"Dialogue" Quotes from Famous Books
 ... in England, and that our great Captain was in perfectly good health." "Vous le connoissez parfaitement bien, sans doute?"—was his next remark. I told him I could not boast of that honour. "Neanmoins, (added he) il est connu par-tout." I readily admitted the truth of this observation. Our dialogue concluded by an assurance on his part, that we should find our beds excellent, our breakfast on the morrow delicious—and he would order such a pair of horses (although he strongly recommended four,) to be put to our carriage, as should set ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Two • Thomas Frognall Dibdin
... anecdote, though widely spread, is probably false. It is scarcely likely that a Commander-in-Chief of the Versailles troops would have consented to hold such a dialogue with an "insurgent." ...
— Paris under the Commune • John Leighton
... Dionysius. This information from Speusippus encouraged Dion, who, concealing his real purpose, employed his friends privately to raise what men they could; and many statesmen and philosophers were assisting to him, as, for instance, Eudemus the Cyprian, on whose death Aristotle wrote his Dialogue of the Soul, and Timonides the Leucadian. They also engaged on his side Miltas the Thessalian, who was a prophet, and had studied in the Academy. But of all that were banished by Dionysius, who were not fewer than a thousand, five and twenty ...
— Plutarch's Lives • A.H. Clough
... spent a life of ease, pleasure, and affluence, at least never was long, nor much, exposed to want. He seems to have possessed a sprightly genius, to have had an excellent turn for comedy, and very happy in a courtly dialogue. We have no proof of his being a scholar, and was rather born, than made a poet. He has not escaped the censure of the critics; for his works are so extremely loose and licentious, as to render them dangerous to young, unguarded minds: and on this account our witty author ...
— The Lives of the Poets of Great Britain and Ireland (1753) - Vol. III • Theophilus Cibber
... age and nation of the world, vestiges remain of something resembling theatrical amusements. It is asserted that the people of China full three thousand years ago had something of the kind and presented on a public stage, in spectacle, dialogue and action, living pictures of men and manners, for the suppression of vice, and the circulation of virtue and morality. Even the Gymnosophists, severe as they were, encouraged dramatic representation. The Bramins, whose austerity in ...
— The Mirror of Taste, and Dramatic Censor - Volume I, Number 1 • Stephen Cullen Carpenter
... Plato,—whose philosophy and religion were but exotic at home, and a mere opposition to the finite in all things, genuine prophet and anticipator as he was of the Protestant Christian aera,—should have given in his Dialogue of the Banquet, a justification of our Shakspeare. For he relates that, when all the other guests had either dispersed or fallen asleep, Socrates only, together with Aristophanes and Agathon, remained awake, ...
— Literary Remains, Vol. 2 • Coleridge
... breakfast broke in on their dialogue; and being possessed of the ordinary boy's appetite, both Paul and his chum were not at all backward about dropping into their places around the ...
— The Banner Boy Scouts on a Tour - The Mystery of Rattlesnake Mountain • George A. Warren
... real existences. It was the mission of Zeno to establish the doctrines of his master. But in order to convince his listeners, he was obliged to use a new method of argument. So he carried on his argumentation by question and answer, and was therefore the first who used dialogue, which he called dialectics, as a medium of ...
— Beacon Lights of History, Volume I • John Lord
... Poems in dialogue, without narrative— (1) Dialogues in the common epic measure—Balder's Doom, Dialogues of Sigurd, Angantyr—explanations in prose, between the dialogues 112 (2) Dialogues in the gnomic or elegiac measure: (a) vituperative debates—Lokasenna, Harbarzli ...
— Epic and Romance - Essays on Medieval Literature • W. P. Ker
... his share of the foregoing fragment of dialogue, he paid our hero a long visit; as the two men sat with their heels on Newman's glowing hearth, they heard the small hours of the morning striking larger from a far-off belfry. Valentin de Bellegarde was, by his own confession, at all times a great ...
— The American • Henry James
... book. I tried first a recognised method of viewing questions from divergent points that has always attracted me and which I have never succeeded in using, the discussion novel, after the fashion of Peacock's (and Mr. Mallock's) development of the ancient dialogue; but this encumbered me with unnecessary characters and the inevitable complication of intrigue among them, and I abandoned it. After that I tried to cast the thing into a shape resembling a little the double personality of Boswell's Johnson, a sort of interplay between monologue and commentator; ...
— A Modern Utopia • H. G. Wells
... literary and distinctly his own. His personality was interesting and lovable, quickly responsive to a variety of human nature. No play of his was ever wholly worthless, because of that personal equation which lent youth and spontaneity to much of his dialogue. When he attained popular fame, he threw off his dramas—whether original or adapted from the French and German—with a rapidity and ease that did much to create a false impression as to his haste and casualness. But Fitch, though a nervously quick worker, was never careless. He pondered his dramas ...
— Representative Plays by American Dramatists: 1856-1911: The Moth and the Flame • Clyde Fitch
... a discussion, by presenting the various views which the subject naturally elicited in the form of a conversation arising out of circumstances invented to sustain it. The incident in such cases was, of course, a fiction, contrived to furnish points of attachment for the dialogue—a sort of trellis, constructed ...
