"Impressionist" Quotes from Famous Books
 ... up to several small impressionist sketches in water-colour of Indian subjects, and stopped ...
— Blake's Burden • Harold Bindloss
... producing a sensation, which is an inherent trait of many characters, and behold potent reasons for seven-tenths of the cases of exaggeration which come to our notice, romances constructed upon the "impressionist-picture" plan—a thing of splash and glare and abnormal perspective that vitiates the taste for symmetry ...
— The Secret of a Happy Home (1896) • Marion Harland
... shelves, and on the mantelpiece, stood various ornaments. At one end of the procession was a framed oil-painting of a cat's head, at the other end was a head of a beautiful young girl, life-size—called Emmeline, because she looked just about like that—an impressionist water-color. Between the one picture and the other there were twelve or fifteen of the bric-a-brac things already mentioned; also an oil-painting by Elihu Vedder, "The Young Medusa." Every now and then the children ...
— Chapters from My Autobiography • Mark Twain
... egotism in its worst and unwisest phase. It is an incontinence of brilliance, graceless and aggressive, a glaring swagger. The drunken helot of cleverness is the creature who goes about making puns. A mere step above comes the epigram, the isolated epigram framed and glazed. Then such impressionist art as Crichton's pictures, mere puns in paint. What they mean is nothing, they arrest a quiet decent-minded man like myself with the same spasmodic disgust as a pun in literature—the subject is a transparent excuse; they are mere indecent and unedifying exhibitions of himself. He ...
— Certain Personal Matters • H. G. Wells
... the hush—the effect of thousands of worshippers waiting in silence—a silence to be felt. Finally, as the first rays appear, the swelling roar of a single word from tens of thousands of throats: 'Ambah!' It was artistic to follow this picture of life with the gruesome horrors of the ghat. This impressionist style of lecturing is very attractive and must essentially cover a great deal of ground. So we saw Jeypore, Udaipore, Darjeeling, and a confusing number of places—temples, monuments and tombs in profusion, with remarkable pictures of the wonderful Taj Mahal—horses, elephants, ...
— Scott's Last Expedition Volume I • Captain R. F. Scott
... sense of an inartistic people. They laugh at our conventional Chinese art, but the extreme of conventionality is certainly better than some of the daubs I have seen in American homes. Americans have peculiar fancies in art. One is called Impressionist Art. As near as I can understand it, painters claim that while you are looking at an object you do not really see it all, you merely gain an impression; so they paint only the impression. In a museum of art ...
— As A Chinaman Saw Us - Passages from his Letters to a Friend at Home • Anonymous
... Isopel Berners existed, but the account of her given by Borrow in Lavengro and The Romany Rye is in all probability coloured, just as her stature was heightened by him. If she were taller than he, she must have appeared a giantess. Borrow was an impressionist, and he has probably succeeded far better in giving a faithful picture of Isopel Berners than if he had been ...
— The Life of George Borrow • Herbert Jenkins
... A painter of the "impressionist" school is now confined in a lunatic asylum. To all persons who visit him he says, "Look here; this is the latest masterpiece of my composition." They look, and see nothing but an expanse of bare canvas. They ask, ...
— More Toasts • Marion Dix Mosher
... house by words and deeds I've run an Anti-Waste Campaign; On every tap the legend reads: "Teetotalers, abstain!" While on each bath and tub of mine I've drawn freehand a PLIMSOLL line, Impressionist but plain. ...
— Punch, or the London Charivari, Volume 159, August 11, 1920 • Various
... Fuller was always constant in later life, and which he developed grandly. He was, however, as far removed as possible from that cheap, shallow, and idealess school of French painters whose wrongful appropriation of the name "Impressionist" has prejudiced us against the principle that it involves. The inherent difference between them and Fuller lies in this—he exercised a choice, and thought the beautiful alone to be worthy of description, while they ...
— The Bay State Monthly, Volume I. No. VI. June, 1884 - A Massachusetts Magazine • Various
... the embodiment of everything great and mighty, and glorious and free, and swooping and catoptrical. There is very little to say against the eagle, except that he looks a deal the better a long way off, like an impressionist picture or a volcano. When the eagle is flying and swooping, or soaring and staring impudently at the sun, or reproaching an old feather of his own in the arrow that sticks in his chest, or mewing his mighty youth (a process I never quite understood)—when he is doing noble ...
— The Strand Magazine, Volume V, Issue 30, June 1893 - An Illustrated Monthly • Various
... Villiers was her lover Villiers was middle-aged, and Ninon was a young woman; but when I knew her she was interested in the young generation, yet she kept friends with all her old lovers, never denying them her board. How funny was the impressionist's indignation against Villiers! He charged him with having squandered a great part of Ninon's fortune, but Villiers's answer to the young man was, "He talks like the concierge in my story of ...
