"Gothic" Quotes from Famous Books
 ... hundred and fifty miles. This may well be believed when we hear that the cave contains fifty-seven domes, eleven lakes, seven rivers, eight cataracts, and two hundred and fifty-six avenues, besides thirty-two pits or abysses, and a Gothic church. ...
— Chatterbox, 1905. • Various
... vultures back and forth Sail in the clear depths of the tropic sky, And swallows in the sunset where they fly Over gray Gothic cities in ...
— Poems • Alan Seeger
... thrown away; but this is not so: we forget, indeed, the details, as we forget or do not see the different layers of paint on a completed picture; but the thing desired has been accomplished, and we carry away with us a sense of the "Gothic profile" of the city, of the "surprising forest of pinnacles and towers and belfries," and we know not what of rich and intricate and quaint. And throughout, Notre Dame has been held up over Paris by a height far greater than ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 3 (of 25) • Robert Louis Stevenson
... deliverance of the ancient metropolis; but that deliverance was a change, or perhaps an aggravation, of servitude. Rome had been already stripped of her trophies, her gods, and her Caesars; nor was the Gothic dominion more inglorious and oppressive than the tyranny of the Greeks. In the eighth century of the Christian aera, a religious quarrel, the worship of images, provoked the Romans to assert their independence: their bishop became the temporal, as well as the ...
— The History of The Decline and Fall of the Roman Empire - Volume 6 • Edward Gibbon
... the arches above them or along the base; kneeling donors can be seen naively presenting a little scroll inscribed with prayers, and many other interesting uses of lettering might be recalled. The names St. Luke and St. John, shown in fig. 141, are taken from a beautiful embroidered example of Gothic lettering. ...
— Embroidery and Tapestry Weaving • Grace Christie
... The immense Gothic bed stood on its dais, imposing in its isolation. Three or four very modern innovation trunks loomed like minarets against the opposite walls, half-open; one's imagination might have been excused if it conjured up sentries who stood ready to pop out of the trunks to scare one half ...
— A Fool and His Money • George Barr McCutcheon
... once said of him: Here is John Marshall, whose mind seems to be an inexhaustible quarry from which he draws the materials and builds his fabrics rude and Gothic, but of such strength that neither time nor force can beat them down; a fellow who would not turn off a single step from the right line of his argument, though a paradise ...
— Hidden Treasures - Why Some Succeed While Others Fail • Harry A. Lewis
... difficult to prove what I have here asserted of this tendency toward the Real in modern literature and art. Within twenty, nay, within ten years, men of genius have abandoned the Supernatural and the Gothic as affording fit themes for creative efforts. That unfortunate creature the Ghost—especially the Ghost in Armor—as well as the Historical or Sensational personages who live only in the superlative—are at present in general demand only by that harmless ...
— The Continental Monthly , Vol. 2 No. 5, November 1862 - Devoted to Literature and National Policy • Various
... that yet nobler works of art would spring up wherever the German culture had passed in triumph. From the point of view of humour, it is really rather sad that they never will. The German Emperor's idea of a Gothic cathedral is as provocative to the fancy as Mrs. Todgers' idea of a wooden leg. But I think it perfectly probable that they really intended to set up such beautiful buildings as they could. Having been blasphemous enough to ruin ...
— The Appetite of Tyranny - Including Letters to an Old Garibaldian • G.K. Chesterton
... escape even the evil practices of enchanters; but they cannot conquer their passions. All the enemies they have in common with Beowulf, be they men or armies, monsters or sorcerers, they can fight and subdue; but enemies unknown to the Gothic warrior oppose them now more effectually than giants, stormy seas, or armed battalions; enemies that are always present, that are not to be destroyed in battle nor left behind in flight: their own indomitable loves and desires. What would the ...
— The English Novel in the Time of Shakespeare • J. J. Jusserand
... came within sight of a rude chapel that stood at the meeting of two roads. A finger-post was at the angle, with arms pointing in three directions. The chapel was a low whitewashed Gothic building, with a little belfry in which there hung no bell. At its rear was a house with broken gablets and round dormers stuck deep into the thatch. A burial ground lay in front of both edifices, and looked dreary and chilling now, ...
— The Shadow of a Crime - A Cumbrian Romance • Hall Caine
... any means of equal value, these epigrams of his, with which he defended intelligence against stupidity and classical light against Gothic darkness. ...
— Suspended Judgments - Essays on Books and Sensations • John Cowper Powys
... it stood before the civil wars, was one of those beautiful Gothic obelisks, erected to conjugal affection by Edward I., who built such a one wherever the hearse of his beloved Eleanor rested in its way from Lincolnshire to Westminster. But neither its ornamental situation, ...
— Cavalier Songs and Ballads of England from 1642 to 1684 • Charles Mackay
... of ugliness and bad taste at the least possible expense, and certainly never included any notion of ornament in the details. Now, large sums are expended on places of worship, without reference to creed. First-rate architects are employed. Fine Gothic structures are produced. The rebuilding of the Greyfriars' Church, the restoration of South Leith Church and of Glasgow Cathedral, the very bold experiment of adopting a style little known amongst us, ...
— Reminiscences of Scottish Life and Character • Edward Bannerman Ramsay
... us also as we read him. By it he launches his influence forward and outward rather than receives it from the past. To it his successors turn, as to an ancestry, when they had long despised and thrown aside everything else that savoured of the Gothic dead. By it he increased in reputation and meaning from his boyhood on for four hundred years, till now he is secure among the first lyric poets of Christendom. It led to no excess of matter, but to an exuberance of attitude and ...
— Avril - Being Essays on the Poetry of the French Renaissance • H. Belloc
... immediately descries the ocean, and the whole extent of the plain of Copenhagen, with it's capacious port crouded by vessels, and it's highly cultivated environs. On the side next the sea, this city, which is visible at the distance of several miles, presents itself in all it's magnificence; and the Gothic towers, with which it abounds, greatly engage the attention of every spectator, as well by the loftiness of their spires, as by the variety of their pleasingly grotesque decorations. The fortresss of Fredericstadt, supported on one side by the batteries of one of the arsenals, ...
— The Life of the Right Honourable Horatio Lord Viscount Nelson, Vol. II (of 2) • James Harrison
... chateaux has so increased with the seeing of them that we regretted not having time to go to Usse this same afternoon, but we shall have to make a separate trip to this palace, which is said to be a superb example of Gothic architecture. Although the chateau is often inhospitably closed to visitors, its exterior, with innumerable towers and tourelles, and the terraces, gardens, and vast park, nearly seven miles in circumference, are ...