— Cyrus the Great - Makers of History • Jacob Abbott
... fortunate comedian assured me that if he chose he could spin out "Charley's Aunt" from a two-hours' play to a four-hours' play, merely by eking out his own "business." Think of this, aspiring Sheridans, ye who polish the dialogue with midnight oil; realise the true inwardness of the drama, and go burn me ...
— Without Prejudice • Israel Zangwill
... selected was that of a dialogue, in imitation of those of Plato; and the several conferences were supposed to have taken place during the Latin holidays, 129 B.C., in the consulship of Caius Sempronius, Tuditanus, and Marcus Aquilius. The speakers are Scipio Africanus the younger, in whose garden the scene is laid; ...
— Cicero's Tusculan Disputations - Also, Treatises On The Nature Of The Gods, And On The Commonwealth • Marcus Tullius Cicero
... gentleman who is in the author's confidence assures us he has read the play, and can testify to its high dramatic merits. "It will have to be rewritten," said he, "for Logan has thrown it together with characteristic looseness; but it is full of lively dialogue and exciting situations. In the hands of a thorough playwright it would become a splendid melodrama." The play treats upon certain incidents of the late Civil War, and the romantic experiences of ...
— Eugene Field, A Study In Heredity And Contradictions - Vol. I • Slason Thompson
... was perhaps as subtle as the finest sophistry; it was a sort of dialogue between the mind and the conscience. "If I should lose Brigitte?" I said to the mind.—"She departs with you," said the conscience.—"If she deceives me?"—"How can she deceive you? Has she not made out her will asking for prayers for you?"—"If Smith ...
— The Confession of a Child of The Century • Alfred de Musset
... 352. of the same volume W. W. T. (quoting from D'Israeli's Curiosities of Literature a passage which supplies the hexameter completing the distich, and attributes the verses to Sidonius Apollinaris) asks where may be found a legend which represents the two lines to have formed part of a dialogue between the fiend, under the form of a mule, and a monk, who was his rider. B. H. C., at p. 521. of the same volume, sends a passage from the Dictionnaire Litteraire, ...
— Notes and Queries, Number 233, April 15, 1854 • Various
... to London, in the rear of the chariot, was not diversified by a single incident or refreshed by scraps of dialogue. Lady Charlotte had her brother Rowsley with her, and he might be taciturn,—she drove her flocks of thoughts, she was busily and contentedly occupied. Although separation from him stirred her mind more excitedly over their days ...
— The Shaving of Shagpat • George Meredith
... honorable, Southern gentlemen,—only not endowed with such exceptional moral heroism as to offer the pride of life to be crushed before hideous laws. The connection between lyric and tragic power is shown in the "Tragedy of Errors." The songs and chants of the slaves mingle with the higher dialogue like the chorus of the Greek stage; they mediate with gentle authority between the worlds of natural feeling and barbarous usage. Let us also say that the sentiment throughout this drama is sound and sweet; for it is that mature sentiment, born again of discipline, which is the pledge of fidelity ...
— Atlantic Monthly, Vol. 9, No. 55, May, 1862 • Various
... there was one, I am going to speak of, in which, perhaps, it was not altogether so singular, as in many others; and it was this, that whatever motion, debate, harangue, dialogue, project, or dissertation, was going forwards in the parlour, there was generally another at the same time, and upon the same subject, running parallel along ...
— The Life and Opinions of Tristram Shandy, Gentleman • Laurence Sterne
... very little writing required. Just enough dialogue to keep the thing going. . . . Her ladyship is providing her own riding-habit and those of her attendant ladies, for whom she has chosen six of the most beautiful maidens in the neighbourhood, quite irrespective of class. The dresses are ...
— Brother Copas • Sir Arthur Thomas Quiller-Couch
... he was equally intimate, Mr. Charles Russell. I can recall the thrill of expectancy and delight with which I first turned to the voluminous pages of Donald's book. I can remember how I read on far into the night, revelling in the freshness and vigour of the style, in the brilliancy of the dialogue which abounded throughout the story, and in the insight into character and the grasp of human motives that were everywhere revealed. After I had read a hundred pages I was convinced that all our anticipations as to Donald's future fell ...
— Memoirs of Sir Wemyss Reid 1842-1885 • Stuart J. Reid, ed.
... out to Jennie with his eyes. She understood, slowly, scarcely perceptibly, lowered her eyelashes as a sign of consent, and, when she again raised them, Platonov, who almost without looking had seen this silent dialogue, was struck by that expression of malice and menace in her eyes which she sped the back of the departing Ramses. Having waited for five minutes she got up, said "Excuse me, I'll be right back," and went out, swinging her ...
— Yama (The Pit) • Alexandra Kuprin
... upon seeing him would arrange the corolla of their petticoats, hiding their legs with so much precipitation that it always left them more uncovered; then fixing upon him a languishing glance, they would begin a dialogue always in ...
— Mare Nostrum (Our Sea) - A Novel • Vicente Blasco Ibanez
... of paint and tinsel and silk attire, of cheap sentiment and high and mighty dialogue! Will there not always be rosin enough for ...
