"Lithographic" Quotes from Famous Books
 ... consider themselves fortunate in being able to offer such a marvelous line of choice subjects, made up into attractive presentation volumes. Large type, fine heavy paper, numerous pictures in black, inserted with six lithographic reproductions in ten colors by eminent artists, bound in extra English cloth, with three ...
— Dewey and Other Naval Commanders • Edward S. Ellis
... that stone. To-day the inhabitants of Yucatan are even ignorant of the existence of these minerals in their country, and ocher to paint, and marble slabs to floor their houses, are imported from abroad. I have also discovered veins of good lithographic stones that could be worked ...
— Vestiges of the Mayas • Augustus Le Plongeon
... languages. It has not been translated into Swedish, but in the Royal Library in Stockholm there is a very important and hitherto little known manuscript of it from the middle of the fourteenth century, of which an edition is in course of publication in photo-lithographic ...
— The Voyage of the Vega round Asia and Europe, Volume I and Volume II • A.E. Nordenskieold
... are the publishers of the series of photographic and lithographic cards of flowers, leaves, mosses, butterflies, hummingbirds, &c., noted for their beauty of execution. 'Flowers are so universally loved, and accepted everywhere as necessities of the moral life, that whatever can be done to render their cultivation easy, and to bring ...
— The Continental Monthly, Vol. IV. October, 1863, No. IV. - Devoted to Literature and National Policy. • Various
... they have procured Daguerreotype impressions of the Nebula of the sword of Orion. Signor Rondini has a secret method of receiving photographic images on lithographic stone; on such a prepared stone they have succeeded in impressing an image of the Nebula and its stars; "and from that stone they have been enabled to take impressions on paper, unlimited in number, of singular ...
— The History and Practice of the Art of Photography • Henry H. Snelling
... of immediately saleable or exchangeable impressions, for which the "demand" is constant, the city of Paris naturally supposed itself, and on all hitherto believed or stated principles of political economy, was, infinitely richer in the possession of a large number of these lithographic stones, (not to speak of countless oil pictures and marble carvings of similar character), than Venice in the possession of those rags of mildewed canvas, flaunting in the south wind and its salt rain. And, accordingly, Paris provided (without thought of the expense) lofty arcades of shops, ...
— The Crown of Wild Olive • John Ruskin |
