"Flaubert" Quotes from Famous Books
... with a noble dame, whose name was historic, at whose feet the poets of the Second Empire had prostrated themselves, passionately plucking their lyres; the friend of Liszt, Wagner, Berlioz, of Manet, Degas, Monet; the new school—this wonderful old woman knew them all, from Goncourt and Flaubert to Daudet and Maupassant. Had she not, Ermentrude remembered as she divested herself of her cloak, sent a famous romancer out of the house because he spoke slightingly of the Pope? Had she not cut the emperor dead when she saw him with a lady not his empress? What a night ... — Visionaries • James Huneker
... cooed again in his ears; and then presently, "Paul," she said, "some day you must read 'Salammbo,' that masterpiece of Flaubert's. There is a spirit of love in that which now you would understand—the love which looked out of Matho's eyes when his body was beaten to jelly. It is the love I have for you, my own—a love 'beyond all words or sense'—as one of your English poets says. Do ... — Three Weeks • Elinor Glyn
... a very well-read woman is the mother; she keeps up to date in French literature as well as in English, and can talk by the hour about the Goncourts, and Flaubert, and Gautier. Yet she is always hard at work; and how she imbibes all her knowledge is a mystery. She reads when she knits, she reads when she scrubs, she even reads when she feeds her babies. We have a little joke against her, that at an interesting ... — The Stark Munro Letters • J. Stark Munro
... "Think," says Bouvard, one of the tragi-comic twain who serve for title to that saddest of all humorous books, Flaubert's "Bouvard et Pecuchet," "think of all those who buy pomades and patent medicines. These blockheads form the electorate and we submit to their will. Why can't one make three thousand a year by breeding rabbits? Because too much crowding together is fatal ... — Without Prejudice • Israel Zangwill
... et Pecuchet, by G. Flaubert. Here we have two simpletons who, among other projects, propose to write history. In order to help them, one of their friends sends them (p. 156) "rules of criticism taken from the Cours of Daunou," such as: "It is no proof to appeal ... — Introduction to the Study of History • Charles V. Langlois
... with foolish magnificence, rocking on a camel across the desert at the head of a caravan under the blazing sky across the furnace of sand. Her charms have appealed to writers, and not the smallest of them; Flaubert for one—this Queen Balkis, Mekida or Nicaule. But in the 'Tentation de Saint Antoine' she has failed to assume any form but that of a puerile and flimsy creature, a skipping and lisping puppet. In fact, no one but Gustave Moreau, ... — The Cathedral • Joris-Karl Huysmans |