— Innocents abroad • Mark Twain
... the subject I condemn, though very vulgar, but the execution. The drift tends to no moral, no edification of any kind—the situations, however, are well imagined, and make one laugh in spite of the grossness of the dialogue, the forced witticisms, and total improbability of the whole plan and conduct. But what disgusts me most is, that though the characters are very low, and aim at low humour, not one of them says a sentence that is ...
— Goldsmith - English Men of Letters Series • William Black
... diplomatic mission, the highest attention was shewn him as an accredited envoy from St James'. In the morning chocolate was served up to him on a silver salver with the national arms; he rode out on the general's horse, with guards marching before him. Paoli knew sufficient English to maintain the dialogue, having picked up some slight knowledge of the tongue from Irish refugee officers in the Neapolitan service. His library was turned over by his inquisitive guest, who found among the books some odd volumes of The Spectator and The Tatler, Pope's Essay on Man, Gulliver's Travels, ...
— James Boswell - Famous Scots Series • William Keith Leask
... in Poland, Lech Walesa declared he was ready to open a dialogue with the Communist rulers of that country. And today, with the future of a free Poland in their own hands, members of ...
— State of the Union Addresses of George H.W. Bush • George H.W. Bush
... Royal Commission of Vivisection in 1906, by Sir William Osler, M.D., Fellow of the Royal Society, and Regius Professor of Medicine at the University of Oxford. In the course of his examination, the following dialogue occurred:[1] ...
— An Ethical Problem - Or, Sidelights upon Scientific Experimentation on Man and Animals • Albert Leffingwell
... Plato's philosophy as comprised in the Parmenides and the Timaeus; and he would dogmatize rashly who without this arduous preparation should claim Plato as the champion of an unconditional immortality. Certainly in the Phaedo the dialogue popularly supposed to contain all Plato's teaching on the subject—the immortality allotted to the impure soul is of a very questionable character, and we should rather infer from the account there given that the human personality, at all events, is lost by successive ...
— Five Years Of Theosophy • Various
... these words were sung responsively by the choir, but before the end of the tenth century they were put into the mouths of monks or clergy representing the Maries and the angel. By this time the dialogue had been removed to the first services of Easter morning, and had been connected with the ceremonies of the Easter sepulcher. In many churches it was then customary on Good Friday to carry a crucifix ...
— An Introduction to Shakespeare • H. N. MacCracken
... any exaggeration is sufficiently probable as long only as it is thoroughly amusing; and, it be added, in such a piece, sentiment is as much out of place as would be plain matter-of-fact conduct or dialogue. To see Mr. PENLEY in the elderly Aunt's dress is to convulse the house without his uttering a word. To see him enjoying himself with the young ladies while threatened by their lovers, who cannot take them ...
— Punch, or the London Charivari, Volume 104, January 28, 1893 • Various
... the logical remark of a disputant in a Socratic dialogue of the Alcibiades type, and Sec.Sec. 31-33 a Socratic mythos to escape from the dilemma; the breakdown of this ideal plus and minus righteousness due to the hardness of men's hearts and ...
— Cyropaedia - The Education Of Cyrus • Xenophon
... VII. Sayings of wise men. A dialogue between the lady and her maid; and a panegyric, or rather satire, on the passion of ...
— Joseph Andrews Vol. 1 • Henry Fielding
... of Doncaster, who wrote his admirable Compendiouse Treatyse, or Dialogue of Dives and Pauper, during the reign of Edward IV., speaking against superstitions, and especially "craftes and conjurations ...
— Notes & Queries, No. 18. Saturday, March 2, 1850 • Various
... Egyptian hieroglyphs frequently turns into an Arabic [Symbol: gimel], i.e., gimel. I do not know whether this fact has any significance here. With respect to the above passages that mention the "will of the Most High," I refer to the dialogue which concerns the "G"; e.g., "Does it mean nothing else?" "Something that is greater than you." "Who is greater than I?" etc. "It is Gott, whom the English call God. Consider this mysterious star; it is the symbol of the Spirit.... The image of the ...
— Hidden Symbolism of Alchemy and the Occult Arts • Herbert Silberer
... Shad, having stalked his prey in classic Deerslayer manner, reached the farther stretches of the pond and, flat on his stomach among the high grasses, heard the following mysterious dialogue: ...
— Skippy Bedelle - His Sentimental Progress From the Urchin to the Complete - Man of the World • Owen Johnson
... the Flat" is a story of Australian bush children. The local colouring is distinctly good; the children are alive, and talk like real children; the incidents are natural and well described. The style is fresh, the dialogue well managed, and the story as a whole is interesting and pleasant, with ...
— Five Months at Anzac • Joseph Lievesley Beeston
... a slow growth dramatic style must be. But Boker was not wholly wed to theatrical demands; he still approached the stage in the spirit of the poet who was torn between loyalty to poetic indirectness, and necessity for direct dialogue. On January 12, 1853, he writes ...
— Representative Plays by American Dramatists: 1856-1911: Francesca da Rimini • George Henry Boker
... a very curious and ancient tract, written in the shape of a dialogue between St. Patrick and Caoilte MacRonain, that there were many places in Ireland where the Tuatha De Dananns were then supposed to live as sprites and fairies, with corporeal and material forms, but endued with immortality. The inference naturally to be drawn from these stories is, ...
