"Fresco" Quotes from Famous Books
 ... the master-pieces of antiquity, they have endeavoured to destroy and efface many of them. I have seen with my own eyes an evident proof of this at Bologna, where the greatest part of the paintings in fresco on the walls of the convent of St Michael in Bosco, done by the Carracci, and Guido Rheni, have been ruined by the painters, who, after having copied some of the finest heads, scraped them almost entirely out with nails. Thus, ...
— Letters of the Right Honourable Lady M—y W—y M—e • Lady Mary Wortley Montague
... with a facility the wonderful London auctioneer Robbins might envy, Ralph imparts to a lime-box, or pig-sty, a negro hovel, or an Irish shanty, all the romance, artistic elegance and finish of a first-class manor-house, or Swiss cottage, inlaid with alabaster and fresco, surrounded by elfin bowers, grand ...
— The Humors of Falconbridge - A Collection of Humorous and Every Day Scenes • Jonathan F. Kelley
... goose called the Egyptian Goose, or goose of the Nile. Its feathers are very handsomely marked with black, brown, green, and white. It is the goose so often represented, in old fresco paintings of heathen temples, by the ancients. This goose is famous for its devotion to its young. The old birds will remain with their offspring during times of most imminent danger, refusing to save themselves and leave their ...
— Mamma's Stories about Birds • Anonymous (AKA the author of "Chickseed without Chickweed")
... turned his head to stare at them. I suppose the denizens of the district were used to the apparition of them. To me they looked as if they had been the originals from which Guido Reni painted those of the car in which he has placed the celebrated Aurora of his world-famous fresco. They were solidly and heavily built wheels—very barbarous an English carriage-builder would have considered them in their heavy and clumsy magnificence—but they were very gorgeous. What could be the meaning of their appearance in public under such circumstances? ...
— Lippincott's Magazine of Popular Literature and Science - February, 1876, Vol. XVII, No. 98. • Various
... sovereign sky. I want to have painted a giant carpenter of the village as I once saw him, his great bare arms upholding a huge white pillar, while blue figures hung above and set the acanthus capital.... Some day we shall see these things in their own surprising values and fresco our village libraries with them." [Footnote: Zona Gale, "Friendship Village Love Stories," p. 47.] That appreciation and expression of the beautiful is something that the French explorers in that other world—the valley reached of the pioneers of the seeing ...
— The French in the Heart of America • John Finley
... old cathedral of Salamanca is a fresco of the Last Judgment, perhaps by the Castilian painter Gallegos. Over the retablo on a black ground a tremendous figure of the avenging angel brandishes a sword while behind him unrolls the scroll of the Dies Irae and huddled ...
— Rosinante to the Road Again • John Dos Passos
... you thought only of drinking or of shopping and never gave another look to the cup or the poster; and that Perugino or Wagner would have died of despair if his suggestion of the Madonna's sorrows or of Isolde's love-agonies had been so efficacious as to prevent anybody from looking twice at the fresco or listening to the end of the opera. This inversion of the question is worth inquiring into, because, like the analogous paradox about the pictorial "realisation" of cubic existence, it affords an illustration ...
— The Beautiful - An Introduction to Psychological Aesthetics • Vernon Lee
... frances, -a French. Francia France. Francisco Francis. francmason freemason. frase f. phrase, sentence. fratricida fratricidal. frecuente frequent. freir to fry. frenetico frantic. frente f. front, forehead; —— a, facing. fresal m. strawberry plant. fresco fresh, cool. frescura freshness, impudence. frio cold, frigid, m. cold, chill. frito (from freir) fried. frivolo frivolous. frontera frontier. fruta fruit. fruto fruit. fuego fire. fuer; a ...
— Novelas Cortas • Pedro Antonio de Alarcon
... the interior of the building brilliantly illuminated. The woodwork of the "stand" and the bible platform, the velvet-and-gold curtains of the Holy Ark, and the fresco paintings on the walls and ceiling were screamingly new and gaudy. So were the ornamental electric fixtures. Altogether the place reminded me of a reformed German synagogue rather than of the kind with which ...
— The Rise of David Levinsky • Abraham Cahan
... the brawny mob who rushed madly to the Benzine Hut. Plates and mugs were seized and portions measured out, while the diners distributed themselves on odd boxes lying about on the ice. Many who were accustomed to restaurants built tables of kerosene cases and dined al fresco. After the limited stew, the company fared on cocoa, biscuits—"hard tack"—and ...
— The Home of the Blizzard • Douglas Mawson
... are wines from the colder slopes of mountains; wines from Parma and from Sicily and Palermo where the warm Italian sunshine has been the arch-chemist to bring perfection to the fruit of the vine. Here are still wines and those that sparkle. Here the famed Lacrima Christi, both spumanti and fresco, said to be the finest wine made in all Italy, and the spumanti have the unusual quality for an Italian wine of being dry. But to tell you of all the interesting articles to be found in these Italian, and French and Mexican stores, would be impossible, for some of them have not been ...
— Bohemian San Francisco - Its restaurants and their most famous recipes—The elegant art of dining. • Clarence E. Edwords
... present to turn round, or look on one side, for the purpose of seeing what she is wearing; is more of a conversationalist than a speaker; likes chit- chat; would be at home in a conversazione or al fresco tea party, where the attendants walk about, gossip merrily, and, whilst holding a tea cup in one hand, poise with two fingers a piece of delicately- buttered toast in the other—a continental style ...
— Our Churches and Chapels • Atticus
... sound attracted the young man's attention. He looked round him, and saw on the mantel-shelf, just below an enormous crucifix, coarsely painted in fresco on the wall, a rat of enormous size engaged in nibbling a piece of dry bread, but fixing, all the time, an intelligent and inquiring look upon the new occupant of the cell. The king could not resist a sudden impulse of fear ...
— The Vicomte de Bragelonne - Or Ten Years Later being the completion of "The Three - Musketeers" And "Twenty Years After" • Alexandre Dumas
... room, the Hall of the Saints, and Kennedy took Caesar in front of the fresco called, The Dispute of Saint ...
