"Orchestral" Quotes from Famous Books
 ... lain long in fallow. Herbs in great variety were just emerging from the recently watered earth, and the splendid morning did ample justice to the vernal scene. The charm of a beginning seemed to pervade all nature, and the songs of many birds sounded like the orchestral music before the commencement of any theatrical performance. Such a morning, in such a place, was quite incompatible with the brow of care. Here was an almost boundless extent of the richest surface in a latitude ...
— Journal of an Expedition into the Interior of Tropical Australia • Thomas Mitchell
... "Midsummer Night's Dream." Full of lovely imaginings, with a wonderful fairy grace all its own, and a bewitching beauty, revealing not only the soul of the true poet, but also the musician profoundly skilled in all the art of orchestral effect, it is hard to believe that it is the work of a boy under twenty, written in the bright summer days of 1826, in ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various
... company should work towards a common end, with the nicest subordination of their individuality to the general purpose. Without this method a play when acted is at best a disjointed and incoherent piece of work, instead of being a harmonious whole like the fine performance of an orchestral symphony. The root of the matter is that the actor must before all things form a definite conception of what he wishes to convey. It is better to be wrong and be consistent, than to be right, yet hesitating and uncertain. This is why great actors are ...
— The Drama • Henry Irving
... friends in need. It is so obvious that a solitary of any culture will find relief with such companions, that here I take for granted his resort to their aid, and will only mention two resources from which the real recluse often draws less advantage than he might, I mean orchestral music and the drama. Any man of feeling who hears a great symphony ceases to be self-centred with the first movement; he goes out of himself, and rides upon waves of sound, exalted by this majesty of collective effort. No other music ...
— Apologia Diffidentis • W. Compton Leith
... Haydn and Mozart are like toy-houses compared with the massive architecture of Beethoven's. He not only elaborated the forms, but varied the rhythms, broadened the melody, and deepened the expression of orchestral music. In his works, too, are to be found the germs of romanticism, which others, notably Mendelssohn and Schumann, developed so fascinatingly in their best works. Most of Mendelssohn's compositions have had their day; but Schumann is still a force in modern music ...
— Beacon Lights of History, Volume XIV • John Lord
... arts, but which died of a galloping consumption in the twenty-eighth week of its age. He then published the tragedy of "Remorse," which dragged out a miserable existence of twenty nights, on the boards of Drury-Lane, and then expired for ever, like the oil of the orchestral lamps. He then forsook the stage for the pulpit, and, by particular desire of his congregation, published two "Lay Sermons." He then walked in broad day-light into the shop of Mr. Murray, Albemarle ...
— Famous Reviews • Editor: R. Brimley Johnson
... coolest corner in Port Said, their table commanding both the cross-way of Chareh Sultan el Osman, and the short, glaring vista of desert dust and starved young acacias which led to the black hulks of shipping in the Canal. From the Bar la Poste came orchestral strains—"Ai nostri monti"—performed by a piano indoors and two violins on the pavement. The sounds contended with a thin, scattered strumming of cafe mandolins, the tinkle of glasses, the steady click of dominoes and backgammon; then were drowned in the harsh chatter of Arab coolies who, all ...
— Dragon's blood • Henry Milner Rideout
... represented with infallible truth. The eye recomposes what the brush has dissociated, and one finds oneself perplexed at all the science, all the secret order which has presided over this accumulation of spots which seem projected in a furious shower. It is a veritable orchestral piece, where every colour is an instrument with a distinct part, and where the hours with their different tints represent the successive themes. Monet is the equal of the greatest landscape painters as regards the comprehension of the ...
— The French Impressionists (1860-1900) • Camille Mauclair
... artiste, performer, player, minstrel; bard &c (poet) 597; [specific types of musicians] accompanist, accordionist, instrumentalist, organist, pianist, violinist, flautist; harper, fiddler, fifer^, trumpeter, piper, drummer; catgut scraper. band, orchestral waits. vocalist, melodist; singer, warbler; songster, chaunter^, chauntress^, songstress; cantatrice^. choir, quire, chorister; chorus, chorus singer; liedertafel [G.]. nightingale, philomel^, thrush; siren; bulbul, mavis; Pierides; sacred ...