— An Illustrated History of Ireland from AD 400 to 1800 • Mary Frances Cusack
... dialogue again is character, marshalled so as continually to stimulate interest or excitement. The reason good dialogue is seldom found in plays is merely that it is hard to write, for it requires not only a knowledge of what ...
— Forsyte Saga • John Galsworthy
... the education of Cicero probably became a commonplace among Latin school-masters and Latin writers. In the dialogue De Oratoribus, attributed to Tacitus, the story of it is given by Messala when he is praising the orators of the earlier age. "We know well," says Messala, "that book of Cicero which is called Brutus, in the latter part of which he describes to us the beginning and ...
— Life of Cicero - Volume One • Anthony Trollope
... preserved by Marius Mercator. His three dialogues against the Eutychians, he entitled Polymorphus, (i.e. of many shapes,) and Eranistes, that is, the Beggar, because the Eutychian error was gathered from the various heresies of Marcian, Valentin, Arius, and Apollinaris. The first dialogue he calls the Unchangeable, because in it he shows that the divine Word suffered no change by becoming man. The second is entitled The Inconfused, from the subject, which is to prove that in Christ, after the Incarnation, ...
— The Lives of the Fathers, Martyrs, and Principal Saints - January, February, March • Alban Butler
... the most unimpeachable decorum had reigned in the workshops. It was now nine, and this brief dialogue had occurred between Mr. Slocum and Richard on the veranda, just as the latter was on the point of descending into the yard to have his talk with ...
— The Stillwater Tragedy • Thomas Bailey Aldrich
... interval between the forenoon and afternoon service, which was then later than now; so we had not the pleasure of his company till dinner was over, when he came and drank wine with us. And then began some animated dialogue[78], of which here ...
— Life Of Johnson, Volume 5 • Boswell
... to his step-son in his own language, and for a few moments the dialogue between them ...
— Up The Baltic - Young America in Norway, Sweden, and Denmark • Oliver Optic
... a braccio, before mentioned as the inheritance of the Marionette, the dramatist furnished merely the plot, and the outline of the action; the players filled in the character and dialogue. With any people less quick-witted than the Italians, this sort of comedy must have been insufferable, but it formed the delight of that people till the middle of the last century, and even after Goldoni went to Paris he furnished his Italian players ...
— Venetian Life • W. D. Howells
... the man they had saved. But a little apart from the rest, two Irish sailors were standing and bandying the harshest of brogues with such vehemence that I drew near, hoping at least to hear something of what I could not see. It was a spirited, and one would have guessed an angry dialogue, so like did it sound to the yapping and snapping of two peppery-tempered terriers. But it was only vehement, and this ...
— We and the World, Part II. (of II.) - A Book for Boys • Juliana Horatia Ewing
... ventriloquist artfully presents the contrast to his auditor by occasionally speaking with his natural voice. If he carries in his hand those important personages Punch and Judy, and makes their movements even tolerably responsive to the sentiment of the dialogue, the spectator will be infinitely more disposed to refer the sounds to the lantern jaws and the timber lips of the puppets than to the conjurer himself, who presents to them the picture of absolute ...
— The Mirror of Literature, Amusement, and Instruction, No. 484 - Vol. 17, No. 484, Saturday, April 9, 1831 • Various
... fire, at which the world marvels. He will stand with his regiment for hours under the merciless fire of the mitrailleuse with no thought of flight. What terrors can shot or shell have for him who has been taught to listen unmoved to the dialogue of "FAUST" and "MEPHISTOPHELES" in the ...
— Punchinello Vol. II., No. 30, October 22, 1870 • Various
... in Act v. the player of that part says, "All that I have to say is, to tell you that the lanthorn is the moon; I, the man in the moon; this thorn-bush, my thorn-bush; and this dog, my dog." And, secondly, in the Tempest, Act ii., Scene 2, Caliban and Stephano in dialogue: ...
— Moon Lore • Timothy Harley
... dialogue Jerome was stealthily running his hands through the lining of my cloak until he comprehended I had misled him. I could almost put his thought in words. Together we arose, laying each our hands upon the half-closed door, he to hold it, I to open it, steady-eyed, and each reluctant ...
— The Black Wolf's Breed - A Story of France in the Old World and the New, happening - in the Reign of Louis XIV • Harris Dickson
... here puts into the mouth of the Knight Socrates' argument to Cebes in their dialogue on the immortality of the ...
— Spenser's The Faerie Queene, Book I • Edmund Spenser
... celebrated performer, was to be recited over the image. The names of the two women are Gorgo and Praxinoe; their maids, who are mentioned in the poem, are called Eunoe and Eutychis. Gorgo comes by appointment to Praxinoe's house to fetch her, and there the dialogue begins." ...
— Skookum Chuck Fables - Bits of History, Through the Microscope • Skookum Chuck (pseud for R.D. Cumming)
... Pimps and Panders, what they are: with a Dialogue between a Whore, a Pimp, a Pander, an old Bawd, and a ...
