"Romeo" Quotes from Famous Books
 ... shot the deer on his poaching exploits. There, too, was his tobacco-box, which proves that he was a rival smoker of Sir Walter Raleigh: the sword also with which he played Hamlet; and the identical lantern with which Friar Laurence discovered Romeo and Juliet at the tomb. There was an ample supply also of Shakespeare's mulberry tree, which seems to have as extraordinary powers of self-multiplication as the wood of the true cross, of which there is enough extant to build a ...
— The Sketch Book of Geoffrey Crayon, Gent. • Washington Irving
... quite reliable. Will not the prudent manager provide a substitute respectably to fill the part, in the sad event of one of those sudden indispositions to which Belville is but too liable! It may be somewhat 'fat and scant of breath,' ay, and scant of hair and of teeth too. But though he has played Romeo thirty years ago, the perruquier, and the dentist, and the rouge-pot, and the friendly glare of the foot-lights will do wonders; and Podgers—steady fellow!—will be always at the right wing, at the right ...
— The House by the Church-Yard • J. Sheridan Le Fanu
... special charms of their women: the enthusiasm for a love which is all their life; the minuteness of their care for their persons; the delicacy of their passion, so charmingly rendered in the famous scene of Romeo and Juliet in which, with one stroke, Shakespeare's genius depicted ...
— The Lily of the Valley • Honore de Balzac
... are represented as employing nuts for their mode of conveyance, in allusion to which Shakespeare, in "Romeo and Juliet," makes Mercutio speak of Queen Mab's arrival in a nut-shell. Similarly the fairies selected certain plants for their attire. Although green seems to have been their popular colour, yet the fairies ...
— The Folk-lore of Plants • T. F. Thiselton-Dyer
... Davenport in the character of the Nurse in "Romeo and Juliet." James Holmes. Almost speakingly characteristic. You may imagine the actress drawling out, "awear—y," and her attitude admirably accords with "Fie, ...
— The Mirror of Literature, Amusement, and Instruction - Vol. XIX. No. 540, Saturday, March 31, 1832 • Various
... bank, he left the inn with a light, almost jaunty, tread. From the balcony I watched them out of sight. By-and-by, however, I spied a figure returning alone by the towpath; and, concealing myself, heard young Romeo in the courtyard carelessly demanding of the ostler the loan of a spade. From behind my curtain I watched him as again he made his way up the shore with the implement tucked under his arm. I waited in a terrible suspense. Each minute seemed an hour. A thunderstorm happening to break over ...
— Sir John Constantine • Prosper Paleologus Constantine
... conceivable. Only that must appear clearly from the text of the tragedy. Yet what does this say? Carefully as I have read its lines, I have not been able to find a single, actual uninterpolated word of love from Lady Macbeth. That is of double significance from the poet of "Romeo and Juliet." He who could give such language to love would not have completely denied it in "Macbeth," if Lady Macbeth was to have been a loving wife. One can find everything in her words, warning, entreaty and adjuration, upbraidings and threatenings, ...
— Sleep Walking and Moon Walking - A Medico-Literary Study • Isidor Isaak Sadger
... all the chessmen. Old Fraser and the Louison, too, are playing at cross purposes—evidently. They have, however, spoiled my little game. I will spoil theirs!" He grinned as he decided "I will do a bit of the Romeo act with Justine, and come back by Granville to Boulogne. If the old gang is to be found there, I may get one of them to spy the whole thing out. All these Jersey people are half French in their birth and ways. I can sneak some fellow in from Granville. There might be a chance. ...
— A Fascinating Traitor • Richard Henry Savage
... changed—an effect upon my life which must explain my use of the word "sacrifice." You have already rendered me forgetful, if not ungrateful; does that satisfy you? Oh, speak! Say to me one word, and I will love you till my eyes close in death, as the Marquis de Pescaire loved his wife, as Romeo loved Juliet, and faithfully. Our life will be, for me at least, that "felicity untroubled" which Dante made the very element of his Paradiso,—a poem far superior to his Inferno. Strange, it is not myself that I doubt in the long reverie through which, like ...
— Modeste Mignon • Honore de Balzac
... eye—was small and white; and those were all the qualities Alec was as yet capable of appreciating in a hand. Before she got back to her seat, he was very nearly in love with her. I suspect that those generally who fall in love at first sight have been in love before. At least such was Romeo's case. And certainly it was not Alec's. Yet I must confess, if he had talked stupidly before, he talked worse now; and at length went home with the conviction that he had made a great ...
— Alec Forbes of Howglen • George MacDonald
... as God made it; but man makes a packhorse of Providence." He held that innumerable things might be converted to our use that we ignorantly neglect, and quoted with great ardour, the whole of Friar Lawrence's speech in Romeo and Juliet to that effect. Again, Mr. Dovaston says, "Every body loved Bewick; all animals love him; and frequently of mornings I found him in the inn-yard, among the dogs, ducks, or pigs, throwing them pieces ...
— The Mirror of Literature, Amusement, and Instruction - Vol. XX. No. 557., Saturday, July 14, 1832 • Various
... I will tell a story which drew me one day past the Public Gardens to the metropolitan Church of Venice, San Pietro di Castello. The novella is related by Bandello. It has, as will be noticed, points of similarity to that of "Romeo and Juliet." ...
— New Italian sketches • John Addington Symonds
... not Romeo and a Montague?" and the alleged Romeo on his knees replied, "Nowther, sweet lass, if owther thoo offend," the laughter in the auditorium reached the point of frantic screams. The actors, like wise artists, were obviously indifferent to any ...
— The Shadow of a Crime - A Cumbrian Romance • Hall Caine
... assassination of President Lincoln I heard Wilkes Booth as Romeo at the old McVicker. The passing years have not ...
— Something of Men I Have Known - With Some Papers of a General Nature, Political, Historical, and Retrospective • Adlai E. Stevenson
... his uncle, by composing poems on similar subjects. Opinions are divided as to whether he succeeded as well as his master, but none can exceed him in sweetness and pathos. His version of the sad tale of Mejnoun and Leila, the Romeo and Juliet of the East, is confessedly superior to that ...
— Handbook of Universal Literature - From The Best and Latest Authorities • Anne C. Lynch Botta
... gentle Romeo, If thou dost love, pronounce it faithfully. Or if thou think'st I'm too quickly won, I'll frown and be perverse, and say thee nay, So thou wilt woo; but else ...
— Elsie's children • Martha Finley
... know Because the clouds of hawthorn keep So short a state, and kisses go To tombs unfathomably deep, While Rameses and Romeo ...
— Georgian Poetry 1916-17 • Various
... Hofrath, we have so many thoughts and so few words that we must express many thoughts in every word. Now if one who does not know us understood that our young friend loved me, or I him, in such manner as we suppose Romeo loved Juliet and Juliet Romeo, you would be entirely right in saying it should not be so. But is it not true that you love me also, my old Hofrath, and that I love you, and have loved you for many years? And has it not sometimes occurred to you that I have neither been past remedy ...
— Memories • Max Muller
... Paradise. Cupid, lord of gods and men, had bestowed on them the usual rose-colored spectacles which form an important part of his stock-in-trade, and they looked abroad on a fairy world. Was not SHE there: was not HE there: could Romeo or Juliet ...
— The Green Mummy • Fergus Hume
... "Romeo and Juliet again," cried Ernestine eagerly. "Oh Bea, beg him to, for there are some other parts that I want ...
— Six Girls - A Home Story • Fannie Belle Irving
... night, stifling my sighs lest they should disturb your peaceful slumber. You are afraid, perhaps, to let yourself be touched, at a first meeting, by a poor wretch who adores you. Alas! Juliet was young and beautiful like you, and she did not need many entreaties to take pity on Romeo." ...
— CELEBRATED CRIMES, COMPLETE - NISIDA—1825 • ALEXANDRE DUMAS, PERE
... editor's greatest difficulty is in determining what to leave out. The wish to include "L'Africaine," "Othello," "Lucia," "Don Pasquale," "Mignon," "Nozze di Figaro," "Don Giovanni," "Rienzi," "Tannhaeuser," "Romeo and Juliet," "Parsifal," "Freischuetz," and a hundred others makes one impatient ...
