"Orchestral" Quotes from Famous Books
 ... learning, or brought learning to be its slave, till his first conceptions were often beyond the reach of elaboration, and remained so clear in his own mind that he could venture to perform in public concertos to which he had written only the orchestral or accessory parts. Other artists work seriatim; some can work only when the pen is in their hands; and the blotted page speaks eloquently enough of the artistic processes of mind to which their most passionate passages are subjected before ...
— Atlantic Monthly, Volume 3, No. 20, June, 1859 • Various
... enjoyed the orchestral concerts, and I attended a large number of them. I formed the acquaintance of a good many musicians, several of whom spoke of my playing in high terms. It was in Berlin that my ...
— The Autobiography of an Ex-Colored Man • James Weldon Johnson
... he could hear the torrent itself singing its mad song of freedom after escaping from the icy caverns of the Forno glacier. Quite near, on the right, the tiny cascade that marks the first seaward flight of the Inn mingled its sweet melody with the orchestral thunder of the more distant cataracts plunging down the precipices toward Italy. It was a night when one might listen to the music of the spheres, and Spencer was suddenly jarred into unpleasant consciousness of his surroundings by the raucous ...
— The Silent Barrier • Louis Tracy
... the suburbs are circuses, open-air theaters, concert gardens, and other forms of entertainments, simple and serious. A number of fine restaurants are maintained in the parks, where people can get a good dinner and spend the evening under the cool foliage, listening to an orchestral concert or a band. Every form of outdoor amusement is furnished, and the people eat, drink, and are merry, making the most of their time from June to September before the long and ...
— Norwegian Life • Ethlyn T. Clough
... cannot be doubted. Its pages are packed full of these fascinating renderings. The accounts of each composer are succinct and yet sufficient. The author has done a genuine service to the world of music lovers. The comprehension of orchestral work of the highest character is aided efficiently by this volume. The mechanical execution of the volume is in harmony with its subject. No worthier volume can be found to put into the hands of an amateur or a ...
— Education and the Higher Life • J. L. Spalding
... man's heart are continually travelling. Obliquely we were nearing the sea upon our left, which also must, under the present circumstances, be repeating the general state of halcyon repose. The sea, the atmosphere, the light, bore an orchestral part in this universal lull. Moonlight, in the first timid tremblings of the dawn, were now blending: and the blendings were brought into a still more exquisite state of unity, by a slight silvery mist, motionless and dreamy, ...
— Miscellaneous Essays • Thomas de Quincey
... and to-day rain and a rough sea stopped the unloading. Mr. Keytel has brought a gramophone and has given a concert at the Repettos' house. I have never enjoyed a gramophone so much as I have this one, more particularly the orchestral part. ...
— Three Years in Tristan da Cunha • K. M. Barrow
... lips when the soft tones of hidden oriental gongs began to chime the call for dinner. The chimes melted into a beautiful piece of orchestral music which seemed to steal from the sky, so skilfully ...
— The Root of Evil • Thomas Dixon
... stopped his enthusiasm. Being a traveller of years' experience, I was not to be outwitted. As he would not stop the music, I stopped hearing it by stuffing my ears tight with cotton-wool. So I slept soundly enough, notwithstanding the orchestral entertainment. At sunrise, when I opened my eyes again, the boy was still at it. I removed the cotton from my ears ... yes, indeed, ...
— Across Unknown South America • Arnold Henry Savage Landor
... they had been going into church; yet the firing of a cannon or two more or less would hardly have disturbed the performers at the two pianos, so tremendous was their own uproar. They were taking the overture in what they called orchestral time; though it is doubtful whether even their playing could have kept pace with the hurrying of excited fiddles in a presto passage, or the roll of the big drum, simulating distant thunder. Be that as it may, the four performers ...
— The Golden Calf • M. E. Braddon
... of their own Scotch songs—the enthusiasm, the applause—it is like fire going through the nerves. Well, it is very pleasant, but it is not enough employment, even though I get one or two other engagements, like the Edinburgh Orchestral Festival. No, it is not enough; but then I began to sing at musical evenings, in the fashionable private houses, and also to give lessons in the daytime; and then it was I began to know the kindness of ...
— Prince Fortunatus • William Black
... to madness. I believe One day he'll have me pardoned for that...crime, When I escaped—deserted, some would say— From those drill-sergeants in my native land; Deserted drill for music, as I now Desert my music for the orchestral spheres. No. This new planet is only new to man. His majesty has done much. Yet, as my friend Declared last night, "Never did monarch buy Honour so cheaply"; and—he has not bought it. I think that it should bear some ancient ...
— Watchers of the Sky • Alfred Noyes
... Mr. Alwynn, as if her reason were a weighty one, his memory possibly recalling the orchestral flourish which as a rule heralded his wife's return to consciousness. "True, true, my dear. I must be going," as the chime ceased. "Are you coming to ...
— The Danvers Jewels, and Sir Charles Danvers • Mary Cholmondeley
... the strained, incessant strings seemed to breathe the wild complaint of lost souls; the multitudinous tread of gliding feet, the lingering sweep of silken skirts, the faint, sweet perfume of exotic flowers, all had a new and strange significance; the effect of an orchestral fugue wearily repeating the expression of a frenzied heartlessness, ...
— A Comedy of Masks - A Novel • Ernest Dowson and Arthur Moore
... "Hexameron" last, so as to finish with orchestra. Please, therefore, have the "Etudes" and the "Carnaval" put after the Mendelssohn Concerto! [Refers to Liszt's third concert in Leipzig, on March 30th, 1840, for the benefit of the Orchestral Pension Fund.] ...
— Letters of Franz Liszt, Volume 1, "From Paris to Rome: - Years of Travel as a Virtuoso" • Franz Liszt; Letters assembled by La Mara and translated
... orchestral conductor who reproaches the solo singers with their want of respect for the composer, because he hears at times interpolations or changes which find no place in his own score. The singers are accused of "altering the ...
