"Syntax" Quotes from Famous Books
 ... Books relatively pure "in grammatical forms, in syntax, and in vocabulary," could be kept thus clean without the aid of written texts, I am unable to imagine. If left merely to human memory and at the mercy of reciters and new poets, they would have become stained with "the defining ...
— Homer and His Age • Andrew Lang
... The syntax of the classic languages, which had been my weak point as a school-boy, now aroused the deepest interest, and I was grateful to Lepsius for having so earnestly insisted upon my pursuing philology. I soon felt the warmest appreciation of the Roman comedies, which served as the foundation ...
— Uarda • Georg Ebers
... brackets, assigning a single measure to each motive. But both here, and in Ex. 10, the student is advised to adhere to the two-measure standard; he will avoid much needless confusion by so doing,—at least until he shall have so developed and sharpened his sense of melodic syntax that he can apprehend the finer shades of distinction in the "motion and repose" of a melody. Adopting the lower line of brackets, we discover successive members of unequal length, the first one containing two, the next one ...
— Lessons in Music Form - A Manual of Analysis of All the Structural Factors and - Designs Employed in Musical Composition • Percy Goetschius
... lingered there with some tenderness for Alpine piety. While he was near the high-altar some people came in at the west door; but he did not notice them, and was presently engaged in deciphering a curious old German epitaph on one of the mural tablets. At last he turned away, wondering whether its syntax or its theology was the more uncomfortable, and, to this infinite surprise, found himself confronted with ...
— Roderick Hudson • Henry James
... said, "If I could find a Negro who could master the Greek syntax, I would believe in his possibilities of development." A comparatively few years have passed away, and a Negro not only masters the Greek syntax, but writes a Greek grammar accepted as authority by some of the ablest scholars of the States. But Abbe Gregori of France ...
— Masterpieces of Negro Eloquence - The Best Speeches Delivered by the Negro from the days of - Slavery to the Present Time • Various
... first simple stages. Only half the work of the evolution of language is completed. There is, indeed, no tribe so undeveloped as to use the primitive forms of speech. The most savage of the races of mankind have made some progress in the art of combining words, gained some ideas of syntax and grammatical forms. Yet in certain instances the progress has been very slight, and in all we can see the living traces of the earlier method of speech ...
— Man And His Ancestor - A Study In Evolution • Charles Morris
... Lush. We know that there are persons who will forego their own obvious interest rather than do anything so disagreeable as to write letters; and it is not probable that these imperfect utilitarians would rush into manuscript and syntax on a difficult subject in order to save another's feelings. To Grandcourt it did not even occur that he should, would, or could write to Gwendolen the information in question; and the only medium of communication he could use was Lush, who, to his mind, was ...
— Daniel Deronda • George Eliot
... distinguished part in our illustrated literature. Rowlandson, one of the earliest, was a caricaturist of inexhaustible facility, and an artist who scarcely did justice to his own powers. He illustrated several books, but he is chiefly remembered in this way by his plates to Combe's "Three Tours of Dr. Syntax." Gillray, his contemporary, whose bias was political rather than social, is said to have illustrated "The Deserted Village" in his youth; but he is not famous as a book-illustrator. Another of the early men was Bunbury, whom "quality"-loving Mr. Walpole calls "the second ...
— The Library • Andrew Lang
... and Historical English Syntax. Investigation of special questions and writing of essays. Professor Price. Not given in 1898-9. To be given ...
— America To-day, Observations and Reflections • William Archer
... laughter greeted this infraction of one of the most elementary rules of syntax, and several of ...
— Celebrated Crimes, Complete • Alexandre Dumas, Pere
... Miss Trewthen's betrothed conveyed little more matter than details of their future housekeeping, and his preparations for the same, with innumerable 'my dears' sprinkled in disconnectedly, to show the depth of his affection without the inconveniences of syntax. ...
— A Changed Man and Other Tales • Thomas Hardy
... there never can be wanting some who distinguish desert; who will consider that no dictionary of a living tongue ever can be perfect, since while it is hastening to publication, some words are budding, and some falling away; that a whole life cannot be spent upon syntax and etymology, and that even a whole life would not be sufficient; that he, whose design includes whatever language can express, must often speak of what he does not understand; that a writer will sometimes ...
— Mince Pie • Christopher Darlington Morley
... worthy pedagogues of that day found no readier way of leading the most studious of boys to a love of science than corporal punishment. "At the expense of many tears and some blood I purchased the knowledge of the Latin syntax." Whether all love of study would have been flogged out of him if he had remained at school, it is difficult to say, but it is not an improbable supposition that this would have happened. The risk was removed by his complete failure of health. ...
— Gibbon • James Cotter Morison
... little analogy in the sounds of the lexicography, so far as known, it is in this quarter of the globe, that we perceive resemblances in some words of the Shemitic group of languages, positive coincidences in the features of its syntax, and in its unwieldy personal and polysyllabical and aggregated forms; and the inquiry is one, which may be expected to produce auspicious results. On the assumption of their Asiatic origin, therefore, it is evident that the Indian tribes are of far ...
— Incentives to the Study of the Ancient Period of American History • Henry R. Schoolcraft
... Thy syntax conjures forth a morn Of spring, when blossoms rare Conspired the solemn earth to adorn, And spread themselves on bank and thorn, And perfumed ...
— An Anthology of Australian Verse • Bertram Stevens
... annoyance of wearying myself with the rudiments, when I would fain have commented upon the various peculiarities of style in the ancient Greek and Latin authors; but now, all that has passed away. The eternal round of concord, prosody, and syntax has charms for me from habit: the rule of three is preferable to the problems of Euclid, and even the Latin grammar has its delights. In short, I have a hujus pleasure in hic, haec, hoc; [cluck cluck;] and even the flourishing of the twigs ...
— Jacob Faithful • Captain Frederick Marryat
... progress. Ingenious speculations about the possible organisation of the working classes and grandiose views of the future of humanity are so much more interesting and agreeable than the rules of Latin syntax and the ...
— Russia • Donald Mackenzie Wallace
... The syntax of this remarkable document was perhaps open to critical objection, but that was clearly enough the meaning of it. The orthography conformed to no recognized system, but being mainly phonetic it was not ambiguous. As the probate judge remarked, it would take five aces to beat it. ...
