"Metre" Quotes from Famous Books
 ... are the outward expression of our authority, and the metre-gauge of our importance. By them the untutored mind of the poor Indian is enabled to estimate the amount of reverence due to each of us. This is the first purpose for which we are provided with Chupprassees. The second is that they may deliver our commands, ...
— Behind the Bungalow • EHA
... length. The prose writer, in fact, since he is allowed to be so much less harmonious, is condemned to a perpetually fresh variety of movement on a larger scale, and must never disappoint the ear by the trot of an accepted metre. And this obligation is the third orange with which he has to juggle, the third quality which the prose writer must work into his pattern of words. It may be thought perhaps that this is a quality of ease rather than a fresh difficulty; but such is the inherently rhythmical strain of the English ...
— The Art of Writing and Other Essays • Robert Louis Stevenson
... had drunk his fill. The metre of the poem proper is iambic, that is, with the accent on the even syllables, and octosyllabic, or eight syllables ...
— The Lady of the Lake • Sir Walter Scott
... see from the window the Temple walk in which Chaucer used to take his exercise, and on his name being put to the vote I was pleased to find there was a general sensation in his favour in all but Ayrton, who said something about the ruggedness of the metre, and even objected to the ...
— Old and New London - Volume I • Walter Thornbury
... in order to remind us, in all we do, of the great laws of Divine government and human polity, that composition in the arts should strongly affect every order of mind, however unlearned or thoughtless. Hence the popular delight in rhythm and metre, and in simple musical melodies. But it is also appointed that power of composition in the fine arts should be an exclusive attribute of great intellect All men can more or less copy what they see, ...
— The Crown of Wild Olive • John Ruskin
... of his electrical studies, making fresh inventions, taking up the phonograph, filled with theories of graphic representation; reading, writing, publishing, founding sanitary associations, interested in technical education, investigating the laws of metre, drawing, acting, directing private theatricals, going a long way to see an actor—a long way to see a picture; in the very bubble of the tideway of contemporary interests. And all the while he was busied about his father and mother, his wife, and in particular his sons; anxiously watching, ...
— The Works of Robert Louis Stevenson, Volume 9 • Robert Louis Stevenson
... of the term gallant mast. If gallant mean brave, there are two words. If the words be two, there is a stronger accent on mast. If the accent on mast be stronger, the rhyme with fast is more complete; in other words, the metre favours the notion of the words being considered as two. Gallant-mast, however, is a compound word, with an especial nautical meaning. In this case the accent is stronger on gal- and weaker on -mast. This, however, is not the state of things that the metre favours. ...
— A Handbook of the English Language • Robert Gordon Latham
... the task, I will proceed to say a few words on some of the special questions which a translator of the Satires and Epistles has to encounter, and the way in which, as it appears to me, he may best deal with them. These questions, I need hardly say, mainly resolve themselves into the metre and the style. With regard to the metre, I have myself but little doubt that the measure in which Horace may best be represented is the heroic as I suppose we must call it, of ten syllables. The one competing measure of course is the Hudibrastic octosyllabic. This latter ...
— The Satires, Epistles, and Art of Poetry • Horace
... Women. [Sings. The music again changing with the metre.] Give up the scene, give up, ye sordid rocks, The last of Arnold in his English home, Which in your bosom lives for evermore, A deathless picture; England cast it out Not being English, and it shivered on, Coiling about the world, till it was caught And locked ...
— The Treason and Death of Benedict Arnold - A Play for a Greek Theatre • John Jay Chapman
... me new methods now govern the Muses, The modes of expression have changed with the times; That low is the rank of the poet who uses The old-fashioned verse with intentional rhymes. And quite out of date, too, is rhythmical metre; The critics declare it an insult to art. But oh! the sweet swing of it, oh! the clear ring of it, Oh the great pulse of it, right from the heart, Art ...
— The Englishman and Other Poems • Ella Wheeler Wilcox
... to have deprived him at once of all metre, grammar, or even the power of coherent narration. At times a groan or a half-articulate cry would come from the "bunk" whereon Roger Catron lay, a circumstance that always seemed to excite Captain Dick to greater effort and more rapid vocalization. Toward morning, ...
— Drift from Two Shores • Bret Harte
... this quotation, merely showing the metre, would have no appeal to us; with all its perfection and its proportion, rhyme and cadence, it would only be a construction. But when it is the outer body of an inner idea it assumes a personality. The idea flows through ...
— Creative Unity • Rabindranath Tagore
... the firmament from those below. It is the walking and clinging together that gives power to the winds, weight to the waves, heat to the sunbeams, and stability to the mountains. It is the 'clinging together' which throws our syllables into words, gives metre to poetry, and melody and harmony to sound. Indeed, the clinging together of sounds, as seized by the ear in time, with the ever forming and living ebb and flow of widely different rhythms, exerting the most mysterious influences upon the soul, ...
— The Continental Monthly, Vol. 4, No. 2, August, 1863 - Devoted to Literature and National Policy • Various
... up to town and can book it by the coach. I warrant it, large as it looks, readable in two hours; and I very much want to know what you think of the first act, and especially the opening, which seems to me quite famous. The metre is very odd and rough, but now and then there's a wildness in it which helps the thing very much; and altogether it has left a something on my mind which I ...
— The Letters of Charles Dickens - Vol. 1 (of 3), 1833-1856 • Charles Dickens
... him. Such was Ben, in panegyric verse hyperbolical; in conversation "a despiser of others, and praiser of himself." Compare Ben's three remarks about Donne, all made to Drummond. Donne deserved hanging for breaking metre; Donne would perish for not being understood: and Donne was in some points the ...
— Shakespeare, Bacon and the Great Unknown • Andrew Lang
... Holy Fair, or such hypocrisy as Holy Willie's, ever have moved him to scathing satire? Where was the poet's indignation to come from? That is not to be got by tricks of rhyme or manufactured by rules of metre; but let it be alive and burning in the heart of the poet, and all else will be added unto him for the perfect poem, as it was to Burns. That Burns, though he wrote in humorous satire, was moved to the writing by indignation, he tells us in his epistle ...
— Robert Burns - Famous Scots Series • Gabriel Setoun
... Calendar consists of twelve compositions, with no other internal connexion than that they are assigned respectively to the twelve months of the year. They are all different in subject, metre, character, and excellence. They are called AEglogues, according to the whimsical derivation adopted from the Italians of the word which the classical writers called Eclogues: "AEglogai, as it were aigon or aigonomon logoi, that is, Goatherd's Tales." The book is in its form ...
