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Murillo   /mərˈɪloʊ/   Listen
Murillo

noun
1.
Spanish painter (1617-1682).  Synonym: Bartolome Esteban Murillo.






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"Murillo" Quotes from Famous Books



... had better look at no other painters than these, for you run a chance, otherwise, of being led far off the road, or into grievous faults, by some of the other great ones, as Michael Angelo, Raphael, and Rubens; and of being, besides, corrupted in taste by the base ones, as Murillo, Salvator, Claude, Gaspar Poussin, Teniers, and such others. You may look, however, for examples of evil, with safe universality of reprobation, being sure that everything you see is bad, at Domenichino, the Carracci, Bronzino, and ...
— The Elements of Drawing - In Three Letters to Beginners • John Ruskin

... of Murillo's picture of St. Anthony of Padua, that the birds, wandering up and down the aisles of the cathedral at Seville, have often attempted to perch upon a vase of white lilies painted on a table in the ...
— Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art, (Vol. 2 of 3) • Shearjashub Spooner

... in Philadelphia an Academy of Fine Arts, or Gallery, of which my father had generously presented me with two shares, which gave me free entrance. There were in it many really excellent pictures, even a first- class Murillo, besides Wests and Allstons. Unto this I had, as was my wont, read up closely, and reflected much on what I read, so that I was to a certain degree prepared for the marvels of art which burst on me in Naples. And if I was, and always have been, rather insensible to the merits ...
— Memoirs • Charles Godfrey Leland

... tinged with those clear Murillo tints which appear in deeper dyes on her wrists and the backs of her hands. These are the beautiful gipsy-tints with which the sun dyes young ...
— J.S. Le Fanu's Ghostly Tales, Volume 5 • J.S. Le Fanu

... every attention which his position enabled him to show; and when she thanked him for such kindness, his answer was always: "Ah, madame, vous avez connu ma mere!" Is it in woman's heart not to love such a man? And then look at the purchase of the Murillo the other day, and the thousand really great things that he is doing. ...
— Yesterdays with Authors • James T. Fields

... may enjoy a sight of their treasures. Very restful to the eye and soothing to the spirit are these grand contributions by the Old Boys. They may say what they please about the progress of modern Art, but Mr. Punch is of opinion that many of these fine specimens of CROME, GAINSBOROUGH, JANSEN, MURILLO, MULREADY, &c., are bad to beat. How time slips away! It only seems the other day that these Winter Exhibitions were started by the Royal Academy, and yet the present one is ...
— Punch, or the London Charivari, Vol. 98 January 11, 1890 • Various

... These fortunate individuals can admire the charms of a living beauty without any more concupiscence or thought of an endearing embrace than accompanies their contemplation of the Venus de Milo or a Madonna painted by Murillo; and if they are in love with a particular girl their admiration of her beauty is superlatively free from carnal ingredients, as we saw in the section on Mental Purity. Since in such a question personal evidence is of importance, ...
— Primitive Love and Love-Stories • Henry Theophilus Finck

... many of whose names are known wherever paintings are discussed and many of them priceless in their associations. Most of these were saved. There were on special exhibition in the "Jinks" room of the Bohemian Club a dozen paintings by old masters, including a Rembrandt, a Diaz, a Murillo and others, probably worth $100,000. These paintings were lost with the building, which ...
— The San Francisco Calamity • Various

... shelves until she found the book she sought and Brooks's sermons standing side by side. Between them was wedged a thin package which proved to contain a picture which she had long wanted, a photograph of Murillo's ...
— The Little Colonel's Christmas Vacation • Annie Fellows Johnston

... cook. Other Murillos, including a characteristic Beggar Boy, 1717 (L. wall) will be seen on either side. By Velasquez, the supreme master of the school are: (L. wall) 1734, Meeting of Thirteen Spanish Gentlemen, Velasquez and Murillo standing left of the group; and 1732, one of the many portraits scattered about Europe of Philip IV. The sombre Zurbaran is represented by 1739 and 1738, A Bishop's Funeral, and St. Pierre Nolasque and ...
— The Story of Paris • Thomas Okey