— The Collected Works of Ambrose Bierce, Vol. II: In the Midst of Life: Tales of Soldiers and Civilians • Ambrose Bierce
... another well-meaning young lady who wrote me the other day from America that her epistle was prompted "neither by love nor admiration." If I hint that popular lady novelists do not invariably produce masterpieces of style and syntax, I am accused of inflicting the "tarantulous bites of envious detractors." I am driven—most reluctantly—to a suspicion that has long been faintly glimmering in my bosom, a suspicion that ladies ...
— Without Prejudice • Israel Zangwill
... Klopstock often used; the substance a rhetorical denunciation of military ambition. The most awful curses are imprecated upon the head of the ruthless 'conqueror', whose badness is portrayed in lurid images and wild syntax that fairly rack the German language.[9] No wonder that editor Haug cautioned the young poet against ...
— The Life and Works of Friedrich Schiller • Calvin Thomas
... lest we be accused of | on historical and such a subject. | dishonesty in | mythological allusions. | preparation. The rest | Every "pony" user is | of the time is spent on| soon caught, because | questions of syntax, | he is asked so many | references, footnotes, | questions on each | and the identification | sentence. There is a | of the of the real and | distinct relief when | mythological characters| the hour is over because | ...
— College Teaching - Studies in Methods of Teaching in the College • Paul Klapper
... the declaration of war, and on the following day a courier started for Washington with a letter from Jackson tendering the services of twenty-five hundred Tennesseeans and assuring the President, with better patriotism than syntax, that wherever it might please him to find a place of duty for these men he could depend upon them to stay "till they or the last armed ...
— The Reign of Andrew Jackson • Frederic Austin Ogg
... desert, who will consider that no dictionary of a living tongue ever can be perfect, since, while it is hastening to publication, some words are budding and some falling away; that a whole life can not be spent upon syntax and etymology, and that even a whole life would not be sufficient; that he whose design includes whatever language can express, must often speak of what he does not understand; that a writer will sometimes be hurried by eagerness to the end, and sometimes faint ...
— The Best of the World's Classics, Restricted to Prose, Vol. IV (of X)—Great Britain and Ireland II • Various
... Stevenson's style cannot be exhausted in a description of his use of individual words or his memory of individual phrases. His mastery of syntax, the orderly and emphatic arrangement of words in sentences, a branch of art so seldom mastered, was even greater. And here he could owe no great debt to his romantic predecessors in prose. Dumas, it is true, is a master of narrative, but he wrote in French, and a style will hardly bear expatriation. ...
— Robert Louis Stevenson • Walter Raleigh
... by general admission is now the richest and most liberal in the world of living speech. English is a tongue less sonorous than Italian, less fine than French, less homely than German, but more expressive, more flexible, than these and all others. Its syntax imposes no burdens, its traditions are weighty only upon the vulgar and the bizarre. Without its literary history, American literature in general, and usually in particular, is not to be understood. That we have ...
— Definitions • Henry Seidel Canby
... long lane that has no turning," as the proverb says, and Parson, after all, was destined to enjoy one brief glimpse of the smiles of fortune that day. The first boy put up to translate stumbled over a somewhat intricate point of syntax. Now Mr Warton, the master—as the manner of many masters is—was writing a little book on Latin Syntax, and this particular passage happened to be a superb example of a certain style of construction which till this ...
— The Willoughby Captains • Talbot Baines Reed
... manipulated by the author that it advances the business in hand without becoming artificial. I must add, however, that Miss MADGE MEARS occasionally displays the defects of her qualities, to the extent of sacrificing syntax to ease, even in passages of pure narrative, with results that might offend the precisionist. But after all it is what she has to say that matters most; and the story of The Candid Courtship will hold ...
— Punch, July 18, 1917 • Various
... language, now gradually yielding to methodical and persevering study, the peculiar bent of the Chinese mind, with all its prejudices and superstitions, is quite as much an obstacle in the way of eliciting truth as any offered by the fantastic, but still amenable, varieties of Chinese syntax. We believe that native officials have the power, though it does not always harmonise with their interests to exercise it, of arriving at as just and equitable decisions in the majority of cases brought before them, as any English magistrate who knows "Taylor's Law of ...
— Chinese Sketches • Herbert A. Giles
... criticize the syntax of the President's message, and the style. It reads uneasy, forced, tortuous, and it declares that it is impossible to subdue the rebels by force of arms. Of course it is impossible with Lincoln for President, and first McClellan and then Halleck ...
— Diary from November 12, 1862, to October 18, 1863 • Adam Gurowski
... old Daddy Gilpin? Slowest of men, even of English men; yet delicious in his slowness, as is the light of a sleepy eye in woman. I always supposed "Dr. Syntax" was written to make fun of him. I have a whole set of his works, and am very proud of it, with its gray paper, and open type, and long ff, and orange-juice landscapes. The Pere Gilpin had the kind of science I ...
— Atlantic Monthly, Volume 2, Issue 10, August, 1858 • Various
... 'Miltonic', and it is easy to see what he meant. Not only does the treatment of the subject recall that of Paradise Lost, the council of the fallen gods bearing special resemblance to that of the fallen angels in Book II of Milton's epic, but in its style and syntax the influence of Milton is everywhere apparent. It is to be seen in the restraint and concentration of the language, which is in marked contrast to the wordiness of Keats's early work, as well as in the constant use of classical constructions,[247:1] Miltonic inversions[247:2] ...
— Keats: Poems Published in 1820 • John Keats
... classics, and to learn none of them. On the other hand, by "Grammar" is now more commonly meant, as Johnson defines it, "the art of using words properly," and it "comprises four parts—Orthography, Etymology, Syntax, and Prosody." Grammar, in this sense, is the scientific analysis of language, and to be conversant with it, as regards a particular language, is to be able to understand the meaning and force of that language when ...
— The Idea of a University Defined and Illustrated: In Nine - Discourses Delivered to the Catholics of Dublin • John Henry Newman
... back into the wrapper in which they had come, without, however, raising his eyes from his desk. "Out of a hundred stories I read, not three are fit to build a fire with! This thing is written by a girl who ought to take a term in a grammar school. She has no more idea of syntax than a lapdog. Her father writes that he is willing to pay a reasonable sum to have it brought out. Why, Cutt & Slashem couldn't afford to put their imprint on that rot for fifty ...