— Caesar or Nothing • Pio Baroja Baroja
... any such place as we wish about you. I have not much hope of his success. The scent of the roses will not depart, though the many are scattered. I hardly hope to say directly how very beautiful it lies in my memory. What a heart-fresco it has become! All the dignity, the strength, the devotion will be preserved by you; that graceful "aimlessness" comes no more. And yet that was necessary. Long before I knew of the changes I perceived that the growth of the place would overshadow the spots where the sunlight ...
— Early Letters of George Wm. Curtis • G. W. Curtis, ed. George Willis Cooke
... Crucifixion. The head of the Saviour bore a large crown of gilded thorns, and from the wound in His left side flowed a continuous stream of red gouts of blood, extraordinarily intense in colour (and intensity of colour is no common quality in fresco-painting). At the foot of the cross stood a Roman soldier, with two female figures in dark-coloured drapery a little to the right, and in the background a man clad in a loose dark upper coat, which reached a ...
— Old Fires and Profitable Ghosts • A. T. Quiller-Couch
... representations on objects of the Mycenaean period, the most interesting of which will be presently described (see page 67). The comparison of these with one another leaves little room for doubt that the Tirynthian fresco was intended to portray the chase of a wild bull. But what does the man's position signify? Has he been tossed into the air by the infuriated animal? Has he adventurously vaulted upon the creature's ...
— A History Of Greek Art • F. B. Tarbell
... were drawn from youth and womanhood, it was not because he did not understand the purely masculine. The AEneas of the Borgo fresco, the Paul of the Cecilia altar-piece, and the Sixtus of the Sistine Madonna show, in three ages, what is best and ...
— Raphael - A Collection Of Fifteen Pictures And A Portrait Of The - Painter With Introduction And Interpretation • Estelle M. Hurll
... to outdo Solomon in all his glory, and she was conveyed in a perfectly new motor car. When Margaret, looking on from beyond the pond, saw her descend from the machine, she could not help thinking of a dreadful fresco she had once seen on the ceiling of an Italian villa, representing a very florid, double-chinned, powerful eighteenth-century Juno apparently in the act of getting down into the room from her car, to the great ...
— Fair Margaret - A Portrait • Francis Marion Crawford
... Association met with Rev. Isaac Hall's church, which with paint and fresco had put its house of worship into beautiful condition. Dr. W. S. Alexander was elected Moderator for the eighth year. A member of his church, a converted Catholic, was licensed that he might preach among the French-speaking colored people in ...
— The American Missionary — Volume 38, No. 06, June, 1884 • Various
... auf erden, als ir dort woldt geurtheilt werden," in the German and Latin languages, and below this motto, urging the magistrates to justice, was a large fresco representing the unjust judge Sisamnes being flayed by an executioner in the costume of the Nuremberg Leben—[Executioner's assistant. Really "Lowen."]—before the eyes of King Cambyses, in order to cover the judgment seat with his skin. Another picture represented this lofty throne, on ...
— Uarda • Georg Ebers
... side of the large room, and here are represented wild animals, the lion chasing a bull, &c. The upper part of the house is raised, where stands a gaily-painted column—red and yellow in festoons; behind which, and over a doorway, is a fresco painting of a summer-house perhaps a representation of some country-seat of the proprietor, on either side are hunting-horns. The most beautiful painting in this room represents a Vulcan at his forge, assisted by three dusky, aged figures. In the niche of the outward room a small statue was found, ...
— The Illustrated London Reading Book • Various
... besides, vast and splendid saloons, destined for grand balls, ought to have a different character from rooms in ordinary occupation: there is between the two species of apartments the same difference as between a splendid fresco ...
— The Mysteries of Paris V2 • Eugene Sue
... the foot of the first flight of steps, above the charter of 1213, setting forth all its privileges, is the frescoed figure of Innocent III., who first raised Subiaco into an abbacy; in the same fresco is represented Abbot John of Tagliacozzo, under whom (1217-1277) many of the ...
— Seeing Europe with Famous Authors, Vol VIII - Italy and Greece, Part Two • Various
... The pillars supporting these arches are Corinthian, with richly sculptured capitals; and wherever gilding might adorn the church, it is lavished like sunshine; and within the sweeps of the arches there are fresco paintings of sacred subjects, and a beautiful picture covers the hollow of the vault over the altar; all this, besides much sculpture; and especially a group above and around the high altar, representing the Magdalen smiling down upon angels and archangels, some of whom are kneeling, and shadowing ...
— Seeing Europe with Famous Authors, Volume 3 • Various
... upon the Agora, Paul would distinguish a cloister or colonnade. This is the Stoa Poecile, or "Painted Porch," so called because its walls were decorated with fresco paintings of the legendary wars of Greece, and the more glorious struggle at Marathon. It was here that Zeno first opened that celebrated school which thence received the name of Stoic. The site of the garden where Epicurus taught is now unknown. It was no doubt within the city walls, ...
— Christianity and Greek Philosophy • Benjamin Franklin Cocker
... parlor or sitting-room; the other side is arranged for bedroom conveniences. Of this, Fig. 4 shows the front side;—covered first with strong canvas, stretched and nailed on. Over this is pasted panel-paper, and the upper part is made to resemble an ornamental cornice by fresco-paper. Pictures can be hung in the panels, or be pasted on and varnished with white varnish. To prevent the absorption of the varnish, a wash of gum isinglass (fish-glue) must be ...
— The American Woman's Home • Catherine E. Beecher and Harriet Beecher Stowe
... her in a rich voice. He was of Irish descent but American born. Both his motions and his speech were adorned with flourishes of grace which betrayed his race. He placed a chair for Ellen with a sweep which would have been a credit to the stage. All his actions had a slight exaggeration as of fresco painting, which seemed to fit them for a stage rather than a room, and for an audience rather ...
— The Portion of Labor • Mary E. Wilkins Freeman
... and western arches are exquisite in their simple proportion, and the delicate charm of the fresco of their vaulted passages. The quality of this interior decoration is enhanced by the beauty of the staff work, which throughout this court is the most successful found in the Exposition. Here this plaster ...
— The Jewel City • Ben Macomber
... painter in this fresco, the last work finished, had dissatisfied me in one particular. 'That beautiful young face,' said I, 'appears not to ...