... clerks, who live at Sainte-Perine and care no longer about their outward man. Then comes, in the third place, poverty in rags, the poverty of the people, the poverty that is poetic; which Callot, Hogarth, Murillo, Charlet, Raffet, Gavarni, Meissonier, Art itself adores and cultivates, especially during the carnival. The man in whom poor Agathe thought she recognized her son was astride the last two classes of poverty. She saw the ragged neck-cloth, the scurfy hat, the broken and patched boots, ...
— The Celibates - Includes: Pierrette, The Vicar of Tours, and The Two Brothers • Honore de Balzac

... who carved, with Berruguete, those miracles of skill and patience we admire to-day in the choir of Toledo. Peter of Champagne painted at Seville the grand altar-piece that so comforted the eyes and the soul of Murillo. The wild Greek bedouin, George Theotocopouli, built the Mozarabic chapel and filled the walls of convents with his weird ghost-faces. Moor, or Moro, came from the Low Countries, and the Carducci brothers from Italy, ...
— Castilian Days • John Hay

... in the Hague Gallery is a small painting by Gerard Dou, the painter of the celebrated "Dropsical Woman," which hangs in the Louvre between pictures by Raphael and Murillo. He is one of the greatest painters of the home-life of the Dutch, and the most patient of the patient artists of his country. The picture simply represents a woman seated near a window, with a cradle by her side; ...
— Holland, v. 1 (of 2) • Edmondo de Amicis

... at one hundred. It will bring that under the hammer, any day," replied the connoisseur. "Ah, what have we here? A copy from Murillo's 'Good Shepherd.' Isn't that a lovely picture? Worth a hundred and fifty, every cent. And here is 'Our Saviour,' from Da Vinci's celebrated picture of the Last Supper; and a 'Magdalen' from Correggio. ...
— Home Lights and Shadows • T. S. Arthur

... money with the music or as model?" asked Mademoiselle Emilie, the girl-artist from Madrid, with black hair dyed golden, who always swore by Murillo's Virgins, and who did her work dreamily, as if the motions of her hands were timed to the languorous rhythm of some far-off, daintily-touched guitar beneath ...
— Lippincott's Magazine of Popular Literature and Science, Volume 22. July, 1878. • Various

... at shorter ranges, poorly enough. The best man made ten points. But oh! what figures were there of negroes and coloured people! I longed for a photographer. Some coloured lads were exquisitely graceful, and composed beautiful tableaux vivants, after Murillo's beggar-boys. ...
— Letters from the Cape • Lady Duff Gordon

... realist in the poetry and fiction of the last century, and the word is often used as if it meant chiefly plain-speaking as to the sordid aspects of life. But he is the truest realist who does not suppress any side of that which may be seen, if looked for. Although Murillo threw into fullest relief the grimy feet of his beggar-boys which so offended Mr. Ruskin, still what eternally attracts us to his canvas is not the soiled feet but the "sweet boy-faces" that "laugh amid the Seville grapes." ...
— Crabbe, (George) - English Men of Letters Series • Alfred Ainger

... he continued, half dreamily. "I left my work, and I wandered through the rooms, and I did not even read Lucretius. Something seemed to have gone from my life. At first I thought it must be my favourite Raphael, or the Murillo; but it was neither the one nor the other; it was you. That was strange, wasn't it? But you know we get accustomed to anything, and perhaps I should have missed you less the second day, and by the end of a week I should not have ...
— Stories By English Authors: London • Various

... tried to conjure up before my soul these visions of hope from the realm of her fairest dreams—they were those of Raphael's Saint Cecilia in Bologna and Munich. I also saw them long after Nenny's death in one of Murillo's Madonnas in Seville, and even now they rise ...
— Uarda • Georg Ebers