— A Black Adonis • Linn Boyd Porter
... that time head master, a quick discerning man, but hasty and severe, sent for the master of the grammar school, and inquired about Coleridge; from him he learnt that he was a dull and inapt scholar, and that he could not be made to repeat a single rule of syntax, although he would give a rule in ...
— The Life of Samuel Taylor Coleridge - 1838 • James Gillman
... the book, and at odd times set some type.... The penmanship of the copy furnished was good, but the grammar, spelling and punctuation were done by John H. Gilbert, who was chief compositor in the office. I have heard him swear many a time at the syntax and orthography of Cowdery, and declare that he would not set another line of the type. There were no paragraphs, no punctuation and no capitals. All that was done in the printing office, and what a time there used to be in straightening sentences out, too. During the ...
— The Story of the Mormons: • William Alexander Linn
... Did you observe what a mean scrubby tail he has?" "What a fool you are, brother," said Mr. Petulengro; "that very tail of his shows his breeding. No good bred horse ever yet carried a fine tail—'tis your scrubby-tailed horses that are your out-and-outers. Did you ever hear of Syntax, brother? That tail of his puts me in mind of Syntax. Well, I say nothing more, have your own way—all I wonder at is, that a horse like him was ever brought to such a fair of dog cattle ...
— The Romany Rye • George Borrow
... had a very "informal" approach to grammar and syntax; so apparently did his editor. I corrected several obvious errors in the book and listed them at the end of the text. Many more doubtful spellings and countless abbreviations remain as they appear in ...
— South with Scott • Edward R. G. R. Evans
... therefore, that, by the end of three months, my pupil, without knowing any other Latin author, was able to read any part of the first book of the AEneid—to read it tolerably in measure, and to enjoy the poetry of it—and this not without a knowledge of the declensions and conjugations. As to the syntax, I made the sentences themselves teach him that. Now I know that, as an end, all this was of no great value; but as a beginning, it was invaluable, for it made and KEPT him hungry for more; whereas, in ...
— Annals of a Quiet Neighbourhood • George MacDonald
... in front of us on his "Rosinante," to encourage the mules. His back view reminds one in a ludicrous manner of the pictures of Dr Syntax. ...
— Three Months in the Southern States, April-June 1863 • Arthur J. L. (Lieut.-Col.) Fremantle
... — N. grammar, accidence, syntax, praxis, punctuation; parts of speech; jussive^; syllabication; inflection, case, declension, conjugation; us et norma loquendi [Lat.]; Lindley Murray &c (schoolbook) 542; correct style, philology &c (language) 560. V. ...
— Roget's Thesaurus of English Words and Phrases: Body • Roget
... but adds Betty Martin!' Thus cried the God with high imperial tone: In robe of stiffest state, that scoff'd at beauty, A pronoun-verb imperative he shone— Then substantive and plural-singular grown, He thus spake on:—'Behold in I alone (For Ethics boast a syntax of their own) Or if in ye, yet as I doth depute ye, In O! I, you, the vocative of duty! I of the world's whole Lexicon the root! Of the whole universe of touch, sound, sight, The genitive and ablative to boot: The accusative of wrong, the nom'native of right, And in all cases the case absolute! ...
— The Complete Poetical Works of Samuel Taylor Coleridge - Vol I and II • Samuel Taylor Coleridge
... every Class of Learners, and especially for Self-instruction. Containing the Elements of the SPANISH Language, and the Rules of Etymology and Syntax Exemplified; with NOTES and APPENDIX, consisting of Dialogues, ...
— The Manual of Heraldry; Fifth Edition • Anonymous
... of the fraternity, to be not only Astrologers, but Conjurers too, if I do not produce a hundred instances in all their Almanacks, to convince any reasonable man that they do not so much as understand Grammar and Syntax; that they are not able to spell any word out of the usual road, nor even, in their Prefaces, to write common sense, or ...
— An English Garner - Critical Essays & Literary Fragments • Edited by Professor Arber and Thomas Seccombe
... Anderson employs in telling these stories may seem at first glance to be simple: short sentences, a sparse vocabulary, uncomplicated syntax. In actuality, Anderson developed an artful style in which, following Mark Twain and preceding Ernest Hemingway, he tried to use American speech as the base of a tensed rhythmic prose that has an economy and a shapeliness seldom found in ordinary speech or even oral ...
— Winesburg, Ohio • Sherwood Anderson
... old method was one of repetition: it dealt immensely in committing Latin to memory. Ridiculous as was the system of giving to boys a Latin syntax in the Latin language, it at any rate did accustom them to the reiteration of a small number of words expressed in very simple sentences, and conveying knowledge of immediate utility.... While I nevertheless believe that at most schools ...
— Memoir and Letters of Francis W. Newman • Giberne Sieveking
... defined to be 'a diction which avoided homeliness.' Over against these there were two comprehensive vices, barbarism and solecism, the one being an offence against accidence, the other against syntax. ...
— A Little Book of Stoicism • St George Stock
... Mr. Clarke, beginning at the same time to translate out of the introduction, that by this means they may learn the syntax. ...
— Life Of Johnson, Vol. 1 • Boswell
... he had reported to Mr. Fuller:—"It has undergone one correction, but must undergo several more. I employ a pundit merely for this purpose, with whom I go through the whole in as exact a manner as I can. He judges of the style and syntax, and I of the faithfulness of the translation. I have, however, translated several chapters together, which have not required any alteration in the syntax whatever: yet I always submit this article entirely to his judgment. I can also, by hearing him read, judge whether he understands ...
— The Life of William Carey • George Smith
... beyond doubt one of the finest in our language, and more in Milton's style than has been reached by any other poet, is occasionally obscure from imitation of the condensed Latin syntax. The meaning of st. 5 is "rivalry or hostility are the same to a lofty spirit, and limitation more hateful than opposition." The allusion in st. 11 is to the old physical doctrines of the non-existence of a vacuum and the impenetrability of matter:—in st. 17 to the ...
— The Golden Treasury - Of the Best Songs and Lyrical Poems in the English Language • Various
... individual in its applicability, and less drawn from the depths of human nature as exhibited by types and classes. And often they would cap each other with a mutual relationship similar to that between a rule of syntax and its example, sometimes the one coming ...
— What I Remember, Volume 2 • Thomas Adolphus Trollope
... with his first literary reverse. A second collection of verses, entitled "Phantasies and Sketches," was pitilessly ridiculed by Henrik Hertz, in his "Letters from the Dead." Andersen's lack of style and violations of syntax were rather maliciously commented upon. If Gabriel's trump had sounded from the top of the Round Tower, it would not have startled Andersen more. He was in despair. Like the great child he was, he went about craving sympathy, and weeping when ...
