"Cellini" Quotes from Famous Books
 ... freedom was a word as unmeaning as it is now tinder his sacred majesty, Napoleon the Third, there came to the capital, from Touraine, an artizan, named Anseau, who was as cunning in his trade of goldsmith as Benvenuto Cellini, the half-mad artificer of Florence. He became a burgess of Paris, and a subject of the king, whose high protection he purchased by many presents, both of works of art and good red gold. He inhabited a house built by himself, near the church of St. Leu, in the Rue St. Denys, where ...
— The Sea-Witch - or, The African Quadroon A Story of the Slave Coast • Maturin Murray
... and prose writers of high merit. These were Ariosto, Tasso, Berni, Sannazaro, Machiavelli, Bandello, Guicciardini. Below them were a hundred distinguished writers, among which must be cited Aretino, Folengo, Bembo, Baldi, Tansillo, Dolce, Benvenuto Cellini, Hannibal ...
— Initiation into Literature • Emile Faguet
... delle Belle Arti (see p.272). In the National Museum is the best collection of sculpture by great Italian Artists, such as Michael Angelo, G.Bologna, Luca and Andrea della Robbia, Ghiberti; Brunelleschi, Donatello, Pisano, Benvenuto Cellini, Rossi, Mino da Fiesole, and Verrochino, chiefly in the first and sixth rooms of the first floor, and in the sixth room of the second floor. Of the churches, the most important are the Duomo or Cathedral, the Baptistery ...
— The South of France—East Half • Charles Bertram Black
... haze, only broken by the golden glitter of her yellow hair—beautiful in herself, but made bewilderingly beautiful by the gorgeous surroundings which adorn the shrine of her loveliness. Drinking-cups of gold and ivory, chiseled by Benvenuto Cellini; cabinets of buhl and porcelain, bearing the cipher of Austrain Marie-Antoinette, amid devices of rosebuds and true-lovers' knots, birds and butterflies, cupidons and shepherdesses, goddesses, courtiers, cottagers, and milkmaids; statuettes of Parian marble ...
— Lady Audley's Secret • Mary Elizabeth Braddon
... who had broken into the shop of Cellini, the artist, and was breaking open the caskets in order to get at some jewels, was arrested in his progress by a dog, against whom he found it a difficult matter to defend himself with a sword. The faithful animal ran to the room where ...
— Anecdotes of Animals • Unknown
... unfinished mansion slowly decaying beside his small and homely dwelling. The pictures, many of which were the rarest originals in early Flemish and Italian art, were dusted with tender care, and hung from hasty nails upon the bare ghastly walls. Delicate ivory carvings, wrought by the matchless hand of Cellini-early Florentine bronzes, priceless specimens of Raffaele ware and Venetian glass—the precious trifles, in short, which the collector of mediaeval curiosities amasses for his heirs to disperse amongst the palaces of kings and ...
— What Will He Do With It, Complete • Edward Bulwer-Lytton
... not over a foot square. A comb and a brush of old ivory, which had set in its back a small mirror held in by a silver band, which father had purchased in Florence for me under a museum guaranty as a genuine Cellini work of art, were wrapped in a silk case, and a toothbrush and soap had occupied their respective oil-silk cases along with a tube of tooth paste and one of cold cream. Two pairs of soft, but strong, tan cotton stockings were tucked underneath the ribbon confining the lingerie, and ...
— The Golden Bird • Maria Thompson Daviess
... ask for. He was especially rich in drawings by the Old Masters, producing two or three, of exquisite delicacy, by Raphael, one by Salvator, a head by Rembrandt, and others, in chalk or pen-and-ink, by Giordano, Benvenuto Cellini, and hands almost as famous; and besides what were shown us, there seemed to be an endless supply of these art-treasures in reserve. On the wall hung a crayon-portrait of Sterne, never engraved, representing him as a rather ...
— The Atlantic Monthly, Volume 09, No. 51, January, 1862 • Various
... were of the seventeenth century, and although Clouet was painter to Francis I. and Henry II., the former, like his predecessors, imported artists from Italy, among whom were Leonardo da Vinci and Benvenuto Cellini. ...
— Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. • Clara Erskine Clement
... introduction gives a much fuller account of his work than it was possible to include in the present volume. For similar material from other writers of the time, see WHITCOMB, A Literary Source Book of the Italian Renaissance (Philadelphia, $1.00). The autobiography of Benvenuto Cellini is a very amusing and instructive book by one of the well-known artists of the sixteenth century. Roscoe's translation in the Bohn series (The Macmillan Company, $1.00) is to be recommended for ...
— An Introduction to the History of Western Europe • James Harvey Robinson
... measured all probabilities and discussed both the good and the evil chances, striving to foresee the future and weighing its elements, Gabrielle was walking in the garden and gathering flowers for the vases of that illustrious potter, who did for glaze what Benvenuto Cellini did for metal. Gabrielle had put one of these vases, decorated with animals in relief, on a table in the middle of the hall, and was filling it with flowers to enliven her grandmother, and also, perhaps, to give form ...
— The Hated Son • Honore de Balzac
... the autobiography of Benvenuto Cellini, any more than that of Pius II, founded on introspection. And yet it describes the whole man— not always willingly—with marvelous truth and completeness. It is no small matter that Benvenuto, whose most important works have perished half finished, and who, as an artist, is perfect ...
— The Civilization of the Renaissance in Italy • Jacob Burckhardt
... for artists is that of Benvenuto Cellini; a work of great originality, which was not begun till "the clock of ...
— Curiosities of Literature, Vol. 1 (of 3) • Isaac D'Israeli
... playing of a flute, the science had continued nearly stationary. The masters paid more attention to the arts than to mechanics, and it was the period of beautiful watches of iron, copper, wood, silver, which were richly engraved, like one of Cellini's ewers. They made a masterpiece of chasing, which measured time imperfectly, but was still a masterpiece. When the artist's imagination was not directed to the perfection of modelling, it set to work to create clocks with moving figures and melodious ...