— In Chteau Land • Anne Hollingsworth Wharton
... were at the outer gate, where Cowperwood shook the warden finally by the hand. Then entering a carriage outside the large, impressive, Gothic entrance, the gates were locked behind them and they were ...
— The Financier • Theodore Dreiser
... to Mohammedanism.[253] During the tenth century, which was so dark a period in the rest of Europe, the Arab civilization in Spain reached its highest development. The various elements in the population, Roman, Gothic, Arab, and Berber, appear to have been thoroughly amalgamated. Agriculture, industry, commerce, art, and the sciences made rapid progress. Cordova, with its half million of inhabitants, its stately palaces, its university, its three thousand ...
— An Introduction to the History of Western Europe • James Harvey Robinson
... to train them to understand the works of the masters in order that they may discriminate between what is beautiful and what is meretricious in the art of the present day; to learn the lessons of art from the monoliths of Egypt, the tawny marbles of ancient Greece, the balanced thrusts of the Gothic cathedral, the gracious and reverent harmonies of the primitives, the delicate handicrafts of the Orient, the splendors of the Renaissance, the vibrant colors of the latest phase of impressionism, and to apply these ...
— College Teaching - Studies in Methods of Teaching in the College • Paul Klapper
... of art require mental effort in order to grasp and appreciate them. You must be wide-awake to follow a play of Shakespeare; you must puzzle out the meaning of a group painting before fully enjoying it; you must study some of the detail of a Gothic cathedral before getting the full effect; music may be too "classical" for many to grasp and follow. Unless, then, the artist has made a great mistake, the mental activity which he demands from his public must contribute to the satisfaction they derive from his works. If his appeal were simply ...
— Psychology - A Study Of Mental Life • Robert S. Woodworth
... square stands the cathedral, which was founded toward the end of the fifteenth century at the time of the decadence of Gothic architecture. It was then a Catholic church consecrated to St. Lawrence; now it is the first Protestant church in the city. Protestantism, with religious vandalism, entered the ancient church with a pickaxe and a whitewash brush, and with bigoted fanaticism broke, scraped, rasped, plastered, ...
— Holland, v. 1 (of 2) • Edmondo de Amicis
... what that is,' I said. It was scarcely a minute's row in the dinghy, and when the anchor was down we sculled over to it. A bank of loam led to gorse and bramble. Pushing aside some branches we came to a slender Gothic memorial in grey stone, inscribed with bas-reliefs of battle scenes, showing Prussians forcing a landing in boats and Danes resisting with savage tenacity. In the failing light we spelt out an inscription: 'Den bei dem Meeres-Uebergange ...
— Riddle of the Sands • Erskine Childers
... Constantinople by the Turks, A.D. 1453. It will thus be seen that the greater part of its history belongs to the mediaeval period. Up to the time of the overthrow of the Empire in the West, the sovereigns of the East were engaged almost incessantly in suppressing uprisings of their Gothic allies or mercenaries, or in repelling invasions of the Huns and the Vandals. Frequently during this period, in order to save their own territories, the Eastern emperors, by dishonorable inducements, persuaded ...
— A General History for Colleges and High Schools • P. V. N. Myers
... bars, and filled with old iron spikes. Melissa's aunt unlocked the gate, and they entered the yard, which was overgrown with rank grass and rushes: the avenue which led to the house was almost in the same condition. The house was of real Gothic architecture, built of rude ...
— Alonzo and Melissa - The Unfeeling Father • Daniel Jackson, Jr.
... motive nor the artistic proclivities of its inmates has it aught to do with the centuries when our English tongue was otherwise written or spoken than it is to-day. Ye Hutte is a vast, barn-like building, plain and bare save for an inviting vine-grown porch vaguely Gothic in reminiscence, although nondescript in fact. It was erected by some dissenting society for public worship: hence its interior is one immense vaulted room, with cathedral-like windows and choir-gallery across one end. ...
— Lippincott's Magazine, December, 1885 • Various
... passed on, not unmoved with wonder, though untainted by fear; and the Gothic splendours which he saw were of a kind highly to exalt his idea of the beauty of the mistress for whom a prison-house had been so richly decorated. Guards there were in Eastern dress and arms, upon bulwark and buttress, in readiness, it appeared, to bend their bows; but the warriors were ...
— Waverley Volume XII • Sir Walter Scott
... stand eight angels singing before a music-desk. They are represented as choristers in splendid vestments and crowns. The brilliancy of the stuffs and precious stones is given with the hand of a master, the music-desk is richly ornamented with Gothic carved work and figures, and the countenances are full of expression and life; but in the effort to imitate nature with the utmost truth, so as even to enable us to distinguish with certainty the different voices of the double quartet, the spirit of a holier influence ...
— Great Pictures, As Seen and Described by Famous Writers • Esther Singleton
... was considered rather a triumph of local architecture. A Carlingford artist had built it "after" the Church, which was one of Gilbert Scott's churches, and perfect in its way, so that its Gothic qualities were unquestionable. The only thing wanting was size, which was certainly an unfortunate defect, and made this adaptation of ecclesiastical architecture to domestic purposes a very doubtful experiment. However, in bright sunshine, ...
— The Doctor's Family • Mrs. (Margaret) Oliphant
... works of men have their classification too, for in human effort like causes produce like effects. Most people know what schools of poetry, painting, and music are. In architecture, we know, too, that there are great divisions—such as classic and Gothic. But many have yet to learn how far classification may go; and it is a new feature to have the peculiar national architecture of Scotland separated from that of England, and its peculiarities traced to interesting national events and habits. The common observer is apt to think that all buildings ...
— Chambers's Edinburgh Journal, No. 445 - Volume 18, New Series, July 10, 1852 • Various
... in the lonely London house, I dreamed—with the strangest sleeping oblivion of my marriage, and of all the new interests which it had crowded into my life—of country rides with my sister, and of quiet conversations in the old gothic library at the Hall. Under such influences as these, I twice resolved to make amends for my long absence, by joining my father and my sister in the country, even though it were only for a few days—and, each time, I failed in my resolution. On the second occasion, I had actually mustered firmness ...
— Basil • Wilkie Collins
... rose windows of flower-like brilliancy that glow over the doors of Churches, the masterpieces of Gothic craftsmen, and display in the translucent glass the history of the Virgin Mary and the glory of the Prophets. But the secret of these rose windows is unknown ...
— The Well of Saint Clare • Anatole France
... painted domes, the Gothic turret and Moorish minaret, impressed us with the idea of the antique; while here and there the tamarind, nourished on some azotea, or the fringed fronds of the palm-tree, drooping over the notched parapet, lent to the city an aspect at once ...