— Essays on Scandinavian Literature • Hjalmar Hjorth Boyesen
... So much misery—so slow and hideous a growth of hatred and sin, may be compressed into a sentence! And men judge of each other's lives through this summary medium. They epitomize the experience of their fellow-mortal, and pronounce judgment on him in neat syntax, and feel themselves wise and virtuous—conquerors over the temptations they define in well-selected predicates. Seven years of wretchedness glide glibly over the lips of the man who has never counted them out in moments of chill disappointment, of head and ...
— The Lifted Veil • George Eliot
... prodigal of frivolous talk. I sent for thee only to shave my head, but thou comest and pesterest me with this sorry prattle." "What more wouldst thou have?" replied he. "Allah hath bounteously bestowed on thee a Barber who is an astrologer, one learned in alchemy and white magic;[FN612] syntax, grammar, and lexicology; the arts of logic, rhetoric and elocution; mathematics, arithmetic and algebra; astronomy, astromancy and geometry; theology, the Traditions of the Apostle and the Commentaries on the Koran. Furthermore, I have read books galore ...
— The Book of the Thousand Nights and a Night, Volume 1 • Richard F. Burton
... lived precisely five years, all he did was done at that little age, and it comprised this: "He got by heart almost the entire vocabulary of Latin and French primitives and words, could make congruous syntax, turn English into Latin, and vice versa, construe and prove what he read, and did the government and use of relatives, verbs, substantives, ellipses, and many figures and tropes, and made a considerable progress in Comenius's 'Janua,' and had ...
— Essays • Alice Meynell
... first, for fear of further Accidence, and, secondly, because we are no fonder than boys are of repetitions, which, were we to follow the Eton Grammar in the Concords, we should be obliged to make in the Syntax. ...
— The Comic Latin Grammar - A new and facetious introduction to the Latin tongue • Percival Leigh
... plainest." It was, we may remember, his first considerable English dictation for the press since his blindness, and what one chiefly notices in the style is the strong grasp he still retains of his old characteristic syntax.[1] The following are a few of the more interesting ...
— The Life of John Milton, Volume 5 (of 7), 1654-1660 • David Masson
... blundering distinctions, as the auditors perhaps may sometimes gape at, but seldom apprehend: and they take such a liberty in their speaking of Latin, that they scorn to stick at the exactness of syntax or concord; pretending it is below the majesty of a divine to talk like a pedagogue, and be tied to the slavish observance ...
— In Praise of Folly - Illustrated with Many Curious Cuts • Desiderius Erasmus
... nightfall, A girl within each arm, And kisses quick and light fall On lips that take no harm. Lip language serves them better Who have no parts of speech: No syntax there to fetter The ...
— New York Times Current History; The European War, Vol 2, No. 3, June, 1915 - April-September, 1915 • Various
... item interesting to our friends who revel in syntax and prosody. Any machine or apparatus for lifting has been called a "jack" since the days of Shakespeare. The jack was the bearer of bundles, a lifter, a puller, a worker. Any coarse bit of mechanism was called a jack, and is yet. In most factories there are testing-jacks, ...
— Little Journeys to the Homes of the Great, Volume 11 (of 14) - Little Journeys to the Homes of Great Businessmen • Elbert Hubbard
... sketch was raised on a farm, literally in the woods, and experienced the usual privations and vicissitudes attendant on pioneer life. The new country and poverty of his parents prevented his receiving a common English education, and it was not until after he was of age that he mastered Murray's syntax ...
— Cleveland Past and Present - Its Representative Men, etc. • Maurice Joblin
... effect to the series of miracles, by which all the nominal composers of the Hebrew nation before the time of Ezra, of whom there are any remains, were successively transformed into AUTOMATON compositors—so that the original text should be in sentiment, image, word, syntax, and composition an exact impression of the divine copy! In common consistency the theologians, who impose this belief on their fellow Christians, ought to insist equally on the superhuman origin and authority of the ...
— Confessions of an Inquiring Spirit etc. • by Samuel Taylor Coleridge
... makes vague and fearful insinuations about my grammar and my erudition. Now, as regards grammar, I hold that, in prose at any rate, correctness should always be subordinate to artistic effect and musical cadence; and any peculiarities of syntax that may occur in Dorian Gray are deliberately intended, and are introduced to show the value of the artistic theory in question. Your writer gives no instance of any such peculiarity. This I regret, because I do not think that ...
— Miscellanies • Oscar Wilde
... must make use of a sign-language that excludes them by not using the same sign for different symbols and by not using in a superficially similar way signs that have different modes of signification: that is to say, a sign-language that is governed by logical grammar—by logical syntax. (The conceptual notation of Frege and Russell is such a language, though, it is true, it fails to ...
— Tractatus Logico-Philosophicus • Ludwig Wittgenstein
... Bessie's sentiment and Bessie's syntax. "There is the railway, and Oxford is on the road. I intend always to travel first-class," ...
— The Vicissitudes of Bessie Fairfax • Harriet Parr
... ancillae suae" to a touchingly appropriate soprano solo accompanied by his favourite oboe d'amore. With the next sentence "ecce enim beatam me dicent" the tone brightens to a quiet joy, but Bach takes advantage of the syntax of the Latin in a way that defies translation, and the sentence is finished by the chorus. "Omnes generationes" seem indeed to pass before us in the crowded fugue which rises in perpetual stretto, the incessant entries of its subject ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 1 - "Austria, Lower" to "Bacon" • Various
... world, in the astonishing, unbalanced, unachieved genius of Villiers de l'Isle-Adam. Finally, it is in Stephane Mallarme that he finds the incarnation of 'the decadence of a literature, irreparably affected in its organism, weakened in its ideas by age, exhausted by the excesses of syntax, sensitive only to the curiosity which fevers sick people, and yet hastening to say everything, now at the end, torn by the wish to atone for all its omissions of enjoyment, to bequeath its subtlest memories of sorrow on ...
— Figures of Several Centuries • Arthur Symons
... rewrote his prose, and the result gave Hazlitt opportunity to say:[367] "We should think the writer could not possibly read the manuscript after he has once written it, or overlook the press."[368] His habit of carrying two trains of thought on together was also responsible for slips in diction and syntax. An amanuensis working for him noticed this peculiarity, and Scott said in his Journal: "There must be two currents of ideas going on in my mind at the same time.... I always laugh when I hear people say, ...