— A Winter Amid the Ice - and Other Thrilling Stories • Jules Verne
... you like my Cellini. The book has been a success; and I am pleased, though I am not interested in its sale. The publisher paid me L210 for my work, which I thought ...
— Margot Asquith, An Autobiography: Volumes I & II • Margot Asquith
... consoled by the thought that for him perhaps love might, after all, be a thing apart—a thing no longer vital and soul-controlling. To-night he was sitting in the court of orchids, reading a book—the diary of Cellini, which some one had recommended to him—stopping to think now and then of things in Chicago or Springfield, or to make a note. Outside the rain was splashing in torrents on the electric-lighted asphalt of Fifth Avenue—the Park opposite a Corot-like shadow. Aileen was in the music-room strumming ...
— The Titan • Theodore Dreiser
... long-forgotten ages and races a strong witchcraft was pent, and that a man might grow to give his heart and soul to them. My uncle could give me the date of every object. This statuette is a Praxiteles; this picture a Guido Reni; Benvenuto Cellini was the owner of this goblet; and this sword ...
— Dr. Dumany's Wife • Mr Jkai
... orchestra and opera of Weymar were greatly in need of reform and of stirring up. The remarkable and extraordinary works to which our theater owes its new renown—"Tannhauser," "Lohengrin," "Benvenuto Cellini"—required numerous rehearsals, which I could not give into the hands of anybody else. The day before yesterday a very pretty work, in an elegant and simple melodic style, was given for the first ...
— Letters of Franz Liszt, Volume 1, "From Paris to Rome: - Years of Travel as a Virtuoso" • Franz Liszt; Letters assembled by La Mara and translated
... carried with me the following books in handy volume size:—Montaigne's Essays, Palgrave's Golden Treasury of English Verse, Lockhart's Life of Napoleon, Autobiography of Cellini, Don Quixote, The Three Musketeers, Lorna Doone, Prescott's Conquest of Mexico and The Conquest of Peru, Les Miserables, Vanity Fair, Life and Writings of Benjamin Franklin, Pepys' Diary, Carlyle's French Revolution, ...
— An African Adventure • Isaac F. Marcosson
... tetralogy. Berlioz, who looked us up during that time, endured these readings with quite admirable patience. We had lunch with him one morning before his departure, and he had already packed his music for his concert tour through Germany. Liszt played different selections from his Benvenuto Cellini, while Berlioz sang to them in his peculiarly monotonous style. I also met the journalist, Jules Janin, who was quite a celebrity in Paris, although it took me a long time to realise this; the only thing that impressed me about him ...
— My Life, Volume II • Richard Wagner
... Kuhn: Luther, sa vie et son oeuvre, Paris, 1883, 3 vols., 8vo. t. i., p. 128; t. ii., p. 9; t. iii., p. 257. Benvenuto Cellini does not hesitate to describe a visit which he made one day to the Coliseum in company with a magician whose words evoked clouds of devils who filled the whole place. B. Cellini, La vita scritta da lui medesimo, Bianchi's edition, ...
— Life of St. Francis of Assisi • Paul Sabatier
... "Benvenuto Cellini said he made a good soldier; he said it himself, but his reputation for veracity in other matters was doubtful, to say the least. If he did not shoot the Connetable de Bourbon, it is very certain that some one else did. ...
— Saracinesca • F. Marion Crawford
... for you, Dele," said Joe, attacking a can of peas with a carving knife and a hatchet, "but how about me? Do you think I'm going to let you hustle for wages while I philander in the regions of high art? Not by the bones of Benvenuto Cellini! I guess I can sell papers or lay cobblestones, and bring in ...
— The Four Million • O. Henry
... she would have an intuition of his real greatness and goodness. And in due course he would confess things to her, pour his version of what he regarded as his wickedness—showing what a complex of Goethe, and Benvenuto Cellini, and Shelley, and all those other chaps he really was—into her shocked, very beautiful, and no doubt sympathetic ear. And preparatory to these things he wooed her with infinite subtlety and respect. And the reserve with which Elizabeth treated him seemed nothing more nor ...
— Tales of Space and Time • Herbert George Wells
... given it the same amount of consideration, that is all. An artist in crime is, in his way, well worthy of a certain sort of admiration. Who could drive a knife in a man's back with a braver air of deviltry than Benvenuto Cellini? And yet he could turn himself from the deed and devote himself to the producing of a Perseus, or to playing the flute well enough to attract the attention of a Pope. And his own countrymen, the Borgias, had as pretty a talent for assassination ...
— Ashton-Kirk, Criminologist • John T. McIntyre
... up without restraint to the pleasures of creative writing. These were days of quiet and deep happiness. He read much, often aloud in the evening—fairy-tales, of which he was devotedly fond, legendary lore of different countries, mediaeval romances, Keats, Shelley, Tennyson, Benvenuto Cellini's Memoirs, Victor Hugo, Heine; and also Mark Twain. Later, in the spring, the days were devoted partly to composition and partly to long walks with his wife in the beautiful Frankfort woods, where was suggested ...
— Edward MacDowell • Lawrence Gilman
... had belonged to Doria, and a sabre which had been worn by Castruccio, hung on either side of the mantelpiece. The whole had a republican tendency, but it was republicanism in gold and silver—mother-of-pearl republicanism—the Whig principle embalmed in Cellini chalices and porcelain of Frederic le Grand. Fortunately the conversation did not turn upon home politics. It wandered lightly through all the pleasanter topics of the day; slight ventilations of public character, dexterous allusions to anecdotes which none but the initiated ...
