"Sappho" Quotes from Famous Books
 ... notes. She published French translations of the "Amphitryon," "Rudens," and "Lepidicus," of Plautus, with a good preface, of the comedies of Terence, of the "Plutus," and "The Clouds," of Aristophanes, and of Anacreon and Sappho. She also translated the "Iliad" and the "Odyssey," with a preface and notes. This led to a controversy between her and La Motte, who had spoken slightingly of Homer. Madame Dacier wrote, in 1714, "Considerations sur les Causes de la Corruption du Gout," in which she ...
— The International Magazine, Volume 2, No. 3, February, 1851 • Various
... yet a chaste shrinking from the full enjoyment of it, how inevitably, but how purely, it yields itself up to the sudden curve! It does not embrace this curve with a sensuous sweep, nor does it, like Sappho, throw itself with quick passion into the tide. It enters with maidenly and dignified reserve into its new Life; and then how is this new Life spent? As you glance at it, it seems almost ascetic, and ...
— Atlantic Monthly, Vol. 7, No. 44, June, 1861 • Various
... classic entertainment, almost unaware bring you home.—No! after all, it is not imagined Greece, dreamy, antique Sicily, but the present world about us, though mistakable for a moment, delightfully, for the land, the age, of Sappho, of Theocritus:— ...
— Essays from 'The Guardian' • Walter Horatio Pater
... from table; some of the company went on board ship, but most adjourned to the drawing-room, a comfortable apartment, furnished with blue satin damask, where we were joined by the French naval officers of His Most Christian Majesty's ship Sappho, and several ladies and gentlemen of the city. We had some excellent music. Madame do Rego has an admirable voice, and there were several good singers and players on the piano. It was a more pleasant, polished evening than I had expected to pass in Pernambuco, especially now in a state ...
— Journal of a Voyage to Brazil - And Residence There During Part of the Years 1821, 1822, 1823 • Maria Graham
... beaches with a light wind blowing From the immense blue circle of the sea, And the soft thunder where long waves whiten— These were the same for Sappho as for me. ...
— Flame and Shadow • Sara Teasdale
... to the love poetry of women?" asked the Professor. "Did ever passion heat words to incandescence as it did those of Sappho?" ...
— Over the Teacups • Oliver Wendell Holmes, Sr.
... blue and deep, And in my Lesbos, over leagues of sea, The temples glimmer moonwise in the trees. Twilight has veiled the little flower face Here on my heart, but still the night is kind And leaves her warm sweet weight against my breast. Am I that Sappho who would run at dusk Along the surges creeping up the shore When tides came in to ease the hungry beach, And running, running, till the night was black, Would fall forespent upon the chilly sand And quiver with the winds from off ...
— Helen of Troy and Other Poems • Sara Teasdale
... him in his youth. It is not in this sense that poetry is said to be a kind of painting: It is not the picture of the poet, but of things, and persons imagined by him. He may be in his practice and disposition a philosopher, and yet sometimes speak with the softness of an amorous Sappho. I would not be misunderstood, as if I affected so much gravity as to be ashamed to be thought really in love. On the contrary, I cannot have a good opinion of any man who is not at ...
— The Lives of the Poets of Great Britain and Ireland (1753) - Volume II • Theophilus Cibber
... now high in the ranks of literature. His play was applauded; his translations from Sappho had been published in the Spectator; he was an important and distinguished associate of clubs, witty and poetical; and nothing was wanting to his happiness but that he should be sure of its continuance. The work which had procured him the first notice from the public was his "Six ...
— Lives of the Poets: Gay, Thomson, Young, and Others • Samuel Johnson
... torn to pieces by his dogs. But, like Maneros, the name Linus or Ailinus appears to have originated in a verbal misunderstanding, and to be nothing more than the cry ai lanu, that is "Woe to us," which the Phoenicians probably uttered in mourning for Adonis; at least Sappho seems to have regarded Adonis and Linus ...
— The Golden Bough - A study of magic and religion • Sir James George Frazer
... composed his famous "Treatise on the Sublime," a work which is not only admirable for its intrinsic excellence, but most valuable as having preserved to our times many beautiful fragments of ancient poets whose works are now lost, particularly those of Sappho. ...
— Great Men and Famous Women. Vol. 5 of 8 • Various
... overshadowing Rock itself, they left behind without incident. Phormio chose devious alleys, and they met neither Scythian constables nor bands of roisterers. Only once the two passed a house bright with lamps. Jovial guests celebrated a late wedding feast. Clearly the two heard the marriage hymn of Sappho. ...
— A Victor of Salamis • William Stearns Davis
... Grillparzer nevertheless resolved that his next play should dispense with all adventitious aids and should take as simple a form and style as he could give it. A friend chanced to suggest to him that the story of Sappho would furnish a text for an opera. Grillparzer replied that the subject would perhaps yield a tragedy. The idea took hold of him; without delay or pause for investigation he made his plan; and in three weeks his second play was ready ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VI. • Editor-in-Chief: Kuno Francke
... Isle of Yap, the Isle of Yap, Where burning Sappho never sung! You ain't so much upon the map, But ...
— The So-called Human Race • Bert Leston Taylor
... Swinburne, who, seeking the true, The good, and the beautiful, visits the Zoo, Where he chances on Sappho and Mr. Sardou, And Socrates, all with the same end ...
— The Best Nonsense Verses • Various
... Parthian, chains and an Italian prison; but the unexpected assault of death has carried off, and will carry off, the world in general. How near was I seeing the dominions of black Proserpine, and Aeacus sitting in judgment; the separate abodes also of the pious, and Sappho complaining in her Aeohan lyre of her own country damsels; and thee, O Alcaeus, sounding in fuller strains on thy golden harp the distresses of exile, and the distresses of war. The ghosts admire them both, while they utter strains worthy of a sacred silence; but the crowded multitude, ...
— The Works of Horace • Horace
... Lesbos has given many gifts to the world—Lesbian wine and Lesbian verse, the seven-stringed lyre, and the poems of Sappho; but of all its products the latest was assuredly the most questionable, for the last great ...
— The Story of the Barbary Corsairs • Stanley Lane-Poole
... in truth The highest is the measure of the man, And not the Kaffir, Hottentot, Malay, Nor those horn-handed breakers of the glebe, But Homer, Plato, Verulam; even so With woman: and in arts of government Elizabeth and others; arts of war The peasant Joan and others; arts of grace Sappho and others vied with any man: And, last not least, she who had left her place, And bowed her state to them, that they might grow To use and power on this Oasis, lapt In the arms of leisure, sacred from the blight Of ancient influence ...
— The Princess • Alfred Lord Tennyson
... in their first aspirations is yet true; and a better valor and a purer truth shall one day organize their belief. Or why should a woman liken herself to any historical woman, and think, because Sappho, or Sevigne, or De Stael, or the cloistered souls who have had genius and cultivation do not satisfy the imagination and the serene Themis, none can,—certainly not she? Why not? She has a new and unattempted problem to solve, perchance that of the happiest nature that ever bloomed. ...
— Essays, First Series • Ralph Waldo Emerson
... who have appeared during the last twenty-five years, M. Gounod was the most promising one, as showing the greatest combination of sterling science, beauty of idea, freshness of fancy, and individuality. Before a note of 'Sappho' was written, certain sacred Roman Catholic compositions and some exquisite settings of French verse had made it clear to some of the acutest judges and profoundest musicians living, that in him at last something true and new had come—may ...
— Great Italian and French Composers • George T. Ferris
... because other poets have done so, or because he is told that it pays, is only too likely to produce willy-nilly a "closet drama." Let him beware of saying to himself, "I will gird up my loins and write a play. Shall it be a Phaedra, or a Semiramis, or a Sappho, or a Cleopatra? A Julian, or an Attila, or a Savanarola, or a Cromwell?" A drama conceived in this reach-me-down fashion will scarcely have the breath of life in it. If, on the other hand, in the course of his legendary, romantic, or historical reading, ...
