"Sculpture" Quotes from Famous Books
 ... has collected these particulars from the different writers, says that this physical type may be frequently met now in the city and neighborhood of Genoa. He adds, "as for the portraits, whether painted, engraved, or in sculpture, which appear in collections, in private places, or as prints, there is not one which is authentic. They are ...
— The Life of Christopher Columbus from his own Letters and Journals • Edward Everett Hale
... Manners. Reasons for supposing them not Cannibals. Dress and Ornaments. Villages and Houses. Food. Occupations and Amusements. Addicted to Gaming. Their extraordinary Dexterity in Swimming. Arts and Manufactures. Curious Specimens of their Sculpture. Kipparee, or Method of Painting Cloth. Mats. Fishing Hooks. ...
— A General History and Collection of Voyages and Travels, Volume 17 • Robert Kerr
... final stand. His feet were well apart, but not too far apart, body and legs set so that he could have leaped instantly forward, backward, sideways. Cogan, watching, thought what a painting, or better, what a bit of sculpture could have been made of him so. He was standing on the balls of his feet, with his torso canted slightly forward from the waist. His head was forward, too, but inclining a little to one side, toward his right shoulder. His eyes were so narrowed that they could hardly be seen, but the ...
— Wide Courses • James Brendan Connolly
... their ideal for yet another hundred and fifty years. The vital forces it had developed still carried Europe from one material perfection to another; the art of government, the suggestion of letters, the technique of sculpture and of painting (here raised by a better vision, there degraded by a worse one), everywhere developed and grew manifold. But the supreme achievement of the thirteenth century was seen in the later fourteenth to be ephemeral, and in the fifteenth ...
— Europe and the Faith - "Sine auctoritate nulla vita" • Hilaire Belloc
... have designated for this department a space sufficient to show hundreds of pictures and pieces of sculpture. The Art Committee is now receiving paintings, sculpture, and other works of the highest quality from owners and artists of the colored race. The high-class works of art in this department will mark the ...
— Sparkling Gems of Race Knowledge Worth Reading • Various
... means least, a very good likeness of our old friend J.C. HORSLEY, R.A., and while we think of it, we'll treat him as a cabman and "take his number," which it's 1941, done by JOHN ADAMS-ACTON, and so, with this piece of sculpture, we conclude our pick of the Pictures with this display of fireworks; that is, with one good bust ...
— Punch, or the London Charivari, Volume 102, May 7, 1892 • Various
... intellect, and are almost always worth understanding. It is so with this theory of a Renaissance within the middle age, which seeks to establish a continuity between the most characteristic work of that period, the sculpture of Chartres, the windows of Le Mans, and the work of the later Renaissance, the work of Jean Cousin and Germain Pilon, thus healing that rupture between the middle age and the Renaissance which has so often ...
— The Renaissance: Studies in Art and Poetry • Walter Horatio Pater
... most perfect literary form ever devised by man. The great merit of Miss E. B. Abraham's performance is that she plays the part of Deianeira neither as if that lady were a relic of the most insipid period of classical sculpture, nor yet as though she were cousin-german to Hedda Gabler. When she errs, she errs on the side of modernity; and that is as it should be. Certainly she puts too much "psychology" into the character of the fond, gentle lady, whose simple humanity at pathetic odds ...
— Pot-Boilers • Clive Bell
... Rome. There is a grandeur of unity and a sense of a single cultus in it which the Renaissance never reached in anything. Even from the days of Orcagna there is an element of mixed motives and incoherence in the best of Italian architecture and sculpture. It requires colour to effect that which Norman or Gothic art could produce more grandly and impressively with shade alone. It is the difference between a garden and a forest. This is shown in the glorious mediaeval grisaille windows, in which such ...
— Memoirs • Charles Godfrey Leland
... with the world which all are obliged to sustain who make their own way in it. This is no doubt the true explanation of the Brook Farm enterprise, and it carries with it its own contradiction. The more realistic sort of literature might survive in the communistic order, but sculpture and painting, which depend upon the undivided surplus of production which we call wealth, would inevitably perish. Even literature would disappear at length, then science, or at least all advancement of science, precedent in law ...
— Sketches from Concord and Appledore • Frank Preston Stearns
... that he was able to appreciate the best not only in men, but in literature, painting, sculpture, music, architecture and life as well. In him there was as near a perfect harmony as we have ever seen—in him all the various lines of Greek culture united, and we get the perfect man. Under the right conditions there might be produced a race ...
— Little Journeys to the Homes of the Great, Volume 7 - Little Journeys to the Homes of Eminent Orators • Elbert Hubbard
... contrasting pleasingly with the otherwise pale-looking features of the wearer. Her sleeves ended in a band, which encircled her wrists, and displayed a pair of hands, rivalling in symmetry the choicest sculpture, and in whiteness the calico on which she was industriously employing herself. Her features, though not perfect, were calm and beautifully expressive, and the lustre of her complexion at once struck the ...
— Fern Vale (Volume 1) - or the Queensland Squatter • Colin Munro
... bored. How can it be otherwise, when the composers represented are mere names to them? Why should the general public appreciate a Bach fugue, an intricate symphony or a piece of chamber-music? Do we professional musicians appreciate the technique of a wonderful piece of sculpture, of an equally wonderful feat of engineering or even of a miraculous surgical operation? It may be argued that an analogy between sculpture, engineering, surgery and music is absurd, because the three former do not appeal to the masses in the ...
— Musicians of To-Day • Romain Rolland
... dead motionless beauty, those cold dreams of the buried generations. Oh that they could speak, and set her heart at rest! At the lower end of the room stood a Pallas, completely armed with aegis, spear, and helmet; a gem of Athenian sculpture, which she had bought from some merchants after the sack of Athens by the Goths. There it stood severely fair; but the right hand, alas! was gone; and there the maimed arm remained extended, as if in sad mockery ...
— Hypatia - or, New Foes with an Old Face • Charles Kingsley
... doubtful character in the background. The details of ornamentation, however, are very carefully designed, the motives of the decoration being refined and elegant. The pilasters with their pretty candelabra and capitals rich with sculpture, combine so harmoniously with the purer architectural forms, as to produce a most pleasing effect and show the result of his studies among the numberless remains ...
— Fra Angelico • J. B. Supino
... foundations established in favour of the polite arts like those in France. There are Universities in most countries, but it is in France only that we meet with so beneficial an encouragement for astronomy and all parts of the mathematics, for physic, for researches into antiquity, for painting, sculpture, and architecture. Louis XIV. has immortalised his name by these several foundations, and this immortality did not cost him two hundred thousand ...
— Letters on England • Voltaire
... observances were the great and all-absorbing topics of the Nahua nations, and hence it is to these, and especially the first, that we must look for an explanation of their paintings and sculpture, and not so much to the traditions given by the old ...
— Notes on Certain Maya and Mexican Manuscripts • Cyrus Thomas
... the whole phenomena of the Renaissance to any one cause or circumstance, or limit them within the field of any one department of human knowledge. If we ask the students of art what they mean by the Renaissance, they will reply that it was the revolution effected in architecture, painting, and sculpture by the recovery of antique monuments. Students of literature, philosophy, and theology see in the Renaissance that discovery of manuscripts, that passion for antiquity, that progress in philology and criticism, which led to a correct knowledge of the classics, to a fresh taste in poetry, ...