— Operas Every Child Should Know - Descriptions of the Text and Music of Some of the Most Famous Masterpieces • Mary Schell Hoke Bacon
... without tenderness, without mind, and (as the result proved) without virtue. The sickly and timid boy was in the house; he was handy; when she was otherwise unoccupied, she used and played with him—Romeo and Cressida; till in that dreary life of a poor boy in a country town, she grew to be the light of his days and the subject of his dreams. He worked hard, like Jacob, for a wife; he surpassed his patron in sharp practice; he was made head clerk; and the same night, encouraged by a hundred freedoms, ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 13 (of 25) • Robert Louis Stevenson
... barked after him. Claude Frollo had taught him to talk, to read, to write. Claude Frollo had finally made him the bellringer. Now, to give the big bell in marriage to Quasimodo was to give Juliet to Romeo. ...
— Notre-Dame de Paris - The Hunchback of Notre Dame • Victor Hugo
... innocent girls would have done. She had never talked an hour in her life to a young man, or heard from other girls their incessant chirping of "he—he," like that of birds in spring wooing their mates. Her nearest acquaintance with lovers was old Peter's rendering of Romeo or Othello. She remembered them well enough as her eye furtively ran over the jaunty little figure beside her. "Is his hose ungartered, his beard neglected, his shoe untied?" she thought. "Pshaw! he is not Orlando, any more than I am Rosalind." ...
— Lippincott's Magazine of Popular Literature and Science - April, 1873, Vol. XI, No. 25. • Various
... gushing talk sometimes heard about "married lovers;" the people who dignify life and honour the community are those who are lovers and something more. Of course we can all feel sympathy with Fanny Kemble when she says that the poetry of "Romeo and Juliet" went into her blood as she spoke on the stage; but there is something needed beyond wild Italian raptures before the ideal match is secured. Some of us are almost glad that Juliet passed away in swift fashion when the cup of life foamed most exquisitely ...
— Side Lights • James Runciman
... occurred to her for a moment, for example, to have lessons in the Tango or to learn ski-ing or any other winter sports, in a white jersey and cap. She was not seen clinging to the arm of a professor of roller-skating, nor did she go to fancy-dress balls as Folly or Romeo, as a Pierrette or Joan of Arc, as many of her contemporaries loved to do. She dressed magnificently and in the fashion of the day, and yet she always remained and looked extremely old-fashioned; and though she would wear her hats as they were ...
— Bird of Paradise • Ada Leverson
... singer were Crescentini and Madame Grassini. I saw Crescentini's debut at Paris in the role of Romeo, in Romeo and Juliet. He came preceded by a reputation as the first singer of Italy; and this reputation was found to be well deserved, notwithstanding all the prejudices he had to overcome, for I remember ...
— The Memoirs of Napoleon Bonaparte • Bourrienne, Constant, and Stewarton
... old ideas in a new way that made you think a lot more of them. I think a tall man like that with waving hair can do a great deal of good as a lecturer, because you listen a good deal more respectfully than if they were plain looking. His voice sounded a good deal like what I imagine Romeo's voice did. I had a nice letter from Madam Bolling. I love you, and I have come to the bottom of the ...
— Turn About Eleanor • Ethel M. Kelley
... a church-warden pipe of tobacco, and holding forth, to a select circle of cronies, upon the vanished glories of the Elizabethan stage—upon the days when there were persons in existence really worthy to be called actors. He could talk of Richard Burbage, the first Romeo; of Armin, famous in Shakespeare's clowns and fools; of Heminge and Condell, who edited the First Folio of Shakespeare, which possibly he himself purchased, fresh from the press; of Joseph Taylor, whom it is said Shakespeare personally instructed how to play Hamlet, and the recollection ...
— Shadows of the Stage • William Winter
... that grey and silver cloudland, with a background of those frost-bitten and wind-tortured trees, the little Londoner told me a tale which, true or false, was as heartrending as Romeo and Juliet. ...
— Alarms and Discursions • G. K. Chesterton
... all other modern writers? Shakespeare himself has, till lately, been worshipped only at home, though his plays are now the favourite amusements of Vienna; and when I was at Padua some months ago, Romeo and Juliet was acted there under the name of Tragedia Veronese; while engravers and translators live by the hero of La Mancha in every nation, and the sides of miserable inns all over England and France, and I have heard Germany too, are adorned with the exploits of Don Quixote. May ...
— Anecdotes of the late Samuel Johnson, LL.D. - during the last twenty years of his life • Hester Lynch Piozzi
... the chair" is a survival of the high place a chair then held amongst the household gods of a gentleman's mansion. Shakespeare possibly had the boards and trestles in his mind when, about 1596, he wrote in "Romeo and Juliet"— ...
— Illustrated History of Furniture - From the Earliest to the Present Time • Frederick Litchfield
... the afternoon. I found that I had been absent exactly nine months and three days. In spite of my tatter-demalion appearance and my consciousness that I was much like the wretched apothecary who supplied the love-lorn Romeo with the fatal potion, as soon as I got on shore I hastened up to pay my respects to Sir Peter Parker. He received me, as I knew he would, with the greatest kindness, and when I apologised for my ragged appearance he laughed and assured me that ...
— Hurricane Hurry • W.H.G. Kingston
... contemple des objets plus funebres Que Juliette morte au fond de son tombeau, Plus affreux que le toast a l'ange des tenebres Porte par Romeo. ...
— French Lyrics • Arthur Graves Canfield
... begin to flock to Rome with their oil-cloth capes, their scallop-shell, their long staffs, their rosaries, and their dirty hands held out constantly for "una santa elemosina pel povero pellegrino." Let none of my fair friends imagine that she will find a Romeo among them, or she will be most grievously disappointed. There is something to touch your pity in their appearance, though not the pity akin to love. They are, for the most part, old, shabby, and soiled, and ...
— The Atlantic Monthly, Volume 4, No. 24, Oct. 1859 • Various
... mood. If you are weary and down-hearted, behold, a verse starts to your memory trembling with the very sigh you have heaved. If you are merry, a stanza is dancing to the tune of your own mirth. If you love, be you ever so much a Romeo, here is the finest language for your using. If you hate, here are words which are daggers. If you like battle, here for two hundred years have trumpets been blowing and banners flapping. If you are dying, plentiful are the broken words here which have hovered on failing ...
— Dreamthorp - A Book of Essays Written in the Country • Alexander Smith
... but I have no fear of failing to make it out. In one sense, no doubt, Shakespere is unequal—as life is. He is not always at the tragic heights of Othello and Hamlet, at the comic raptures of Falstaff and Sir Toby, at the romantic ecstasies of Romeo and Titania. Neither is life. But he is always—and this is the extraordinary and almost inexplicable difference, not merely between him and all his contemporaries, but between him and all other writers—at the height of the particular situation. This unique quality is uniquely illustrated in his ...
— A History of English Literature - Elizabethan Literature • George Saintsbury
... a subject of popular interest, but a man is always staggered to find his sister holding an opinion upon it. If I remember rightly, in the days when Lilian Quiller Couch (then aged seven) did me the honour of playing Juliet to my Romeo, the interest was mainly acrobatic, Romeo descending the gardener's ladder head-foremost, while Juliet tilted her body as far over the nursery window-sill as she could manage without breaking her neck. We "cut" the love speeches. Two years later, indeed, my ...
— The Idler, Volume III., Issue XIII., February 1893 - An Illustrated Monthly. Edited By Jerome K. Jerome & Robert Barr • Various
... near leaping directly to the pavement in my ardor and anxiety to oblige her, but, remembering before it was too late that she was neither a Juliet nor I a Romeo, I merely answered that I would be with her in a moment and betook myself below by the less direct but ...
— The Bronze Hand - 1897 • Anna Katharine Green (Mrs. Charles Rohlfs)
... perception, of loyalty, of passionate affectionateness, who yet have missed the joy of wedded love from the absence of physical charm. Indeed, to make love beautiful, one has to conceive of it as exhibited in creatures of youth and grace like Romeo and Juliet; and to connect the pretty endearments of love with awkward, ugly, ungainly persons has something grotesque and even profane about it. But if love were the transcendental thing that it is supposed to be, if it were within reach of every hand, physical characteristics would ...