— Play-Making - A Manual of Craftsmanship • William Archer
... of age, and to wither under the preference given to younger men—a preference rendered each day more decided in a country where statesmen are jostled aside by beardless boys, and the senseless giggle of pert school girls might drive Sappho into a second watery grave, sickened with disgust. His personal vanity became almost a monomania, and he sat there, clutching Mabel's book, pale as death, and with flecks of foam gathering upon his lips, longing to appease his mortified vanity by tearing ...
— Mabel's Mistake • Ann S. Stephens
... the mansion, and passing through several splendid apartments, at length reached a large and magnificent saloon. It was hung with tapestry, upon which were represented the figures of Sappho sweeping the lyre; of the Spartan mother bending over the body, and counting the wounds of her son; of Penelope in the midst of her maidens, carefully unravelling the funeral web of her husband; of Lucretia inflicting ...
— Imogen - A Pastoral Romance • William Godwin
... lyrist of the first order. Plato's poet says of him in the 'Symposium,' "When I hear the verses of Sappho or Anacreon, I set down my cup for very shame of my own performance." He composed in Greek somewhat, to use a very free comparison, as Herrick did in English, expressing the unrefined passion and excesses which he saw, just as the Devonshire ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 2 • Charles Dudley Warner
... country I had time to appreciate the transformation in the woman at my side. Was this gray-clad, nunlike figure the passionate, sensuous Carmen of Bizet’s masterpiece? Could that calm, pale face, crossed by innumerable lines of suffering, as a spider’s web lies on a flower, blaze and pant with Sappho’s guilty love? ...
— The Ways of Men • Eliot Gregory
... life. But I am not aware that Greek women improved much, either in manners, morals, or happiness, by acquiring them in after centuries. A wise man would sooner see his daughter a Nausicaa than a Sappho, an Aspasia, a ...
— Sanitary and Social Lectures and Essays • Charles Kingsley
... island of Lesbos was the hearth and home of the earlier lyric poets. Among the earliest of the Lesbian singers was the poetess Sappho, whom the Greeks exalted to a place next to Homer. Plato calls her the Tenth Muse. Although her fame endures, her poetry, except ...
— A General History for Colleges and High Schools • P. V. N. Myers
... had upon me, after the few gifted women, and many charming women whom I have known—after those daughters of the earth, who like Madame Sand said with Sappho: "Come, Mother of Love, to our delicious banquets, fill our cups with the nectar of roses?" As I have placed myself now in fiction and now in reality, the author of Valentine has made on me two very ...
— International Weekly Miscellany Vol. I. No. 3, July 15, 1850 • Various
... true!" said she, with sparkling eyes and a deeper flush upon her cheeks. "Let me be a poetess like Sappho, and I would, like her, joyfully leap from the rocks into the sea. Oh, there are yet poetesses—Carlo has told me of them. All Rome now worships the great improvisatrice, Corilla. I should like to know her, ...
— The Daughter of an Empress • Louise Muhlbach
... fair as a lily, had chosen "sunlight," and was a bonny little sun goddess. Lily Pearl, after a great deal of fuss and fidgeting had elected to go as Titania, and Helen essayed Oberon. Juno, who was very musical, made quite a stately Sappho. Little, sedate Marjorie was an Alaskan-Indian Princess, and Rosalie rigged up a Puck costume which made her irresistible. Isabel chose to be Portia, though that erudite lady seemed somewhat out of place among the mythological characters. But ...
— Peggy Stewart at School • Gabrielle E. Jackson
... the thoroughly reputable standing of his house. He bobbed about among men, a veritable bundle of enthusiasm—no power worthy the name of intellect, no thoughts worthy the adjective noble, no feelings long continued in one strain. A Madame Sappho would have called him a pig; a Shakespeare would have said "my merry child"; old, drinking Caryoe thought him a clever, successful businessman. In short, he was as good as his ...
— Sister Carrie • Theodore Dreiser
... Tabzir. Both writers confuse excision of the nymphae with circumcision of the clitoris (Zambur) Al-Siyuti (Kitab al-Iza' fi'Ilm al-Nikah) has a very interesting chapter on Sapphic venery, which is well known to Europe as proved by such works as "Gamiani," and "Anandria ou Confessions de Mademoiselle Sappho, avec la Clef," Lesbos, 1718. Onanism is fatally prevalent: in many Harems and girls' schools tallow candles and similar succedanea are vainly forbidden and bananas when detected are cut into four so as to be useless; of late ...
— The Book of the Thousand Nights and a Night, Volume 2 • Richard F. Burton
... good; Thy father was transfused into thy blood: So wert thou born into a tuneful strain, An early, rich, and inexhausted vein. But if thy pre-existing soul Was form'd, at first, with myriads more, It did through all the mighty poets roll, Who Greek or Latin laurels wore, And was that Sappho last, which once it was before. If so, then cease thy flight, O heaven-born mind! Thou hast no dross to purge from thy rich ore: Nor can thy soul a fairer mansion find, Than was the beauteous frame she left behind: Return to fill or mend the choir ...
— The Poetical Works of John Dryden, Vol II - With Life, Critical Dissertation, and Explanatory Notes • John Dryden
... the bad, and the indifferent received an almost equal homage. Criticism had not yet begun. The world was bent on gathering up its treasures, frantically bewailing the lost books of Livy, the lost songs of Sappho—absorbing to intoxication the strong wine of multitudinous thoughts and passions that kept pouring from those long buried amphorae ...
— The Great Events by Famous Historians, Volume 07 • Various
... times with the fancy that Homer, Sappho, and Aristophanes are the inviolable Trinity of poetry, even to the extent of being reducible to One. For the fiery and lucid directness of Sappho, if her note of personal lyricism is abstracted, is seen to be an element of Homer, as is the profoundly balanced humour of Aristophanes, at ...
— Lysistrata • Aristophanes
... beliefs. Subjectivity had already gained in strength from the birth of the lyric, that most individual of all expressions of feeling; and since the lyric cannot dispense with the external world, classic song now shewed the tender subjective feeling for Nature which we see in Sappho, Pindar, and Simonides. Yet Euripides (and Aristophanes, whose painful mad laugh, as Doysen says, expresses the same distraction and despair as the deep melancholy of Euripides) only paved the way for ...
— The Development of the Feeling for Nature in the Middle Ages and - Modern Times • Alfred Biese
... Emile de Girardin died. There was a flood of panegyrics and of tears. Monsieur Paulin Limayrac was chief pall-bearer, and demonstrated in the columns of "La Presse" that Madame Emile de Girardin had herself alone more genius than Sappho, Corinne, Madame de Sevigne, Madame de Stael, and Madame George Sand, all ...
— Atlantic Monthly,Volume 14, No. 82, August, 1864 - A Magazine Of Literature, Art, And Politics • Various
... me to be jesting, like that scribe who told me of Krophi and Mophi; for Rhodopis lived in the days of King Amasis and of Sappho the minstrel, and was beloved by Charaxus, the brother of Sappho, wherefore Sappho reviled him in a song. How then could Rhodopis, who flourished more than a hundred years before my ...
— Old Friends - Essays in Epistolary Parody • Andrew Lang
... course of nature, and the sooner 'tis over the sooner to sleep. Middle age will be very nice and comfortable and entertaining, once one's fairly in it.... I go babbling about my wasted brain and fading looks as if I'd been a mixture of Sappho and Helen of Troy.... That's the worst of being a vain creature.... What will Rosalind do when her time comes? Oh, paint, of course, and dye—more thickly than she does now, I mean. She'll be a ghastly sight. A raddled harridan. At least I shall always look respectable, I hope. I ...
— Dangerous Ages • Rose Macaulay
... the air we breathe; they are so real that they seem things rather than words, or, nearer still, living beings. They have taken all hearts, because they are the breath of his own; not polished cadences, but utterances as direct as laughter or tears. Since Sappho loved and sang, there has been no such national lyrist as Burns. Fine ballads, mostly anonymous, existed in Scotland previous to his time; and shortly before a few authors had produced a few songs equal to some of his best. Such are Alexander Ross's "Wooed and Married," Lowe's ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various
... reply to the restless woman. Thus to the young Sappho spake the melon-venders; thus the captains to Zenobia; and in the damp cave over gnawed bones the hairy suitor thus protested to the woman advocate of matriarchy. In the dialect of Blodgett College but with the voice of ...