— Renaissance in Italy, Volume 1 (of 7) • John Addington Symonds
... and taking Ariadne as the companion of his way, with his rescued companions sailed for Athens. On their way they stopped at the island of Naxos, where Theseus abandoned Ariadne, leaving her asleep. [Footnote: One of the finest pieces of sculpture in Italy, the recumbent Ariadne of the Vatican, represents this incident. A copy is owned by the Athenaeum, Boston, and deposited, in the Museum of Fine Arts.] His excuse for this ungrateful treatment of his benefactress was that Minerva appeared to him in a dream and commanded ...
— Bulfinch's Mythology • Thomas Bulfinch
... year 1763 to 1774, England felt all the blessings of peace; agriculture and commerce were improved and extended; the polite arts, such as painting and sculpture, were patronized by his Majesty, and a royal academy instituted for the purpose, in the year 1768. We might call this the Augustine age; and Great-Britain promised to its posterity universal empire. But the colonies of North America ...
— A Museum for Young Gentlemen and Ladies - A Private Tutor for Little Masters and Misses • Unknown
... with tales that turn on a dead jackass, nor with constitutions that give the ballot to the representatives, and withhold the suffrage from the people; neither have I much faith in that enthusiasm for the beaux arts, which shows its produce in execrable music, detestable pictures, abominable sculpture, and a droll something that I believe the French call POETRY. Dancing and cookery,—these are the arts the French excel in, I grant it; and excellent things they are; but oh, England! oh, Germany! you need not be ...
— Alice, or The Mysteries, Book VI • Edward Bulwer Lytton
... me and clothed me in my exile, for giving me the horrid trouble of hunting for lodgings? It is like you, dear Donna Evelina, to have sent me photographs of my future friend Waldemar's statue.... I have no love for modern sculpture, for all the hours I have spent in Gibson's and Dupre's studio: 'tis a dead art we should do better to bury. But your Waldemar has something of the old spirit: he seems to feel the divineness of the mere body, the spirituality of a limpid stream of mere physical life. ...
— Hauntings • Vernon Lee
... could find nothing blameworthy. His piety stands high, even when estimated by the standards of the thirteenth century. He was well educated and had a touch of the artist's temperament, loving fair churches, beautiful sculpture, delicate goldsmith's work, and richly illuminated books. He had a horror of violence, and never wept more bitter tears than when he learned how treacherously his name had been used to lure Richard Marshal to his doom. But he was extraordinarily deficient ...
— The History of England - From the Accession of Henry III. to the Death of Edward III. (1216-1377) • T.F. Tout
... its face in it, or if you have the features of that antiquity before your eyes when you look into the Chatsworth mirror. The whole of this magnificent establishment bears the impress of the nineteenth century, inside and outside. The architecture, sculpture, carving, paintings, engravings, furniture, libraries, conservatories, flowers, shrubberies and rockeries all bear and honor the finger-prints of modern taste and art. In no casket in England, probably, have so many jewels of this century's civilization been treasured ...
— A Walk from London to John O'Groat's • Elihu Burritt
... generation. There is a moderation of sincerity peculiar to Lessing in the epithet of the following sentence: "How dearly must I pay for the single year I have lived with a sensible wife!" Werther had then been published four years. Lessing's grief has that pathos which he praised in sculpture,—he may writhe, but he must not scream. Nor is this a new thing with him. On the death of a younger brother, he wrote to his father, fourteen years before: "Why should those who grieve communicate their grief ...
— Among My Books - First Series • James Russell Lowell
... it has taken toll of them, and in the hands of its worthiest makers these elements have worked themselves out into its material body. Enshrining the artist's thought, it has, therefore, the qualities of a true art product, and stands second only to those which express it, such as painting and sculpture; but no other art product of its own order, not the violin nor the jewel-casket, can compare with the book in esthetic quality. It meets one of the highest tests of art, for it can appeal to the senses of both beauty and grandeur, either separately, as in the work of Aldus and ...
— The Booklover and His Books • Harry Lyman Koopman
... hundred and—something, the baronet locked the door and put key into his pocket, and during the more than forty years since elapsed the room had remained shut. It guarded neither treasure nor dire secret; the hidden contents were merely certain essays in the art of sculpture, sundry shapes in clay and in marble, the work of Sir Quentin himself when a very young man. Only one of these efforts had an abiding interest; it was a marble bust representing a girl, or young woman, of remarkable beauty, the head proudly poised, ...
— Our Friend the Charlatan • George Gissing
... deposits in the island of Elba are undoubtedly the most valuable, but they are yet undeveloped to any great extent. The quarries at Carrara produce a fine marble that has made Italy famous in sculpture and architecture. Much of the boracic acid used in the arts comes from Tuscany, and the world's chief supply of sulphur comes from the neighborhood of Mount Etna in Sicily. Of this ...
— Commercial Geography - A Book for High Schools, Commercial Courses, and Business Colleges • Jacques W. Redway
... and lace, received high encomiums from the manufacturing and commercial visitors from Great Britain and distant countries, as well as from the general public. It was, however, chiefly in works of art that the exhibition excelled. The splendid sculpture of M'Dowel, Hogan, and other sculptors, was most of all conspicuous. The paintings of Shee, M'Lise, O'Neil, and many more, almost rivalled the display of sculpture. There were also beautiful carvings ...
— The History of England in Three Volumes, Vol.III. - From George III. to Victoria • E. Farr and E. H. Nolan
... the former many secrets of composition and technical execution, the Umbrians in turn imparted something of their mysticism to their more matter-of-fact neighbors. While the Umbrian school of the fifteenth century was occupied with the Madre Pia, Florence also was devoted to the same subject. Sculpture led the race, and in the front ranks was Luca della Robbia, founder of the school which bears his ...
— The Madonna in Art • Estelle M. Hurll
... his father and his grandfather; and through stone-cutting he worked his way to sculpture. After leaving the quarry, he went to Venice, and gave his services to an artist, from whom he received but little recompense for his work. "I laboured," said he, "for a mere pittance, but it was sufficient. ...
— Thrift • Samuel Smiles
... of the liberal arts and useful science. The munificent present to the Royal Society for defraying the expence of observing the transit of Venus; the institution of the Academy of Painting and Sculpture; the magnificent apartments allotted to the Royal and Antiquarian Societies, and to the Royal Academy at Somerset-Place; the support of the Garden of Exotics at Kew, to improve which Mr Masson was sent to the extremities of Africa; the substantial encouragement ...
— A General History and Collection of Voyages and Travels, Vol. 15 (of 18) • Robert Kerr
... the Sangleys, who are very good craftsmen in Spanish fashion, and make everything at very low cost." Salazar admires their cleverness and dexterity in all kinds of handiwork especially as they have learned, in less than ten years, both painting and sculpture; "I think that nothing more perfect could be produced than some of their marble statues of the Child Jesus which I have seen." The churches are thus being furnished with images. A book-binder from Mexico had come to Manila, ...
— The Philippine Islands, 1493-1898, V7, 1588-1591 • Emma Helen Blair
... his—to be a writer. He didn't so decide entirely because that was what he had always wanted to be, but for many reasons. First place, he could say things to her through prose and verse that could not be expressed in sculpture, music, painting, groceries, or dry-goods. Second place, where she was, there his heart was sure to be; and where the heart is, there the best work is done. And, third place, he knew that the chances were against his ever living in dusty cities or in the ...
