"Sculptural" Quotes from Famous Books
 ... their thoughts through the medium of the written, and later of the printed, page.[48] Until modern centuries, when the school of painters, which culminated in Hok[)u]sai and his contemporaries, brought a love of art down to the lowest classes of the people, the only teacher of pictorial and sculptural art for the multitude, was Buddhism. So strong is this popular delight in things artistic that probably, to this passion as much as to the religious instinct, we owe many of the wayside shrines and images, the symbolical and beautifully prepared landscapes, and those ...
— The Religions of Japan - From the Dawn of History to the Era of Meiji • William Elliot Griffis
... than two or three things which I thought very beautiful; but whether it be good or no, I suppose the world has nothing better, unless it be a few world-renowned statues in Italy. I was even more struck by the skill and ingenuity of the French in arranging these sculptural remains, than by the value of the sculptures themselves. The galleries, I should judge, have been recently prepared, and on a magnificent system,—the adornments being yet by no means completed,—for besides the floor and wall-casings of rich, polished marble, the vaulted ceilings ...
— Passages From the French and Italian Notebooks, Complete • Nathaniel Hawthorne
... this motive. If Demeter at all, it is Demeter the seeker,—Deo—as she was called in the mysteries, in some pause of her restless wandering over the world in search of the lost child, and become at last an abstract type of the wanderer. The Homeric hymn, as we saw, had its sculptural motives, the great gestures of Demeter, who was ever the stately goddess, as she followed the daughters of Celeus, or sat by the well-side, or went out and in, through the halls of the palace, expressed in monumental words. With the sentiment of that ...
— Greek Studies: A Series of Essays • Walter Horatio Pater
... knew the trapezius, lying diamond-shaped over the back and shoulders like a monk's cowl,—or the deltoid, which caps the shoulder like an epaulette,—or the triceps, which furnishes the calf of the upper arm,—or the hard-knotted biceps,—any of the great sculptural landmarks, in fact,—you would have said there was a pretty show of them, beneath the white satiny skin of Mr. Bernard Langdon. And if you had seen him, when he had laid down the Indian clubs, catch hold of a leather strap that hung from the beam ...
— Elsie Venner • Oliver Wendell Holmes, Sr.
... features of Rome is its numerous beautiful fountains, generally to be found in the piazzas, sometimes surrounded by fine architectural and sculptural groupings. It seems as if the great men of every age in this city "have found no better way of immortalizing their memories than by the shifting, indestructible, ever-new, ever-changing upgush and downfall of water. They have written their names in that unstable element, and proved it a more ...
— Fair Italy, the Riviera and Monte Carlo • W. Cope Devereux
... body. She played on a sort of guitar with an exceedingly long handle, the three cords of which were coquettishly adorned at their extremity with coloured tufts. One of her arms, slender yet round, grasped the top of the handle with a sculptural pose, while the other upheld the instrument and ...
— The Works of Theophile Gautier, Volume 5 - The Romance of a Mummy and Egypt • Theophile Gautier
... has been waged regarding the original home of the Sumerians and the particular racial type which they represented. One theory connects them with the lank-haired and beardless Mongolians, and it is asserted on the evidence afforded by early sculptural reliefs that they were similarly oblique-eyed. As they also spoke an agglutinative language, it is suggested that they were descended from the same parent stock as the Chinese in an ancient Parthian homeland. If, however, the oblique eye was not the result of faulty ...
— Myths of Babylonia and Assyria • Donald A. Mackenzie
... letting in a much-magnified sound of groans, and there entered a youngish, undersized man, who was frantically clutching his head in his hands and contorting all the muscles of his face. On perceiving the sculptural group of two prone, interlocked girls, one enveloped in a crinoline, and the other with a wool-work bunch of flowers pinned to her knee, he jumped back, ceased groaning, arranged his face, and seriously tried to pretend that it was not he who had been vocal in anguish, that, indeed, he was just passing ...
— The Old Wives' Tale • Arnold Bennett
... thirteenth century. No words can give any idea of the magnificent redundance of its imaginative power, or of the perpetual beauty of even its smallest incidental designs. But this very richness of sculptural invention prevented the French from cultivating their powers of painting, except in illumination (of which art they were the acknowledged masters), and in glass-painting. Their exquisite gift of fretting their stone-work with inexhaustible wealth of sculpture, prevented their feeling ...
— Giotto and his works in Padua • John Ruskin
... trail were tree trunks whereon some loitering young Siwash had delineated a human face by a few deft and powerful strokes of the axe, the sculptural planes of cheeks, brow, and chin being indicated broadly but with truth and decision. Often by some old camp a tree would bear on a planed surface the rude pictographs, so that those coming after could read the number, size, sex, and success at hunting of those who had gone before. There is something ...
— The Trail of the Goldseekers - A Record of Travel in Prose and Verse • Hamlin Garland |