— Blackwood's Edinburgh Magazine — Volume 54, No. 335, September 1843 • Various
... Berlioz completed his "Benvenuto Cellini," his only attempt at opera since "Les Francs Juges," and, wonderful to say, managed to get it done at the opera, though the director, Duponchel, laughed at him as a lunatic, and the whole company already ...
— Great Italian and French Composers • George T. Ferris
... obvious folly, it had failed to fulfil the transient purpose for which it was erected. The only poetic evanescence is the evanescence that is inevitable. An unnecessary evanescence in things we make is bad art. If I remember the story correctly, it was to a Roman lady that Benvenuto Cellini took the exquisite waxen model of some piece of goldsmithing she had commissioned him to execute for her. So delighted was she with this mere model that she longed to keep it and called it the perfection of art, or some ...
— The Amateur Garden • George W. Cable
... easily out, or of keeping for years the perfume in; of storing in cellars, or bearing from fountains; of sacrificial libation, of Pan-athenaic treasure of oil, and sepulchral treasure of ashes,—and you have a resultant series of beautiful form and decoration, from the rude amphora of red earth up to Cellini's vases of gems and crystal, in which series, but especially in the more simple conditions of it, are developed the most beautiful lines and most perfect types of severe composition which have ...
— Selections From the Works of John Ruskin • John Ruskin
... he expected. It was like pulling teeth at first. I want some coffee at once," he said to the attendant, "and a bath. That boat reeked with Moors and cattle, and there was no wagon-lit on the train from Madrid. I sat up all night, and played cards with that young Cellini. Have Madame Zara and Kalonay returned? I see the yacht in the ...
— The King's Jackal • Richard Harding Davis
... elect. On the one hand you'd find Sophocles; on the other, Cicero; across the room would be Horace chatting gayly with some such person as myself. Great warriors, from Alexander to Bonaparte, were there, and glad of the opportunity to be there, too; statesmen like Macchiavelli; artists like Cellini or Tintoretto. You couldn't move without stepping on the toes of genius. But now all is different. The money-getting instinct has been aroused within them all, with the result that when I invited Mozart to meet a few friends at dinner at my place last autumn, he sent me a ...
— The Pursuit of the House-Boat • John Kendrick Bangs
... him, in spite of himself, to set about explaining himself to other people, to the world in general. His anxiety to explain, not to justify, himself was after all a kind of cowardice before his own conscience. He felt the silent voices within him too acutely to keep silence. Cellini wrote his autobiography because he heard within him such trumpeting voices of praise, exultation, and the supreme satisfaction of a violent man who has conceived himself to be always in the right, that it shocked him to think of going ...
— Figures of Several Centuries • Arthur Symons
... Schiavonetti; and a wonderful work it is—the work of Michael Angelo begun in competition with Leonardo da Vinci. The original is said to have been destroyed by Baccio Bandinelli; still there are the ancient prints and drawings which show the design, and there is a small copy at Holkham. Benvenuto Cellini—and could there be a better authority?—denies that the powers afterwards exerted in the Capella Sistina, arrive at half its excellence. Mr Fuseli's description is so good, that we give it entire. "It represents ...
— Blackwood's Edinburgh Magazine - Volume 54, No. 338, December 1843 • Various
... mankind. Oh, yes, machinery has made me rich! It has given the proletariat the privilege of wearing yellow diamonds and riding about in flivvers. That must be admitted. But to have lived in those days when ambition thought only in beauty! To have been the boon companions of men like Da Vinci, Cellini, Michelangelo! Then there are the adventures of this concrete dream of the artist. I can trace it back to the bare studio in which it was conceived, follow its journeys, its abiding places, down to the hour it ...
— The Pagan Madonna • Harold MacGrath
... natures and ranges and qualities of the old, and wrote the celebrated treatise that has become the textbook of the science of instrumentation. The thinness of much of his work, the feebleness of the overture to "Benvenuto Cellini," for instance, results from his inexperience in the new tongue. But he had not to practise long. It was not long before he became the teacher of his very contemporaries. Wagner owes as much to Berlioz's instrumentation as he ...
— Musical Portraits - Interpretations of Twenty Modern Composers • Paul Rosenfeld
... merits of these paintings, the Brancacci chapel is especially interesting from the direct and unquestionable effect which it is known to have had upon younger painters. Here Raphael and Michel Angelo, in their youth, and Benvenuto Cellini passed many hours, copying and recopying what were then the first masterpieces of painting, the traces of which study are distinctly visible in their later productions; and here, too, according to Cellini, the famous punch in the nose ...
— The Atlantic Monthly, Volume 1, Issue 2, December, 1857 • Various
... that of a race. In this respect, a great poem, a good novel, the confessions of a superior man, are more instructive than a mass of historians and histories, I would give fifty volumes of charters and a hundred diplomatic files for the memoirs of Cellini, the epistles of Saint Paul, the table talk of Luther, or the comedies of Aristophanes. Herein lies the value of literary productions. They are instructive because they are beautiful, their usefulness increases with their perfection and if they provide us with documents, it is because they are monuments. ...
— Prefaces and Prologues to Famous Books - with Introductions, Notes and Illustrations • Charles W. Eliot
... were not a family of goldsmiths and lapidaries for nothing. The accurate touch of the artificer in jewels and costly metals was one of the gifts transmitted to Robert Herrick. Much of his work is as exquisite and precise as the chasing on a dagger-hilt by Cellini; the line has nearly always that vine-like fluency which seems impromptu, and is never the result of anything but austere labor. The critic who, borrowing Milton's words, described these carefully wrought poems as "wood-notes ...
— Ponkapog Papers • Thomas Bailey Aldrich
... considerately; and, whilst you are busy in circulating our memoirs in the Strada Santa Caterina, the Toledo, and the piazza of the silversmiths, we are preparing yours, gentlemen, in a work which shall leave those of Benvenuto Cellini far—very far behind! ...
