"Rembrandt" Quotes from Famous Books
 ... different type of painter is found in the Dutchman, Rembrandt (1606-1669), who lived a stormy and unhappy life in the towns of Leyden and Amsterdam. It must be remembered that Holland, while following her national career of independence, commerce, and colonial undertaking, had become stanchly Protestant. ...
— A Political and Social History of Modern Europe V.1. • Carlton J. H. Hayes
... picturesqueness anywhere; with their faces intent upon the center of the old black sea chest, where glowed and glittered the gold and jewels in the band of light that shone upon some of the faces of the intent group, while others were in the shadow. It was a scene such as Rembrandt—pardon, kind reader, I forgot for a moment, this is a ...
— Frontier Boys on the Coast - or in the Pirate's Power • Capt. Wyn Roosevelt
... spring of the scalded monkey, are admirably expressed. To represent an object in its descent, has been said to be impossible; the attempt has seldom succeeded; but, in this print, the tea equipage really appears falling to the floor; and, in Rembrandt's Abraham's Offering, in the Houghton collection, now at Petersburg, the knife dropping from the hand of the patriarch, appears in a ...
— The Works of William Hogarth: In a Series of Engravings - With Descriptions, and a Comment on Their Moral Tendency • John Trusler
... stratagem in mailing my letter to the Governor. Discovering that I had left a page of my epistolary booklet blank, I drew upon it a copy of Rembrandt's Anatomy Lesson, and under it wrote: "This page was skipped by mistake. Had to fight fifty-three days to get writing paper and I hate to waste any space—hence the masterpiece—drawn in five minutes. Never drew a line till September 26 (last) and never took lessons in my life. I think ...
— A Mind That Found Itself - An Autobiography • Clifford Whittingham Beers
... Wisdom say another. Nor are sentiments of elevation in themselves turgid and unnatural. Nature is never more truly herself than in her grandest form. The Apollo of Belvedere (if the universal robber has yet left him at Belvedere) is as much in nature as any figure from the pencil of Rembrandt, or any clown in the rustic revels of Teniers. Indeed, it is when a great nation is in great difficulties that minds must exalt themselves to the occasion, or all is lost. Strong passion, under the direction of a feeble reason, ...
— Selections from the Speeches and Writings of Edmund Burke. • Edmund Burke
... do not understand how an amoeba makes its test; no one understands how anything is done unless he can do it himself; and even then he probably does not know how he has done it. Set a man who has never painted, to watch Rembrandt paint the Burgomaster Six, and he will no more understand how Rembrandt can have done it, than we can understand how the amoeba makes its test, or the protoplasm cements two broken ends of a piece of bone. Ces choses se font mais ne s'expliquent ...
— Luck or Cunning? • Samuel Butler
... mouth and divined her temper like a rider with a horse; she, on her side, recognising her master and following his wishes like a dog. But by a not very unusual train of circumstance, the man's dexterity was partial and circumscribed. On a schooner's deck he was Rembrandt or (at the least) Mr. Whistler; on board a brig he was Pierre Grassou. Again and again in the course of the morning, he had reasoned out his policy and rehearsed his orders; and ever with the same depression and weariness. It was guess-work; ...
— The Wrecker • Robert Louis Stevenson and Lloyd Osbourne
... dear old thing consented. It was the time for the matron's afternoon visit, and she is very jolly, and I wanted to surprise her. So I put on the little gray gown, and the delicious cap, just like Rembrandt's mother, and the white net kerchief—don't you adore white net, Snowy? it softens the face so!—and the apron; and then I went and sat down in Miss Barry's chair by the window, with her knitting, and put on her spectacles—oh! how she did laugh. Then we heard steps, ...
— The Merryweathers • Laura E. Richards
... of tables holding lamps, ash receivers and the like; and rows and rows of books on open shelves edged with leather; not to mention engravings of distinguished men and old portraits in heavy gilt frames: one of his grandfather who fought in the Revolution, and another of his mother—this last by Rembrandt Peale—a dear old lady with the face of a saint framed in a head of gray hair, the whole surmounted by a cluster of silvery curls. There were quaint brass candelabra with square marble bases on each end of the mantel, holding candles showing burnt wicks in the day time and cheery ...
— Peter - A Novel of Which He is Not the Hero • F. Hopkinson Smith
... Dutch school, Jordaens was distinguished for brilliancy and force of execution, Van Dyck, A.D. 1541, for grace and beauty, although principally a portrait painter and incapable of idealizing his subjects, in which Rembrandt, A.D. 1674, who chose more extensive historical subjects, and whose coloring is remarkable for depth and effect, was equally deficient. Rembrandt's pupil, Gerhard Douw, introduced domestic scenes; his ...
— Germany from the Earliest Period Vol. 4 • Wolfgang Menzel, Trans. Mrs. George Horrocks
... the north-west wind hurling dead branches and showers of crisp oak-leaves about our heads; till suddenly, as we staggered out of the wood, we came upon such a picture as it would have baffled Correggio, or Rembrandt himself, to imitate. Under a wall was a long tent of sails and spars, filled with Preventive men, fishermen, Lloyd's underwriters, lying about in every variety of strange attitude and costume; while candles, stuck in bayonet-handles in the wall, poured out a wild glare over shaggy faces and glittering ...
— MacMillan's Reading Books - Book V • Anonymous
... with theirs. And as everything which is German is by that very fact unique and inimitable, so it is correspondingly true that everything which the world has of excellence belongs to Germany in fact and in right. Rembrandt, Shakespeare, Ibsen, are Germans. A German brain alone could understand them and has a right to admire them. It is doubtful if even Joan of Arc, that sublime heroine, is French. German savants have ...
— New York Times, Current History, Vol 1, Issue 1 - From the Beginning to March, 1915 With Index • Various
... study, No. 19, in the collection of photographs lately published from drawings in the Florence Gallery; the standard of pen drawing with a wash, fixed by Titian's sketch, No. 30 in the same collection; that of etching, fixed by Rembrandt's spotted shell; and that of point work with the pure line, by Duerer's crest with the cock; every effort of the pupil, whatever the instrument in his hand, would infallibly tend in a right direction, ...
— A Joy For Ever - (And Its Price in the Market) • John Ruskin
... Netherlands at that time. You can imagine how frightened the children were. They knew that they must tell some one about it at once. Very quietly they crept away from where the men were, then ran for their lives to the town hall. The Civic Guard were having a banquet there. Rembrandt has painted the scene just as the little girl, in the center of the group, has finished her story. The men are making ready to meet the attack. Some have on their armor, some are polishing their guns, some have their drums, and all ...
— The Children's Book of Celebrated Pictures • Lorinda Munson Bryant
... that my saying so will make you eager to interrupt me. 'What! Rembrandt's etchings, and Lupton's mezzotints, and Le Keux's line-work,—do you mean to tell us that these ignore light ...
— Ariadne Florentina - Six Lectures on Wood and Metal Engraving • John Ruskin
... acting in his divine atmosphere. It is strange and marvelous that he never wrote a line about the great men that lived and wrote in his day and age, although Cervantes, Rubens, Camoens, Bruno, Drake, Raleigh, Calderon, Corneille, Rembrandt, Kepler, Galileo, Montaigne, Beaumont and Fletcher, Sidney, Marlowe, Bacon and Ben Jonson were contemporaneous authors, poets, dramatists, navigators, soldiers, astronomers ...
— Shakspere, Personal Recollections • John A. Joyce
... Seize gown of pink brocade, and a Rembrandt hat with a long white feather (Jacquemin, who remained below, had already written down the description in his note-book), the little Baroness entered Marsa's room like a whirlwind, embracing the young girl, and going into ecstasy over ...