— Style in Singing • W. E. Haslam
... and the roar of the flames, the constant explosions of dynamite, the loud vicious crackling of wood, the rending and splitting of masonry, the hoarse impact of walls as they met the earth, was the scene's wild orchestral accompaniment and, despite underlying apprehension and horror, gave Gora one of the few pleasurable sensations ...
— The Sisters-In-Law • Gertrude Atherton
... performance of the "Dante Symphony" in Dresden (partly, moreover, the fault of the bad, incorrectly written orchestral parts, and my careless conducting), and without regard to the rapture of the spiritual substance (a matter which the general public tolerates only when demanded by the higher authority of tradition, ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated
... the significance of such treatment, this reminiscence is one of the most sublime touches in all musical drama. The fascinating orchestral Scherzo of Richard Strauss's Till Eulenspiegel's Merry Pranks likewise begins with ...
— Music: An Art and a Language • Walter Raymond Spalding
... as wanting in study and finish. He objected to much of the modern music, as dwelling too constantly on the highest notes of the voice, whereby it is very soon deteriorated, and the singer forced to scream; besides which, he considered the orchestral accompaniments too loud. I, who recollected Pasta, Malibran, Grisi, Rubini, and others of that epoch, could not help agreeing with him when I compared them to the singers I heard at the Pergola and elsewhere. ...
— Personal Recollections, from Early Life to Old Age, of Mary Somerville • Mary Somerville
... time went on. The work of all others which made the deepest impression on Schubert's mind at this stage, however, was Mozart's 'G minor Symphony.' 'One can hear the angels singing in it,' he used to say. But he revelled also in the overtures to 'Figaro' and the 'Zauberfloete,' and, indeed, the orchestral music to which he was now introduced opened up to his mind a vista of ...
— Story-Lives of Great Musicians • Francis Jameson Rowbotham
... generation an advance in material complexity is obvious, even though the complexity may often enough be one of accidentals rather than essentials. An orchestral score of Wagner is relatively simple in comparison with one of Delius or Ravel or Scriabin or Stravinsky or Schoenberg; and the demands on performers' technique and also on their intelligence have steadily increased to heights altogether unknown before. The composer ...
— Recent Developments in European Thought • Various
... their very best advantage in the relative place which a sovereign God has assigned them in the scale of intelligence, by holding that relation to the end of time. Of course it would cease to be a curse; it would become one of those subordinate parts in the great orchestral music of life which subdue and soften it for the highest effect. If any one gets angry at such an idea, I leave him to his folly; for he is angry without a cause at me, who have, in this idea, expressed no wish that it ...
— The Sable Cloud - A Southern Tale With Northern Comments (1861) • Nehemiah Adams
... Fauna, go down to the bosom of our common mother to rest in death. I love the companionship of the forest. There is an elevation of soul in this communion with incorruptible nature: there is sincerity and truth in the hills and valleys—in the trees and vines, and music—grand orchestral music—in the moaning of the limbs and leaves, played upon by the hurrying winds. I have prayed to be a savage, and to live in ...
— The Memories of Fifty Years • William H. Sparks
... sympathy—and evidence of which it often vexed him to observe, as if it were a barrier between them, when her rapt face revealed feelings unknown to him as she looked into the sunset; as she stood at the door on summer nights while bell-notes and flower-scents went by on the wind; as she listened to orchestral music which in his ears was a noisy snarl. But, for all that, he said to himself that this ideal intelligence, so to call it, of Lilian's, was something higher than his own rude senses; he had no wish to place her on a lower level; he must do away the barrier by surmounting ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 87, March, 1875 • Various
... I chanced to come in at the time, I never gave him credit for much talent, but I saw that he took great pains in giving his lesson; and when we entered into conversation about violin, concert, and orchestral playing, he reasoned very well, and was always of my opinion, so I retracted my former sentiments with regard to him, and was persuaded that I should find him play well in time, and a correct violinist in the orchestra. I, therefore, invited ...
— The Letters of Wolfgang Amadeus Mozart, V.1. • Wolfgang Amadeus Mozart
... Hadria had returned, thrilled and inspired by a magnificent orchestral performance at the Chatelet, she found Madame Vauchelet, M. Thillard, and the great Jouffroy waiting in her salon. Jouffroy was small, eccentric, fiery, with keen eager eyes, thick black hair, and overhanging brows. M. Thillard reminded Madame Temperley of her kind permission ...
— The Daughters of Danaus • Mona Caird
... watched it function. Besides, there was a great artillery racket all night long. It appeared to be coming from our sector, so you must have heard it as well. This hospital is not very far back and we get the full orchestral effect of heavy firing. The result is that I am dead tired to-day. I believe I can sleep for ...
— High Adventure - A Narrative of Air Fighting in France • James Norman Hall
... word, art and life and religion went hand in hand, not sharply sundered by castes and professions. But we may not put back the clock, and, if by differentiation we lose something, we gain much. The old choral dance on the orchestral floor was an undifferentiated thing, it had a beauty of its own; but by its differentiation, by the severance of artist and actors and spectators, we have gained—the drama. We may not cast reluctant eyes backwards; the world goes forward to new forms of life, and the Churches ...
— Ancient Art and Ritual • Jane Ellen Harrison
... music above impure, i. e., instrumental above mixed. I dislike grand opera as a miserable mishmash of styles, compromises, and arrant ugliness. The moment the human voice intrudes in an orchestral work, my dream-world of music vanishes. Mother Church is right in banishing, from within the walls of her temples the female voice. The world, the flesh, and the devil lurk in the larynx of the soprano or alto, and her place is before the footlights, not as a vocal staircase to paradise. I say ...
— Ivory Apes and Peacocks • James Huneker
... musician with a thorough knowledge of orchestral and band instruments, harmony, theory, and orchestration but during the last few years none but intimate frequenters of his home had the privilege of hearing him, although until within the last two or three years ...