— IT and Other Stories • Gouverneur Morris
... not only truth, but supreme beauty—a beauty cold and austere, like that of sculpture, without appeal to any part of our weaker nature, without the gorgeous trappings of painting or music, yet sublimely pure, and capable of a stern perfection such as only the greatest art can show. The true spirit of delight, the exaltation, the sense of being more than man, which is ...
— Mysticism and Logic and Other Essays • Bertrand Russell
... lover will find in Miss Radcliffe's work a book of fascinating interest, and a thoroughly painstaking and valuable addition to the stock of knowledge which he may possess on the history of the noble art of sculpture."—Philadelphia Item. ...
— The Mind of the Child, Part II • W. Preyer
... What would Greek sculpture have been without the deified personifications of the mysterious powers of nature which inspired it? and it is the fact of the pagan religion being both sensuous and realistic which explains the perfection ...
— Fra Bartolommeo • Leader Scott (Re-Edited By Horace Shipp And Flora Kendrick)
... O'Brien was a young man, about twenty-five years of age, who had sent out from his studio in the preceding year a certain bust, supposed by his admirers to be unsurpassed by any effort of ancient or modern genius. I am no judge of sculpture, and will not, therefore, pronounce an opinion; but many who considered themselves to be judges, declared that it was a "goodish head and shoulders," and nothing more. I merely mention the fact, as it was on the strength of that head ...
— Mrs. General Talboys • Anthony Trollope
... so prescribed his course in nearly every possible position, that music is made almost more of a mathematical problem than the free expression of emotions and aesthetics. "Correct" music has now hardly more liberty than Egyptian sculpture or Byzantine painting once had. Certain dissonances are permitted, and certain others, no more dissonant, forbidden, quite arbitrarily, or on hair-splitting theories. It is as if one should write down in a book a number of charts, giving every scheme of color ...
— Contemporary American Composers • Rupert Hughes
... invention and individual taste in their work either shuts his eyes intentionally before perfectly evident facts, or lack of knowledge renders him an incompetent judge."[62] M. Rutot had lately told us how the Negro race brought art and sculpture to pre-historic Europe. The bones of the European Negroids are almost without exception found in company with drawings and sculpture in high and low relief; some of their sculptures, like the Wellendorff "Venus," are unusually well finished for primitive ...
— The Negro • W.E.B. Du Bois
... writers lie outside all these classifications. They are artists neither in prose nor verse, and though they may have "soul," they cannot make it visible. For "soul" may be expressed equally through painting and sculpture and music and acting, audits dimly discerned presence can scarcely convert slipshod writing into literature. No one would accept as art a picture in which a gleam of imagination struggled against the draughtsmanship of the schoolboy to whom arms are toasting-forks, ...
— Without Prejudice • Israel Zangwill
... Painting and sculpture seem to me the most presumptuous of the arts. They are an effort of man to outdo God in creation. He never made a perfect form or face—the artist alone ...
— An Ambitious Man • Ella Wheeler Wilcox
... white and gold: Flamboyant arch and high-enscrolled War-sculpture, big, Napoleonic— Fierce chargers, angels histrionic; The royal sweep of gardened spaces, The pomp and whirl of columned Places; The Rive Gauche, age-old, gay and gray; The impasse and the loved cafe; The tempting tidy little shops; The convent walls, ...
— The Home Book of Verse, Vol. 4 (of 4) • Various
... with novelty. The architect, a French lay brother, still alive and well, and meditating fresh foundations, must have surely drawn his descent from a master-builder in the age of the cathedrals; and it was in looking on the church of Hatiheu that I seemed to perceive the secret charm of mediaeval sculpture; that combination of the childish courage of the amateur, attempting all things, like the schoolboy on his slate, with the manly perseverance of the artist who does not know when ...
— In the South Seas • Robert Louis Stevenson
... sunsets are admirable events. It is better to think of them as a setting, focusing about the greatest water-lily in the world, or, as we have seen, the strangest mammal; or as an exhibit of roots—roots as varied and as exquisite as a hall of famous sculpture; or as a wilderness of tapestry foliage, in texture from cobweb to burlap; or as a heaven-roofed, sun-furnaced greenhouse of blossoms, from the tiniest of dull-green orchids to the fifty-foot spike of taliput bloom. With this foundation of vegetation recall ...
— Edge of the Jungle • William Beebe
... of the desperation of the time, you might have seen a dozen such audiences in Berlin, that night—and yet tourists generally speak of Berlin, compared with some of the German provincial cities, as a rather graceless, new sort of place, full of bad sculpture and Prussian arrogance. You might have seen them at the opera or symphony concerts, at Shakespeare, Strindberg, or the German classics we used to read in college, or standing in line at six o'clock, sandwiches in hand, so that they might sit through a performance ...
— Antwerp to Gallipoli - A Year of the War on Many Fronts—and Behind Them • Arthur Ruhl
... in him is new in nature, and none but he knows what that is which he can do, nor does he know until he has tried. Not for nothing one face, one character, one fact, makes much impression on him, and another none. This sculpture in the memory is not without preestablished harmony. The eye was placed where one ray should fall, that it might testify of that particular ray. We but half express ourselves,[155] and are ashamed of that divine idea which each of us represents. ...
— Essays • Ralph Waldo Emerson
... windows and below by a wide circular arch receding in many orders. A central pillar divides this lower arch, two pointed arches springing from its capital and leaving a spandrel between them, which is covered with modern sculpture. In the far distance may be distinguished the east wall of the Lady Chapel and its ...
— Bell's Cathedrals: The Cathedral Church of Hereford, A Description - Of Its Fabric And A Brief History Of The Episcopal See • A. Hugh Fisher
... This fact is preserved in the Historia Politica, A.D. 1391—1478, published by Martin Crusius, (Turco Graecia, p. 1—43.) The image of Christ, which the Greek emperor refused to worship, was probably a work of sculpture.] ...
— The History of The Decline and Fall of the Roman Empire - Volume 6 • Edward Gibbon
... close to the precipitous face of the tower, of seeing the carved work which had never been seen close at hand since its erection except by the jackdaws and pigeons. I was moved and touched by observing how fine and delicate all the sculpture was. There were rows and rows of little heraldic devices, which from below could appear only as tiny fretted points; yet every petal of rose or fleur-de-lys was as scrupulously and cleanly cut as if it had been meant to be seen close at hand; a waste of power, I suppose; but what ...
— The Thread of Gold • Arthur Christopher Benson
... him?" she commented. "Well, many don't. To say the truth, I do not think anybody alive, if you will pardon me, Mrs. Greyson, knows the truth about sculpture. Perhaps the Greeks did, but we don't, even when we are told. I know the Soldiers' Monument on the Common is hideous beyond words, because everybody says so; but they didn't when it was put up. Only ...
— The Philistines • Arlo Bates
... as he raised himself upon his elbow, something very like a sigh escaped from him, "how complete, in our modern system of life, is the ascendency of woman over us! Every art is hers—is devoted to her service. Poetry, music, painting, sculpture—all seem to have no theme but woman. It is her loveliness, her power over us, that is paraded and chanted on every side. Poets have been always mad on the beauty of woman, but never so mad as now; we must not only submit to be sense-enthralled, the very innermost spirit of a man is to ...