... conception. It is like an audience with the peers of art to range the Louvre; in radiant state and majestic silence they receive their reverend guests; first smiles down upon him the celestial meekness of Raphael's holy women, then the rustic truth of Murillo's peasant mothers, and the most costly, though, to our mind, not the most expressive, of all his pictures—the late acquisition for which kings competed at Marshal Soult's sale; now we are warmed by the rosy flush of Rubens—like a mellow sunset beaming ...
— Gifts of Genius - A Miscellany of Prose and Poetry by American Authors • Various

... a fanatical and bewildered knight; but amidst the practical jokes and follies of all the characters in that marvellous work of fiction, we see also a moral beauty, idealized of course, such as was rivalled only in Spanish art in the Madonnas of Murillo. I believe that in the imaginary sketches of Spanish life as portrayed by Byron, slanders and lies deface the poem from beginning to end. Who is the best authority for truthfulness in the description of Spanish people, Cervantes or Byron? The spiritual loftiness portrayed ...
— Beacon Lights of History, Volume XIII • John Lord

... presumptuous if they pretended to interpret the hieroglyphics on the obelisks of Luxor—yet they are fully as competent to do the one thing as the other. I have heard two very intelligent critics speak of Murillo's Immaculate Conception (now in the museum at Seville,) within the past few ...
— Innocents abroad • Mark Twain

... thought exquisite in art was to be found here. Bonaparte levied contributions on all the capitals he conquered, and here he deposited his ill-gotten spoils. Once were seen in this place the great masterpieces of Raphael, Guido, Titian, Domenichino, Murillo, Rubens, Rembrandt, Potter, and a host of other artists who created beauty; but when right overcame might, these pictures were returned to their original owners. The catalogue we bought was a volume of five hundred pages, and was only of statuary; and what could we do but walk, wonder, ...
— Young Americans Abroad - Vacation in Europe: Travels in England, France, Holland, - Belgium, Prussia and Switzerland • Various

... father end of the stubble-field stood the carts which contained the sheaves, and near them a group of at least a hundred beings who far exceeded the hideous conceptions of Murillo and Teniers, the boldest painters of such scenes, or of Callot, that poet of the fantastic in poverty. The pictured bronze legs, the bare heads, the ragged garments so curiously faded, so damp with grease, ...
— Sons of the Soil • Honore de Balzac

... nothing that was shadowy. They rejoiced in much fair flesh, and in all possible freshness. So it was in fair Flanders as well as in dark Italy. But so it was not in Spain. The Pyrenees seemed to interrupt the tradition. And as Murillo saw the charm of dark heads, and the innocence of dark eyes, so did one English painter. Reynolds painted young dark hair as tenderly as the ...
— The Children • Alice Meynell

... artist Murillo was a young painter he was very poor and hardly knew where to get enough to eat. He would go to the market-place and set up his easel and rapidly paint the scenes around him. The people who came to the market ...
— The Children's Book of Celebrated Pictures • Lorinda Munson Bryant

... year. At the request of Corcuera, Mastrilli accompanied him in the expedition against Mindanao; soon after the governor's triumphant return therefrom, Mastrilli went to Japan, where he was almost immediately imprisoned and tortured—finally (October 17, 1637) being beheaded at Nagasaki. See Murillo Velarde's Hist. Philipinas, fol. 81, and Crtineau-Joly's Hist. Comp. de Jsus, iii, pp. 161-163; the latter says that Mastrilli went to Japan to attempt the reclamation of the apostate Christoval Ferreira (Vol. XXIV, p. 230 and note 91), and that ...
— The Philippine Islands, 1493-1898 (Vol 27 of 55) • Various

... dress of rich, black silk, with ruffles of soft lace at her throat and wrists, and costly diamonds on her white fingers, made a picture perfectly harmonious with Grey's natural taste and ideas of a lady. She was lovely as are the pictures of Murillo's Madonnas, and Grey, who knew her story, reverenced her as something saintly and pure above any woman he had ever known. And here, perhaps, as well as elsewhere, we may very briefly tell her story, in order that the reader may better ...
— Bessie's Fortune - A Novel • Mary J. Holmes