— Imaginary Conversations and Poems - A Selection • Walter Savage Landor
... Raphael, the painter, wrote a volume of sonnets to be seen only by one. Dante, poet of the "Inferno," drew an angel in memory of the one (of Beatrice). He—Mr. Browning—has only his verse to offer. But as the fresco painter steals a camel's hair brush to paint flowerets on his lady's missal—as he who blows through bronze may also breathe through silver for the purpose of a serenade, so may he lend his talent to a different use. He has completed his volume of "Men" and "Women." ...
— A Handbook to the Works of Browning (6th ed.) • Mrs. Sutherland Orr
... remains of this period and possibly of Saxon times; the main portion is, however, Early English. Note the stone slabs outside the porch; these were brought from Bosham by a former incumbent. There is a sixteenth-century fresco on one of the nave pillars depicting St. Thomas Aquidas disputing with the doctors. In the churchyard are several interesting graves and a very ancient yew reputed to be ...
— Seaward Sussex - The South Downs from End to End • Edric Holmes
... l. 21. 'The Last Supper of Leonardo da Vinci.' A reproduction of the head of our Blessed Lord, taken from the fresco (photograph), is given in the quarto edition of Southwell's complete Poems in the Fuller Worthies' Library—none the less precious that it pathetically reveals the marks of Time's 'effacing fingers.' ...
— The Prose Works of William Wordsworth • William Wordsworth
... two rooms that Gypsy and I both liked best of anything. One is called the Marble Room, and the other the Fresco Room. The Marble Room is all made of marble,—walls, floor, window-sills, everything but the furniture. The marble is of different colors and patterns, and just as beautiful! The furniture ...
— Gypsy's Cousin Joy • Elizabeth Stuart Phelps
... to grace or beauty, while a modern painter invariably thinks of the grace and beauty of his work first, and unites afterwards as much truth as he can with its conventional graces. I will give you a single strong instance to make my meaning plainer. In Orcagna's great fresco of the Triumph of Death, one of the incidents is that three kings,[35] when out hunting, are met by a spirit, which, desiring them to follow it, leads them to a churchyard, and points out to them, in open coffins, three bodies of kings such as themselves, in the last stages of corruption. ...
— Lectures on Architecture and Painting - Delivered at Edinburgh in November 1853 • John Ruskin
... that of other pagodas, two white griffins looking up at the sky, with busy modern life at their feet. There was a long approach of shallow steps between double rows of red pillars with much wood-carving overhead, and panels of poor fresco; but it was rather dark to see details, and the stall-holders from either side were departing, and we could see little but the flare of these ladies cheroots. As we got up towards the centre of the temple, ...
— From Edinburgh to India & Burmah • William G. Burn Murdoch
... are any. Now I know, furthermore, the origin of that small slab of verde antico which had puzzled me, mixed up, as it was, among the mosaics of quite modern marbles in that church whither I had been conducted by a local antiquarian to admire a certain fresco recently laid bare, and some rather ...
— Alone • Norman Douglas
... black and white stone, not ceiled, and its beams painted, was furnished with one of those enormous sideboards with marble tops, required by the war waged in the provinces against the human stomach. The walls, painted in fresco, represented a flowery trellis. The seats were of varnished cane, and the doors of natural wood. All things about the place carried out the patriarchal air which emanated from the inside as well as the outside of the house. The genius of the provinces preserved everything; nothing was new or ...
— The Jealousies of a Country Town • Honore de Balzac
... here, while almost every important church had an altar dedicated to him. An altar of St. Ninian was endowed by the Scottish nation in the Carmelite Church at Bruges in Catholic ages. There is a portion of a fresco on the wall of Turriff Church, Aberdeenshire, which bears the figure of St. Ninian. The burgh of Nairn was placed under his patronage. Many holy wells bore his name: at Arbirlot, Arbroath, Mains and Menmuir (Forfarshire); Ashkirk (Selkirkshire); ...
— A Calendar of Scottish Saints • Michael Barrett
... 'bandit', 'bravo', 'bust' (it was 'busto' as first used in English, and therefore from the Italian, not from the French), 'cameo', 'canto', 'caricature', 'carnival', 'cartoon', 'charlatan', 'concert', 'conversazione', 'cupola', 'ditto', 'doge', 'domino'{17}, 'felucca', 'fresco', 'gazette', 'generalissimo', 'gondola', 'gonfalon', 'grotto', ('grotta' is the earliest form in which we have it in English), 'gusto', 'harlequin'{18}, 'imbroglio', 'inamorato', 'influenza', 'lava', 'malaria', 'manifesto', 'masquerade' ('mascarata' in Hacket), 'motto', ...
— English Past and Present • Richard Chenevix Trench
... sewing-machines the only marks of civilization. On the outside, at one end of the terrace, burns the cooking-fire under a shed; at the other there is perhaps a pen for pigs; the remainder is the evening lounge and al fresco banquet-hall of the inhabitants. To some houses water is brought down the mountains in bamboo pipes, perforated for the sake of sweetness. With the Highland comparison in my mind, I was struck to remember the sluttish mounds of turf and stone in which I have sat and been ...
— In the South Seas • Robert Louis Stevenson
... with bodily eyes in the National Gallery. Indeed, it is no exaggeration to say that where it hangs in that gallery it has not once given me one half-second of real pleasure. It is a third-rate picture now; but even the masterpieces, Perugino's big fresco, Titian's "Bacchus and Ariadne," Pier della Francesca's "Baptism"; have they ever given me the complete and steady delight which that mediocre Sienese gave me at the end of the wintry drive, in the faintly illumined chapel? More often than not, as Coleridge puts it, I have ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee
... Raphael's fresco of a battle, in the Vatican, saw again a fierce struggle last Friday. More than fifty were brought ...
— At Home And Abroad - Or, Things And Thoughts In America and Europe • Margaret Fuller Ossoli
... appears to have lived very long; and those that he left were made in such a way, that it may well be believed from this showing that he would have become excellent and rare if he had not died so soon. In two chapels of S. Agostino in Siena there are seen some little pictures with figures in fresco, by his hand; and in the church, on a wall now pulled down in order to make chapels there, was a scene of a youth led to execution, as well made as it could possibly be imagined, there being seen expressed in it the pallor and fear of death, in so lifelike a manner that he deserved ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol 2, Berna to Michelozzo Michelozzi • Giorgio Vasari
... Extract from a fresco by SPINELLO ARETINI, in the Municipal Palace at Siena, representing a GALLEY FIGHT (perhaps imaginary) between the Venetians and the fleet of the Emperor Frederick Barbarossa, and illustrating the arrangements of ...