— Blackwood's Edinburgh Magazine, Vol. 53, No. 331, May, 1843 • Various
... Pomegranate is not very certainly known, but the evidence chiefly points to the North of Africa. It was very early cultivated in Egypt, and was one of the Egyptian delicacies so fondly remembered by the Israelites in their desert wanderings, and is frequently met with in Egyptian sculpture. It was abundant in Palestine, and is often mentioned in the Bible, and always as an object of beauty and desire. It was highly appreciated by the Greeks and Romans, but it was probably not introduced into Italy in very early times, as Pliny is the first author that certainly ...
— The plant-lore & garden-craft of Shakespeare • Henry Nicholson Ellacombe
... which, in the least degree, no work is altogether worthless. What is this quality? What quality is shared by all objects that provoke our aesthetic emotions? What quality is common to Sta. Sophia and the windows at Chartres, Mexican sculpture, a Persian bowl, Chinese carpets, Giotto's frescoes at Padua, and the masterpieces of Poussin, Piero della Francesca, and Cezanne? Only one answer seems possible—significant form. In each, lines and colours combined in a particular way, certain forms ...
— Art • Clive Bell
... a ball in a gallery of art is not in my opinion in good taste. The associations which are suggested by sculpture are not festive. Repose is the characteristic of sculpture. ...
— Sybil - or the Two Nations • Benjamin Disraeli
... value of an exact chronology—in almost every branch of science made a beginning, thus rendering it comparatively easy for other nations to proceed with the superstructure.... It was from the East, not from Egypt, that Greece derived her architecture, her sculpture, her science, her philosophy, her mathematical knowledge—in a word, her intellectual life. And Babylon was the source to which the entire stream of Eastern civilization may be traced. It is scarcely too much to say that, but for Babylon, ...
— A History of Science, Volume 1(of 5) • Henry Smith Williams
... regular parallelograms, consisting of an outer row of eighty-four temples, a second of seventy-six, a third of sixty-four, a fourth of forty-four, and a fifth (forming an inner-parallelogram) of twenty-eight. The centre is occupied by a large cruciform temple, ornamented with sculpture, and surrounded by flights of steps. All of these remains are greatly marred by the luxurious growths of ...
— A Visit to Java - With an Account of the Founding of Singapore • W. Basil Worsfold
... usual heartlessness, partly with that cynical and deadening reserve fund which it has today for its darker peoples. The girl had bitterly resented her experiences at first: she was brilliant and well-trained; she had a real talent for sculpture, and had studied considerably; she was sprung from at least three generations of respectable mulattoes, who had left a little competence which yielded her three or four hundred dollars a year. Furthermore, while not precisely pretty, she ...
— The Quest of the Silver Fleece - A Novel • W. E. B. Du Bois
... must regard it in some sort as an act of enfranchisement; that is to say, he must release the conventional forms from those fetters which were peculiar to their art and altogether foreign to their real life. Indeed, works of sculpture remain to us of the time of the first pyramid, which represent men with the truth of nature, unfettered by the sacred canon. We can recall the so-called "Village Judge" of Bulaq, the "Scribe" now in Paris, and a few figures in bronze in ...
— Uarda • Georg Ebers
... statue in such a manner that it could all be taken off and weighed, and this Perikles bade the prosecutor do on this occasion. But the glory which Pheidias obtained by the reality of his work made him an object of envy and hatred, especially when in his sculpture of the battle with the Amazons on the shield of the goddess he introduced his own portrait as a bald-headed old man lifting a great stone with both hands, and also a very fine representation of Perikles, fighting with an Amazon. The position ...
— Plutarch's Lives, Volume I (of 4) • Plutarch
... number of instances by which the late war had confirmed the truth of the Roman poet's observation that it is pleasant and seemly to die for one's country. The Mayor responded on behalf of his amiable lady, whom Sir Felix's tribute had visibly affected. The sculpture was pronounced to be a lifelike image, reflecting great credit on the artist, Mr. Tipping, R.A. The pedestal, five feet in height, is of polished black Luxulyan granite, and bears name and date ...
— The Mayor of Troy • Sir Arthur Thomas Quiller-Couch
... and lyric poems, drama, and philosophy; a very complete form. Then we have it once more in their architecture, a beauty as of temperance itself, limited to the straight line and the square,—a builded geometry. Then we have it once again in sculpture, the "tongue on the balance of expression," a multitude of forms in the utmost freedom of action and never transgressing the ideal serenity; like votaries performing some religious dance before the gods, and, though in convulsive pain or mortal combat, never daring ...
— Essays, First Series • Ralph Waldo Emerson
... have been with wife and me to-day, A drive we took—it would have made you sick: The pigeons and the partridges so thick; And on the hill just beyond Barkin's lane, Before you reach the barn of Widow Payne, Showing right up against the sky, as clear And motionless as sculpture, stood a deer! Say, does that jar you just a little? Say, How have you found things up there, anyway, Since you got back? Air like a cotton string To breathe? The same old dust on everything, And in your ...
— The Daughter of the Storage - And Other Things in Prose and Verse • William Dean Howells
... came the sallow Frenchwoman, with the face of a Gorgon and the figure of a Juno, who posed for the ensemble. She stood against the dark crimson background, outlined pure and white like a marvel of Phidian sculpture upon which the Spirit of Life had slightly breathed. So still, so white, so coldly, purely statuesque she seemed, that one sometimes entirely forgot that she was else than the fair statue born from the block of marble at the command of a divine genius, till the chiselled arms were seen to quiver ...
— Lippincott's Magazine of Popular Literature and Science, Volume 22. July, 1878. • Various
... nineteen in England generally, and of seven in Scotland, not contained in his former work. And as the Doctor has bestowed much pains in obtaining precise information regarding the art of painting in England since the time of Hogarth, and of sculpture since the time of Flaxman; and also devoted much time to the study of English miniatures contained in MSS. from the earliest time down to the sixteenth century; of miniatures of other nations preserved in England; of drawings by the old masters, ...
— Notes and Queries, Number 236, May 6, 1854 • Various
... by the Forelock," was a masterpiece of Greek sculpture. A noted Athenian orator, Callistratus, has given us a picture of the work of art: "Opportunity was a boy in the flower of his youth, handsome in mien, his hair fluttering at the caprice of the wind, leaving his locks disheveled. Like Dionysius, his forehead shone ...
— A Fleece of Gold - Five Lessons from the Fable of Jason and the Golden Fleece • Charles Stewart Given
... independent branches of art, the greatest is, as far as I know, the French sculpture of the thirteenth century. No words can give any idea of the magnificent redundance of its imaginative power, or of the perpetual beauty of even its smallest incidental designs. But this very richness of ...
— Giotto and his works in Padua • John Ruskin
... his death, he published for the amusement of his friends, and for private circulation only, the substance of these lectures, under the title of "English Graphic Satire and its Relation to Different Styles of Painting, Sculpture, and Engraving." The numerous illustrations to this work were those drawn for his lectures by the artist, and reproduced for his book by the process of photo-lithography. So far as comic art and caricaturists of the nineteenth century are concerned, the author has ...
— English Caricaturists and Graphic Humourists of the Nineteenth Century. - How they Illustrated and Interpreted their Times. • Graham Everitt
... of the dawn of history, however, distribute the power of flight with less of prejudice. Egyptian sculpture gives the figure of winged men; the British Museum has made the winged Assyrian bulls familiar to many, and both the cuneiform records of Assyria and the hieroglyphs of Egypt record flights that in reality ...