— The Silent Isle • Arthur Christopher Benson
... Verona was the finest through which we had passed, for though Mr. Barrymore called the town "an inn for the great travellers of history," it was more for me. It was the home of romance; for was it not Juliet's home and Romeo's? ...
— My Friend the Chauffeur • C. N. Williamson and A. M. Williamson
... local actress. "Tannhauser" will not be given tomorrow. After the concert I shall see Schmidt, and shall inquire as to particulars. . . . In case J. is still here tomorrow, I shall pay my most humble respects to her. She appeared first as Romeo, and yesterday sang Fides for the benefit of the Pension Fund. With E. Devrient I spent a few hours yesterday at Badenweiler. He is going to visit you at Zurich, but can make no certain plans for the present, as he expects the Prince Regent at Badenweiler. His daughter suffers ...
— Correspondence of Wagner and Liszt, Volume 1 • Francis Hueffer (translator)
... imperceptible, it is always present on the stage, even when it says nothing, even when it keeps out of sight. Thanks to it, there is no thought of monotony. Sometimes it injects laughter, sometimes horror, into tragedy. It will bring Romeo face to face with the apothecary, Macbeth with the witches, Hamlet with the grave-diggers. Sometimes it may, without discord, as in the scene between King Lear and his jester, mingle its shrill voice with the most sublime, the most dismal, the ...
— Prefaces and Prologues to Famous Books - with Introductions, Notes and Illustrations • Charles W. Eliot
... many thanks! One should not say, with too much pride, Fountain, I will not drink of thee! Nor were it grateful to forget, That from these reservoirs and tanks Even imperial Shakspeare drew His Moor of Venice and the Jew, And Romeo and Juliet, And many ...
— Tales of a Wayside Inn • Henry Wadsworth Longfellow
... really a very charming, frank person—had had her imagination fired, so she told me, by a school performance of Romeo ...
— Ann Veronica • H. G. Wells
... continuous and, as it were, logical sequence of emotional and intellectual changes; but how different from trains of thought proper! how entirely beyond the reach of symbols!—Think of human passions as compared with all phrases! Did you ever hear of a man's growing lean by the reading of "Romeo and Juliet," or blowing his brains out because Desdemona was maligned? There are a good many symbols, even, that are more expressive than words. I remember a young wife who had to part with her husband for a time. She did not ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... Fifine's susceptible heart; her most exaggerated dreams had never led her this far. She looked at him doubtfully, but it was no dream, she was actually leaning on the strong arm of a live man, listening to words, such as the most devoted Romeo might ...
— Honor Edgeworth • Vera
... poems of "L.E.L."; read Byron surreptitiously, and the newly published Sketches by Boz openly; admired the "Books of Beauty" and sumptuously bound "Keepsake Annuals," edited by the Countess of Blessington and the Hon. Mrs. Norton; laughed demurely at the antics of that elderly figure-of-fun, "Romeo" Coates, when he took the air in the Quadrant; wondered why that distinguished veteran, Sir Charles Napier, made a point of cutting Sir Jasper Nicolls; curtsied to the little Princess Victoria, then ...
— The Magnificent Montez - From Courtesan to Convert • Horace Wyndham
... maid, Miss Arthur welcomed her with an almost rapturous outburst. Celine had held high place in the affections of Miss Arthur, truth to tell, since her astonishing discovery of Mr. Edward Percy, in the character of young Romeo, promenading within sight of his ...
— Madeline Payne, the Detective's Daughter • Lawrence L. Lynch
... like myself, indolent by habit and obscure out of Mayfair. I know his nature; we both know something of his family sorrows. He cannot be happy! Impossible!—alone, childless, secluded. Poor Darrell, abroad now; in Verona, too!—the dullest place! in mourning still for Romeo and Juliet! 'T is your turn to move. In his letter Darrell talked of going on to Greece, Asia, penetrating into the depths of Africa,—the wildest schemes! Dear County Guy, as we called him at Eton! what a career ...
— What Will He Do With It, Complete • Edward Bulwer-Lytton
... said he, "my lily-white and reformed Romeo, medicine will do you no good. But I will give you quinine, which, being bitter, will arouse in you hatred and anger—two stimulants that will add ten per cent. to your chances. You are as strong as a caribou calf, and you will get well if the fever ...
— Options • O. Henry
... Romeo Augustus, who shared his chamber, spied the cord. Philemon waited till they were sound asleep before he ...
— Harper's Young People, July 13, 1880 - An Illustrated Weekly • Various
... Missy wrote the invitations themselves and decided to deliver them in person, and Missy had no more prevision of all that decision meant than Juliet had when her mother concluded she would give the ball that Romeo ...
— Missy • Dana Gatlin
... reader is referred to "Romeo and Juliet," act i. sc. 4, respecting the strewing of rushes on floors instead of carpets. Though nothing be said upon the subject, it is evident that Back-winter makes a resistance before he is forced out, and falls down in ...
— A Select Collection of Old English Plays, Vol. VIII (4th edition) • Various
... not chess. You see these two snails. They are Romeo and Juliet. Juliet is on her balcony, waiting the arrival of her love; but Romeo has been dining, and forgets, for the life of him, the number of her house. The squares represent sixty-four houses, and the ...
— The Canterbury Puzzles - And Other Curious Problems • Henry Ernest Dudeney
... of Romeo and Juliet, by the inherent fault of stage representation, sullied and turned from their very nature by being exposed to a large assembly! How can the profound sorrows of Hamlet be depicted by a gesticulating actor? So, to see Lear acted, to see an old man tottering about the stage with a walking-stick, ...
— The Atlantic Monthly, Vol. IV, No. 22, Aug., 1859 • Various
... Captain, with an accent of honest pride, "is what I consider one of my chef-dovers. I term it a 'Shakespearian composite.' In order to please the tastes of certain audiences, I shall describe it as the balcony scene between Romeo and Juliet. Yon may note Romeo's mandolin lying at his feet, while over the whole falls the melancholy light of a full moon rising behind the palace. To suit a less-intelligent class, it would perhaps be described as the escape of a Turkish captive by leaping ...
— Raftmates - A Story of the Great River • Kirk Munroe
... busy himself with such prosaic matters of mean and commonplace bread-winning, that he did not seek, nor would he have found had he sought them, those elegant and semi-divine women that made of him now a Romeo, now a Macias, now an Othello, and now a Pen-arch.... To enjoy or suffer really from such loves and to become ensnared therein with such rare women, Becquer lacked the time, opportunity, health, and money.... His desire for ...
— Legends, Tales and Poems • Gustavo Adolfo Becquer
... toll, and I proceed towards the church. The long-bearded papa, surprised at my sudden apparition, enquires whether I am Romeo (a Greek); I tell him that I am Fragico (Italian), but he turns his back upon me and goes into his house, the door of which he shuts without condescending to listen ...
— The Memoires of Casanova, Complete • Jacques Casanova de Seingalt
... myself justice; whether wise or weak in the presence of the only being who had ever mastered my mind, I was determined not "to point a moral and adorn a tale." I had other duties and other purposes before me than to degenerate into a slave of sighs. I was to be no Romeo, bathing my soul in the luxuries of Italian palace-chambers, moonlight speeches, and the song of nightingales. I felt that I was an Englishman, and had the rugged steep of fortune to climb, and climb alone. The time, too, in which ...
— Blackwood's Edinburgh Magazine — Volume 54, No. 335, September 1843 • Various
... that now encloseth us, Shines Romeo's light, whose goodly deed and fair Met ill acceptance. But the Provencals, That were his foes, have little cause for mirth. Ill shapes that man his course, who makes his wrong Of other's worth. Four daughters were there ...
— The Divine Comedy, Complete - The Vision of Paradise, Purgatory and Hell • Dante Alighieri
... private theatricals. Every Saturday of their lives they had a temporary stage put up in the school-room and we all had to help. Gerhardt painted the scenery. They frequently played the balcony scene from "Romeo and Juliet" and several plays they wrote themselves. Now and then we had a big general performance of "The Prince and the Pauper." That would be in the library and the dining-room with the folding-doors open. The place just held eighty-four ...