— Prince Zilah, Complete • Jules Claretie
... see the great Van Eyck, the 'Adoration of the Lamb,' you know—that magnificent panel picture. And then we went to Brussels, where we had Dierick Bouts and all the later Flemings; and to Antwerp for Rubens and Vandyck and Quentin Matsys; and the Hague, after that, for Rembrandt and Paul Potter; and Amsterdam, in the end, for Van der Heist and Gerard Dow and the late Dutch painters. So, you see, we had quite an artistic tour; we followed up the development of Netherlandish art from beginning to end in historical ...
— Stories by English Authors: The Sea • Various
... an old-world monster in a cavern, till one of the boys seized the poker and made it flame up, throwing its blaze out as far as it could for its walls, and making the kitchen and the group standing in it like a picture by Rembrandt. ...
— Lippincott's Magazine of Popular Literature and Science Vol. XV., No. 85. January, 1875. • Various
... his washing-stand so that he could contemplate their beauty while he shaved. He knew now quite positively that there had been no painting of landscape before Monet; and he felt a real thrill when he stood in front of Rembrandt's Disciples at Emmaus or Velasquez' Lady with the Flea-bitten Nose. That was not her real name, but by that she was distinguished at Gravier's to emphasise the picture's beauty notwithstanding the ...
— Of Human Bondage • W. Somerset Maugham
... which Romney has suffered has, of course, fallen to the fate of many of his professional brethren. We read, for instance, that Sir Godfrey Kneller sometimes received in payment for a portrait a considerable sum in hard cash, with a couple of Rembrandt's thrown in by way of makeweight. Yet now a single specimen of Rembrandt exceeds in value a whole gallery of Knellers. And Rembrandt died insolvent, while Sir Godfrey amassed a fortune! No one will dispute the justice of the reversal ...
— Art in England - Notes and Studies • Dutton Cook
... known women of the century Holbach was most intimate with Mme. d'Epinay, who became a very good friend of Mme. Holbach's and was present at the birth of her first son, and, in her will, left her a portrait by Rembrandt. He was also a friend of Mme. Geoffrin, attended her salon, and knew Mlle. de Lespinasse, Mme. Houderot and most of the ...
— Baron d'Holbach - A Study of Eighteenth Century Radicalism in France • Max Pearson Cushing
... filled with smoke of pipes, and is stifling with the reeking breath of its inmates. A single flaring gas jet dimly lights the scene, which is one Rembrandt or Moreland and Keisel would have loved ...
— Rolling Stones • O. Henry
... solemn pines, that had veiled the earth when the country was first settled, had already disappeared; but, agreeably to one of the mysterious laws by which nature is governed, a rich second growth, that included nearly every variety of American wood, had shot up in their places. The rich Rembrandt-like hemlocks, in particular, were perfectly beautiful, contrasting admirably with the livelier tints of the various deciduous trees. Here and there, some flowering shrub rendered the picture gay, while masses of the rich chestnut, in blossom, lay in clouds of natural ...
— Home as Found • James Fenimore Cooper
... shades was produced, as gave the whole scene a character at once mysterious and sublime. It presented an harmonious variety of solemn colours, united by the exquisite artifice of Nature to a grand, yet simple disposition of form. It was a picture executed by the hand of Rembrandt, and imagined by the ...
— Antonina • Wilkie Collins
... REICHS-HISTORY and the like), whom the Duchess has summoned over. By the dim lucency of Putter, faint to most of us as a rushlight in the act of going out, the available part of our imagination must try to figure, in a kind of Obliterated-Rembrandt way, this glorious Evening; for there was but one,—December 3d-4th,—Friedrich having to leave early on the 4th. Here is Putter's record, ...
— History of Friedrich II. of Prussia, Vol. XX. (of XXI.) • Thomas Carlyle
... the middle of the parlor, where the benches were occupied by patients presenting such grotesque singularities of costume as would have made the least artistic passer-by turn round to gaze at them. A draughtsman—a Rembrandt, if there were one in our day—might have conceived of one of his finest compositions from seeing these children of misery, in artless attitudes, and ...
— The Commission in Lunacy • Honore de Balzac
... the sky that night. The little thatch houses, and the children in their quaint garbs moving against the flames composed a strange Oriental Rembrandt picture. ...
— Flash-lights from the Seven Seas • William L. Stidger
... distinctly, but little else that was tangible. Severance from all social ties, isolation from one's kind, and a pariah existence, far away from all centres of civilisation—far beyond the utmost reach of railroad or telegraph—came much more vividly before me; and in Rembrandt masses of shade, with but one small ray of light, just enough to give force and depth to the whole—a sense of duty, a duty that must be done, whether pleasant or otherwise, and about which there was no choice. What a world ...
— The Empire of the East • H. B. Montgomery
... early painters before him: the faces of the Madonnas are beyond the discomposure of passion, and their very draperies betoken an Elysian atmosphere where wind never blew. The best painter of the unideal Christ is, I think, Rembrandt: as one may see in his picture at the National Gallery, and that most wonderful one of our Saviour and the Disciples at Emmaus in the Louvre: there they sit at supper as they might have sat. Rubens and the Venetian ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... Raphael (1508); Holy Family, by Fra Bartolommeo; Mountainous Coast (fishermen in foreground), by Salvator Rosa; Nativity, by Carlo Dolce; Virgin Enthroned, by Paul Veronese; Third Earl Cowper and His Family; First Earl Cowper, by Sir Godfrey Kneller; Francis Bacon, by Van Somer; Turenne, by Rembrandt; Charles Villiers, Duke of Buckingham, by Janssens. The whole collection is worth careful study. Permission to view may be obtained when the ...
— Hertfordshire • Herbert W Tompkins
... promoter, though of a much more substantial sort than his fiction namesake. He was also a painter of considerable merit, a writer and an antiquarian. He was said to have been a grandson of the famous painter, Rembrandt Peale. ...
— Mark Twain, A Biography, 1835-1910, Complete - The Personal And Literary Life Of Samuel Langhorne Clemens • Albert Bigelow Paine
... few minutes the bright oil portrait, but recently painted by Mr. Rembrandt Peale, was taking the sunlight upon its warm brunette cheeks, in full sight of the bridegroom, and the thick rag carpet warmed the floor, and Virgie had made a second errand to Teackle Hall, and brought back the lady's rocking-chair ...
— The Entailed Hat - Or, Patty Cannon's Times • George Alfred Townsend
... crescent of the Heeren Gracht sprang up, on the east, the labyrinthine quarter where for more than three centuries the large Jewish population has been located, and in the middle of which the painter Rembrandt lived (1640-1656) and the philosopher Spinoza was born (1632). Beyond the Heeren Gracht lie the Keizers Gracht and the Prinsen Gracht respectively, and these three celebrated canals, with their tree-bordered quays and plain but stately old-fashioned houses, form the principal ...
— Project Gutenberg Encyclopedia
... on the edge of the sofa, well forward, after the manner of those who relax but ill to the give of upholstery. She was like a study of what might have been the grandmother of one of Rembrandt's studies of a grandmother. There were lines crawling over her face too manifold for even the etcher's stroke, and over her little shriveling hands that were too bird-like for warmth. There is actually something avian comes with the years. In the frontal bone pushing itself forward, ...
— Gaslight Sonatas • Fannie Hurst
... on his every sense like a discord in music, or an inharmonious color; so he never used them. But as he ran upstairs, three steps at a time, after his kind, off-hand words to Marty, he said to himself, "Good heavens! I do believe Marty gets uglier every day. What a picture Rembrandt would have made of her old face peering out into the darkness there to-night! She would have done for the witch of Endor, watching to see if Samuel were coming up." And as he went down more slowly, revolving in his mind what plausible ...
— Mercy Philbrick's Choice • Helen Hunt Jackson
... round, candle-lit table, the rest of the room in partial shadow, Sir John looking like a lost Rembrandt, and his blonde wife, with her soft English face, like a rose-and-gray portrait by Reynolds, when Burnaby strode in upon them ... strode in upon them, and then, as if remembering the repression he believed in, hesitated, and finally advanced quietly toward Mrs. Malcolm. ...