— Spenser - (English Men of Letters Series) • R. W. Church
... sailor makes a man of him very fast." The invention of a house, safe against wild animals, frost, and heat, gives play to the finer faculties, and introduces art, manners, and social delights. The discovery of the post office is a fine metre of civilization. The sea-going steamer marks an epoch; the subjection of electricity to take messages and turn wheels marks another. But, after all, the vital stages of human progress are marked by steps toward personal, ...
— Four American Leaders • Charles William Eliot
... whole the advances in art made since the Restoration, they renewed the half-forgotten melody and depth of tone which marked the best Elizabethan writers:—that, lastly, to what was thus inherited they added a richness in language and a variety in metre, a force and fire in narrative, a tenderness and bloom in feeling, an insight into the finer passages of the Soul and the inner meanings of the landscape, a larger and wiser Humanity,—hitherto hardly attained, and perhaps unattainable even by predecessors of not ...
— The Golden Treasury - Of the Best Songs and Lyrical Poems in the English Language • Various
... of these are large and stately houses, surrounded with handsome gardens. The streets are shaded with sycamores, and the number of coffee-houses shows that the place is much frequented on festal days. A company of drunken Greeks were singing in violation of all metre and harmony—a discord the more remarkable, since nothing could be more affectionate than their conduct towards each other. Nearly everybody was in Frank costume, and our Oriental habits, especially ...
— The Lands of the Saracen - Pictures of Palestine, Asia Minor, Sicily, and Spain • Bayard Taylor
... M. Arago, the eminent Astronomer, F.R.S., and Commander Garnier, of the French Brig of War, "Le Laurier," have proved that if there be any inequality of height, the average difference of level cannot exceed one metre (about ...
— A Succinct View of the Importance and Practicability of Forming a Ship Canal across the Isthmus of Panama • H. R. Hill
... friend, who is wooed in mistake for herself by the suitor destined for her own hand. This is the main dramatic point; the thread is very slender, and is drawn out to its utmost limits through five acts of blank verse. The language and metre are scrupulously correct. But one cannot credit the play with any touch of poetry or imagination. It presents a trite theme tamely and prosaically. Congenital inability of the most inveterate toughness to appreciate dramatic poetry could ...
— Shakespeare and the Modern Stage - with Other Essays • Sir Sidney Lee
... listening and lapsed into English. "There's a translation of that ode," he said, "into something quite like the original metre": ...
— Lalage's Lovers - 1911 • George A. Birmingham
... ledger school of criticism; Milton's strength and originality; his choice of a sacred subject; earlier attempts in England and France; Boileau's opinion; Milton's choice of metre an innovation; the little influence on Milton of Spenser, and of Donne; Milton a pupil of the dramatists; the history of dramatic blank verse; Milton's handling of the measure; the "elements of musical delight"; Tennyson's blank verse; Milton's metrical ...
— Milton • Sir Walter Alexander Raleigh
... threnodia on the death of Edward the Confessor will be found to correspond, both in metre and expression, with the poetical paraphrase ...
— The Anglo-Saxon Chronicle • Unknown
... is the orthodox custom of translators to render the dialogue of the Greek plays in blank verse; but in this instance the whole animation and rapidity of the original would be utterly lost in the stiff construction and protracted rhythm of that metre. ...
— Athens: Its Rise and Fall, Complete • Edward Bulwer-Lytton
... themselves that the greater part of the book is not mere prose, written out into the form of verse, he is persuaded that its melody is more obvious and perceptible than that of our vulgar measures. "One advantage," says Mr. Southey, "this metre assuredly possesses; the dullest reader cannot distort it into discord: he may read it with a prose mouth, but its flow and fall will still be perceptible." We are afraid, there are duller readers in the world than Mr. ...
— Famous Reviews • Editor: R. Brimley Johnson
... metre comes in in poetry, whether it is simply a means of accentuating rhythm, and is not the rhythm itself, and whether it is legitimate to do as Whitman did, to prolong the rhythmic phrase at the expense of metre, until the sense is completed,—all this ...
— The Writer, Volume VI, April 1892. - A Monthly Magazine to Interest and Help All Literary Workers • Various
... Mr L—— takes occasion in this place to commend the great care of our author to preserve the metre of blank verse, in which Shakspeare, Jonson, and Fletcher, were so notoriously negligent; and the moderns, in imitation of ...
— Miscellanies, Volume 2 (from Works, Volume 12) • Henry Fielding
... of repetitions in the tune, and has a chorus that is sung at the end of each verse. I have not presumed to arrange it in metre; but the following is the substance: "We are assembled in the habiliments of war, and will go in quest of our enemies. We will march to their land and spoil their possessions. We will take their women and children, and lead them into captivity. The warriors shall fall by our war-clubs—we ...
— A Narrative of the Life of Mrs. Mary Jemison • James E. Seaver
... everything. It was but the other day that he would have it that I was wrong when I said that one of the windows in the Trianon was smaller than any of the others. It was the same size, said he. I brought Le Metre with his measures, and of course the window was, as I had said, too small. But I see by your clock that it is four o'clock. I ...
— The Refugees • Arthur Conan Doyle
... that we should try to attribute the times of the year to children; their likeness is so rife among annuals. For man and woman we are naturally accustomed to a longer rhythm; their metre is so obviously their own, and of but a single stanza, without repetition, without renewel, without refrain. But it is by an intelligible illusion that we look for a quick waxing and waning in the lives of young children—for a waxing that shall come again another time, and for ...
— The Children • Alice Meynell
... endeavoured to apply philosophy to all the arts of life, decreed, that no public road in France should exceed an inclination of 4 deg. 46', or rise more than one metre in twelve. This proportion, it was estimated, would combine the maxima and minima of the powers; and, in spite of those malignant confederacies which he was so often called upon to overthrow, the labour of reducing many steep ...
— A Morning's Walk from London to Kew • Richard Phillips
... year"; in the commune of Murs, in Anjou, there is "a strip of nine hectares, subdivided into no fewer than thirty-one separate parcels." The limit, however, seems to be reached in Laon, where "it is not rare to find fields scarce a metre (3 ft. 3.37 in.) wide; here an apple-tree or a walnut-tree covers with its branches four or five lots, and the proprietor can only take in his crop in the presence of his neighbours, to whom he has ...
— The Child and Childhood in Folk-Thought • Alexander F. Chamberlain
... of the State Studs did not credit the information sent from the Horde, so that in 1856 there was sent to the sitting committee a second metre, for the speed to be followed on it, the circumference of the circle having been previously measured. The president of the committee repotted that the measurement of the course was correct, except that in every 4 versts (2-2/3 miles) ...