— Mark Twain, A Biography, 1835-1910, Complete - The Personal And Literary Life Of Samuel Langhorne Clemens • Albert Bigelow Paine
... gentleman back to ask the Trumans to a High Tea of reconciliation. The people at the lecture had heard of this, and that was why they cheered so for young Warren, because his affair was as commonly known to all Bulcester as that of Romeo and Juliet at Verona. They are hearty people at Bulcester, and not without elements of ...
— The Disentanglers • Andrew Lang
... will-power nor work has anything to do with it. The gift is indispensable. I think that every one whom you may ask how to write a play will reply, if he really can write one, that he doesn't know how it is done. It is a little as if you were to ask Romeo what he did to fall in love with Juliet and to make her love him; he would reply that he did not ...
— How to Write a Play - Letters from Augier, Banville, Dennery, Dumas, Gondinet, - Labiche, Legouve, Pailleron, Sardou, Zola • Various
... 1603, reprinted by the Percy Society. It is on the same plan as Boccaccio's "Decamerone," except that the story-tellers are fish-wives going up the Thames in a boat. Imitations of the Italian tales may be found in Hazlitt's "Shakespeare's Library," notably "Romeo and Julietta." Most of these are modernized versions of old tales. I may here add, as undeserving further mention, such stories as "Jacke of Dover's Quest of Inquirie," 1601, Percy Soc.; "A Search for Money," by William Rowley, dramatist, 1609, Percy Soc.; and "The Man in the Moone, or the English ...
— A History of English Prose Fiction • Bayard Tuckerman
... hills, and leaping from some cliffs into the sea; so that, whichever way this suspense ended, she might be safely dead beforehand—dead, too, in the same ocean, washed by the same wave. All the foolish Romeo-and-Juliet-like traditions of people killing themselves on some beloved's tomb, seemed to her now perfectly real, possible, and natural. Nothing ...
— Agatha's Husband - A Novel • Dinah Maria Craik (AKA: Dinah Maria Mulock)
... written as early as 1586, we may suppose that the plays which represent the boyhood of his genius, and which are strongly marked with the characteristics of that poem, namely, "The Two Gentlemen of Verona," the first draft of "Love's Labor's Lost," and the original "Romeo and Juliet," were produced before the year 1592. Following these came "King Richard III.," "King Richard II.," "A Midsummer Night's Dream," "King John," "The Merchant of Venice," and "King Henry IV.," all of which we know were written ...
— Atlantic Monthly, Volume 20, No. 118, August, 1867 • Various
... Am. Dram. Ass., they have engaged This pet of the P. R.; As Charles the Wrestler he's to be A bright, particular star. And when they put the programme out, Announce him thus they did: Orlando ... Mr. Romeo Jones; Charles ...
— Humour of the North • Lawrence J. Burpee
... look of something like shame, something confused and embarrassed on her usually frank little face, and to realize that she was conscientiously avoiding his eyes. After she and Alix had gone to bed he got down the little red volume that was marked "Romeo and Juliet," and found the score of lines that she had quoted, and marvelled that the same words could seem on the printed page so bare, and sound so rich and full in Cherry's ...
— Sisters • Kathleen Norris
... allow one man to say to another. 'Compare and weigh your mistress with your mistress; and I grant she is a very fair woman; but compare her with some other woman that I could name, and the case will be very much altered.' Yet the very substance of this, is said by Shakespear, in Romeo and Juliet; and Mr. Pope has not degraded it as any absurdity, or unworthy ...
— The Lives of the Poets of Great Britain and Ireland (1753),Vol. V. • Theophilus Cibber
... functions which in later life it must carry out more completely and more seriously. In his Spiele der Menschen, Groos applies this idea to the sexual play of children, and brings forward quotations from literature in evidence. Keller, in his "Romeo und Juliet auf dem Dorfe," has given an admirably truthful picture of these childish love-relationships. Emil Schultze-Malkowsky (Geschlecht und Gesellschaft, Bd. ii, p. 370) reproduces some scenes from the life of a little girl of seven ...
— Studies in the Psychology of Sex, Volume 6 (of 6) • Havelock Ellis
... placed her white hand on Buckingham's arm, and, while Raoul was hurrying away with headlong speed, she repeated in dying accents the line from Romeo and Juliet: ...
— Louise de la Valliere • Alexandre Dumas, Pere
... The most excellent and lamentable Tragedie of Romeo and Juliet, 4to. A fragment. ...
— Bibliomania; or Book-Madness - A Bibliographical Romance • Thomas Frognall Dibdin
... at least they profess to be so. Next, the plots of many of the dramas are notoriously taken from the Italian novelists; and if Shakspeare (who had a truly divine instinct for finding honey where others found poison) went to Cinthio for 'Othello' and 'Measure for Measure,' to Bandello for 'Romeo and Juliet,' and to Boccaccio for 'Cymbeline,' there were plenty of other playwrights who would go to the same sources for worse matter, or at least catch from these profligate writers somewhat of their Italian morality, which exalts ...
— Plays and Puritans - from "Plays and Puritans and Other Historical Essays" • Charles Kingsley
... limited sense. A plan, a motive with a logical conclusion, is as necessary to a novel or a romance as it is to a drama. A group of skillfully made-up men and women lounging in the green-room or at the wings is not the play. It is not enough to say that this is Romeo and that Lady Macbeth. It is not enough to inform us that certain passions are supposed to be embodied in such and such persons: these persons should be placed in situations developing those passions. A series of unrelated scenes and dialogues ...
— Ponkapog Papers • Thomas Bailey Aldrich
... there faintly discerned in the background of ideally beautiful figures are here his absorbing theme. The curious technicalities of the chemist's workshop, taken for granted in Paracelsus, are now painted with a realism reminiscent of Romeo's Apothecary and The Alchemist. And the outward drama of intrigue, completely effaced in Paracelsus by the inward drama of soul, sounds delusive scorn and laughter in the background, the more sinister because it is not seen. ...
— Robert Browning • C. H. Herford
... were the lovers? (Romeo and Juliet.) 2. What was their courtship like? (Midsummer Night's Dream.) 3. What was her answer to his proposal? (As You Like It.) 4. About what time of the month were they married? (Twelfth Night.) 5. Of whom did he buy the ring? (Merchant of Venice.) 6. Who were the ...
— Games for the Playground, Home, School and Gymnasium • Jessie H. Bancroft
... in the staging and acting, the whole performance and management, of such typical plays of Shakespeare as "Hamlet," "Romeo and Juliet," and "Twelfth Night" that Mr. Sothern and Miss Marlowe have shown the whole extent of their powers, and have read us the lesson we most needed. The mission of these two guests has been to show us what we have lost ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... result of the tendencies of the period. Berlioz's early career is of extreme interest to us English-speaking people, because the first strong stimulus to his imagination came from his acquaintance with the dramas of Shakespeare. In 1827, some of the dramas, (such as Hamlet, and Romeo and Juliet) were played in Paris by an English company, and their effect upon Berlioz was overwhelming. He would wander about the streets raving of Shakespeare; he promptly fell in love with the most beautiful actress in the troupe—Henrietta ...
— Music: An Art and a Language • Walter Raymond Spalding
... return. Her friends commended to her affections a young chief who had valiantly defended the village against an attack of hostiles, but Juliet would none of this dusky Count de Paris, adhering faithfully to her Romeo. Unable to move her by argument, her family at length drove her lover away, and used other harsh measures to force her into a repugnant union, but she replied, "You are driving me to despair. I do not ...
— Myths And Legends Of Our Own Land, Complete • Charles M. Skinner
... to experience the incomparable sensations of it, and they got enjoyment and profit from this. They knew that they were working for posterity. "Posterity will repeat our names like those of the immortal lovers whose two names are only one at present, like Romeo and Juliette, like Heloise and Abelard. People will never speak of one of us without speaking ...