— Roget's Thesaurus of English Words and Phrases: Body • Roget
... to Coleridge-Taylor's achievement of success with his "Ballade in A Minor." How Sir Edward Elgar extended the promising composer a welcoming hand and arranged for him to write for a concert a short orchestral piece which turned out to be the artist's first great success is well described. The author emphasizes the barbaric strain and orchestral coloring, the prominently marked features which made the ...
— The Journal of Negro History, Vol. I. Jan. 1916 • Various
... feature of the musical education is the hearing of good music artistically performed. Vocal students should be urged to attend the opera and the orchestral concerts. They should become familiar with the different forms of composition by actually hearing the masterpieces of music. Chamber music concerts, song recitals, and oratoric performances,—all are of great advantage to the earnest student. When students ...
— The Psychology of Singing - A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern • David C. Taylor
... reflection of the radiant electric lights and the glory of the superb decorations, and their natural pulchritude was enhanced in impressiveness thereby. The "frou frou" of silks and satins; the enchanting orchestral offerings; the brilliant illuminations; the alluring decorations, and the intoxication of the dance made the event one of the most markedly successful in the history ...
— The So-called Human Race • Bert Leston Taylor
... appreciate the significance of such treatment, this reminiscence is one of the most sublime touches in all musical drama. The fascinating orchestral Scherzo of Richard Strauss's Till Eulenspiegel's Merry Pranks likewise ...
— Music: An Art and a Language • Walter Raymond Spalding
... surrounded by a numerous enthralled-looking family in a costly drawing-room, while the ghost of Beethoven simpered above it in ineffable benignancy. Something now told me the worst, even as Lew Wee adjusted the needle to the revolving disk. I waited for no more than the opening orchestral strains. It is a leisurely rhythmed cacophony, and I had time to be almost beyond range ere the voice took up a tale I was hearing too often in one day. Even so I distantly perceived it to be a fruity contralto voice with an ...
— Somewhere in Red Gap • Harry Leon Wilson
... are arranged in steps, each slightly overhanging that below. Taken in order from the top, they are:—(1.) Echo organ, of stops of small scale and very soft tone, enclosed in a "swell-box." (2.) Solo organ, of stops imitating orchestral instruments. The wonderful "vox humana" stop also belongs to this manual. (3.) Swell organ, contained in a swell-box, the front and sides of which have shutters which can be opened and closed by the pressure of the foot on a lever, so as to regulate the amount of ...
— How it Works • Archibald Williams
... that he is drunk. And yet it is consoling to know that the germ of the old powers is always there ready to sprout forth if they be nourished and cultivated. If our cathedral choirs were the best in the old Catholic days, it is equally true, I believe, that our orchestral associations are now the best in Europe. So, at least, the German papers said on the occasion of the recent visit of a north of England choir. But one cannot read Pepys without knowing that the general musical habit is much less cultivated now than ...
— Through the Magic Door • Arthur Conan Doyle
... market, in their rickety old wagons. On some wagons there would be four or five men and women, and here and there one would be playing a musical instrument and they would all be singing, while the creaking of the wagon came in with an orchestral quality which seemed grotesquely suitable. The mules, too, looked as though they ought to creak, and an inspection of the harness suggested that it was held together, not so much by the string and wire with which it was mended, ...
— American Adventures - A Second Trip 'Abroad at home' • Julian Street
... into a moral morass, and the world grew weary of them. And then the faint, fading flowers of romanticism were put into albums where their purple harmonies and subtle sayings are pressed into sweet twilight forgetfulness. Berlioz, mad Hector of the flaming locks, whose orchestral ozone vivified the scores of Wagnerand Liszt, began to sound garishly empty, brilliantly superficial; "the colossal nightingale" is difficult to classify even to-day. A romantic by temperament he unquestionably was. But then his music, all color, nuance, and brilliancy, was not genuinely ...