— The London-Bawd: With Her Character and Life - Discovering the Various and Subtle Intrigues of Lewd Women • Anonymous
... think the King was glad to get away from the Court? Why? 45. What did he say about the way in which Robin was obeyed by his followers? 46. What does the Forward Look tell you about the source of this story? 47. Class readings: Little John's first adventure, omitting all but the dialogue, (3 pupils); Robin and his archers with the King; Robin at the King's Court. 48. Outline for testing silent reading. Tell the story of Robin Hood, using these topics: (a) the home of Robin in Sherwood Forest; (b) the coming of Little ...
— The Elson Readers, Book 5 • William H. Elson and Christine M. Keck
... GEORGE, the originator of the kind of comedy "containing a vein of lively humour and witty dialogue which were afterwards displayed by Congreve and Farquhar"; has been called the "founder of the comedy of intrigue"; he was the author of three clever plays, entitled "Love in a Tub," "She Would if She Could," and ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... of a French sentinel—"Qui vive?" A Highland officer of Fraser's regiment, who spoke French fluently, answered the challenge. "France." "A quel regiment?" "De la Reine," answered the Highlander. As it happened the French expected a flotilla of provision boats, and after a little further dialogue, in which the cool Highlander completely deceived the French sentries, the British were allowed to slip past in the darkness. The tiny cove was safely reached, the boats stole silently up without a blunder, twenty-four volunteers from the Light Infantry ...
— Deeds that Won the Empire - Historic Battle Scenes • W. H. Fitchett
... threw himself listlessly on his seat, and the shrill, woman's voice of Savelli took part in the dialogue. ...
— Rienzi • Edward Bulwer Lytton
... promptly upright, gave Mrs. Farnham a sharp look, and stooped to pick up the comb that had been knocked loose from her hair. When her eyes fell once again on the young man and his mother, she began deliberately twisting up her hair, while the brief dialogue we have recorded ...
— The Old Homestead • Ann S. Stephens
... We looked through them in utter bewilderment. Some of the sheets unnumbered, unconnected one with the other, were pages of definite manuscript; these we put aside; others contained jottings, notes, fragments of dialogue, a confused multitude of names, incomprehensible memoranda of incidents. Of the latter one has stuck in my memory. "Lancelot Sinlow seduces Guinevere the false 'Immaculata' and Jehovah steps in." Other sheets were covered with meaningless phrases, the crude drawings that the writing man makes ...
— Jaffery • William J. Locke
... Justin, in his Dialogue with Trypho the Jew, which was written somewhere about the middle of the second century, enumerates certain categories of persons who, in his opinion, will, or will not, ...
— Lectures and Essays • Thomas Henry Huxley
... development of this dialogue, in which Socrates brings his hearers to behold the eternal in human personality. The hearers accept his thoughts, and they look into themselves to see if they can find in their inner experiences something which assents to his ideas. They make the objections which strike them. What has happened ...
— Christianity As A Mystical Fact - And The Mysteries of Antiquity • Rudolf Steiner
... THE following dialogue was lately heard at an assize:—Counsel: "What was the height of the horse?" Witness: "Sixteen feet." Counsel: "How old was he?" Witness: "Six years." Counsel: "How high did you say he was?" Witness: "Sixteen hands." Counsel: "You said just now sixteen feet." Witness: "Sixteen ...
— The Jest Book - The Choicest Anecdotes and Sayings • Mark Lemon
... been taken from the Tragedies, the young readers will perceive, when they come to see the source from which these stories are derived, that Shakespeare's own words, with little alteration, recur very frequently in the narrative as well as in the dialogue; but in those made from the Comedies the writers found themselves scarcely ever able to turn his words into the narrative form: therefore it is feared that, in them, dialogue has been made use of too frequently for young ...
— Tales from Shakespeare • Charles and Mary Lamb
... pointed out to him clearly how it could be improved by introducing a messenger instead of a telephone call, and cutting the dialogue just before the climax while they were struggling with the pistol, and by completely changing the lines and business of Helen Grimes at the point where her jealousy overcomes her. Hart yielded to all her strictures without argument. She had at once put her finger ...
— Strictly Business • O. Henry
... or olisbos. In the British Museum is a vase representing a hetaira holding such instruments, which, as found at Pompeii, may be seen in the museum at Naples. One of the best of Herondas's mimes, "The Private Conversation," presents a dialogue between two ladies concerning a certain olisbos (or nbon), which one of them vaunts as a dream of delight. Through the Middle Ages (when from time to time the clergy reprobated the use of such instruments[191]) they continued to ...
— Studies in the Psychology of Sex, Volume 1 (of 6) • Havelock Ellis
... understand that this was a very smart scheme by which a deal of money had been made: and that its smartest feature was, that they forgot these things abroad, in a very short time, and speculated again, as freely as ever. The following dialogue I have held a hundred times: 'Is it not a very disgraceful circumstance that such a man as So-and-so should be acquiring a large property by the most infamous and odious means, and notwithstanding all the crimes of which he has been guilty, should be tolerated and ...
— American Notes for General Circulation • Charles Dickens
... eloquence between him and Monsieur Jolivet, in which each was seeking to obtain from the other an expression of the opinion that swayed his country. The Onondaga was silent, and the hunter spoke only a word or two, but each listened intently to the dialogue, which, however earnest it might be, never went beyond ...