— Persia Revisited • Thomas Edward Gordon
... same way the distinction between poetry and prose cannot be justified, save in that of art and science. It was seen in antiquity that such distinction could not be founded on external elements, such as rhythm and metre, or on the freedom or the limitation of the form; that it was, on the contrary, altogether internal. Poetry is the language of sentiment; prose of the intellect; but since the intellect is also sentiment, in its concretion and reality, so ...
— Aesthetic as Science of Expression and General Linguistic • Benedetto Croce
... set terms for the old days of the Firm, when, like trouts in the current, the Firm had only to gape for shoals of good things to fatten it: a tale of English prosperity in quiescence; narrated interjectorily among the by-ways of the City, and wanting only metre to ...
— The Shaving of Shagpat • George Meredith
... of Schleswig; that is in the very country of the Angles; judging by the coins found at the same time, it must belong to the third century. It measures 22 metres 67 centimetres in length, 3 metres, 33 centim. in breadth, and 1 metre 19 centim. in height. Specimens of Scandinavian ships have also been discovered. When a chief died his ship was buried with him, as his chariot or horse was in other countries. A description of a Scandinavian funeral (the chief placed on his boat, with his arms, and ...
— A Literary History of the English People - From the Origins to the Renaissance • Jean Jules Jusserand
... indeed," said I; "it contains poems, which not only possess the highest merit, but serve to confirm the authenticity of the poems of Ossian, published by Macpherson, so often called in question. All the pieces here attributed to Ossian are written in the same metre, tone, and spirit, as those attributed to him in the other collection, so if Macpherson's Ossianic poems, which he said were collected by him in the Highlands, are forgeries, Smith's Ossianic poems, which, according to his account, were also collected in the Highlands, ...
— Wild Wales - Its People, Language and Scenery • George Borrow
... Scansion and Metre.—A knowledge of this is indispensable in translating verse. To scan the lines will help you to determine the grammatical force of a word, and a knowledge of metre will enable you to grasp the poet's meaning as conveyed by the position which he assigns to the various words, ...
— Helps to Latin Translation at Sight • Edmund Luce
... to have lost all sense of exactness," said Mrs. Gradinger, "for the lines you have just read would not pass muster as classic. In the penultimate line there are two syllables in excess of the true Alexandrine metre, and the last line seems too long by one. Neither Racine nor Voltaire would have taken such liberties with prosody. I remember a speech in Phaedre of more than a hundred lines which is an admirable example of what I mean. I dare say some of you ...
— The Cook's Decameron: A Study in Taste: - Containing Over Two Hundred Recipes For Italian Dishes • Mrs. W. G. Waters
... into the hundredth Psalm, and whilst we begin All People in the old solemn Tune of our Forefathers, she in a quite different Key runs Divisions on the Vowels, and adorns them with the Graces of Nicolini; if she meets with Eke or Aye, which are frequent in the Metre of Hopkins and Sternhold,[4] we are certain to hear her quavering them half a Minute after us to some sprightly Airs ...
— The Spectator, Volume 2. • Addison and Steele
... le plaisir que j'aurai de revoir et d'embrasser un ami tel que vous—Mardi prochain part d'ici pour Londres un commis de Mr. Parish un des premiers Banquiers d'ici qui vous remetra en mains propres, par un de vos associes, mes trois nouvelles Sonates,—je suis occupe a metre au net. Les trois Concertinos qui vous recevrez aussi dans une quinzaine au plus tard, dont j'espere qui vous serez assez content, etant le meilleur ouvrage que j'ai jamais fait in the Selling Way, adieu mon cher Clementi, ...
— The Pianoforte Sonata - Its Origin and Development • J.S. Shedlock
... however in fact selected from two poems addressed to daughters of Lord Carteret, and are put together arbitrarily, out of the order in which they stand in the original poems. There is a short poem by Philips in the same metre, addressed to Signora Cuzzoni, and dated May 25, 1724, beginning, "Little syren of the stage;" but none of the verses quoted in the Treatise on the ...
— Notes and Queries, Number 208, October 22, 1853 • Various
... studied the phenomena in nine of them), and that they follow in all cases the same general laws. Those of the Lake of Geneva have received the most elaborate and prolonged investigation. In March, 1876, Forel established a self-registering tide-gauge (limni-metre enregistreur) on the northern shore of this lake, at Morges; and, with the cooeperation of P. Plantamour, another one was installed in June, 1877, at Secheron, near the city of Geneva, at the southern extremity. Since these dates, these two instruments have, ...
— The Lake of the Sky • George Wharton James
... Corybantian revellers when they dance are not in their right mind, so the lyric poets are not in their right mind when they are composing their beautiful strains: but when falling under the power of music and metre they are inspired and possessed; like Bacchic maidens who draw milk and honey from the rivers when they are under the influence of Dionysus but not when they are in their right mind. And the soul of the lyric poet does the same, as they themselves say; for they ...
— Ion • Plato
... poems. By temperament a singer as well as a seer and sayer, Emerson was nevertheless deficient in the singing voice. He composed no one great poem, his verse presents no ideas that are not found in his prose. In metre and rhyme he is harsh and willful. Yet he has marvelous single phrases and cadences. He ejaculates transports and ecstasies, and though he cannot organize and construct in verse, he is capable here and there of the true miracle of transforming fact and thought into true beauty. Aldrich ...
— The American Spirit in Literature, - A Chronicle of Great Interpreters, Volume 34 in The - Chronicles Of America Series • Bliss Perry
... trio was printed in the year 1640, at Cambridge, and has the honor of being the first production of the North American press that rises to the dignity of a book. It was entitled, "The Psalms newly turned into Metre." A second edition was printed in 1647. "It was more to be commended, however," says Mr. Peirce, in his History of Harvard University, "for its fidelity to the text, than for the elegance of its versification, which, having been executed by persons of different tastes and talents, ...
— A Collection of College Words and Customs • Benjamin Homer Hall
... of grammar, I needed no teacher except my mother. When I had conquered the first difficulties I took up Tennyson's Idyls of the King, and at last succeeded in translating two of these beautiful poems in the metre of ...
— Uarda • Georg Ebers
... why boats were not used. The horses had water up to their hams, and it would have been impossible even to get into a carriage if the pavements had not been a metre high ...
— My Double Life - The Memoirs of Sarah Bernhardt • Sarah Bernhardt
... into a kind of very human church, a church in the midst of the market-place, like those churches in Italy, in which people seem so much at home. The verse is quaint, homely, not so archaic when it is spoken as one might suppose in reading it; the metre is regular in heat, but very irregular in the number of syllables, and the people who spoke it so admirably under Mr. Poel's careful training had not been trained to scan it as well as they articulated it. "Everyman" ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... statue, which is intended for a convent of Ursuline nuns, must be in white marble. Height: one metre seven hundred and six millimetres; in other words, five feet three inches. As it will not be placed in a niche, you must carefully finish all sides of it. The costs of the work are to be taken out of the two hundred and fifty thousand ...