— The Rifle Rangers • Captain Mayne Reid
... change in the most changing period of the world's history, and until recently its additions, few in number, have varied little from the plans of the original architects. The Constitution is to-day, not a ruined Parthenon, but rather as one of those Gothic masterpieces, against which the storms of passionate strife have beaten in vain. The foundations were laid at a time when disorder was rampant and anarchy widely prevalent. As I have already shown in my first lecture, credit was gone, business paralysed, ...
— The Constitution of the United States - A Brief Study of the Genesis, Formulation and Political Philosophy of the Constitution • James M. Beck
... which he was always photographed. One hand supported his head, the other toyed with his watch-chain. His face was uniformly solemn, but his eyes were disconcertingly furtive. He cross-questioned me as to my walk from Canterbury; remarked that the cathedral was a—magnificent—Gothic—Monument and set me right as to the lie of the roads. He seemed pleased to find that I remembered very little of what I ought to have noticed on the way. It gave him an opportunity for the display of his ...
— The Inheritors • Joseph Conrad
... TUO, and seem to say it is little worth while to cozen one's self with such vulgar dreams; yours being, on the contrary, of a high and heroic character, bearing the same resemblance to mine, that a bench, covered with purple cloth and plentifully loaded with session papers, does to some Gothic throne, rough with barbaric pearl and gold. But what would you have?—SUA QUEMQUE TRAHIT VOLUPTAS. And my visions of preferment, though they may be as unsubstantial at present, are nevertheless more capable of being ...
— Redgauntlet • Sir Walter Scott
... windows was softened from its primal ugliness by the Boston ivy that had clambered to the eaves and lay draped about the windows like a soft green mantle. Built in the early days, it stood with the little church, a gem of Gothic architecture, within spacious grounds bought when land was cheap. Behind the house stood the stable, built also of grey limestone, and at one side a cherry and apple orchard formed a charming background to the grey buildings with their crowding shrubbery and gardens. A gravelled ...
— To Him That Hath - A Novel Of The West Of Today • Ralph Connor
... the successive Barons Bangletop, have added to its original dimensions, putting Queen Anne wings here, Elizabethan ells there, and an Italian-Renaissance facade on the river front. A Wisconsin water tower, connected with the main building by a low Gothic alleyway, stands to the south; while toward the east is a Greek chapel, used by the present occupant as a store-room for his wife's trunks, she having lately returned from Paris with a wardrobe calculated to last through the first ...
— The Water Ghost and Others • John Kendrick Bangs
... to the Niger valley from the valley of the Nile as early as the third or fourth century of our era. An evidence of this early influence, which strengthened from century to century, Dubois finds in the architecture of Jenne and Timbuctoo. It is not Roman or Saracenic or Gothic, it is distinctly Pharaonic. But whatever the origin of the Songhay empire, it became in time Mohammedan, and so continued to the end. Mohammedanism seems, however, to have been imposed. Powerful as the empire was, it was never free ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... doubt if any artist among us, except David Roberts, knows so much perspective as would enable him to draw a Gothic arch to scale at a given angle and distance. Turner, though he was professor of perspective to the Royal Academy, did not know what he professed, and never, as far as I remember, drew a single building in true perspective ...
— The Elements of Drawing - In Three Letters to Beginners • John Ruskin
... the fortunate virtuoso had 'long since completed his Caxton, and wanted but two volumes of a perfect Pynson.' In our own day we can hardly realise the idea of such riches; but the 'Rambler' scouted the notion of slighting or valuing a book because it was printed in the Roman or Gothic type. John Ratcliffe of Bermondsey was one of these 'black-letter dogs.' He had some advantages of birth and position; for, being a chandler and grocer, he could buy these old volumes by weight in the course ...
— The Great Book-Collectors • Charles Isaac Elton and Mary Augusta Elton
... Rhine, adieu, Thy scenes for ever rich and new, Thy cheerful towns, thy Gothic piles, Thy rude ravines, thy verdant isles; Thy golden hills with garlands bound, Thy giant crags with ...
— The Mirror of Literature, Amusement, and Instruction - Volume 17, No. 477, Saturday, February 19, 1831 • Various
... sumptuous quality. At the top was a twisted and interlaced monogram printed from steel dies in gold and blue and red, in the ornate English fashion of long years ago; and under it, in neat gothic capitals was ...
— Innocents abroad • Mark Twain
... champagne. In the same way the petit vin de Chierry, dexterously prepared and judiciously mingled with other growths, often figures as "Fleur de Sillery" or "Ay Mousseux." In reality it is not until we have passed the ornate modern Gothic chteau of Boursault, erected in her declining years by the wealthy Veuve Clicquot, by far the shrewdest manipulator of the sparkling products of Ay and Bouzy of her day, and the many towers and turrets of which, rising above umbrageous ...
— Facts About Champagne and Other Sparkling Wines • Henry Vizetelly
... call this beautiful architecture by name one might say Spanish Gothic, on account of the round-arched Gothic and also the Spanish finials used, but it is so thoroughly original that this is hardly the term to use. It is Romanesque in its vaulting of the corridor, and at first glance ...
— Palaces and Courts of the Exposition • Juliet James
... platform, were scores of small pillared alcoves, a low wall stretching across their fronts; delicate, fretted grills shielding them, save where in each lattice an opening stared—it came to me that they were like those stalls in ancient Gothic cathedrals wherein for centuries had kneeled paladins and people of my own race on earth's fair face. And within these alcoves were gathered, score upon score, the elfin beauties, the dwarfish men of the fair-haired folk. At my right, a few feet from the opening ...
— The Moon Pool • A. Merritt
... were to listen to the arguments of some prophets of calamity who are talking these days, I should hesitate to make these alterations. I should fear that while I am away for a few weeks the architects might build some strange new Gothic tower or a factory building or perhaps a replica of the Kremlin or of the Potsdam Palace. But I have no such fears. The architects and builders are men of common sense and of artistic American tastes. They know that the principles of harmony and of necessity itself require that the building ...
— The Fireside Chats of Franklin Delano Roosevelt • Franklin Delano Roosevelt
... this latter time preserved the spirit and the numbers of the ancient Gothic people, had seated themselves in England, in the Low Countries, and in Normandy. They passed from thence to the southern part of Europe, and in this romantic age gave rise in Sicily and Naples to a new kingdom and a ...
— The Works of the Right Honourable Edmund Burke, Vol. VII. (of 12) • Edmund Burke
... classical pillars, with figures of Moses and Aaron on either side, and the Creed, Lord's Prayer, and Ten Commandments in the spaces between them, the whole surmounted by flaming censers and a circle of flying cherubs, made up a composition not at all bad in itself but utterly out of character with the Gothic work behind and around it. At the same time the sanctuary was railed and paved with black and white marble, the body of the church newly paved and galleried, a pulpit with sounding-board erected, and the whole church "cleaned, white-washed, and ...