— The Hunters of the Hills • Joseph Altsheler
... conversation is briefer than when actually spoken. It is necessary to have the conversation move quickly, for we read with less patience than we listen. The sentences must be for the most part short, and the changes from one speaker to another frequent, or the dialogue will have a "made to order" effect. Notice the conversation in as many different stories as possible. Observe how variation is secured in indicating the speaker. How many substitutes for "He said" can you name? In relating conversation ...
— Composition-Rhetoric • Stratton D. Brooks
... stories of northern life. I then made use of the matter because it was the truth, and for that very reason I am now going to repeat it; also because this transaction as depicted is typical of what usually happens when the Indians try to secure their advances. Furthermore, I give the dialogue in detail, as perchance some reader may feel as Thoreau did, when he said: "It would be some advantage to live a primitive and frontier life, though in the midst of an outward civilization, if only to learn what are the gross necessaries of life and what methods have been taken ...
— The Drama of the Forests - Romance and Adventure • Arthur Heming
... the dialogue. I can tell by her expression what Daggett is saying. First there's a kind of condescendin' curiosity as he begins, then she looks bored and turns back to the mirror, and pretty soon she sings out, "What's that?" so you could hear her all over the shop. Then Daggett ...
— Odd Numbers - Being Further Chronicles of Shorty McCabe • Sewell Ford
... the pot of gold. He was eager to push on toward it, confident of the outcome. His spirit was reflected in one of the songs which we children particularly enjoyed hearing our mother sing, a ballad which consisted of a dialogue between a husband and wife on this very subject of emigration. The words as well as its wailing melody still stir me deeply, for they lay hold of my sub-conscious memory—embodying admirably the debate which went on in our home as well as in the homes of other farmers ...
— A Son of the Middle Border • Hamlin Garland
... During this dialogue, which the speakers hurried through without attending to the others who were present, Sir Geoffrey listened with surprise and eagerness, endeavouring to catch something which should render their conversation intelligible; but as he totally failed in gaining any such key to ...
— Peveril of the Peak • Sir Walter Scott
... inclining by nature to humanity, but forced by experience to receive all statements of prisoners with caution, said all he could say, and the tragedy of five years was disposed of in the following dialogue:- JUDGE: This is not the place for an accusation against Captain Frere, nor the place to argue upon your alleged wrongs. If you have suffered injustice, the authorities will hear ...
— For the Term of His Natural Life • Marcus Clarke
... sovereignty and gave Roman Catholicism special status in Italy. The US established formal diplomatic relationships with the Vatican in 1984. Present issues in the Vatican concern the ill health of Pope John Paul II, who turns 79 on 20 May 1999, inter-religious dialogue and reconciliation, and the adjustment of church doctrine in an era of rapid change. About 1 billion people worldwide profess the ...
— The 1999 CIA Factbook • United States. Central Intelligence Agency.
... this discourse is, of course, reminiscent of Wagner's own poetical manner, and it must be remembered that the whole was written subsequent to Nietzsche's final break with his friend. The dialogue between Zarathustra and the Magician reveals pretty fully what it was that Nietzsche grew to loathe so intensely in Wagner,—viz., his pronounced histrionic tendencies, his dissembling powers, his inordinate vanity, his equivocalness, his falseness. "It honoureth ...
— Thus Spake Zarathustra - A Book for All and None • Friedrich Nietzsche
... readers, you have a taste for refined morality and delicate sentiment, for chaste acting and spirited dialogue, for scenery painted on the spot, but like nothing in nature except canvas and colour—go to the Victoria and see "Mary Clifford." It may, perhaps, startle you to learn that the incidents are faithfully copied from the "Newgate Calendar," and that the subject is Mother ...
— Punch, or the London Charivari, Vol. 1, August 21, 1841 • Various
... period of Jehuda Halevi's literary career was devoted to serious pursuits, to thoughts about life, and to practical work. He wrote his far-famed philosophical dialogue, the Cuzari, and earned his living as a physician. He was not an enthusiastic devotee to medicine, however. "Toledo is large," he wrote to a friend, "and my patients are hard masters. I, their slave, ...
— Chapters on Jewish Literature • Israel Abrahams
... and unlettered force which the Latin hymns never possessed. Presently the disciplinati became known as Laudesi. The master maker of "Lauds" was Jacopone da Todi and his most significant production took the form of a dialogue between Mary and the Savior on the cross, followed by the lamentation of the mother over her Son. Mary at one point appeals to Pilate, but is interrupted by the chorus of Jews, crying "Crucify him!" Many other "Lauds," however, were rather ...
— Some Forerunners of Italian Opera • William James Henderson
... the Poet's later biographers and critics have supposed he was not happy in his marriage. Certain passages of his plays, especially the charming dialogue between the Duke and the disguised Viola in Act ii., scene 4, of Twelfth Night, have been cited as involving some reference to the Poet's own case, or as having been suggested by what himself had experienced of the evils resulting from the wedlock of persons ...
— Shakespeare: His Life, Art, And Characters, Volume I. • H. N. Hudson
... Here is a good deal that is biographical and autobiographical in its nature; here is the story of her mother's life told with rare graciousness and affection, in language which is never without eloquence; and even when the dialogue makes you feel that the real characters never talked as they do in this monograph, it is still unstilted and somehow really convincing. Touching to a degree is the first chapter, "My Mother," and it, with all the rest of the book, makes ...