— Northern Nut Growers Association Report of the Proceedings at the 13th Annual Meeting - Rochester, N.Y. September, 7, 8 and 9, 1922 • Various
... must have at least once in their lives experienced feelings which may give them a clue to the exalted sensuous raptures of my triumphal march. The view of a sublime mountain landscape, the hearing of a grand orchestral symphony, or of a choral upborne by the "full-voiced organ," or even the beauty and luxury of a cloudless summer day, suggests emotions similar in kind, if less intense. They took a warmth and glow from that pure animal joy which degrades not, but spiritualizes and ennobles ...
— The Lands of the Saracen - Pictures of Palestine, Asia Minor, Sicily, and Spain • Bayard Taylor
... devil wants to boil his "Tea-kettle," or stir his "Mush-pot," or whirl his "Grist-mill," let him do it in his own territory. Meanwhile, let the water and the fire and the vapor, at the lift of David's orchestral ...
— Around The Tea-Table • T. De Witt Talmage
... to an orchestral "bar" near by and supped. When I came back the porter asked quietly for the thousand, and gave me the key of "Number Five." "At your ...
— Europe—Whither Bound? - Being Letters of Travel from the Capitals of Europe in the Year 1921 • Stephen Graham
... note from Brantome, informing her that if she went to a certain orchestral concert she would hear a piece that David Verne had written at the height of ...
— Sacrifice • Stephen French Whitman
... his parents' house. We have a Polonaise (D minor) and a Nocturne (E minor) of 1827, and another Polonaise (B flat) and the Rondo for two pianos of 1828. The Sonata, Op. 4, and La ci darem la mano, varie for pianoforte, with orchestral accompaniments, belong also to this time. The Trio (Op. 8), although not finished till 1829, was begun and considerably advanced in 1828. Several of the above compositions are referred to in a letter written by him on ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... the evening the hall was filled to overflowing, and ushers were appointed to seat the crowd. Naturally there was much chattering and scraping of feet until suddenly a strain of music, an orchestral selection, began to come out of the horn and there was instant quiet. After its conclusion came ...
— Radio Boys Cronies • Wayne Whipple and S. F. Aaron
... illuminated garden fete such as the Emperor of Austria gave for the Shah of Persia at Schoenbrunn would at that time have been impossible. The same might be said of certain forms of musical entertainment; for example, concerts. Society in that age would have shuddered at the orchestral music of to-day, and the ear-splitting drums would have appeared barbarous to the Italians of the Renaissance, just as would the military parades, which are still among the favorite spectacles with which distinguished guests are either honored or intimidated at the great courts of Europe. ...
— Lucretia Borgia - According to Original Documents and Correspondence of Her Day • Ferdinand Gregorovius
... of significant works—operas, oratorios, symphonies and other choral and orchestral works—are chronicled as carefully as possible; also the first appearance in ...
— Annals of Music in America - A Chronological Record of Significant Musical Events • Henry Charles Lahee
... Orchestral concerts in those days did not exist; concerts of any kind were rare, and the best were to be heard in that historic room over Thomas Britton's small coal shop, in Clerkenwell, where Handel himself sometimes ...
— Handel • Edward J. Dent
... plans, melodies glowed within him. To create, to do, to accomplish; to know the white glory of mighty midnights and the pale Amen of dawns was his day of days. Songs, pianoforte and violin pieces, trios and quintets for strings, incidental music, symphony, orchestral, and choral works rushed from his fingers. Nor were they laboriously contrived or light, thin things made to meet sudden popularity. Rather they were the flaming bits that must be said and sung,—that could not wait ...
— Darkwater - Voices From Within The Veil • W. E. B. Du Bois
... and their hair, caught the reflection of the radiant electric lights and the glory of the superb decorations, and their natural pulchritude was enhanced in impressiveness thereby. The "frou frou" of silks and satins; the enchanting orchestral offerings; the brilliant illuminations; the alluring decorations, and the intoxication of the dance made the event one of the most markedly successful in the ...
— The So-called Human Race • Bert Leston Taylor
... a gallant display of autumnal colors we had on that morning. Our little friends of the summer time are flitting here and there through the naked branches in silent confusion. There are no green boughs behind which to conceal their orchestral moods. Besides, their inspiration is gone, their singing hearts are benumbed by the cold. But for your letter thrust somewhere I could not have escaped the ghost of sadness that seemed to haunt ...
— The Jessica Letters: An Editor's Romance • Paul Elmer More
... of the legal firm of Beale, Marigold, and Beale. Mr. Beale's chief public service was rendered in connection with the General Hospital and the Musical Festivals. He was for many years a member of the Orchestral Committee of the Festivals, and in 1870 he succeeded Mr. J.0. Mason as chairman; retaining this position until after the Festival of 1876. His death took place in July, 1880, he then being ...
— Showell's Dictionary of Birmingham - A History And Guide Arranged Alphabetically • Thomas T. Harman and Walter Showell
... or two ambitious orchestra conductors in America; one in Chicago trying to introduce the Wagnerian polyphonic school, and perhaps one or two in New York; but the public clamoured after divas, prima donnas and tenors with temperaments and vocal pyrotechnic skill. For orchestral music there was little demand. Wagner was as yet unknown to the public—certainly he was unheard except on the rarest occasions and the majority of musicians did not like him because ...
— The Music Master - Novelized from the Play • Charles Klein
... neighbour of mine out here. He thinks as I do about our dreadful war literature. What does flourish is a faculty of musical improvisation. All last night I heard the loveliest symphonies, fully orchestral; and I am bound to say that they owed their best to the great music that ...
— Letters of a Soldier - 1914-1915 • Anonymous
... still thought of those wine-skins in yielding to the claims of the cathedral on my wonder and reverence when now for the second time we came to it. The funeral ceremony of the dean was still in course, and after listening for a moment to the mighty orchestral music of it—the deep bass of the priests swelling up with the organ notes, and suddenly shot with the shrill, sharp trebles of the choir-boys and pierced with the keen strains of the violins—we left ...
— Familiar Spanish Travels • W. D. Howells
... truest of friends in need. It is so obvious that a solitary of any culture will find relief with such companions, that here I take for granted his resort to their aid, and will only mention two resources from which the real recluse often draws less advantage than he might, I mean orchestral music and the drama. Any man of feeling who hears a great symphony ceases to be self-centred with the first movement; he goes out of himself, and rides upon waves of sound, exalted by this majesty of collective effort. No other music thrills his whole being like this, which ...
