"Duomo" Quotes from Famous Books
 ... while, when they are young, in what we call their {36} roots. These are mostly among the Drosidae[16] and other humble tribes, loving the ground; and, in their babyhood, liking to live quite down in it. A baby crocus has literally its own little dome—domus, or duomo—within which in early spring it lives a delicate convent life of its own, quite free from all worldly care and dangers, exceedingly ignorant of things in general, but itself brightly golden and perfectly formed before it is brought out. These subterranean ...
— Proserpina, Volume 1 - Studies Of Wayside Flowers • John Ruskin
... to rise and float in it. This was the hour for the Cathedral; therefore, leaving Leonardo and his fresco for the to-morrow, I conducted my uncomplaining ward forth, and through that big arcade of which the people are so proud, to the Duomo. Poor Jr. showed few signs of life as we stood before that immenseness; he said patiently that it resembled the postals, and followed me ...
— The Beautiful Lady • Booth Tarkington
... the Marquis of Montferrat, certain legates, the republic of Pisa, and, finally, the signory and council of Florence, from 1378 until the death of Sir John on March 17, 1394. At his death he was entombed with great ceremony in the Duomo. For years prior he had held the office of Captain General with ...
— Chit-Chat; Nirvana; The Searchlight • Mathew Joseph Holt
... journeying closed at Pisa. Rooms were taken for six months in the great Collegio Ferdinando, close to the Duomo and the Leaning Tower, rooms not quite the warmest in aspect. Mrs Jameson pronounced the invalid not improved but transformed. The repose of the city, asleep, as Dickens described it, in the sun and the secluded life—a perpetual tete-a-tete, but ...
— Robert Browning • Edward Dowden
... in Florence, bred a goldsmith, studied at Rome; returned to his native city, built the Duomo of the Cathedral, the Pitti Palace, and the churches of San ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... like a woman. Mrs. Jameson said the other day, 'You are not improved, you are transformed.' We have most comfortable rooms here at Pisa and have taken them for six months, in the best situation for health, and close to the Duomo and Leaning Tower. It is a beautiful, solemn city, and we have made acquaintance with Professor Ferucci, who is about to admit us to [a sight][148] of the [University Lib]rary. We shall certainly [spend] next summer in Italy somewhere, ...
— The Letters of Elizabeth Barrett Browning (1 of 2) • Frederic G. Kenyon
... Near the Duomo we came upon a great concourse of people who were staring up at the iron cage attached to the square tower of the belfry near its summit. In this cage there was what appeared at first to be a heap of rags, but which ...
— The Strolling Saint • Raphael Sabatini
... Satyr, which would not be considered a work of art if that were the only product of his chisel. What he did later was the fulfillment of the prophecy embodied in the Mask. At the age of eighty, he produced the Descent from the Cross, which glorifies the Duomo in Florence. In between these productions, we find his David, his Moses, the Sistine Ceiling, with many others scarcely less notable. He rose to a higher and higher conception of art as he lived art more and more fully, and his execution kept pace with ...
— The Vitalized School • Francis B. Pearson
... Paul's in London, built by the English architect, Sir Christopher Wren. Architecturally the most interesting of the domes was Brunelleschi's, built for the Florence Cathedral in the fifteenth century, known throughout the world by the Italian name for Cathedral, the Duomo. ...
— The City of Domes • John D. Barry
... stringed, sub-shovel hat. He had a young lady with him, presumably a daughter or niece. He eyed us with much the same incurious curiosity as that with which we eyed him. We passed them and went inside the duomo. How far less impressive is the interior (indeed I had almost said also the exterior) than that of San Domenico! Nothing palls so ...
— The Note-Books of Samuel Butler • Samuel Butler
... knows Murano? The Duomo, with its mosaics? Wonderful! there are none like them; and it is old—'ma antica'! And the stabilimenti?—it is glory enough for one island! Ah, the padrone wishes to ...
— A Golden Book of Venice • Mrs. Lawrence Turnbull
... on this old earth of ours. While of a different order of architecture, built of other elements and standing under sterner skies, it should have been as precious to man, as sacred and as intangible as the Piazza di San Marco at Venice, the Signoria at Florence or the Piazza del Duomo at Pisa. It constituted a peerless specimen of art, which at all times wrung a cry of admiration from the most indifferent, an ornament which men hoped was imperishable, one of those things of beauty which, in the words of the poet, are ...
— The Wrack of the Storm • Maurice Maeterlinck
... arises before me when I would conceive of any noble humanity, and the sweep of Orgagna's great arches give me an idea of vastness like the sea; in the Pitti palace only giants should abide; the Campanile goes up to heaven as beautiful as Jacob's ladder, and in the perpetual twilight of the Duomo I was not of half the stature I believed when roaming under ...
— Campaigns of a Non-Combatant, - and His Romaunt Abroad During the War • George Alfred Townsend
... that I know," said Orso, "is Pisa, where I was at school for some time. But I can not think, without admiration, of the Campo-Santo, the Duomo, and the Leaning Tower—especially of the Campo-Santo. Do you remember Orcagna's 'Death'? I think I could draw every line of it—it is so ...