— The Travels of Marco Polo Volume 1 • Marco Polo and Rustichello of Pisa
... history and of criticism has given us the opportunity to reach a comprehension of the most peculiar formulas. Our culture is sufficiently broad to allow us to perceive the beauty of an Egyptian fresco or an Assyrian bas-relief as well as of a Byzantine mosaic or a painting of the Renaissance. We have therefore no excuse for remaining inaccessible to the art of the Far East and we have surely all the mental vigor that is requisite in order to accustom ...
— Chinese Painters - A Critical Study • Raphael Petrucci
... need so much study to enjoy Lionardo da Vinci's great fresco, of which he wrote long and elaborately, and, altogether, Milan afforded him very great delight and was a new world to him. It was the farthest limit of his travels on this occasion. The party returned by way of Geneva; and Coley, alone with four guides, attempted the Col du Geant. ...
— Life of John Coleridge Patteson • Charlotte M. Yonge
... which had once rung to the iron tread of military monks, with coats of arms in clusters on the lofty roof, marble warriors and their wives without noses occupying a large proportion of the area, and the twelve apostles with their heads very much on one side, holding didactic ribbons, painted in fresco on the walls. ...
— George Eliot; A Critical Study of Her Life, Writings & Philosophy • George Willis Cooke
... ever a boarding-house in the world where the seemingly prosaic table had not a living fresco for its background, where you could see, if you had eyes, the smoke and fire of some upheaving sentiment, or the dreary craters of smouldering or burnt-out passions? You look on the black bombazine and high-necked decorum of your neighbor, and no more think of the real life that underlies this ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... has long been the theme of the moralist in art, from Orcagna's fresco on the walls of the Campo Santo at Pisa to Holbein's great woodcuts and our own Rowlandson. In Germany especially have these macabre imaginings flourished. The phantasmagoria of decay has haunted German art, as it haunted Poe, from Duerer to Boecklin. But the mediaeval Dance of Death ...
— Raemaekers' Cartoons - With Accompanying Notes by Well-known English Writers • Louis Raemaekers
... of the Dioscuri was visited next. It is in the Via dei Mercurii, and is a very interesting and extensive ruin, and contains some handsome fresco paintings. After this they visited many other houses, a description of which is not necessary; they were all like the Villa of Diomede, though less interesting; and among them all there was the same general character. In all these only the lower stories remained, though in a ...
— Among the Brigands • James de Mille
... The fresco—fresco means painted on fresh plaster—is on the ceiling of the Rospigliosi Palace, Rome. The painting is as brilliant in color to-day as it was when painted three hundred ...
— The Children's Book of Celebrated Pictures • Lorinda Munson Bryant
... species? Do they not feel as much emotion for a picture of a round of beef as for a picture of the Crucifixion, and do they feel less for a Sassanian textile? If what they had taken for a jug turns out to be a paper-weight; if, as sometimes happens in a battered fresco, what was said to be the Heavenly host is proved to be a pack of licentious Florentines, do they really have to readjust their aesthetic attitude? If people who are capable of feeling and of analysing their feelings will give me honest answers to these questions, ...
— Pot-Boilers • Clive Bell
... designs from the human figure, and the sweetness of his coloring. Eight years ago he was commissioned by M. de Luynes, who then wore the title of Duke—which, it must be said, he is still called by, though the Republic frowns on such aristocratic distinctions—to paint two historical pictures in fresco, for a country-house near Paris. The subjects were left to the choice of the artist, who was to have 100,000 francs (or L20,000) for the two pictures, one quarter of which was paid him in advance. During these eight years Mr. Ingres has begun various designs, ...
— The International Weekly Miscellany, Vol. 1, No. 7 - Of Literature, Art, and Science, August 12, 1850 • Various
... the "strong hand," of which the ruined fortress is now the only reminder; but there is a more beautiful monument of old days and usages in the thirteenth-century church of St. Martin, not badly restored, where the stained-glass windows are genuinely mediaeval, as well as the fresco on gold ground representing the "Seven Joys of Mary," painted in 1463. Just above Remagen lies the Victoria-berg, named after the crown-princess of Prussia, the princess-royal of England, and this is the evening resort of weary Remageners—a lovely public garden, ...
— Lippincott's Magazine, Vol. 20, August 1877 • Various
... Republic. Very few are the remnants that have come down to us from the time of the Bishops. An inscription, however, on a house in Via S. Luca close to S. Siro remains, telling how in the year 580 S. Siro destroyed the serpent Basilisk. In the church itself a seventeenth-century fresco commemorates ...
— Florence and Northern Tuscany with Genoa • Edward Hutton
... rays of the sun. The pavilions nearest to that of the sun were reserved for the Princes of the blood and the ministers; the rest were occupied by persons holding superior offices at Court, or invited to stay at Marly. Each pavilion was named after fresco paintings, which covered its walls, and which had been executed by the most celebrated artists of the age of Louis XIV. On a line with the upper pavilion there was on the left a chapel; on the right a pavilion called La Perspective, which concealed along suite of offices, containing a hundred ...
— Memoirs Of The Court Of Marie Antoinette, Queen Of France, Complete • Madame Campan
... for riding is over. The stuttering wit declared, that the only secret which Cropdale ever kept, was the place of his lodgings; but he believed, that, during the heats of summer, he commonly took his repose upon a bulk, or indulged himself, in fresco, with one of the kennel-nymphs, under the portico of St Martin's church. 'Pox on him! (cried the bookseller) he might as well have taken my whip and spurs. In that case, he might have been tempted to steal another horse, and ...
— The Expedition of Humphry Clinker • Tobias Smollett
... Hour before Aurora, In Guido's famous fresco which alone Is worth a tour to Rome, although no more a Remnant were there of the old world's sole throne. The 'tout ensemble' of his movements wore a Grace of the soft ideal, seldom shown, And ne'er to be described; for ...
— Don Juan • Lord Byron
... fresco on the cab and sides of the giant commissary trucks that raise the dust along the winding white road over the hills. Snorting motorcycles with two men over the motor and an officer in the side car skim ...