— Main Street • Sinclair Lewis
... who carried me to dine with them at Bath Easton, now Pindus. They caught a little of what was then called taste, built, and planted, and begot children, till the whole caravan were forced to go abroad to retrieve. Alas! Mrs. Miller is returned a beauty, a genius, a Sappho, a tenth muse, as romantic as Mademoiselle Scuderi, and as sophisticated as Mrs. Vesey. The captain's fingers are loaded with cameos, his tongue runs over with virt'u; and that both may contribute to ...
— The Diary and Letters of Madame D'Arblay Volume 1 • Madame D'Arblay
... Rhodopis, she came to Egypt brought by Xanthes the Samian, and having come thither to exercise her calling she was redeemed from slavery for a great sum by a man of Mytilene, Charaxos son of Scamandronymos and brother of Sappho the lyric poet. Thus was Rhodopis set free, and she remained in Egypt and by her beauty won so much liking that she made great gain of money for one like Rhodopis, 115 though not enough to suffice for the cost of such a pyramid as this. In truth there is no need to ascribe to her very ...
— The History Of Herodotus - Volume 1(of 2) • Herodotus
... Epithalamia is, if not translated, certainly modelled from the Greek, and in its imagery reminds us of Sappho. It is less ardent and more studied than the first, and though its tone is far less elevated, it gains a special charm from its calm, almost statuesque language. [129] The Nuptials of Peleus and Thetis ...
— A History of Roman Literature - From the Earliest Period to the Death of Marcus Aurelius • Charles Thomas Cruttwell
... headstrong, and each proud and unrelenting in his own way. Then, at last, had come the separation, irrevocable and painful; and Jim had flung out into the world, a drunkard, who, sober for a fortnight or a month, or three months, would afterward go off on a spree, in which he quoted Sappho and Horace in taverns, and sang bacchanalian songs with a voice meant for the stage—a heritage from an ancestor who had sung upon the English stage a hundred years before. Even in his cups, even after his darling vice had submerged him, Jim Templeton was a man marked ...
— The Judgment House • Gilbert Parker
... showed no inferiority of mental power. Mrs. Belle de Rivera (N. Y.) depicted Women of Genius, quoting Sappho, Margaret of Navarre, Vittoria Colonna, Angelica Kauffman and others eminent in the annals of history. A newspaper report said of Mrs. Oreola Williams Haskell (N. Y.): "The thoroughness of her address gave the lie to any intimation of frivolity made by her ...
— The History of Woman Suffrage, Volume V • Ida Husted Harper
... would be enough to destroy my love,—why is it that in you it pleases me, fascinates me? Oh, how I love you!' he continued. 'All your faults, your frights, your petty foibles, add an indescribable charm to your character. I feel that I should detest a Sappho, a strong, courageous woman, overflowing with energy and passion. O sweet and fragile creature! how couldst thou be otherwise? That angel's voice, that refined voice, would have been an anachronism coming from any other ...
— Sarrasine • Honore de Balzac
... grieve not for the dead alone Whose song has told their hearts' sad story,— Weep for the voiceless, who have known The cross without the crown of glory! Not where Leucadian breezes sweep O'er Sappho's memory-haunted billow, But where the glistening night-dews weep On nameless ...
— The Atlantic Monthly, Volume 2, Issue 12, October, 1858 • Various
... written. The Hebrew is almost our only example of the tongue at its period, but it is not a literary language in any case. The Greek of the New Testament is not the Eolic, the language of the lyrics of Sappho; nor the Doric, the language of war-songs or the chorus in the drama; nor the Ionic, the dialect of epic poetry; but the Attic Greek, and a corrupted form of that, a form corrupted by use in the streets and ...
— The Greatest English Classic A Study of the King James Version of • Cleland Boyd McAfee
... sense in us of the speaking voice. But in writing prose nowadays, while always recollecting that prose has its origin in speech—even as it behoves us to recollect that Homer intoned the Iliad to the harp and Sappho plucked her passion from the lyre—we have to take things as they are. Except Burns, Heine, Beranger (with Moore, if you will), and you will find it hard to compile in all the lyrical poetry of the last 150 years a list of half a dozen first-class ...
— On the Art of Writing - Lectures delivered in the University of Cambridge 1913-1914 • Arthur Quiller-Couch
... the isles of Greece! Where burning Sappho loved and sung. . . . . . Eternal summer gilds them yet, But all except their sun ...
— Familiar Quotations • John Bartlett
... this period may be mentioned Everaert and Machet. The refrain was much cultivated, and not, like the drama, for the expression of dissatisfaction. Anna Byns, an oracle with the Catholic party, wrote when the language was in its most degenerate state, under Margaret of Austria. She was styled the Sappho of Brabant, though her poems are all religious. They were translated into Latin, and were read as masterpieces till the middle of the ...
— Atlantic Monthly, Vol. VI.,October, 1860.—No. XXXVI. - A Magazine Of Literature, Art, And Politics • Various
... and perfected the native Roman growth, satire, from the ruder essays of Lucilius, so as to make Roman life from day to day, in city and country, live anew under his pen; on the other hand, he naturalized the metres and manner of the great Greek lyric poets, from Alcaeus and Sappho downward. Before Horace Latin lyric poetry is represented almost wholly by the brilliant but technically immature poems of Catullus; after him it ceases to exist. For what he made it he claims, in a studied modesty of phrase but with a just sense of his own ...
— Great Men and Famous Women, Vol. 7 of 8 • Charles F. (Charles Francis) Horne
... spasms over her beauty—so classic, such an exquisite outline; grew confidential with the husband at the club, and begged permission to make just a sketch only the size of his hand—wanted it for his head of Sappho, Berlin Exhibition. Next he rented a suite of rooms, crowded in a lot of borrowed tapestries, brass, Venetian chests, lamps and hangings; gave a tea—servants this time in livery—exhibited his Sappho; refused ...
— The Fortunes of Oliver Horn • F. Hopkinson Smith
... purely conjectural, is that within the Sotadic Zone there is a blending of the masculine and feminine temperaments, a crasis which elsewhere occurs only sporadically. Hence the male feminisme whereby the man becomes patiens as well as agens, and the woman a tribade, a votary of mascula Sappho,[FN364] Queen of Frictrices or Rubbers.[FN365] Prof. Mantegazza claims to have discovered the cause of this pathological love, this perversion of the erotic sense, one of the marvellous list of amorous vagaries which deserve, not prosecution but the pitiful care ...
— The Book of the Thousand Nights and a Night, Volume 10 • Richard F. Burton
... is at least an adjuvant. For if long locks and general dissoluteness were not an aid and a way to pure thought, why have they been so long his characteristics? If lovers were not necessary for the development of poet, novelist, and actress, why have they always had lovers—Sappho, George Eliot, George Sand, Rachel, Sara? Mrs Kendal nurses children all day and strives to play Rosalind at night. What infatuation, what ridiculous endeavour! To realise the beautiful woodland passion and the idea of the transformation, a ...
— Confessions of a Young Man • George Moore
... scheme succeeded but too well. At the end of the great banquet Bartja, to whom Cambyses had promised to grant a favour on his victorious return from the war, confessed to him his love for Sappho, a charming and cultured Greek maiden of noble descent, whom he wished to make his wife. Cambyses was delighted at this proof of the injustice of his jealous suspicions, and announced aloud that Bartja would in a few days depart to bring home a bride. ...
— The World's Greatest Books, Vol IV. • Editors: Arthur Mee and J.A. Hammerton
... of the Chit-Chat Club for many years and wrote many brilliant essays, a volume of which was printed in 1893. The first two he gave were "Francis Petrarch" and "Burning Sappho." Among the most charming was "Ballads and Lyrics," which was illustrated by the equally charming singing of representative selections by Mrs. Ida Norton, the only time in its history when the club was invaded by a woman. Its ...