— Apologia Diffidentis • W. Compton Leith
... the dark—for the car lamps went out at the same time with the lantern—I could hear those fellows pulling and hauling up and down the aisle and scuffling over the floor, and through all Melford bellowing away, like an orchestral accompaniment to a combat in Wagner opera, but getting quieter and quieter till his bellow died away altogether. At the same time the row in the aisle of the car stopped, and there was perfect silence, and I could hear the snow rattling against my window. ...
— Between The Dark And The Daylight • William Dean Howells
... at first only as dust. And the people became musicians, and the mountainous amphitheatre a huge orchestra, and the glaciers were two noble armies of women-singers in white robes, ranged tier above tier behind each other, and the pines became orchestral players, while the thick dust-like cloud of chorus-singers kept pouring in through the clefts in the precipices in inconceivable numbers. When I turned my telescope upon them I saw they were crowded up to the ...
— Selections from Previous Works - and Remarks on Romanes' Mental Evolution in Animals • Samuel Butler
... the sweet perfume of Latin adulation despite the fact that he scarcely knew the language. A sonnet by Illica moved him actually to tears. Other inscriptions were meaningless to him—the lines from Hans Keller, especially, the great orchestral conductor, disciple and confidant of Wagner, the artistic executor, charged with watching over the master's glory—that Hans Keller of whom Leonora was speaking all the time with the fondness of a woman and the admiration of an artist—all of which did ...
— The Torrent - Entre Naranjos • Vicente Blasco Ibanez
... The antlers of Adirondack deer rattle under the shot of city sportsmen. The trout make fatal snaps at the hook of adroit sportsmen and toss their spotted brilliance into the game-basket. Already the baton of the orchestral leader taps the music-stand on the hotel green, and American life puts on festal array, and the rumbling of the tenpin alley, and the crack of the ivory balls on the green-baized billiard tables, ...
— New Tabernacle Sermons • Thomas De Witt Talmage
... work, would soon be no less great than in their musical enjoyment, if having been accustomed only to hear black Christys, blind fiddlers, and hoarse beggars scrape or howl about their streets, they were permitted daily audience of faithful and gentle orchestral rendering of the work ...
— Ariadne Florentina - Six Lectures on Wood and Metal Engraving • John Ruskin
... had the satisfaction of knowing that to any lovely infinitesimality yonder you showed no bigger than a carpet-tack. The whole performance now seemed to be worked by those tireless figures pumping at the organ, in obedience to signals from a very alert figure on the platform below. The choral and orchestral thousands sang and piped and played; and at a given point in the scena from Verdi, a hundred fairies in red shirts marched down through the sombre mass of puppets and beat upon ...
— Suburban Sketches • W.D. Howells
... indicated his tempi a little more clearly," I remarked as I finished Sarka for the third time. "It matters, because he really has something to say. An orchestral accompaniment would be better, ...
— Youth and the Bright Medusa • Willa Cather
... is 1,600 feet long and 380 wide, and at the transept is nearly 200 feet in height. Exhibition-rooms, reading-rooms, restaurants, and a vast orchestral auditorium were included under one roof, with bazaars and small shops ...
— Dickens' London • Francis Miltoun
... and Bowing. Faults and their Correction. Scales and their Importance. Course of Study. Advice on Elementary Matters. Concerning Harmonics, Octaves, etc. Orchestral Playing. Some Experiences as a Soloist. With full page portraits of Carrodus, Molique, Paganini, Spohr, Sivori, De Beriot, Blagrove and Sainton, and a photo-reproduction of Dr. ...
— The Repairing & Restoration of Violins - 'The Strad' Library, No. XII. • Horace Petherick
... truth. The eye recomposes what the brush has dissociated, and one finds oneself perplexed at all the science, all the secret order which has presided over this accumulation of spots which seem projected in a furious shower. It is a veritable orchestral piece, where every colour is an instrument with a distinct part, and where the hours with their different tints represent the successive themes. Monet is the equal of the greatest landscape painters as regards the comprehension of the true character of every soil he has studied, ...
— The French Impressionists (1860-1900) • Camille Mauclair
... arts, he had been taught nothing. He had never seen a great picture or statue, nor heard great orchestral or solo music; and he had no idea that architecture was an art and emotional, though it moved him in a very peculiar fashion. Of the art of English literature, or of any other literature, he had likewise been taught nothing. But he ...
— Clayhanger • Arnold Bennett
... wear chains for dancing? The limitations necessary to the drama before it can be fitted to the stage are but hindrances and disabilities to the writer of a book. Where can we find more spilt wealth than in the plays of Swinburne, where all the magnificent speech builds up no structure, but wavers in orchestral floods, without beginning or ending? It has been said that Shakespeare will sacrifice his drama to his poetry, and even "Hamlet" has been quoted against him. But let "Hamlet" be rightly acted, and ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... introduction of harp passages in their orchestral scores, owing to the paucity of harpists. In some cases, composers have written harp passages beyond the possibility of execution by a single harpist, and the difficulty and cost of providing two harpists have been inevitable. These difficulties will disappear, and composers may give full play ...
— Scientific American Supplement, No. 643, April 28, 1888 • Various
... and the world grew weary of them. And then the faint, fading flowers of romanticism were put into albums where their purple harmonies and subtle sayings are pressed into sweet twilight forgetfulness. Berlioz, mad Hector of the flaming locks, whose orchestral ozone vivified the scores of Wagnerand Liszt, began to sound garishly empty, brilliantly superficial; "the colossal nightingale" is difficult to classify even to-day. A romantic by temperament he unquestionably was. But then his music, all ...
— Chopin: The Man and His Music • James Huneker
... heard since then that the French horn has a compass of only four octaves and is principally useful as an orchestral adjunct; that, in short, its ability is limited and its use as a solo instrument slight. All I can say is that the person who said that doesn't know a French horn; anyway, he doesn't know McTurkle's French horn. Four octaves be blowed! McTurkle went fourteen, or ...