— The Best Short Stories of 1917 - and the Yearbook of the American Short Story • Various
... lost no time in accusing him of the basest infidelity and in asking him what he found at suburban Saint-Germain to prefer to Van Eyck and Memling, Rubens and Rembrandt. A day or two after the receipt of this friend's letter he took a walk with Madame de Mauves in the forest. They sat down on a fallen log and she began to arrange into a bouquet the anemones and violets she had gathered. "I've a word here," he said at last, "from ...
— Madame de Mauves • Henry James
... made a fine picture, worthy of Rembrandt, the gloomy winding stairs illuminated by the reddish glare of the cresset of Gryphus, with his scowling jailer's countenance at the top, the melancholy figure of Cornelius bending over the banister ...
— The Black Tulip • Alexandre Dumas (Pere)
... dark eyebrows are penciled with unequaled purity on her forehead, white and reposeful as if in deep thought, and the bright, silky hair, somewhat tossed, throws a shadow on it, of which, not only Master Harvey, but a certain other painter, named Rembrandt, would not have been ashamed. The girl at once reminds you of Cinderella and Gretchen, and the leaning posture which she now maintains suggests timidity and the ...
— Sielanka: An Idyll • Henryk Sienkiewicz
... the elements! This black Lethe is the London smoke and fog, which has left a dark deposit over all the building, except the upper and more exposed parts, where the original silvery whiteness of the stone shows through, the effect of the whole thus being like one of those graphic Rembrandt photographs or carbons, the prominences in a strong light, and the rest in deepest shadow. I was never tired of looking at this noble building, and of going out of my way to walk around it; but I am at a loss to know whether the pleasure I had in it arose from my love of nature, or from a ...
— Winter Sunshine • John Burroughs
... soul, under whatever conventional disguise it wanders here on earth, whether as poorhouse orphan or lawyer's clerk, architect's pupil at Salisbury or cheerful little guide to graves at Bologna; and there is another memorable description in his Rembrandt sketch, in form of a dream, of the silent, unearthly, watery wonders of Venice. This last, though not written until after his London visit, had been prefigured so vividly in what he wrote at once from the spot, that those passages from his letter[90] may be read still with a quite undiminished ...
— The Life of Charles Dickens, Vol. I-III, Complete • John Forster
... beginning to end; only once did a suggestion of sentiment—curt pity for that gin-besotted thing, the prisoner!—obtrude itself; then it passed so quickly his lordship forgot to intervene, and the effect remained, a flash, illuminating, Rembrandt-like! ...
— Half A Chance • Frederic S. Isham
... in color, more expressive in its general aspect, or more becoming to an album, from the fine contrast between its poverty-stricken air, torn, worn, and soiled, and the rich, embossed, unsullied leaf on which it reposed, like some dark Rembrandt within its gilded frame. In short, it was the very Torso of autographs. Happily the position which it finally attained was one worthy of its merits, and we could not have wished it a more elegant shrine than the precious pages of the Holberton Album, a volume encased in velvet, ...
— The Lumley Autograph • Susan Fenimore Cooper
... of the Acres of Canvas Titian or Reynolds would have covered with grand Outlines and deep Colours in the Time it has taken to niggle this Miniature! The Christ seemed to me only a wayward Boy: the Jews, Jews no doubt: the Temple I dare say very correct in its Detail: but think of even Rembrandt's Woman in Adultery at the National Gallery; a much smaller Picture, but how much vaster in Space and Feeling! Hunt's Picture stifled me with its Littleness. I think Ruskin must see what his System has ...
— Letters of Edward FitzGerald in Two Volumes - Vol. II • Edward FitzGerald
... and a very cultivated taste; he has become awake to what is elemental, normal, in Nature,—such, for instance, as one sees in the working of water on the sea-shore. He tries to represent these primitive forms. In the drawings of Piranesi, in the pictures of Rembrandt, one sees this grand language exhibited more truly. It is not picture, but certain primitive and leading effects of light and shadow, or lines and contours, that captivate the attention. I saw a picture of Rembrandt's at the Louvre, whose subject I do not know ...
— At Home And Abroad - Or, Things And Thoughts In America and Europe • Margaret Fuller Ossoli
... the Dutch were the laughing-stock of polite Europe. They were butter-firkins, swillers of beer and schnapps, and their vrouws from whom Holbein painted the all but loveliest of Madonnas, Rembrandt the graceful girl who sits immortal on his knee in Dresden, and Rubens his abounding goddesses, were the synonyms of clumsy vulgarity. Even so late as Irving the ships of the greatest navigators in the world were represented as sailing equally well stern-foremost. ...
— The Best of the World's Classics, Restricted to Prose, Vol. X (of X) - America - II, Index • Various
... painters who can claim the first rank is he who is in some respects the greatest of all from a painter's standpoint, Rembrandt van Ryn. There is little of the primitive Italian here, little of the painter who worships his Madonna through the medium of his craft as some great lady, "empress of heaven and of earth." Rembrandt's picture, lacking this mysticism, gains, however, in humanity; and however far ...
— McClure's Magazine December, 1895 • Edited by Ida M. Tarbell
... the evil. The country was joyless; man's life is joyless in Ireland. In every other country there were merry-makings. "You have only to go into the National Gallery," he said, "to see how much time the Dutch spent in merry-makings." All their pictures with the exception of Rembrandt's treated of joyful subjects, of peasants dancing under trees, peasants drinking and singing songs in taverns, and caressing servant girls. Some of their merry-makings were not of a very refined character, but the ordinary man is not refined, ...
— The Untilled Field • George Moore
... from the early settlers among the Old Masters the situation becomes different. Rembrandt and Hals painted some portraits that appeal deeply to the imagination of nearly all of my set. The portraits which they painted not only looked like regular persons, but so far as my limited powers of observation go, they were among the few painters of Dutch subjects who didn't always ...
— Cobb's Bill-of-Fare • Irvin Shrewsbury Cobb
... an abstract definition; all nations are beings of many qualities and many sides; no historical event exactly illustrates any one principle; every cause is intertwined and surrounded with a hundred others. The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen. To make a single nation illustrate a principle, you must exaggerate much and you must omit much. But, not forgetting this caution, ...
— Physics and Politics, or, Thoughts on the application of the principles of "natural selection" and "inheritance" to political society • Walter Bagehot
... those more remote receive only a faint and subdued gleam. The silvery effulgence of the moon, the sombre and deserted look of the buildings around, and the general stillness that pervades every object, save the scene of action, might inspire the mind of a Rembrandt, or introduce to the mere casual beholder feelings at once new ...
— The Mirror of Literature, Amusement, and Instruction. - Volume XII, No. 347, Saturday, December 20, 1828. • Various
... or object: and of these, the varieties are as infinite as of any of those attached to the vegetable system. I will not attempt even an outline of them. But I had nearly forgotten to warn you, in your REMBRANDT Prints, to look ...
— Bibliomania; or Book-Madness - A Bibliographical Romance • Thomas Frognall Dibdin
... it contains a very interesting Museum of natural history; Egyptian, Grecian, Etruscan, and Roman antiquities; and a fine gallery of paintings, including some of the best works of Vandyke, Raphael, Paul Veronese, Guido, Titian, Rembrandt, Guercino, Carlo Dolci, and other of the ...
— Fair Italy, the Riviera and Monte Carlo • W. Cope Devereux
... and with his garment collected beneath him to keep his limbs from the wet pavement, Isaac sat in a corner of his dungeon, where his folded hands, his dishevelled hair and beard, his furred cloak and high cap, seen by the wiry and broken light, would have afforded a study for Rembrandt, had that celebrated painter existed at the period. The Jew remained, without altering his position, for nearly three hours, at the expiry of which steps were heard on the dungeon stair. The bolts screamed as they were withdrawn—the hinges creaked as the ...
— Ivanhoe - A Romance • Walter Scott
... large lamps on either end of the table stood in old cloisonne vases of dull rich reds and bronzes, and their shades were of thick yellow silk. The light they cast on the six anxious faces grouped about them was like the light in Rembrandt's picture ...