— Blackwood's Edinburgh Magazine, Volume 59, No. 367, May 1846 • Various
... for twenty years, and I can now point to what no American multi-millionaire can ever boast of, a collection made up entirely of 'fakes.' When I stroll through my little museum I am obsessed by no doubts. I am as certain as I am of being alive that no genuine Leonardo or Holbein or Manet or Cellini has found its way ...
— The Patient Observer - And His Friends • Simeon Strunsky
... although so many famous painters were goldsmiths, none of the very greatest were. Among the goldsmiths were Orcagna, Ghiberti, Ghirlandajo, Antonio del Pollaiuolo, Francia, Verrocchio, Andrea del Sarto. But Benvenuto Cellini, the greatest of goldsmiths, was never a painter, and the very greatest painters were never goldsmiths, for Cimabue, Giotto, Mantegna, Lionardo da Vinci, Perugino, Raphael, Michelangelo, all began in the profession that made them ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... his father, and six years later he undertook work there on his own account. They did half of the choir of La Badia in 1501-2, and the very elaborate lectern. The son of Mark was Giambattista, called Maestro Tasso, who was a fine carver in wood, and, in the opinion of Cellini, the best in his profession. He did many things both for ephemeral and lasting purposes, and became an architect, designing the door of the Church of S. Romolo and the Loggia of Mercato Nuovo, Florence, and superintending the construction ...
— Intarsia and Marquetry • F. Hamilton Jackson
... the catalogue. I've read seventeen novels and bushels of poetry—really necessary novels like Vanity Fair and Richard Feverel and Alice in Wonderland. Also Emerson's Essays and Lockhart's Life of Scott and the first volume of Gibbon's Roman Empire and half of Benvenuto Cellini's Life—wasn't he entertaining? He used to saunter out and casually kill a ...
— Daddy-Long-Legs • Jean Webster
... marble, a wise sculptor will depend less on flesh contour, and more on picturesque accessories, which, though they would be vulgar if attempted in stone, are rightly entertaining in bronze or silver. Verrochio's statue of Colleone at Venice, Cellini's Perseus at Florence, and Ghiberti's gates at Florence, are ...
— The Crown of Wild Olive • John Ruskin
... services of argenterie and vaisselle plate, contained in a hundred and seventy-six plate-chests at Messrs. Childs', Rumble and Briggs prepared a gold service, and Garraway, of the Haymarket, a service of the Benvenuto Cellini pattern, which were the admiration of all London. Before a month it is a fact that the wretched haberdashers in the city exhibited the blue stocks, called "Heiress-killers, very chaste, two-and-six:" long ...
— Burlesques • William Makepeace Thackeray
... only be possessed by one living in the artist world now, to know who was dead and who alive, and Mr. Tom Taylor has done it admirably. I read the book twice over, so profound was my interest in it. In his early days, I used to be a sort of safety-valve to that ardent spirit most like Benvenuto Cellini both in pen and tongue and person. Our dear Mr. Bennoch was the providence of his later years. They tell me that that powerful work has entirely stopped the sale of Moore's Life, which, all tinsel and tawdry rags, might have been written by a court newsman or a court milliner. I wonder whether they ...
— Yesterdays with Authors • James T. Fields
... gold- and silver-smith of the olden time. A Benvenuto Cellini among the Japanese. His mark on a piece of metal work ...
— Tales of Old Japan • Algernon Bertram Freeman-Mitford
... arranged by their owners to serve as the setting for a single work of art (from which they take their name), and, in their studied bareness, contain nothing else besides—displayed to him as he entered it, like some priceless effigy by Benvenuto Cellini of an armed watchman, a young footman, his body slightly bent forward, rearing above his crimson gorget an even more crimson face, from which seemed to burst forth torrents of fire, timidity and zeal, who, as he pierced the Aubusson tapestries that screened the door of the room in which ...
— Swann's Way - (vol. 1 of Remembrance of Things Past) • Marcel Proust
... gospel is written in the Greek language, whilst the first-hand traditions and the actual utterances of Jesus must have been in Aramaic, the dialect of Palestine. These distinctions were important, as you will find if you read Holinshed or Froissart and then read Benvenuto Cellini. You do not blame Holinshed or Froissart for believing and repeating the things they had read or been told, though you cannot always believe these things yourself. But when Cellini tells you that he saw this or did that, and you find it impossible to believe ...
— Preface to Androcles and the Lion - On the Prospects of Christianity • George Bernard Shaw
... turn to the days of Gasparo da Salo, Maggini, and Andrea Amati, we find that while they were sending forth their Fiddles, Titian was painting his immortal works, and Benvenuto Cellini, the greatest goldsmith of his own or any age, was setting the jewels of popes and princes, and enamelling the bindings of their books. Whilst the master-minds of Antonio Stradivari and Giuseppe Guarneri del Gesu were occupied with those instruments which have caused ...
— The Violin - Its Famous Makers and Their Imitators • George Hart
... Berlioz, Byron and Madame de Sevigne. Whenever we come across it, and, strangely enough, it is rather rare, we cannot but welcome it, and do not easily forget it. Humanity will always love Rousseau for having confessed his sins, not to a priest, but to the world, and the couchant nymphs that Cellini wrought in bronze for the castle of King Francis, the green and gold Perseus, even, that in the open Loggia at Florence shows the moon the dead terror that once turned life to stone, have not given it more pleasure than has that autobiography in which the supreme scoundrel of the ...
— Selected Prose of Oscar Wilde - with a Preface by Robert Ross • Oscar Wilde
... "—he held it up—"belonged to the Medici. Master Pory, who is a man of taste, will note the beauty of the graven maenads upon this side, and of the Bacchus and Ariadne upon this. It is the work of none other than Benvenuto Cellini. I pour for you, sir." He filled the gold cup with the ruby wine and set it before the Secretary, who eyed it with all the passion of a lover, and waited not for us, but raised it to his lips at once. My lord took ...
