"Handel" Quotes from Famous Books
 ... did roll his eyes with ecstasy and raise his hands with unutterable joy as he listened for the first time to the wonderful mellow music of the British Grenadier Guards' band as it played in the bandstand in the square. Handel's largo, the overture to Tannhauser, and a fantasia on British airs,—each brought forth a different series of gestures. "Monsieur, I have not heard such fine music since I heard the Republican Guards' band at Paris; in fact, monsieur, this is finer—the tone is richer, ...
— On the Fringe of the Great Fight • George G. Nasmith
... fiber of his being. Think of a young musician, father of a family, who at the time of his death held positions as Associate of the Royal College of Music, Professor in Trinity College and Crystal Palace, Conductor of the Handel Choral Society and the Rochester Choral Society, Principal of the Guildhall School of Music, where he had charge of the choral choir, the orchestra, and the opera. He was repeatedly the leader of music festivals all over Great Britain and a judge of contests. ...
— Darkwater - Voices From Within The Veil • W. E. B. Du Bois
... with the greatest perfection human experience, from an external point of view, he delighted in. He preferred appeals to his intellect rather than claims upon his feelings. Handel in music, Pope in poetry, Scott in narration, Jane Austen in fiction and Sainte-Beuve in criticism supplied him with everything he wanted. He hated ...
— Margot Asquith, An Autobiography: Volumes I & II • Margot Asquith
... Shakspeare, Goethe, Milton, the two Bacons, Lessing, Richter, Schiller, Carlyle, Hegel, Luther, Behmen, Swedenborg, Gustavus Adolphus, William of Orange, Cromwell, Frederick II., Wellington, Newton, Leibnitz, Humboldt, Beethoven, Handel, Turner; and nations might be enriched out of the names that remain when the supreme ones in each class have been mentioned. Consider what incomparable range and variety, as well as depth, of genius are here affirmed. Greece ...
— The Atlantic Monthly, Volume 2, Issue 12, October, 1858 • Various
... I've heard Verdi, the Wonderful, And Paganini, and Ole Bull, Mozart, Handel, and Mendelssohn, And fair Parepa, whose matchless tone Karl, her master, with magic bow, Blent with the angels', and held her so Tranced till the rapturous Infinite— And I've heard arias, faint and low, From many an operatic ...
— Songs of Friendship • James Whitcomb Riley
... group of Prussian refugees into a German club, and from my tenth to my fifteenth year—at first regularly, and then in a desultory way as I came back to Washington City from my school in Philadelphia, he hammered Bach and Handel and Mozart—nothing so modern as Mendelssohn—into my not unwilling nor unreceptive mind, for my bent was in the beginning to compose dramas, and in the ...
— Marse Henry, Complete - An Autobiography • Henry Watterson
... Liverpool synagogue. I advise Mr. Murray, in the event of his ever reviving the 'Antigone,' to make the chorus sing the Hundredth Psalm, rather than Mendelssohn's music; or, which would be better still, to import from Lancashire the Handel ...
— The Notebook of an English Opium-Eater • Thomas de Quincey
... piece of music has been introduced. I mean that while the painting gives a general representation of the musical staves, no attempt is ever made to paint any definite notes such as would enable an actual piece to be identified. Though, as I write this, I do remember that on the monument to Handel in Westminster Abbey there is represented a musical scroll similar to that in Adrian Temple's picture, but actually sculptured with the opening phrase of the majestic melody, "I know ...
— The Lost Stradivarius • John Meade Falkner
... was exceedingly rapid, and her position amongst us was long since made secure. Madame Cole has taken part in nearly all the great musical events in this country during the past four years. She has sung everywhere in London—with the Royal Choral Society at the Albert Hall, at the Handel Festival at the Crystal Palace, at the Ballad Concerts, at the Monday Popular Concerts, at Sir Charles Halle's Concerts, and at Bristol, Chester, Leeds, Birmingham, and other leading towns. As seems to have been the case with most well-dowered musicians, Madame Cole's talent owes something ...
— The Strand Magazine: Volume VII, Issue 37. January, 1894. - An Illustrated Monthly • Edited by George Newnes
... very common arrangement here, and one that enables the traveller who has hope of sleep at daybreak—because the fleas are then thinking of rest after labour—to enjoy the melody of the 'Harmonious Blacksmith' without the help of Handel. ...
— Wanderings by southern waters, eastern Aquitaine • Edward Harrison Barker
... seldom the concert is preceded by a rehearsal, which the Emperor attends and which itself has been carefully rehearsed beforehand, as the Emperor expects everything to run smoothly. At these rehearsals he will often cause an item to be repeated. Bach and Handel are his prime favourites. He is no admirer of Strauss. Wagner he often listens to with pleasure, and especially the "Meistersinger," which is his pet opera. Of Italian operas Verdi's "Aida" and Meyerbeer's "Huguenots" are those he is most disposed ...
— William of Germany • Stanley Shaw
... Madame Patey. Give Madame Patey Handel's wig and clothes, and there would be no telling her from Handel. It is not only that the features and the shape of the head are the same, but there is a certain imperiousness of expression and attitude about Handel which he hardly attempts to conceal in Madame Patey. It is a curious coincidence ...
— Essays on Life, Art and Science • Samuel Butler
... Macready in Macbeth, find the tragedy stale in others' hands. Now I don't believe this ensues where the love of the art itself is genuine; and I rejoice to say that having once listened to an oratorio at the Handel Festival with four thousand selected performers, that oratorio becomes forever a source of exquisite enjoyment, performed where or how it may be. If poorly done, the mind floats up toward the region, if it does not attain quite the same height, where it ...
— Round the World • Andrew Carnegie
... development of the Parliamentary life of this country. So far as intellectual gifts are concerned, he is not, of course, to be named in the same breath with a man like Burke, for example; one might as well think of comparing Offenbach with Mozart or Handel. But the influence of the career of Pulteney on the English Parliament is nevertheless more distinctly marked than the influence of the career of Burke. We are speaking now not of political thought—no man ever made a greater impression ...
— A History of the Four Georges, Volume I (of 4) • Justin McCarthy
... wave them to and fro, and up and down. Just as soon, however, as I commenced a march or galop, she would take to her heels and flee away to her den somewhere in the interior of the piano, where she would sulk until I enticed her forth with Traeumerei or Handel's Largo. ...
— The Dawn of Reason - or, Mental Traits in the Lower Animals • James Weir
... Overhead, Handel's March swelled pompously through the imitation stone vaulting, carrying on its waves the faded drift of the many weddings at which, with cheerful indifference, he had stood on the same chancel step watching other brides float up the nave toward ...