— The Deputy of Arcis • Honore de Balzac
... was very sad, but better than many things that are not called sad. James hovered about, put out and miserable, but active and exact as ever; read to her when there was a lull, short bits from the Psalms, prose and metre, chanting the latter in his own rude and serious way, showing great knowledge of the fit words, bearing up like a man, and dealing over her as his "ain Ailie." "Ailie, ma woman!" "Ma ain ...
— Spare Hours • John Brown
... sir, as to your metre and your mythology, they may e'en wait a wee. For your comedy there is the "Gentle Shepherd" ...
— Crotchet Castle • Thomas Love Peacock
... manuscripts,—insomuch that the Alexandrian critics, though they knew of its existence in the much later poems of Alkaios and Sappho, never recognized it in Homer. The hiatus, and the various perplexities of metre, occasioned by the loss of the digamma, were corrected by different grammatical stratagems. But the whole history of this lost letter is very curious, and is rendered intelligible only by the supposition that the Iliad and Odyssey belonged for a wide space of time to the memory, the voice, ...
— Myths and Myth-Makers - Old Tales and Superstitions Interpreted by Comparative Mythology • John Fiske
... and unsure, but sweeter Than ever a moondawn smiled, Moves, measured of no tune's metre, The song in the soul of ...
— A Dark Month - From Swinburne's Collected Poetical Works Vol. V • Algernon Charles Swinburne
... metre of the original has been preserved in this ballad, as in other poems; although the perfect anapaestic metre is perhaps more familiar to the ...
— The Works of Frederich Schiller in English • Frederich Schiller
... "Your metre is faulty," said his mother, thoughtfully, "but the statement is interesting. My turn; you shall hold ...
— The Merryweathers • Laura E. Richards
... deal of investigating the composition and geological formation of the ground surrounding Port Arthur. I found most of the ground consisting of loose layers of lava scoriæ. The comparative easy capture of the otherwise immensely strong 203 Metre Hill did not surprise me. The texture of the ground, besides having a deadening effect on shell fire, made the approach to the forts by means of parallels surprisingly easy. The Japanese, by the way, also knew this peculiarity of the ground and used it to great advantage in their advances. ...
— The Secrets of the German War Office • Dr. Armgaard Karl Graves
... he marks for a syllable where he finds one wanted, but evidently without any grammatical reason. Urry was an unfortunate editor. Truly does Tyrwhitt say of him, that "his design of restoring the metre of Chaucer by a collation of MSS., was as laudable as his execution of it has certainly been unsuccessful." The natural causes of this ill success are thus severely and distinctly stated, "The strange license in which he appears to have indulged himself, of lengthening and shortening ...
— Blackwood's Edinburgh Magazine, Volume 57, No. 356, June, 1845 • Various
... emphatically love the form of the toad-stools, and not merely some complicated botanical and moral lessons which the philosopher may draw from them. For example, just as there is such a thing as a poetical metre being beautifully light or beautifully grave and haunting, so there is such a thing as a poetical metre being beautifully rugged. In the old ballads, for instance, every person of literary taste ...
— Robert Browning • G. K. Chesterton
... critic to be the root of that matter. In the first place, I must entirely differ with those persons who have sought to create an independent prosody for English verse under the head of "beats" or "accents" or something of that sort. Every English metre since Chaucer at least can be scanned, within the proper limits, according to the strictest rules of classical prosody: and while all good English metre comes out scatheless from the application of those rules, nothing exhibits the badness of bad English metre so well as that application. It ...
— A History of English Literature - Elizabethan Literature • George Saintsbury
... conclusions of our real secret doctrine are therein mentioned. I am informed by persons competent to judge of the matter, that the Vedas have a distinct dual meaning—one expressed by the literal sense of the words, the other indicated by the metre and the swara (intonation), which are, as it were the life of the Vedas. Learned Pundits and philologists of course deny that swara has anything to do with philosophy or ancient esoteric doctrines; but the mysterious connection between swara and light ...
— Five Years Of Theosophy • Various
... Already there existed in Leipzig a sort of literary centre, where Gottsched was regarded as a dictator in matters of taste. This literary autocrat praised Bodmer's translation of 'Paradise Lost' more than the original poem, in which he condemned the rhymeless metre. A sharp controversy soon divided the literary world into two hostile parties, known in German literature as the "conflict between Leipzig and Zuerich." Gottsched followed Voltaire in considering the English style rude and barbarous; whereas Bodmer, with keener artistic perception and deeper ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various
... of English poetry, but relinquished the design to Warton, to whom he communicated an outline of his own plan. The "Observations on English Metre" and the essay on the poet Lydgate, among Gray's prose remains, are apparently portions ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers
... sentimentality between two covers looking like hard-baked gilt gingerbread. But what faces these young folks make up at my good advice! They get tipsy on their rhymes. Nothing intoxicates one like his—or her—own verses, and they hold on to their metre-ballad-mongering as the fellows that inhale nitrous oxide ...
— A Mortal Antipathy • Oliver Wendell Holmes, Sr.
... the base of the cranium had been detached before the skull was deposited in the cave, for we were unable to find those parts, though the whole cavern was regularly searched. The cranium was met with at a depth of a metre and a half (five feet nearly), hidden under an osseous breccia, composed of the remains of small animals, and containing one rhinoceros tusk, with several teeth of horses and of ruminants. This breccia, which has been spoken of above (p. 30), was a metre (3 1/4 feet about) ...
— Lectures and Essays • T.H. Huxley
... and that there is only one familiar instance recorded of a nephew who read his uncle. The exception tends rather to support the rule, since it needed a Macaulay to produce, and two volumes to record it. Finally, the metre does not permit it. One may not say: "Who reads me, when I am ashes, is my nephew ...
— Mont-Saint-Michel and Chartres • Henry Adams
... professional critics that no means of study can be more precious or more necessary to a student of Shakespeare than this of tracing the course of his work by the growth and development, through various modes and changes, of his metre. But the faculty of using such means of study is not to be had for the asking; it is not to be earned by the most assiduous toil, it is not to be secured by the learning of years, it is not to be attained by the devotion of a life. No proficiency in grammar and arithmetic, no science of ...
