... according to its place and purpose; but only the Japanese designer so contrives his patterns that the line is always short; and many repeating designs are entirely composed of this various and variously-occurring brevity, this prankish avoidance of the goal. Moreover, the Japanese evade symmetry, in the unit of their repeating patterns, by another simple device—that of numbers. They make a small difference in the number of curves and of lines. A great difference would not make ... — Essays • Alice Meynell
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