— The Age of Innocence • Edith Wharton
... Handel Cannot to him hold a candle; And Handel swears that Bononcini, Compared to him is a mere ninny. 'Tis strange there should such difference be 'Twixt tweedle-dum ...
— The Mirror of Literature, Amusement, and Instruction - Vol. 14, Issue 405, December 19, 1829 • Various
... Miss Cradock. Indeed it is impossible to conceive of Sophia as for ever domiciled in streets. The very apostrophe which heralds her first appearance in Tom Jones is fragrant with flower-enamelled meadows, fresh breezes, and the songs of birds "whose sweetest notes not even Handel can excel"; and it is thus, with his reader's mind attuned to the appropriate key, that Fielding ushers in his heroine: "... lo! adorned with all the Charms in which Nature can array her; bedecked with ...
— Henry Fielding: A Memoir • G. M. Godden
... His Excellency the lord lieutenant. Sixteenth. Today it is. In aid of funds for Mercer's hospital. The Messiah was first given for that. Yes. Handel. What about going out there: Ballsbridge. Drop in on Keyes. No use sticking to him like a leech. Wear out my welcome. Sure to know someone on ...
— Ulysses • James Joyce
... character is a distinct and manifestly separate thing from the pagan heroism or from the virtues and the righteousnesses of other systems. Just as the musician's ear can tell, by half a dozen bars, whether that strain was Beethoven's, or Handel's, or Mendelssohn's, just as the trained eye can see Raffaelle's magic in every touch of his pencil, so Christ, the Teacher, has a style; and all the scholars of His school carry with them a certain mark which tells where they got ...
— Expositions of Holy Scripture: Romans Corinthians (To II Corinthians, Chap. V) • Alexander Maclaren
... remained absolutely unsuspected owing to its professor having no inheritance. But it would come out in the children. Then, and not till then, tardy justice was done.... Well, I don't know exactly how she worked it out, but she managed to suggest that she was Handel and Mozart in abeyance. Her son's fair complexion clinched matters. It was the true prototype of her own. A thoroughly musical complexion, ...
— Somehow Good • William de Morgan
... Now the application of all this to aesthetics is clear. All these tensions, relaxations,—bodily "imitations" of the form,—have each the emotional tone which belongs to it. And so if the music of a Strauss waltz makes us gay, and Handel's Largo serious, it is not because we are reminded of the ballroom or of the cathedral, but because the physical response to the stimulus of the music is itself the basis of the emotion. What makes the sense of peace in the atmosphere of the Low Countries? Only the tendency, ...
— The Psychology of Beauty • Ethel D. Puffer
... Antwerp, was the most celebrated maker of the harpsichord in those days. One of his best specimens belongs to the Drexel collection in New York. Handel delighted in his Ruckers harpsichord and gave it preference over all others, which is adequate proof of its superiority. It was his pleasure to play upon it long after his failing eyesight forbade the use ...
— How the Piano Came to Be • Ellye Howell Glover
... generosity and warmth. His intelligence was of a high order, his taste never at fault. He seldom worked with a voice without improving it, and in teaching the delivery of oratorio he was without a rival. Singers came from far and near to study Bach and Handel with him. Even the fashionable sopranos and contraltos of Chicago, St. Paul, and St. Louis (they were usually ladies with very rich husbands, and Bowers called them the "pampered jades of Asia") ...
— Song of the Lark • Willa Cather
... up Haydn, some Mozart, Just as the whim bites. For my part, I do not care a farthing candle For either of them, or for Handel. Cannot a man live free and easy, Without admiring Pergolesi! Or thro' the world with comfort go That never heard of Doctor Blow! So help me God, I hardly have; And yet I eat, and drink, and shave, Like other people, (if you watch it,) And know no more of stave and crotchet Than did the un-Spaniardised ...
— The Works of Charles and Mary Lamb (Vol. 6) - Letters 1821-1842 • Charles and Mary Lamb
... Elise through Handel's "Pastoral Symphony." Elise began: "He is the righteous Saviour, and He shall speak peace unto the heathen." At the first notes Leonhard looked hastily toward the window, and if it had been a door he would ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 11, - No. 22, January, 1873 • Various
... of this fugue seeing the light of this world is my dear Constanze. Baron von Swieten, to whom I go every Sunday, let me carry home all the works of Handel and Sebastian Bach after I had played them through for him. Constanze fell in love with the fugues as soon as she had heard them; she doesn't want to hear anything but fugues, especially those of Handel and Bach. Having often heard me improvise fugues she asked me if I had ...
— Mozart: The Man and the Artist, as Revealed in his own Words • Friedrich Kerst and Henry Edward Krehbiel
... Coda! If the art of today has made no progress in fugue, song, sonata, symphony, quartet, oratorio, opera [who has improved on Bach, Handel, Haydn, Mozart, Beethoven, Schubert? Name! name! I say], what is the use of talking about "the average of today being higher"? How higher? You mean more people go to concerts, more people enjoy music than fifty or a ...
— Old Fogy - His Musical Opinions and Grotesques • James Huneker
... is an event that is now a recognized feature of the city's musical life, eagerly awaited by music lovers not only of Philadelphia but of nearby towns. In addition to Haydn's "Creation," which has been sung four times, the chorus has given Handel's "Messiah" three times, Mendelssohn's "Elijah" twice, Beethoven's "Mount of Olives," Mendelssohn's "Hymn of Praise," Miriam's "Song of Triumph." It has also given a number of secular concerts. For all this extra ...
— Russell H. Conwell • Agnes Rush Burr
... there will be no music for him. Moreover, the nature of this sensory foundation will determine the character of the music to be found in his world. He may be satisfied with "Tipperary" or he may yearn for Handel, Haydn, Mozart, Beethoven, Melba, and Schumann-Heink. He may not be able to rise above the plane of ragtime, or he may attain to the sublime plane of "The Dead March in Saul." He has access to all the music from the discordant hand organ to the ...
— The Vitalized School • Francis B. Pearson
... kinds by Legrenzi appeared between 1655 and 1677. Then there were the "Varii Fiori del Giardino Musicale ouero Sonate da Camera, etc.," of Gio. Maria Bononcini, father of Battista Bononcini, the famous rival of Handel, published at Bologna in 1669, and the sonatas of Gio. Battista Vitali (Bologna, 1677). Giambatista Bassani of Bologna, although his junior by birth, was the violin master of the great Corelli. His sonatas only appeared after those ...