— A Backward Glance at Eighty • Charles A. Murdock
... liquid and musical; not more liquid and musical, howbeit, than those charming commentaries of his on every variety of quaint topic; full of an amiable grace, tinged with the most delicate hue of a fine humor; a refined ore drawn from no ordinary mine without alloy; like the compositions of SAPPHO, to which an unerring critic has applied the expression, [Greek: chruseiotera chrusou]; the very best of gold. Doves never bore choicer billet-doux beneath their wings. A beautiful sentiment always touches the heart, though couched ...
— Knickerbocker, or New-York Monthly Magazine, March 1844 - Volume 23, Number 3 • Various
... 's a rake, as half his verses show him, Anacreon's morals are a still worse sample, Catullus scarcely has a decent poem, I don't think Sappho's Ode a good example, Although Longinus tells us there is no hymn Where the sublime soars forth on wings more ample: But Virgil's songs are pure, except that horrid one Beginning with ...
— Don Juan • Lord Byron
... reminded us that the Dardanelles Straits were the Hellespont of the Ancient world, and the neighbouring AEgean Sea the most mystic of the "wine-dark seas of Greece": he retold stories of Jason and the Argonauts; of "Burning Sappho" in Lesbos; of Achilles in Scyros; of Poseidon sitting upon Samothrace to watch the fight at Troy; and of St. John the Divine at Patmos gazing up into the ...
— Tell England - A Study in a Generation • Ernest Raymond
... Greeks had a bald Venus. The Venus Calva of the Romans was the Aphrodite Dolie of the Greeks.{3} Beauty cannot co-exist with baldness; but it may and does co-exist with deceit. Homer makes deceitful allurement an essential element in the girdle of Venus.{4} Sappho addresses her as craft-weaving Venus.{5} Why should I multiply examples, when poetry so abounds with complaints of deceitful love that I will be bound every one of this company could, without a moment's hesitation, find a quotation in ...
— Gryll Grange • Thomas Love Peacock
... ask: Who was Jan Vermeer, or Van der Meer? "What songs did the sirens sing?" puzzled good old Sir Thomas Browne, and we know far more about William Shakespeare or Sappho or Memling than we do of the enigmatic man from Delft who died a double death in 1675; not only the death of the body, but the death of the spirit, of his immortal art. For several centuries he was not accorded the paternity of his own pictures. To Terburg, Pieter de Hooch, Nicolas Maes, Metsu ...
— Ivory Apes and Peacocks • James Huneker
... seeks to prove that woman is man's equal because Rosa Bonheur and Lady Butler have painted, Sappho and George Eliot have written, and so forth; in other words, that woman is man's equal because she can do what he can do: any capacities of hers which he does not share being tacitly regarded as beside ...
— Woman and Womanhood - A Search for Principles • C. W. Saleeby
... subject.' JOHNSON. (with a loud voice,) 'Sir, I am not saying that YOU could live in friendship with a man from whom you differ as to some point: I am only saying that I could do it. You put me in mind of Sappho in Ovid.' ...
— Life of Johnson - Abridged and Edited, with an Introduction by Charles Grosvenor Osgood • James Boswell
... hard to say whether Chicago society is more deeply interested in the circus which is exhibiting on the lake-front this week, than in the compilation of Sappho's complete works just published in London, and but this week given to the trade in Chicago. As we understand it, Sappho and the circus had their beginning about the same time: if any thing, the origin of the circus antedated Sappho's birth some years, and has achieved ...
— Second Book of Tales • Eugene Field
... should have the greatest inclination to look into that chamber, to talk of that subject.' JOHNSON, (with a loud voice.) 'Sir, I am not saying that you could live in friendship with a man from whom you differ as to some point: I am only saying that I could do it. You put me in mind of Sappho in Ovid[536].' ...
— Life Of Johnson, Vol. 2 • Boswell
... learned Alypius. [75] The humanity of Alypius was tempered by severe justice and manly fortitude; and while he exercised his abilities in the civil administration of Britain, he imitated, in his poetical compositions, the harmony and softness of the odes of Sappho. This minister, to whom Julian communicated, without reserve, his most careless levities, and his most serious counsels, received an extraordinary commission to restore, in its pristine beauty, the temple of Jerusalem; and the diligence of Alypius required ...
— The History of The Decline and Fall of the Roman Empire - Volume 2 • Edward Gibbon
... may called the derivative vices—exactness of costume, truth of effect and local colour. To explain myself on this point, I will ask the reader to recall any one of Mr. Alma Tadema's pictures; it matters not a jot which is chosen. That one, for instance, where, in a circular recess of white marble, Sappho reads to a Greek poet, or is it the young man who is reading to Sappho and her maidens? The interest of the picture is purely archaeological. According to the very latest researches, the ornament which Greek women wore in their ...
— Modern Painting • George Moore
... verse, common to the Greeks and Romans, which has sometimes been imitated—or, rather, which some writers have attempted to imitate—in English, is the line or stanza called Sapphic, from the inventress, Sappho, a Greek poetess. The Sapphic verse, according to Fabricius, Smetius, and all good authorities, has eleven syllables, making "five feet—the first a trochee, the second a spondee, the third a dactyl, and the fourth and fifth trochees." The Sapphic ...
— The Grammar of English Grammars • Goold Brown
... of France are not very handsome, they are sensible and witty. To many of them, without the least flattery, may be applied the distich which Sappho ascribes to herself: ...
— Sketches of the Fair Sex, in All Parts of the World • Anonymous
... the men of Rhodes, sailors and fighters both. Here the Greek penteconters with their sails and rigging of purple and black. Here the Cypriotes had sailed under the lee of the islands Byron loved and where Sappho sang her songs like wine and honey, sharp wine and golden honey. Here had the Roman galleys splashed and here the great Venetian boats set proud sail against the Genoese. Here had the Lion-heart sailed gallantly to Palestine. Here had Icarus fallen ...
— The Wind Bloweth • Brian Oswald Donn-Byrne
... conspicuous of which can be traced to classical influence; but no one would contend that these qualities are the rule in our great writers. The English genius is rich and lavish rather than restrained. It is less in its nature to write like Sappho, ...
— The Legacy of Greece • Various
... men to fall at his Love's feet, he thanked Aphrodite that she had the manner and the subtle fire and the grace to bring them there. Her mind was wonderful, too, aflame, like Sappho's, with the love of beauty. That was why he called her Lesbia. He had used Sappho's great love poem (Valerius probably did not know it, but it was like a purple wing from Eros's shoulder) as his first ...
— Roads from Rome • Anne C. E. Allinson
... mothers was essential. They had the wisdom to understand that their women could only effectively discharge the functions assigned to them by Nature by the free development of their bodies, and full cultivation of their mental faculties. Sappho, whose "lofty and subtle genius" places her as the one woman for whose achievement in poetry no apology on the grounds of her sex ever needs to be made, was of AEolian race. The Spartan woman was a huntress and an athlete and also a scholar, for her training was as much a care ...
— The Truth About Woman • C. Gasquoine Hartley
... of comfortable places, had collected about the Surintendant talent, fashion, and beauty. Some of the ablest men in the kingdom were in his employ. Pellisson, famous for ugliness and for wit, the Acanthe of the Hotel de Rambouillet, the beloved of Sappho Scudery, was his chief clerk. Pellisson was then a Protestant; but Fouquet's disgrace, and four years in the Bastille, led him to reexamine the grounds of his religious faith. He became, luckily, enlightened on the subject of his heresies at a time when the renunciation ...
— The Atlantic Monthly, Vol. 13, No. 78, April, 1864 • Various
... my fair one happy day, What I should call her in my lay; By what sweet name from Rome or Greece; Lalage, Nesera, Chloris, Sappho, Lesbia, or ...