— George Sand, Some Aspects of Her Life and Writings • Rene Doumic
... her tragic death at the age of ninety-two in the balcony scene. She stumbled forward, Grundelheim says, then backward, then forward, then backward again, and then forward for the last time. The balcony gave way, and she fell at Romeo's feet (it was the great Fritz Schnotter, with whom she had been playing for two years: in private life he was, of course, her lover—she always ...
— Terribly Intimate Portraits • Noel Coward
... the stage and bid them play their old old parts in a manner as ancient, she rings up the curtain and starts a tragedy on a scene that has obviously been set by the carpenter for a farce. She deals out the parts with a fine inconsistency, and the jolly-faced little man is cast to play Romeo, while the poetic youth with lantern jaw and an impaired digestion finds no Juliet to ...
— In Kedar's Tents • Henry Seton Merriman
... and unconscious in the tomb; superb in snow-white drapery; pure as an angel, lovely as a woman; but it was Hope Wayne still—and Romeo stole frightened ...
— Trumps • George William Curtis
... Saratoga. In a few hours Mrs. Formica knew who was there. The Trees were at the Union. Mrs. Senator Conch had taken a cottage; but the Senator himself had stopped at Albany for a day to confer with the Governor. Old Madam Funchal of Philadelphia was at Congress Hall, with her train, and Mrs. Romeo Pipps Bovis and husband, from Boston. All her friends were round her; that is, the traveling set she was in the habit of meeting; and her spirits rose to the occasion. These particulars she detailed, in a white muslin ...
— Stories by American Authors, Volume 8 • Various
... and in nothing is the resemblance clearer than in the employment of the Witches to point their skinny fingers into the fated future. In Romeo and Juliet, inward foreboding takes the place of outward prophecy. I have quoted above Romeo's prevision of "Some consequence yet hanging in the stars"; and beside it ...
— Play-Making - A Manual of Craftsmanship • William Archer
... well. On all sides were familiar faces, but what interested him most was the great division incessantly going on. Here were jolly people enjoying life and playing cards, who, his foresight showed him, would in less than a year be under ground— like Mercutio, in "Romeo and Juliet," to-day known as merry fellows, who to-morrow would be grave men. While his eyes beheld the sun, he had imagined the air felt warm and balmy. He now saw that this had been a hallucination, for he was chilled through and through. He also perceived that be cast ...
— A Journey in Other Worlds • J. J. Astor
... think'st thou we shall ever meet again? ROMEO.—I doubt it not; and all these woes shall serve For sweet discourses in our time to come. Romeo and Juliet, Act iii. Sc. ...
— The World's Best Poetry — Volume 10 • Various
... the present pearl shines the light of Romeo, whose great and beautiful work was ill rewarded. But the Provencals who wrought against him are not smiling; and forsooth he goes an ill road who makes harm for himself of another's good deed.[1] Four daughters, and each a queen, had Raymond Berenger, and Romeo, a humble ...
— The Divine Comedy, Volume 3, Paradise [Paradiso] • Dante Alighieri
... regard for chastity, modesty, decorum, which cannot be present in the coquetry of these Tongan women, is one of the essential ingredients of modern coyness has long been felt by the poets. After Juliet has made her confession of love which Romeo overhears in the dark, she apologizes to him because she fears that he might attribute her easy yielding to light love. Lest he think her too quickly won she "would have frowned and been perverse, ...
— Primitive Love and Love-Stories • Henry Theophilus Finck
... her breath and gave a little gasp. "Well, upon my word! You don't seem to have lost any time, my young Romeo. ...
— The Fortunes of Oliver Horn • F. Hopkinson Smith
... number of books of the poetical kind which had been the property of his late father, including "Mr. Drayton's Poems," "Euphues's Golden Legacy," Meres's "Witt's Commonwealth," and also "Hamblett, a Play," "The Taming of the Shrew," "Romeo and Juliet," and "Love's Labour's Lost." This transaction, however, hardly implied that these books were in demand, but only that Smethwick wanted to secure his interest in them on succeeding to his father's business. Afterwards, while the war was actually raging, it is not ...
— The Life of John Milton Vol. 3 1643-1649 • David Masson
... and gay festivities, the home of a cultured pleasure-loving people, it was the frequent scene of feuds and factions handed down from sire to son. The hatred they engendered and the desolation they caused may be understood from the reading of Romeo and Juliet, a tragedy whose scene is laid in Verona in the year 1303 and to the families concerned in which Dante makes allusion in the sixth canto of his Purgatorio. But Verona and Florence were not the only cities involved ...
— Dante: "The Central Man of All the World" • John T. Slattery
... was, indeed, a deadly feud Of class and creed and race; But, yet, there was a Romeo And a Juliet in the case; And more than once across the flats, Beneath the Southern Cross, Young Robert Black was seen to ride With ...
— In the Days When the World Was Wide and Other Verses • Henry Lawson
... had been shot. It was really a very flat story; so like a thousand others of its sort as scarcely to claim narration-space. Youth, beauty, high spirits, the London season, first love—warranted the genuine article—parental opposition to the union of Romeo and Juliet, on the vulgar, unpoetical ground of Romeo having no particular income and vague expectations; the natural impatience of eighteen and five-and-twenty when they don't get their own way in everything; misunderstandings, ...
— When Ghost Meets Ghost • William Frend De Morgan
... up the uncarpeted stairs, clattered the boys—Solomon and Isaac, Elias and John, Philemon and Romeo Augustus. ...
— Harper's Young People, August 24, 1880 - An Illustrated Weekly • Various
... importance: one thing is certain, some thoughtful friend, in 1782, seems to have extricated the impulsive Horatio from the 'tangles of Neaera's hair' in the port of Quebec: the hand of fate had marked the future Captain of the Victory, not as the Romeo of a Canadian Juliet, but as the paramour of Lady Emma Hamilton. Alas! for his fair fame! It seems certain that the Commander of the Albemarle, during his repeated visits to our port, in July, September and October, ...
— Picturesque Quebec • James MacPherson Le Moine
... without number, without measure, without limit, without end; incomprehensible; limitless, endless, boundless, termless^; untold, unnumbered, unmeasured, unbounded, unlimited; illimited^; perpetual &c 112. Adv. infinitely &c adj.; ad infinitum. Phr. as boundless as the sea [Romeo ...
— Roget's Thesaurus of English Words and Phrases: Body • Roget
... of those intensely snobbish, sickening, self-conscious essays on 'Gentility,' which none but a Southerner is capable of writing. The innate vulgarity of its author, 'J. T. Wiswall, of Alabama,' is shown in such expressions as 'a pretty Romeo of seventeen, that looks as charming as sweet sixteen, gallused up in tight unmentionables,' and in artless confessions that he—J. T. Wiswall—belongs to a class above the snob, but still to one 'whose conversation stalks as on stilts,' ...
— The Continental Monthly, Vol. 2 No 4, October, 1862 - Devoted To Literature And National Policy • Various
... and Romeo both begin with a letter?' asks Juliet's nurse. Yes, but what did she mean by the query, and by the further remark that 'Juliet hath the prettiest sententions of it, of you and rosemary, that it would do you good to hear it'? For answer we must ...
— Storyology - Essays in Folk-Lore, Sea-Lore, and Plant-Lore • Benjamin Taylor
... the top of a Passy-Bourse omnibus on that fateful day of Woerth, claimed to be a tenor, but was more correctly a tenorino, his voice possessing far more sweetness than power. He was already well-known and popular, for he had taken the part of Romeo in Gounod's well-known opera based on the Shakespearean play. Like many another singer, Victor Capoul might have become forgotten before very long, but a curious circumstance, having nothing to do with vocalism, diffused and perpetuated his name. He adopted ...
— My Days of Adventure - The Fall of France, 1870-71 • Ernest Alfred Vizetelly
... a fool to kill herself, for in three months she'd have married again, and been glad to be quit of Romeo.—Charles Buxton. ...
— Pearls of Thought • Maturin M. Ballou
... movement, gesture, and inflection of voice had been carefully studied, and when making an ordinary remark in conversation she would deliver her words with a deliberate attempt at stage effect. Her Juliet with her father's Romeo, was her best character, but they failed signally as Lady Teazle and Charles Surface ...