— The Pianoforte Sonata - Its Origin and Development • J.S. Shedlock
... strict, government of his sons. It is difficult to picture to oneself a set of modern Oxford men standing patiently after dinner, in the dining-parlour, as Theophilus's sons did, 'till desired to sit down and drink Church and King.' Meanwhile, his brother-in-law, the Duke of Chandos (the patron of Handel), used to send for the daughters to be educated in the splendour of Canons (his place in Middlesex), and to make such matches as he chose for them with dowries ...
— Jane Austen, Her Life and Letters - A Family Record • William Austen-Leigh and Richard Arthur Austen-Leigh
... 18. p. 286.) has been anticipated by Headley, who suggested, long ago, that the word tale here implied the numbering sheep. When Handel composed his beautiful air, "Let me wander not unseen," he plainly regarded this word in the more poetical sense. The song breathes the shepherd's tale of love (perhaps addressed to "the milkmaid singing blithe") ...
— Notes and Queries, Number 20, March 16, 1850 • Various
... wont let me see his letter but I'm sure he took all the blame on himself becaws he always dose but it was me too blame and not him becaws I pined the snake in my coat pocket becaws I was affraid to handel it and ran off too the punch and gudy show and it got out and the head water killed it I didn't give him any tip when he went away I'm very sorry and I'm sorry I kicked the mormossits but they bit my legs No more at pressent from ...
— The Junior Classics Volume 8 - Animal and Nature Stories • Selected and arranged by William Patten
... gossip of the birds in the belfry and under the eaves; trembling tones of supplication, wailing notes of longing and regret swept through the silent avenues of the churchyard, thrilling us with their eloquence. For the first time we heard the music of Handel, of Mendelssohn, of Paganini, and felt its power, then knowing neither name nor theme. Hour by hour he played on for the mere joy of it. When we shook hands with the elder and tiptoed to the buggy he was still playing. We drove ...
— Eben Holden - A Tale of the North Country • Irving Bacheller
... looking at the greater portion of the music by the execution of which Catalani raised herself to the highest pinnacle of fame, we are compelled to the conclusion, that in the singer lay the charm. The effects said to have been produced by Handel's operas are now inconceivable and unintelligible, so "mechanical and dull" do these works appear, "beyond mere simplicity and traits of melody." Handel, in one species of composition, wrote down to ...
— Blackwood's Edinburgh Magazine, No. 327 - Vol. 53, January, 1843 • Various
... used by Handel in "Joshua," and afterwards transferred to "Judas Maccabaeus." The text of both oratorios was written by Dr. Thomas ...
— Familiar Quotations • John Bartlett
... suggests problems as to the greatest happiness of the greatest number. Kindness to animals was an essential point of his moral creed. 'I love everything,' he said, 'that has four legs.' He had a passion for flowers, and tried to introduce useful plants. He loved music—especially Handel—and had an organ in his house. He cared nothing for poetry: 'Prose,' he said,[351] 'is when all the lines except the last go on to the margin. Poetry is when some of them fall short of it.' He was courteous ...
— The English Utilitarians, Volume I. • Leslie Stephen
... you mind Handel for a familiar name? There's a charming piece of music, by Handel, called the ...
— Charles Dickens and Music • James T. Lightwood
... Italy more beautiful than this walk, with its park-like chestnut-covered slopes of undulating pasture land dotted about with the finest thatched barns to be found outside Titian. We might almost fancy that Handel had it in his mind when he wrote his divine air "Verdi Prati." Certainly no country can be better fitted either to the words or music. It continues in full beauty all the way to Civiasco, where the carriage road begins that now goes down into the main road between ...
— Ex Voto • Samuel Butler
... polyphonic writers were pouring out their most glorious and living stuff, in the first lame, crude fugues the medium was being prepared for the triumphs of Handel and Bach; and in the same way, while Bach was writing the G minor and A minor fugues (I am not speaking of vocal music) some smaller men were working at what was destined to grow into the symphony, sonata and quartet. ...
— Haydn • John F. Runciman
... evident that MILTON, MICHAEL ANGELO, and HANDEL, belong to the same order of minds; the same imaginative powers, and the same sensibility, are only operating with different materials. LANZI, the delightful historian of the Storia Pittorica, is prodigal of his comparisons of the painters with the poets; his ...
— Literary Character of Men of Genius - Drawn from Their Own Feelings and Confessions • Isaac D'Israeli
... Handel's great achievement (besides being a fine composer) was to crush all life out of the then promising school of English music, the foundation of which had been so well laid ...
— Edward MacDowell • John F. Porte
... a thorough-going democrat I always travel steerage; I'd sooner eat my Sunday hat Than take a nasty Peerage; Such sops the snobbish crowd may soothe, But not yours truly, Handel Booth." ...
— Punch, or the London Charivari, June 10, 1914 • Various
... a bird's, and thin fingers that clawed the music out of the wires like the quills of the old harpsichord; not that of Mary St. John, who was tall, and could not help being stately, was large and well-fashioned, as full of repose as Handel's music, with a contralto voice to make you weep, and eyes that would have seemed but for their maidenliness to be always ready to fold you in their ...
— Robert Falconer • George MacDonald
... Humphries, influenced him chiefly by showing him the possibility of throwing off the shackles of the dead and done with. The contrapuntal formulas and prosaic melodic contours, to be used so magnificently by Handel, were never allowed to harden and fossilise in Purcell's music. Even where a phrase threatens us with the dry and commonplace, he gives it a miraculous twist, or adds a touch of harmony that transforms it from a dead into a living thing, ...
— Purcell • John F. Runciman
... of humanity: the Renaissance, the Reformation, and present-day Judaism, which he lumped together in one category. The Jews of music were burned in effigy after being ignominiously dressed. The colossal Handel was soundly trounced. Only Johann Sebastian Bach attained salvation by the grace of the Lord, who recognized that he had been a Protestant ...
— Jean Christophe: In Paris - The Market-Place, Antoinette, The House • Romain Rolland
... melt the soul, to captivate the ear, (Angels such melody might deign to hear,) To anticipate on earth the joys of heav'n, 'Twas Handel's task: to him ...
— Translations of German Poetry in American Magazines 1741-1810 • Edward Ziegler Davis
... consequently brought on another attack. I think, however, that by staying at home to-day, all will be right by to-morrow, when I hope to be able to wait on my esteemed and illustrious pupil without fail. I beg Y.R.H. not to forget about Handel's works, as they certainly offer to your mature musical genius the highest nourishment, and their study will always be productive of admiration ...
— Beethoven's Letters 1790-1826 Vol. 2 • Lady Wallace
... a curiously hollow noise from the cabinet. If it had been possible I should certainly have fled, it was so sudden and unexpected. The hall clock downstairs struck the half-hour in those chimes written by Handel ...