— Sir Walter Scott as a Critic of Literature • Margaret Ball
... the grammars, but syntax has been given such treatment as seemed needed to supplement its treatment in the beginner's book. Teachers will therefore be able to postpone the use of a formal manual of grammar, if they so desire. Those who wish their classes to begin the reading of Latin at the earliest possible moment ...
— Ritchie's Fabulae Faciles - A First Latin Reader • John Kirtland, ed.
... yards of cottonade, "mouslin a dames," "jaconad," dozens of soap, pounds of tobacco, pairs of stockings, lace, etc.; but to our great pleasure each page corresponding closely, save in orthography and syntax, with a page of the new manuscript, and the page numbers of the old running higher than those of the new! Here was evidence which one could lay before a skeptical world that the transcriber had not expanded the work of the original ...
— Strange True Stories of Louisiana • George Washington Cable
... some degree changed. But nothing can shake the truth of the statement that the Indo-Germanic languages constitute in themselves a family sprung from the same source, marked by the same characteristics, and differentiated from all other languages by formation, by vocabulary, and by syntax. The historical method was applied to language long before it reached biology. Nearly a quarter of a century before Charles Darwin was born, Sir William Jones had made the first suggestion of a comparative study of languages. Bopp's ...
— Darwin and Modern Science • A.C. Seward and Others
... grammar, then, so far as it deals with the classification of separate words, may well be given up as a bad job. But there still remains the art of syntax, the due arrangement of words to form sentences according to certain established rules. Here, at any rate, we are on somewhat firmer ground; and for many years the dictum that "the whole of Chinese grammar depends upon position" was regarded as a golden key to the written ...
— Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 2 - "Chicago, University of" to "Chiton" • Various
... again. There they stumbled upon a little bookseller's shop blinking in a quiet corner, and bought three or four guides and small histories of Ansbach, which they carried home, and studied between drowsing and waking. The wonderful German syntax seems at its most enigmatical in this sort of literature, and sometimes they lost themselves in its labyrinths completely, and only made their way perilously out with the help of cumulative declensions, past articles and adjectives blindly ...
— Henry James, Jr. • William Dean Howells
... that novel-writing must be tremendous fun; and this is so cheering that it is really impossible to be angry with her. Otherwise I might have some very sharp things to say about her light-hearted disregard of syntax and punctuation. Her pronouns, for example, are so elusive that not only am I frequently in doubt as to whom the heroine will marry in the end but as to which of the characters is speaking at any given moment. And not infrequently what can only be careless proofreading leaves sentences ...
— Punch, or the London Charivari, Vol. 146, February 4, 1914 • Various
... series of cyclic poems, which have already been candidates for bestowing immortality upon, at the same time that they receive it from, his character and adventures. In this point of view I have violated no rule of syntax in beginning my composition with a conjunction; the full stop which closes the poem continued by me being, like the full stops at the end of the Iliad and Odyssey, a full stop of a ...
— Peter Bell the Third • Percy Bysshe Shelley
... there are only beauties, and beauties which even an ignorant listener—if he is naturally musical—will see without trouble. He did not understand the vast difference between the unlettered person who commits a solecism and Pascal, the inventor of a new syntax. ...
— Musical Memories • Camille Saint-Saens
... of the Babylonian-Assyrian language has been clearly set forth in all its essential particulars: the substantive and verb formation is as definitely known as that of any other Semitic language, the general principles of the syntax, as well as many detailed points, have been carefully investigated, and as for the reading of the cuneiform texts, thanks to the various helps at our disposal, and the further elucidation of the various principles ...
— The Religion of Babylonia and Assyria • Morris Jastrow
... typical provincial; it will prevent him from being a representative or skilful interpreter. Horace Greeley said that when the rules of the English language got in his way, they did not stand a chance. We may be sure that if by violating the rules of syntax Horace Greeley sometimes added forcefulness to his editorials, he violated them deliberately and not in ignorance. Luminosity is not stumbled into. The richly savored and deliciously unlettered speech ...
— Guide to Life and Literature of the Southwest • J. Frank Dobie
... to thank you very cordially for this new proof of your obligingness and of your sympathy—in French, as this language becomes more and more familiar and easy to me, whereas I am obliged to make an effort to patch up more or less unskillfully my very halting German syntax. ...
— Letters of Franz Liszt, Volume 1, "From Paris to Rome: - Years of Travel as a Virtuoso" • Franz Liszt; Letters assembled by La Mara and translated
... that in verses written about three hundred years ago there should be found some crudities in style, some lapses in syntax, and not a few words strange to us or having a meaning somewhat different from their present significance. Among such lapses in syntax we find the slight confusion of tenses in the first stanza, caused in the poet's ...
— Journeys Through Bookland, Vol. 10 - The Guide • Charles Herbert Sylvester
... [100] Hazlitt's syntax is often abbreviated, elliptical, and unregardful of book rules. Constructions like the following are not uncommon in his prose: "As a novelist, his Vicar of Wakefield has charmed all Europe.... As a comic writer, his Tony Lumpkin draws forth ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... noticed by a man of Mr. Hamilton's knowledge; for it can be easily set aside; or rather, it need not be regarded, because there is nothing suspicious about it. For the spelling of the seventeenth century, like its syntax and its pronunciation, was irregular; and the fatal error of those who attempt to imitate it is that they always use double consonants, superfluous final e-s, and ie for y. And even supposing ...
— The Atlantic Monthly, Volume 4, No. 24, Oct. 1859 • Various
... the sphere of syntax one may point to certain French and Latin influences, but it is doubtful if they ever reached deeper than the written language. Much of this type of influence belongs rather to literary style than ...
— Language - An Introduction to the Study of Speech • Edward Sapir
... is concerning the syntax and disposition of studies; that men may know in what order or pursuit ...
— The Advancement of Learning • Francis Bacon
... particularly in bold attempts to excise interpolations from the Gospels), but as devoid of the higher critical wisdom as was Bentley, whom he congenially criticised. To a reader of to-day, his arguments from Shakspere's diction and syntax are peculiarly unconvincing. ...