— The Militants - Stories of Some Parsons, Soldiers, and Other Fighters in the World • Mary Raymond Shipman Andrews
... was a moody, ill-conditioned man, the old tenant of the mill. What does he think of the "Van der Helst" which hangs opposite his Night-Watch, and which is one of the great pictures of the world? It is not painted by so great a man as Rembrandt; but there it is—to see it is an event of your life. Having beheld it you have lived in the year 1648, and celebrated the Treaty of Muenster. You have shaken the hands of the Dutch Guardsmen, eaten from ...
— Great Pictures, As Seen and Described by Famous Writers • Esther Singleton
... end to this paper if I were even to name half of the portraits that were remarkable for their execution or interesting by association. There was one picture of Mr. Wardrop, of Torbane Hill, which you might palm off upon most laymen as a Rembrandt; and close by, you saw the white head of John Clerk, of Eldin, that country gentleman who, playing with pieces of cork on his own dining-table, invented modern naval warfare. There was that portrait of Neil Gow, to sit for ...
— The Works of Robert Louis Stevenson - Swanston Edition - Vol. 2 (of 25) • Robert Louis Stevenson
... grappling with each period brings one out almost inevitably into a fine serene certainty which cannot but have its effect on those who are younger. Ripe old age, cheerful, useful, and understanding, is one of the finest influences in the world. We hang Rembrandt's or Whistler's picture of his mother on our walls that we may feel its quieting hand, the sense of peace and achievement which the picture carries. We have no better illustration of the meaning ...
— The Business of Being a Woman • Ida M. Tarbell
... save the sex: All are massed in one common sentence: all bad. There may be Delilahs: there are many Ruths. We should not lightly give them up. Napoleon lost France when he lost Josephine. The one light in Rembrandt's gloomy life ...
— Friends and Neighbors - or Two Ways of Living in the World • Anonymous
... him, both literally and metaphorically; but he is a philosopher—I'll stake my reputation as an observer on that—he just shrugs his sturdy old shoulders, and goes on mending clocks and watches. On dark days he works by a gas jet—and then Rembrandt would enjoy painting him. I look at him whenever my world is particularly awry, and find him highly beneficial. Davison has forwarded me to-day two letters from readers of 'Lynwood.' The first is from an irate female who takes me to task ...
— Derrick Vaughan—Novelist • Edna Lyall
... The portrait is a variant of that now in Independence Hall, and one of two painted by C. W. Peale. The other (in which the chin is supported by the hand) was for religious reasons refused by the Boston Museum when it purchased the collection of "American Heroes" from Rembrandt Peale. It was bought by John McDonough, whose brother sold it to Mr. Joseph Jefferson, the eminent actor, and perished when his house was burned at Buzzard's Bay. Mr. Jefferson writes me that he meant to give the portrait to the Paine Memorial Society, Boston; "but ...
— The Writings Of Thomas Paine, Complete - With Index to Volumes I - IV • Thomas Paine
... least, our eyesight on that journey! The appeal to the eye was constant—the color and form of scenes unfamiliar offering views of compelling attraction and delight. Each unadorned car window and door became the frame of pictures not a Millet nor a Rembrandt could depict. ...
— The Greater Love • George T. McCarthy
... of the southern and eastern families of mankind. For this he was prepared in a somewhat singular way—by being led to study, and endowed with altogether peculiar apprehension of, the most sublime characters of animals themselves. Rubens, Rembrandt, Snyders, Tintoret, and Titian, have all, in various ways, drawn wild beasts magnificently; but they have in some sort humanized or demonized them, making them either ravenous fiends or educated beasts, that would draw cars, and had respect for hermits. The sullen isolation ...
— The Crown of Wild Olive • John Ruskin
... any detail the end of the slope, from the beginning of the seventeenth to the middle of the nineteenth century. The seventeenth century is rich in individual geniuses; but they are individual. The level of art is very low. The big names of El Greco, Rembrandt, Velasquez, Vermeer, Rubens, Jordaens, Poussin, and Claude, Wren and Bernini (as architects) stand out; had they lived in the eleventh century they might all have been lost in a crowd of anonymous equals. Rembrandt, indeed, perhaps the greatest genius ...
— Art • Clive Bell
... reality, the greater colourist of the two; but he could not bear to falsify his light and shadow enough to set off his colour. Titian nearly strikes the exact mean between the painted glass of the 13th century and Rembrandt; while Giotto closely approaches the system of painted glass, and hence his compositions lose grievously by being ...
— Giotto and his works in Padua • John Ruskin
... of oratory and poetry. He had no ear for music, though he seemed to get a certain exaltation from listening to it. In regard to painting and sculpture he always professed himself incompetent, but he was not without decided tastes. On his first visit to the Continent he was more attracted by Rembrandt, Holbein, and Duerer than by the Italians; "these men," he said, "grasped the idea of Christianity." Of Durer's four saints at Munich he writes, "I could contemplate them with interest for hours; he has contrived to give St. John an almost ...
— An Estimate of the Value and Influence of Works of Fiction in Modern Times • Thomas Hill Green
... become even more insupportable in proportion as they approach nearer to reality by the perfection of their execution." The translator thinks his "author has stated this too broadly;" and instances, as pictures of this kind to be admired for their truth, The Lesson of Anatomy, by Rembrandt; Prometheus Devoured by the Vulture, by Salvator Rosa; Raising of Lazarus, by Sebastian del Piombo. Of the two first subjects, we think they are to be condemned, if, in the Prometheus, the enduring mind of Prometheus be not the subject. But surely the grand picture ...
— Blackwood's Edinburgh Magazine, Volume 58, Number 360, October 1845 • Various
... her," he said, rumpling his hair with an air of boredom. "An old society woman! What's the good of that to me? What have I to do with dowagers? Bow wow dowagers! Even Rembrandt—" ...
— December Love • Robert Hichens
... months' seclusion the Breton had finished four pictures. Again he asked counsel of Schinner, this time adding Bridau to the invitation. The two painters saw in three of these pictures a servile imitation of Dutch landscapes and interiors by Metzu, in the fourth a copy of Rembrandt's "Lesson of Anatomy." ...
— Pierre Grassou • Honore de Balzac
... shillings. The prints and drawings fared even worse than the printed books. One hundred and three prints by Albert Duerer, in two lots, sold for one pound, ten shillings and sixpence, and a large collection of woodcuts by the same artist for half a crown. Twenty-four etchings by Rembrandt, in four lots, realised but three pounds, five shillings; while eleven shillings and sixpence was all that could be got for thirty-four heads and ...
— English Book Collectors • William Younger Fletcher
... the shadows turned and walked quickly away to another fire-glow with its ring of Rembrandt figures and faces, and none save Valencia knew that it was Manuel gone to tell his master what had been said. Valencia smiled ...
— The Gringos • B. M. Bower
... was dressed in a black velvet riding-habit, buttoned to the throat with coral; her riding-hat drooped with its long plumes so as to cast a shadow over her animated face, out of which her dark eyes shone like jewels, and her pomegranate cheeks glowed with the rich shaded radiance of one of Rembrandt's pictures. Something quaint and foreign, something poetic and strange, marked each turn of her figure, each article of her dress, down to the sculptured hand on which glittered singular and costly rings,—and the riding-glove, embroidered with ...
— The Atlantic Monthly, Vol. IV, No. 22, Aug., 1859 • Various
... better. I begin now to appreciate the Dutchmen, and if the pie is good, I will worship at the same shrine. Did you not remark, brother Henry, that while you stood carried away by your enthusiasm before Rembrandt's picture of the 'Night Watch'—a picture which it grieves me to say I cannot obtain," sighed the king—"these proud Hollanders call it one of their national treasures, and will not sell it—well, did you not see ...