— The Silent Bullet • Arthur B. Reeve
... accidentally shown to that great man by one of his aides-de-camp, who was a particular friend of M—. The favour he had thus acquired was strengthened by his assiduities and attention. Upon his return to London, he sent some of Handel's newest compositions to the prince, who was particularly fond of that gentleman's productions, together with Clark's edition of Caesar; and, in the spring of the same year, before the French army took ...
— The Adventures of Peregrine Pickle, Volume I • Tobias Smollett
... did she do this, but at every pause added an embellishment of arpeggios from one end to the other of the keyboard, on a principle which her governess had taught her; she thus added life and interest to an air which everyone—so she said—must feel to be rather heavy in the form in which Handel left it. As for her governess, she indeed had been a rarely accomplished musician: she was a pupil of the famous Dr Clarke of Cambridge, and used to play the overture to Atalanta, arranged by Mazzinghi. Nevertheless, it was some time ...
— The Way of All Flesh • Samuel Butler
... for all this waste Of honour, truth, attention, time, and taste? 180 To shine, confess'd, her zany and her tool, And fall by what I rose—low ridicule? Again shall Handel raise his laurell'd brow, Again shall harmony with rapture glow; The spells dissolve, the combination breaks, And Punch no longer Frasi's rival squeaks: Lo! Russell[10] falls a sacrifice to whim, And starts amazed, in Newgate, from his dream: With trembling ...
— Poetical Works of Johnson, Parnell, Gray, and Smollett - With Memoirs, Critical Dissertations, and Explanatory Notes • Samuel Johnson, Thomas Parnell, Thomas Gray, and Tobias Smollett
... own time, Garrick's name was received with the greatest enthusiasm, who was proposed by J. F——. He presently superseded both Hogarth and Handel, who had been talked of, but then it was on condition that he should act in tragedy and comedy, in the play and the farce, Lear and Wildair and Abel Drugger. What a sight for sore eyes that would be! Who would not part with a year's income at least, almost with a year of his ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... was an opera of Mr. Handel's, and papa brought home tickets for the gallery. Hetty went this evening. The change would do her good, Theo thought, and—and, perhaps there might be Somebody amongst the fine company; but Somebody was not ...
— The Virginians • William Makepeace Thackeray
... scientific pursuit in England; and though the Italian opera aroused a violent opposition, and Tweedledum and Tweedledee called forth the gibes of the wits, there existed a vigorous English school of learned musicians, and Handel and Haydn found an audience not incapable of appreciating their best works. But while this development went on in London, Scotland still sang her ancient simple melodies, and contemned everything else ...
— Royal Edinburgh - Her Saints, Kings, Prophets and Poets • Margaret Oliphant
... from Austria to Paris, and then to London. Everywhere their concerts met with the same success. In London the most difficult pieces by Bach and Handel were put before the boy, but he played them at sight, and without the slightest mistake. Bach was at that time music-master to the English Queen, and he took special delight in young Mozart. He would take the boy on his knees, and play a few bars, and then have the boy continue them, and ...
— Historic Boyhoods • Rupert Sargent Holland
... say, that Signior Bononcini Compared to Handel's a mere ninny; Others aver, that to him Handel Is scarcely fit to hold a candle: ...
— Notes and Queries, Number 237, May 13, 1854 • Various
... the organist of the Liebfrauen-Kirche at Halle, and Handel's old master, died, and Bach, whose knowledge and practical skill in the matter of organ construction had now become widely known, was asked to plan a new instrument for the church. He accordingly made his plans, and then, induced by the ...
— Story-Lives of Great Musicians • Francis Jameson Rowbotham
... favourites with the Ballarat folk was amply seen by the crowded house which assembled to see 'The Cruet Stand'. The audience were very impatient for the curtain to rise, as they did not appreciate the overture, which consisted of airs from 'La Mascotte', adapted for the violin and piano by Mr Handel Wopples, who was the musical genius of the family, and sat in the conductor's seat, playing the violin and conducting the orchestra of one, which on this occasion was Miss Jemima Wopples, who presided at the piano. The Wopples family consisted of twelve star artistes, ...
— Madame Midas • Fergus Hume
... extemporizations were flights of genius. At these gatherings he was inspired by two other admirable musicians, one being my dear wife, and the other Professor Brunnow, the astronomer. Nothing could be more delightful than their interpretations together of the main works of Beethoven Handel, Mozart, Haydn, Weber, and other masters. On one of these evenings, when I happened to speak of the impression made upon me at my first hearing of a choral in a German church, Frieze began playing Luther's hymn, "Ein' feste Burg ist unser Gott,'' throwing it into ...
— Volume I • Andrew Dickson White
... reason of this? Why do great artists always make the same effect and produce the same impression on their public? Why, for instance, did the late Mme. Tietjens, when singing the following passage in Handel's Messiah, always begin with very little voice of a dulled quality, and gradually brighten its character as well as augment its volume until she reached the high G-[sharp] which is the culmination, not only of the musical phrase, but also of the tremendous announcement ...
— Style in Singing • W. E. Haslam
... have said, Bach is the great lyric poet of his nation, the first great German genius after the devastating horrors of war. Looming on the sight, or as contemporaries, are Handel, Leibnitz, Wolf, Klopstock, Lessing, and Winckelmann. The modern era, with its philosophy and revolution, has arrived. The domain of thought is enwidened, and the Middle Ages blend and fade in the historic vista of the past. But the modern era commences with these great affirmations ...
— The Great Events by Famous Historians, v. 13 • Various
... the organ that was wrecked?" "Is this the organ that was dug out of the sea?" "Is this the organ that was taken out of the Spanish galleon?" "Wasn't this organ smuggled out of some ship?" "Didn't it belong to Handel?" "Wasn't this organ made for St. Peter's at Rome?" With confidence says one, "This organ really belongs to the continent; it was confiscated in some war." Whilst another as confidently asserts that "it was built ...
— The Parish Clerk (1907) • Peter Hampson Ditchfield
... gives many examples of precocious poetical and musical talent: Dante (who at nine years of age wrote sonnets), Tasso (wrote at ten years of age), Wieland (who wrote an epic at 16), Lope de Vega (who wrote verses at 12), Calderoii (at 13), Metastasio (who composed at 10), Handel (who wrote a mass at 13, and was director of opera at 19), Eichhorn, Mozart, and Eibler (all three of whom gave concerts at 6), Beethoven (who wrote sonatas at 13), Weber (who wrote his first opera at 14), Cherubini (who wrote a ...
