"Shakespearian" Quotes from Famous Books
 ... all this sounds like child's play, but it is astonishing how many of our Shakespearian critics commit one or all of these faults. Forgetting entirely that criticism demands common sense, impartial judgment, intense sympathy, a total absence of prejudice, and a great deal of general information, ...
— Lippincott's Magazine Of Popular Literature And Science, April 1875, Vol. XV., No. 88 • Various
... arch of the South bridge is a huge mastiff, sauntering down the middle of the causeway, as if with his hands in his pockets; he is old, gray, brindled, as big as a little Highland bull, and has the Shakespearian dewlaps shaking ...
— The Junior Classics Volume 8 - Animal and Nature Stories • Selected and arranged by William Patten
... Dyce it may be fearlessly asserted that his criticism is not for all time. Even had he been less prone to accept the word of John Payne Collier for gospel; even had Shakespearian criticism made no perceptible advance during the last quarter of a century, yet there is that in the Rev. Alexander Dyce's treatment of his poet which would warn us to pause before accepting his word as final. As a test of his aesthetic judgment we may turn ...
— Adventures in Criticism • Sir Arthur Thomas Quiller-Couch
... no 'buts,' and father me no 'fathers,'" stormed the angry old man, probably quite unconscious of the Shakespearian smack of his phrase; "I am no father to heretic spawn—a plague and a curse be on all such! Go to, thou wicked and deceitful boy; thou wilt one day bitterly rue thy evil practices. Thinkest thou that I will harbour beneath my ...
— The Lost Treasure of Trevlyn - A Story of the Days of the Gunpowder Plot • Evelyn Everett-Green
... unity or identity Coleridge exaggerates into something like the identity of a natural organism, and the associative act which effected it into something closely akin to the primitive power of nature itself. "In the Shakespearian drama," he says, "there is a vitality which grows ...
— Appreciations, with an Essay on Style • Walter Horatio Pater
... disparages, whose resonant voice denounces, whose cold shoulder jostles every decency, every delicacy, every amenity, every dignity, every sweet usage of that quiet life of mutual admiration in which perfect Shakespearian appreciation is expected to arise, that man is Frank Harris. Here is one who is extraordinarily qualified, by a range of sympathy and understanding that extends from the ribaldry of a buccaneer ...
— Dark Lady of the Sonnets • George Bernard Shaw
... admire, that she can worship the greatest of her poets! May Shakespeare live on in the love of each generation that grows up in England! May the youth of England long continue to be nursed, to be fed, to be reproved and judged by his spirit! With that nation—that truly English, because truly Shakespearian nation—the German nation will always be united by the strongest sympathies; for, superadded to their common blood, their common religion, their common battles and victories, they will always have in Shakespeare a common teacher, a common ...
— Chips From A German Workshop. Vol. III. • F. Max Mueller
... Tamworth is also Shakespearian ground, for here Richmond halted on his march to Bosworth Field, and made a stirring address to inspire his forces for the coming combat. In later years Tamworth sent Sir Robert Peel to Parliament, and his bronze statue adorns the market-square; the ruins of the ancient castle are almost obliterated, ...
— England, Picturesque and Descriptive - A Reminiscence of Foreign Travel • Joel Cook
... the Shakespearian commentator and first editor of Boswell's Johnson, was as confirmed a reader as it is possible for a book-collector to be. His own life, by Sir James Prior, is full of good things, and is not so well known as it should be. It smacks ...
— In the Name of the Bodleian and Other Essays • Augustine Birrell
... the same exquisite rarity of soul, but unfolded under conditions more sternly real, and winning no such miraculous alacrity of response. In lyrical wealth and swiftness Browning had perhaps advanced little since the days of Pippa; but how much he had grown in Shakespearian realism is fairly measured by the contrast between that early, half-legendary lyric child, by whose unconscious alchemy the hard hearts of Asolo are suddenly turned, and this later creation, whose power over her world, though ...
— Robert Browning • C. H. Herford
... definite kind. This was the house latterly taken over by Sir Henry Irving. The "Princess' Theatre," on the north side of Oxford Street, was built in 1830; after a few years of opera and miscellaneous dramas, it became the scene of Mr. Charles Kean's Shakespearian revivals, and now resembles most of the other theatres. "St. James' Theatre," in King Street, St. James', was built for Braham, the celebrated singer. "The Olympic" was a small house in Wych Street, Drury Lane, now destroyed. "The Strand Theatre" was famous for its burlesque extravaganzas, ...
— Dickens' London • Francis Miltoun
... admirable—who have been attracted by the very excesses of buffoonery, violations of good taste, and occasionally almost vulgar slang, which disfigure its pages. Their patronage is, at the best, of no more value than that of a mob gathered by a showy Shakespearian revival, and it has laid the volume open to the charge of being adapted "laudari ab illaudatis." But the welcome of the work in other quarters is as indubitably duo to higher qualities. In writing Don Juan, Byron attempted something that had ...
— Byron • John Nichol |