... than has been the speed of our own progress. At the commencement of the sixteenth century Spain threatened to become the mistress of the world, as Rome had been before her. She may be said to have at that period dominated Europe. In art she was in the very foremost position: Murillo, Velasquez, Ribera, and other famous painters were her honored sons. In literature she was also distinguished: both Cervantes and Lope de Vega contributed to her greatness and lasting fame. While, in discoverers and conquerors, she sent forth ...
— Due South or Cuba Past and Present • Maturin M. Ballou

... scholars who founded the Art Museum in Copley Square were all on Cranch's side, but that did not seem to help him with the public. "They cannot bend the bow of Ulysses," said Cranch in some disgust. He preferred Murillo to Velasquez, and once had quite an argument with William Hunt on the subject in Doll & Richards's picture-store. Hunt asserted that there was no essential difference between a sketch and a finished ...
— Cambridge Sketches • Frank Preston Stearns

... seldom seen in perfection. Salvator Rosa and Caravaggio are the most characteristic: the other men belonging to it approach towards the central rank by imperceptible gradations, as they perceive and represent more and more of good. But Murillo, Zurbaran, Camillo Procaccini, Rembrandt, and Teniers, all belong ...
— The Stones of Venice, Volume II (of 3) • John Ruskin

... glass of water! quick!" cried Madame Vervelle. The painter took pere Vervelle by the button of his coat and led him to a corner on pretence of looking at a Murillo. Spanish pictures were then ...
— Pierre Grassou • Honore de Balzac

... monuments, but it is well laid out, the streets broad and nicely paved, while numerous open squares ornament the several sections. Some of these are filled with attractive shrubbery and ornamental trees, as well as statuary. Among the latter are representations of Murillo, Philip III., Cervantes, Lope de Vega, Philip V., Calderon, and others. The finest statue in the city is that of Philip IV., representing that monarch on horseback, the animal in a prancing position. This is a wonderfully life-like bronze, designed ...
— Foot-prints of Travel - or, Journeyings in Many Lands • Maturin M. Ballou

... "Was it Murillo, the black-eyed one?" asked the fair Cutter, for the girls had a name for all the attitudinizers and ...
— Kitty's Class Day And Other Stories • Louisa M. Alcott

... absolutely ruin my reputation as a hard working official. No man in American politics can survive the reputation of being a poet. It is as bad as having a fine tenor voice, or knowing the difference between a Murillo and a Turner. The only reason I am forgiven for being occasionally flowery of speech is that I have been put down as having been one of those literary fellows in ...
— The Letters of Franklin K. Lane • Franklin K. Lane

... his mother, and of course he kept trying very hard, as any really nice boy would, to get out; but she would not let him, and he wandered about dolefully, looking at his feet and at the floor, or at the guards, and doing the best he could. Finally she came over to him; there was a Murillo he must see—it was the opportunity of his life; she brought him over to it, and stood him up in front of it, and he would not look; she took his small brown head in her hands and steered it to the great masterpiece and held it there—on ...
— Crowds - A Moving-Picture of Democracy • Gerald Stanley Lee

... was chosen by the province of Alava to represent it in the Cortes, where he became conspicuous in the party of the Exallados, and in 1822 was made president. In the latter year he fought with the militia under Francisco Ballesteros and Pablo Murillo to maintain the authority of the Cortes against the rebels. When the French invested Cadiz, Alava was commissioned by the Cortes to treat with the duc d'Angouleme, and the negotiations resulted in the restoration of Ferdinand, who pledged himself ...
— Project Gutenberg Encyclopedia

... 1746 Joseph Antonio de Villa-Senor y Sanchez embodied in his Theatro Americano a description of New Mexico, condensed chiefly from the journal of the Brigadier Rivera, mentioned above. The Diccionario Geografico by Murillo is also a source ...
— Documentary History of the Rio Grande Pueblos of New Mexico; I. Bibliographic Introduction • Adolph Francis Alphonse Bandelier

... a very pleasing Murillo and some exquisite little specimens of the early German school in other parts of the chateau, although the gems of the collection are undoubtedly the Bordones, Rembrandts, and Reynoldses. But the creme de la creme of Baron Rothschild's treasures is not to be found in this sumptuous ...
— Holidays in Eastern France • Matilda Betham-Edwards