— The Child and Childhood in Folk-Thought • Alexander F. Chamberlain
... know you are thinking of the Handel Festival and Elijah in the provinces!" he exclaimed. "I ...
— The Way of Ambition • Robert Hichens
... let no unwary reader do me the injustice of believing in me. In that I write at all I am among the damned. If he must believe in anything, let him believe in the music of Handel, the painting of Giovanni Bellini, and in the thirteenth chapter of St. Paul's First ...
— Selections from Previous Works - and Remarks on Romanes' Mental Evolution in Animals • Samuel Butler
... to the end of a little thing of Handel's. There was no reason to suppose that the gallery appreciated Handel. Nevertheless, they were making a deafening noise. Clouds of dust rose from the rhythmical stamping of many feet. The noise was loudest and the dust thickest by the big window, beneath which sat the men ...
— The Head of Kay's • P. G. Wodehouse
... more monotonous and more gloomy than any silence can be. In the morning you do not hear the long, low, mellow whistle of the plantain-eaters calling up the dawn, nor in the evening the clock-bird nor the Handel-Festival-sized choruses of frogs, or the crickets, that carry on their vesper controversy of "she did"—"she didn't" so ...
— Travels in West Africa • Mary H. Kingsley
... at short intervals and in widely scattered localities; the "Handel Society" of Dartmouth College, about 1780, the "Stoughton (Mass.) Musical Society," 1786, and "The Musical Society" of New York City, all tend to show that social centres were developing, and the people were ...
— Annals of Music in America - A Chronological Record of Significant Musical Events • Henry Charles Lahee
... earliest biographer of Handel, and, on his authority, a host of subsequent writers, took upon them to assert, without any apparent foundation, that the oratorio of the Messiah was performed in London in the year 1741, previously to Handel's visit to Ireland; but that it met with a cold reception, ...
— Chambers's Edinburgh Journal, No. 455 - Volume 18, New Series, September 18, 1852 • Various
... on which Handel played more than once, stood on a raised platform at the west end. It was the work of Thomas Swarbrick of Warwick, a German by birth, in 1733. He also built those of Trinity Church, St. Mary, Warwick, Lichfield, St. Saviour ...
— Bell's Cathedrals: The Churches of Coventry - A Short History of the City and Its Medieval Remains • Frederic W. Woodhouse
... happening to say to another, "that he believed the world was going to be at an end;" this observation led her into a new train of thoughts: some of Handel's sublime compositions occurred to her, and she sung them to the grand accompaniment. The Lord God Omnipotent reigned, and would reign for ever, and ever!—Why then did she fear the sorrows that were passing away, when she knew that He would bind ...
— Mary - A Fiction • Mary Wollstonecraft
... now invite your attention to the wind instruments, which, in Handel's time, were chiefly used to double in unison the parts of stringed instruments. Their modern independent use dates from Haydn; it was extended and perfected by Mozart, Beethoven, and Weber; and the extraordinary changes and improvements which have been ...
— Scientific American Supplement No. 819 - Volume XXXII, Number 819. Issue Date September 12, 1891 • Various
... of a supreme quiet, the first low notes of the organ broke upon my stillness with the sense of a deeper delight. Never before had I felt, as I felt that afternoon, the triumph of contemplation in Handel's rendering of "I know that my Redeemer liveth." And I felt how through it all ran a cold silvery quiver of sadness, like the light in the east after the sun is gone down, which would have been pain, but for the golden glow of the west, which looks after the light of the world ...
— Annals of a Quiet Neighbourhood • George MacDonald
... science, law and government, of the charm of discovery, of pursuit, of the slow upbuilding of moral right, of the vast variety of philosophy. Above all, we should have had none of the great art men love so well, no Odyssey, Divine Comedy no Hamlet, no Oedipus, no Handel, no Beethoven, no painting or sculpture where the love and sorrow of the soul breathe in canvas, fresco, marble and bronze, no, nor any of the great and loving lives who suffered and overcame, from Christ to the poor woman who dies for love ...
— The Poetry Of Robert Browning • Stopford A. Brooke
... pretences. John and Desmond were made especially welcome. And, after dinner, John, whose voice had not yet cracked, would sing, to Mrs. Warde's accompaniment, such songs as "O Bay of Dublin, my heart yu're throublin'," or "Think of me sometimes," or Handel's "Where'er you walk." The Caterpillar made no secret of a passion for Iris Warde, and became a dangerous rival of one of the younger masters. He talked to Warde about genealogies and hunting, topics of conversation in which they ...
— The Hill - A Romance of Friendship • Horace Annesley Vachell
... the only interesting part; I don't care for the drawing-room side of things; they are cultivated, but they are too much on the skin. I would much rather be a stoker, or an engineer, than sit on deck all day and talk about Florentine art, and the Handel Festival, and Egyptology, and the gospel of Tolstoy, and play cricket and quoits, and dance a little, and sing a little, and flirt a little, ever so nicely. Oh, there are lots of girls who can do all those things, and do them ...
— The Good Comrade • Una L. Silberrad
... birds seemed as though they wanted to get up a sort of Handel Festival, only the prima donnas and the big guns were missing. But there was plenty of twittering and bird chatter—I think they were ...
— Herb of Grace • Rosa Nouchette Carey
... some eight works, which have been printed for circulation, in court circles only, and have not become the property of the public; the cleverest of them being a festal march, written for his father's birthday, and a grand funeral march. He shares his father's intense devotion to Bach and Handel, as well as his fondness for the works of Mendelssohn, Beethoven and Mozart, and is a most accomplished performer on the violoncello, being a pupil of the well-known master of that instrument, Professor Luedemann. Prince Albert's sister, ...
— The Secret Memoirs of the Courts of Europe: William II, Germany; Francis Joseph, Austria-Hungary, Volume I. (of 2) • Mme. La Marquise de Fontenoy
... Nebukim, which was published with the former's annotations, Gibe'at ha-Moreh (Prague, 1611). Deservedly or not, Eliezer Mann was called "the Hebrew Socrates"; and many a Maskil in his study of mathematics turned for guidance to Manoah Handel of Brzeszticzka, Volhynia, author and translator of several scientific works, who rendered ...
— The Haskalah Movement in Russia • Jacob S. Raisin
... for their maturity and age. It is of no use to persuade ourselves, as some have done, that we possess the best work of men untimely slain. Had Sophocles been cut off in his prime, before the composition of "Oedipus"; had Handel never merged the fame of his forgotten operas in the immortal music of his oratorios; had Milton been known only by the poems of his youth, we might with equal plausibility have laid that flattering unction ...