— The New Boy at Hilltop • Ralph Henry Barbour
... was surrounded by beautiful gardens, in which were many rare tropical trees and shrubs. From the Casino came the sound of orchestral music. Throngs moved about on the verandas; couples or little groups strolled through the gardens. Inside, the play had hardly begun. Gambling does not reach ...
— Dave Darrin on Mediterranean Service - or, With Dan Dalzell on European Duty • H. Irving Hancock
... actual scene, and imagines one's self one of the audience. It also points out a very characteristic feature of these concerts—namely, the preponderance of the fair sex. As regards Chopin's playing, the writer remarks that the genre of execution which aims at the imitation of orchestral effects suits neither ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... technical defects. We must all commend every evidence of intellectuality in music, but this does not imply that we should accept good intentions for execution—performance. Let us have every possible development of orchestral music; let every village have, if possible, its choral society, but let none enter it who have ...
— Voice Production in Singing and Speaking - Based on Scientific Principles (Fourth Edition, Revised and Enlarged) • Wesley Mills
... along the lines of history, or orthodox belief, as unreservedly in his "Christus" as he had done in his "Moses." The work may be said to have brought his creative activities to a close, although two compositions (a set of six pianoforte pieces and an orchestral suite) appear in his list of numbered works after the sacred opera. He died on November 20, 1894, without having seen a stage representation of it. Nor did he live to see a public theatrical performance of his "Moses," though he was privileged to ...
— A Second Book of Operas • Henry Edward Krehbiel
... concerto is usually expanded by the addition of periodically recurring sections, called the "tutti-passages," and by a "cadenza," occurring generally within the regular coda. In some concerto-allegros (for instance, in the classic forms of Mozart, Beethoven and others), the first orchestral tutti is a complete introductory Exposition, in concise form, of the thematic material used in the body of the movement. See the first piano-forte concerto of Beethoven, ...
— Lessons in Music Form - A Manual of Analysis of All the Structural Factors and - Designs Employed in Musical Composition • Percy Goetschius
... limits for all the rest. In the line of purely instrumental music this has been done by Bach, Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Chopin, Liszt, and Wagner. The latter, who exercised a vast influence upon the manner of developing a musical thought and in the selection of the orchestral colors in which it can be expressed advantageously, powerfully stimulated all composers later than himself, nevertheless exerted this influence at second-hand, so to say, never having written purely ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews
... often 'dot' a note for the sake of emphasizing | | the accent, especially in orchestral music and with such | | instruments as the flute, where variations of stress are | | difficult to produce. ...
— The Principles of English Versification • Paull Franklin Baum
... it had lain long in fallow. Herbs in great variety were just emerging from the recently watered earth, and the splendid morning did ample justice to the vernal scene. The charm of a beginning seemed to pervade all nature, and the songs of many birds sounded like the orchestral music before the commencement of any theatrical performance. Such a morning, in such a place, was quite incompatible with the brow of care. Here was an almost boundless extent of the richest surface in a latitude corresponding to that of China, yet still ...
— Journal of an Expedition into the Interior of Tropical Australia • Thomas Mitchell
... the apartment, and the musicians gathered about it. Fred was surprised and delighted to find that the young Bartons were all really accomplished musicians, and their instruments blended in sweetest harmony. So they played a number of orchestral pieces that were received with great applause by the audience. Then solos, duets, trios, quartettes, choruses, etc., were sung, and it is not probable that the Barton family ever spent so delightful an evening in their lives. And let us just contemplate ...
— Doctor Jones' Picnic • S. E. Chapman
... less degree in the cults which claim the allegiance of the lower leisure class and of the middle classes. There is a reversion to the use of colored lights and brilliant spectacles, a freer use of symbols, orchestral music and incense, and one may even detect in "processionals" and "recessionals" and in richly varied genuflexional evolutions, an incipient reversion to so antique an accessory of worship as the sacred dance. This reversion to spectacular observances is not confined ...
— The Theory of the Leisure Class • Thorstein Veblen
... your friend would be more satisfactory, just as a sensory experience. You may be able to run over a piece of music "in your head", and if your auditory imagery is strong you may even run over an orchestral piece, and get the tone quality of the various instruments; but, after all, such a mental concert is an imperfect substitute for a real orchestra. You enjoy a real whiff of the sea more than the best olfactory image you can summon. There ...
— Psychology - A Study Of Mental Life • Robert S. Woodworth
... conductors and orchestral players were extraordinarily sensitive to sartorial influences. Unfortunately the force of tradition was so strong that he found it impossible to indulge his tastes. It was de rigueur to conduct in either a frock or an evening coat, but if he had his own way he would vary his garb for every composer. ...
— Punch, or the London Charivari, Vol. 146, January 28, 1914 • Various
... established west-gallery musicians, with some supplementary descriptions of similar officials in Two on a Tower, A Few Crusted Characters, and other places, is intended to be a fairly true picture, at first hand, of the personages, ways, and customs which were common among such orchestral bodies in the villages of fifty or sixty ...
— Under the Greenwood Tree • Thomas Hardy
... precipitately the debate concerning the ancestors of her coachman, and, springing from the moving carriage, plunged in and proceeded to clear a way to the hall. Once within, she turned and began to push the other way, roaring, meantime, "Eik! Eik! Uzdaryk-duris!" in tones which made the orchestral uproar ...
— The Jungle • Upton Sinclair
... read, say, Mr. Krehbiel's "How to Listen to Music" (which can be got at any bookseller's for less than the price of a stall at the Alhambra, and which contains photographs of all the orchestral instruments and plans of the arrangement of orchestras) you would next go to a promenade concert with an astonishing intensification of interest in it. Instead of a confused mass, the orchestra would appear to you as what it is—a marvellously balanced ...
— How to Live on 24 Hours a Day • Arnold Bennett
... of the American Institute Fair. Passing these lines of Rinkd brightness long drawn out, (SHAKESPEARE) the three dismounted horsemen entered the building and seated themselves. A mighty murmur of applause rose from the chorus, as BERGMANN stepped to the front and ordered his orchestral army to advance upon BEETHOVEN'S Sympony in C. This what they ...