— Perley's Reminiscences, Vol. 1-2 - of Sixty Years in the National Metropolis • Benjamin Perley Poore
... fair ladies and many noble guests were invited. All the admired beauties of Verona were present, and all comers were made welcome if they were not of the house of Mountague. At this feast of Capulets, Rosaline, beloved of Romeo, son to the old lord Mountague, was present; and though it was dangerous for a Mountague to be seen in this assembly, yet Benvolio, a friend of Romeo, persuaded the young lord to go to this assembly in the disguise of a mask, that he might see his Rosaline, and seeing her compare her with ...
— Books for Children - The Works of Charles and Mary Lamb, Vol. 3 • Charles and Mary Lamb
... its part; he was the man always to reflect over a correction and to admire the castigator. And fall in love he did; not hurriedly but step by step, not blindly but with critical discrimination; not in the fashion of Romeo, but before he was done, with all Romeo's ardour and more than Romeo's faith. The high favour to which he presently rose in the esteem of Alfred Austin and his wife, might well give him ambitious notions; but the poverty ...
— Memoir of Fleeming Jenkin • Robert Louis Stevenson
... not the cause. Graham's interest in Miss St. John was growing deeper every day, but the stronger the hold she gained upon his thoughts, the less inclined was he to speak of her. He was the last man in the world to be carried away by a Romeo- like gust of passion, and no amount of beauty could hold his attention an hour, did not the mind ray through it with a sparkle and power essentially ...
— His Sombre Rivals • E. P. Roe
... "This reminds me of something—something in Shakespeare. Romeo and Juliet? No. I've ...
— The Intrusion of Jimmy • P. G. Wodehouse
... has most struck me in these amatory correspondences has been their remarkable sameness. It seems as if writing love-letters reduced all sorts of people to the same level. I don't remember whether Lord Bacon has left us anything in that line,—unless, indeed, he wrote Romeo and Juliet' and the 'Sonnets;' but if he has, I don't believe they differ so very much from those of his valet or his groom to their respective lady-loves. It is always, My darling! my darling! The words of endearment are the only ones the lover ...
— Over the Teacups • Oliver Wendell Holmes, Sr.
... I hunted for them in all parts of the country, and met with considerable success, often buying duplicates, and even triplicates, of the same edition and play. At one time I possessed no less than three copies of the very rare quarto edition of "Romeo and Juliet," 1609, and sometimes even had four copies of more than one of the other quartos. Not so very long before this period, old Jolley, the well-known collector, picked up a Caxton at Reading, ...
— The Book-Hunter in London - Historical and Other Studies of Collectors and Collecting • William Roberts
... Bertel can wear their own plain soft low-heeled slippers. The rich folk in the chancel wear their own slippers and draw on over them, socks dyed to match the tights; these socks if rolled down at the top make a very passable substitute for the Romeo shoe of ...
— Why the Chimes Rang: A Play in One Act • Elizabeth Apthorp McFadden
... waist you could wear with 'em. Piece it out a little so that you could get into it, and hang the baby's toy sword at your side, and carry his fireman's hat under your arm, and you'd make a dandy- looking Romeo. Some people might think you were a new woman, but if somebody were to announce to the audience that you were not that, but the Hon. R. Montague, Esq., it would be all right and exceedingly amusing. I'll do the announcing with ...
— The Bicyclers and Three Other Farces • John Kendrick Bangs
... his hand just once, pick up the sample case and go on, proceeding backward for a step or two until Schroeder's house made good its threat. It was a comic scene in the eyes of the onlooker, perhaps because a chubby Romeo offends the sense of fitness. The neighbors, lurking behind their parlor curtains, had laughed at first. But after a while they learned to look for that little scene, and to take it unto themselves, ...
— One Basket • Edna Ferber
... composers have followed Mozart, and how greatly they are indebted to him. Page upon page of the early Beethoven is written in the phraseology of the later Mozart; in nearly every bar of "Faust," not to mention "Romeo and Juliette," avowedly the fruit of a long study of "Don Giovanni," a faint echo of Mozart's voice comes to us with the voice of Gounod; Anna's cries, "Quel sangue, quella piaga, quel volto," with the creeping chromatic chords of ...
— Old Scores and New Readings • John F. Runciman
... nature had never before been thoroughly aroused in this direction. Now, by reason of the tact and knowledge of my nature, possessed by the invisible party, and still more because of my state of mesmeric subjection, I was sighing like a furnace or a Romeo. Not Ulysses, Circe tempted—not Sintram seeking his Undine—not the hapless sailor wight pursuing the maiden of the mer, was more utterly enamored than was I. As a proof that I was no bad specimen of the 'gushing' persuasion, at this ...
— Continental Monthly , Vol V. Issue III. March, 1864 - Devoted to Literature and National Policy • Various
... (Rosenmuller). The custom was handed down to mediaeval times. It was at a wedding feast that "they called for Dates and Quinces in the pastry;" and Brand quotes a curious passage from the "Praise of Musicke," 1586 ("Romeo and Juliet" was published in 1596)—"I come to marriages, wherein as our ancestors did fondly, and with a kind of doting, maintaine many rites and ceremonies, some whereof were either shadowes or abodements of a pleasant life to come, as the eating of a Quince Peare ...
— The plant-lore & garden-craft of Shakespeare • Henry Nicholson Ellacombe
... 1563), English author, wrote the first English version of the story of Romeo and Juliet. The Tragicall Historye of Romeus and Julieit (1562) is a rhymed account of the story, taken, not directly from Bandello's collection of novels (1554), but from the French translation (Histoires ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 3 - "Brescia" to "Bulgaria" • Various
... had little availed him to have been convinced of Heraclitus his doctrine; or the philtre-bred passion of Tristan, who, though he had been as deep as Duns Scotus, would have had his reasoning marred by that cup too much; or Romeo in his sudden taking for Juliet, wherein any objections he might have held against Ptolemy had made little difference to his discourse under the balcony. Yet all love is not such, even though potent; nay, this passion hath as large scope as any for allying itself with ...
— Daniel Deronda • George Eliot
... A. Daniel, in his edition of Painter's "Romeo and Juliet," in the New Shakespere Society's Originals and Analogues, i., 1876, gives the few passages in which Painter has misunderstood Boaistuau. For lexicographical use, however, it would be well to consult Painter's original for any very ...
— The Palace of Pleasure, Volume 1 • William Painter
... every age and character," said the manager, "he learned (or improved however) whilst he was in my troop. He was the best actor I ever had: nothing came amiss to him—Richard the Third, or Aguecheek; Shylock or Pistol—Romeo or the Apothecary—Hamlet or the Cock[2]: for by the way he once took it into his head to play the Cock in the first scene of Hamlet; and he crowed in so very superior a style that the oldest cock in the neighbourhood was taken ...
— Walladmor: - And Now Freely Translated from the German into English. - In Two Volumes. Vol. I. • Thomas De Quincey
... his passion. They were to Flamma as Juliet to Romeo. Romeo's love, indeed, rushed up like straw on fire, a great blaze of flame; he perished in it as the straw; perhaps he might not have worshipped Juliet next year. Flamma had loved his wild flowers ...
— Amaryllis at the Fair • Richard Jefferies
... should make verses to you and pretty speeches. He should sing serenades about undying love under your window. Bonbons should bombard you, roses make your rooms a bower. He should be ardent as Romeo, devoted as a knight of old. These be the signs of a true love," ...
— Bucky O'Connor • William MacLeod Raine
... expedition. The president being quoted as authority, the agent of the executive thought it useless to hold the argument any longer, and backed out. The gentlemen of the police knew nothing of bush-fighting, and might have exclaimed with the muse in Romeo, 'Is this poultice for ...
— Paris: With Pen and Pencil - Its People and Literature, Its Life and Business • David W. Bartlett
... doubt as to his having entered into communication with Clara; that they loved each other ... he did not doubt, either. Only ... what can come of such a love?—He recalled that kiss ... and a wondrous chill coursed swiftly and sweetly through all his limbs.—"Romeo and Juliet did not exchange such a kiss as that!" he thought. "But the next time I shall hold out better.... I shall possess her.... She will come with the garland of tiny roses ...