— "And they thought we wouldn't fight" • Floyd Gibbons
... see Monumenti Storici ed. Artistici degli Abruzzi, by V. Bindi, Naples, 1889, Part I. (Testo), pp. 655, sq. The abbey is in a ruinous condition, but on the walls of "un ampio porticato," there is still to be seen a fresco of Charlemagne, holding in his hands the deed of gift of ...
— The Works of Lord Byron, Volume 4 • Lord Byron
... autumn of his life. His material gave him an advantage over his great followers of the fifteenth and sixteenth centuries, insomuch that glass has a living and glowing quality of light not existing in the somewhat clouded purity of oil or fresco. ...
— Scientific American Supplement, No. 799, April 25, 1891 • Various
... such moments of despondency in the face of a great task? In such moments I have often called to mind one of those parables of Nature which are everywhere around us, unseen and unheeded, like those exquisite fresco angels of the old masters, in dim corners of ancient churches, blowing silent trumpets of praise and adoration and touching mute viols into mystic melodies which are lost to us. So thin has the material veil grown under the touch of modern ...
— The Power of Womanhood, or Mothers and Sons - A Book For Parents, And Those In Loco Parentis • Ellice Hopkins
... an independent life, is now Brighton; but nothing can harm its little English church, noticeable for a fresco of the murder of Thomas a Becket, a representation dating probably from the reign ...
— Highways & Byways in Sussex • E.V. Lucas
... he himself appears to have passed some time there, the venerable Guardian, Juan Perez de Marchena, being his zealous and affectionate friend.—The ceremonies of his departure and return are represented in many of the fresco-paintings in the ...
— Poems • Samuel Rogers
... wit! What good humor, what unconstraint, what delightful ease! What a series of charming portraits, each more lifelike, more animated, still better than all the others! "These little miniatures—due to the brush of a woman of the world—are better worth studying than is many a picture or fresco." ...
— Women of Modern France - Woman In All Ages And In All Countries • Hugo P. Thieme
... the region of hell, with its monstrous torments, its wells of flames, its ocean with seven bitter waves: ice, fire, blood ... a rudimentary rendering of legends interpreted in their turn by Dante in his poem, and Giotto in his fresco.[326] The thought of Giotto especially, when reading those sermons, recurs to the memory, of Giotto with his awkward and audacious attempts, Giotto so remote and yet so modern, childish and noble at the same time, who represents devils roasting the damned on spits, ...
— A Literary History of the English People - From the Origins to the Renaissance • Jean Jules Jusserand
... in the inn-parlor, kitchen, laundry, and dining-room, all in one, just over against the end of the lake; and enjoy a rasher of bacon and eggs with as much gusto as if we were in the midst of a palace of fresco. Ornamental eating has become with us a species of gaudy, ostentatious vulgarity; and a dining-room a sort of fool's paradise. I never think of the little simple meal at St. Peter's now, without ...
— Acadia - or, A Month with the Blue Noses • Frederic S. Cozzens
... human appeal, considering the human patience and thought that have gone to its making and beautifying, inside and out. No other church has had much more than a tithe of such toil. The Sistine Chapel in Rome is wonderful enough, with its frescoes; but what is the labour on a fresco compared with that on a mosaic? Before every mosaic there must be the artist and the glass-maker; and then think of the labour of translating the artist's picture into this exacting and difficult medium and absolutely covering every ...
— A Wanderer in Venice • E.V. Lucas
... care should therefore be given to its furnishing. Light colors and gilding should be avoided. The wall and ceiling decorations now mostly used are in dark, rich colors, shaded in maroons or deep reds. Plain tinted walls and ceilings in fresco or wainscot are also frequently used. The latest shades of wall paper come in wood colors, dark olive-greens, stone color, and grays, in tile, arabesque and landscape designs, and with these are used a corresponding ...
— The Ladies Book of Useful Information - Compiled from many sources • Anonymous
... Wroughton Church, Wilts.—Not very long ago, while this church was under repair, there was discovered on one of the pillars, behind the pulpit, a fresco painting of a mitred abbot. I have corresponded with the rector on the subject, but unfortunately he kept no drawing of it; and all the information he is able to afford me is, that "the vestments were those ordinarily pourtrayed, with scrip, crosier," &c. Such being the case, I ...
— Notes and Queries, No. 209, October 29 1853 • Various
... forms of art were all applied. Stone carving was applied to architecture, thus colored stones, called mosaics, as wall decorations; from these to the fresco; from the fresco to the pictorial form of painting. To-day the final degeneration of art is in the easel picture, which as an object detached and disassociated from its surroundings, takes refuge in the story-telling phase ...
— Mother Earth, Vol. 1 No. 3, May 1906 - Monthly Magazine Devoted to Social Science and Literature • Various
... Dionysus takes us back, then, into that old Greek life of the vineyards, as we see it on many painted vases, with much there as we should find it now, as we see it in Bennozzo Gozzoli's mediaeval fresco of the Invention of Wine in the Campo Santo at Pisa- -the family of Noah presented among all the circumstances of a Tuscan vineyard, around the press from which the first wine is flowing, a painted idyll, with its vintage colours still opulent in decay, and ...
— Greek Studies: A Series of Essays • Walter Horatio Pater
... has put a dress, a she-devil well paid, no doubt, to guard this delicious creature.... Ah, then the duenna made me deeper in love. I grew curious. On Saturday, nobody. And here I am to-day waiting for this girl whose chimera I am, asking nothing better than to pose as the monster in the fresco." ...
— The Thirteen • Honore de Balzac
... is a curious thing that we do not succeed in fresco. The grace is gone out of it; modern painters have not the lightness of touch necessary; they are used to masses of colour, and they use the palette knife as a mason the trowel. The art, too, like the literature ...
— Wisdom, Wit, and Pathos of Ouida - Selected from the Works of Ouida • Ouida
... tiles made in this country do not preserve their colour like the English ones. The ceilings of some of the passages are beautifully decorated; and one of the committee rooms, appropriated to agricultural matters, is remarkably well painted in fresco; all the subjects have allusion to agricultural pursuits. In the centre of the building, round the circular part, under the dome, are some very indifferent pictures, representing subjects connected with the history of America, beginning with the landing of Columbus. Two out of the eight represented ...