... Etchings, and others; Turner's Dover and Hastings; Ansdell's Just Caught; the Halt, and the Combat; Webster's Rubber; Etty's Judgment of Paris; Harvey's Bowlers, and First Reading of the Bible in Old St. Paul's; Murillo's Holy Family; the Rainbow, by Constable; Mated and Checkmated, the Duet, and other graceful Compositions by Frank Stone; Going With and against the Stream, after Jenkins; and numerous others. All in ...
— Notes and Queries, Number 216, December 17, 1853 • Various

... of the God-intoxicated Spinoza. His the energy which impelled Roger Bacon, Galileo, and Paracelsus in their searchings into nature. His the beauty that allured Fra Angelica and Raphael and Leonardo da Vinci, that inspired the genius of Michelangelo, that shone before the eyes of Murillo, and that gave the power that raised the marvels of the world, the Duomo of Milan, the San Marco of Venice, the Cathedral of Florence. His the melody that breathed in the masses of Mozart, the sonatas of Beethoven, the oratorios of Handel, the fugues of Bach, the austere splendour ...
— Esoteric Christianity, or The Lesser Mysteries • Annie Besant

... squabble and riot of the monks around Jerusalem there was one incident that should especially pain all lovers of art. This was the destruction of the two pictures by Murillo in the Bethlehem church that fell a victim to ecclesiastical fury. They were true Murillos, and masterpieces; and, what is worse, having been despatched to the church immediately on their execution, and there ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 12, No. 32, November, 1873 • Various

... Spain attained its greatest glory in the seventeenth century—the century of Velasquez, Murillo, Ribera, and other less distinguished ...
— Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. • Clara Erskine Clement

... reflected Hang the cattle's graceful shapes, And Murillo's soft boy-faces Laugh amid the ...
— Verses and Translations • C. S. C.

... museum has his "Dante at Ravenna," and the "Entry of Albert and Isabella into Ostend." Besides these he produced "The Mass of Adrien Willaert," "The Childhood of Montaigne," "Shakespeare and his Family," "Vesalius," "Hamlet," and "Murillo in his Studio." One of his paintings, entitled "The Women of Siena, 1553," shows the women of that city working on the fortifications intended to resist the besieging army of Charles V., and another depicts Columbus first sighting land ...
— Among the Great Masters of Music - Scenes in the Lives of Famous Musicians • Walter Rowlands

... which I had marveled at in private European collections and art exhibitions. The various schools of the old masters were represented by a Raphael Madonna, a Virgin by Leonardo da Vinci, a nymph by Correggio, a woman by Titian, an adoration of the Magi by Veronese, an assumption of the Virgin by Murillo, a Holbein portrait, a monk by Velazquez, a martyr by Ribera, a village fair by Rubens, two Flemish landscapes by Teniers, three little genre paintings by Gerard Dow, Metsu, and Paul Potter, two ...
— 20000 Leagues Under the Seas • Jules Verne

... of the tent—fell down upon the group below: the old chief with his great silver cross, and medal, and snow-white hair; the young and beautiful squaw with her pappoose at the breast, like a Madonna by Murillo; Malcolm's battered tarpaulin and Guernsey shirt; and the two unpicturesque objects of the party—Picton and myself. Around the central fire a broad, green border of fragrant hemlock twigs, extending to the skirts of the tent, was raised a few inches from the ground. Upon this couch ...
— Acadia - or, A Month with the Blue Noses • Frederic S. Cozzens

... behold as any lady's arm; so soft and rounded, with infantile ease and grace. His whole figure was free, fine, and indolent; he was such a boy as might have ripened into life in a Neapolitan vineyard; such a boy as gipsies steal in infancy; such a boy as Murillo often painted, when he went among the poor and outcast, for subjects wherewith to captivate the eyes of rank and wealth; such a boy, as only Andalusian beggars are, full of poetry, gushing ...
— Redburn. His First Voyage • Herman Melville

