"Classicism" Quotes from Famous Books
 ... Period. Eighteenth-Century Classicism. The Meaning of Classicism in Literature. Alexander Pope. Swift. Addison. Steele. Johnson. Boswell. Burke. Historical Writing in the Eighteenth ...
— Outlines of English and American Literature • William J. Long
... doing little more than translate in his head, instead of on the paper, good current Latin (such as it would have been "more easier" for him to write) into current English. He does not indulge in any undue classicism; he takes few of the liberties with English grammar which, a little later, it was the habit to take on the strength of classical examples. But, on the other hand, he does not attempt, and it would be rather unreasonable to expect that he should have attempted, experiments in the literary power of ...
— A History of English Literature - Elizabethan Literature • George Saintsbury
... Petrarch's sonnets; and after such a long lapse of time we still discover something that comes from us even in the Wagnerian drama, for instance in 'Parsifal' or in 'Tristan and Isolde.' A long time later, in a Europe belonging entirely to classicism, from the beginning of the seventeenth to the end of the eighteenth century, during one hundred and fifty years or even longer, French literature possessed a real sovereignty in Italy, in Spain, in England, and in Germany. Do not the names of Algarotti, Bettinelli, Beccaria, Filengieri, ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 6 • Various
... beginning what was to be a great patriotic epic, his Pelayo. Like many another ambitious project, this was never completed. The few fragments of it which have been printed date mostly from this time. The style is still classic, but it is the pseudo-classicism of his model, Tasso. The poet had taken the first step leading to Romanticism. Hence this work was not so sterile as his earlier performances. Lista, on seeing the fragments, did much to encourage the young author. Some of the octaves included in the published version are said ...
— El Estudiante de Salamanca and Other Selections • George Tyler Northup
... nature; they reintroduced the supernatural, which is a part of the nature of man; they described seas, and deserts, and mountains, and the emotions of the soul in loneliness. But so soon as it passed out of the hands of the greater poets, this revived Romance became as bookish as decadent Classicism, and ran into every kind of sentimental extravagance. Indeed revived Romance also became a school of manners, and by making a fashion and a code of rare emotions, debased the descriptive parts of the language. A description by any professional reporter of any Royal wedding is ...
— Romance - Two Lectures • Walter Raleigh
... exploration to the middle of the eighteenth century; the second includes the second half of the eighteenth century; the third comprises the years of the nineteenth century up to 1840, while that date inaugurates the triumph of Romanticism over pseudo-Classicism. Romanticism, as in other countries, gave way in turn to realism and various other movements current in those turbulent decades. Sometimes the changes came not as a natural phase of literary evolution, but rather ...
— Brazilian Tales • Joaquim Maria Machado de Assis
... school fixed its hold more strongly than ever; the stage went swiftly to an end as sad as that of the early dramatists. Nevertheless his influence lived and grew more powerful till, aided largely by French influence, it resulted in the so-called classicism ...
— English Literature - Its History and Its Significance for the Life of the English Speaking World • William J. Long
... and Classicism.—The influences of this period were not entirely in the direction of romanticism. Samuel Johnson, the literary dictator of the age, was unsparing in his condemnation of the movement. The weight of his opinion kept many romantic ...
— Halleck's New English Literature • Reuben P. Halleck
... altered times that now ensued, the continuity of classicism is seen in two forms of literature—namely, philological criticism and poetry. The acknowledged model of Latin poetry was Virgil, and his greatest imitator was Claudian, who had made himself a Latin scholar by study, much as the moderns do. Claudian ...
— Anglo-Saxon Literature • John Earle
... but his works are more correct in language and style than those of Quintana. It is interesting that although the writings of these two poets evince a profound dislike and distrust of the French, yet both were in their art largely dominated by the influence of French neo-classicism. This is but another illustration of the relative conservatism ...
— Modern Spanish Lyrics • Various
... citizens to build their homes like Doric temples, and you may imagine what a Doric temple freely adapted to domestic purposes must be. But are these attempts to revive the past very successful anywhere? We regard as a decided mistake the revived classicism of the last generation. May not our revived mediaevalism be regarded as a mistake by the generation that follows us? We could all probably point to some case in which the clashing of mediaeval beauties with modern requirements has produced ...
— Lectures and Essays • Goldwin Smith
... uncomfortable and ridiculous than those of any previous or later times; it delighted in the impossibly nonsensical 'pastoral' verses which we find too silly to read; and in place of wit, it clothed gross and cruel sayings in a thin remnant of worn-out classicism. It had not the frankly wicked recklessness of the French aristocracy between Lewis the Fourteenth and the Revolution, nor the changing contrasts of brutality, genius, affectation and Puritanical austerity which marked England's ascent, from the death of Edward the Sixth ...
— Ave Roma Immortalis, Vol. 1 - Studies from the Chronicles of Rome • Francis Marion Crawford
... "everything" might have been revealed to me as a means to the end, I would certainly have done it for a sight of Madame Doche and Fechter in Dumas's triumphant idyll—now enjoying the fullest honours of innocuous classicism; with which, as with the merits of its interpreters, Honorine's happy charges had become perfectly and if not quite serenely, at least ever so responsively and feelingly, familiar. Of a wondrous mixed sweetness and sharpness and queerness of uneffaced reminiscence is all that aspect ...
— A Small Boy and Others • Henry James
... Indian funeral ceremonies, and especially suttee; of the self-mutilation and immolation of Indian fanatics; and of Indian magic, navigation ("they are not acquainted with the compass"), justice, &c. Several venerable legends are reproduced; and Conti's name-forms, partly through Poggio's vicious classicism, are often absolutely unrecognizable; but on the whole this is the best account of southern Asia by any European of the 15th century; while the traveller's visit to Sokotra is an almost though not quite unique performance for a Latin ...
— Encyclopaedia Britannica, 11th Edition, Volume 7, Slice 2 - "Constantine Pavlovich" to "Convention" • Various |