— Punchinello, Vol. 1, No. 14, July 2, 1870 • Various
... baron may well do such a thing) to give him a good box on the ear. How gladly would I work and work, if it were only left me to write always such music as I please, and as I can write; such, I mean to say, as I myself set some value upon. Thus I composed three weeks ago an orchestral symphony, and by to-morrow's post I write again to Hoffmeister (the music-seller) to offer him three pianoforte quatuors, supposing that he is able to pay. Oh heavens! were I a wealthy man, I would say, 'Mozart, compose ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 361, November, 1845. • Various
... I The faded voices she had heard that morning singing dreary hymns were more wonderful than his orchestral dreams. Nor did she find the spiritual stimulus she needed in Pater's Imaginary Portraits. Some moody souls reflecting with no undue haste, without undue desire to arrive at any definite opinion concerning certain artistic ...
— Evelyn Innes • George Moore
... Felix replied. "It was the Tschaikovsky Fourth that fixed him, Mawruss. I told him that young feller carries round with him an orchestral score, and right away he says he would come up. For years I seen Mr. Steuermann at the Philharmonics and the Boston Symphonies, Mawruss, and I didn't know who he was at all. I always thought he was something to do with a ...
— Abe and Mawruss - Being Further Adventures of Potash and Perlmutter • Montague Glass
... to me. Herr Nikisch says that when I do it that way, I make very few blunders, but I know I can never be a composer until I have mastered all the branches of musical theory. I am now writing a symphony. I played some parts for Herr Nikisch and he has agreed to produce it. Of course, the orchestral parts will have to be written for me, but I know what instruments I ...
— Great Pianists on Piano Playing • James Francis Cooke
... proceedings. Liszt was to arrive and be married on his fiftieth birthday, the princess then being forty-two. All went merrily as a marriage bell. It is generally believed that Liszt's "Festklaenge" was written for this occasion as a splendid orchestral wedding festival ...
— The Love Affairs of Great Musicians, Volume 2 • Rupert Hughes
... Chesterfield—a musician—an artist. Where Mr. Travis could not dance without stepping on everybody in the room, Mr. Raffin was a veritable Mordkin. Where Mr. Travis hung out with a bunch of no-good crap-shooting black buck niggers, Mr. Raffin's orchestral duties brought him into the most cultured s'ciety. In short, the yellow man from Haiti was a gentleman; the black man ...
— O. Henry Memorial Award Prize Stories of 1920 • Various
... she delivered her balsam to the faithful Gurnemanz, and thrown herself exhausted upon the grass—where she lies gnawing her hair morosely—than a change in the sound atmosphere, which never ceases to be generated in the mystic orchestral gulf, presages the approach ...
— Parsifal - Story and Analysis of Wagner's Great Opera • H. R. Haweis
... Mozart, and the "Lobgesang" by Mendelssohn; and for the last, and we trust many last, "Israel in Egypt." All this will be but so much rehearsal for the grander Festival to follow. We have no organized orchestral or symphony society, as we should have; but we have with us always the elements of a good orchestra, who always work well together, and never better than last year under the enterprise and drill of ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... uproar that was raging around the head of Ben Kyaw. Sheets of mingled spray and rain were driven in our faces. All round the isle of Aros the surf, with an incessant, hammering thunder, beat upon the reefs and beaches. Now louder in one place, now lower in another, like the combinations of orchestral music, the constant mass of sound was hardly varied for a moment. And loud above all this hurly-burly I could hear the changeful voices of the Roost and the intermittent roaring of the Merry Men. At that hour, there flashed into my mind the ...
— The Works of Robert Louis Stevenson, Volume XXI • Robert Louis Stevenson
... orchestral music could be continued without a pause for a series of years, and children were brought up and educated in the room in which it was perpetually resounding, I believe their enjoyment of music, or understanding of it, would be very small. And ...
— Modern Painters, Volume IV (of V) • John Ruskin
... Its movement is aeolian—yielding to every breath of air. It has even its own weird harmony—for I have often heard a low, whistling hum as the air rushed through the cordage mesh. In a sudden tropical gale every taut strand of my hamaca has seemed a separate, melodious, orchestral note, while I was buffeted to and fro, marking time to some rhythmic and reckless tune of the wind playing fortissimo on the woven strings about me. The climax of this musical outburst was not without a mild element of danger—sufficient to create that enviable state of mind wherein ...
— Edge of the Jungle • William Beebe
... because we thought they ought to be left for old folks, "a leetle mite hard o' hearin'," or the unfortunates who were "not so fur-sighted" as we. So we seated ourselves in delight already begun, for was not Mr. Gad Greenfield performing one of the "orchestral pieces" which the programme had led us to expect? The piano was an antique, accustomed to serve as victim at Sudleigh's dancing-school and sociables. I have never heard its condition described, on its return to Sudleigh; I only know that, from some eccentric partiality, Gad Greenfield's ...
— Meadow Grass - Tales of New England Life • Alice Brown
... surely that he is drunk. And yet it is consoling to know that the germ of the old powers is always there ready to sprout forth if they be nourished and cultivated. If our cathedral choirs were the best in the old Catholic days, it is equally true, I believe, that our orchestral associations are now the best in Europe. So, at least, the German papers said on the occasion of the recent visit of a north of England choir. But one cannot read Pepys without knowing that the general musical habit is much less ...
— Through the Magic Door • Arthur Conan Doyle
... crossing the grass. In consequence, I stole on tiptoe up to the gates, and entering, saw in the moonlight that Moroni was stealing along in the opposite direction to the great country mansion, many of the windows of which were illuminated. As I halted my ears caught the strains of orchestral music. A waltz was being played, for, as I afterwards knew, a gay ball was in progress, the cars entering and leaving by the main ...
— The Stretton Street Affair • William Le Queux
... consisted simply of a stole worn over my cassock. Helmet and mask lay easily within reach at one side. The firing, meanwhile, was terrific—high explosive shells shrieking overhead and bursting on every side. Rifle and machine-gun bullets added their shrill tenor notes to the orchestral wail ...