... or the varied tints of leaves and flowers; but you can represent the figure of a man or woman more beautiful than any one man or woman that has ever appeared. What mortal woman ever expressed the ethereal beauty depicted in a Madonna of Raphael or Murillo? And what man ever had such a sublimity of aspect and figure as the creations of Michael Angelo? Why, "a beggar," says one of his greatest critics, "arose from his hand the patriarch of poverty; the hump of his dwarf is impressed with dignity; his infants are men, and his ...
— Beacon Lights of History, Volume VI • John Lord

... lost count of time. We've been here for many golden days and silver nights, in a land of warm eyes and soft words, where peons take off their sombreros and step aside to let my Grace pass, and Murillo beggar boys are named—"Florentino Buenaventura, awaiting ...
— Jane Journeys On • Ruth Comfort Mitchell

... to Woolwich, whence I took all that I might ever require in the way of mechanism; thence to the National Gallery, where I cut from their frames the 'Vision of St. Helena,' Murillo's 'Boy Drinking,' and 'Christ at the Column'; and thence to the Embassy to ...
— The Purple Cloud • M.P. Shiel

... commanded a regiment in Murillo's corps d'armee, and have come out with him to Colombia. We are brothers in arms. We have both bled in the sacred cause of Spanish independence. Let me ...
— Mr. Fortescue • William Westall

... which I look to the faintly seen hills of Ronda, with the rich palm-trees in the foreground, and a great stone pine in the middle distance, which would recall to us the Campagna and Italy. Many people have said to me, "You cannot judge of Murillo till you see him at Seville,"—they, of course, having been at Seville. This is so far true, that his best picture is undoubtedly in the Cathedral here; but in all other ways, Murillo is perfectly to be seen in other cities. You know, therefore, just what the pictures and the ...
— Atlantic Monthly, Vol. 4, No. 25, November, 1859 • Various

... of the great "Baver of Trient," in Vienna. The Pinacothek contains the most complete collection of works by old German artists anywhere to be found. There are in the Hall of the Spanish Masters half a dozen of Murillo's ...
— Seeing Europe with Famous Authors, Volume V (of X) • Various

... attentive now; Proud of her years and of imputed sense, And prudence justifying confidence— And little Jenny, more demurely still, Beside her waited the maternal will. So standing hand in hand, a lovelier twain Gainsb'rough ne'er painted: no—nor he of Spain, Glorious Murillo!—and by contrast shown More beautiful. The younger little one, With large blue eyes, and silken ringlets fair, By nut-brown Lizzy, with smooth parted hair, Sable and glossy as the raven's wing, And ...
— Blackwood's Edinburgh Magazine, No. CCCXXVIII. February, 1843. Vol. LIII. • Various

... Murillo himself, though he might pleasantly recall on his canvas the notion of the bright-eyed, olive-tinted lad, resting after the toil of the day, could never have rendered the free lazy smile on his face, nor the gleam of the dog's wistful eyes and quiver of its eager ears, ...
— Friarswood Post-Office • Charlotte M. Yonge

... signature of Pedro Murillo Velarde, S.J.; photographic facsimile from original manuscript in Archivo general de Indias, ...
— The Philippine Islands, 1493-1898—Volume 39 of 55 • Various

... The type of the beautiful will soon resume its rights and its role, which is not to exclude the other principle, but to prevail over it. It is time that the grotesque should be content with a corner of the picture in Murillo's loyal frescoes, in the sacred pages of Veronese, content to be introduced in two marvellous Last Judgments, in which art will take a just pride, in the scene of fascination and horror with which Michelangelo will embellish the Vatican, in those ...
— Prefaces and Prologues to Famous Books - with Introductions, Notes and Illustrations • Charles W. Eliot

... by energies of terror and combinations of woe, which escaped Poussin and Raphael himself." Of Spanish art he says but little, but that "the degree of perfection attained by Diego Velasquez, Joseph Ribera, and Murillo, in pursuing the same object by means as different as successful, impresses us with deep respect for the variety of their powers." Art, as every thing else, has its fashion. The Spanish school have, of later years, been more eagerly ...
— Blackwood's Edinburgh Magazine - Volume 54, No. 338, December 1843 • Various