— First Impressions of the New World - On Two Travellers from the Old in the Autumn of 1858 • Isabella Strange Trotter
... connection patent to all? She fused everything, and filled him with it and it with him: the mounting tones of violins and trumpets, the sparkling quincunxes of the girdling balcony-front, the wide band of fresco which ran in unison with the arches of glittering bulbs above their heads, the circling and swaying throng—all the sheen and splendor of a vast ...
— With the Procession • Henry B. Fuller
... justifies. We all feel that art is immensely important; my hypothesis affords reason for thinking it so. In fact, the great merit of this hypothesis of mine is that it seems to explain what we know to be true. Anyone who is curious to discover why we call a Persian carpet or a fresco by Piero della Francesca a work of art, and a portrait-bust of Hadrian or a popular problem-picture rubbish, will here find satisfaction. He will find, too, that to the familiar counters of criticism—e.g. "good drawing," ...
— Art • Clive Bell
... with a beamed ceiling and oak paneled walls a painted fresco or a frieze of tapestry or some fine fabric is a very fine thing, especially if it has a lot of primitive red and blue and gold in ...
— The House in Good Taste • Elsie de Wolfe
... room into which visitors are shown. Adjoining the cuadro are the sleeping-rooms, the dining-room, the nursery, &c. These apartments communicate with a second court-yard, called the Traspatio, the walls of which are often adorned with fresco paintings. This Traspatio, a portion of which is usually laid out as a little garden, communicates with the kitchen and the stable (corral). A small avenue, called the callejon, forms a communication from the first to the second Patio, and ...
— Travels in Peru, on the Coast, in the Sierra, Across the Cordilleras and the Andes, into the Primeval Forests • J. J. von Tschudi
... persuading himself that he was a great artist, and this conviction constituted his happiness. This much at least could be said of him, that he managed his brush and pencil with remarkable dexterity, and could execute four or five square feet of fresco painting in a few hours. The doctrines of Mount Athos, which place he had visited in his youth, had no more secrets for him; Byzantine aesthetics had passed into his flesh and bones; he knew by heart the famous "Guide to Painting," drawn up by the monk Denys and his pupil Cyril of ...
— Stories of Modern French Novels • Julian Hawthorne
... of themselves. The articles of furniture, which stood out from the walls, were duplicated on the floor distinctly as if they floated unrippled water; even the panelling of the walls, the figures upon them in painting and bas-relief, and the fresco of the ceiling were reflected on the floor. The ceiling curved up towards the centre, where there was an opening through which the sunlight poured without hindrance, and the sky, ever so blue, seemed in hand-reach; the impluvium under the opening ...
— Ben-Hur: A Tale of the Christ • Lew Wallace
... this clever person was not content with doing things in an ordinary way, but set up three. While her house was being prepared,—which she ordered to be done by the first artists in their way, the walls being painted in fresco,—she drove down to Brighton in her travelling carriage, with four horses and two outriders. She gave an order for the furnishing of her house to the amount of L4000, and commissioned from Hatchett, the celebrated coachmaker, a ...
— Blackwood's Edinburgh Magazine, Volume 59, No. 364, February 1846 • Various
... vast cathedral is opened before my gaze. The lofty white marble columns support a vaulted roof painted in fresco, from which are suspended a thousand lamps that emit a mild and steady effulgence. The great altar is illuminated; the priests, in glittering raiment, pace slowly to and fro. The large voice of the organ, murmuring to itself awhile, breaks ...
— A Romance of Two Worlds • Marie Corelli
... of resource avails us— Shade so finely touched, love's sense must seize it. Take these lines, look lovingly and nearly, Lines I write the first time and the last time. He who works in fresco, steals a hair-brush, Curbs the liberal hand, subservient proudly, Cramps his spirit, crowds its all in little, Makes a strange art of an art familiar, Fills his lady's missal-marge with flowerets. He who blows thro' bronze, may breathe thro' silver, Fitly serenade a slumbrous ...
— Robert Browning: How To Know Him • William Lyon Phelps
... in high-swung carriages, and young bloods dashing by in their curricles. The tables before the coffee-houses were thronged with idlers taking their chocolate and reading the gazettes; and here and there the arched doorway of a palace showed some gay party supping al fresco in a garden ...
— The Valley of Decision • Edith Wharton
... the accident spread rapidly through the city. The people flocked to the churches. At St. Agnes the wonderful deliverance was commemorated by a special service. The interior of this church has been since restored at great cost by Pius IX. A fresco in the open space in front represents the scene at the convent. The 12th of April is now a holiday at Rome, and it is observed every year with piety and gratitude. Twenty years later—12th of April, 1875—the ...
— Pius IX. And His Time • The Rev. AEneas MacDonell
... the other Greek islanders, and like the Wallachians, are often of colossal stature. But the classical Greeks, we are pretty certain, were a race of little men. We have more arguments than one for this belief. But one will be sufficient. The Athenian painter who recorded the battle of Marathon in fresco upon the walls of a portico, was fined for representing the Persians as conspicuously taller than the Greeks. But why?—why should any artist have ascribed such an advantage to the enemy, unless ...
— Theological Essays and Other Papers v2 • Thomas de Quincey
... a great hall with a vaulted roof, and over the altar is a large painting in fresco, the subject of which I did not trouble myself to make out. More appropriate adornments of the place, dedicated as well to martial reminiscences as religious worship, are the long ranges of dusty and tattered banners that hang from their staves alt round the ceiling of the ...
— Atlantic Monthly, Volume 11, Issue 67, May, 1863 • Various
... plenty; and he gathers round him all that makes life full-toned and harmonious, from the grand timbre of draught-ale and the organ-thunder of hunting, to the piccolo and tintinnabulum of Poker and maraschino. His life is a fresco-painting, on which some Cyclopaean Raphaelite has poured his rainbows from a fire-engine of ...