— A Study of Shakespeare • Algernon Charles Swinburne
... impossibility of knowing a thing badly: for it was no less a person than he who said of Margites that 'he knew many things, but knew them all badly.' The solution of the riddle is this, I imagine:—By 'badly' Homer meant 'bad' and 'knew' stands for 'to know.' Put the words together;—the metre will suffer, but the poet's meaning is clear;—'Margites knew all these things, but it was bad for him to know them.' And, obviously, if it was bad for him to know so many things, he must have been a good-for-nothing, unless the argument ...
— Alcibiades II • An Imitator of Plato
... allegorical poems, James Russell Lowell depicted the antagonism of sentiment to which I am referring as existing between Christ and his conventional worshippers. The poem is a slight thing: although strict in metre and perfect in rhyme, it is too flowing and fantastic to be classed high in literature. But if we view it as a scientific essay in dynamic sociology, it is admirable beyond criticism. As its meaning ...
— Is civilization a disease? • Stanton Coit
... the schools of Dante, Ariosto, and Petrarch, they greatly polished our rude and homely manner of vulgar poesy, from that it had been before, and for that cause may justly be said the first reformers of our English metre and style.' The chief point in which Surrey imitated his 'master, Francis Petrarcha,' was in the use of the sonnet. He introduced this elaborate form of poetry into our literature; and how it has thriven with us, the masterpieces of Spenser, ...
— Sketches and Studies in Italy and Greece, Complete - Series I, II, and III • John Symonds
... Notwithstanding the Shower, he continued in the Garden, and never quitted it, till he had found one Moiety of the Tablet, which was unfortunately broke in such a Manner, that even the half Lines were good sense, and good Metre, tho' very short. But what was still more remarkably unfortunate, they appear'd at first View, to be a severe satyr upon the ...
— Zadig - Or, The Book of Fate • Voltaire
... prefixed to this fragment the title of Epic Poem, though epic poems are growing out of fashion; because, in the structure, plan, and metre, the heroic model is followed. My authorities for facts, dates, and characters, are Vertot and Puffendorff. The latter I have only read in an English translation, dated 1702: the former I quote from a small Amsterdam edition, printed for Stephen ...
— Gustavus Vasa - and other poems • W. S. Walker
... A Satire./ I had rather be a kitten, and cry, mew!/ Than one of these same metre ballad-mongers./ Shakspeare./ Such shameless Bards we have; and yet 'tis true,/ There are as mad, abandon'd Critics too./ Pope./ London:/ Printed for James Cawthorn, British Library,/ No. 24, Cockspur Street./ ...
— The Works of Lord Byron, Vol. 7. - Poetry • George Gordon Byron
... Berdenich has reported a case of a parcel of carbide which yielded on the average 5.1 cubic foot of acetylene per lb., producing gas which contained only 0.398 gramme of phosphorus in the form of phosphine per cubic metre (or 0.028 per cent. of phosphine) and was spontaneously inflammable. But on examination the carbide in question was found to be very irregular in composition, and some lumps produced acetylene ...
— Acetylene, The Principles Of Its Generation And Use • F. H. Leeds and W. J. Atkinson Butterfield
... ever hear that song again! I was sure of it when I saw the word in the dictionary, for Vance Alden is so sensitive about a mistake. It is funny! Ilga—why, she'd never know whether it was good rhyme or metre or anything! But Vance didn't think of that. Now promise, both of you, ...
— Polly of Lady Gay Cottage • Emma C. Dowd
... figures so constantly upon every concert programme in these days that we are probably most of us accustomed to its vagaries of rhythm, or what may be styled irregularity of metre. This is a direct heritage from the folk-song, which Glinka and his successors ...
— Russia - As Seen and Described by Famous Writers • Various
... could have been much larger than the present one; in fact, with this coil I have used much larger circles, and I have been able to produce a strongly luminous sheet, covering an area of more than one square metre, which is a remarkable effect with this very small coil. To avoid uncertainty, the circle has been taken smaller, and the area is now ...
— Experiments with Alternate Currents of High Potential and High - Frequency • Nikola Tesla
... trials. When the poet that is to be has got so as to perform this task easily, a skeleton verse, in which two or three words of each line are omitted, is given the child to fill up. By and by the more difficult forms of metre are outlined, until at length a feebleminded child can make out a sonnet, completely equipped with its four pairs of rhymes in the first section and its three pairs in the ...
— Over the Teacups • Oliver Wendell Holmes, Sr.
... dried, and the young people were happily putting together their bits of journal, their bits of history, the description of the great amphitheatre, a poem of Babie's on St. Louis's death, a spirited translation in Scott-like metre of Armine's of the opening of the AEneid, also one from the French, by Sydney, on Arab customs, and all Lord Fordham had been able to collect about Hippo, also "The Single Eye," by Allen, and "Marco's Felucca," ...
— Magnum Bonum • Charlotte M. Yonge
... away through the fissure of the rocks. The rhythm (to touch one of the various things) the rhythm of that 'Duchess' does more and more strike me as a new thing; something like (if like anything) what the Greeks called pedestrian-metre, ... between metre and prose ... the difficult rhymes combining too quite curiously with the easy looseness of the general measure. Then 'The Ride'—with that touch of natural feeling at the end, to prove that it was not in brutal carelessness that the poor horse was driven through ...
— The Letters of Robert Browning and Elizabeth Barrett Barrett, Vol. 1 (of 2) 1845-1846 • Robert Browning and Elizabeth Barrett Barrett
... pass, that my high-mettled racer had made another false start; that my just-discovered island, so gladly to have been self-appropriated, was found to have, sticking on one corner of it, the flag of another king; that the havoc of my brain, subsiding calmly into the pendulum regularities of metre, was much ado about nothing; and all those pretty fancies were the catalogued property of another. Such a subject, too! intrinsically worthy of a niche in the temple of Fame, besides Hope, Memory, and Imagination, if only one could manage it well enough to be named in the same breath ...
— The Complete Prose Works of Martin Farquhar Tupper • Martin Farquhar Tupper
... and to the prayers in Cato's book, to which I referred just now when discussing the word macte. Attempts have been made to prove that these were originally written in metre;[395] and this is quite possible. If so, it only means that they retained the outward form of the primitive spell; it must not lead us on to fancy that the sacrifice which accompanied the prayer was a magical act, or that the whole ...
— The Religious Experience of the Roman People - From the Earliest Times to the Age of Augustus • W. Warde Fowler
... the ancient Arabs and of the bard-clans, surviving in the Hebrew sons of Asaph or the Greek Homeridae, has not received that light from comparative inquiry which the closely connected problems of primitive music and metre would alone ...