— To Have and To Hold • Mary Johnston
... turned round to look at the bronze Perseus which rose just above him. Benvenuto Cellini's dark hero looked female, with his plump hips and his waist, female and rather insignificant: graceful, and rather vulgar. The clownish Bandinellis were somehow more to the point.—Then all the statuary in the Loggia! But that is a ...
— Aaron's Rod • D. H. Lawrence
... putting down on paper the real truth about himself? A small thing? Well, you try it. You will find it the hardest job you have ever tackled. No matter what secrecy you adopt you will discover that you cannot tell yourself the whole truth about yourself. Pepys did that. Benvenuto Cellini pretended to do that, but I refuse to believe the fellow. Benjamin Franklin tried to do it and very nearly succeeded. St. Augustine was frank enough about his early wickedness, but it was the overcharged frankness of ...
— Pebbles on the Shore • Alpha of the Plough (Alfred George Gardiner)
... element and article that went into a motor car. There was a man who knew leather from cow to upholstery, and who talked about it lovingly. This man had the ability to make leather as interesting as the art of Benvenuto Cellini. Another was a specialist in hickory, and thought and talked spokes; another was a reservoir of dependable facts about rubber; another about gray iron castings; another about paints and enamels, and so on. In that department it would not have been ...
— Youth Challenges • Clarence B Kelland
... of when he was allowed to deal with the precious metals we can see from the few specimens which have survived to the present time. The Vaphio gold cups, with their bull-trapping scenes, are generally admitted now to be of Cretan workmanship, though found in the Peloponnese, and Benvenuto Cellini himself need not have been ashamed to turn out such work, admirable alike in design and execution. Little of such gold-work has survived, for obvious reasons. The metal was too precious to escape the plunderer in the evil days which fell upon the Minoan Empire; and the artistic value ...
— The Sea-Kings of Crete • James Baikie
... patronage of Cardinal de Tournon. He painted a great many works, much in the style of Andrea, but with less excellence. It is possible that some of M. Lepiscie's long list are, in fact, the work of the pupil rather than the master. When Benvenuto Cellini went to France in 1537 he lodged in Sguazzella's house, with his three servants and three horses, at a weekly rate of payment (a ...
— Fra Bartolommeo • Leader Scott (Re-Edited By Horace Shipp And Flora Kendrick)
... of the artist's powers would be even barely complete without a realising sense of their versatility. And in this design Holbein has more than equalled the highest achievement of his great contemporary, Benvenuto Cellini, at this time in the service of the French Court. The initials of the King and Queen, H. and J., and the exceedingly judicious motto of the latter—"Bound to obey and to serve"—are recurring devices. But it is in the originality and ...
— Holbein • Beatrice Fortescue
... supremely shapely and graceful; gentle, almost, in spite of his holding out with his light nervous arm the snaky head of the slaughtered Gorgon. His name is Perseus, and you may read his story, not in the Greek mythology, but in the memoirs of Benvenuto Cellini. Glancing from one of these fine fellows to the other, I probably uttered some irrepressible commonplace of praise, for, as if provoked by my voice, a man rose from the steps of the loggia, where he had been sitting in the shadow, ...
— The Madonna of the Future • Henry James
... gorgeous tomb, bedizened with the incongruous half-Pagan statues of the Renaissance; but this at least is certain, that Rondelet's disciples imagined for him a monument more enduring than of marble or of brass, more graceful and more curiously wrought than all the sculptures of Torrigiano or Cellini, Baccio Bandinelli or Michael Angelo himself. For they named a lovely little lilac snapdragon, Linaria Domini Pellicerii—"Lord Pellicier's toad-flax;" and that name it will keep, we may believe, as long as winter ...
— Historical Lectures and Essays • Charles Kingsley
... exuberance of life and power that gave to Italian art its great place in human culture. The great names of the period speak for themselves,—Michelangelo, Raphael, Botticelli, Titian, Leonardo da Vinci, Andrea del Sarto, Machiavelli, Benvenuto Cellini, and a ...
— Furnishing the Home of Good Taste • Lucy Abbot Throop
... Easterling Steelyard, the quarters of the merchants of Allemagne, then traders in London. In addition to painting portraits Holbein designed dagger hilts, clasps, cups, as some say after a study of the goldsmith's work of Cellini. ...
— The Old Masters and Their Pictures - For the Use of Schools and Learners in Art • Sarah Tytler
... each another statue to symbolise the two other orders of music. The Riding Boys, of which Pliny speaks, like the mechanical stag on the hand of Apollo, which he also describes, were perhaps mechanical toys, as Benvenuto Cellini made toys. In the Beardless Aesculapius, again—the image of the god of healing, not merely as the son of Apollo, but as one ever young—it is the poetry of sculpture ...
— Greek Studies: A Series of Essays • Walter Horatio Pater
... Margate on Godwin's courtship his dramatic suggestions on Napoleon his spare figure at the Lakes his project for collaborating with Coleridge on children's books on Napoleon and Cromwell on Chapman's Homer on Milton's prose on Cellini on Independent Tartary on Coleridge's Poems, 3rd edition his 1803 holiday his adventure at sea his difficulties as a reviewer ceases to be a journalist his miserliness on old books his motto his portrait by Hazlitt on John Wordsworth's death on brawn ...
— The Works of Charles and Mary Lamb (Vol. 6) - Letters 1821-1842 • Charles and Mary Lamb
... answer except by a dry laugh and an assurance that the salamander was the very same which Benvenuto Cellini had seen in his father's household fire. He then proceeded to show me other rarities; for this closet appeared to be the receptacle of what he considered most valuable in ...