— Poems of Coleridge • Coleridge, ed Arthur Symons
... throws our intellect completely on its beam-ends; and as we cannot right it again, in order to take a second glance at the poet of Medea, we must pass on to the next. "Sophocles" will be acceptable to scholars. "Hesiod" is excellent. "Cared most for gods and bulls" is worth any money. "Pindar" and "Sappho" are but so so. The picture of "Theocritus" is very beautiful. There is nothing particularly felicitous in the sketch of "Aristophanes." How much more graphic is what Milton, in one of his prose works, says with respect to the "holy Chrysostom's" ...
— Blackwood's Edinburgh Magazine, Volume 56, Number 349, November, 1844 • Various
... 1861 and 1869, Lucas sold to his dupe the enormous number of 27,000 documents, every one a glaring fraud. They comprised letters purporting to have been written by such improbable authors as Abelard, Alcibiades, Alexander the Great to Aristotle, Cicero, Cleopatra, Joan of Arc, Sappho, Anacreon, Pliny, Plutarch, St. Jerome, Diocletian, Juvenal, Socrates, Pompey, and—most stupendous joke of all—Lazarus ...
— The Detection of Forgery • Douglas Blackburn
... poetry of the academic attempts, towards the end of the sixteenth century, to write classical verse in English. It could be pointed out triumphantly that all the splendid poetry of classical antiquity—Homer and Lucretius and Virgil, Sappho and Catullus and Horace and Ovid—had been independent of rime; and whatever might be the disagreement on quantitative feet in English, it was impossible to deny that English could successfully copy this element of the great classical verse and recover, as ...
— The Principles of English Versification • Paull Franklin Baum
... faint smile, 'that depends on your definition of the word. He wasn't a flunkey, a fool, or a prig, if that's what you mean. He wasn't perhaps on Mrs Grundy's visiting list. He wasn't exactly gregarious. And yet in a sense that kind of temperament is so rare that Sappho, Nelson, and Shelley shared it. To the stodgy, suety world of course it's little else than sheer moonshine, midsummer madness. Naturally, in its own charming and stodgy way the world kept flickering cold water in his direction. Naturally it ...
— The Return • Walter de la Mare
... emerged a splinter of tune, like a plank thrown up by the sea. Stannum could discern no melody, though he grasped its beginnings; double flutes gave him the modes, Dorian, Phrygian, AEolian, Lydian and Ionian; after Sappho and her Mixolydian mode, he longed for ...
— Melomaniacs • James Huneker
... said Mrs. Spooner loudly. "I don't care what Dick said." Dick Rabbit was the first whip, and seemed to have been much exercised with the matter now under dispute. "The fox never went into Grobby Gorse at all. I was there and saw Sappho give him a line ...
— The Duke's Children • Anthony Trollope
... hummed airs in bed, thought he would do for the ballad of the fair poetess what other musicians had done for the ballads of other fair poetesses, and dreamed that she smiled on him as her prototype Sappho smiled on Phaon. ...
— The Hand of Ethelberta • Thomas Hardy
... and lately, these Many dainty mistresses: Stately Julia, prime of all: Sappho next, a principal: Smooth Anthea for a skin White, and heaven-like crystalline: Sweet Electra, and the choice Myrrha for the lute and voice: Next Corinna, for her wit, And the graceful use of it: With Perilla: ...
— The Hesperides & Noble Numbers: Vol. 1 and 2 • Robert Herrick
... remained even more stationary than music. For, while about the middle or latter end of the seventh century, B.C., the names of Archilochus and Terpander adorn the page of musical history, followed by many others, including Alcaeus, Sappho, and Simonides, down to Pindar and his rival Corinna, the former of whom, according to the chronology of Dr Blair, died in 435 B.C. aged 86, it is evident, says Flaxman, "that sculpture was 800 years, from Daedalus to the time immediately preceding Phidias, in attaining a tolerable resemblance ...
— Blackwood's Edinburgh Magazine, No. 327 - Vol. 53, January, 1843 • Various
... balanced, the skull sufficiently flat; his eye was almond-shaped and dark-brown in colour, his expression keen and wise, entirely free from the soft look which we see on many of the faces to-day. Historical examples of the show Collie have also been seen in Champions Christopher, Anfield Model, Sappho of Tytton, ...
— Dogs and All About Them • Robert Leighton
... white pavement before his villa. A boy came forward from the garden; he had been walking amongst the vines and plucking the ripe grapes, and the juice had trickled down over his breast. Standing beside the girl, unashamed in the sunlight, he began to sing one of Sappho's love songs. His voice was as full and rich as a woman's, but purged of all emotion; he was an instrument of music in the flesh. Lucian looked at him steadily; the white perfect body shone against the roses and the blue of the sky, clear and gleaming as marble in the glare of the sun. ...
— The Hill of Dreams • Arthur Machen
... the beginning of the fifth century.—Alcaeus, a lyric poet, born about 600 B.C. at Mytilen, in the island of Lesbos, was driven out of his country by a tyrant and sang of his loves, his services as a warrior, his travels and the miseries of his exile. He was a contemporary of Sappho, and conceived a passion for her, which ...
— The Eleven Comedies - Vol. I • Aristophanes et al
... but did not Moliere frankly acknowledge the same practice? Mr. Hawkehurst wrote about anything and everything. His brain must needs be a gigantic storehouse of information, thought the respectful reader. He skipped from Pericles to Cromwell, from Cleopatra to Mary Stuart, from Sappho to Madame de Sable; and he wrote of these departed spirits with such a charming impertinence, with such a delicious affectation of intimacy, that one would have thought he had sat by Cleopatra as she melted her pearls, and stood amongst the audience of Pericles when he pronounced his funeral ...
— Birds of Prey • M. E. Braddon
... known thee to thy heart's own heart, Nor ever have given light ear to storied song That did thy sweet name sweet unwitting wrong, Nor ever have called thee nor would call for shame, Thou knowest, but inly by thine only name, Sappho—because I have known thee and loved, hast thou None other answer now? As brother and sister were we, child and bird, Since thy first Lesbian word Flamed on me, and I knew not whence I knew This was the song that struck my whole soul through, Pierced my keen spirit of sense with ...
— Songs of the Springtides and Birthday Ode - Taken from The Collected Poetical Works of Algernon Charles - Swinburne—Vol. III • Algernon Charles Swinburne
... night!" she said. "Do you know that poem of Sappho about her hands in the stars... I am curiously sapphic. And this is so remarkable—not only am I sapphic, I find in all the works of all the greatest writers, especially in their unedited letters, some touch, some sign of myself—some resemblance, some part of myself, like a thousand ...
— In a German Pension • Katherine Mansfield
... soar Over the whole earth, or go back in the past? While yet I mused, lo, up a garden walk, A lady chased a bird. An empty cage Stood in the vine-clad cottage-window near. The bird was like some sweet elusive thought; The maid, a Sappho, weary with pursuit. She only glanced my way to see me pass, Then turned and ran towards me, her large eyes With gladness scintillant. It was the maid, Veera. Her hand upon my shoulder, up the walk We went, my steed following, ...
— Stories in Verse • Henry Abbey
... Mr. Fett, cheerfully, addressing Billy. "You have taken the right classical way with her: think of Theseus and Ariadne, Phaon and Sappho. . . . We are back in the world's first best age; when a man, if he wanted a woman to wife, sailed in a ship and abducted her, as did the Tyrian sea-captain with Io daughter of Inachus, Jason with Medea, Paris with Helen ...
— Sir John Constantine • Prosper Paleologus Constantine
... lyric poet, an aristocrat by birth, a contemporary and an alleged lover of Sappho, and much admired by Horace; flourished ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... des Touches is charming as a woman of the world,—languid when she pleases, indolent, coquettish, concerned about her toilet, pleased with the airy nothings so seductive to women and to poets. She understands very well that after Madame de Stael there is no place in this century for a Sappho, and that Ninon could not exist in Paris without grands seigneurs and a voluptuous court. She is the Ninon of the intellect; she adores Art and artists; she goes from the poet to the musician, from the sculptor to the prose-writer. Her heart is noble, endowed with a generosity ...
— Beatrix • Honore de Balzac
... the attempt to adhere too closely to the text of the original and to reject paraphrase sometimes leads to results which can scarcely be described as other than the reverse of felicitous. An instance in point is Sappho's lines: ...