— The Moccasin Maker • E. Pauline Johnson
... ever approaches the realisation of his hopes without a kind of fear. In those imaginary dramas which we invent and rehearse perpetually in the silent theatre of our own minds, we always take care that we get the best of the situation and the dialogue. The dramas of real life are apt to end differently. The coveted occasion finds us incapable; a baffling scepticism of our own powers leaves us impotent; the part that ran so easily, with such unanimous applause, when we were both the dramatist and the actor, suddenly bristles with ...
— The Quest of the Simple Life • William J. Dawson
... catastrophe. It seemed as though Fate had cunningly engineered the forces on every plane so that there should be no escape for her victims. Like almost all the tragedies of ordinary human life, this one had been too swift in its action to allow of suitable dialogue or setting. ...
— Lady Bridget in the Never-Never Land • Rosa Praed
... articles; but none of the three ladies went beyond writing good letters. I think all of them were keener of sight than I was—more observant of features, dress, and manners; but I took in more by the ear. As Sir Walter Scott says, "Speak that I may know thee." To my mind, dialogue is more important for a novel than description; and, if you have a firm grasp of your characters, the dialogue will be true. With me the main difficulty was the plot; and I was careful that this should not be merely possible, but probable. I ...
— An Autobiography • Catherine Helen Spence
... W. Smalloy in New York Herald: "A story which lays a spell upon you. The animation is unceasing, and so, therefore, is the interest.... Mr. Hope has not lost his old deftness in dialogue.... The scene between the two men [Sapt and James] after the murder ...
— His Lordship's Leopard - A Truthful Narration of Some Impossible Facts • David Dwight Wells
... prophet, but only that the woman's allusion to the prophetic mantle and to the aged appearance of the spectre convinced him that it was Samuel. Reuss [3] in fact translates the passage "Alors Saul reconnut que c'etait Samuel." Nor does the dialogue between Saul and Samuel necessarily, or probably, signify that Samuel spoke otherwise than by the voice of the wise woman. The Septuagint does not hesitate to call her [Greek], that is to say, a ventriloquist, implying that it was she who spoke—and ...
— The Evolution of Theology: An Anthropological Study - Essay #8 from "Science and Hebrew Tradition" • Thomas Henry Huxley
... of a news story is the place for the reporter's skill and style. He is given all the liberties of ordinary narration and should make the most of every word. His individual style comes into play here. If the interest can be increased by a bit of dialogue the reporter may put it in. If the facts can be presented more effectively by means of direct quotation, the words of any one whom the reporter has interviewed may be of interest. However, these things must not be overworked because every trick of writing loses its effectiveness ...
— Newspaper Reporting and Correspondence - A Manual for Reporters, Correspondents, and Students of - Newspaper Writing • Grant Milnor Hyde
... in a white nighty, "plitty little Fay" sat good as gold on Jan's knee, absorbed in the interest of "This little pig went to market," told on her own toes. Even Tony, the aloof and unfriendly, consented to unbend to the extent of being interested in the dialogue of "John Smith and Minnie Bowl, can you shoe a little foal?" and actually thrust out his own bare feet that Jan might make them take part in the drama of the "twa wee doggies who went to the market," and came ...
— Jan and Her Job • L. Allen Harker
... to Pliny the greater authority of Cicero, who is continually enforcing the necessity of this method of study. In his dialogue on Oratory he makes Crassus say, that one of the first and most important precepts is to choose a proper model for our imitation. Hoc fit primum in preceptis ...
— Seven Discourses on Art • Joshua Reynolds
... Soon after this little dialogue Dame Meadows proposed to end her visit and return home. Her son yielded a cheerful assent. She went gravely and quietly back to her ...
— It Is Never Too Late to Mend • Charles Reade
... a rap upon the side porch door. Aunt 'Mira rose to respond, and as she went into the little boxlike hall she failed to quite close the sitting room door. Therefore the trio left behind heard plainly the following dialogue: ...
— The Mission of Janice Day • Helen Beecher Long
... But this dialogue set me to thinking on the various types of fascinating Oriental women; the standing they have in the world; and the status ...
— Flash-lights from the Seven Seas • William L. Stidger
... find? The profoundest ignorance of the rudiments of English. The special correspondent sent to London by the Figaro to be amusing on our darker side, cannot spell the word theatre; but he is trenchant when dealing with what he saw at the Adelphi Theater. How completely he must have understood the dialogue, he who describes Webster as a comique de premier ordre! In the same paper the dramatic critic, after explaining that at the rehearsals of L'Abime, the actors, who continually are complaining that they are ordered off on the wrong ...
— The Cockaynes in Paris - 'Gone abroad' • Blanchard Jerrold
... there is no reason to doubt, that Addison was the author. 'The piece,' Mr. Courthope writes, 'is like Cato, a standing proof of Addison's deficiency in dramatic genius. The plot is poor and trivial, nor does the dialogue, though it shows in many passages traces of its author's peculiar vein of humour, make amends by its brilliancy for the tameness of the ...