— A Virtuoso's Collection (From "Mosses From An Old Manse") • Nathaniel Hawthorne
... I was admiring Benvenuto Cellini's wonderful Perseus, in front of the Loggia del Lanzi, I suddenly felt my sleeve pulled somewhat roughly, and on turning round, I found myself face to face with a woman of about fifty, who said to me with a strong German ...
— The Works of Guy de Maupassant, Volume III (of 8) • Guy de Maupassant
... but a never-ending sparkle of romance and kindness. She spent unwearied hours in Ann's studio, masquerading in a sculptor's smock and staring at clay and marble with eyes of unbelief. And she tarried for amazed intervals in the studio upstairs where Margot Gilberte plied Cellini's art, embedding pennyweights of metal in hot pitch that, cooling, held it like a dark and shapeless hand while Margot sculptured elfin leaves and scrolls upon it. Curious things came to the jeweler's ...
— Kenny • Leona Dalrymple
... succession of attempts and failures, his past dreams and disappointments, along with his sins of omission and commission, it would make one of those priceless human documents such as have been left by Benvenuto Cellini, Cazenova, and Rousseau. ...
— Mark Twain, A Biography, 1835-1910, Complete - The Personal And Literary Life Of Samuel Langhorne Clemens • Albert Bigelow Paine
... experience, if one have it not to begin with? There is no receipt which one can follow. Being a secret and a mystery, it often comes in mysteriously unexpected ways. It blossoms sometimes from out of the very grave wherein we imagined that our happiness was buried. Benvenuto Cellini, after a life all in the outer sunshine, made of adventures and artistic excitements, suddenly finds himself cast into a dungeon in the Castle of San Angelo. The place is horrible. Rats and wet and mould possess it. His leg is broken and his teeth fall out, apparently with scurvy. But ...
— Talks To Teachers On Psychology; And To Students On Some Of Life's Ideals • William James
... seated in a chair, the back of which was much higher than her head; at her side was a little table with writing materials, on which also was placed a magnificent bell, by Benvenuto Cellini, with which her ladyship summoned her page, who, in the meantime, loitered ...
— Henrietta Temple - A Love Story • Benjamin Disraeli
... creating Versailles. The coincidence of two contemporary autocrats calling cities out of the wilderness has caused persons with a taste for analogy to describe Meknez as the Versailles of Morocco: an epithet which is about as instructive as it would be to call Phidias the Benvenuto Cellini ...
— In Morocco • Edith Wharton
... the very break of doom. It is curious to remark that London only occupies some three or four pages. There is also preserved the original Papal Bull sent to Henry VIII., with a golden seal attached to it, the work of Benvenuto Cellini. The same collection contains the celebrated Treaty of the Field of the Cloth of Gold, the initial portrait of Francis I. being beautifully illuminated and the vellum volume adorned by an exquisite gold seal, in the finest relievo, also by Benvenuto Cellini. The figures in this seal are so perfect ...
— Old and New London - Volume I • Walter Thornbury
... drawing. Showing a strong inclination for the fine arts, he was early placed under Rustici, a sculptor, and a friend of Leonardo da Vinci, with whom he made rapid progress. The ruling motive in his life seems to have been jealousy both of Benvenuto Cellini and of Michelangelo, one of whose cartoons he is said to have torn up and destroyed. He is regarded by some as inferior in sculpture only to Michelangelo, with whom a comparison unfavourable to Bandinelli ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 2 - "Baconthorpe" to "Bankruptcy" • Various
... the library of a convent. The emperor has destroyed them as the Vandals once did the treasures of the Goths. I bought them from one of our own people. And that is not all. I have a communion-service and an ostensorium for you, whose sculptures are worthy of Benvenuto Cellini. I purchased these also from a Jew, who bought them at one of the great church auctions. Ha, ha! He was going to melt them up—the vessels that Christian priests had blessed and ...
— Joseph II. and His Court • L. Muhlbach
... demonic and decisive in execution."[2245] Virtu meant the ability to win success. Machiavelli used it for force, cunning, courage, ability, and virility. "It was not incompatible with craft and dissimulation, or with the indulgence of sensual vices."[2246] Cellini used virtuoso to denote genius, artistic ability, and masculine force.[2247] "The Italian onore consisted partly of the credit attaching to public distinction and partly of a reputation for virtu" in the above sense.[2248] It was objective,—"an addition conferred from ...
— Folkways - A Study of the Sociological Importance of Usages, Manners, Customs, Mores, and Morals • William Graham Sumner
... Guarini, the well-known author of the Pastor Fido, contemporary with Tasso, met with much indignity in the service of Alphonso II.; while Panigarola and several other distinguished men were compelled to leave the service of the ducal family by persecution. Benvenuto Cellini, who resided at the court of Ferrara twenty-five years before Tasso, gives a very unfavourable account of the avarice and rapacity which characterised it; and Serassi, the biographer of Tasso, remarks that the court seems to have been extremely dangerous, ...
— Roman Mosaics - Or, Studies in Rome and Its Neighbourhood • Hugh Macmillan
... was opened to the French by a bevy of such painters and sculptors as Leonardo da Vinci, Rosso, Primaticcio, Benvenuto Cellini, and Bramante, and they were encouraged and feted by Marguerite especially. In those days a new picture from Italy by Raphael was received with as much pomp and ceremony as, in olden times, were accorded the holiest relics ...
— Women of Modern France - Woman In All Ages And In All Countries • Hugo P. Thieme
... to his friend, when the former was about to set out, "I have a favor to ask of you on which I place an immense estimate, and for which I must be indebted to your love. Here," said he, presenting the magnificent emerald wrought by Benvenuto Cellini, "take this ring, and beg your sister to accept it. Tell her, as she offered me her friendship, I have a right to send a testimonial to her of my devotion." Then with a voice trembling with emotion, he added, "Say this ...