— Percy Bysshe Shelley • John Addington Symonds
... hurled them against the enemy, and won the victory in his mind the night before the battle was fought. Even the orator like Webster must be described as one who sees his argument in the air before he writes it upon the page, just as Handel thought he heard the music falling from the sky more rapidly than his hand could fasten the notes upon the musical bars. Thus every new tool and picture, every new temple or law or reform, has been the imagination's gift ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis
... Ballou a literary idol; holding that Michelangelo and Raphael were not great in sculpture and painting, yet insisting on the greatness of sundry unknown artists who have painted brutally; holding that Beethoven, Handel, Mozart, Haydn, and Wagner were not great in music, but that some unknown performer outside any healthful musical evolution has given us the music of the future; declaring Napoleon to have had no genius, but presenting Koutousoff as a military ideal; loathing science—that organized knowledge ...
— Autobiography of Andrew Dickson White Volume II • Andrew Dickson White
... amused tenderness, how at each forte passage head and shoulders took their share of lending force to the tones. He never greatly enjoyed Mary's playing. She did well enough at it, God bless her!—it would not have been Mary if she hadn't—but he came of a musical family; his mother had sung Handel faultlessly in her day, besides having a mastery of several instruments: and he was apt to be critical. Mary's firm, capable hands looked out of place on a piano; seemed to stand in a sheerly business relation to the keys. Nor was it otherwise with her singing: she had ...
— Australia Felix • Henry Handel Richardson
... iron in his composition as any man of his time sprang one of those human surprises that even war fails to emulate—when he listened time after time to the record that he loved better than most music, "I know that my Redeemer liveth", from Handel's "Messiah". ...
— The Masques of Ottawa • Domino
... replied Peter, who, though conversing with Jacob, had overheard their dispute. "Well, Jacob, as I was saying, Handel, the great composer, chanced to visit Haarlem and, of course, he at once hunted up this famous organ. He gained admittance and was playing upon it with all his might when the regular organist chanced to enter the building. The man stood awestruck. He was ...
— Hans Brinker - or The Silver Skates • Mary Mapes Dodge
... explains the great gap. What signs have we that other species will ever approximate, equal or surpass man in attainments? Can we hope that, in the far distant future, a baboon will write an epic equal to Milton's Paradise Lost, or a bull-frog compose an oratorio surpassing Handel's Messiah? ...
— The Evolution Of Man Scientifically Disproved • William A. Williams
... stately, but it is miraculously expressive as well. Its expressiveness is the thing that strikes one more forcibly every time one hears it. At first one feels chiefly its old-world freshness—not the picturesque spring freshness of Purcell and Handel, but a freshness that is sweet and grave and cool, coming out of the Elizabethan days when life, at its fastest, went deliberately, and was lived in many-gabled houses with trees and gardens, or in great palaces with pleasant courtyards, and the Thames ran unpolluted to ...
— Old Scores and New Readings • John F. Runciman
... being "The First Nowell"; and the organist (Mr. J. B. Lott, Mus. Bac., Oxon) played the Pastoral Symphony from Sullivan's "Light of the World," Mendelssohn's March ("Cornelius"), the Pastoral Symphony from Handel's "Messiah," and other exquisite voluntaries. From the anthem, E. ...
— Christmas: Its Origin and Associations - Together with Its Historical Events and Festive Celebrations During Nineteen Centuries • William Francis Dawson
... some "buts," which he thought would be wholly silenced only in Paris; nay, one of the two singers he liked best, Fraulein von Schatzel (Signora Tibaldi was the other), reminded him by her omissions of chromatic scales even of Warsaw. What, however, affected him more than anything else was Handel's "Ode on St. Cecilia's Day," which he heard at the Singakademie; it came nearest, he said, to the ideal of sublime music which he harboured in his soul. A propos of another musical ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... it, dad. You take your saw-horse and do me a little Handel or Schubert. Do, please," entreated his son. "I want that before meeting more than anything else. I want a change of mood. I confess I am slightly rattled. My address is all prepared, but I must have atmosphere before I ...
— The Sky Pilot in No Man's Land • Ralph Connor
... everlasting remembrance. The fires of the Judgment Day will not crumble off one of the letters. The Sabbath-school teacher builds her monument in the heavenly thrones of her converted scholars. Geo. Mueller's monument is the orphan-houses of England. Handel's monument was his "Hallelujah Chorus." Peabody's monument, the library of his native village and the schools for educating the blacks in the South. They who give or pray for a church have their monument in all that sacred edifice ever ...
— Brave Men and Women - Their Struggles, Failures, And Triumphs • O.E. Fuller
... rows of straight and unsightly pipes, is generally more or less an eyesore in cathedrals, but is said to have caused a great improvement in the effect of its music. The present organ, which was built by Samuel Green, is believed to have been used at the Handel Festival in Westminster Abbey in 1784. It was enlarged by Hill in 1842, and entirely reconstructed in 1886. In this connection we may mention that Archbishop Theodore first introduced the ecclesiastical chant in ...
— The Cathedral Church of Canterbury [2nd ed.]. • Hartley Withers
... on Friday last, in the New Cut, to hear Mr. Briggles chant a new song, written on the occasion of the birth of the young Prince. He was accompanied by his friend Mr. Handel Purcell Mozart Muggins on the drum and mouth-organ, who afterwards ...
— Punch, or the London Charivari, Volume 1, Complete • Various
... [Mr. HANDEL BOOTH, speaking in Hyde Park recently, declared that, when he informed Lord ABERDEEN of the conduct of the police during the Dublin riots, the Lord Lieutenant "buried ...
— Punch, Or The London Charivari, Vol. 146., January 21, 1914 • Various
... mysterious throat of hers, And throbbing all through the song was the vibrant, loving voice of the violin. And when the human tones died away and the instruments ceased to speak, Warburton felt himself swallowing rapidly. Then came Schumann's Traumerei on the strings, Handel's Largo, Grieg's Papillon, and a ballade by Chaminade. Then again sang the prima-donna; old folksy songs, sketches from the operas grand and light, Faust, The Barber of Seville, La Fille de Madame Angot. In all his days Warburton had never ...
— The Man on the Box • Harold MacGrath
... creeds might almost be expressed in musical notation. The interval, for example, which divides the wild revels of Cybele from the stately ritual of the Catholic Church is measured by the gulf which severs the dissonant clash of cymbals and tambourines from the grave harmonies of Palestrina and Handel. A different spirit breathes in the ...