— Twenty-One Days in India; and, the Teapot Series • George Robert Aberigh-Mackay
... decorations of the chapel of S. Egidio in Santa Maria Nuova, carried out during the years 1441-1451 by Domenico Veneziano and in conjunction with Andrea del Castagno. That he was commissioned to complete the series at a later date (1460) is certain. In 1462 Alessio was employed to paint the great fresco of the Annunciation in the cloister of the Annunziata, which still exists in ruined condition. The remains as we see them give evidence of the artist's power both of imitating natural detail with minute fidelity and of spacing his figures in a landscape with a large sense of ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 2 - "Baconthorpe" to "Bankruptcy" • Various
... for dinner. It was a larger light, and lofty room. The ceiling was covered with paintings of allegorical subjects, in fresco, descriptive of the advantages of piety and learning. Among the various groups, I thought I could discern—as I could only take a hasty survey during my meal—the apotheosis of the founder of the monastery. Perhaps ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Three • Thomas Frognall Dibdin
... geometry, botany, and physical geography. In the third year the course is extended to the theory of decoration, color, form, and proportion; conventionalism, symbolism, the decorative arts, stained glass, fresco painting, tiles, terra-cotta, original designs, specifications, integral calculus, strength of materials, dynamics, bridges and roofs, stereotomy. In the fourth year the student is turned out a finished ...
— Scientific American Supplement, No. 446, July 19, 1884 • Various
... Kashmir; Lamas and Tibetans. —— Dagroian, Socotra (See also Conjurers.). Sornau (Shahr-i-Nau), Siam. Sotiates, tribe of Aquitania. Soucat. Southey, St. Romuald. Spaan, Ispahan. Sposk, district. Spezerie. Spice, Spicery. Spice wood. Spices in China, duty on. Spikenard. Spinello Aretini, fresco by. Spirit drawings and spiritual flowers. Spirits haunting deserts. Spiritualism in China. Spittoons, pocket. Spodium (Spodos). Sport and game, in Shan-si; Cachanfu; Cuncun; Acbalec Manzi; Tibet; Caindu; Zardandan; ...
— The Travels of Marco Polo, Volume 2 • Marco Polo and Rustichello of Pisa
... the arts of etching and mezzotint engraving depend principally for their effect on the velvety, or bloomy texture of their darkness, and the best of all painting is the fresco work of great colourists, in which the colours are what is usually called dead; but they are anything but dead, they glow with the luminous bloom of life. The frescoes of Correggio, when not repainted, are supreme in ...
— Lectures on Art - Delivered before the University of Oxford in Hilary term, 1870 • John Ruskin
... number of six, were each ornamented by a cupola painted in fresco, and statues in marble by the greatest masters, which, after being left for some time exposed to the injuries of the air in the court looking towards the country, are at length deposited in the ...
— Paris As It Was and As It Is • Francis W. Blagdon
... The Italian Franciscan monk, Bonaventura, and Peter Damiani, were above all others instrumental in spreading the worship of the Virgin, and Damiani said of her: "To Thee has been given all power in heaven and on earth." The fresco of the Camposanto at Pisa, ascribed to Orcagna, shows the transfigured Virgin sitting by the side of Christ, not below Him. The numerous legends in which Mary, often regardless of justice and propriety, ...
— The Evolution of Love • Emil Lucka
... to us," he said, "that Queen Mary paddled over this lake, or Cromwell's soldiers whitewashed that fresco? Give me a clean, new American church, anyhow, before all of your mouldy, tomby cathedrals. These things are so many cancelled cheques to me. I have nothing to pay on them. It is live issues that draw on my heart. You American girls ought ...
— Frances Waldeaux • Rebecca Harding Davis
... have gathered together. There are companies and droves of men, with watchmen, in the vapors of dawn; and in the middle one makes out the children and the women, crowding together like fallow deer. To eastward I see, in the silence of a great fresco, the diverging beams of morning gleaming, through the intervening and somber statues of two hunters, whose long hair is tangled like briars, and who hold each other's hand, ...
— Light • Henri Barbusse
... I found save solitude. I stood to-day before the mutilated fresco of Morone, my rapture of six years ago, and hated it with unreasoning hatred. The Madonna belied the wreath-supported inscription above her head, "Miseratrix virginum Regina nostri miserere," and greeted me with a pitiless simper. The unidentified martyr on the left stared ...
— The Morals of Marcus Ordeyne • William J. Locke
... tapestries after the sixteenth-century Raphael cartoons now at South Kensington. These tapestries are, it is to be presumed, late copies, since, of the two early sets woven at Arras, one is preserved in the Vatican and the other at the Museum at Berlin. A modern fresco of Jeanne Hachette, a local Amazon, adorns one of the choir chapels. A modern astronomical clock, with numerous dials, striking figures, and crowing cocks, is placed near the north transept. It might naturally be supposed that in our day the canons of good ...
— The Cathedrals of Northern France • Francis Miltoun
... beautiful costume ball the other evening, which I must tell you about, because it was so original. The stables were connected with the salons by a long, carpeted gallery, at the end of which was a huge fresco on the walls, representing a horse-race in a very lifelike manner. Through a large plate-glass window one could see the whole stable, which was, as you may imagine, in spick-and-span order; and Count Castellane's ...
— In the Courts of Memory 1858-1875. • L. de Hegermann-Lindencrone
... heretofore (much to the amusement of the chorister boys) though with a kind of veil upon them. Doubtless, in a future generation, when the plaster begins to blister, some antiquarian will discover this "wonderful mediaeval fresco," and call the attention of the ...
— From Death into Life - or, twenty years of my ministry • William Haslam
... and who had plenty of money, into the company, and when the mine begun to return dividends by the car load, they could give largely to the church and pay the debts of all the churches, and put down carpets and fresco the ceiling. The man said he felt that he had been steered on to that silver mine by a higher power, and his idea was to work it for the glory of the cause. He said he liked Pa, and would make him vice president of the company. Pa, he bit like a bass, and I guess ...
— The Grocery Man And Peck's Bad Boy - Peck's Bad Boy and His Pa, No. 2 - 1883 • George W. Peck
... went into Wolsey's great Hall, up a most spacious staircase, the walls and ceiling of which were covered with an allegorical fresco by Verrio, wonderfully bright and well preserved; and without caring about the design or execution, I greatly liked the brilliancy of the colors. The great Hall is a most noble and beautiful room, above a hundred feet long and sixty high and broad. Most of the windows are of stained or painted ...
— Passages From the English Notebooks, Complete • Nathaniel Hawthorne
... case, you will be able to add others. We shall endeavor in the present volume always to paint things in bold fresco style and leave the miniatures to you. According to the characters concerned, the indications which we are describing, veiled under the incidents of ordinary life, are of infinite variety. One man may discover a symptom in the way ...