— A History of Aeronautics • E. Charles Vivian
... for example, in Hellenic sculpture a certain ingredient—what shall we call it? Let us call it the factor of strangeness, of mystery! It is a vague emanation which radiates from such works of art, and gives us a sense of their universal applicability to all our changing moods and passions. That, I suppose, is why we ...
— South Wind • Norman Douglas
... unknown to me. Issuing from the avenue, I found myself amid open, wide, lawny spaces, in which the flower-beds lay like islands of colour. A statue on a pedestal, the only white thing in the surrounding green, caught my eye. I had seen scarcely any sculpture; and this, attracting my attention by a favourite contrast of colour, retained it by its own beauty. It was a Dryad, or some nymph of the woods, who had just glided from the solitude of the trees behind, and had sprung upon the pedestal to look wonderingly ...
— The Portent & Other Stories • George MacDonald
... going into Germany he thought of certain things that Reveillaud had said: "Nous avons trempe la poesie dans la peinture et la musique. Il faut la delivrer par la sculpture. Chaque ligne, chaque vers, chaque poeme taille en bloc, sans couleur, sans decor, sans rime."... "La sainte pauvresse du style depouille."... "Il faut de la durete, ...
— The Tree of Heaven • May Sinclair
... now a little Chinese boy to live with us; that is, he represents himself as a boy, but he seems more as if he were a most ancient man. He might have stepped out of some Ninevite or Egyptian sculpture. He is like the little figures in the processions on the tombs, and his face is perfectly grave and unchanging all the time. I feel about him, as I do about some of the Indians,—as if he had not only his own age, but the age ...
— Life at Puget Sound: With Sketches of Travel in Washington Territory, British Columbia, Oregon and California • Caroline C. Leighton
... new kind of Maps in low Relievo, or Sculpture; For example the Isle of Antibe, upon a square of about eight Foot, made of Boards, with a Frame like a Picture: There is represented the Sea, with Ships and other Vessels Artificially made, with their Canons ...
— Philosophical Transactions of the Royal Society - Vol 1 - 1666 • Various
... 230; structure &c. 329; plasmature[obs3]. feature, lineament, turn; phase &c. (aspect) 448; posture, attitude, pose. [Science of form] morphism. [Similarity of form] isomorphism. forming &c. v.; formation, figuration, efformation[obs3]; sculpture; plasmation[obs3]. V. form, shape, figure, fashion, efform[obs3], carve, cut, chisel, hew, cast; rough hew, rough cast; sketch; block out, hammer out; trim; lick into shape, put into shape; model, knead, work up into, set, mold, sculpture; cast, ...
— Roget's Thesaurus
... when he was only twenty-two years old, an early time of life for so much learning and so much observation as that work exhibits. On this poem Dennis afterwards published some remarks, of which the most reasonable is that some of the lines represent motion as exhibited by sculpture. ...
— Lives of the English Poets: Prior, Congreve, Blackmore, Pope • Samuel Johnson
... masterpieces of painting. Its spire springing five hundred and eleven feet into the heavens. Its stained glass the chorus of all rich colors. Statues encircling the pillars and encircling all. Statues above statues, until sculpture can do no more, but faints and falls back against carved stalls and down on pavements over which the kings and queens of the earth have walked to confession. Nave and aisles and transept and portals combining ...
— New Tabernacle Sermons • Thomas De Witt Talmage
... terrace is in correspondent style with the wings; and consists of a splendid colonnade of twelve columns and an entablature. Above the attic story rises a pediment surmounted with figures of Painting, Architecture, and Sculpture. This pediment is filled with a basso-relievo, executed by J.H. Bubb, and representing Britannia crowned by Fame, and seated on a throne, the basis of which represents Valour and Wisdom. On one side, Literature, Genius, Manufacture, Agriculture, and Prudence, ...
— The Mirror of Literature, Amusement, and Instruction - Vol. 13, No. 375, June 13, 1829 • Various
... than performance. There was an opera of his partly finished; a five-act comedy almost ready for the stage; a half-executed group he had left in some studio in Rome, showed what he might have done in sculpture. When his distinguished relative the Marquis of Danesbury recalled him from his post as secretary of legation in Italy, to join him at his Irish seat of government, the phrase in which he invited him to return is not without its significance, ...
— Lord Kilgobbin • Charles Lever
... bones from insult to protect Some frail memorial still erected nigh, With uncouth rhymes and shapeless sculpture deck'd, Implores the passing ...
— Book of English Verse • Bulchevy
... sublimate, and any kind of a common temporary box to hold the specimen. These also may go under the same denomination as the former. But if you wish to excel in the art, if you wish to be in ornithology what Angelo was in sculpture, you must apply to profound study and your own genius to assist you. And these may be ...
— Wanderings In South America • Charles Waterton
... the noble composition, the delicious color minister to us, mind and body, and soothe us like music or the smile of Nature; and the plastic arts have this advantage over music, that they are impersonal. We cannot identify ourselves with what moves us in painting or sculpture or architecture: on the contrary, it lifts us out of ourselves, away from our griefs and cares, instead of giving them a more intense and poignant expression, which at some moments is all the divinest music seems to do. Their influence is always benign and serene, ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 90, June, 1875 • Various
... of painting was revealed in the calendars and the seed of sculpture in the carvings of the Sionan Indians. The pictographic paintings comprised not only recognizable but even vigorous representations of men and animals, depicted in form and color though without perspective, while the calumet of catlinite ...
— The Siouan Indians • W. J. McGee
... himself fat. He is no idealist in philosophy. He hates generalization and abstract thought. He is for the real and concrete. Plain, unadorned Protestantism is most to the taste of the middle classes of Great Britain. Music, sculpture, and painting add not their charms to the Englishman's dull and respectable devotions. Cross the Channel and behold his whilom hereditary foeman, but now firm ally, the Frenchman! He is a dainty feeder and the most accomplished of cooks. He etherealizes ordinary fish, flesh, ...
— The Atlantic Monthly, Volume 17, No. 101, March, 1866 • Various
... and won't cry if I can help it. Yet it always makes me nearly cry, to hear of those poor working men trying to express themselves and nobody ever teaching them, nor anybody in all England, knowing that painting is an art, and sculpture also, and that an untaught man can no more carve or paint, than play the fiddle. All efforts of the kind, mean simply that we have neither master nor scholars in any rank or any place. And I, also, what have I done for Coniston schools yet! I don't ...
— Hortus Inclusus - Messages from the Wood to the Garden, Sent in Happy Days - to the Sister Ladies of the Thwaite, Coniston • John Ruskin
... royal party slept, they journeyed to Goethe's town of Frankfort, where Ludwig I., who turned Munich into a great picture and sculpture gallery, and built the costly Valhalla to commemorate the illustrious German dead, dined ...
— Life of Her Most Gracious Majesty the Queen, (Victoria) Vol II • Sarah Tytler
... Virginia, saying he knew of nothing better than to give music to those whose souls were so troubled. About this time he gave the lot for the Washington City Orphan Asylum, and a little later the one for the Y. M. C. A. For many years he had been collecting painting and sculpture, both on his trips to Europe and from the various persons who wrote to him soliciting his patronage. These were at first kept in his own house, but then he decided to build a gallery and give them ...