— Memoirs of My Dead Life • George Moore
... ready-made for idle hands to do. The guns were taken in possession, rushed violently to and fro in mock drill performance, and finally taken to pieces, the parts being scattered promiscuously in all directions. Dawn revealed an appearance of havoc resembling a popular impressionist representation of a battle-field. Here a caisson with its boxes, severed from their belongings, stretched its long pole appealingly towards heaven; the wheels had been dispersed to distant quarters of the ground and lay on their sides; elsewhere were the guns, sometimes reversed ...
— From Sail to Steam, Recollections of Naval Life • Captain A. T. Mahan
... France as a remarkable "impressionist" and praised by the critics for the realistic accuracy and minuteness of his delineation. Kipling frankly acknowledged the great debt that he owed him. Tennyson spoke in high praise of his finesse in the choice of words, his feeling for the ...
— Mark Twain • Archibald Henderson
... function—' A genuine criticism should, as I take it, repeat the colours, the light and shade, the soul and body of a work.' This contention, for which Hazlitt fought all his life and fought brilliantly, is familiar to us by this time as the gage flung to didactic criticism by the 'impressionist', and in our day, in the generation just closed or closing, with a Walter Pater or a Jules Lemaitre for challenger, the betting has run on the impressionist. But in 1817 Hazlitt had all the odds against him when ...
— Characters of Shakespeare's Plays • William Hazlitt
... nowhere, as if Bunyan had never written Badman. Schopenhauer was credited with inventing the distinction between the Covenant of Grace and the Covenant of Works which troubled Cromwell on his deathbed. People talked as if there had been no dramatic or descriptive music before Wagner; no impressionist painting before Whistler; whilst as to myself, I was finding that the surest way to produce an effect of daring innovation and originality was to revive the ancient attraction of long rhetorical speeches; to stick closely to the methods of Moliere; and to lift characters ...
— Back to Methuselah • George Bernard Shaw
... it is the epitome, seems to stand irresolute at a crossways with no signpost. It is hardly conscious of its own indecision, which it manages to conceal from itself by insisting that it is lyrical, whereas it is merely impressionist. The value of impressions depends upon the quality of the mind which receives and renders them, and to be lyrical demands at least as firm a temper of the mind, as definite and unfaltering a general direction, as to be epic. Roughly speaking, the present poetical fashion ...
— Aspects of Literature • J. Middleton Murry
... composition and its effect of spacious movement. How much larger a tiny panel like this appears than some of the crowded altar-pieces of his later years! Dashed in with a few broad touches, as a modern impressionist might paint, the scene of the camp is most natural, with its groups of soldiers and marching troops with raised ...
— Luca Signorelli • Maud Cruttwell
... sky was a great sapphire, and that I was inside it, and that the fields were some sort of velvet or wool-work, going round and round with the sun rioting over them, whatever that may mean, till my head ached. I can't quite understand all this now, but it seemed a very picturesque, impressionist description when I wrote it. Then I went for a walk down Main Street. I think it is about 400 miles long, for I got nowhere near the end, but this was perhaps owing to my uncertainty as to which side was the pleasanter to walk on. At last I gave it up, and sat down on the side-walk. Now, the wisdom ...
— Punch, or the London Charivari, Vol. 102, April 23, 1892 • Various
... art-impulse deals with aesthetic appearances rather than with realities as such. The artist has to do with the semblance of things; not with things as they "are in themselves" either physically or logically, but with things as they appear to him. The work of the impressionist painter or the imagist poet illustrates this conception. The conventions of the stage are likewise a case in point. Stage settings, conversations, actions, are all affected by the "optique du theatre" they are composed in a certain "key" which seeks to give a harmonious impression, ...
— A Study of Poetry • Bliss Perry
... of Impressionist art is simple. In the beginning of this century the tradition of French art—the tradition of Boucher, Fragonard, and Watteau—had been completely lost; having produced genius, their art died. Ingres is the sublime flower of the classic art which succeeded the art of the palace and the boudoir: ...
— Confessions of a Young Man • George Moore
... satisfactory, but in the same way yarns which are too brilliant can often be made soft and effective by twisting them together with a paler tint. Minute particles of colour brought together in this way are brilliant without crudeness. It is, in fact, the very principle upon which impressionist painters work, giving pure colour instead of mixed, but in such minute and broken bits that the eye confounds them with surrounding colour, getting at the same time the double impression of ...
— How to make rugs • Candace Wheeler
... pictorial art of the later years of the nineteenth century was largely a modified and very delicate imitation. Breaking with conventions as to how things are supposed to be—conventions mainly based not on seeing but on knowing or imagining—the Impressionist insists on purging his vision from knowledge, and representing things not as they are but as they really look. He imitates Nature not as a whole, but as she presents herself to his eyes. It was a most ...
— Ancient Art and Ritual • Jane Ellen Harrison
... the matter had that impartiality which comes from intellectual incoherence, she hadn't so much a judgment upon the whole as a warring mosaic of judgments. It was talking upon Post Impressionist lines, talking in the manner of Picasso. She had the firmest conviction that to strike against employment, however ill-paid or badly conditioned, was a disgraceful combination of folly, ingratitude and general wickedness, and she had an equally strong persuasion that the treatment of the ...