— Frederick The Great and His Family • L. Muhlbach
... fair taste in matters of art, and a keen relish for prints of a high school—none of your French Opera Dancers, or tawdry Racing Prints, such as had delighted the simple eyes of Mr. Spicer, his predecessor—but your Stranges, and Rembrandt etchings, and Wilkies before the letter, with which his apartments were furnished presently in the most perfect good taste, as was allowed in the university, where this young fellow got no small reputation. ...
— The History of Pendennis • William Makepeace Thackeray
... the Dead! Their scorn would be harder still to bear. He had thought of them often enough and had long ago known their histories by heart. He had gazed at their portraits in the Long Gallery until he knew every line of their faces: old Lady Trojan of 1640, a little like Rembrandt's "Lady with the Ruff," with her stern mouth and eyes and stiff white collar—she must have been a lady of character! Sir Charles Trojan, her son, who plotted for William of Orange and was rewarded royally after the glorious Revolution; Lady Gossiter Trojan, a woman who ...
— The Wooden Horse • Hugh Walpole
... thick foliage, with the old houses all about us, seemed to invite reminiscence, or dreams of the stern and respectable old burghers and burgesses in sombre clothing, wide brimmed hats, and stiffly starched linen ruffs about their necks as rendered by Rembrandt, Hals, Rubens and Jordaens. They must have been veritable domestic despots, magnates of the household, but certainly there must have been something fine about them too, for they are most ...
— Vanished towers and chimes of Flanders • George Wharton Edwards
... I bought it in St. Petersburg years ago, when I was touring: a copy of the Rembrandt in the ...
— The Black Cross • Olive M. Briggs
... of Bach and Beethoven. When she went abroad, painting was revealed to her, and she threw herself with the same ardor and enthusiasm into the study of the great masters; her last work (left unfinished) was a critical analysis of the genius and personality of Rembrandt. ...
— The Poems of Emma Lazarus - Vol. I (of II.), Narrative, Lyric, and Dramatic • Emma Lazarus
... life!' Yes! and the same man, when he was in a better spirit, said, and a great deal more truly, 'The God that fed me all my life long, the Angel which redeemed me from all evil.' Do not paint like Rembrandt, even if you do not paint like Turner. Do not dip your brush only in the blackness, even if you cannot always ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... 1: The purist's attitude was pungently expressed by Whistler. Pennell records this remark: "Black ink on white paper was good enough for Rembrandt; it ought to be good enough for you." (Joseph Pennell, The Graphic Arts, Chicago, ...
— John Baptist Jackson - 18th-Century Master of the Color Woodcut • Jacob Kainen
... uncertain; "print," as he excellently says, "settles it." Fifty years' toning does the same thing to a picture.' He is happier when he is writing about Watteau and Lancret, about Rubens and Giorgione, about Rembrandt, Corregio, and Michael Angelo; happiest of all when he is writing about Greek things. What is Gothic touched him very little, but classical art and the art of the Renaissance were always dear to him. He saw what our English school could gain from a study of Greek models, and never ...
— Intentions • Oscar Wilde
... events of our last autumn in Green's Coulee have slipped into the fathomless gulf, but the experiences of Thanksgiving day, which followed closely on our threshing day, are in my treasure house. Like a canvas by Rembrandt only one side of the figures therein is defined, the other side melts away into shadow—a luminous shadow, through which faint light pulses, luring my wistful gaze on and on, back into the vanished world where the springs of ...
— A Son of the Middle Border • Hamlin Garland
... and red lips, and the haughty toss of the large, handsome head; and the angry tones of her voice would have been welcome sounds in the house where she had so long tyrannized. To-day, as Ulpian Grey sat in his own little sitting-room, his eyes were fixed on a copy of Rembrandt's Nicholas Tulp, which hung over the mantelpiece; but the mysteries of anatomy no longer riveted his attention, and his thoughts were busy with memories of a fond though wayward girl, whom his indifference had driven to foreign ...
— Vashti - or, Until Death Us Do Part • Augusta J. Evans Wilson
... de Philippe de Comines (Loud. et Paris, 1747), liv. iv. 194-196. In the Royal Gallery at Berlin is a startling picture by Rembrandt, in which the old Duke is represented looking out of the bars of his dungeon at his son, who is threatening him with uplifted hand and savage face. No subject could be imagined better adapted to the gloomy and ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... Miss Dashwood. She was seated in a recess of an old-fashioned window; the pale yellow glow of a wintry sun at evening fell upon her beautiful hair, and tinged it with such a light as I have often since then seen in Rembrandt's pictures; her head leaned upon the harp, and as she struck its chords at random, I saw that her mind was far away from all around her. As I looked, she suddenly started from her leaning attitude, and parting back her curls from her brow, she preluded a few chords, ...
— Charles O'Malley, The Irish Dragoon, Volume 1 (of 2) • Charles Lever
... as I stood there, that it was really a picture into which I was gazing—one of Rembrandt's—for, gradually, one detail after another emerged from the darkness, vague shadows took on shape and meaning, but farther back there was always more shadow, and farther ...
— The Gloved Hand • Burton E. Stevenson
... a bag of money tempting a young woman: full of character, and singularly striking. This room—or the one adjoining, I have forgotten which—contains M. Denon's collection of the prints of MARC ANTONIO or of REMBRANDT—or of both; a collection, which is said to be unequalled.[174] Whether the former be more precious than the latter, or whether both be superior to what our British Museum contains of the same masters, is a point which has not yet been ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Two • Thomas Frognall Dibdin
... upon the revel might be. He remained insensible to the melody of purely feminine lines; and the only reason why his transcripts from the female form are not gross like those of Flemish painters, repulsive like Rembrandt's, fleshly like Rubens's, disagreeable like the drawings made by criminals in prisons, is that they ...
— The Life of Michelangelo Buonarroti • John Addington Symonds
... it may seem, the mind of the hireling cannot grasp the importance of the lesser tasks that go to make up the sum of existence. If you allow Bridget to prepare your guest chamber for an unexpected friend, you will observe that she glories in Rembrandt-like effects,—which, when viewed at a distance, assume a respectable appearance. You, with brains back of your hands, will notice that there is a tiny hole in the counterpane, dust under the table, and—above all—that the soap-dish is not clean. Your servant ...
— The Secret of a Happy Home (1896) • Marion Harland
... young parliaments—of roadmaking and bridgemaking—of saw-mills and lumber camps—detail so different from anything I have ever discussed with Arthur Delaine before. Some of it is ugly, I know—I don't care! It is like a Rembrandt ugliness—that only helps and ministers to a stronger beauty, the beauty of prairie and sky, and the beauty of the human battle, the battle of blood and brain, with the earth ...
— Lady Merton, Colonist • Mrs. Humphry Ward
... barn. Visitors of course we had none: Martin's arrival had been an immense event. Thus, as we sat in the barn partaking of hot wine and cake, great masses of shadow all around, with light breaking in only from the lantern, forming altogether a perfect Rembrandt effect, we heard a cheerful voice wishing us "Good-night and sweet repose" through the door. Immediately, believing it to be the paechter's moidel, a young lady usually engaged in cutting hay, one of ...
— Lippincott's Magazine of Popular Literature and Science, Vol. XII. No. 30. September, 1873 • Various
... conveyance of aesthetic meaning by the painter to the beholder. In this sense it is as true to say of Fra Angelico's Coronation of the Virgin, that it has a strain of reality, as to say so of a portrait by Rembrandt, which also has its strain of ideal elevation due to Rembrandt's virile selective sensibility. To correct such self-flatterers as Callista, it is worth repeating that powerful imagination is not false outward vision, but intense inward representation, ...
— Impressions of Theophrastus Such • George Eliot
... that many of the methods of interpretation and analysis that are related to both quantitative and qualitative methods are processes that can be performed by computers. For example, computers can count. They can count brush strokes used in a Rembrandt painting or perform regression analysis for understanding cause and effect. By means of advanced technologies, computers can recognize patterns, analyze text, and model concepts. Furthermore, computers can complete these processes faster with more sources and with ...