— The Age of Pope - (1700-1744) • John Dennis
... to tell you, at the same time," he candidly admitted, "that in Betterton's time the older sort of people talked of Hart's being his superior, just as we do of Betterton's being superior to those now." So in the old-world tract, called "Historia Histrionica"—a dialogue upon the condition of the early stage, first published in 1699—Trueman, the veteran Cavalier playgoer, in reply to Lovewit, who had decided that the actors of his time were far inferior to Hart, Mohun, Burt, Lacy, Clun, ...
— A Book of the Play - Studies and Illustrations of Histrionic Story, Life, and Character • Dutton Cook
... interview of the Queen with Sir Robert Peel, her Majesty was determined to answer only in monosyllables to all he said; and, in fact, to make her replies an echo, and nothing more, to whatever he said to her. The following dialogue, which we have thrown into verse for the purpose of smoothing it—the tone of it, as spoken, having been on one side, at least, rather rough—ensued between the ...
— Punch, or the London Charivari, Vol. 1, September 5, 1841 • Various
... we might place unhesitating faith in the authenticity of the dialogue attributed to Plato under the title of "Hipparchus," we should have, indeed, high authority in favour of the virtues and the wisdom of that prince. And by whomsoever the dialogue was written, it refers to facts, in the passage relative to the son of Pisistratus, in a ...
— Athens: Its Rise and Fall, Complete • Edward Bulwer-Lytton
... and doubtful works of Justin Martyr,—the Apologies, the Dialogue with Trypho, the Oratio ad Gentiles, the Cohortatio, the De Monarchia, and the fragments on the Resurrection, along with ...
— Christology of the Old Testament: And a Commentary on the Messianic Predictions, v. 1 • Ernst Wilhelm Hengstenberg
... I mentioned this dialogue for no other purpose than to observe how dangerous it is to talk disrespectfully of men in high positions; for it was carried to Cromwell, who remembered it with a great deal of resentment on an occasion which I shall mention hereafter, and said to M. de Bourdeaux, ...
— The Memoirs of Cardinal de Retz, Complete • Jean Francois Paul de Gondi, Cardinal de Retz
... lower-class) native's house, he is very complimentary, and sometimes three minutes' polite excusatory dialogue is exchanged between the visitor and the native visited before the former passes the threshold. When the same class of native enters a European's house, he generally satisfies his curiosity by looking all around, and often pokes his head into a private room, ...
— The Philippine Islands • John Foreman
... evidently one of those who live much alone, and so contract unconscious habits, against which society offers the only safeguard. He was absorbed in some imaginary dialogue; and so imperfectly could his fleshly veil conceal his mental processes, that he gesticulated everything that passed through his mind. These gestures, though perfectly apparent to a steady observer, were ...
— Idolatry - A Romance • Julian Hawthorne
... the result of poor JONES's three months' hard labour at the Joe-Millery mill. This, however, was no joke to JONES, who straightway decided that this time he would give the inimitable ARTHUR something quite new in the way of a jest; and so, dropping the dialogue, he came to "the action," which, in this instance, was an action-at-law. Whatever Mr. ROBERTS may have thought of the words, he will hardly have considered the result of this case as "good business" from his own private and peculiar point of view. But all ...
— Punch, Or The London Charivari, Vol. 101, July 18, 1891 • Various
... her more important than a child's passing ailment. As she slowly unrobed herself by the fire, combed out her warm, fragrant, many-rippled tresses, or held mute dialogue with her eyes in the glass, from a ravel of uneasy thoughts there detached itself, first and foremost, the discovery that Redgrave had not been in Paris when Mrs. Strangeways said he was. What was the meaning of this ...
— The Whirlpool • George Gissing
... operation: all was freedom, mirth, and peace. Often would my father take his noble pointers preparatory to the shooting season, at once to try their powers and to ascertain what promise of future sport the fields presented. These were destructive expeditions in one sense. I remember the following dialogue, repeated to me by my brother, when we made our appearance at home after a day's demolition ...
— Personal Recollections • Charlotte Elizabeth
... too, he published his "Universal Prayer,"—a singular specimen of latitudinarian thought, expressed in a loose simplicity of language, quite unusual with its author. The next year he had intended to signalise by a third Dialogue, which he commenced in a vigorous style, but which he did not finish, owing to the dread of a prosecution before the Lords; and with the exception of letters (one of them interesting, as his last to Swift), his pen was altogether idle. In 1740, he did nothing but ...
— The Poetical Works Of Alexander Pope, Vol. 1 • Alexander Pope et al
... machines, eager to be away again. We were to make our second landing at R——. It was about seventy kilometres distant and almost due north. The mere name of the town was an invitation. Somewhere, in one of the novels of William J. Locke, may be found this bit of dialogue:— ...
— High Adventure - A Narrative of Air Fighting in France • James Norman Hall
... animated dialogue I sat apart, softly rubbing my hands. What a happy dispensation it would be, I could not help thinking, if these two old madmen were to exterminate each other, like the Kilkenny cats! Anyhow, their attention was effectually diverted from my humble person, and that was something to ...
— Stories By English Authors: Italy • Various
... dialogue, at any rate, had the good effect of wakening Audrey to the practical aspects of her problem. Before their engagement could be announced, it was clear that Ted ought to be properly introduced to her friends. However she might affect to brave it out, Audrey was sensitive ...
— Audrey Craven • May Sinclair |