— A Reckless Character - And Other Stories • Ivan Turgenev
... Shakespeare in the title-page, and of which Dryden says in one of his prologues to a first play, "Shakespeare's own muse his Pericles first bore," was probably acted in 1590, and appears to have been long popular. Romeo and Juliet was certainly an early production of his muse, and one which excited much interest, as may well be imagined, amongst the younger portion of ...
— Memoirs of the Court of Queen Elizabeth • Lucy Aikin
... same love episode is the "Romeo and Juliette" Symphony. Berlioz tried to make all his music tell a story, and he believed in the theory that tones could be made to represent ideas in a much greater degree than is usually supposed. The result is shown in many characteristic ...
— Woman's Work in Music • Arthur Elson
... such apology is needed to introduce the observations on the character of Romeo which are here thrown together, and the remarks about the play itself, the acting, and ...
— Emerson and Other Essays • John Jay Chapman
... clothes. At the sound of my voice, Ball peered out of his private smoking-room, at the far end of the hall. He started forward; then, seeing how I was accompanied, stopped with mouth ajar. He had on a ragged smoking-jacket, a pair of shapeless old Romeo slippers, his ordinary business waistcoat and trousers. He was wearing neither tie nor collar, and a short, black pipe was between his fingers. We had evidently caught the household stripped of "lugs," and sunk in the down-at-the-heel slovenliness ...
— The Deluge • David Graham Phillips
... German composers who hitherto had been admired and respected, was partly the influence of these critical skirmishes, and the luring sprightliness of their tone; but mainly the impression made by a fresh visit of Schroder- Devrient to Leipzig, when her rendering of Borneo in Bellini's Romeo and Juliet carried every one by storm. The effect of it was not to be compared with anything that had been witnessed theretofore. To see the daring, romantic figure of the youthful lover against a background of such obviously shallow and empty music prompted ...
— My Life, Volume I • Richard Wagner
... be applied externally for sores of every kind, and taken internally against haemorrhages. In the Romeo and Juliet of Shakespeare, Romeo says, "Your Plantain leaf is excellent for broken shin." Country persons apply these leaves to open sores and wounds, or make a poultice of them, or give fomentations with a hot decoction of the same, or prepare a gargle ...
— Herbal Simples Approved for Modern Uses of Cure • William Thomas Fernie
... me who you are." Need I say that Devine rose to the occasion? He recited to me a portion of the reply which he made to the aggrieved parent, and I can fully believe that that worthy man was surprised. "The Rivals," "The Hunchback," "Romeo and Juliet," and other dramatic works were ransacked for phrases, and the stately periods flowed on until Mr. Billiter gasped, "Damn it, gal!—do you mean to say you've deceived your father so you might git out along of a blanked lunatic?" This was too much. Devine observed with majesty, "Sir, I ...
— The Chequers - Being the Natural History of a Public-House, Set Forth in - a Loafer's Diary • James Runciman
... head, and looked dreamily at the opposite wall. "You know I think one ought to love the man one marries—don't you think so? I have always thought of loving once and once only—like Paul and Virginia, you know, or even Romeo and Juliet—and of giving all for ...
— A True Friend - A Novel • Adeline Sergeant
... After being a good son,—they are very often good sons,—he will be a good husband and a good father, like his own father before him. He is without vanity, while looking like a square-built, stocky, responsible Romeo. Devoted to duty, passionate for order, absolutely punctilious in matters of honor and courtesy, he is a good citizen, a good soldier. He belongs to excellent people, I gathered, whose fortune, once larger, is very small. They live in the Abruzzi, I think he said. He is the eldest son and hope ...
— Aurora the Magnificent • Gertrude Hall
... under the friendly shadow of their urban oak-tree as were ever Romeo and Juliet on the balcony of the Capulets. I may not tell you what I saw in my one quickly repented-of glance. That would be vulgarising something that was already a little ...
— Penelope's English Experiences • Kate Douglas Wiggin
... his face is like what Romeo's must have been," she said to herself with an answering romantic impulse. "Surely he ...
— The Guests Of Hercules • C. N. Williamson and A. M. Williamson
... woman's looks." Perhaps it might be from the over-tenderness and clemency of Miss Jemima's nature; perhaps it might be that, as yet, she had only experienced the villainy of man born and reared in these cold northern climates; and in the land of Petrarch and Romeo, of the citron and myrtle, there was reason to expect that the native monster would be more amenable to gentle influences, less obstinately hardened in his iniquities. Without entering farther into these hypotheses, it is sufficient to say, that on Signor Riccabocca's ...
— Harper's New Monthly Magazine, Vol. 2, No. 8, January, 1851 • Various
... beyond the Apennines, Shakespeare, from heaven came thy creative breath! 'Mid citron grove and overarching vines Thy genius wept at Desdemona's death: In the proud sire thou badest anger cease, And Juliet by her Romeo sleep in peace. Then rose thy voice above the stormy sea, And Ariel ...
— The Atlantic Monthly, Volume 17, No. 103, May, 1866 • Various
... with colors of romance, And crowds a history into a glance; Gives beauty to the lake and fountain, Spies oversea the fires of the mountain; When thrushes ope their throat, 't is he that sings, And he that paints the oriole's fiery wings. The little Shakspeare in the maiden's heart Makes Romeo of a plough-boy on his cart; Opens the eye to Virtue's starlike meed And gives ...
— Poems - Household Edition • Ralph Waldo Emerson
... they have blushed in the dark. From what Mr. Forbes has stated with respect to the Aymaras, and from my own sensations, I have no doubt that this latter statement is correct. Shakspeare, therefore, erred when he made Juliet, who was not even by herself, say to Romeo ...
— The Expression of Emotion in Man and Animals • Charles Darwin
... find them after all more moving, more tender, even more real, than all the laboured realism of these photographic days. And here before us is of all pretty love-stories perhaps the prettiest. Idyllic as Daphnis and Chloe, romantic as Romeo and Juliet, tender as Undine, remote as Cupid and Psyche, yet with perpetual touches of actual life, and words that raise pictures; and lightened all through with a dainty playfulness, as if Ariel himself had hovered near all the time ...
— Aucassin and Nicolette - translated from the Old French • Anonymous
... while Chorus stalks to the footlights and drops an epicedian tear upon the fatness of Mr. Hoover. Tune the pipes to the tragedy of tallow, the bane of bulk, the calamity of corpulence. Tried out, Falstaff might have rendered more romance to the ton than would have Romeo's rickety ribs to the ounce. A lover may sigh, but he must not puff. To the train of Momus are the fat men remanded. In vain beats the faithfullest heart above a 52-inch belt. Avaunt, Hoover! Hoover, forty-five, flush and foolish, might ...
— The Four Million • O. Henry
... vapour-drowned, dim crests of Apennines. The city walls above us wave with snapdragons and iris among fig-trees sprouting from the riven stones. There are terraces over-rioted with pergolas of vine, and houses shooting forward into balconies and balustrades, from which a Romeo might launch himself at daybreak, warned by the lark's song. A sudden angle in the road is turned, and we pass from airspace and freedom into the old town, beneath walls of dark brown masonry, where wild valerians light their torches of red bloom in immemorial shade. Squalor and splendour live ...
— Sketches and Studies in Italy and Greece, Complete - Series I, II, and III • John Symonds
... and Juliet. Love the ruling power in the entire character: wholly virginal and pure, but quite earthly, and recognizing no other life than his own. Viola is, however, far the noblest. Juliet will die unless Romeo loves her: "If he be wed, the grave is like to be my wedding bed;" but Viola is ready to die for the happiness of the man who does not love her; faithfully doing his messages to her rival, whom she examines strictly for his sake. It is not in envy that she says, "Excellently done,—if ...
— Proserpina, Volume 2 - Studies Of Wayside Flowers • John Ruskin
... calmness of a lady dismissing a troublesome servant, or a schoolmaster parting from an ill-behaved pupil. And meanwhile, in queer contrast, Hazlitt was pouring out to his friends letters which seem to be throbbing with unrestrainable passion. He is raving as Romeo at Mantua might have raved about Juliet. To hear Miss Walker called his wife will be music to his ears, such as they never heard. But it seems doubtful whether, after all, his Juliet will have ...