— Folklore as an Historical Science • George Laurence Gomme
... translations extant, for example, the German Shakespeare, Homer, Calderon, they may still be called better than indifferent. One great merit Mr. Taylor has: rigorous adherence to his original; he endeavours at least to copy with all possible fidelity the term of praise, the tone, the very metre, whatever ...
— Nathan the Wise • Gotthold Ephraim Lessing
... either pole. This is something that does not vary in extent. A commission of five learned men, especially in mathematics, was appointed by the French Academy, at the instance of the government, to adopt a standard, and they made it a metre, which is the ten millionth part of the quadrant of a meridian. The metre is 3.28 feet of our measure, with five more decimal ...
— Asiatic Breezes - Students on The Wing • Oliver Optic
... worthless; but as a monument of our language it is beyond all price. In more than thirty thousand lines not more than fifty Norman words are to be found. Even the old poetic tradition remains the same. The alliterative metre of the earlier verse is still only slightly affected by riming terminations; the similes are the few natural similes of Caedmon; the battle-scenes are painted with the same ...
— History of the English People, Volume I (of 8) - Early England, 449-1071; Foreign Kings, 1071-1204; The Charter, 1204-1216 • John Richard Green
... this, a chorus for a concert! I have no longer any feeling for that kind of thing, and could not produce it at any price. I should not know where to take my inspiration. One other thing: my musical position towards verse and metre has undergone an enormous change. I could not at any price write a melody to Schiller's verses, which are entirely intended for reading. These verses must be treated musically in a certain arbitrary manner, and that arbitrary manner, as it does not bring about ...
— Correspondence of Wagner and Liszt, Volume 2 • Francis Hueffer (translator)
... the title-page to have been "lately acted by the right Honorable the Earle of Darby his servants." It has not been reprinted, and copies of the old quarto are exceedingly rare. There is an air of old-fashionedness about the diction and the metre that would lead us to suppose the play was written several years before the date of publication. The wearisome practice, in which the characters so freely indulge, of speaking in the third person is very characteristic of the earlier dramatists, notably of Greene. Yet it is clear, from more than ...
— A Collection of Old English Plays, Vol. III • Various
... twice a year; And justly Caesar scorns the poet's lays: It is to history he trusts for praise. F. Better be Cibber, I'll maintain it still, Than ridicule all taste, blaspheme quadrille, Abuse the city's best good men in metre, And laugh at peers that put their trust in Peter. Even those you touch not, hate you. P. What should ail 'em? F. A hundred smart in Timon and in Balaam: The fewer still you name, you wound the more; Bond is but one, but Harpax is a score. P. ...
— Essay on Man - Moral Essays and Satires • Alexander Pope
... consist of verse; rhyme has been thought not wholly dispensable. Those, however, who are "familiar with the writings of Ossian," (and the works of the Covent-Garden adapter), will, according to the preface, at once see the fallacy of this. Rhyme is mere "jingle,"—rhythm, rhodomontade,—metre, monstrous,—versification, villanous,—in short, Ossian did not write poetry, neither does this learned prefacier—so ...
— Punch, or the London Charivari, Volume 1, Complete • Various
... that in the Japanese investiture of Port Arthur during the Russo-Japanese war, thousands of lives were expended upon the retention and assault of 203 Metre Hill. It was the most blood-stained spot upon the whole of the Eastern Asiatic battlefield. General Nogi threw thousands after thousands of his warriors against this rampart while the Russians defended it no less resolutely. It was captured and re-captured; in ...
— Aeroplanes and Dirigibles of War • Frederick A. Talbot
... as completely as you can all your present notions about the nature of verse and poetry. Take a sponge and wipe the slate of your mind. In particular, do not harass yourself by thoughts of metre and verse forms. Second: Read William Hazlitt's essay "On Poetry in General." This essay is the first in the book entitled *Lectures on the English Poets*. It can be bought in various forms. I think the cheapest ...
— LITERARY TASTE • ARNOLD BENNETT
... taste, something inevitably comic in rhyme, merely in itself, and anyhow,) the truest and greatest Poetry, (while subtly and necessarily always rhythmic, and distinguishable easily enough,) can never again, in the English language, be express'd in arbitrary and rhyming metre, any more than the greatest eloquence, or the truest power and passion. While admitting that the venerable and heavenly forms of chiming versification have in their time play'd great and fitting parts—that the pensive complaint, ...
— Complete Prose Works - Specimen Days and Collect, November Boughs and Goodbye My Fancy • Walt Whitman
... imagine that there is no knowledge (but vanity) in any other works than those in which their own education has consisted, so Henry Vavasour became at once the victor and victim of Bentleys and Scaligers, word-weighers and metre-scanners, till, utterly ignorant of everything which could have softened his temper, dignified his misfortunes, and reconciled him to his lot, he was sinking fast into the grave, soured by incessant ...
— The Disowned, Complete • Edward Bulwer-Lytton
... and that of his intimate friends and ultimate successors in office, Colonels R. Strachey and Dickens, led to the adoption of the narrow (metre) gauge over a great part of India. Of this matter more will be said further on; it is sufficient at this stage to note that it was occupying Yule's thoughts, and that he had already taken up the position in this question that he thereafter maintained through life. The ...
— The Travels of Marco Polo Volume 1 • Marco Polo and Rustichello of Pisa
... good stead one day, and helped to carry others through a trouble as well. He was in one of the country pulpits, and had just announced the second hymn, which was a long metre. The choir commenced to sing a common metre tune to the hymn, but before they had got through the second line they found out the mistake, and one after another dropped their voices and ceased to ...
— Little Abe - Or, The Bishop of Berry Brow • F. Jewell
... as he had been on his first day in the cavalry, at hearing behind him the thunder of many hoofs. Having once become used to the noise, he was even thrilled by the swinging metre of it. A kind of wild harmony was in it, something which made one forget everything else. At such times Pasha longed to break into his long, wind-splitting lope, but he learned that he must leave the others no more than ...
— Children's Literature - A Textbook of Sources for Teachers and Teacher-Training Classes • Charles Madison Curry
... should he? All women are taught the same hard, angular, uniform style—but good, bad, or indifferent, this was Kate Aubrey's handwriting—and her pretty hand had rested on the paper while writing—that was enough. He resolved to turn the verses into every kind of Greek and Latin metre he knew of— ...
— Ten Thousand a-Year. Volume 1. • Samuel Warren
... have written the numerals in letters, else the metre would not have come clear: they were really in figures thus, "II C. et XX," "XIII C. moins XII". I quote the inscription from M. l'Abbe Roze's admirable little book, "Visite a la Cathedrale d'Amiens,"—Sup. Lib. de Mgr l'Eveque d'Amiens, 1877,—which every grateful ...