— Bell's Cathedrals: Southwark Cathedral • George Worley
... Chiana flow together, at the issue of the charming Val di Chiana, stands Orvieto on its steep and sudden rock, crowned with one of the triumphs of Italian Gothic, the glorious cathedral. After toiling up the ladder-like paths which lead from the plain to the summit of the bluff, and passing through the grand mediaeval gateway along the slanting streets, where even the peasants dismount and walk beside their donkeys, seeing nothing within the whole small ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 86, February, 1875 • Various
... accompany they gentilsmen, do they see the town. We won't to see all that is it remarquable here. Admire this master piece gothic architecture's. The chasing of all they figures is astonishing indeed. The streets are very layed out by line and too paved. There is it also hospitals here? It not fail them. What are then the edifices the worthest to have seen? It is the arsnehal, the spectacle's ...
— English as she is spoke - or, A jest in sober earnest • Jose da Fonseca
... size and technical skill, is any pile of neo-paganism even I will dare to say, St. Peter's. Yet for my part, deeply as I am moved by the religious architecture of the Middle Ages, I cannot honestly say that I ever felt the slightest emotion in any modern Gothic church. I will even own that, except where restoration rids us of the unchristian exclusiveness of pews, I prefer the unrestored churches, with something of antiquity about them, to the restored. There is a spell in mediaeval Art which has had power to bewitch some ...
— Lectures and Essays • Goldwin Smith
... assizes (vide chap. iv) were written each by itself in large Gothic letters. The first letter at the beginning was illuminated with gold, and all the rubrics and titles were written separately in red, as well all the other assizes as those of the higher and those of the burghers' court. Each sheet had ...
— The Continental Monthly, Vol. 4, No. 5, November, 1863 • Various
... awakened still more gothic thoughts in the King. He resolved to abdicate the crown in favor of my Brother. He used to talk, He would reserve for himself 10,000 crowns a year; and retire with the Queen and his Daughters to Wusterhausen. There, added he, I will pray to God; and manage the farming economy, while my wife and girls ...
— History Of Friedrich II. of Prussia, Vol. VI. (of XXI.) • Thomas Carlyle
... and flattened. Clustered pillars. Windows and doors square-headed with perpendicular lines. Grotesque ornament. (The last fifty years of the sixteenth century were characterized by a debased Gothic style with Italian details in the churches and a beauty and magnificence in domestic architecture which has ...
— Wanderings in Wessex - An Exploration of the Southern Realm from Itchen to Otter • Edric Holmes
... Trient between Valorsine and Martigny. The paths which lead to it out of the valley of the Rhone, rising at first in steep circles among the walnut trees, like winding stairs among the pillars of a Gothic tower, retire over the shoulders of the hills into a valley almost unknown, but thickly inhabited by an industrious and patient population. Along the ridges of the rocks, smoothed by old glaciers into long, dark, ...
— Frondes Agrestes - Readings in 'Modern Painters' • John Ruskin
... sigh and groan in company over the hard times.) Of evenings in the apartment, which grew dustier and lonelier every day, he would write his letter to Shirley, mail it and then get out his easel. Frowning with determination, he would put and keep his mind firmly on a new idea for a Norman Gothic cathedral, until, about midnight, worry and loneliness would steal away and leave him with ...
— The House of Toys • Henry Russell Miller
... a generic category of thought. Egyptian, Grecian, Byzantine, and Gothic buildings are well-marked species, of which each individual building of the sort is a material embodiment. Now, the question is, whether these categories or ideas may not have been evolved, one from another in succession, or from some primal, less specialized, edificial category. What ...
— Evolution and Ethics and Other Essays • Thomas H. Huxley
... to you to be present at our glorious English cathedral service? If not, congratulate yourself on this enjoyment in reserve for you; and when you next visit our end of the little island, pass not, we beseech you, those Gothic towers, massive and rich, or taper spires rising majestically above the cloistered arches, buttresses, and pinnacles, of these monuments of the piety, consummate skill, and humility of our ancestors; for no modern black board, with gilt letters, proclaims the ...
— Blackwood's Edinburgh Magazine, Volume 59, No. 364, February 1846 • Various
... and when one considers the possible lengths to which an official, representing the President, might go if instigated by private or party revenge, Edward Livingston's declaration that they "would have disgraced the age of Gothic barbarity" does not seem too strong.[87] Under the Alien Act persons not citizens of the United States could be summarily banished at the sole discretion of the President, without guilt or even accusation, thus jeopardising the liberty and business of the most peaceable and well-disposed foreigner. ...
— A Political History of the State of New York, Volumes 1-3 • DeAlva Stanwood Alexander
... is the parallel which can be drawn between the history of the Church and of that architecture which she especially fostered. Gothic or Christian art was developed from the remains of a Roman civilisation, and so long as it had the healthy organic growth which was consequent on the evolution of a series of constructive problems fairly faced and in turn conquered, and again, stimulated ...
— Bell's Cathedrals: The Cathedral Church of Norwich - A Description of Its Fabric and A Brief History of the Episcopal See • C. H. B. Quennell
... a change of plan during the process of construction. Though the work lasted only about half-a-dozen years, the style of the upper differs from the style of the lower parts, precisely as in those Gothic cathedrals which grew up slowly during the course of centuries. And there is nothing here that need surprise us, for a considerable change took place in the opinions of the official world during that short period. The reform was conceived at ...
— Russia • Donald Mackenzie Wallace
... richest description—"What I call of the florid Gothic style," Wagg whispered to Penn, who sate beside the humourist, in his side-wing voice. The men in creaking shoes and Berlin gloves were numerous and solemn, carrying on rapid conversations behind the guests, as they moved ...
— The History of Pendennis • William Makepeace Thackeray
... indicate the same tendency. Even in the thirteenth century English Gothic architecture differentiated itself pretty completely from its models in the Isle de France. The early fourteenth century, the age of the so-called "decorated style," suggests in some ways a falling back to the ...
— The History of England - From the Accession of Henry III. to the Death of Edward III. (1216-1377) • T.F. Tout
... warriors now embattled on the five huge fields of blood from the race of the poets and thinkers. Their brains, too, yearn back, throbbing for the realm of the muses. Before the remains of the Netherland Gothic, before the wonders of Flemish painting, their eyes light up in pious adoration. From the lips of the troops that marched from three streets into the parade plaza in Brussels there burst, when the last man stood in the ranks—and ...