— The Physiology of Marriage, Part I. • Honore de Balzac
... now owned by Coja Solomon of Cossimbazar, and leased to a fellow Armenian of Chandernagore. It had been hired more than once by Monsieur Sinfray, the secretary to the Council at Chandernagore and a persona grata with the Nawab, for al fresco entertainments got up in imitation of the fetes at Versailles. But of late Monsieur Sinfray had had too much important business on hand to spare time for such delights. He was believed to be with Sirajuddaula at Murshidabad, and the house ...
— In Clive's Command - A Story of the Fight for India • Herbert Strang
... represents the father standing on the step of his mansion, about to embrace his son, who stands near. The background of the picture should represent the portico of a house, and can be made in the following manner: Procure at a paper store four fresco pilasters, with caps and bases, and a wide cornice to match; also a roll of granite paper; paste the cornice and pilasters on cloth; fasten the cornice across the ceiling of the stage, five feet from the background, and suspend the pilasters from the lower edge, placing them at equal ...
— Home Pastimes; or Tableaux Vivants • James H. Head
... the Virgin in the fresco of the Judgment in the Strozzi Chapel, so grand and majestic in its simplicity, is again recognisable in the panels of Fra Angelico, imitated with his own especial character and spiritual feeling, ...
— Fra Angelico • J. B. Supino
... strength; but certain I am that you excel by a long way all the painters who hold up their heads so proudly in the Academy of St. Luke[2.4] here—Tiarini,[2.5] Gessi,[2.6] Sementa,[2.7] and all the rest of them, not even excepting Lanfranco[2.8] himself, for he only understands fresco-painting. And yet, Antonio, and yet, if I were in your place, I should deliberate awhile before throwing away the lancet altogether, and confining myself entirely to the pencil That sounds rather strange, but listen to me. Art seems to be having a bad time of it just now, or rather the devil ...
— Weird Tales. Vol. I • E. T. A. Hoffmann
... palace. The new chapel, which is being built by the present prince, is circular in form, with a dome one hundred and thirty feet high. The space between the doors is occupied by three circular recesses, with figures of prophets and apostles in fresco. Over one door is the Nativity,—over the other, the Resurrection,—also in fresco. On the walls around were pictures somewhat miscellaneous, I thought; for example, John Huss, St. Cecilia, Melanchthon, Luther, several women, saints, apostles, and evangelists. These paintings are ...
— Sunny Memories of Foreign Lands V2 • Harriet Beecher Stowe
... god-house: this the 8th regiment had converted into a theatre. Very little traces of a holy temple were discernible; and the great Fo occupied a corner of the green-room. The scenes were painted in fresco, and the whole affair was very tolerably arranged. Most part of the scenery had been painted by my brother during his stay at this port in the Cambrian. The Chinamen consider this no sacrilege, as they always use the ...
— Borneo and the Indian Archipelago - with drawings of costume and scenery • Frank S. Marryat
... ball, and many times in later years has the scene come back to Honora. It was not a large ball, by no means on the scale of Mr. Chamberlin's, for instance. The great room reminded one of the gallery of a royal French chateau, with its dished ceiling, in the oval of which the colours of a pastoral fresco glowed in the ruby lights of the heavy chandeliers; its grey panelling, hidden here and there by tapestries, and its series of deep, arched windows that gave glimpses of a lantern-hung terrace. Out there, beyond a marble balustrade, the lights of ...
— The Crossing • Winston Churchill
... went to the Teatro Sicilia and found everything prepared for the evening. Christ and the apostles were sitting at the supper-table as in Leonardo's fresco in Milan; not that they were imitating Leonardo, the early mosaics and the miracle plays, influencing and counter-influencing one another, must have determined the composition of the representations of the Last Supper before Leonardo's time; he was not inventing, ...
— Castellinaria - and Other Sicilian Diversions • Henry Festing Jones
... Rossi, pp. 34, &c.) It is perhaps worth while mentioning that by the antro dell' Aurora was no doubt intended the room in the castle, said to have formed part of the private apartments of Leonora, still known as the sala dell' Aurora, from a wretched fresco on the ceiling by the local ...
— Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England • Walter W. Greg
... Catholic and Protestant ideas, observances and tendencies never before stood out in a light so clear and strong as that shed upon it by a few days in Rome. I obtained admission yesterday to the Sistine Chapel of the Vatican, and saw there, among the paintings in fresco, a representation of the death of Admiral Coligny at the Massacre of St. Bartholomew; and if this were not intended to express approval of that horrible massacre, I would like to know what was meant by having it painted ...
— Glances at Europe - In a Series of Letters from Great Britain, France, Italy, - Switzerland, &c. During the Summer of 1851. • Horace Greeley
... windows, guards this portal, reminding us that at some time or other the monks found it needful to arm their solitude against a force descending from Chiusure. There is an avenue of slender cypresses; and over the gate, protected by a jutting roof, shines a fresco of Madonna and Child. Passing rapidly downwards, we are in the courtyard of the monastery, among its stables, barns, and out-houses, with the forlorn bulk of the huge red building spreading wide, and towering up above us. As good luck ...
— New Italian sketches • John Addington Symonds
... because it is difficult to be serious with a man who declines to take one seriously, Matt forced a grin and departed, with the light intimation that he would return in three days, and if the check was not forthcoming then he would fresco Kelton's office ...
— Cappy Ricks • Peter B. Kyne
... guard-room, and on the north side of this room a pointed doorway leads into the chapel, which keeps some of its special characteristics. At the east end a square space is sunk in the wall above the spot where the altar stood, and in this space the faint traces of a fresco can still just be seen. In the wall that shuts off the guard-room is a cinquefoiled piscina and a four-light window, the stonework of which is like that in the east window, and this window allowed anyone in the ...
— Devon, Its Moorlands, Streams and Coasts • Rosalind Northcote
... the only way to recover the plan was by baring the ground, and tracing the bedding of the stones which are gone. For this I have cleared all the site of the buildings, and in course of the work several rooms with portions of painted fresco pavements have been found. One room which was nearly entire, about 51 by 16 feet, and two others more injured, have now been entirely exposed to view, and protected by a substantial house, well lighted, and accessible to ...
— The American Journal of Archaeology, 1893-1 • Various |