— Montaigne and Shakspere • John M. Robertson
... of the Anatolian peninsula, the Orthodox Greek population, submerged beneath the Turkish flood more than eight centuries ago, has retained little individuality except in its religion, and nothing of its native speech but a garbled vocabulary embedded in a Turkified syntax. Yet even this dwindling rear-guard has been overtaken just in time by the returning current of national life, bringing with it the Greek school, and with the school a community of outlook with Hellenism the world over. Whatever the fate of eastern ...
— The Balkans - A History Of Bulgaria—Serbia—Greece—Rumania—Turkey • Nevill Forbes, Arnold J. Toynbee, D. Mitrany, D.G. Hogarth
... adjuring interjections which imply that admiration is too strong for syntax; and Naumann said in a tone of ...
— Middlemarch • George Eliot
... poetry. We can make the finished article for ourselves, given enough matter; and indeed the poetry which is imagined in contemplation is apt to be much finer than that which has passed through the claws of prosody and syntax. The fact, to be short with it, is that literature has an eye upon the consumer. Whether it is marketable or not, it is intended for the public. Now no man will undress in public with design. It may be a pity, but so it is. Undesignedly, ...
— In a Green Shade - A Country Commentary • Maurice Hewlett
... either of the two I have mentioned, or any other of the fraternity, to be not only astrologers, but conjurers too, if I do not produce a hundred instances in all their almanacks to convince any reasonable man that they do not so much as understand common grammar and syntax; that they are not able to spell any word out of the usual road, nor even in their prefaces write common sense or intelligible English. Then for their observations and predictions, they are such as will equally suit any age or country in the world. "This month a certain great person will be threatened ...
— The Battle of the Books - and Other Short Pieces • Jonathan Swift
... command, That you your birch do take in hand, Read concord and syntax on; The bays, your own, are only mine, Do you then still your nouns decline, Since you've declined ...
— Poems (Volume II.) • Jonathan Swift
... three consecutive verses of the Apocalypse. The book, after all allowance made for solecisms, shows a very considerable command of the Greek vocabulary, and (what is more important) a familiarity with the intricacies of the very intricate syntax ...
— Essays on "Supernatural Religion" • Joseph B. Lightfoot
... the chairs. Marie Louise caught an angry look also in the eye of Nicholas Easton, though he, too, had been incisive in his comments on the theme of the dinner. His English had been uncannily correct, his phrases formal with the exactitude of a book on syntax or the dialogue of a gentleman in a novel. But he also was drinking too much, and as his lips fuddled he had trouble with a very formal "without which." It resulted first as "veetowit veech," then as "whidthout witch." He made it ...
— The Cup of Fury - A Novel of Cities and Shipyards • Rupert Hughes
... one may not at every step verify the connection or incoherence of the parts.[3221]—The procedure used in arranging a simple sentence also governs that of the period, the paragraph and the series of paragraphs; it forms the style as it forms the syntax. Each small edifice occupies a distinct position, and but one, in the great total edifice. As the discourse advances, each section must in turn file in, never before, never after, no parasitic member being allowed to intrude, and no regular member being allowed to encroach on its ...
— The Origins of Contemporary France, Volume 1 (of 6) - The Ancient Regime • Hippolyte A. Taine
... development of the Latin language, which it is hoped will prove interesting and instructive to the more ambitious pupil. At the end of the book will be found an Index to the Sources of the Illustrative Examples cited in the Syntax. ...
— New Latin Grammar • Charles E. Bennett
... in fact had not arrived at the clear splendor of his later work without some earlier turbidity; he was still from time to time capable of a false rhyme, like morn and dawn. As for the author of 'Uncle Tom's Cabin' her syntax was such a snare to her that it sometimes needed the combined skill of all the proof-readers and the assistant editor to extricate her. Of course, nothing was ever written into her work, but in changes of diction, in correction of solecisms, in transposition of phrases, the text was largely ...
— Henry James, Jr. • William Dean Howells
... the Bible, he has recourse to Talmudic Hebrew or to the Aramaic. He pays careful attention to the precise meaning of words and to distinctions among synonyms, and he had perception for delicate shading in syntax and vocabulary. Owing to this thorough knowledge of Hebrew he readily obtained insight into the true sense of the text. By subjecting the thought of the Holy Scriptures to a simple and entirely rational examination, he not seldom succeeds ...
— Rashi • Maurice Liber
... quite soothing after her mathematical mortification; for she delighted in new words, and quickly found that there was an English Key at the end, which would make her very wise about Latin, at slight expense. She presently made up her mind to skip the rules in the Syntax, the examples became so absorbing. These mysterious sentences, snatched from an unknown context,—like strange horns of beasts, and leaves of unknown plants, brought from some far-off region,—gave boundless scope to her imagination, and were all the more fascinating ...
— The Mill on the Floss • George Eliot
... the written. Latin is a troublesome speech on account of its complicated inflections and grammatical rules, which can be mastered only after a great deal of study. The people of the Roman provinces and the incoming barbarians naturally paid very little attention to the niceties of syntax and found easy ways of saying what they wished.[160] Yet several centuries elapsed after the German invasions before there was anything written in the language of conversation. So long as the uneducated could understand the correct Latin of the ...
— An Introduction to the History of Western Europe • James Harvey Robinson
... show of education; but I was disinclined to be overdone in syntax by a mere Indian, a member of a race to which we owe nothing except the land on which the ...
— Cabbages and Kings • O. Henry
... of old, (ch. x. 7.) The great, the universal change consists in this:—"The kingdoms of this world are become the kingdoms of our Lord and of his Christ." The English supplement,—"the kingdoms," is justified and required, equally by the sense and the laws of syntax: and he is a deceiver, if a scholar, who insists upon any other, to supply the ellipsis. Indeed, the omission of similar supplements, has occasioned needless obscurity to the unlearned in other parts of this book. (See chs. xix. 10; xxii. 9.) ...
— Notes On The Apocalypse • David Steele
... same circumstances, except that instead of perambulate, the Rev. Amos wrote preambulate, and instead of 'if haply', 'if happily', the contingency indicated being the reverse of happy. Mr. Barton had not the gift of perfect accuracy in English orthography and syntax, which was unfortunate, as he was known not to be a Hebrew scholar, and not in the least suspected of being an accomplished Grecian. These lapses, in a man who had gone through the Eleusinian mysteries of a university education, surprised the young ladies of his parish extremely; ...