— Columba • Prosper Merimee
... last—for even in Italy journeys end—I rejected the offers of two cabmen, one cabwoman, and one bus driver, and walked. There was no doubt as to the direction, with the campanile of the duomo as a beacon. For a quarter of a mile the road is straight and narrow; then it broadens into an open space and Castel Franco appears. It is a castle indeed. All the old town is within vast crumbling red walls built on a mound with a moat around them. Civic ...
— A Wanderer in Venice • E.V. Lucas
... took la bella to the Duomo and Annunciata, to the Cafe, to the Opera, to the village Festa, to the Public Garden, to the Day Theatre, to the Marionetti. The pretty little one was charmed with all she saw. She learnt Italian ...
— To be Read at Dusk • Charles Dickens
... manuscripts, or fugitive enemies, suited to the tastes of a Christian Magnifico who is at once lettered and devout—and also slightly vindictive? And what famous scholar is dictating the Latin letters of the Republic—what fiery philosopher is lecturing on Dante in the Duomo, and going home to write bitter invectives against the father and mother of the bad critic who may have found fault with his classical spelling? Are our wiser heads leaning towards alliance with the Pope and the Regno ...
— Romola • George Eliot
... certain that in your Italian wanderings you did not go to Prato. These groups of children dancing and blowing horns are very cleverly copied from Donatello's famous pulpit in the duomo. The design is carried on from the chairs to the footboard of the bed; but in their midst upon the footboard is let in this oval, easel-picture, painted on wood. It is faded, and the garlands have withered in so many hundred years, as well they ...
— The Grey Room • Eden Phillpotts
... wandered, look you), and then he had performed the last office. One had fled to tell the Medici. Giuliano was wild with grief; 'twas as if he had killed her instead of the Spring-ague—but then, people said he loved her well! And our Lorenzo had bid them swing the great bell of the Duomo—Sandro had heard it perhaps?—and there was to be a public procession, and a Requiem sung at Santa Croce before they took her back to Genoa to lie with her fathers. Eh! Bacchus! She was fair and Giuliano had loved her well. It was natural enough then. So the ...
— Earthwork Out Of Tuscany • Maurice Hewlett
... Piedmont for the wrong's redress! You say we failed in duty, we who wore Black velvet like Italian democrats, Who slashed our sleeves like patriots, nor forswore The true republic in the form of hats? We chased the archbishop from the Duomo door, We chalked the walls with bloody caveats Against all tyrants. If we did not fight Exactly, we fired muskets up the air To show that victory was ours of right. We met, had free discussion everywhere (Except perhaps i' the Chambers) day and night. We proved the poor should be ...
— The Poetical Works of Elizabeth Barrett Browning, Volume IV • Elizabeth Barrett Browning
... language to his brother, who started off from us immediately in order to look at the officer, who had inflicted the wound, so as to be able to recognise him, and then came back directly. He overtook the officer at the Piazza del Duomo, because the detachment was going towards the Piazza del Gran Duca. I and the brother of the wounded man then conveyed him to the first doctor's shop, which is on the Piazza del Duomo, at the corner of the Via Martelli; but, finding that the ...
— The History of England in Three Volumes, Vol.III. - From George III. to Victoria • E. Farr and E. H. Nolan
... thoroughness beforehand, he was very naturally much disappointed with the reality. "S. Mark's was too small, and Venice was most unhealthy. The sanitation of that part over the Rialto Bridge, where the butchers' shops were, was a disgrace to the country. The Duomo at Milan was squat, ugly, overrated, and the hotel charges in that city were most exorbitant. Turin might be a good place for shopping, but he had not gone there for that purpose. And Genoa, again, was unsanitary." In fact, he was the ...
— The Recipe for Diamonds • Charles John Cutcliffe Wright Hyne
... garlanded with flowers. This erection, the carro, is also decorated with flowers, but is likewise covered with fireworks. A rope is then extended from the carro to a pole which is set up in the choir of the Duomo, before the high altar. For this purpose the great west doors are thrown open, and the rope extends the whole length of the nave. Upon it, close to the pole, is perched a ...
— In Troubadour-Land - A Ramble in Provence and Languedoc • S. Baring-Gould
... soon? Why should you? The great Duomo's bell Has not yet tolled its midnight, and the watchmen Who with their hollow horns mock the pale moon, Lie drowsy in their towers. Stay awhile. I fear we may not see you here again, And that fear saddens my too ...
— A Florentine Tragedy—A Fragment • Oscar Wilde
... Duccio, in the Duomo at Siena. Taddeo Gaddi, Rinnucini Chapel. Titian, Mr. Roger's Collection. Rembrandt, Queen's Gallery. Barroccio. An altar piece which came to England with the Duke of Lucca's paintings, but I cannot say where it is now; it is well known by the engraving from ...