— New York Times Current History: The European War, Vol 2, No. 1, April, 1915 - April-September, 1915 • Various
... nobility. "The divine art of being indolent" and "the blissful bosom of half-conscious self-forgetfulness" naturally lead to the thesis that the empty, restless exertion of men in general is nothing but Gothic perversity, and "boots naught but ennui to ourselves and others." Man is by nature "a serious beast; one must labor to counteract this shameful tendency." Schleiermacher ventured, it is true, to raise the question as to whether the hero ought not to have some trace of the chivalrous about him, ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. IV • Editor-in-Chief: Kuno Francke
... years later he purchased a piece of ground near Twickenham, and made the principal occupation of his life the erection and decoration of his famous mansion—"Strawberry. Hill." "The Castle of Otranto" appeared in 1764. It was described as a "Gothic Story translated by William Marshal Gent, from the original Italian of Onuphrio Muralto, Canon of the Church of St. Nicholas at Otranto." But, emboldened by the success of the work, Walpole in the second edition acknowledged that he himself was the author. The theme of the story was ...
— The World's Greatest Books, Vol VIII • Arthur Mee and J.A. Hammerton, Eds.
... the fashion of certain Greenwich villagers. My disappointment was not great; my lady was not suggestive of a boarding-school miss. But I had hoped to find somewhere a trace of the copper-bronze head whose royalty of hair I had shorn as the traitors shore King Childeric's Gothic locks. ...
— The Thing from the Lake • Eleanor M. Ingram
... with a glance at the individual so singularly labelled. Appraising him covertly, he saw a man whose stature was quite as much shorter than the normal as his own was longer, but hardly less thin. Indeed, Staff was in the habit of defining his own style of architecture as Gothic, and with reasonable excuse; but reviewing the physical geography of Mr. Iff, the word emaciation bobbed to the surface of the literary mentality: Iff was really astonishingly slight of build. Otherwise he was rather ...
— The Bandbox • Louis Joseph Vance
... archway of the hospital he could look at the old Gothic building; and a black-gowned pensioner or two crawling over the quiet square, or passing from one dark arch to another. The boarding-houses of the school were situated in the square, hard by the more ancient buildings of the hospital. A great noise ...
— Boys and girls from Thackeray • Kate Dickinson Sweetser
... his cousins and brothers and sisters, during his vacations, sometimes at the fireside, sometimes in the woods and dells. Unless I greatly mistake, these old fictions will work up admirably for the purpose; and I shall aim at substituting a tone in some degree Gothic or romantic, or any such tone as may best please myself, instead of the classic coldness, which is as repellant as the touch ...
— Yesterdays with Authors • James T. Fields
... seven pillars of Gothic mold In Chillon's dungeons deep and old; There are seven columns, massy and gray, Dim with a dull imprisoned ray, A sunbeam which hath lost its way, And through the crevice and the cleft Of the thick wall is fallen and left; Creeping o'er the floor so damp, Like a marsh's meteor ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 7 • Various
... as the supreme expression of life, is the result of seven moral and religious principles, Sacrifice, Truth, Power, and the like. 'The Stones of Venice' is an, impassioned exposition of the beauty of Venetian Gothic architecture, and here as always Ruskin expresses his vehement preference for the Gothic art of the Middle Ages as contrasted with the less original and as it seems to him less ...
— A History of English Literature • Robert Huntington Fletcher
... Hall, which is one hundred and eight feet long, is set apart for the illustrious "Order of the Garter." It is superbly decorated with allegorical paintings. The chapel is a fine specimen of the florid Gothic. The roof is elliptical and is composed of stone; the whole ceiling is ornamented with emblazoned arms of many sovereigns and knights of the Garter. The stalls of the sovereigns and knights exhibit a profusion of rare carving. The chapel is the burial place of many royal ...
— Our Young Folks at Home and Abroad • Various
... could stand erect and stretch and shake himself. The Mole struck a match, and by its light the Rat saw that they were standing in an open space, neatly swept and sanded underfoot, and directly facing them was Mole's little front door, with "Mole End" painted, in Gothic lettering, over the bell-pull at ...
— The Wind in the Willows • Kenneth Grahame
... expect any warm welcome from her father. If he had brought himself just to tolerate her coming, she had sufficient reason to be grateful. It was only a drive of two miles from Holborough to Arden. They stopped at a lodge-gate presently; a little gothic lodge, which was gay with scarlet geraniums and chrysanthemums, and made splendid by railings of bronzed ironwork. Everything had a bright new look which surprised Miss Lovel, who was not accustomed to see such, perfect order or such fresh ...
— The Lovels of Arden • M. E. Braddon
... ground is eighty feet by sixty, and the eastern gable runs up into a square tower, surmounted by a domed belfry, to the height of one hundred and twenty-five feet. Two lofty stories above a low basement are covered by a shingled roof pierced with dormer windows. Large Gothic windows of the Henry VIII. shape are filled with seven-by-nine glass, and afford relief to the solid walls of stone and stucco that have so well survived the ravages of nearly half a century, though the iron rust streaking ...
— Lippincott's Magazine, Vol. 26, August, 1880 - of Popular Literature and Science • Various
... and most of the other canals and rivers, are a great variety of bridges, some with arches that are pointed not unlike the gothic, some semicircular, and others shaped like a horse-shoe: some have the piers of such an extraordinary height that the largest vessels, of two hundred tons, sail under them without striking their masts. Some of their ...
— Travels in China, Containing Descriptions, Observations, and Comparisons, Made and Collected in the Course of a Short Residence at the Imperial Palace of Yuen-Min-Yuen, and on a Subsequent Journey thr • John Barrow
... Pagan. His mind was of decidedly antique structure. He had the virtues of paganism: its sanity, its calmness, and its probity; but of the tenderness of Christianity, and its quenchless aspirations after an indefinable ideal, of that feeling which has incarnated itself in Gothic cathedrals, masses and oratorios, he exhibited but scanty traces. His intellect was above all things self-consistent and incorruptible. He had that imperial good-sense which might have formed the ideal alike of Horace and of Epictetus. No clandestine preference ...
— The Unseen World and Other Essays • John Fiske
... it is easy to imagine one's self at Granada, in far-off Spain, and it seems almost natural to look about for the Alhambra. An air of rude grandeur reigns over these houses, the architecture being Gothic and Saracenic. In the more ancient portions of the town little picturesque balconies of iron or wood jut out from the second-story windows, where the houses rise to the dignity of two stories. From ...