— Scenes of Clerical Life • George Eliot
... British empire, with its vast possessions in every clime, on which the sun never sets, peopled by races numerous and diverse of origin as of interests, multifarious, complicated, often conflicting. "L'etat," said Louis le Grand, "c'est moi." "The British empire"—bellows Syntax Cobden—"'tis me and printed calicoes." "The British government and legislature"—exclaims Friend Bright—"'tis I ...
— Blackwood's Edinburgh Magazine, No. CCCXXXII. - June, 1843.,Vol. LIII. • Various
... the common people in the provinces did not differ materially from that spoken in Italy. It was the language of the Roman soldier, colonist, and trader, with common characteristics in the way of diction, form, phraseology, and syntax, dropping into some slight local peculiarities, but kept essentially a unit by the desire which each community felt to imitate its officials and ...
— The Common People of Ancient Rome - Studies of Roman Life and Literature • Frank Frost Abbott
... be brought about, it was open to his hearers to conceive the practical course. For the rest, the heresiarch had a mighty flow of vituperative speech. Aspirates troubled him, so that for the most part he cast them away, and the syntax of his periods was often anacoluthic; but these matters ...
— Demos • George Gissing
... man. He composed at Nohant, and she has told us all about it; how he groaned, wrote and re-wrote and tore to pieces draft after draft of his work. This brings to memory another martyr to style, Gustave Flaubert, who for forty years in a room at Croisset, near Rouen, wrestled with the devils of syntax and epithet. Chopin was of an impatient, nervous disposition. All the more remarkable then his capacity for taking infinite pains. Like Balzac he was never pleased with the final "revise" of his work, he must needs aim at finishing touches. His letters at this period are interesting for the ...
— Chopin: The Man and His Music • James Huneker
... Miscellany. The greater part of the Uncertain Authors are less ambitious, but also less irregular than Wyatt, while they fall far short of Surrey in every respect. Sometimes, as in the famous "I loath that I did love," both syntax and prosody hardly show the reform at all; they recall the ruder snatches of an earlier time. But, on the whole, the characteristics of these poets, both in matter and form, are sufficiently uniform and sufficiently interesting. Metrically, they show, on the one side, a desire to use a rejuvenated ...
— A History of English Literature - Elizabethan Literature • George Saintsbury
... Master discuss these knotty points of honor and expediency together, do you, as a recreation from the Greek syntax? I should like ...
— Halcyone • Elinor Glyn
... intervals with a rag, he was regarded by most of us as absolute scum. The German master, a tall, good-looking man, was treated as utterly incompetent because, when he asked a question in grammar or syntax, he walked up and down with the book in front of him, and quite plainly compared the answer with the book. We boys thought that anyone could be a master, with a book in his hand. History and Geography were taught by an old man, overflowing ...
— Recollections Of My Childhood And Youth • George Brandes
... nineteen lessons, and is concerned primarily with the study of syntax and of subjunctive and irregular verb forms. The last three of these lessons constitute a review of all the constructions presented in the book. There is abundant easy reading matter; and, in order to secure proper concentration of effort upon syntax and ...
— Latin for Beginners • Benjamin Leonard D'Ooge
... opinion that if Tacitus wrote incorrectly, it must be upon the principle alleged by Quintilian that "one kind of expression is grammatical, another kind Latin," "aliud esse grammatice, aliud Latine loqui" (I. 16) after the accommodating fashion of that kind gentleman of etymology and syntax, Valerius Probus, who in Aulus Gellius (XIII. 20. 1), said "has urbes" or "has urbis" was the more correct according to metrical convenience when writing verses, or sonorous utterance when delivering a set oration, which (without being Romans), we can easily understand, when some of our poets ...
— Tacitus and Bracciolini - The Annals Forged in the XVth Century • John Wilson Ross
... with, they have, so to say, a grammar of their own, whose rules and syntax are more general than our own; if you attend carefully you will be surprised to find how exactly they follow certain analogies, very much mistaken if you like, but very regular; these forms are only objectionable because of their harshness or because they are not recognised by ...
— Emile • Jean-Jacques Rousseau
... fine text-hand at last. So though I at first commence With the humble accidence, And my study's course affords Little else as yet but words, I shall venture in a while At construction, grammar, style, Learn my syntax, and proceed Classic authors next to read, Such as wiser, better, make us, Sallust, Phaedrus, Ovid, Flaccus: All the poets (with their wit), All the grave historians writ, Who the lives and actions show Of men famous long ago; Ev'n their very sayings giving ...
— Books for Children - The Works of Charles and Mary Lamb, Vol. 3 • Charles and Mary Lamb
... literature irreparably attacked in its organism, weakened by the age of ideas, overworn by the excess of syntax, sensible only of the curiosity which fevers sick people, but nevertheless hastening to explain everything in its decline, desirous of repairing all the omissions of its youth, to bequeath all the most subtle souvenirs of its suffering on its deathbed, is incarnate in Mallarmé ...
— Confessions of a Young Man • George Moore
... in the sermonising class has been wasted. It is a fact that most of us have forgotten the greater part of what we learned at school. The dates which made up so large a part of our historical lessons, the rules we slavishly committed as we struggled to master the difficulties of syntax and prosody, our latinity, our grounding in the tongue of ancient Greece so hardly won—who amongst us, having grey hairs in abundance, could face to-day the examination room where once we triumphed in these things? Yet in a sense ...
— The Message and the Man: - Some Essentials of Effective Preaching • J. Dodd Jackson
... this story in its own language—the simple easy- flowing Old-French, with its infantile syntax, and naive but effective efforts at distinction and what we now call style. There are various editions of the old French text; but the two easiest to get and also to read are that of Professor Suchier, and my own. Those in search of learning will always turn ...
— Aucassin and Nicolette - translated from the Old French • Anonymous
... in syntax, and his unreasoning loyalty to Billings is an established fact of such standing that ...
— Pardners • Rex Beach
... affixes to the epithet adopted by Doctor Cooper the idea of dishonour. It has been publicly applied to me under the sanction of your name. The question is not whether he has understood the meaning of the word, or has used it according to syntax and with grammatical accuracy, but whether you have authorized this application, either directly or by uttering expressions or opinions derogatory to my honour. The time "when" is in your own knowledge, ...