— Political and Literary essays, 1908-1913 • Evelyn Baring
... thou didst not tune alone The lyre that loving Orpheus smote With subtle touch, who struck the golden note That pierced dread Pluto's heart of stone, And won again Eurydice his own; Nor yet Erate's lute, nor Sappho's throat That thrilled the ear in Grecian isles remote, Where Homer sang, and Art had built her throne: But thou, Euterpe, touched blind Milton's tongue, And swept the thousand chords of Shakespeare's ...
— The Loom of Life • Cotton Noe
... here isn't Sappho!" he greeted her gaily. Missy blushed. Not for worlds had she suspected he was hearing her, that unlucky morning in the grape-arbour, when she recited her latest Poem to Miss Princess. Now she smiled perfunctorily, and started ...
— Missy • Dana Gatlin
... universities. A marvellous child, who at the spinning wheel, And in the daily round of household cares, Hath learned both Greek and Latin; and is now A favorite of the Duchess and companion Of Princess Anne. This beautiful young Sappho Sometimes recited to us Grecian odes That she had written, with a voice whose sadness Thrilled and o'ermastered me, and made me look Into the future time, and ask myself What destiny ...
— The Complete Poetical Works of Henry Wadsworth Longfellow • Henry Wadsworth Longfellow
... utterly, and found they were only half omnipotent. The justice was retributive, but it was very complete. Be sure, with those passionate natures, the honey of a thousand triumphs never deadened the sting of the one discomfiture. Suitors flocking from every shore and island of the AEgean never made Sappho forget, for one hour, that stubborn impassible Phaon. No wonder such are cruel and unjust to their subjects in after days. Poor innocent AEgeus very often has to do penance for the infidelity ...
— Guy Livingstone; - or, 'Thorough' • George A. Lawrence
... places of philosophers, poets, sculptors and statesmen. The hetera were their companions, their inspiration and their teachers. Aspasia, one of the greatest women of antiquity, was such an emancipated individuality. True to the urge of the feminine spirit, she, like Sappho, the poetess of Lesbia, sought to arouse the Greek wives to the expression of their individual selves. One writer says of her efforts: "This woman determined to do her utmost to elevate her sex. The one method of culture open to women at that time was poetry. There was no other form ...
— Woman and the New Race • Margaret Sanger
... Sappho struck the quivering wire, The throbbing breast was all on fire; And when she raised the vocal lay, The captive soul was ...
— Poetical Works of Johnson, Parnell, Gray, and Smollett - With Memoirs, Critical Dissertations, and Explanatory Notes • Samuel Johnson, Thomas Parnell, Thomas Gray, and Tobias Smollett
... is difficult to translate, but Sappho and Cleopatra expressed it in their lives; perhaps ardent in love ...
— Mystic Isles of the South Seas. • Frederick O'Brien
... b. near Doncaster, and ed. at Camb., after which he took orders. He translated Anacreon, Sappho, and other classics, modernised parts of the poems of Gavin Douglas, and was the author of the well-known song, The Brown Jug, and of two poems, Bramham Park and ...
— A Short Biographical Dictionary of English Literature • John W. Cousin
... up 'Sappho' and ordering her a book with a title that sounded like a college yell, she told me she was getting on a higher plane, and I bowed her out. Say, Hen—now wouldn't that jar you?—the Ex getting on a ...
— In the Heart of a Fool • William Allen White
... divide: We know what faces thro' that rose-flushed air Now bend above him: Shelley's face is there, And Hugo's, lit with more than kingly pride. Replenished there with splendour, the blind eyes Of Milton bend from heaven to meet his own, Sappho is there, crowned with those queenlier flowers Whose graft outgrew our skies, His gift: Shakespeare leans earthward from his throne With hands outstretched. He ...
— Collected Poems - Volume One (of 2) • Alfred Noyes
... thou—(and I marvel, I repeat, To find thee trip on such a mere word) "what Thou writest, paintest, stays; that does not die: Sappho survives, because we sing her songs, And AEschylus, because we read his plays!" Why, if they live still, let them come and take Thy slave in my despite, drink from thy cup, Speak in my place! "Thou diest while I survive?"— ...
— The Poetry Of Robert Browning • Stopford A. Brooke
... world. He looked at the sun and its worshippers—those who sought the origin of purity by worshipping that which is the origin of all good. He looked at the fables of Greece, and found delight in the thought of Sappho uttering her diapason of joy in lyrics which told of love and beauty; at Egypt, where the priests, in their esoteric cunning, searched in vain for that which gives life, and motion, and joy; and then he glanced at the Christian ...
— Ancient and Modern Celebrated Freethinkers - Reprinted From an English Work, Entitled "Half-Hours With - The Freethinkers." • Charles Bradlaugh, A. Collins, and J. Watts
... Astarte Mylitta on hyacinthine seas of night-clouds, and their high import, dimmed and lost in the great stream of Time, rises again in the ages, uncrowned with the early luxuriance of symbol and mystery. The mystic horns appear over the brow of the queenly Sappho of Grillparzer, upon ...
— Continental Monthly - Volume 1 - Issue 3 • Various
... English heroic, the French Alexandrine, is one thing. It is another that in Spenser's case alone can the invention of a complicated but essentially integral form be assigned to a given poet. It is impossible to say that Sappho invented the Sapphic, or Alcaeus the Alcaic: each poet may have been a Vespucci to some precedent Columbus. But we are in a position to say that Spenser did most unquestionably invent the English Spenserian stanza—a form only inferior in individual beauty to the sonnet, which is itself ...
— A History of English Literature - Elizabethan Literature • George Saintsbury
... better a poem than many a tasteless version of a Psalm: if in the excitement of patriotism, why is Scots, wha hae superior to We don't want to fight? if in the mitigation of the passions, the Odes of Sappho will win but little praise: if in instruction, Armstrong's Art of preserving Health ...
— Poetry for Poetry's Sake - An Inaugural Lecture Delivered on June 5, 1901 • A. C. Bradley
... the high hall held of rare and strange: For on the king's right hand Leoena bowed In cloudlike marble, and beside her crouched The tongueless lioness; on the other side, And poising this, the second Sappho stood,— Young Erexcea, with her head discrowned, The anadema on the horn of her lyre: And by the walls there hung in sequence long Merlin himself, and Uterpendragon, With all their mighty deeds, ...
— Atlantic Monthly, Volume 8, Issue 45, July, 1861 • Various
... the lyre Born upon Thracian lands, as foster child; And on its golden strings the restless beatings Of Sappho's and Erinna's ...
— Life Immovable - First Part • Kostes Palamas
... as exact as Sappho's lines, but I had in mind the "longshore" or "dory" fisherman, ...
— The Waste Land • T. S. Eliot
... (Chaucer), "Night-music's king" (Richard Barnfield, 1549), "Angel of the spring" (Ben Jonson), "Music's best seed-plot" (Crashaw), "Best poet of the grove" (Thomson), "Sweet poet of the woods" (Mrs. Charlotte Smith), "Dryad of the trees" (Keats), "Sappho of the dell" (Hood); but the foregoing list of simple adjectives (which doubtless could be greatly increased by a more extended poetical reading) sufficiently demonstrates the popularity of the nightingale as a poetical embellishment, and would, perhaps, tend to prove ...
— Notes and Queries, Number 182, April 23, 1853 • Various
... laugh or sneer, yawn or cavil. But as literature it looks back to Sappho and Catullus and the rest, and forward to all great love-poetry since, while as something that is even greater than literature—life—it carries us up to the highest Heaven and ...
— A History of the French Novel, Vol. 2 - To the Close of the 19th Century • George Saintsbury
... of youth, he left the young, The smiling gods of Greece; he passed the isle Where Jason loitered, and where Sappho sung, He sought the secret-founted wave of Nile, And of their old world, dead a weary while, Heard the priests murmur in their mystic tongue, And through the fanes went voyaging, among Dark tribes that worshipped ...