— A Portrait of Old George Town • Grace Dunlop Ecker
... model, "mutato nomine," frequently occur among the works of the artists of the middle ages; and there is at least a possibility that, had the face been left us, we might have traced some attempt at a portrait of the Norman Duke. Upon the date of the sculpture, or the style of the workmanship, I dare not venture an opinion. There are antiquaries, I know, (and men well qualified to judge,) who believe it Roman: I have heard it pronounced from high authority, that it is of the eleventh century, ...
— Account of a Tour in Normandy, Vol. II. (of 2) • Dawson Turner
... more than a thousand—perhaps more than two thousand—years before the sixth century B.C., civilization had attained a relatively high pitch among the Babylonians and the Egyptians. Not only had painting, sculpture, architecture, and the industrial arts reached a remarkable development; but in Chaldaea, at any rate, a vast amount of knowledge had been accumulated and methodized, in the departments of grammar, mathematics, astronomy, ...
— Evolution and Ethics and Other Essays • Thomas H. Huxley
... answer. She knew how much hung on the possibility of his whining the competition which for weeks past had engrossed him. It was a design for the new museum of sculpture, for which the city had recently voted half a million. Dick's taste ran naturally to the grandiose, and the erection of public buildings had always been the object of his ambition. Here was an unmatched opportunity, and he knew that, in a competition ...
— Sanctuary • Edith Wharton
... and here and there the white poll of an old man, sentimental friends of the elder Ruys; then there were connoisseurs, men of the world, bankers, brokers, and some young swells who came rather to see the fair sculptress than her sculpture, so that they would have the right to say that evening at the club: "I was at Felicia's to-day." Among them Paul de Gery, silent, engrossed by an admiration which sank a little deeper in his heart day by day, strove to comprehend the beautiful sphinx, arrayed in purple cashmere ...
— The Nabob, Volume 1 (of 2) • Alphonse Daudet
... and can be divided as follows: (1) chiaroscuros— after drawings, after paintings, after his own pen and ink drawings after paintings, interpretations of engravings and etchings, and interpretations of sculpture; and (2) full color— after paintings in gouache and after his own water colors. In addition he treated pictorial subjects in flat color areas without a key or outline block, a procedure used before him only by the 17th-century Chinese; and he combined ...
— John Baptist Jackson - 18th-Century Master of the Color Woodcut • Jacob Kainen
... Persian sage. But all that Hafiz means by that is that a Paderewski shall not attempt blacksmithing, or a Rothschild try cartooning or sculpture or watchmaking, or any man undertake that for which Nature has ...
— The Young Man and the World • Albert J. Beveridge
... results. As long ago, however, as the first application was made (1858) women were permitted to attend certain lectures. They could not join a class or read a book, but it was the custom for them to go and listen to the beautiful and highly instructive lectures by Professor Andrew D. White on history, sculpture, and mediaeval architecture, and they highly appreciated ...
— History of Woman Suffrage, Volume III (of III) • Various
... theogony of the Greeks; and gave appellations to their Deities; and distinguished them according to their several ranks and departments. They at the same time described them under different appearances: for till their time there was not in Greece any representation of the Gods, either in sculpture or painting; not any specimen of the statuary's art exhibited: no such substitutes were ...
— A New System; or, an Analysis of Antient Mythology. Volume I. • Jacob Bryant
... confounded. A man's vocation is his profession, his calling, his business; and his avocations are the things that occupy him incidentally. Mademoiselle Bernhardt's vocation is acting; her avocations are painting and sculpture. "The tracing of resemblances among the objects and events of the world is a constant avocation of the ...
— The Verbalist • Thomas Embly Osmun, (AKA Alfred Ayres)
... bethinks himself of the bourgeois, and sets them to build fairy monuments in places that had been as bare as the back of my hand till then. Suppose, now, that you are coming out of Spain and on the way to Berlin; well, you would see triumphal arches, and in the sculpture upon them the common soldiers are done every bit as beautifully as ...
— The Napoleon of the People • Honore de Balzac
... palaces of the reigning family, the great museum, and the famous library which the Arabs later burned. There were parks and gardens brilliant with tropical foliage and adorned with the masterpieces of Grecian sculpture, while sphinxes and obelisks gave a suggestion of Oriental strangeness. As one looked seaward his eye beheld over the blue water the snow-white rocks of the sheltering island, Pharos, on which was reared a lighthouse four hundred feet in height and justly numbered ...
— Famous Affinities of History, Vol 1-4, Complete - The Romance of Devotion • Lyndon Orr
... of cathedral sculpture which preserve so much of medieval theology, one frequently recurring group is noteworthy for its presentment of a time-honoured doctrine regarding the origin ...
— History of the Warfare of Science with Theology in Christendom • Andrew Dickson White
... face of their traditions are rather in the position of the archaeologists before the problem of Iberian sculpture. For near the Cerro de los Santos, bare hill where from the ruins of a sanctuary has been dug an endless series of native sculptures of men and women, goddesses and gods, there lived a little watchmaker. The first statues to be dug up were thought ...
— Rosinante to the Road Again • John Dos Passos
... art, Michael Angelo claims the next attention. He did not possess so many excellences as Raffaelle, but those he had were of the highest kind. He considered the art as consisting of little more than what may be attained by sculpture, correctness of form, and energy of character. We ought not to expect more than an artist intends in his work. He never attempted those lesser elegancies and graces in the art. Vasari says, he never painted but one picture in oil, and resolved never to paint another, saying it was an employment ...
— Seven Discourses on Art • Joshua Reynolds
... a great many metaphorical expressions taken from painting, sculpture, and other arts. Thus we speak of "moulding" one's own life, picturing ourselves as sculptors, with our lives as the clay to be shaped as we will. Shakespeare has ...
— Stories That Words Tell Us • Elizabeth O'Neill
... see thee on the broken shrine Of some fall'n temple—where the grass waves high With many a flowret wild; While some lone, pensive, child Looks on the sculpture with a wondering eye Whose kindling fires betray that he is chosen ...
— Zophiel - A Poem • Maria Gowen Brooks
... held itself independent of him, and in close friendship with Ptolemy. The Dorian island of Rhodes had from the earliest dawn of history held a high place among the states of Greece; and in all the arts of civilised life, in painting, sculpture, letters, and commerce, it had been lately rising in rank while the other free states had been falling. Its maritime laws were so highly thought of that they were copied by most other states, and, being afterwards adopted ...
— History Of Egypt From 330 B.C. To The Present Time, Volume 10 (of 12) • S. Rappoport
... animals, which Lucretius and his master Epicurus assigned to the Divine nature. Without jesting, the grandeur, majesty, and repose of this figure were unsurpassable in nature, and such as have vanished from sculpture two thousand years ...
— A Simpleton • Charles Reade
... observer was instantaneous, but the heart was not warmed nor the imagination awakened by it. In spite of the perfection of the features, or possibly because of this perfection, the whole countenance had a cold look, as cold as the sculpture it suggested; and, though incomparable in pure physical attraction, it lacked the indefinable something which gives life and meaning to such faces as Mayor Packard's, for instance. Yet it was not devoid of expression, nor did it fail to possess a meaning of its own. Indeed, it was the meaning in ...
— The Mayor's Wife • Anna Katharine Green
... filling, how satiating to the eye and to the mind—above all, how melancholy! There is a thrilling awfulness, an intense feeling of simple power in that naked and colourless beauty, which falls on the earth like the thoughts of death—death pure, and glorious, and smiling,—but still death. Sculpture has always the same effect on my imagination, and painting never. Colour is life.—We are now at the end of this magnificent avenue, and at the top of a steep eminence commanding a wide view over four counties—a landscape of snow. A deep lane leads abruptly ...
