"Opera comique" Quotes from Famous Books
 ... being one of the first violinists in Europe. On his return to Paris, he turned his attention to dramatic music, and composed two grand operas, which were performed before the court, and secured for him the patronage of Marie Antoinette. He also became first violin at the Opera Comique, and professor at the Conservatoire, where he formed some excellent pupils, among them being D'Artot, Rovelli, the teacher of Molique, Massart, the teacher of Wieniawski and Teresina Tua, and Lafont, who also became a pupil of De ...
— Famous Violinists of To-day and Yesterday • Henry C. Lahee
... we have the authors of the Opera Comique, their actors and their actresses, and oftener still their managers, all people of resource and superior merit. And I forget the whole clique of scribblers in the gazettes, the Avant Coureur, the Petites Affiches, the ...
— Diderot and the Encyclopaedists - Volume II. • John Morley
... murdering the novel; and here, as in all George Sand's dramatic versions of her romances, we seem to miss the best part of the original. However, the curious simplicity of the piece, the rustic scenes and personages, here faithfully copied from reality, unlike the conventional village and villager of opera comique, and the pleasing sentiment that runs through the tale, were found refreshing by audiences upon whom the sensational incidents and harrowing emotions of their modern drama were already beginning to pall. The result was a little stage triumph for Madame Sand. ...
— Famous Women: George Sand • Bertha Thomas
... in all that went on in the country and very useful to W. He had a fine appetite, always tucking his napkin carefully under his chin when he sat down to table. He talked a great deal one day about his son, who had a good tenor voice and had just got an engagement at the Opera Comique. Said he would like us to hear him sing—might he bring him some ...
— Chateau and Country Life in France • Mary King Waddington
... imagine that I would write an opera comique in the same manner as an opera seria? There must be as little learning and seriousness in an opera buffa as there must be much of these elements in an opera seria; but all the more of playfulness ...
— Mozart: The Man and the Artist, as Revealed in his own Words • Friedrich Kerst and Henry Edward Krehbiel |