— Memoirs of Aaron Burr, Complete • Matthew L. Davis
... to stop at the daring spirit of metaphor which connects the epithets "deaf and silent," with the apostrophized eye: or (if we are to refer it to the preceding word, "Philosopher"), the faulty and equivocal syntax of the passage; and without examining the propriety of making a "Master brood o'er a Slave," or "the Day" brood at all; we will merely ask, what does all this mean? In what sense is a child of that age a Philosopher? In what ...
— Biographia Literaria • Samuel Taylor Coleridge
... got out of his bounds"—Warburton—Bravo! old Hurlo-thumbo! got out of his depth, Warburton, you mean. Extra-vagant certainly may be construed out of bounds; we need no ghost with a mouthful of Syntax to tell us that; but Shakspeare had too much taste to adopt such an absurd Latinism. I have no doubt that the late king was a man of expensive habits, and is here compared to a prisoner within the rules of the king's bench, who must return to quod at a given moment or ...
— The Mirror of Taste, and Dramatic Censor, Vol. I, No. 5, May 1810 • Various
... syntax of the possessive case is sufficiently plain and easy, there is, perhaps, among all the puzzling and disputable points of grammar, nothing more difficult of decision than are some questions that occur ...
— The Verbalist • Thomas Embly Osmun, (AKA Alfred Ayres)
... to say how we are to find him out to be a low man, or what marks can remain of the ordinary language of conversation in the inferior orders of society. If there be any phrases that are not used in good society, they will appear as blemishes in the composition, no less palpably, than errors in syntax or quality; and, if there be no such phrases, the style cannot be characteristic of that condition of life, the language of which it professes to have adopted. All approximation to that language, in the same manner, implies a deviation ...
— Famous Reviews • Editor: R. Brimley Johnson
... previously stated, the language or dialect of the German settlers in Brazil underwent an almost immediate change, not in its syntax, but in its vocabulary. Had the immigrants and their descendants only adopted such words as had no equivalent in their mother-tongue, our case would be much simpler. They went, however, much further, and, as a result ...
— The German Element in Brazil - Colonies and Dialect • Benjamin Franklin Schappelle
... techspeak] An interpreted language for massaging text data developed by Alfred Aho, Peter Weinberger, and Brian Kernighan (the name derives from their initials). It is characterized by C-like syntax, a declaration-free approach to variable typing and declarations, associative arrays, and field-oriented text processing. See also {Perl}. 2. n. Editing term for an expression awkward to manipulate through normal {regexp} facilities (for example, one containing a {newline}). 3. /vt./ ...
— The Jargon File, Version 4.0.0
... This is the more remarkable, as a most extraordinary change has taken place in the language of these islands during the latter half of the eighteenth century; insomuch that the language of the Indian inhabitants consists entirely of Spanish words, but all the inflexions, the syntax, and the idiomatic manner of expression are Chilese, that is to say exactly corresponding to the Moluchese dialect of ...
— A General History and Collection of Voyages and Travels, Vol. 5 • Robert Kerr
... an influence on the new age greater than yours, more largely prepared the way of the newest music. You are indeed the good friend of all who dream of a new musical language, a new musical syntax and balance and structure, and set out to explore the vast, vague regions, the terra incognita of tone. For you are their ancestor. If, in its general, homophonic nature, your work belongs primarily to the romantic period, your conviction that the content conditions ...
— Musical Portraits - Interpretations of Twenty Modern Composers • Paul Rosenfeld
... literature. The reading public was content to go to Denmark, and the growing Landsmaal literature was concerned with other matters—first of all, with the task of establishing itself and the even more complicated problem of finding a form—orthography, syntax, and inflexions which should command general acceptance. For the Landsmaal of Ivar Aasen was frankly based on "the best dialects," and by this he meant, of course, the dialects that best preserved the forms of the Old Norse. These were the dialects of the west coast and ...
— An Essay Toward a History of Shakespeare in Norway • Martin Brown Ruud
... when the old gender system decayed, and the form its gradually came into use, until, by the end of the seventeenth century, it was in general use. Milton, however, scarcely recognised it, its place in his involved syntax being taken by the relative pronouns and other connectives, or by his, ...
— Milton's Comus • John Milton
... are less frequent than those of syntax, yet such occur. In the Folios verbs ending in d and t are constantly found making their second persons singular in ds and ts instead of d'st and t'st. This was a corruption coming into vogue about the time ...
— The Works of William Shakespeare [Cambridge Edition] [9 vols.] - Introduction and Publisher's Advertising • William Shakespeare
... for the rein of an old bridle (the truants of that busy day could have anticipated its application), walked down the Lawnmarket with Mr. Saddletree, each talking as he could get a word thrust in, the one on the laws of Scotland, the other on those of syntax, and neither listening to a ...
— The Heart of Mid-Lothian, Complete, Illustrated • Sir Walter Scott
... that is pictorial. Sculpture was the only art that had resisted this universal disintegration, this imbroglio of the arts. No sculptor before Rodin had dared to break the line, dared to shiver the syntax of stone. For sculpture is a static, not a dynamic art—is it not? Let us observe the rules, though we preserve the chill spirit of the cemetery. What Mallarme attempted to do with French poetry Rodin accomplished in clay. His marbles do not represent but present emotion, are the evocation ...
— Promenades of an Impressionist • James Huneker
... boy; Off like bird, avi similis—(you observed The dative? Pretty i' the Mantuan!)—Anglice Off in three flea skips. Hactenus, so far, So good, tam bene. Bene, satis, male -, Where was I with my trope 'bout one in a quag? I did once hitch the syntax into verse: Verbum personale, a verb personal, Concordat—ay, "agrees," old Fatchaps—cum Nominativo, with its nominative, Genere, i' point o' gender, numero, O' number, et persona, and person. Ut, Instance: Sol ruit, down flops sun, et and, ...
— Fly Leaves • C. S. Calverley
... time were proud to place him with Homer and with Virgil on the roll of the poets. Ronsard's peculiarity in style was the free use of words and constructions not properly French. Boileau indicated whence he enriched his vocabulary and his syntax, by satirically saying that Ronsard spoke Greek and Latin in French. At his death, Ronsard was almost literally buried under praises. Sainte-Beuve strikingly says that he seemed to go forward into ...
— Classic French Course in English • William Cleaver Wilkinson
... am very guilty; I should have written to you long ago; and now, though it must be done, I am so stupid that I can only boldly recapitulate. A phrase of three members is the outside of my syntax. ...
— The Letters of Robert Louis Stevenson - Volume 1 • Robert Louis Stevenson |