— Chopin: The Man and His Music • James Huneker
... sustain some artless song, Her meek brow bound with smooth unbraided tress? For Music knew not yet the stately guise, Content with simplest notes to touch the soul, Not from her choirs as when loud anthems rise, Or when she bids orchestral thunders roll! ...
— The Mirror of Literature, Amusement, and Instruction, No. 366 - Vol. XIII, No. 366., Saturday, April 18, 1829 • Various
... instrumental and vocal artists of the day through articles; it offered prizes for the best piano and vocal compositions; it had the leading critics of New York, Boston, and Chicago write articles explanatory of orchestral music and ...
— The Americanization of Edward Bok - The Autobiography of a Dutch Boy Fifty Years After • Edward William Bok
... in the cults which claim the allegiance of the lower leisure class and of the middle classes. There is a reversion to the use of colored lights and brilliant spectacles, a freer use of symbols, orchestral music and incense, and one may even detect in "processionals" and "recessionals" and in richly varied genuflexional evolutions, an incipient reversion to so antique an accessory of worship as the sacred dance. This reversion ...
— The Theory of the Leisure Class • Thorstein Veblen
... of the unsatisfactory performance of the "Dante Symphony" in Dresden (partly, moreover, the fault of the bad, incorrectly written orchestral parts, and my careless conducting), and without regard to the rapture of the spiritual substance (a matter which the general public tolerates only when demanded by the higher authority of tradition, and then immediately gapes at it upside down!)—in spite, therefore, ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated
... and the glade had grown full of dim shadows by the time everybody was present in the grove. The gentle rustle of the leafy boughs overhead, and the persistent tumbling rush of the stream, seemed like a faint orchestral accompaniment of ...
— For the Sake of the School • Angela Brazil
... itself is 1,600 feet long and 380 wide, and at the transept is nearly 200 feet in height. Exhibition-rooms, reading-rooms, restaurants, and a vast orchestral auditorium were included under one roof, with bazaars and small shops ...
— Dickens' London • Francis Miltoun
... musician with a thorough knowledge of orchestral and band instruments, harmony, theory, and orchestration but during the last few years none but intimate frequenters of his home had the privilege of hearing him, although until within the last two or three years ...
— Northern Nut Growers Association Report of the Proceedings at the 13th Annual Meeting - Rochester, N.Y. September, 7, 8 and 9, 1922 • Various
... is an orchestral conductor who reproaches the solo singers with their want of respect for the composer, because he hears at times interpolations or changes which find no place in his own score. The singers are accused of "altering the composer," of "taking ...
— Style in Singing • W. E. Haslam
... bass and tenor voices in attempting to sound the same note as the soprano and alto will in fact sound a note an octave below. Music may denote the simplest melody or the most complex and perfect harmony. A symphony (apart from its technical orchestral sense) is any pleasing consonance of musical sounds, vocal or instrumental, as of ...
— English Synonyms and Antonyms - With Notes on the Correct Use of Prepositions • James Champlin Fernald
... of Liszt, pronounced a perfect virtuoso at twelve years old—and no wonder! The boy had so carried away his accompanyists, the band of the Italian opera at Paris, by his performance of the solo in an orchestral piece, that when the moment came for them to strike in, one and all forgot to do so, but remained silent, petrified with amazement. And Liszt when in the full development of his genius, had, as we have seen, been the art-comrade of George Sand; he ...
— Famous Women: George Sand • Bertha Thomas
... into his clothes and, taking his cane, hurried off to the theatre, breathless and breakfastless. Orchestral music vibrated through the lobby and almost killed his pleasure in the placards of the Yiddish 'Hamlet.' He gave but a moment to absorbing the great capital letters of his name; a dash at a swinging-door, and he faced a glowing, crowded ...
— Ghetto Comedies • Israel Zangwill
... song, for technical defects. We must all commend every evidence of intellectuality in music, but this does not imply that we should accept good intentions for execution—performance. Let us have every possible development of orchestral music; let every village have, if possible, its choral society, but let none enter it who have not ...
— Voice Production in Singing and Speaking - Based on Scientific Principles (Fourth Edition, Revised and Enlarged) • Wesley Mills |