— Due South or Cuba Past and Present • Maturin M. Ballou
... fortified castle of the Middle Ages and the pleasure-palace of the sixteenth century." Granted that the attempt was an absurd one, it must be remembered that the Renaissance was but just beginning in France; Gothic art seemed out of date, yet none other had established itself to take its place. In literature, in morals, as in architecture, this particular phase in the civilization of the time has already become evident even in the course of these small wanderings in ...
— Seeing Europe with Famous Authors, Volume 4 (of 10) • Various
... reproduces the past; our painting is only first-rate when it handles landscapes and animals, and seems likely so to remain; but, meanwhile, nobody cares. Some of the deepest and most earnest minds vote the question, in general, a 'sham and a snare,' and whisper to each other confidentially, that Gothic art is beginning to be a 'bore,' and that Sir Christopher Wren was a very good fellow after all; while the middle classes look on the Art movement half amused, as with a pretty toy, half sulkily suspicious of Popery and Paganism, and think, apparently, that Art ...
— Plays and Puritans - from "Plays and Puritans and Other Historical Essays" • Charles Kingsley
... Pisa The variety as well as moral grandeur of Michael Angelo's paintings Ennobling influence of his works His works as architect St. Peter's Church Revival of Roman and Grecian Architecture Contrasted with Gothic Architecture Michael Angelo rescues the beauties of Paganism Not responsible for absurdities of the Renaissance Greatness of Michael Angelo as a man His industry, temperance, dignity of character, love of Art for Art's sake ...
— Beacon Lights of History, Volume VI • John Lord
... greets you from Mad Tom's corner upon Boughton Hill is, rightly understood, the work of St Thomas, and we might say indeed that the great Angel Steeple was the last of his miracles for it is the last of the Gothic in England, and it rose above his tomb, while that tomb was still a shrine and a monument in the hearts of men. For "the church dedicated to St Thomas erects itself," as Erasmus says, "with such majesty towards Heaven that even from a distance it strikes ...
— England of My Heart—Spring • Edward Hutton
... Cathedral had never seemed so lovely as on this still August morning. As they stepped through the exquisite outer doorway, with its deep mouldings, both dog-toothed and foliated, marking the transition from Norman to Gothic, a deep, intense joy in their dual solitude suddenly rose up in his heart like a ...
— Good Old Anna • Marie Belloc Lowndes
... upon poor Sir John, year after year, and trying to talk him into spending a hundred thousand pounds or so, in building, to please them and not himself. But he always put them off, like a canny North-countryman as he was. One wanted him to build a Gothic house, but he said he was no Goth; and another to build an Elizabethan, but he said he lived under good Queen Victoria, and not good Queen Bess; and another was bold enough to tell him that his house was ugly, but he ...
— The Water-Babies - A Fairy Tale for a Land-Baby • Charles Kingsley
... coins (Camden's Britannica), Central American buildings (Norman's Travels in Yucatan), among the Jews as the Shield of David (Brucker's History of Philosophy), and a well-known masonic symbol frequently introduced into Gothic ...
— Notes and Queries, Number 197, August 6, 1853 • Various
... quiet, Barbara, her hair hanging loose outside her dressing gown, slipped from her room into the dim corridor. With bare feet thrust into fur-crowned slippers which made no noise, she stole along looking at door after door. Through a long Gothic window, uncurtained, the mild moonlight was coming. She stopped just where that moonlight fell, and tapped. There came no answer. She opened the door a little ...
— Forsyte Saga • John Galsworthy
... eyes riveted to the newest portrait of them all, that of Sofia's mother—Sofia's very self matured—herself a native of a northern province wherein to this day red hair and blue eyes are a frequent, almost a prevailing type, that tell the story of early Gothic invasions. So absorbed in the picture, so completely possessed by it was Mauro, that when the Duke turned and spoke to ...
— The Red-Blooded Heroes of the Frontier • Edgar Beecher Bronson
... my soul like a gold ornament of Byzantine workmanship: there is in his style the yearning charm of arches, a sense of ritual, the passion of the Gothic, of the window. Ah! in this hour of weariness for one of Mallarmé's prose poems! Stay, I remember I have some numbers of La Vogue, One of the numbers contains, I know, "Forgotten Pages;" I will translate word for word, preserving the ...
— Confessions of a Young Man • George Moore
... a thousand trivial and contemptible circumstances. You are not to be told how much more there is of true heroism in refusing than in giving a challenge, in bearing an injury with superiority and virtuous fortitude, than in engaging in a Gothic and savage revenge. ...
— Italian Letters, Vols. I and II • William Godwin
... summer traveller from London sketching mediaeval details in these neo-Pagan days, when a lull has come over the study of English Gothic architecture, through a re-awakening to the art-forms of times that more nearly neighbour our own, is accounted for by the fact that George Somerset, son of the Academician of that name, was a man of independent tastes and excursive instincts, who unconsciously, ...
— A Laodicean • Thomas Hardy
... to the attention of philologists Das Gothische Runenalphabet, (or The Gothic Runic Alphabet,) recently published by HERTZ of Berlin. "Before Wulfila, the Goths had an alphabet of twenty-five letters, formed according to the same principles, and bearing nearly the same names as the Runes of the Anglo-Saxons and Northmen, and probably arranged ...
— The International Monthly Magazine - Volume V - No II • Various
... Gothic window, and under a groined stone roof, that afternoon sat a monk at his work. The work was illumination. The room was bare of all kinds of furniture, with the exception of a wooden erection which was ...
— The White Rose of Langley - A Story of the Olden Time • Emily Sarah Holt
... works of the same kind, I know perhaps of none so striking by the elevation of the sentiment, the religious character, the sustained, adequate, vigorous style and consummate mastery. It is like a magnificent Gothic Cathedral in which Bach would conduct ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated
... breathing the heavy air and the musty odor which is given forth by old tapestries and furniture covered with dust, he found himself in the antique room of the old man, in front of a sick bed and near a dying fire. A lamp standing on a table of Gothic shape shed its streams of uneven light sometimes more, sometimes less strongly upon the bed and showed the form of the old man in ever-varying aspects. The cold air whistled through the insecure windows, and the snow beat with a ...
— International Short Stories: French • Various
... question the young woman asks of him, or perhaps her friends for her, is, 'Are you able to pay the charges?' that is to say, in English, 'Are you able to keep a wife when you have got her?' The question is a little Gothic indeed, and would be but a kind of gross way of receiving a lover here, according to our English good breeding; but there is a great deal of reason in the inquiry, that must be confessed; and he that is not able to pay ...
— The Complete English Tradesman (1839 ed.) • Daniel Defoe
... village there is a large ruined building, now used as a stable by the inhabitants. The interior is divided into a nave and two side-aisles by rows of square pillars, from which spring pointed arches. The door-way is at the side, and is Gothic, with a dash of Saracenic in the ornamental mouldings above it. The large window at the extremity of the nave is remarkable for having round arches, which circumstance, together with the traces of arabesque painted ornaments on the columns, led me to think it might have been a mosque; but Dr. Robinson, ...