— The Greater Love • George T. McCarthy
... musician, artiste, performer, player, minstrel; bard &c (poet) 597; [specific types of musicians] accompanist, accordionist, instrumentalist, organist, pianist, violinist, flautist; harper, fiddler, fifer^, trumpeter, piper, drummer; catgut scraper. band, orchestral waits. vocalist, melodist; singer, warbler; songster, chaunter^, chauntress^, songstress; cantatrice^. choir, quire, chorister; chorus, chorus singer; liedertafel [G.]. nightingale, philomel^, ...
— Roget's Thesaurus of English Words and Phrases: Body • Roget
... of his work—the work of his middle period—we must now briefly examine. In the list of his principal compositions for the period 1761-1790 are included nearly one hundred symphonies and other orchestral works, innumerable trios, quartets, operas, songs, and clavier or piano pieces, one oratorio, The Seven Words, and other sacred pieces. How many of them are heard to-day? How many could be heard with pleasure? ...
— Haydn • John F. Runciman
... cleverness; neither did I disguise myself as a drum-major and hide under a kitchen-table for the purpose of solving a mystery involving the abduction of a parlor stove, after the manner of the talented Hawkshaw. By mental concentration alone, without fireworks or orchestral accompaniment of any sort whatsoever, did I go about my business, and for that very reason many of my fellow-sleuths were forced to go out of real detective work into that line of the business with which the ...
— The Pursuit of the House-Boat • John Kendrick Bangs
... What an orchestral crash bursts upon the ear in that all-shattering question! And one syllable of apologetic preparation, so as to meet the suggestion of Horace, would have the effect of emasculating the whole tremendous ...
— Autobiographic Sketches • Thomas de Quincey
... pyrotechnical display have been heaped up; it is from these that the rockets will ascend, it is here the blue and red Catherine wheels will revolve. The vaulted ceiling of the cavern is so high that the rockets in their highest flight will not graze it. An orchestral-like balustrade has been provided for the musicians. The shareholders themselves will do their best to enliven the festivities with fiddles, flutes and bagpipes. The guests are already appearing, singly and in groups, ...
— The Poor Plutocrats • Maurus Jokai
... as the theme for an orchestral composition (in the form of an overture) named Polonia; I shall recount the fate of this work later on. My friend Tyszkiewitcz's passport now arrived, and he made up his mind to go back to Galicia via Brunn, although his ...
— My Life, Volume I • Richard Wagner
... music was lost on him. There he sat, high above his neighbours, smiling, and nodding his great head enjoyingly from time to time. When the people near him applauded the close of an air (as an English audience in such circumstances always WILL applaud), without the least consideration for the orchestral movement which immediately followed it, he looked round at them with an expression of compassionate remonstrance, and held up one hand with a gesture of polite entreaty. At the more refined passages of the singing, at the more delicate phases of the music, which passed ...
— The Woman in White • Wilkie Collins
... discussing the talents of a certain orchestral conductor, who also played the violin. I was talking to a member of his orchestra, a very genuine artist. We agreed that he had conducted badly; but, I said in his defence, "Anyhow his intentions are good. You must admit that he has a feeling for music." "My dear fellow," exclaimed the bandsman ...
— Books and Persons - Being Comments on a Past Epoch 1908-1911 • Arnold Bennett
... and everyone said: "There are more things in heaven and earth than are dreamed of in our philosophy." Several other things happened also, but the religion never seemed to get much beyond its first manifestations; though it added an air-line postal dak, and orchestral effects in order to keep abreast of the times, and stall ...
— The Lock And Key Library - Classic Mystery And Detective Stories, Modern English • Various
... just completed an orchestral work which he had entitled "Vineta." He wished to have Benda hear it. One evening about six Benda came in. Everything was ready. Daniel sat down at the piano. His face was pale, his smooth upper ...
— The Goose Man • Jacob Wassermann
... picturesque groups around the tree. The orchestral music accompanies the dance, and gradually passes into a more elevated style, as there appear in the background from above GENIUS and the Goddesses of the Seven Arts. The country people retire to the sides of the stage, GENIUS comes down to the centre, ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. III • Kuno Francke (Editor-in-Chief)
... banquets and theatrical representations, the young duchess entered Ferrara in state. On a bright June morning she rode through the streets in a robe glittering with jewels, with a stately canopy over her head and a gold crown on her flowing hair. Latin orations, orchestral music, and theatrical displays, for which Ferrara was already famous, greeted the bridal procession at every point. The houses were hung with tapestries and cloth of gold, avenues of flowering shrubs ...
— Beatrice d'Este, Duchess of Milan, 1475-1497 • Julia Mary Cartwright
... with noticeable loftiness, as if the orchestra were the common dust of the earth, and she only condescended to come for the soloist. So Elizabeth had scarcely known the delight of a whole concert of fine orchestral music. ...
— The Girl from Montana • Grace Livingston Hill
... emotions; why should they be a thicket in the way of his work for Christ? The betrothal was sealed in a religious ceremony. Young Zinzendorf composed a cantata for the occasion {March 9th, 1721.}; the cantata was sung, with orchestral accompaniment, in the presence of the whole house of Castell; and at the conclusion of the festive scene the young composer offered up on behalf of the happy couple a prayer so tender that all were moved to tears. ...
— History of the Moravian Church • J. E. Hutton
... aspirations of man's heart are in solitude continually travelling. Obliquely upon our left we were nearing the sea; which also must, under the present circumstances, be repeating the general state of halcyon repose. The sea, the atmosphere, the light, bore each an orchestral part in this universal lull. Moonlight and the first timid tremblings of the dawn were by this time blending; and the blendings were brought into a still more exquisite state of unity by a slight silvery ...