— Our Fathers Have Told Us - Part I. The Bible of Amiens • John Ruskin
... and strikes at the weak point of his adversary's argument. "You appeal to scholars," he says in substance; "you admit that I am one; now you don't like my choice of words or metre; I do; who, then, shall decide? Why, the public, of course, which is the court of last appeal in such cases." It appears to us, that, on most of the points at issue, the truth lies somewhere between the two disputants. We do not think that Mr. Newman has made out his case that ...
— The Atlantic Monthly, Volume 09, No. 51, January, 1862 • Various
... a great poet, just as in the dark ages a person who could write his name passed for a great clerk. Accordingly, Duke, Stepney, Granville, Walsh, and others whose only title to fame was that they said in tolerable metre what might have been as well said in prose, or what was not worth saying at all, were honored with marks of distinction which ought to be reserved for genius. With these Addison must have ranked, if he had not earned ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay
... a song without metre; And, here again, nothing is wrong; (For nothing on earth could be neater) ...
— The New Morning - Poems • Alfred Noyes
... is marvellous, but I will make one remark: in the fourth line of the third strophe the metre leaves something to ...
— Quo Vadis - A Narrative of the Time of Nero • Henryk Sienkiewicz
... sweetness and fluency, the scientific construction of the metre of the 'Faery Queene' is very noticeable. One of Spenser's arts is that of alliteration, and he uses it with great effect in doubling the impression of ...
— Literary Remains (1) • Coleridge
... large amount of vigour perhaps because he is usually thin and is what might be termed pot-bellied, owing to the sort of food he eats and the cold he suffers during the night, but he is much more robust and taller (the average height of an adult is a little past one metre and a half)[7] than the other tribes and races around him who are in close reports with civilization. This fact would almost make one believe that civilization is detrimental to the physical ...
— My Friends the Savages - Notes and Observations of a Perak settler (Malay Peninsula) • Giovanni Battista Cerruti
... extreme fineness, and which had also been consecrated with mystic ceremonies. And as this ring touched and bounded off from the different letters which still preserved their distances distinct, he made with these letters, by the order in which he touched them, verses in the heroic metre, corresponding to the questions which we had asked; the verses being also perfect in metre and rhythm; like the answers of the Pythia which are so celebrated, or those given by the ...
— The Roman History of Ammianus Marcellinus • Ammianus Marcellinus
... associations, or of especial adaptation, be always sung to the same melodies, while to others might be accorded greater facilities for variety. This only by way of suggestion. The common practice of selecting melodies for verses, hap-hazard, with regard only to the 'metre,' of course destroys all possibility of any especial characterization. If the original 'marriage' have been a congenial one, a divorce, with view to a second union, rarely proves advisable. The same verses may bear another musical rendering, but the music will very ...
— Continental Monthly , Vol. 6, No. 1, July, 1864 - Devoted to Literature and National Policy. • Various
... (Shakspeare's) own finer stratum was laid. The first play was written by a superior, thoughtful man, with a vicious ear. I can mark his lines, and know well their cadence. See Wolsey's Soliloquy, and the following scene with Cromwell, where, instead of the metre of Shakspeare, whose secret is, that the thought constructs the tune, so that reading for the sense will best bring out the rhythm; here the lines are constructed on a given tune, and the verse has even a trace of pulpit eloquence. But the play contains, through all its length, unmistakeable ...
— Notes & Queries, No. 50. Saturday, October 12, 1850 • Various
... the writers. The close adherence also which the majority of them manifest to the broadly marked types of "Horatian" and "Juvenalian" satire, both in matter and manner, is not a little remarkable. The genius for selecting from the classics those forms both of composition and metre best suited to become vehicles for satire, and adapting them thereto, did not begin to manifest itself in so pronounced a manner until after the Restoration. The Elizabethan mind—using the phrase of course in its broad sense ...
— English Satires • Various
... on her extravagant white gloves, drinking, rushing, screaming with laughter, screaming with anger, Billy was one of that large class of women that the big city breeds, and that cannot live elsewhere than in the big city. She would ride in a thousand taxicabs, worrying as she watched the metre; she would drink a thousand glasses of champagne, wondering anxiously if Joe were to pay for it; she would gossip of a dozen successful actresses without the self-control to work for one-tenth of their success, and she ...
— The Heart of Rachael • Kathleen Norris
... to poetry: with its rules I was getting rapidly conversant. The mere desire of imitation urged me on, and when I tried, the grace of rhyme and metre covered a thousand defects. I tell my story, not as I saw it then, but as I see it now. A long and lonely voyage, with its monotonous days and sleepless nights—its sickness and heart-loneliness, has given me opportunities for analysing my past history which were impossible then, amid ...
— Alton Locke, Tailor And Poet • Rev. Charles Kingsley et al
... been arranged between Australasians and Canadians in France to decide which could fell trees in the quickest time. It began really with the French forest authorities, who insisted on the well-known forest rule that no young trees under one metre twenty in girth must be felled after the middle of May, because if you cut the young tree after the sap begins to rise it will not grow again. The British officer in control of the forest had obtained an extension until the end of May, but he had to get felled by then ...
— Letters from France • C. E. W. Bean
... like Browning and almost every other Victorian poet, he was really two poets. But it is just to him to insist that in his case (unlike Browning's) both the poets were good. The first is more or less like Stevenson in metre; it is a magical luck or skill in the mere choice of words. "Wet sands marbled with moon and cloud"—"Flits by the sea-blue bird of March"—"Leafless ribs and iron horns"—"When the long dun wolds are ribbed with snow"—in all these cases one word is ...
— The Victorian Age in Literature • G. K. Chesterton
... know the world will reflect I never deserved; but for that, let my works testify for me. And though ye are satisfied my genius was never over-fruitful in the product of verse, yet knowing these favours require something a little uncommon to make a suitable return, I shall take my leave in metre, and, if contrary to my opinion, it meets with a kind acceptance from the town, honest Sam. may clap it in the next edition of the State Poems, ...
— The Lives of the Poets of Great Britain and Ireland (1753) - Vol. III • Theophilus Cibber
... contemporaries, but the standard he has reached is as high as that which has been attained by Lowell and Longfellow. In lofty verse he is strong and unconventional, writing always with a firm grasp on his subject, and emphasizing his perfect knowledge of melody and metre. As a writer of occasional verse he has not had an equal in our time, and his pen for threescore years has been put to frequent use in celebration of all sorts of events, whether military, literary, or scientific. Bayard ...