— LOC WORKSHOP ON ELECTRONIC TEXTS • James Daly
... to name one pursuit rather than another, I should wish you to be a good painter, if such a thing could be hoped. I have failed in this myself, and should wish you to be able to do what I have not—to paint like Claude, or Rembrandt, or Guido, or Vandyke, if it were possible. Artists, I think, who have succeeded in their chief object, live to be old, and are agreeable old men. Their minds keep alive to the last. Cosway's spirits never flagged till after ninety; and Nollekens, though ...
— Selected English Letters (XV - XIX Centuries) • Various
... thoroughly comfortable room. Its general aspect of decoration had a Byzantine look, and on the floor were several magnificent bear skins, while around the walls low bookcases with quantities of books stood. And above them many arms were crossed. Over the mantlepiece a famous Rembrandt frowned, and another from the opposite wall. But it was strange there were no photographs of dancers or actresses about as Tamara ...
— His Hour • Elinor Glyn
... at him long and earnestly, at the strong, fine lines of sadness brought beautifully out by this unexpected high-light of the skies, accentuated Rembrandt-like, against the darkness of the earth-colored hole ...
— The Way of the Wind • Zoe Anderson Norris
... a great care of his appearance, and sedulously suited his deportment to the costume of the hour. He affected something Spanish in his air, and something of the bandit, with a flavour of Rembrandt at home. In person he was decidedly small and inclined to be stout; his face was the picture of good humour; his dark eyes, which were very expressive, told of a kind heart, a brisk, merry nature, and the most indefatigable spirits. If he had worn the clothes ...
— New Arabian Nights • Robert Louis Stevenson
... years old his parents recalled him to Saint-Lons, in order to send him to the school kept by his godfather, Pierre Ricard, the village schoolmaster, "at once barber, bellringer, and singer in the choir." Rembrandt, Teniers, nor Van Ostade never painted anything more picturesque than the room which served at the same time as kitchen, refectory, and bedroom, with "halfpenny prints papering the walls" and "a huge chimney, for which each had to bring his log of a morning in order to enjoy the right to a place ...
— Fabre, Poet of Science • Dr. G.V. (C.V.) Legros
... principle that brings all to bear on the same end; and declaring he would not give a rush for any landscape that did not express the time of day, the climate, the period of the world it was meant to illustrate, or had not this character of wholeness in it. His eye also does justice to Rembrandt's fine and masterly effects. In the way in which that artist works something out of nothing, and transforms the stump of a tree, a common figure into an ideal object, by the gorgeous light and shade thrown upon it, he perceives an analogy to his own ...
— The Spirit of the Age - Contemporary Portraits • William Hazlitt
... or to the poise of the head who proved, in the eyes of his fellow- students, his possession of an ancestry: but the ancestry was one that skipped over the Mayflower and went straight back to the great Michael and Rembrandt. ...
— The Fortunes of Oliver Horn • F. Hopkinson Smith
... o'clock Mr. Fairlie sent to say he was well enough to see me. HE had not altered, at any rate, since I first knew him. His talk was to the same purpose as usual—all about himself and his ailments, his wonderful coins, and his matchless Rembrandt etchings. The moment I tried to speak of the business that had brought me to his house, he shut his eyes and said I "upset" him. I persisted in upsetting him by returning again and again to the subject. ...
— The Woman in White • Wilkie Collins
... he employed for many years the whole of the Frankfort artists,—the painter Hirt, who excelled in animating oak and beech woods, and other so-called rural scenes, with cattle; Trautmann, who had adopted Rembrandt as his model, and had attained great perfection in enclosed lights and reflections, as well as in effective conflagrations, so that he was once ordered to paint a companion piece to a Rembrandt; Schutz, who ...
— Autobiography • Johann Wolfgang von Goethe
... this incident. I hated the beast because I had been so weak as to accept his services. The beauty of Rembrandt and Franz Hals was lost on me; all I could see was the dirty face of that guide. Rembrandt's Night Watch made me forget the creature for a moment, but when he began to describe it I fled in horror. We finished up in the modern section, ...
— A Dominie in Doubt • A. S. Neill
... those who like it would call "uniqueness of aspect," and those who do not like it "not quite coming off." I mean the thing meant something from one standpoint; but its mark was that the smallest change of standpoint made it unmeaning and unthinkable—a foolish joke. A beggar painted by Rembrandt is as solid as a statue, however roughly he is sketched in; the soul can walk all round him like a public monument. We see he would have other aspects; and that they would all be the aspects of a beggar. Even if one did not admit the extraordinary ...
— The Victorian Age in Literature • G. K. Chesterton
... would believe it possible for one man to do in the time," and are perhaps more the work of assistants than of the master. Others, again, have since been repainted, more or less disastrously. Yet enough remain to show us that Duerer was not a painter born, in the sense that Titian and Correggio or Rembrandt and Rubens are; nay, not even in the sense that a Jan Van Eyck or a Mantegna is. Mantegna is certainly the painter with whom Duerer has most affinity, and whose method of employing pigment is least removed from his; but Mantegna is a born colourist—a ...
— Albert Durer • T. Sturge Moore
... impassive than this money-lender. A pair of little eyes, yellow as a ferret's, and with scarce an eyelash to them, peered out from under the sheltering peak of a shabby old cap, as if they feared the light. He had the thin lips that you see in Rembrandt's or Metsu's portraits of alchemists and shrunken old men, and a nose so sharp at the tip that it put you in mind of a gimlet. His voice was so low; he always spoke suavely; he never flew into a passion. His age was a problem; it ...
— Gobseck • Honore de Balzac
... which he occupies in the Platonic Dialogues—a point, it may be remarked, on which the greatest mistakes are daily made—it is chiefly valuable as exhibiting, in a short but very complete analysis, and by a number of fine Rembrandt-like strokes, not any of which must be overlooked, all the features of that frightful school of sophistry, which at that time was engaged systematically in corrupting the Athenian youth, and against which the whole battery ...
— Museum of Antiquity - A Description of Ancient Life • L. W. Yaggy
... had not yet appeared. He stood near the door and waited. Presently a hansom rattled into the narrow street, and there she sat framed in its concavity. A pretty woman never looks prettier than in a hansom, with the shadows behind to give their Rembrandt effect to the face in front. She raised a yellow kid hand, and flashed a smile ...
— A Duet • A. Conan Doyle
... evenings of lingering, after coffee, behind the tremulous screen of honeysuckle, with the night very dark and quiet beyond the warm nimbus of our candle-light, the faces of my two companions clear-obscure in a mellow shadow like the middle tones of a Rembrandt, and the professor, good man, talking wonderfully of everything under the stars and over them,—while Oliver Saffren and I sat under the spell of the big, kind voice, the young man listening with the same eagerness which marked him when he spoke. ...
— The Guest of Quesnay • Booth Tarkington
... he commenced fairly, she went with him into the Louvre, and he selected a fine Rembrandt—an old man, bearded and scarred, massively characterized, and clothed in magic light ...
— Bohemian Days - Three American Tales • Geo. Alfred Townsend
... tenderness is romantic, in its belief in the ideal and in its insistence upon type rather than individuality it is Classic. In the fact that it is so it fails in intimacy of mood—just the intimacy that is the soul of Keene's art, which descends from Rembrandt's. But this point will come up for consideration farther on. Here it only concerns us in its connection with the psychology of the people it interprets in satire. There is the psychology of individuals and the psychology of a whole ...
— George Du Maurier, the Satirist of the Victorians • T. Martin Wood
... last Ambition, splendid but destructive, becoming the world's artist, blended the midnight tints of decline and suffering with the carnation of triumph and liberty, and cast over the pictures of History the Rembrandt-like shadows, heavy and wavering, that add a ...
— Continental Monthly - Volume 1 - Issue 3 • Various
... favorites was Rembrandt. I always did admire the gorgeous and solemn mysteries of his coloring. Rembrandt is like Hawthorne. He chooses simple and everyday objects, and so arranges light and shadow as to give them a sombre richness and a mysterious gloom. The House of Seven ...