— The Golden Bough - A study of magic and religion • Sir James George Frazer
... said Clara, 'I am sure that some of the settings by your divinity, Handel, are absurd. "For as in Adam all die" may be true enough, and the harmonies are magnificent, but I am always tempted to ...
— Clara Hopgood • Mark Rutherford
... fined L20 and made incapable of being an ale-draper for the future.[14] In 1737 Horace Walpole writes[15]:—"I am now in pursuit of getting the finest piece of music that ever was heard; it is a thing that will play eight tunes. Handel and all the great musicians say that it is beyond anything they can do, and this may be performed by the most ignorant person, and when you are weary of those eight tunes, you may have them changed for any ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 - "Banks" to "Bassoon" • Various
... man, whose life hung on a button, was that great personage whose name has been spelled almost every way imaginable between Hendtler and Handel—the later form being preferred by the English, who, as somebody said, love to speak learnedly of "Handel and Glueck." It is not needful here to tell the story of his brilliant life and the big events ...
— The Love Affairs of Great Musicians, Volume 1 • Rupert Hughes
... scene of a decisive battle on the 27th of June 1743, when the English, Hanoverians and Austrians (the "Pragmatic army"), 42,000 men under the command of George II. of England, routed the numerically superior French forces under the duc de Noailles. It was in memory of this victory that Handel composed his Dettingen ...
— Encyclopaedia Britannica, 11th Edition, Volume 8, Slice 3 - "Destructors" to "Diameter" • Various
... me of Christianity when you are in the act of hanging your enemies. Was there ever such blasphemous nonsense! (To Swindon, more rudely) You've got up the solemnity of the occasion, as you call it, to impress the people with your own dignity—Handel's music and a clergyman to make murder look like piety! Do you suppose I am going to help you? You've asked me to choose the rope because you don't know your own trade well enough to shoot me properly. Well, hang away and have done ...
— The Devil's Disciple • George Bernard Shaw
... 19th of May, we were with their Majesties from six to ten o'clock in the evening. No one was present but the two princes, brothers to the king and queen. The king placed before Wolfgang not only pieces of Wagenseil, but of Bach, Abel, and Handel, all of which he performed prima vista. He played upon the king's organ in such a style that every one admired his organ even more than his harpsichord performance. He then accompanied the queen, who sang an air, and afterwards a flute-player in a solo. At ...
— The Mirror of Literature, Amusement, and Instruction - Volume 14, No. 395, Saturday, October 24, 1829. • Various
... less does the brain of Davy or of Gay-Lussac, from childhood exploring the affinities and repulsions of particles, anticipate the laws of organization. Does not the eye of the human embryo predict the light? the ear of Handel predict the witchcraft of harmonic sound? Do not the constructive fingers of Watt, Fulton, Whittemore, Arkwright, predict the fusible, hard, and temperable texture of metals, the properties of stone, water, and wood? Do not ...
— Essays, First Series • Ralph Waldo Emerson
... rested on the keys; her feet moved the pedals and the Largo of Handel, grave, mystic, dreamy, swelled softly through the studio. The melody filled the wide room, already wrapped in shadows, it made its way through the tapestries, prolonging its winged whisper through the other two studios, as though it were the song of an organ played by invisible hands in a ...
— Woman Triumphant - (La Maja Desnuda) • Vicente Blasco Ibanez
... bosoms), 'Here lies Gay'? It is—how long? But for all that Gay is yet a figure in English letters. As a song-writer he has still a claim on us, and is still able to touch the heart and charm the ear. The lyrics in Acis and Galatea are not unworthy their association with Handel's immortal melodies, the songs in The Beggars' Opera have a part in the life and fame of the sweet old tunes from which they can never be divided. I like to believe that in the operas and the Trivia ...
— Views and Reviews - Essays in appreciation • William Ernest Henley
... as to make a tearing show." She wore a white poudesoy gown, embroidered with gold, and the prettiest high-heeled satin slippers, and a head-dress of wonderful workmanship. "For I have been at a concert of music, cousin Dick, and heard two overtures of Mr. Handel's and a sonata by Corella, done by ...
— The Bow of Orange Ribbon - A Romance of New York • Amelia E. Barr
... Weston took a hand in the discussion, and, with an anxious desire to solve the musical problem, suggested: "We'll fix that all right, all right, as we intend to have the Weston Philharmonic Handel and Hayden Society—I think that's the name of the union—to operate as an orchestra, and Herr Heintzleman, the leader, who is a corking good fiddler, will play the ...
— A Pirate of Parts • Richard Neville
... maximum at the commencement or in the middle of the series, not increasing to the end, as it should do if it depended in any way on the transmission of acquired skill. Gauss was not the son of a mathematician, nor Handel of a musician, nor Titian of a painter, and there is no proof of any special talent in the ancestors of these men of genius, who at once developed the most marvellous pre-eminence in their respective talents. And after showing that ...
— Darwinism (1889) • Alfred Russel Wallace
... I now borrow from musicians. When we see the number against a work of Beethoven, we need ask no further to be informed concerning the general character of the music. The same holds good more or less with all composers. Handel's works were not numbered—not at least his operas and oratorios. Had they been so, the significance of the numbers on Susanna and Theodora would have been at once apparent, connected as they would have been with the number on Jephthah, Handel's next and last work, in which ...
— Evolution, Old & New - Or, the Theories of Buffon, Dr. Erasmus Darwin and Lamarck, - as compared with that of Charles Darwin • Samuel Butler
... there among his peers in the Southern Transept. Close beside him sleep Dr. Johnson, the puissant literary autocrat of his own time; and Garrick, who was that time's greatest actor; and Handel, who may fittingly claim to have been one of the mightiest musicians of all time. There sleeps, too, after the fitful fever of his troubled life, the witty, the eloquent Sheridan. In close proximity rests Macaulay, the artist-historian and essayist. ...
— Life of Charles Dickens • Frank Marzials
... wood-engraving was brought to perfection by the brothers Bewick. In sculpture, Flaxman, Nollekens, and Bacon did first-rate work. Music alone of the arts really interested the king. The public taste was stimulated by the establishment of Handel commemoration concerts; the opera was well attended, and church music was enriched by some distinguished composers. People of the upper and middle classes cared far more for art of all kinds than in the earlier ...
— The Political History of England - Vol. X. • William Hunt
... knowledge, and applause. He was musical, and a few persons of the like turn, scattered through the neighbouring hamlets, used occasionally to meet at his house; where they exercised themselves in singing, from the works of Croft, Green, Boyce, Purcell, Handel, and such authors as they possessed. One of them played the bassoon, another the flute, and a third the violin, I had a quick ear, was attracted by their harmony, and began to join in their concerts. A treble voice was a great acquisition; I was apt and they encouraged me, by frequent praise and ...
