore
... Sistine Chapel is the celebrated painting al fresco of the day of Judgment by Michel Angelo, an aweful subject and nobly and ...
— After Waterloo: Reminiscences of European Travel 1815-1819 • Major W. E Frye
... and soon became absorbed. To-night he was oppressed in a new way by the sins, the temptations, and the unutterable weakness of man; his failures; his uselessness. Nothing else in Art had ever impressed him so much as the figure of Adam on the ceiling of the Sistine Chapel. That beautiful figure, with all the freshness of its primal grace, stretching out its arms from a new-born world towards the infinite Creator, had expressed, with extraordinary pathos, the weakness, the failure, almost the non-existence of what is finite. "I ...
— Great Possessions • Mrs. Wilfrid Ward
... back of one of his drawings, was meditating on some great design, he closed himself up from the world, "Why do you lead so solitary a life?" asked a friend. "Art," replied the sublime artist, "Art is a jealous god; it requires the whole and entire man." During his mighty labour in the Sistine Chapel, he refused to have any communication with any person even at his own house. Such undisturbed and solitary attention is demanded even by undoubted genius as the price of performance. How then shall we deem of that feebler race who exult in occasional excellence, and ...
— Literary Character of Men of Genius - Drawn from Their Own Feelings and Confessions • Isaac D'Israeli |
