"Stylist" Quotes from Famous Books
 ... of attaining the height of his models and also to please the taste of Mary, daughter of King Robert, he wrote the libertine tales which are gathered in the collection entitled The Decameron and which established his fame. He is one of the purest authors, as stylist, of all Italian literature, and may be regarded as the principle creator of prose ...
— Initiation into Literature • Emile Faguet
... knew what it was, I shouldn't be calling it a mystery," replied Mrs. Postwhistle, who was a stylist ...
— Tommy and Co. • Jerome K. Jerome
... said, "you have doubtless heard me called a stylist. Every one of those two hundred words I erase five to ten times, polishing, substituting, ...
— In the Mist of the Mountains • Ethel Turner
... on short stories meanwhile, devoting most of her effort to becoming a stylist, that she might attain immediate recognition whatever her matter. She lived in a small but comfortable hotel, for not only had she saved the greater part of her salary, but the Bolands, however oblivious socially of a paid ...
— The White Morning • Gertrude Atherton
... stylist than even Stevenson is the author of a little volume which I keep by my side ever since Mr. Frederick O'Brien and the terrifying Gaugain have turned us to the islands of the Pacific. It is Charles Warren Stoddard's "South Sea Idyls." And if one wants to know ...
— Confessions of a Book-Lover • Maurice Francis Egan
... busy disposing of his heap of manuscripts. He was overwhelmed by requests from editors. It had been discovered that he was a stylist, with meat under his style. The Northern Review, after publishing "The Cradle of Beauty," had written him for half a dozen similar essays, which would have been supplied out of the heap, had not ...
— Martin Eden • Jack London
... student at such pains to discover the fact as to a wrong done should have used barbed words in the portrayal of injustice? Strong convictions spurred on his pen, already taught to shape vigorous and incisive sentences. Not a stylist, as measured by the highest Elizabethan standards of charm and mellifluence, he possessed a clearness and directness which win the modern reader. By his methods of analysis he displayed a quality of mind akin to and probably influenced by that of Calvin, while his intellectual attitude ...
— A History of Witchcraft in England from 1558 to 1718 • Wallace Notestein
... enumerating his iniquities, reporting whole conversations, tracing all the causes and the growth of her misery. She was beside herself with passion, and though she could hardly think or see, she suddenly attained to magnificence and pathos which a practised stylist might have envied. It was written like a diary, and not till its conclusion did she realize for whom ...
— Where Angels Fear to Tread • E. M. Forster
... pulled up or spoiled by his all too conscious cleverness, and at last we say, "Oh Heavens! if he could and would but let himself go or forget himself what he might achieve." But he doesn't—never does, and therefore remains but a second-rate creator though more and more the stylist and the artist. This is more especially the case at the very points where writers like Scott would have risen and roused all the readers' interest. When Stevenson reaches such points, he is always as though saying ...
— Robert Louis Stevenson - a Record, an Estimate, and a Memorial • Alexander H. Japp
... consummate literary stylist is beyond doubt. He spoke in parables and maxims, short, brief and musical. He wrote for his ear, and always his desire, it seems, was to convey the greatest truth in the fewest words. The Chinese, even the lowly and uneducated, ...
— Little Journeys To The Homes Of Great Teachers • Elbert Hubbard
... with my little finger, I drewe him to me with my whole hand[28]." Other little delicate turns of phrase may be found in the mine of Euphues—for the digging. Our author was no genius, but he had a full measure of that indefinable quality known as wit; and, though the stylist's mask he wears is uncouth and rigid, it cannot always conceal the twinkle of his eyes. Moreover a certain weariness of this sermonizing on the stilts of antithesis is often visible; and we may suspect that he half sympathises with the petulant exclamation of the sea-sick Philautus ...
— John Lyly • John Dover Wilson
... that, just as he wrote and as he spoke in public, his style, if style it can be called, being the most simple, direct, and colloquial ever written. And for this reason, when we are aweary of the style of the stylist, where the living breathing body becomes of less consequence than its beautiful clothing, it is a relief, and refreshment, to turn from the precious and delicate expression, the implicit word, sought for high and low and at last found, the balance of every sentence and perfect ...
— Afoot in England • W.H. Hudson
... "on all the four principal occasions when considerable German forces were encountered in the North Sea, her guns were in action." Very naturally he desired to do honour to this gallant light cruiser, and I admire prodigiously the modest way in which he has done it. "ETIENNE" is not a stylist; a professor of syntax might conceivably be distressed by his confusion of prepositions; but apart from this detail all is plain sailing—and fighting. I have read no more thrilling account of the Battle of Jutland than ...
— Punch, or the London Charivari, Vol. 156, May 28, 1919. • Various
... school of Dutch novelists is of a different type from their predecessors and deals with life and life's problems in every form. Among the present-day authors of fiction, the foremost place belongs to Louis Conperus, an idealist and mystic, who as a stylist is unapproached ...
— History of Holland • George Edmundson
... apparently blind to the passion of sorrowful ecstasy that sets The Wind Among the Reeds apart from every other book that has ever been written in English. They imagine that the book amounts to little more than the attitude of a stylist, a trifler with Celtic nomenclature ...
— Old and New Masters • Robert Lynd
... which we are unconsciously subjected by melody, by harmony, or even by the mere sound of words, we may say that style is distinguished from manner by the author's power of projecting his own emotion into what he writes. The stylist is occupied with the impression which certain things have made upon him; the mannerist is wholly concerned with the impression he shall make ...
— The Function Of The Poet And Other Essays • James Russell Lowell
... gave to this classicism—what it had hitherto lacked—extensive prose texts. Thus Cicero became the creator of the modern classical Latin prose, and Roman classicism attached itself throughout and altogether to Cicero as a stylist; it was to the stylist Cicero, not to the author, still less to the statesman, that the panegyrics—extravagant yet not made up wholly of verbiage—applied, with which the most gifted representatives of classicism, such as Caesar ...
— The History of Rome (Volumes 1-5) • Theodor Mommsen
... German humanist of the elder Italianated type, an elegant Latin stylist, who commented indifferently on the Priapeia and the Stoic philosophy. He abjured Protestantism, and like Muretus, sold his pen to Rome. The Jesuits, in his pompous panegyric, were first saluted as 'the praetorian ...
— Renaissance in Italy, Volumes 1 and 2 - The Catholic Reaction • John Addington Symonds
... consider the Queen's English. Newman achieved a useful purging; the style that remained was ready for Flaubert. From the author of "L'Education Sentimentale," I daresay, came the deciding influence, with Nietzsche's staggering brilliance offering suggestions later on. Thus Huneker, as stylist, owes nearly all to France, for Nietzsche, too, learned how to write there, and to the end of his days he always wrote more like a Frenchman than a German. His greatest service to his own country, indeed, was not as anarch, but as teacher of writing. He taught the Germans that their language ...
— A Book of Prefaces • H. L. Mencken |