— The Lands of the Saracen - Pictures of Palestine, Asia Minor, Sicily, and Spain • Bayard Taylor
... feel it thus one must have acquired, in a hard school, the hatred of barbarism, which already during his first years of authorship had suggested the composition of the Antibarbari. The abusive term for all that is old and rude is already Gothic, Goths. The term barbarism as used by Erasmus comprised much of what we value most in the medieval spirit. Erasmus's conception of the great intellectual crisis of his day was distinctly dualistic. He saw it as a struggle between old and new, which, to ...
— Erasmus and the Age of Reformation • Johan Huizinga
... very interesting cave to look into. The strata of which it was composed, upheaved almost to the perpendicular, shaped an opening like the half of a Gothic arch divided vertically and leaning over a little to one side, which opening rose to the full height of the cave, and seemed to lay bare every corner of it to a single glance. In length it was only about four or five ...
— Malcolm • George MacDonald
... personage, Jacques Boucher, treasurer to the Duke of Orleans, not like the humble places where she had formerly lodged. The houses of that age were beautiful, airy and light, with much graceful ornament and solid comfort, the arched and vaulted Gothic beginning to give place to those models of domestic architecture which followed the Renaissance, with their ample windows and pleasant space and breadth. There the table was spread with a joyous meal in honour of this wonderful guest, ...
— Jeanne d'Arc - Her Life And Death • Mrs.(Margaret) Oliphant
... the Conquest of 1066. It may be noted that the twelfth century produced the finest writing ever known—a large, free and flowing form of the minuscule of Tours. In the next century comes in the angular Gothic hand, the difference between which and the twelfth century hand may be fairly understood by a comparison of ordinary German and Roman type. In the thirteenth, fourteenth, and fifteenth centuries the writing ...
— Forty Centuries of Ink • David N. Carvalho
... it seemed to him as if he sate in a recess of one of these with a manuscript before him which had never till then been examined with any care, and which he found with delight to contain passages that appear in no version of the Book hitherto known. It was written in clear Gothic text, and in the Old French tongue of the early 14th century. Was it possible that he had lighted on the long-lost original of Ramusio's Version? No; it proved to be different. Instead of the tedious story ...
— The Travels of Marco Polo Volume 1 • Marco Polo and Rustichello of Pisa
... external sense men no longer possessed an organ for the old lines. Peter Neefs, the celebrated architectural painter of this age, did indeed stand on such a high plane of art and technique that he reproduced the perspectives of his Gothic churches absolutely correctly. He had in this particular preserved the objectivity of the artistic eye which is absolutely lacking in the mechanical works mentioned above; nevertheless, even here, he shows himself ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VIII • Various
... her tones and gestures,—no more than was justifiable under the circumstances: but she looked straight at me; and O old woman! it was not I that talked, nor my party. We were noiseless as mice. It was that woman over there in a Gothic bonnet, with a bunch of roses under the roof as big as a cabbage. Presently the great doors opened, and a procession of nuns marched in chanting their gibberish. Of course they wore the disguise ...
— Gala-days • Gail Hamilton
... independence, rapine, and discord of the feudal lords were unmixed with any semblance of good; and every hope of industry and improvement was crushed by the iron weight of the martial aristocracy. Among the causes that undermined that Gothic edifice, a conspicuous place must be allowed to the crusades. The estates of the barons were dissipated, and their race was often extinguished, in these costly and perilous expeditions. Their poverty ...
— The History of The Decline and Fall of the Roman Empire - Volume 6 • Edward Gibbon
... throng that stood hand in hand about the Maypole? It could not be that the fauns and nymphs, when driven from their classic groves and homes of ancient fable, had sought refuge, as all the persecuted did, in the fresh woods of the West. These were Gothic monsters, though perhaps of Grecian ancestry. On the shoulders of a comely youth uprose the head and branching antlers of a stag; a second, human in all other points, had the grim visage of a wolf; a third, still with the trunk and limbs ...
— Twice Told Tales • Nathaniel Hawthorne
... the literature with which he dealt critically was representative of those periods of time which he chose to portray in novel and poem. This evidently implies great breadth of scope. Yet Scott's vivid sense of the past had its bounds, as Professor Masson pointed out.[3] It was the "Gothic" past that he venerated. The field of his studies, chronologically considered, included the period between his own time and the crusades; and geographically, was in general confined to England and Scotland, with comparatively rare excursions abroad. When, in his novels, he carried his Scottish ...
— Sir Walter Scott as a Critic of Literature • Margaret Ball
... Minor Sonata, with its wondrous introduction like the vast, somber portals to some fantastic Gothic pile. The Fantasiestuecke opus 12, still remain Schumann at his happiest, and easiest comprehended. The Symphonic Variations are the greatest of all, greater than the Concerto or the Fantasie in C. These ...
— Old Fogy - His Musical Opinions and Grotesques • James Huneker
... head of which was a faded yellow silken hanging. Her surroundings puzzled her, but she seemed to have no desire to learn the meaning of it all, lying as one barely alive, gazing half conscious toward the narrow Gothic window near by, through which she had a glimpse of mountains and blue sky. But the sunlight which fell in patches upon the Turkey rug dazzled her aching eyes, and she closed them painfully. She felt wretchedly ill. Her throat was parched, and ...
— The Secret Witness • George Gibbs
... That speeds the spacious tale from age to age; Where history's pen its praise or blame supplies And lies like truth, and still most truly lies; He wand'ring mused, and as the moonbeam shone Through the dim lattice o'er the floor of stone, And the high-fretted roof and saints that there O'er Gothic windows knelt in pictured prayer; Reflected in fantastic figures grew Like life, but not like mortal life to view; His bristling locks of sable, brow of gloom, And the wide waving of his shaken plume Glanced like a spectre's attributes, and gave His aspect ...
— The Life of Lord Byron • John Galt
... Her sainted spirit most delights to trace? Thus, with the manly glow of honest pride, O'er his dead son the gallant ORMOND sigh'd. [b] Thus, thro' the gloom of SHENSTONE'S fairy grove, MARIA'S urn still breathes the voice of love. As the stern grandeur of a Gothic tower Awes us less deeply in its morning hour, Than when the shades of Time serenely fall On every broken arch and ivy'd wall; The tender images we love to trace, Steal from each year a melancholy grace! And as the sparks of social love expand, As the heart opens ...