... into strong relief the dazzling eyes and the scarlet lips of a well-arched mouth. The bodice of the country set off the lines of a figure that swayed as easily as a branch of willow. She was not the Virgin of Italy, but the Virgin of Spain, of Murillo, the only artist daring enough to have painted the Mother of God intoxicated with the joy of conceiving the Christ,—the glowing imagination of the boldest and also ...
— Juana • Honore de Balzac

... MURILLO, a celebrated Spanish painter, born at Seville; his subjects were drawn partly from low life and partly from religious or scripture themes, such as the Immaculate Conception and the Assumption of the Virgin, ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood

... popular with a certain set, and Vandyke with a certain set, and Rembrandt with a certain set. All are great men, but of inferior stamp, and therefore Vandyke is popular, and Rembrandt is popular, [Footnote: And Murillo, of all true painters the narrowest, feeblest, and most superficial, for those reasons the most popular.] but nobody cares much at heart about Titian; only there is a strange under-current of everlasting murmur about his name, which means the deep consent of all great men that he is greater ...
— The Two Paths • John Ruskin

... of the Rommany is by nature perhaps the most beautiful in the world; and amongst the children of the Russian Zigani are frequently to be found countenances to do justice to which would require the pencil of a second Murillo; but exposure to the rays of the burning sun, the biting of the frost, and the pelting of the pitiless sleet and snow, destroys their beauty at a very early age; and if in infancy their personal advantages are remarkable, their ugliness at an ...
— The Zincali - An Account of the Gypsies of Spain • George Borrow

... look quite so much like one of Murillo's Madonnas," thought Truesdale. "This isn't really the most important thing that has ever happened in the universe, after all." Then he sighed lightly. "Still, I suppose she is a good deal nearer to a Madonna than I am ...
— With the Procession • Henry B. Fuller

... at Sylvia, Ralph," she cried. "I understand her quite well. And she knows a great deal more history than you do—and about pictures, too. Of course we want to see the pictures, too. There's that beautiful blue and orange one of Murillo's that papa has a little copy ...
— Grandmother Dear - A Book for Boys and Girls • Mrs. Molesworth

... beginning of the year 1795. Husband and wife came to Douai that the first days of their union might be spent in the patriarchal house of the Claes,—the treasures of which were increased by those of Mademoiselle de Temninck, who brought with her several fine pictures of Murillo and Velasquez, the diamonds of her mother, and the magnificent wedding-gifts, made to her by her brother, the ...
— The Alkahest • Honore de Balzac

... Malibran. A rare personal charm added to her artistic graces. Mr. Chorley describing her, in his recollections, said that she was better than beautiful, insomuch as a "speaking Spanish human countenance by Murillo is ten times more fascinating than many a faultless face such as Guido could paint." When her death was announced, in 1836, Ole Bull, who had known her well, exclaimed: "I cannot realize it. A woman with a soul of fire, so highly endowed, so intense. How I wept on seeing her as Desdemona! ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore

... have decided that, if we have any Department at all, it shall be a live one; and this reminds me of a squib I read in the paper the other day, telling how, somewhere in Spain, they had unearthed an old painting, which was pronounced a genuine Murillo. It was said that the experts could not as yet determine whether the subject of the cracked and dingy old canvas was a Madonna or a Bull Fight, but that, nevertheless, they did not hesitate to declare that it was a great acquisition to art. Now, ...
— The American Architect and Building News, Vol. 27, Jan-Mar, 1890 • Various

... how unfailingly in art we delight to recognize the familiar. A novel whose scene of action is explicit will always interest the people of that locality, whatever the book's other pretensions to consideration. Given simultaneously a photograph of Murillo's rendering of The Virgin Crowned Queen of Heaven and a photograph of a governor's installation in our State capital, there is no one of us but will quite naturally look at the latter first, in order to see if in it some familiar ...
— The Certain Hour • James Branch Cabell