— The International Monthly, Volume 2, No. 4, March, 1851 • Various
... lost soul that had strayed by chance to the twentieth century, and forgotten where it came from. He writhed and cursed at his ignorance, much as Adams did at his own, but in the opposite sense. St. Gaudens was a child of Benvenuto Cellini, smothered in an American cradle. Adams was a quintessence of Boston, devoured by curiosity to think like Benvenuto. St. Gaudens's art was starved from birth, and Adams's instinct was blighted from ...
— The Education of Henry Adams • Henry Adams
... Florentine, was employed in the service of the King of Hungary, for whom he made palaces, gardens, fountains, churches, fortresses, and many other buildings of importance, with ornaments, carvings, decorated ceilings, and other things of the kind, which were executed with much diligence by Baccio Cellini. After these works, drawn by love for his country, Chimenti returned to Florence, whence he sent to Baccio (who remained there), as presents for the King, certain pictures by the hand of Berto Linaiuolo, which were held very beautiful in Hungary and much extolled by that King. This ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol. 3 (of 10), Filarete and Simone to Mantegna • Giorgio Vasari
... attach the notion of a sort of infantine unconsciousness, here seems consciously to revel and disport itself in its power, and to exult in investing the sea-girt rock with the playful elegance of a Cellini vase. It is a real jeu d'esprit of mediaeval art. The cloisters are a model of airy grace, enhanced by contrast with the massiveness of the fortress and the wildness of the scene. A strange life the monks must have led in their narrow boundaries. But they had the visits of the ...
— The Atlantic Monthly, Volume 18, No. 105, July 1866 • Various
... century of the Renaissance opens, Michaelangelo ascends the scaffolds of the Sistine Chapel and watches with anxious air young Raphael mounting the steps of the Vatican with the cartoon of the Loggie under his arm. Benvenuto Cellini is meditating his Perseus, Ghiberti is carving the Baptistery doors at the same time that Donatello is rearing his marbles on the bridges of the Arno; and whilst the city of the Medici is staking masterpieces against that of Leo X and Julius II, Titian and Paul Veronese ...
— Bohemians of the Latin Quarter • Henry Murger
... five other gentlemen followed him. The first was adorned with a magnificent cuirass, so marvelous in its work that it seemed as if it had come out of the hands of Benvenuto Cellini. However, as the make of this cuirass was somewhat old-fashioned, its magnificence attracted more laughter than admiration; and it is true that no other part of the costume of the individual in question corresponded with this magnificence. The second, who was lame, was followed by ...
— The Forty-Five Guardsmen • Alexandre Dumas
... Lieutenant Ziska. He heard vaguely that she was the head quartermaster officer. But mainly she was tall and blond and blue-eyed, with a bewitching dimple when she smiled, and filled her gown the way a Cellini Venus ...
— Industrial Revolution • Poul William Anderson
... would-be Titian, Drer, Thorwaldsen and Benvenuto Cellini in one presents an engaging figure. His domestic life makes very pleasant reading. We find no dark holes and corners in the career of one who may be said to have remained a boy to the end, at fifty as at five full ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards
... sack which followed, written by Benvenuto Cellini, the celebrated Italian artist, shows him as an effective participant in the defence. This account of a combatant is of course only fragmentary, and is supplemented by Trollope's ...
— The Great Events by Famous Historians, Volume 9 • Various
... husband's poems, and that figure herself. But on the whole one is inclined to think that Immanuel's braggartism as to his many love affairs is only another aspect of the Renaissance habit, which is exemplified so completely in the similar boasts of Benvenuto Cellini. ...
— The Book of Delight and Other Papers • Israel Abrahams
... Renaissance that Palladio rebuilt the palaces of Italy,—beautiful beyond words, and that Benvenuto Cellini designed in gold, silver and bronze in a manner never since equalled. From that same period dates the world-famous Majolica of Urbino, Pesaro and Gubbio, shown in our museums. So far as house-furnishing went, aside from palaces, there was but ...
— The Art of Interior Decoration • Grace Wood
... attention, he gradually sinks down into the mere routine of the ordinary workman. When Italy shone brightest in art, the patronage and remuneration which the workers received was considerable. Had it been otherwise, the powers of its Raffaele, its Cellini, and last (though not least to the admirers of the Violin), its Stradivari, would have remained simply dormant. Art, like commerce, is regulated in a great measure by supply and demand. In Raffaele's day, sacred subjects were ...
— The Violin - Its Famous Makers and Their Imitators • George Hart
... indisputably is heaviness. It is only the episodes that are universally read, and the effect of these is diluted by the connecting and accompanying lectures on metaphysics. Wordsworth had his epic mould to fill, and, like Benvenuto Cellini in casting his Perseus, was forced to throw in everything, debasing the metal, lest it should run short. Separated from the rest, the episodes are perfect poems in their kind, and ...
— English Critical Essays - Nineteenth Century • Various
... that coffee-pot, it would be thought nothing among such wardrobes as he has, of the finest wrought plate: why, he has- a set of gold plates that would make a figure on any sideboard in the Arabian Tales;(753) and as to Benvenuto cellini, if the duke could take it for his, people in England understand all work too well to be deceived. Lastly, as there has been no talk of alterations in the foreign ministers, and as all changes seem at an end, why should you be apprehensive? ...
— The Letters of Horace Walpole, Volume 1 • Horace Walpole
... wife playfully lamented that the "poor lost soul" produced only casts, which he broke on completion, and no more Men and Women. And his own taste in art drew him, notoriously, to work in which the striving hand was palpable,—whether it was a triumphant tour de force like Cellini's Perseus, in the Loggia—their daily banquet in the early days at Florence; or the half-articulate utterances of "the Tuscan's early art," like those "Pre-Giotto pictures" which surrounded them in the salon of Casa Guidi, ...