— Poems • Samuel Rogers
... first wretchedness, Aurelia's youthful spirits had begun to revive, and the novel scenes to awaken interest. The Glastonbury thorn was the first thing she really looked at. The Abbey was to her only an old Gothic melancholy ruin, not worthy of a glance, but the breezy air of the Cheddar Hills, the lovely cliffs, and the charm of the open country, with its strange islands of hills dotted about, raised her spirits, ...
— Love and Life • Charlotte M. Yonge
... the west side of the great "quad." This includes, as has been said above, two long blocks of buildings connected by a large tower some seventy feet square. The style of architecture is that known as French secular Gothic; the buildings are of brown Portland stone, liberally trimmed with white sandstone from Ohio. Jarvis Hall contains forty-four suites of rooms for the students and the junior professors, unsurpassed for beauty and convenience by students' quarters elsewhere; they are so arranged ...
— The New England Magazine, Volume 1, No. 5, Bay State Monthly, Volume 4, No. 5, May, 1886 • Various
... and a little grapery, and a little aviary, and a little pheasantry, and a little dairy for show, and a little cottage for ditto, with a grotto full of shells, and a little hermitage full of earwigs, and a little ruin full of looking-glass, "to enlarge and multiply the effect of the Gothic."—"But you could only put your head in, because it was just fresh painted, and though there had been a fire ordered in the ruin all night, ...
— Tales and Novels, Vol. 6 • Maria Edgeworth
... formed chiefly through the windows of a railway carriage. She threw herself into the architectural studies of the Higher Thought Club, and distinguished herself, at the spring meetings, by her fluency, her competence, her inexhaustible curiosity on the subject of the growth of English Gothic. She ransacked the shelves of the college library, she borrowed photographs of the cathedrals, she pored over the folio pages of "The Seats of Noblemen and Gentlemen." She was like some banished princess who learns that she has inherited a domain in her own country, who knows that ...
— The Hermit and the Wild Woman and Other Stories • Edith Wharton
... meets an authoritative eye some one may be removed to one of the penal establishments and steps be taken to collect my debt. But so it was. And yet it is possible that the free right of entrance is intentional; since to charge for a building so unpardonably disfigured would be a hardy action. The Gothic arches have great beauty, but it is impossible from any point to get more than a broken view on account of the high painted wooden walls with which ...
— A Wanderer in Holland • E. V. Lucas
... traveller thus graphically describes the place as he saw it in 1854:—"And now came in view the glorious Balsille, springing from the bed of the Germanasca, and its successive wooded aiguilles rising like pinnacles up the steep roof of a Gothic cathedral.... Around it gape fearful ravines, each with its headlong torrent, separating it from the grand heights of the d'Albergian on the north, and the mount Guignivert on the south; whilst it is attached to the summit of the Col du Pis on the west. The peaks of Balsille are fringed ...
— The Vaudois of Piedmont - A Visit to their Valleys • John Napper Worsfold
... its fitting complement in the most slothful indolence. It has been the first to show what man's activity can bring about. It has accomplished wonders far surpassing Egyptian pyramids, Roman aqueducts, and Gothic cathedrals; it has conducted expeditions that put in the shade all former Exoduses ...
— The Communist Manifesto • Karl Marx and Friedrich Engels
... retained from the pre-Conquest building. The tall jambs of the arches of the central tower also remain on all four sides. The arches which they bear are of early Norman character; and the present tower is a late Gothic structure, the arches and piers of which are built up on the inner side of the older masonry. But the Saxon tower space, including the area of the arch-jambs, is rather wider than the arms of the cross which project from it. The tower formed a separate building, with ...
— The Ground Plan of the English Parish Church • A. Hamilton Thompson
... almost exclusively inhabited by poor fishermen. There is one building, however, that is conspicuous—so much so as to form the principal feature of the landscape. It is an old chateau—perhaps the only building of this character in Spain—whose slate roofs and gothic turrets and vanes, rising above the highest point of the cliffs, overlook ...
— Wood Rangers - The Trappers of Sonora • Mayne Reid
... general education; but the German student already has his mansard roof, so he goes there to add a steeple in the nature of some specialty, such as a particular branch of law, or diseases of the eye, or special study of the ancient Gothic tongues. So this German attends only the lectures which belong to the chosen branch, and drinks his beer and tows his dog around and has a general good time the rest of the day. He has been in rigid bondage so long that the large liberty of the university ...
— Innocents abroad • Mark Twain
... Gothic church, in size and importance, is that of St. GERVAIS— situated to the left, in the Rue de Monceau. It has a very lofty nave, but the interior is exceedingly flat and divested of ornament. The pillars ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Two • Thomas Frognall Dibdin
... Gothic church, and almost the only one in Germany which is actually finished. It was commenced in the twelfth century, and one of the princes of Zaehringen, from whom the present Grand Duke is descended, contributed largely to the vast expense; but ...
— Down the Rhine - Young America in Germany • Oliver Optic
... incomprehensible compositions. Roubiliac carved similar parabolic productions in marble and set them up in Westminster Abbey and elsewhere. In these, heathen divinities jostle Christian emblems; Paganism is seen abreast of true religion. In the aisle of a Gothic abbey, John, Duke of Argyle and Greenwich, warrior and orator, expires at the foot of a pyramid, on which History, weeping, writes his deeds, while Minerva (or Britannia) mourns at the side, and Eloquence above, tossing white arms in the air, deplores the loss she has sustained. Here we find Hercules ...
— Art in England - Notes and Studies • Dutton Cook
... and accustom our vision to the gloom; when, both of these ends being attained, we advanced a few paces into the cave, and a sight of the most indescribable sublimity burst upon us. The appearance was that of a huge Gothic cathedral, having its roof supported upon pillars of spar, moulded into the most regular shapes, and fluted and carved after the most exact models of architecture. The roof itself was indeed too lofty to be discerned, nor could the eye penetrate to anything like ...
— The Campaigns of the British Army at Washington and New Orleans 1814-1815 • G. R. Gleig
... mysterious way his wonders to perform." If the greatest of all his wonders be the human individual, the richness with which the specimens thereof are diversified, the limitless variety of outline, from gothic to classic or flowing arabesque, the contradictory nature of the filling, composed of little and great, of comic, heroic, and pathetic elements blended inextricably, in personalities all of whom can go, and go successfully, ...
— Memories and Studies • William James
... by the lofty mast In mist and smoke; His sword was hammering so fast, Through Gothic helm and brain it passed; Then sank each hostile hulk and mast, In mist and smoke. "Fly!" shouted they, "fly, he who can! Who braves of Denmark's Christian ...
— The Grateful Indian - And other Stories • W.H.G. Kingston |