— Our Village • Mary Russell Mitford
... shining ages of Greece and Rome, where the cultivation of letters and the graces of polished style, the charms of poetry and eloquence, the elegances of architecture, sculpture, painting, and embroidery, the glory of conquest and the pride of national distinction, were unsurpassed,—even then and there, woman was but the abject slave of man, the object of his ambition, avarice, ...
— The True Woman • Justin D. Fulton
... are all held in allegiance to their rightful sovereign, Reason. The true words and deeds of successive generations will build up this glorified humanity, fairer than any Parian marble, grander than any colossal sculpture of the East, more exalted than spire or dome, boundless in capacity, in aspiration, limitless ...
— The Arena - Volume 4, No. 21, August, 1891 • Various
... the instep, and at the westernmost extremity, near which it may be climbed with considerable ease, are found a number of jagged peaks and splintered pinnacles of granite, some of which resemble the giant remains of ancient sculpture, all the worse for exposure to the weather. On a promontory 1,400 feet high at the northeast point of the island I placed in a cairn a bottle containing written information of our landing and a copy of the New York ...
— The First Landing on Wrangel Island - With Some Remarks on the Northern Inhabitants • Irving C. Rosse
... the classical styles, suggest that the knowledge of today rests upon that of the old schools. Mr. Gerlach is a pupil of Karl Bitter of New York, the Chief of the Sculpture. ...
— Palaces and Courts of the Exposition • Juliet James
... indeed thus with us, and so lately? Had mankind offered no worship in their mountain churches? Was all that granite sculpture and floral painting done by ...
— Selections From the Works of John Ruskin • John Ruskin
... the natural and invariable ones. The dead hieroglyph may have meant this or that; the living hieroglyph means always the same; but remember, it is just as much a hieroglyph as the other; nay, more,—a "sacred or reserved sculpture," a thing with an inner language. The serpent crest of the king's crown, or of the god's, on the pillars of Egypt, is a mystery, but the serpent itself, gliding past the pillar's foot, is it less a mystery? Is there, indeed, ...
— The Queen of the Air • John Ruskin
... peaceful meeting of the nations through that great waterway, have fitly been made to represent the art of the entire world, yet with such unity and originality as to give new interest to the ancient forms, and with such a wealth of appropriate symbolism in color, sculpture and mural painting as to make its great courts, towers and arches an inspiring story of Nature's ...
— The Jewel City • Ben Macomber
... Pierston to marry him. On her tantalizing inability to accept the honour offered, she and her husband had been set up in a matter-of-fact business in the stone trade by her patron, but that unforgettable request in the London studio had made her feel ever since a refined kinship with sculpture, and a proportionate aloofness from mere quarrying, which was, perhaps, no more than a venial weakness in Avice the Second. Her daughter's objection to Jocelyn she could never understand. To her own eye he was no older than when he had proposed ...
— The Well-Beloved • Thomas Hardy
... Books, pictures, and sculpture about the room, interspersed with chemical and other instruments, globes, &c.; a singular blending of science with art, indicating a delicate and ...
— Poems • Walter R. Cassels
... were beginning to thrive in New England and the Middle States, painting and sculpture also had their devotees. Allston and Greenough had won laurels in Boston; Inman and Sully were making portraits in Philadelphia which well-to-do Middle States lawyers and Southern planters liked well enough to pay for in good banknotes; even in far-off Kentucky ...
— Expansion and Conflict • William E. Dodd
... see more of this vast garden of the Luxembourg to appreciate truly its beauty and its charm. Filled with beautiful sculpture in bronze and marble, with its musee of famous modern pictures bought by the Government, with flower-beds brilliant in geraniums and fragrant in roses, with the big basin spouting a jet of water in its center, where the children sail their boats, and with that superb "Fontaine ...
— The Real Latin Quarter • F. Berkeley Smith
... great cathedral window I have seen A Summer sunset swoon and sink away, Lost in the splendours of immortal art. Angels and saints and all the heavenly hosts, With smiles undimmed by half a thousand years, From wall and niche have met my lifted gale. Sculpture and carving and illumined page, And the fair, lofty dreams of architects, That speak of beauty to the centuries - All these have fed me with divine repasts. Yet in my mouth is left a bitter taste, The taste of blood that stained ...
— The Englishman and Other Poems • Ella Wheeler Wilcox
... the papers, and marchings and counter-marchings of troops and sudden bursts of national airs proclaimed the august presence. He held an informal review of certain Bavarian troops not out for manoeuvres in the morning, visited the sculpture gallery and pinacothek in the afternoon, and when Hermann and Michael went up to the theatre they found rows of soldiers drawn up, and inside unusual decorations over a section of stalls which had been removed and was converted into an enormous box. This ...
— Michael • E. F. Benson
... to the fine arts of painting and sculpture, I did not know we had any sculptors until this month, except one clever young artist who models heads in clay. But this month we have had a great deal of snow, and two men who have hitherto been resting came forward, ...
— The Better Germany in War Time - Being some Facts towards Fellowship • Harold Picton
... sympathies with heathen religion. His mind was peculiarly Greek, simple not complex, imaginative rather than fanciful, abstract not concrete, intellectual not emotional; wanting the many-sidedness of modern taste, partaking of the unity of science rather than the multiformity of nature, like sculpture rather than painting. This mental peculiarity contributed to scepticism by inclining his mind to the pantheistic philosophy, which can never be held save by those whose minds can give being to an abstraction, and is revolting to those who are deeply ...
— History of Free Thought in Reference to The Christian Religion • Adam Storey Farrar
... a charm about this last resting-place in spite of its mournfulness, and the many flowers load the air with a delicious perfume. The marble statue of a Russian lady in fashionable costume, over her tomb, is considered a fine piece of sculpture, and many people go ...
— Twixt France and Spain • E. Ernest Bilbrough
... existed continuously on a large scale from the early part of the fourteenth century until Sir William Sleeman's time, that is to say, for more than five centuries. In all probability its origin was much more ancient, but records are lacking. It is said that a sculpture representing a Thug strangulation exists among the sculptures at Ellora executed in the eighth century. No such sculpture, however, is mentioned in the detailed account of the Ellora caves ...
— Rambles and Recollections of an Indian Official • William Sleeman
... here and there above the gorge hold in their rugged rock sculpture no facial similitudes, no suggestions. The jagged outlines of shelving bluffs delineate no gigantic profile against the sky beyond. One might seek far and near, and scan the vast slope with alert and expectant gaze, and view naught of the semblance that from time immemorial has given the mountain ...
— The Mystery of Witch-Face Mountain and Other Stories • Charles Egbert Craddock
... building of Italian Gothic, with oriental towers and pinnacles, elaborately decorated with sculpture and carving, and a large central dome surmounted by a huge bronze figure of Progress. The architect was Mr. F. W. Stevens, a Bombay engineer; it was finished in 1888 at a cost of $2,500,000, and the wood carving, the tiles, the ornamental ...
— Modern India • William Eleroy Curtis
... the material in which he works affects the achievement of the artist: it is truer to say that it helps him. A man designing a sculpture in marble knows very well what he is about to do. A man attempting the exact and restrained rendering of tragedy upon the stage does not choose the stage as one among many methods, he is drawn to ...