— Hours in a Library - New Edition, with Additions. Vol. II (of 3) • Leslie Stephen
... you that amongst Pinocchio's friends and school-fellows there was one that he greatly preferred and was very fond of. This boy's name was Romeo, but he always went by the nickname of Candlewick, because he was so thin, straight and bright, like the new wick ...
— Pinocchio - The Tale of a Puppet • C. Collodi
... ROMEO AND JULIET was selected, and Edward read with taste, feeling, and spirit, several scenes from that play. All the company applauded with their hands, and many with their tears. Flora, to whom the drama was well known, was among the former; ...
— Waverley • Sir Walter Scott
... for himself, he struggled against the romantic Thousand and One Nights glamour, which turned Third Avenue into a Lovers' Lane of sparkling lights. He struggled, vainly. Poetry was his passion: and he steeped himself in Romeo and Juliet, and in Keats's St. Agnes' Eve and The Pot of Basil.... It was then the great struggle with his mother began, and the large house became a gloomy vault, something dank, damp, sombre, something out of Poe, where ...
— The Best Short Stories of 1920 - and the Yearbook of the American Short Story • Various
... should it, in company with many other poisonous exotics, be found so frequently around the ruins of monasteries? Did the holy fathers—but no, the thought is too irreverent. Let us keep our illusions, and forget the friar and the apothecary in 'Romeo ...
— Falling in Love - With Other Essays on More Exact Branches of Science • Grant Allen
... was no passionate record of anguish and tears. The Barlingford Juliet had liked Romeo as much as she was capable of liking any one; but when Papa Capulet insisted on her union with Paris, she accepted her destiny with decent resignation, and, in the absence of any sympathetic father confessor, was fain to seek consolation ...
— Birds of Prey • M. E. Braddon
... to consider "The Love of King David and Fair Bethsabe," published in 1599, because, in the deliberate opinion of those who have studied the subject most deeply, it was not written till "Romeo and Juliet" was upon the stage in 1592. In it there are distinct traces of Shakspere's influence. "The love scenes, and the images and similes describing the charms of the beauty of nature, remind one of those incomparable pictures ...
— The Critics Versus Shakspere - A Brief for the Defendant • Francis A. Smith
... Italians! Well, now, the Germans have their Emperor to head their armies, and I say that the German emperor has done less for their lasting fame and influence than Wagner has done. He has affected the French too; I trace him in Gounod's Romeo et Juliette—and we don't gain by it; we have a poor remuneration for the melody gone; think of the little shepherd's pipeing in Mireille; and there's another in Sapho-delicious. I held out against Wagner as long ...
— The Shaving of Shagpat • George Meredith
... to discontinue attentions to Elizabeth-Jane. His acts of that kind had been so slight that the request was almost superfluous. Yet he had felt a considerable interest in her, and after some cogitation he decided that it would be as well to enact no Romeo part just then—for the young girl's sake no less than his own. Thus the incipient ...
— The Mayor of Casterbridge • Thomas Hardy
... before the fire at night—took in the tawdry surroundings of his lodging-house room with nothing of that apathy of resignation to his personal [Greek: ananke] which of all moods is to Fortune, the goddess of spontaneity, the most antipathetic. Indeed, he felt his wit, like Romeo's, to be of cheveril; and his conviction that it needed only the pull of circumstance to stretch it "from an inch narrow to an ell broad" expressed but the very wooing ...
— At a Winter's Fire • Bernard Edward J. Capes
... Amateur of Fashion," known as "Romeo" Coates, sometimes as "Diamond" Coates, sometimes as "Cock-a-doodle-doo" Coates (1772-1848), was the only surviving son of a wealthy West Indian planter. He made his first appearance on the stage at Bath (February 9, 1810), ...
— The Works of Lord Byron: Letters and Journals, Volume 2. • Lord Byron
... to divert him. After a good dinner he proceeded to show him the sights of Verona, at the same time telling him interesting tales about the Arena, the beautiful gardens, and the palaces of olden time. But Andrea remained listless, only rousing when his proposed a visit to the tomb of Romeo and Juliet which was the one place his mother had ...
— Chico: the Story of a Homing Pigeon • Lucy M. Blanchard
... the story of Romeo and Juliet is here regarded as a traditionary and indisputable fact, and the tomb of Juliet is shown in a garden near the town. So much has been written and said on this subject, I can add only one observation. To the ...
— The Diary of an Ennuyee • Anna Brownell Jameson
... was never improved upon. What Martha was ever so good as Mrs. Stirling? The dear old lady's sight had failed since "Romeo and Juliet," but she was very clever at concealing it. When she let Mephistopheles in at the door, she used to drop her work on the floor, so that she could find her way back to her chair. I never knew why she dropped it—she used to do it so naturally, with a start, when ...
— McClure's Magazine, Vol. 31, No. 1, May 1908 • Various
... of the Austrian outposts was the important city of Verona, famed for its memories of Romeo and Juliet. Nearer still was Brescia with the fertile lands of Lombardy surrounding it. But by his maneuvers at the opening of the war, General Cadorna effectively protected Italian territory and forced the enemy to devote all his attention to resisting the ...
— The Story of the Great War, Volume III (of VIII) - History of the European War from Official Sources • Various
... money, he was able to carry out the plan. He left for Russia on February 14, 1847. The visits to both St. Petersburg and Moscow proved to be very successful financially as well as artistically. To cap the climax, "Romeo and Juliette" was performed at St. Petersburg. Then the King of Prussia, wishing to hear the "Faust," the composer arranged to spend ten days in Berlin: then to Paris and London, where success was ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower
... quarters hurriedly. We got through the dark and troublous night somehow, though keenly vexed by the muttered discontent of the camels, and the persistent, blatant, variegated amorous braying of 500 donkeys. A cat upon the tiles, a Romeo, was to this as a tin whistle to a trombone. Sleep was a nightmare. It was after six a.m. before the head of the column moved out towards the desert track. The rear did not get away before eight o'clock, much too late an hour for marching ...
— Khartoum Campaign, 1898 - or the Re-Conquest of the Soudan • Bennet Burleigh
... taken a fancy to my quarters; two of them sit on their haunches and howl dismally in response to the jackals, while number three reclines sociably beneath my charpoy and growls at the others as though constituting himself my protector. Some Indian Romeo is serenading his dusky Juliet in the neighboring town; flocks of roysteriug parrots go whirring past at all hours of the night, and a too liberal indulgence in red-hot curry keeps me on the verge of a nightmare almost till the silvery tinkle-tinkle of the Brahman ...
— Around the World on a Bicycle Volume II. - From Teheran To Yokohama • Thomas Stevens
... dark cloak which enveloped her so completely that only her small fair head showed above its enshrouding folds, —then returning slowly she watched with mingled interest and trepidation the gradual ascent of her lover, as, like another Romeo, he ascended the natural ladder formed by the thick rope- like twisted stems of the ancient creeper, grown sturdy with years and capable of bearing a much greater weight than that of the light and agile young man, who, with a smile of amused triumph, ...
— Innocent - Her Fancy and His Fact • Marie Corelli
... her up as a cold, hard proposition. And when I work up feelin's like that I'm apt to show 'em. I couldn't help thinkin' but maybe I had. Here I was, though, cartin' a strange gent up to her front door, on his guess that he's her long lost Romeo. ...
— Shorty McCabe on the Job • Sewell Ford
... supremacy of genius, a scholar, in whose early death a poet and philosopher was lost, says of Shakespeare: "He sat pensive and alone above the hundred-handed play of his imagination." And Fanny Kemble, in her journal, describes a conversation upon the stage, in the tomb-scene of "Romeo and Juliet", where she, as Juliet, says to Mr. Romeo Keppel, "Where the devil is your dagger?" while all the tearful audience are lost in the soft woe ...
— Literary and Social Essays • George William Curtis
... and passion of youth"—said another voice— "The fire of love ran as warmly in his veins as though he were a Romeo! None of the coldness and reluctance of age affected him where the fair sex ...
— The Life Everlasting: A Reality of Romance • Marie Corelli |