— The English Mail-Coach and Joan of Arc • Thomas de Quincey
... impressive effect of the opium habit was seen in his dreams, in the unnatural expansion of space and time, and the infinite repetition of the same objects. His sleep was filled with dim, vast images; measureless cavalcades deploying to the sound of orchestral music; an endless succession of vaulted halls, with staircases climbing to heaven, up which toiled eternally the same solitary figure. "Then came sudden alarms, hurrying to and fro; trepidations of innumerable fugitives; darkness and light; tempest and human faces." Many of De Quincey's papers ...
— Brief History of English and American Literature • Henry A. Beers
... played more powerfully. Cytherea had never heard music in the completeness of full orchestral power, and the tones of the organ, which reverberated with considerable effect in the comparatively small space of the room, heightened by the elemental strife of light and sound outside, moved her to a degree out of proportion to the actual power of ...
— Desperate Remedies • Thomas Hardy
... the height of his genius until an age when the finest faculties are, ordinarily, in a decline. He astounded the musical world with his Creation, in which he displayed a fertility of imagination and a magnificence of orchestral richness that the oratorio had never known before. Emboldened by his success he wrote the Seasons, a colossal work, the most varied and the most picturesque in the history of ancient or modern music. In this instance the oratorio is no longer entirely religious. ...
— Musical Memories • Camille Saint-Saens
... of Liszt, pronounced a perfect virtuoso at twelve years old—and no wonder! The boy had so carried away his accompanyists, the band of the Italian opera at Paris, by his performance of the solo in an orchestral piece, that when the moment came for them to strike in, one and all forgot to do so, but remained silent, petrified with amazement. And Liszt when in the full development of his genius, had, as we have seen, been the art-comrade of George Sand; he had spent the whole ...
— Famous Women: George Sand • Bertha Thomas
... of us would willingly go back to such childlike amusements if we could. A few possess the power even now, and are looked upon with friendly contempt by their more cultured, and therefore more tortured, musical acquaintances, whose dream it is to be torn to very rags in the delirium of orchestral passion. ...
— Casa Braccio, Volumes 1 and 2 (of 2) • F. Marion Crawford
... have been steadily held even during this devastating war; the Workers' Educational Association carry on their work under our roof; mothers bring their babies to the Infant Welfare Center in the afternoon; there are orchestral and choral classes, boys' clubs and girls' clubs. Only one club has closed down—the Men's Club, which occupied the top floor of the Invalid Children's School before the war. Their members are scattered over France, Salonika, Egypt, and Mesopotamia, ...
— A Writer's Recollections (In Two Volumes), Volume II • Mrs. Humphry Ward
... At a great orchestral rehearsal, which Sir Michael Costa was conducting, the man who played the piccolo stayed his fingers for a moment, thinking that his trifling contribution would never be missed. At once Sir Michael raised his hand, and said: "Stop! ...
— My Daily Meditation for the Circling Year • John Henry Jowett
... us forcibly that the science of melo-dramatic music has been hitherto very imperfectly understood amongst us. The art of making "the sound an echo of the sense"—of expressing, by orchestral effects, the business of the drama, and of forming a chromatic commentary to the emotions of the soul and the motions of the body, has been shamefully neglected on the English stage. Ignorant composers and ignoble fiddlers have attempted to develop the dark mysteries and intricate horrors of ...
— Punch, or the London Charivari, Volume 1, Complete • Various
... depicted them with the man-engendered vices that were then a part of their unhappy heritage. This "NeugierdeMotiv" (Curiosity Motive) is made up of agitated, sharply accentuated sixteenth notes played with incredible vivacity and culminating in a terrifying orchestral crash where entrance is made into the hidden chamber, with its famous tableau so eloquent of the polygamous instinct of man; an instinct only kept in subjection by the most stringent laws and the ...
— Bluebeard • Kate Douglas Wiggin
... evening prays the forest, and these orchestral sounds rise at every sunset from earth to heaven—and float high, high, reaching where there is no creature, where there is nothing only the silvery dust and the milky way of the stars, and above ...
— Sielanka: An Idyll • Henryk Sienkiewicz
... from our review of the chief figures among contemporary Irish poets that the jolly, jigging Irishman of stage history is quite conspicuous by his absence. He still gives his song and dance, and those who prefer musical-comedy to orchestral compositions can find him in the numerous anthologies of Anglo-Irish verse; but the tone of modern Irish poetry is spiritual ...
— The Advance of English Poetry in the Twentieth Century • William Lyon Phelps
... Mozart are like toy-houses compared with the massive architecture of Beethoven's. He not only elaborated the forms, but varied the rhythms, broadened the melody, and deepened the expression of orchestral music. In his works, too, are to be found the germs of romanticism, which others, notably Mendelssohn and Schumann, developed so fascinatingly in their best works. Most of Mendelssohn's compositions have had their day; but Schumann ...
— Beacon Lights of History, Volume XIV • John Lord
... will be the result of making its acquaintance. Four and eight hand piano arrangements of the great overtures and symphonies, too, are valuable and enjoyable. They prepare the way for an appreciation of an orchestral performance of these masterpieces, and broaden the musical horizon. Where there are several music students in a family it is a pity for them to confine their efforts exclusively to the piano, although every ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore
... wrote many musical pieces—glees, anthems, chants, pieces for the harp, and an orchestral symphony. He taught a large number of pupils, and lived a hard and successful life. After fourteen hours or so spent in teaching and playing, he would retire at night to instruct his mind with a study of mathematics, optics, Italian, or Greek, in all of which he managed to make some ...
— Pioneers of Science • Oliver Lodge
... and cadence of the melodies of the opera had cradled all his senses, carrying him away into a kind of exalted dream. The quartet began; for him it was wonderfully sweet, the long-sustained chords breathing over the subdued orchestral accompaniment, like some sweet south wind passing in long sighs over the pulse of a great ocean. It seemed to him infinitely beautiful, infinitely sad, subdued minor plaints recurring persistently again and again like ...
— Vandover and the Brute • Frank Norris
... at a still earlier date, won reputation as an orchestral conductor. This work is hardly deemed to come within woman's sphere, but the many choral and orchestral festivals of England offered her a better chance in this direction than her sisters in other lands could obtain. ...
— Woman's Work in Music • Arthur Elson |