— Sunny Memories of Foreign Lands V2 • Harriet Beecher Stowe
... unquestionable that he influenced the minds of thousands and changed the temper in which they looked at the problem of the poor. In this nothing that he wrote was more powerful than the series of Christmas Books, in which his imagination, with the power of a Rembrandt, threw on to a smaller canvas the lights and shades of London life, the grim background of mean streets, and the cheerful virtues which throw a glamour over their humble homes. His advocacy of these social causes came to ...
— Victorian Worthies - Sixteen Biographies • George Henry Blore
... sweetly spread a landscape of Lorraine; There Rembrandt made his darkness equal light, Or gloomy Caravaggio's gloomier stain Bronzed o'er some lean and stoic anchorite:— But, lo! a Teniers woos, and not in vain, Your eyes to revel in a livelier sight: His bell-mouthed goblet makes me feel quite Danish[676] Or Dutch with ...
— The Works of Lord Byron, Volume 6 • Lord Byron
... Rome, masterpieces that had been torn from the ruins of antiquity by the hand of the untiring and enterprising excavator. Among the paintings were fine specimens of the skill of Albert Duerer, Murillo, Rubens, Van Dyck, Rembrandt, Sir Joshua Reynolds and other votaries of the brush whose names are immortal. These paintings did not hang on the walls, for they were covered with rich tapestry from the looms of Benares and the Gobelins, but rested on delicately fashioned easels, themselves entitled to a high, ...
— Edmond Dantes • Edmund Flagg
... I sit, opposite a marble group of Romulus and Remus and the wolf; the two children fighting like mad, and the limp-uddered she-wolf affectionately snarling at the little demons struggling on her back. Above it is a great picture, Rembrandt's Jewish Exiles, which would do for Consuelo and Albert resting in one of their wanderings, worn out upon a wild stony heath sloping to the Baltic—she leaning over her two children who sleep in their torn rags at her feet. ...
— A Writer's Recollections (In Two Volumes), Volume I • Mrs. Humphry Ward
... Arnold his,—all different and all excellent. And just as the architect stands before the cathedrals of Cologne, Milan, and Salisbury to learn the secret of each; as the painter searches out the secret of Raphael, Murillo, and Rembrandt; so the author analyzes the masterpieces of literature to discover the secret of Irving, of Eliot, and of Burke. Not that an author is to be a servile imitator of any man's manner; but that, having knowledge of all the secrets of composition, he shall so be enabled to set forth for others ...
— English: Composition and Literature • W. F. (William Franklin) Webster
... I was in the ante-room, cataloguing the prints—you know I got that job last week. Well, the Board was droning on in the big room in their usual uninteresting fashion and I was deep in admiration of a Rembrandt etching—that one with the hat and the open window behind him—when Green sails past me, head up and majesty writ large on her bulging brow. She always does put on lugs when she reports to the Committee, so I didn't sit up and take notice right away. But in a minute or two I came ...
— Miss Pat at School • Pemberton Ginther
... portrait by Rubens of his second wife that would have charmed T.; she is lovely, and the picture has that sunshiny beauty he will remember in "S. Anne teaching the B.V.M." I suspect she was the model for his most lovable faces. There is a large and wonderful Rembrandt—a splendid collection of Wouvermans—the most charming Ruisdael I ever saw. Some beautiful Vandykes—a Van de Velde of Scheveningen, Teniers, Weenix, Snyders, etc. I do so wish M. could see the pictures, ...
— Juliana Horatia Ewing And Her Books • Horatia K. F. Eden
... countries national costume is dying out. The slop-shop is year by year extending its hideous trade. But the country of Rubens and Rembrandt, of Teniers and Gerard Dow, remains still true to art. The picture post-card does not exaggerate. The men in those wondrous baggy knickerbockers, from the pockets of which you sometimes see a couple of chicken's heads protruding; ...
— Idle Ideas in 1905 • Jerome K. Jerome
... race, was marked by a constantly increasing kindliness, which filled Bois-le-Comte and his very witty secretary, La Rosiere, with delight. Just at the moment of parting, the King made me a present of an admirable copy in reduced size of Rembrandt's Anatomy Lesson, which hung in his study, saying, "You are going to Newfoundland; you shall bring me back a dog in exchange," which commission I ...
— Memoirs • Prince De Joinville
... portrait-painter, born at Luebeck; studied under Rembrandt and at Italy, came to England in 1674, and was appointed court painter to Charles II., James II., William III., and George I.; practised his art till he was seventy, and made ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... in which way it shall evolve. Why, the very birds of the forest, the parrot, the mino, have the power of human speech, but never develop it of themselves; some one must be there to teach them. So with us individuals. Rembrandt must teach us to enjoy the struggle of light with darkness, Wagner to enjoy peculiar musical effects; Dickens gives a twist to our sentimentality, Artemus Ward to our humor; Emerson kindles a new moral light within us. But it is like Columbus's ...
— The Will to Believe - and Other Essays in Popular Philosophy • William James
... were golden and red lacquered boxes and bowls and a melee of effects and things, that suggested a curiosity shop, yet withal a bigness in the golden arches and a simplicity of worship that was simply grand. Ghost of Rembrandt!—could you have but seen this and depicted it in your most reverend and inspired moment! Or Rubens—he would have caught the grandeur of effect, but would he also have caught the meekness and the piety of the ...
— From Edinburgh to India & Burmah • William G. Burn Murdoch
... be both a lover of and connoisseur in Rembrandt's pictures: and especially of those of his old characters. I wish you could have seen the old woman, of the name of Bucan, who came out of this same auberge to receive us. She had a sharp, quick, constantly moving black eye; keen features, projecting from a surface of flesh of ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume One • Thomas Frognall Dibdin
... more distracted—the beholder must have imagined that the spectacle was some horrible ceremonial, practised by demons rather than human beings. The arched vault, the pillars, the torchlight, the deep shadows, and the wild figures, formed a picture worthy of Rembrandt or Salvator. ...
— Rookwood • William Harrison Ainsworth
... still two important excellences to be recorded of this school of painting—its variety, and its importance as the expression, the mirror, so to speak, of the country. If we except Rembrandt with his group of followers and imitators, almost all the other artists differ very much from one another; no other school presents so great a number of original masters. The realism of the Dutch painters is born of their common love ...
— Seeing Europe with Famous Authors, Volume 4 (of 10) • Various
... associates were bonzes in yellow robes, and the stillness was only broken by the deep-toned temple bell, booming for vespers. Then, somehow, his thoughts turned back to Europe, and he began a disquisition upon the great old masters—Tintoretto, Rembrandt, Velasquez, Tiziano, and Peter Paul—with whose immortal works he seemed as familiar as he subsequently showed himself with the pictures in his own house. He described the Memlings at Bruges, the Botticellis at Florence and the Velasquezes in Spain—averring in humorous exaggeration that ...
— Austin and His Friends • Frederic H. Balfour
... of arranging my own sensitized plates, and I get a certain amount of entertainment out of the process, and now and then a Rembrandt effect whose lights and darks often thrill ...
— The Underdog • F. Hopkinson Smith
... Leonardo, without the faintest trace of that tentativeness, that painfulness of effort which characterised his immediate precursors, equalled or surpassed. Outside Velasquez, and perhaps, when at their best, Rembrandt and Degas, we shall seek in vain for tactile values so stimulating and so convincing as those of his "Mona Lisa"; outside Degas, we shall not find such supreme mastery over the art of movement as in the unfinished "Epiphany" in the Uffizi; and if Leonardo has been left far behind ...