— First and Last • H. Belloc
... women artists during the last twenty years I must not write in detail, for Finland has forged ahead in art as in other matters. At the time of my first visit, few Finnish women had devoted themselves to sculpture, and only one—Miss Sigrid af Forselles—had accomplished really good work. But to-day she no longer ...
— Through Finland in Carts • Ethel Brilliana Alec-Tweedie
... the newspapers began to speak, after their fashion, of pictures awaiting scrutiny, Christian exerted himself to rouse his sister from her growing indolence. He succeeded in taking her to the Academy. Among the works of sculpture, set apart for the indifference of the public, was a female head, catalogued as 'A Nihilist'—in itself interesting, and specially so to Marcella, because it was executed by an artist whose name she recognised as that of a schoolmate, Agatha Walworth. She spoke of ...
— Born in Exile • George Gissing
... life—his drama. When he would have an epic, he sends a thinking hero into his drama, and the epic is the soliloquy of his Hamlet. Instead of writing his lyrics, he sets his birds and his maidens a-singing. All the processes of the ages are God's science; all the flow of history is his poetry. His sculpture is not in marble, but in living and speech-giving forms, which pass away, not to yield place to those that come after, but to be perfected in a nobler studio. What he has done remains, although it vanishes; and he never either forgets what he has once done, or ...
— A Dish Of Orts • George MacDonald
... top. Every part, especially the eastern side, is covered with figures. One represents a radiant sun; it is followed by a series of heads, all, with some variation, scorpions and fantastic figures. The top and the other side have signs of a circular and oval form, crossed by lines. The sculpture is ascribed to the Dorachos (or Dorasques), but to what purpose the stone was applied no historical account or ...
— Ancient art of the province of Chiriqui, Colombia • William Henry Holmes
... or twelve exceptions I have seen the original of every existing piece of sculpture, architecture and painting mentioned in this book. I regret, however, that among the exceptions should be a work by Donatello himself, namely, the Salome relief at Lille—my visits to that town having unfortunately coincided with public holidays, when ...
— Donatello • David Lindsay, Earl of Crawford
... thing to do!" said Frank, warmly, for noble actions always pleased him. "I heard my mother say that making good or useful men was the best sort of sculpture, so I think David German may be proud of this piece of work, whether the big statue succeeds ...
— Jack and Jill • Louisa May Alcott
... problems like the erection of a cupola on a rectangular or octagonal edifice, but also compelled her to accept their taste, and they saturated her with their genius. They imparted to her their love of luxuriant decoration, and of violent polychromy, and they gave religious sculpture and painting the complicated symbolism that pleased ...
— The Oriental Religions in Roman Paganism • Franz Cumont
... palaces. She might be married at the beautiful church of Lyndhurst (a most immediate jewel of a church, with an exquisite altar-piece by Lord Leighton, a Flaxman, and a startlingly fine piece of sculpture by an artist named Cockerell), then, safely wedded, plunge with her bridegroom into the Forest, and be perfectly happy without ever coming out again. I wish I had had the "Forest Lovers" to re-read while we were there. I ...
— Set in Silver • Charles Norris Williamson and Alice Muriel Williamson
... blood, they will manifest their creative activity and increase the kangaroos. If we suppose that some similar stone existed on the Acropolis and was considered by the owl clan as the centre of the life of the owls which frequented the hill, then when the art of sculpture had made some progress, and the superiority of the human form and intellect began to be apprehended, if a sculptor carved the stone into the semblance of a human being, the goddess ...
— The Tribes and Castes of the Central Provinces of India—Volume I (of IV) • R.V. Russell
... phrase "academic" should be more elastic in its meanings. There are academic painters influenced by Corot or Monticelli, as well as by David, Gros, or Meissonier. The "academic" Rodin has appeared in contemporary sculpture; the great Frenchman found for himself his formula, and the lesser men have appropriated it to their own uses. This is considered legitimate, though not a high order of art; however, the second-rate rules in the market-place, ...
— Promenades of an Impressionist • James Huneker
... which the exhibition of works of art is calculated to inspire into all classes? Statues are placed in the open air, why should Painting be more niggardly in displaying her masterpieces than her sister Sculpture? And yet, my friend, we must part suddenly; the carpenter is coming in an hour to put up the—the emblem; and truly, with all my philosophy, and your consolatory encouragement to boot, I would rather wish to leave Gandercleugh ...
— Bride of Lammermoor • Sir Walter Scott
... warmth, of some celebrated pictures and statues. The workmanship of Heaven, certainly excels all our weak imitations, and, I think, has a much better claim to our praise. For my part, I am not ashamed to own, I took more pleasure in looking on the beauteous Fatima, than the finest piece of sculpture could have given me. She told me, the two girls at her feet were her daughters, though she appeared too young to be their mother. Her fair maids were ranged below the sofa, to the number of twenty, and put me in mind of the pictures of the ancient nymphs. I did not think all ...
— Letters of the Right Honourable Lady M—y W—y M—e • Lady Mary Wortley Montague
... Sentiment, of course, may develop itself in various modes—in Painting, in Sculpture, in Architecture, in the Dance—very especially in Music—and very peculiarly, and with a wide field, in the com position of the Landscape Garden. Our present theme, however, has regard only to its manifestation in words. And here let me speak ...
— The Works of Edgar Allan Poe - Volume 5 (of 5) of the Raven Edition • Edgar Allan Poe
... a bronze group by POLLET among the specimens of sculpture in the French Salon, some twenty years ago,—"It may be more or less an hour or so," as the poet sings,—representing a female form being carried upwards in the embrace of a rather evil-looking Angel. It illustrated a poem ...
— Punch, Or The London Charivari, Vol. 100., Jan. 24, 1891. • Various
... altar the first architect had left a vacant panel (square) possibly intending it for the reception of sculpture or mosaic. This space, as well as some of the side panelling, was covered by the Decalogue, etc., before mentioned. The space is now vacant, pending the complete restoration of the screen, and ...
— Bell's Cathedrals: Southwark Cathedral • George Worley
... Holborn Hill? Nor didst thou shine less in thy theological capacity, when thou gavest ghostly counsels to dying felons, and didst record the guilty pangs of Sabbath-breakers. How will the noble arts of John Overton's[170] painting and sculpture now languish? where rich invention, proper expression, correct design, divine attitudes, and artful contrast, heightened with the beauties of clar. obscur., embellished thy celebrated pieces, to the delight ...
— English Satires • Various
... usurping vizier. Then came the sway of a Moslem dynasty, two of whose members stand out prominently by reason of opposite traits. One earned the name of the Image-breaker by his wanton destruction of the ancient architecture and sculpture. The balance oscillated toward the good when, in the fifteenth century, Zein-ul-Abdin introduced the Tibetan goat and the weavers of Turkestan, and originated the manufacture of the famous shawls. In 1588 the country was surrendered to the emperor Akbar, who, with the most noted of his ...
— Lippincott's Magazine, Vol. 22, September, 1878 • Various
... such as pottery, building, agriculture and the domestication of animals, and those of Pleasure, such as music, painting and sculpture, must come in for a full share of the ethnologist's attention. They represent, however, stadia of culture rather than national character. They influence the latter materially and are influenced by it, and ...
— An Ethnologist's View of History • Daniel G. Brinton |