— Notes & Queries, No. 53. Saturday, November 2, 1850 • Various
... been minutely exact in describing the details of this composition, because it will be useful as a key to many others of the early Tuscan school, both in sculpture and painting; for example, the fine bas-relief by Nanni over the south door of the Duomo at Florence, represents St. Thomas in the same manner kneeling outside the aureole and receiving the girdle; but the entombment below is omitted. These sculptures were executed at the time when the enthusiasm ...
— Legends of the Madonna • Mrs. Jameson
... Maufrigneuse, and now sent his journal to his aunt. Every sentence was instinct with love. There were enchanting descriptions of Venice, and fascinating appreciations of the great works of Venetian art; there were most wonderful pages full of the Duomo at Milan, and again of Florence; he described the Apennines, and how they differed from the Alps, and how in some village like Chiavari happiness lay all around you, ...
— The Collection of Antiquities • Honore de Balzac
... the call. The eyes of the artist were once more opened to see the beauty of life, and his hand sought to reproduce it. The bonds of tradition were broken. The Greek marble vase on the platform of the Duomo at Pisa taught Niccola Pisano the right methods of sculpture, and directed him to the source of his art in the study of nature. His work was a new wonder and delight, and showed the way along which ...
— Library of the World's Best Literature, Ancient and Modern — Volume 11 • Various
... profound, but may be superficial, and yet discover that Jean Valjean is fashioned after the likeness of Jesus. Michael Angelo did not more certainly model the dome of St. Peter's after Brunelleschi's dome of the Duomo than Hugo has modeled his Valjean after Christ. We are not necessarily aware of ourselves, nor of our era, until something discovers both to us, as we do not certainly know sea air when we feel it. I doubt if most men would recognize the tonic of sea air if they did not know ...
— A Hero and Some Other Folks • William A. Quayle
... 2. the startling bell-tower Giotto raised: the Campanile of the Cathedral, or Duomo, of Florence (La Cattedrale di S. Maria del Fiore), begun ...
— Introduction to Robert Browning • Hiram Corson
... which, it is traditionally said, Hannibal sought to force an entrance, after the battle of Thrasymene, and was repulsed. The gateway has a double arch, on the inner one of which is a tablet, recording the above tradition as an unquestioned historical fact. From the gateway we went in search of the Duomo, or cathedral, and were kindly directed thither by an officer, who was descending into the town from the citadel, which is an old castle, now converted into a prison. The cathedral seemed small, and did not much interest us, either by the Gothic ...
— Passages From the French and Italian Notebooks, Complete • Nathaniel Hawthorne
... with no adventure and no excitement except what belongs to the trial of new artistic processes, the struggle with new artistic difficulties, the solution of purely artistic problems, fills the first seventy years of the fifteenth century. After producing many works in marble for the Duomo and the Campanile of Florence, which place him among the foremost masters of the sculpture of his age, he became desirous to realise the spirit and manner of that sculpture, in a humbler material, ...
— The Renaissance: Studies in Art and Poetry • Walter Horatio Pater
... in his time, but that was more than a hundred years before. The slips and dock had long been abandoned, as Smollett is careful to point out in his manuscript notes, now in the British Museum. He also explains with superfluous caution that the Duomo of Pisa is not entirely Gothic. Once arrived in the capital of Tuscany, after admitting that Florence is a noble city, our traveller is anxious to avoid the hackneyed ecstasies and threadbare commonplaces, derived in those days from Vasari through Keysler and other German commentators, ...
— Travels Through France and Italy • Tobias Smollett
... thieves. While in feudal England Edward I. was summoning his barons to repress the rising of William Wallace, in Florence, already a great commercial town, Arnolfo di Cambio had received the sublime orders of the Signoria to construct for the Duomo 'the most sumptuous edifice that human invention could desire or human labour execute,' and had carried out those orders with consummate skill. While Edward III. was dreaming of his lawless filibustering expeditions into France, Ciotto was encrusting the face of his glorious ...
— Science in Arcady • Grant Allen
... a table spread under a trellis of vines from which hung an electric light. Peppino waited on me as, according to his account, he used to do in London, and entertained me with reminiscences of his life there. He had attended divine service at St. Paul's, which he called il Duomo di Londra, and had found it a more reverent function, though less emotional, than Mass at home. He was enthusiastic about the river Thames, the orators in Hyde Park and the shiny soldiers riding ...
— Diversions in Sicily • H. Festing Jones
... onward till they came to the wood-enshrouded valley, where the trees were breaking into tender leafage, every shade of green commingling with the blue screen of the Apennines beyond. Back again they came into the city of palaces, which they had learned to love, and alighting near the Duomo sought out a pasticceria in a street hard by, and ate a genuine ...
— Name and Fame - A Novel • Adeline Sergeant
... its front, covered from base to pinnacle with the richest sculpture and most brilliant mosaic. The volcanic mass on which the town is built is over seven hundred feet high, and nearly half as much in circumference: it would be a fitting pedestal for this gorgeous duomo if it stood there alone. But it is almost wedged in among the crooked streets, a few paces of grass-grown stones allowing less than space enough to embrace the whole result of proportion and color: one cannot go far enough off to escape details. An account of those details would require ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 86, February, 1875 • Various |