— The Florentine Painters of the Renaissance - With An Index To Their Works • Bernhard Berenson
... surprised or troubled by anything. One of the bass-violinists had the rough-hewn figure and the divinely chiseled, sorrow-lighted face of Lincoln, the others were children of the everyday. The clarionettist, with his dark beard and high temples, might have sat for Rembrandt's picture of "The Philosopher." The rotund kettle-drummer, with his smooth head and sparkling eyes, restlessly turning his little keys and bending down to listen to the tuning of his grotesque music-pots, seemed ...
— The Unknown Quantity - A Book of Romance and Some Half-Told Tales • Henry van Dyke
... always realised how depth and complexity may exist in a work of clear design and strong contrasts—in the obvious genius of some great Italian of the Renaissance as much as in the troubled heart of a Rembrandt and the ...
— Musicians of To-Day • Romain Rolland
... the Saint at Venice, and that are now preserved in the Accademia. Early Flemish painting, in fact, in addition to its own peculiar charm of microscopic delicacy of finish, is hardly inferior, in contrast with the later strong realism and occasional coarseness of Rubens or Rembrandt, to the tender poetic dreaminess of the primitive Italians. Certainly these pictures, though finished to the minutest and most delicate detail, are lacking in realism actually to a degree that borders on a delicious absurdity. St. Ursula and her maidens—whether ...
— Beautiful Europe - Belgium • Joseph E. Morris
... can receive. The portraits occupy eight rooms and a passage. Though the collection is historically and biographically valuable, it contains for every interesting portrait three or four dull ones, and thus becomes something of a weariness. Among the best are Lucas Cranach, Anton More, Van Dyck, Rembrandt (three), Rubens, Seybold, Jordaens, Reynolds, and Romney, all of which remind us of Michelangelo's dry comment, "Every painter draws himself well". Among the most interesting to us, wandering in Florence, are the two Andreas, one youthful and the other grown fatter than one likes and ...
— A Wanderer in Florence • E. V. Lucas
... friendly screens of more prudent, more conventional talent. Even among men of genius up on the heights it is the personality of each that enters largely into the equation of their work. No one can confuse Whistler the etcher with the etcher Rembrandt; the profounder is the Dutchman. Yet what individuality there is in the plates of the American! What personality! Now, Felicien Rops, the Belgian etcher, lithographer, engraver, designer, and painter, occupies about the same relative position to Honore Daumier as Whistler does ...
— Promenades of an Impressionist • James Huneker
... to 34, in the tier along the west wall, and five more one-man rooms along the east wall. These five, in their order from the main entrance are: No. 87, devoted to the old-masterlike works of Frank Duveneck, who, more perhaps than any other American, shows the great manner of Velasquez, Rembrandt and Franz Hals, and to whom the jury has recommended that a special medal be given for his influence on American art; No. 88 filled with the admirable Impressionist landscapes of E. W. Redfield; 89 and 93, given up to the widely ...
— The Jewel City • Ben Macomber
... book interesting. It tells of the lives of some of the noted painters of different lands and periods; among them Raphael, Rembrandt, Reynolds, and Millet. The illustrations are ...
— A Mother's List of Books for Children • Gertrude Weld Arnold
... fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint— A Portrait such as Rembrandt loved to paint— The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast— Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers ...
— Legends and Lyrics: Second Series • Adelaide Anne Procter
... account for that queer change of purpose. It was purely spontaneous, due to something quite outside the realm of reason. I was certainly not in love with Anne, then. My only sight of her had left an impression as of an amateur copy of a Rembrandt done in Indian ink with a wet brush. It is true that I had heard her voice like the low thrilling of a nightingale—following a ...
— The Jervaise Comedy • J. D. Beresford
... aisle the corresponding window to the east has a tree of Jesse in its upper part, and beneath is one of the finest examples of sixteenth century painting in Rouen, work that reminds you of the work of Rembrandt. Of these five figures of old men, the last two on the right are especially worthy of attentive study. They were done in 1535. To the right of this window in the same chapel, looking southwards, is another fine window of about the same date, said to be copied from ...
— The Story of Rouen • Sir Theodore Andrea Cook
... the other from the seaward opening in the rocks—and falling together, in cross directions on the black rugged walls of the cave and the beautiful marine ferns growing from them, is supernaturally striking and grand. Here, Rembrandt would have loved to study; for here, even his sublime perception of the poetry of light and shade might have received a new impulse, and learned from the teaching of Nature one ...
— Rambles Beyond Railways; - or, Notes in Cornwall taken A-foot • Wilkie Collins
... of printing etchings, mezzotint, and other intaglio plates is the same to-day as it was in the time of Rembrandt and Durer. The modern inventor has found no way to economize time, labor, or expense in the work—excepting that in the case of postage stamps, bond certificates, and similar plates, which are printed in vast quantities, the work has been adapted to ...
— The Building of a Book • Various
... were taken by Russia at a valuation of eighty thousand dollars, and formed the first basis of the imperial gallery at St. Petersburg. Among these were some of the finest paintings of Titian, some of the best pieces of Rubens, and one of Rembrandt's most highly executed works—the portrait ...
— The Merchant of Berlin - An Historical Novel • L. Muhlbach
... scholar; thou, too, Jan Kuyper, commonly called Jan Praktiseer, old man of a century and seven years besides, father of twenty sons and two daughters cut in copper by Houbraken, bought from a portfolio on one of the Paris quais; and ye Three Trees of Rembrandt, black in shadow against the blaze of sunlight; and thou Rosy Cottager of Sir Joshua,—thy roses hinted by the peppery burin of Bartolozzi; ye, too, of lower grades in nature, yet not unlovely nor unrenowned, Young ...
— Atlantic Monthly Vol. 3, No. 16, February, 1859 • Various
... could make this book a thousand pages long. The subject of the early discoveries is so fascinating. But history, to give you a true idea of past times, should be like those etchings which Rembrandt used to make. It should cast a vivid light on certain important causes, on those which are best and greatest. All the rest should be left in the shadow or should be indicated by a few lines. And in this chapter I can only ...
— The Story of Mankind • Hendrik van Loon
... of the engravings should be as perfect as possible, I invited M. Jules Jacquemart, of Paris, to undertake the whole of them. M. Jacquemart needs no praise. All amateurs know his etchings from Van der Meer, Franz Hals, Rembrandt, etc., and his plates for the "History of Porcelain," by M. Albert Jacquemart, his father, for the "Gems and Jewels of the Crown," published by M. Barbet de Jouy, and for the "Collection of Arms" of Count de Nieuwerkerke. The American ...
— The Medallic History of the United States of America 1776-1876 • J. F. Loubat
... streak in him of the romanticist, and the most resolute romanticist finds it impossible at times to be quite unreal. Guido Reni, Watteau, Leighton were they not perhaps somewhat pure romanticists; Rembrandt, Hogarth, Manet mainly realists; Botticelli, Titian, Raphael, a blend. Dumas pere, and Scott, surely romantic; Flaubert and Tolstoy as surely realists; Dickens and Cervantes, blended. Keats and Swinburne romantic; Browning and Whitman—realistic; Shakespeare and Goethe, both. The Greek ...
— Forsyte Saga • John Galsworthy
... idea which we call works of art, is conditioned on the use of the imagination. Plato's Dialogues were fashioned by it as truly as Homer's poems; Hegel's philosophy was created by it as definitely as Shakespeare's plays, and Newton and Kepler used it as freely as Dante or Rembrandt. ...
— Books and Culture • Hamilton Wright Mabie
... etchings include the works of Raffaelle, Marc Antonio, Albert Durer, Callot, Rembrandt, and other masters, consisting of representations of nearly every fact, circumstance, and object mentioned in the Holy Scriptures. There are, moreover, designs of trees, plants, flowers, quadrupeds, birds, fishes, and insects; such as, besides fossils, have ...
— Notes and Queries, Number 190, June 18, 1853 • Various
... The Hague is somewhere in Holland; and we all know that Queen Wilhelmina takes a beautiful picture; but to how many of us has it occurred that the land of Spinoza and Rembrandt is ...
— Walter Pieterse - A Story of Holland • Multatuli |