— Grass of Parnassus • Andrew Lang
... beauty worthy of some mythical Greek, some Simonides, some Sappho, but the rest of the lines are commonplace. Throughout his poems there are good bits, happy and golden lines, snatches of grace. He himself knew the quality of his poetry, and ...
— Emerson and Other Essays • John Jay Chapman
... you should go Into the earth, where Helen went; She is awake by now, I know. Where Cleopatra's anklets rust You will not lie with my consent; And Sappho is a roving dust; Cressid could love again; Dido, Rotted in state, is restless still: You leave me much against ...
— A Few Figs from Thistles • Edna St. Vincent Millay
... stored it with its sweets, but we can trace the veining in the wings of insects that flitted through the forests which are now coal-beds, kept unchanging in the amber that holds them; and so the passion of Sappho, the tenderness of Simonides, the purity of holy George Herbert, the lofty contemplativeness of James Shirley, are before us to-day as if they were living, in a few tears of amber verse. ...
— The Poet at the Breakfast Table • Oliver Wendell Holmes, Sr.
... wordy, and we could scarcely find a more deadly specimen of virtuous and didactic tragedy. Catharine was dreadfully disappointed, nor was she completely consoled by being styled—by no less a person than Sophia Charlotte, Queen of Prussia—"The Sappho of Scotland." She determined, however, to appeal to readers against auditors, and when, two years later, after still further revision, she published The Revolution in Sweden, she dedicated it in most grateful terms to the Duke of Marlborough's ...
— Some Diversions of a Man of Letters • Edmund William Gosse
... summers. Elsie Venner is not sensual, and sensuality is the leading trait of the human-serpent nature. Herein lies an error, just as a sculptor would err who should present Lady Godiva as fully draped, or Sappho merely as a sweet singer of Lesbos, or Antinous only as a fine young man. He who would harrow hell and rake out the devil, and then exhibit to us an ordinary sinner, or an opera bouffe "Mefistofele," as the result, reminds ...
— The Gypsies • Charles G. Leland
... Nuova;" a book, to find any equivalent for whose reality and completeness of passion, though it is passion for a woman whom the poet scarcely knows and of whom he desires nothing, we must go back to the merest fleshly love of Antiquity, of Sappho or Catullus; for modern times are too hesitating and weak. So at least it seems; but in fact, if we only think over the matter, we shall find that in no earthly love can we find this reality and completeness: it ...
— Euphorion - Being Studies of the Antique and the Mediaeval in the - Renaissance - Vol. II • Vernon Lee
... theologians pollution is synonymous with all pleasures with persons of the opposite or the same sex, which result in a waste of the elixir of life. In this sense, love between woman and woman is pollution and Sappho is a sinner ...
— The Satyricon, Complete • Petronius Arbiter
... stone, and executed in the worst possible taste. The names cut beneath them gave the whole the air of a practical joke. A weeping statue was Democritus; another, with grinning mouth, was labelled Heraclitus; an old man with a long beard was Sappho; and an old woman, Avicenna; ...
— The Memoires of Casanova, Complete • Jacques Casanova de Seingalt
... the other end of the room were two rickety card-tables and a stand of bookshelves where were displayed under dust four or five small volumes of M. Guy de Maupassant's stories, "Robinson Crusoe," "Sappho," "Mr. Barnes of New York," a work by Giovanni Boccaccio, a Bible, "The Arabian Nights' Entertainment," "Studies of the Human Form Divine," "The Little Minister," and a clutter of monthly magazines and illustrated weeklies of about that crispness one finds in such articles upon a doctor's ...
— The Magnificent Ambersons • Booth Tarkington
... The Revenge and his Ode on the Death of the Duke of Wellington are worthy of a place beside Thomson's Rule Britannia, that Edgar Allan Poe, Disraeli and Mr. Alfred Austin are artists of note whom we may affiliate on Byron, and that if Sappho and Milton 'had not high genius, they would be justly reproached as sensational'? And surely it is a crude judgment that classes Baudelaire, of all poets, with Marini and mediaeval troubadours, and a crude style that writes of 'Goethe, Shelley, Scott, and Wilson,' for a mortal ...
— Reviews • Oscar Wilde
... supernatural, the only great name that the student will find among the musical women of Greece is that of Sappho. The story of her life is known only in its general outlines, and even these have been the subject of many learned disputes. She was born near the close of the seventh century B.C., either at Mytilene or at Eresos in the island of Lesbos. She ...
— Woman's Work in Music • Arthur Elson
... of the ode are from the fictitious theology of Orpheus and Museus to the elegance and grace of Anacreon, Horace, and Sappho. It is mainly Horace whom Ogilvie has in view as the exemplar of the lyric poet, though "a professed imitator both of Anacreon and Pindar" (p. xxx). We can distinguish, therefore, several different criteria which ...
— An Essay on the Lyric Poetry of the Ancients • John Ogilvie
... thirty-five years old: the Epodes had taught him his power over lyric verse. He had imitated at first the older Roman satirists; here by Maecenas' advice he copied from Greek models, from Alcaeus and Sappho, claiming ever afterwards with pride that he was the first amongst Roman poets to wed Aeolian lays to notes of Italy (Od. III, xxx, 13). He spent seven years in composing the first three Books of the Odes, which appeared in a single volume about B.C. ...
— Horace • William Tuckwell
... was silence. But Eudora, true to the restless vivacity of her character, soon seized her lyre, and carelessly touching the strings, she hummed one of Sappho's ardent songs: ...
— Philothea - A Grecian Romance • Lydia Maria Child
... remarkably corresponding to the English, and not yet made endurable by being classic; and altogether, with my present fastidious nostril, I feel that I am the better off for possessing Athenian life solely as an inodorous fragment of antiquity. As to Sappho's Mitylene, while I am convinced that the Lesbian capital held some plain men of middle stature and slow conversational powers, the addition of myself to their number, though clad in the majestic folds of the himation and without cravat, ...
— Impressions of Theophrastus Such • George Eliot
... all," answered Lady Throckmorton. "Only innocent. But I can tell you all about Priscilla in a dozen words. Priscilla is a modern Sappho. Priscilla is an elderly young lady, who never was a girl—Priscilla is my ...
— Theo - A Sprightly Love Story • Mrs. Frances Hodgson Burnett
... whose eye, quick-glancing o'er the park Attracts each light gay meteor of a spark, Agrees as ill with Rufa studying Locke, As Sappho's diamonds with her dirty smock; Or Sappho at her toilet's greasy task, With Sappho fragrant at an evening masque: So morning insects that in muck begun, Shine, buzz, and fly-blow ...
— Essay on Man - Moral Essays and Satires • Alexander Pope
... melodies languish In "Chastelard's" strain, And "Abelard's" anguish Is love's pleasant pain! And "Sappho" rehearses Love's blessings and curses In ...
— Poems • Adam Lindsay Gordon
... Homer's craft Jock Milton thrives; Eschylus' pen Will Shakspeare drives; Wee Pope, the knurlin, 'till him rives Horatian fame; In thy sweet sang, Barbauld, survives Even Sappho's flame. ...
— The Complete Works of Robert Burns: Containing his Poems, Songs, and Correspondence. • Robert Burns and Allan Cunningham
... Lachsyrma is sad, and has not yet issued his edition of the newly discovered poems of Sappho unearthed in Egypt some time since—an edition awaited so impatiently by poets ...
— Masques & Phases • Robert Ross
... in a darkness that was the border of death. She realised how all her life she had been drawing nearer and nearer to this brink, where there was no beyond, from which one had to leap like Sappho into the unknown. The knowledge of the imminence of death was like a drug. Darkly, without thinking at all, she knew that she was near to death. She had travelled all her life along the line of fulfilment, and it was nearly concluded. She knew all she had to know, she had experienced ...
— Women in Love • D. H. Lawrence
... as we have set aside the comparison of Karschin with Sappho and of Willamov with Pindar; but no such development took place in Rome. Owing to the interest of the subject especially for aristocratic circles, and the great plastic talent of the poet, the Annals remained the oldest Roman original poem which ...