— The Adventures of Hugh Trevor • Thomas Holcroft
... of the year the liberal arts sustained a lamentable loss in the death of George Frederick Handel, the most celebrated master in music which this age had produced. He was by birth a German; but had studied in Italy, and afterwards settled in England, where he met with the most favourable reception, and resided above half a century, universally ...
— The History of England in Three Volumes, Vol.II. - From William and Mary to George II. • Tobias Smollett
... confine himself to the comfortable vulgarity of popular airs. He played selections from Handel, Mozart, Wagner, and I don't know whom; while the time passed unnoticed by both of us. At length he laid the violin across his knees, and, after a pause, his voice rose in one of the sweetest songs ever woven from words. And such a voice!—rich, soft, transcendent, ...
— Such is Life • Joseph Furphy
... Archilei. Embryo opera of Cavalieri. Peri's "Eurydice." Euterpe. Marthe le Rochois and Lully's operas. Rival queens in London. Steele, in "Tattler." Second pair of rivals, Cuzzoni and Faustina. Master Handel. Germany's earliest queen of song. Frederick the Great and German singers. Mrs. Billington. Haydn and Sir Joshua Reynold's St. Cecilia. Mozart's operas introduced into England. Catalani. Pasta. Sontag. Schroeder-Devrient and ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore
... he would try the other door. As yet he had only paid his respects at a distance to Mrs. Teeman. It seemed as if they had avoided each other. He was shown into a room in which a canary was swinging in the window, and a copy of Handel's Messiah lay on the open piano. This was unlike the account he had heard of Mrs. Teeman. There was a merry voice on the stairs, which said ...
— Bog-Myrtle and Peat - Tales Chiefly Of Galloway Gathered From The Years 1889 To 1895 • S.R. Crockett
... music, had also, as may be supposed, the most entire want of musical knowledge. No blunders could do much to mar my pleasure. There first I heard the concertos of Corelli; but also, which far more profoundly affected me, a few selections from Jomelli and Cimarosa. With Handel I had long been familiar, for the famous chorus singers of Lancashire sang continually at churches the most effective parts from his chief oratorios. Mozart was yet to come; for, except perhaps at the opera in London, even at this time, his music was most ...
— Autobiographic Sketches • Thomas de Quincey
... to the aria, music drama to opera, and was altogether exceedingly modern in her tastes. She did not like recitative in music, and preferred Wagner and Tschaikowsky to Bach and Verdi. She loved to be stirred up, she said. She liked Beethoven, yes, but he was too mathematical. As for Handel, he was uninteresting in the extreme; and so she ...
— The Music Master - Novelized from the Play • Charles Klein
... to play to him, when he would listen, and after his fashion enjoy. But although here was a gift that might be developed until his soul could echo the music of the spheres, the embodied souls of Handel or Mendelssohn were to him but clouds of sound wrapped about kernels—let me say ...
— Stephen Archer and Other Tales • George MacDonald
... men. Oh! doe consider well this things, you who doe it; if you would be done at this manner? and if it is done according to Christianity? You surpass Holland and Germany in this thing. This makes an ill report in all those countries of Europe, where they hear off, that ye Quackers doe here handel men like they handel there ye cattel. And for that reason some have no mind or inclination to come hither, and who shall maintaine this your cause or plaid for it? Truly we can not do so, except you shall inform ...
— American Lutheranism - Volume 1: Early History of American Lutheranism and The Tennessee Synod • Friedrich Bente
... divinely, this ghostly flageoleteer, and knows his Handel to a demi-semi-quaver," said ...
— Doom Castle • Neil Munro
... (Mrchen von einem, der auszog, das Frchten zu lernen) 5 The Wolf and the Seven Young Kids (Der Wolf und die sieben jungen Geilein) 6 Faithful John (Der treue Johannes) 7 The Good Bargain (Der gute Handel) 8 The Strange Musician (Der wunderliche Spielmann) 9 The Twelve Brothers (Die zwlf Brder) 10 The Pack of Ragamuffins (Das Lumpengesindel) 11 Little Brother and Little Sister (Brderchen und Schwesterchen) 12 Rapunzel (Rapunzel) ...
— Household Tales by Brothers Grimm • Grimm Brothers
... maturity some great productions, not only in Anzengruber or Karl Schoenherr, in Friedrich Theodor Vischer, in Storm, and Keller, but, above all, in Nietzsche. A turn in the tide that seems just now to be taking place is exemplified in the important epic poems of Enrica von Handel-Mazzetti. ...
— The German Classics of The Nineteenth and Twentieth Centuries, • Editor-in-Chief: Kuno Francke
... rather say that when nature endows a man with a remarkable gift she also implants within him the love of exercising it. Astor loved to plan a vast, far-reaching enterprise. He loved it as Morphy loves to play chess, as Napoleon loved to plan a campaign, as Raphael loved to paint, and Handel to compose. ...
— Famous Americans of Recent Times • James Parton
... where history is the lightest subject admitted, and geology and the sanitary condition of the metropolis form the general themes of conversation. Mrs. Brumby plays finely on the bassoon, and has evenings dedicated to Sebastian Bach, and enlivened with Handel. At Mrs. Maskleyn's they are ...
— The Christmas Books • William Makepeace Thackeray
... I have reason to believe, often pardoned the discords I produced in the choir because of my enthusiasm in the cause. When, at a later date, I became acquainted with the oratorios in full, it was a pleasure to find that several of those considered in musical circles as the gems of Handel's musical compositions were the ones that I as an ignorant boy had chosen as favorites. So the beginning of my musical education dates from the small choir of the ...
— Autobiography of Andrew Carnegie • Andrew Carnegie
... their absent friends, those especially who were expected to bear a part in this concert; for instance—"Those two eternal Miss Byngs, with voices, like cracked bells, and with their old-fashioned music, Handel, Corelli, and Pergolese, horrid!—And odious little Miss Crotch, who has science but no taste, execution but no expression!" Here they talked a vast deal about expression. Alfred did not understand them, and doubted whether they understood themselves. ...
— Tales and Novels, Vol. VII - Patronage • Maria Edgeworth
... died without pain, and was buried in Westminster Abbey on the 9th of January, 1860, having for pall-bearers the most illustrious men in England. He rests in the Poet's Corner, amid the tombs of Johnson and Garrick, Handel and Goldsmith, Gay and Addison, leaving behind ...
— Beacon Lights of History, Volume XIII • John Lord |