— The Wife of Sir Isaac Harman • H. G. (Herbert George) Wells
... side of the baby, but that side had three different arms and you could see the back of the chair through all of them. The second was normal, as to limbs, etc., and plumb in the center, but it was all fuzzy, like an impressionist picture. ...
— Said the Observer • Louis J. Stellman
... near writing a violin piece for me once!" continued Mr. Hartmann, and brought out a folio containing letters the great impressionist had written him. They were a delightful revelation of the human side of Debussy's character, and Mr. Hartmann kindly consented to the quotation of one bearing on the Poeme for violin which Debussy had promised to write for him, and which, alas, owing to his illness and other reasons, ...
— Violin Mastery - Talks with Master Violinists and Teachers • Frederick H. Martens
... on the inland shore of a large bay that was noted for its tides, and had wonderful possibilities of light and shade for an impressionist. Reeves was an enthusiastic artist. It mattered little to him that the boarding accommodations were most primitive, the people uncultured and dull, the place itself utterly isolated, as long as he could revel ...
— Lucy Maud Montgomery Short Stories, 1896 to 1901 • Lucy Maud Montgomery
... you see? Of course, Lear is the spirit they express. A portrait by a post-Impressionist is sure to be "A Dong with a luminous nose." And don't you remember, "The owl and the pussycat went to sea in a beautiful pea-green boat"? Wouldn't a boat painted ...
— Love at Second Sight • Ada Leverson
... Napoleon. Was it the hair? Yes, it must be; but the head was not so square, so firm set; and what a world of difference in the grand effect! The one had been distant, splendid, brooding (so she glorified him); the other was an impressionist imitation, with dash, form, poetry, and colour. But where was the great strength? It was lacking. The close association of Parpon and Valmond—that was droll; yet, too, it had a sort of fitness, she knew scarcely why. However, ...
— The Judgment House • Gilbert Parker
... which he was fond of depicting in misty shadows framed by luxurious accessories. They called him the Master of Chiffon, at Julien's; when he threw overboard his old friends and joined the new crowd, their indignation was great. His title now was the Ribbon Impressionist, and at the last salon of the Independents, Falcroft had the mortification of seeing a battalion of his former companions at anchor in front of his picture, The Lady with the Cat, which they reviled for at least an hour. He was an American who had lived his life long ...
— Visionaries • James Huneker
... they had caught an impressionist glimpse of a figure in white bent over the keyhole, then the figure had stooped for the dropped key, and mechanically ...
— The Lion's Mouse • C. N. Williamson and A. M. Williamson
... manual skill, genius could have no means of expression. As a matter of fact, in our own time, it is the presence of genius, without manual skill, or foolishly despising it, that has produced a sort of school called the impressionist. ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... and they both went speechless for the moment. The reverse of the scrap of cross-ruled paper held a very fair likeness of a face which Virginia's mirror had oftenest portrayed: a sketch setting forth in a few vigorous strokes of the pencil the impressionist's ideal of the "goddess ...
— A Fool For Love • Francis Lynde
... breaking down—when he looked up and saw on the wall opposite him seven pastiches which he had made in the years gone by. There was a Titian and a George Morland, a Chardin, two cows after Cooper, and an impressionist picture after some Frenchman ...
— On Something • H. Belloc
... all, don't you? On one side, looking landward, we had a Constable picture: a sky with tumbled clouds, shadowed downs, and forests cleft by a golden mosaic of meadows. Seaward, an impressionist sketch of Whistler's: Southampton Water and historic Portsmouth Harbour; stretches of glittering sand with the sea lying in ragged patches on it here and there like great pieces of broken glass. Over all, the English sunshine pale as an alloy of gold and silver; not too ...
— Set in Silver • Charles Norris Williamson and Alice Muriel Williamson
... the troublesome and trying task laid on them, to try as best they may to reconcile two really conflicting tendencies which cannot even by art be reconciled but really point different ways and tend to different ends. As the impressionist and the pre-Raphaelite, in the sister-art of painting cannot be combined and reconciled in one painter—so it is here; by conception and methods they go different ways, and if they seek the same end, it is by opposing processes—the original ...
— Robert Louis Stevenson - a Record, an Estimate, and a Memorial • Alexander H. Japp
... all men wanted. She seemed strangely remote, as if there had never been any chance of her belonging to him. Max had something like a sensation of guilt because he could not call up a picture of her, traced with the sharp clarity of an etching. In thinking of Billie, he had merely an impressionist portrait: golden hair, wonderful lashes, and a sudden upward look from large, dark eyes, set in a face of pearly whiteness. Because Sanda DeLisle was somewhat of the same type, having yellow-brown hair, and a small, fair face, her image would push itself in front of that other far more beautiful ...
— A Soldier of the Legion • C. N. Williamson |