— The History of Rome (Volumes 1-5) • Theodor Mommsen
... thing, and although we possess no authentic examples of it, we know what its scales consisted of and what instruments were in use. It would be interesting to pass in review the tragedies of Aeschylus and Sophocles, the odes of Sappho and Pindar, those of the latter having a novel periodicity of form which gives force to the suggestion that these choric dances were the forerunners ...
— Critical & Historical Essays - Lectures delivered at Columbia University • Edward MacDowell
... sonnets, with others, were published by me elsewhere, as I state further on. The volume also contains some of my less faulty translations, as from Sappho, AEschylus, Pythagoras, Virgil, Horace, Dante, Petrarch, &c. And here I will give a chance specimen out of my "Septuagint of Worthies," to each one of whom I have appropriated a page or two of explanatory prose besides his fourteen ...
— My Life as an Author • Martin Farquhar Tupper
... me it appears clear, that they all spring from want of understanding. Whether this arises from a physical or accidental weakness of faculties, time alone can determine; for I shall not lay any great stress upon the example of a few women (Sappho, Eloisa, Mrs. Macaulay, the Empress of Russia, Madame d'Eon, etc. These, and many more, may be reckoned exceptions; and, are not all heroes, as well as heroines, exceptions to general rules? I wish to see women neither heroines ...
— A Vindication of the Rights of Woman - Title: Vindication of the Rights of Women • Mary Wollstonecraft [Godwin]
... considering the powers of evil were very real. Men instinctively accepted the existence of a kingdom of darkness, extending its borders over the sphere of knowledge as over the other sides of human activity. Greek was the language of some of the most licentious literature—Sappho's poems were burnt by the Church at Constantinople in 1073—and of many detestable heresies; and thus though the Council of Vienne, with missionary zeal, had recommended in 1311 that lectures in Greek—as in other languages of the heretical East—should be established in the universities ...
— The Age of Erasmus - Lectures Delivered in the Universities of Oxford and London • P. S. Allen
... Sappho, is it not? and pray was Sappho one of the nine muses? No; then of course she was the tenth—and was not she ...
— Blackwood's Edinburgh Magazine, Volume 61, No. 380, June, 1847 • Various
... Or as thy Sappho, when too fierce assailed By stern ingratitude her tender breast:— Her love by scorn repaid Her friendship true betrayed, Sick of the guileful earth, she sank for rest In the cold waves embrace; while ...
— Zophiel - A Poem • Maria Gowen Brooks
... where he had toiled were plowed by other hands. We saw the stream and banks where he and Mary sat together, the old stone church where the witches held their midnight revels, the two dogs, and the bridge of Ayr. With Burns, as with Sappho, it was love that awoke his heart to song. A bonny lass who worked with him in the harvest field inspired his first attempts at rhyme. Life, with Burns, was one long, hard struggle. With his natural love for the beautiful, the ...
— Eighty Years And More; Reminiscences 1815-1897 • Elizabeth Cady Stanton
... escritoire, he softly opened a side drawer, took out an oval-shaped engraving of his favourite Sappho, and compared the nose, chin, and ear with those of the unconscious girl. Satisfied with the result, he restored the picture to its hiding-place. Four years had materially changed the countenance he had seen ...
— Infelice • Augusta Jane Evans Wilson
... enthroned her sovereign lady of me, and of you all, and of this our humane Commonwealth. By golden Venus and her son, by Mars armipotent powerless in such toils, and by Vulcan in chains too cunning for his pincers; by Saints Ovid and Sappho, the Chian, the Mantuan, and the Veronese, ...
— Little Novels of Italy • Maurice Henry Hewlett
... me if I were to tell him, for instance, that the desire of beauty is in itself a morality." It was, perhaps, the only morality the Greeks knew, and upon the memory of Greece we have been living ever since. In becoming hetairae, Aspasia, Lais, Phryne, and Sappho became the distributors of that desire of beauty necessary in a state which had already begun to dream the temples of Minerva ...
— Memoirs of My Dead Life • George Moore
... Leucadia's cliff The Lesbian Sappho leap'd from in a miff, To punish Phaon; Icarus went dead, Because the wax did not continue stiff; And, had he minded what his father said, He had not given a name ...
— Jack Tier or The Florida Reef • James Fenimore Cooper
... certain happy days, happy hours, happy moments. The rest was a void. She had read that a man of letters must lose many days, to work well in one. Much more must a Sappho or a sibyl. The capacity of pleasure was balanced by the capacity of pain. 'If I had wist!—' she writes, 'I am a worse self-tormentor than Rousseau, and all my riches are fuel to the fire. My ...
— Memoirs of Margaret Fuller Ossoli, Vol. I • Margaret Fuller Ossoli
... mother's room. He kept it intact in its past. Uninhabited for nine years, the room had not the air of being resigned to its solitude. The mirror waited for the old lady's glance, and on the onyx clock a pensive Sappho was lonely because she did not hear the noise ...
— The Red Lily, Complete • Anatole France
... Iambics, quarried from the Parian stone; Following Archilochus in rhythm and stave, But not the words that dug Lycambes' grave. Yet think not that I merit scantier bays, Because in form I reproduce his lays: Strong Sappho now and then adopts a tone From that same lyre, to qualify her own; So does Alcaeus, though in all beside, Style, order, thought, the difference is wide; 'Gainst no false fair he turns his angry Muse, Nor for her guilty ...
— The Satires, Epistles, and Art of Poetry • Horace
... opera "Sappho" presented at the Manhattan Opera House, New York City, with Mary Garden in ...
— Annals of Music in America - A Chronological Record of Significant Musical Events • Henry Charles Lahee
... 250 years, when choral and patriotic song began to be developed. In connection with this part of the history, there was in the later portion of it a more ornamental and fanciful development of the smaller and social uses of song, represented by Sappho, Anacreon and others. This period endured for about two centuries and a half, and by insensible degrees passed into the Attic drama, which came to its maturity at the hands of AEschylus, Sophocles and Euripides ...
— A Popular History of the Art of Music - From the Earliest Times Until the Present • W. S. B. Mathews
... which madden'd Sappho gave, When from Leucate's craggy height she sprung, Could equal that which gave her to the grave, The last sad sound that ...
— Poems (1828) • Thomas Gent
... the harp of Pindar, and the impassioned song of the dark-eyed Sappho. I thought I heard the lofty epic of the blind Homer, rushing on in the red tide of battle, and the divine Plato discoursing like an oracle ...
— Gov. Bob. Taylor's Tales • Robert L. Taylor
... make a tragedy of this, Focus my fancied "Dante" to this theme, And leave my halfwrit "Sappho," which at best Is just another delving in the mine That gave me "Cleopatra" and the Sonnets? If you have genius, write my tragedy, And call it "Shakespeare, Gentleman of Stratford," Who lost his soul ...
— Toward the Gulf • Edgar Lee Masters
... forth a lament, and the lifeless tongue uttered words. "Eurydice, Eurydice," it cried, till head and lyre were carried down to the sea, and on to Lesbos, the isle of sweet song, where in after years Alcaeus and Sappho tuned afresh ...
— Young Folks Treasury, Volume 2 (of 12) • Various
... I've brought!" said Philip, entering the arbour and greeting Mrs. Comstock. "Borrowed it of the Bird Woman. And it isn't hers. A rare edition of Catocalae with coloured plates. I told her the best I could, and she said to try for Sappho here. I suspect the Bird Woman will be out presently. She ...
— A Girl Of The Limberlost • Gene Stratton Porter
... best gods goddesses, when you come to think of it? Women used to drive their own chariots, as we do our motors, and hold salons, like the French ladies. There was Rhodopis, for instance, who married the brother of Sappho. I wonder if Colonel Corkran could have told you that the story of Cinderella comes from an anecdote of Rhodopis? I hardly think that he's been able to spare enough time from bridge to study Strabo, who was the Baedeker of Egypt for tourists six hundred years before Christ. An eagle saw ...
— It Happened in Egypt • C. N. Williamson & A. M. Williamson |