— Robert Browning • C. H. Herford
... I am almost persuaded by the praises and commendations of its author to imagine myself to be that which I am not, I must entreat you to convey to him some expressions from me appropriate to such love, affection, and courtesy."—Again, writing to Benvenuto Cellini, to express his pleasure in a portrait bust of his execution, which he had just seen, he says: "Bindo Altoviti took me to see it—I had great pleasure in it, but it vexed me much that it was put in a bad light." Mr. Harford renders: "Bindo Altoviti recently showed me his ...
— Atlantic Monthly, Vol. 1, No. 4, February, 1858 • Various
... continually moves before you; it is a halo on the grass-tips. I noticed this as a boy, and tried all sorts of experiments respecting it, but never met with any mention of it in books till quite lately, in Benvenuto Cellini's "Autobiography." He says, "There appeared a resplendent light over my head, which has displayed itself conspicuously to all I have thought proper to show it to, but those were very few. This shining light is to be seen ...
— The Life of the Fields • Richard Jefferies
... Nov. 9. Mendelssohn's "Trumpet Overture"; Haydn's theme and variations on "Kaiser Franz Hymn"; and Berlioz's overture to "Benvenuto Cellini" given by the Brooklyn Philharmonic ...
— Annals of Music in America - A Chronological Record of Significant Musical Events • Henry Charles Lahee
... like a painting. But these are the exotics; they are the craftsmen who have been led astray by a false impulse, who respect difficulty more than appropriateness, war rather than peace! No elaborate and tortured piece of Cellini's work can compare with the dignified glory of the Pala d'Oro; Ghiberti's gates in Florence, though a marvellous tour de force, are not so satisfying as the great corona candelabrum of Hildesheim. As a rule, we shall find that mediaeval craftsmen were better artists than those ...
— Arts and Crafts in the Middle Ages • Julia De Wolf Addison
... never intended to subvert the laws of music, only to make a new and individual use of them. As he was no abstract maker of music, his autobiography—one of the most fascinating in the history of art, only to be compared with that of Benvenuto Cellini—should be familiar to all who would penetrate the secrets of his style. Berlioz's compositions, in fact, are more specifically autobiographic than those of any other notable musician. Both in his music and his literary works are the same notes ...
— Music: An Art and a Language • Walter Raymond Spalding
... now thither, by the finest hair of association, glided complacently off into the dim region of visionary prognostics and warnings, and reminded him how Joseph dreamed, and Pharaoh, and Benvenuto, Cellini's father, and St. Dominick's mother, and Edward II. of England, and dodged back and forward among patriarchs and pagans, and modern Christians, men and women not at all suspecting that he was making poor Sturk, who had looked for a cheerful, sceptical ...
— The House by the Church-Yard • J. Sheridan Le Fanu
... of men? It is too long since I heard from you. The rehearsals of Cellini, many visits from abroad, several pieces and transcriptions for the pianoforte, have much occupied my time during the last month. Of the performance of Berlioz's opera H. gives a most detailed account in Brendel's paper. This much I may add: that ...
— Correspondence of Wagner and Liszt, Volume 1 • Francis Hueffer (translator)
... especially thine own," he said, "in honor of this day—thy maiden sword. So far as the handiwork of Cellini may make it worthy of a son of our house, it hath been worthily chosen for thee. Yet, unless thou leavest it to those who come after thee, enriched by the name of a Giustinian who hath wrought of his best for Venice, it will be all unworthy of ...
— A Golden Book of Venice • Mrs. Lawrence Turnbull
... in your mind's eye a sequence of city blocks whose sides are lined by massive and exquisitely proportioned buildings, every inch of whose facade was fashioned, not by stone-cutters and sculptors, but by goldsmiths, whose genius a Cellini might envy; picture to yourself a street paved with golden asphalt, and a sidewalk built from huge slabs of rolled silver, the curb and gutters being of burnished copper, and you'll gain some idea of the thoroughfare along which I passed. And ...
— Olympian Nights • John Kendrick Bangs
... pleasing hostelries. Turner pursued his reckless career, till his money was gone, and then he returned to his gruesome den and proceeded to turn out artistic prodigies until the fit came upon him once more. Benvenuto Cellini was subject to similar paroxysms, during which he behaved like a maniac. Our own novelist Bulwer Lytton disappeared at times, and plunged into the wildest excesses among wretches whom he would have loathed when he was in his normal ...
— The Ethics of Drink and Other Social Questions - Joints In Our Social Armour • James Runciman
... forward into the gloom close beneath one of the windows, to pick up after a moment's search what proved on being held up to the light to be a beautiful little golden cup covered with such repousse work as would most likely have been placed there by some Italian artist of the Benvenuto Cellini type. ...
— The King's Esquires - The Jewel of France • George Manville Fenn
... by William Roscoe, the Liverpool banker and man of letters, who wrote a well-known "Life of Leo X," and of whom Irving, in his "Sketch Book," has left a pathetic personal account. The earliest English translation of Cellini appears to have been made by Thomas Nugent and published in 1771. The latest ...
— The Best of the World's Classics, Restricted to Prose, Vol. VIII (of X) - Continental Europe II. • Various
... when Prince of Wales, 1620; and Prince Rupert, 1635. These suits of armor are the genuine ones which were worn by these characters in their lifetime. One thing greatly delighted me—it was the gorgeous shield, executed by Benvenuto Cellini, and presented by Francis I. to Henry VIII. at the Field of the Cloth of Gold. The workmanship is entirely beyond anything I had imagined possible for delicacy of finish. I hardly wonder that kings used to quarrel for the residence ...
— Young Americans Abroad - Vacation in Europe: Travels in England, France, Holland, - Belgium, Prussia and Switzerland • Various |