... this connection, and contrast the past with the present status of Spain, a country which conquered, possessed, and misruled Mexico for so long a period. In the sixteenth century she threatened to become the mistress of the world. In art she held the foremost position. Murillo, Velasquez, and Ribiera were her honored sons; in literature she was represented by Cervantes, Lope de Vega, and Calderon; while of discoverers and conquerors she sent forth Columbus, Cortez, and Pizarro. ...
— Aztec Land • Maturin M. Ballou

... of the Theatre Royal, Rocheville, stood at a window of Mademoiselle Elise's apartment that looked on the Rue Murillo, Paris. His gloves were drawn on, he carried his hat and stick, and he waited impatiently—now smoothing his grey moustache, now looking at his watch, now tapping his well-polished boot with the tip of his cane. Then he turned his back to the window and began to walk to and fro. At the second ...
— The Argosy - Vol. 51, No. 6, June, 1891 • Various

... Jones in particular, bear the same resemblance to the composition of Cervantes that the paintings of Murillo bear to those of Rembrandt. The peculiarity of Wilhelm Meister as a novel is more difficult of apprehension, if one does not seek the novel where in truth it lies—in the story of Mignon and the Harper, and only sees in the remainder the certainly somewhat diffuse but deeply-thought ...
— Debit and Credit - Translated from the German of Gustav Freytag • Gustav Freytag

... was completed by Matthew Wyatt, who succeeded in building one of the finest palaces in the length and breadth of England. One of the features of the mansion is a magnificent picture gallery in which hang priceless works by Nicolas Poussin, Claude, Murillo, Reynolds, Gainsborough, and other old masters. The name "Belvoir" is derived from the magnificent prospects lying around it in all directions, the view extending over the level country for 30 miles; more than 170 towns and villages are visible ...
— What to See in England • Gordon Home

... creature's constitutional tendency to seize you by the throat, instead of giving you a paw. Still, this Mr. Gower has a very striking head,—something about it Moorish or Spanish, like a picture by Murillo—I half suspect that he is less a ...
— The Caxtons, Complete • Edward Bulwer-Lytton

... describe the Salon of 1822. One brilliant poet, novelist, traveller, critic, has succeeded, and Diderot's art-criticism is at least equalled in Theophile Gautier's pages on Titian's Assunta and Bellini's Madonna at Venice, or Murillo's Saint ...
— Diderot and the Encyclopaedists - Volume II. • John Morley

... rear of the control-cabin opened, and Juan Murillo, the seismologist, entered, followed by an assistant, who was not human. He was a biped, vaguely humanoid, but he had four arms and a face like a lizard's, and, except for some equipment on ...
— Ullr Uprising • Henry Beam Piper

... Baroness's parties in the Rue Murillo, did not confess himself inferior to any one as an epicure. He would taste the wines, with the air of a connoisseur, holding his glass up to the light, while the liquor caressed his palate, and shutting his eyes as if more thoroughly to decide upon ...
— Prince Zilah, Complete • Jules Claretie

... colored suddenly and busied herself with tubes of paint. She believed he was jealous of the handsome Lombard. She began to mix some pigments on the palette. Delgrado, already regretting an inexplicable outburst, turned from the picture and looked at Murillo's "woman clothed with the sun, and the moon under her feet, and upon her head a diadem of ...
— A Son of the Immortals • Louis Tracy

... Anthem," "Israel," "The Messiah," "Samson," "The Dettingen Te Deum," and "Judas Macabbeus," after he was fifty-two years old. Gluck had not composed one of his operas when he was fifty. Haydn was an old man of sixty-five when he produced the "Creation." Murillo became Murillo only at forty years of age. Poussin was seventy when he painted "The Deluge," which is the most poetically great of all his noble pictures. Michael Angelo counted more than sixty years when he encrusted his incomparable fresco, "The Last Judgment," upon the walls of the Sistine ...
— Sketch of Handel and Beethoven • Thomas Hanly Ball



Words linked to "Murillo" :   painter, Bartolome Esteban Murillo



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