— The Arena - Volume 4, No. 20, July, 1891 • Various
... employed in these poems gave its name to the Alexandrine line later so predominant in French poetry.) The volume of this quasi-epical verse, existing in its three groups, or cycles, is immense. So is that of the satire and the allegory in metre that followed. From this latter store of stock and example, Chaucer drew to supply his muse with material. The fabliaux, so called,—fables, that is, or stories,—were still another form of early French literature in verse. It is only now, within the current decade of years, ...
— Classic French Course in English • William Cleaver Wilkinson
... to it. I must not dream my time away,— I 'm sure to rue it. The day is rather bright, I know The Muse will pardon My half-defection, if I go Into the garden. It must be better working there,— I 'm sure it's sweeter: And something in the balmy air May clear my metre. ...
— The Complete Poems of Paul Laurence Dunbar • Paul Laurence Dunbar
... guide, and the oracle alike of our reason and our imagination. But who is Job? There is not much poetry in the name, Job. But Rome and its vulgate vulgarized this hallowed name, and Britain followed Rome. His name in Chaldee, Syriac, and Arabic, is Jobab. There is more poetry in this. There is no metre, no poetry in a monotone or monosyllable. Born among rocks and mountains, the proper theatre of a heaven-inspired Muse—not in Arabia the Happy, but in Arabia the Rocky—he was a heart-touching, ...
— Continental Monthly, Vol. III, No IV, April 1863 - Devoted to Literature and National Policy • Various
... of the letters, nothing can be more unfortunate than the correction of "princely;" Mr. Collier, on the other hand, follows Steevens and Malone, and reads "princely," observing the Tieck's reading ("precise") "sounds ill as regards the metre, the accent falling on the wrong syllable. Mr. Collier's choice is determined by the authority of the second folio, which he considers ought to have considerable weight, whilst Mr. Knight regards the authority of that edition as very ...
— Notes and Queries, Number 82, May 24, 1851 • Various
... garment, wherewith he took his flight through the air. He is at once the Daidalos and the Hephaistos of the Greeks. The translator of the Boethian Metres has taken occasion to bring in this heathen god, whose cult (it seems) was still too active. In Metre ii., 7, ...
— Anglo-Saxon Literature • John Earle
... metre of the orator. There are many audiences in every public assembly, each one of which rules in turn. If anything comic and coarse is spoken, you shall see the emergence of the boys and rowdies, so loud and vivacious, that you might think ...
— Atlantic Monthly, Volume 2, Issue 11, September, 1858 • Various
... fast," interrupted Miss Maxwell. "Though they don't amount to anything as poetry, they show a good deal of promise in certain directions. You almost never make a mistake in rhyme or metre, and this shows you have a natural sense of what is right; a 'sense of form,' poets would call it. When you grow older, have a little more experience,—in fact, when you have something to say, I think you may write very good verses. Poetry needs knowledge and vision, ...
— Rebecca of Sunnybrook Farm • Kate Douglas Wiggin
... elements, an outer element of incident, an inner of passion and character. In view of these common features, we might be tempted at first sight to suppose the difference between the three kinds to be merely one of form, merely the difference between the vehicle of prose and the vehicle of metre. We shall find, however, on deeper inquiry, that to the true artist, who does not find his materials in the world, but creates them according to the inner laws by which the world and himself are governed, the vehicle is not more a part of his creation ...
— An Estimate of the Value and Influence of Works of Fiction in Modern Times • Thomas Hill Green
... us, that for the rest of his life he meant to dedicate himself to the intense cultivation of the tragic drama. He got to work instantly; and very soon he had composed the first act of his "Sultan Selim;" but, in defiance of the metre, he soon changed the title to "Sultan Amurath," considering that a much fiercer name, more bewhiskered and beturbaned. It was no part of his intention that we should sit lolling on chairs like ladies and gentleman that had paid opera prices for private boxes. He expected every one of ...
— Autobiographic Sketches • Thomas de Quincey
... the agony—according as your musical talent decides. Frequently there is no one to play the instrument, and the hymns are started several times, until something resembling the right pitch is struck. Sometimes a six-line hymn will be started to a common metre tune, and all goes swimmingly until the inevitable crash at the end of the fourth line. But nothing daunted, we try and try again. I have supplied our smiling-faced cherubs with hymn books in ...
— Le Petit Nord - or, Annals of a Labrador Harbour • Anne Elizabeth Caldwell (MacClanahan) Grenfell and Katie Spalding
... chapter, Description of Evening, is certainly the work of the Rhapsodists and an interpolation of later date. The chapter might be omitted without any injury to the action of the poem, and besides the metre, style, conceits and images differ from the general tenour of the poem; and that continual repetition of the same sounds at the end of each hemistich which is not exactly rime, but assonance, reveals the artificial labour of ...
— The Ramayana • VALMIKI
... of the river was done by Colonel Rondon and Lyra, with Kermit as their assistant. Kermit went first in his little canoe with the sighting-rod, on which two disks, one red and one white, were placed a metre apart. He selected a place which commanded as long vistas as possible up-stream and down, and which therefore might be at the angle of a bend; landed; cut away the branches which obstructed the view; and set up the sighting-pole—incidentally encountering maribundi wasps and swarms of ...
— Through the Brazilian Wilderness • Theodore Roosevelt
... show that "Bitter-Sweet" was not this and that and t'other, but, after all said and done, it would remain an obstinately charming little book. It is not free from faults of taste, nor from a certain commonplaceness of metre; but Mr. Holland always saves himself in some expression so simply poetical, some image so fresh and natural, the harvest of his own heart and eye, that we are ready to forgive him all faults, in our thankfulness at finding the soul of Theocritus ...
— Atlantic Monthly, Volume 3, No. 19, May, 1859 • Various
... volume, Johnson, writing to Brocklesby, under date Sept. 2, 1784, calls Windham "inter stellas Luna minores." Boswell, in a note, says, "It is remarkable that so good a Latin scholar as Johnson should have been so inattentive to the metre, as by mistake to have written stellas instead of ignes." Now, with all due deference, a Captain of Native Infantry ventures to suggest that both stellas and ignes are wrong, and that Johnson was thinking of the noble opening ...
— Notes and Queries, Number 210, November 5, 1853 • Various
... forms of flowers. The species known as Catasetum tridentatum has pollinia with very large viscid discs; on touching one of the two filaments (antennae) which occur on the gynostemium of the flower the pollinia are shot out to a fairly long distance (as far as 1 metre) and in such manner that they alight on the back of the insect, where they are held. The antennae have, moreover, acquired an importance, from the point of view of the physiology of stimulation, as stimulus-perceiving organs. Darwin had ...
— Darwin and Modern Science • A.C. Seward and Others
... fire, And my cruel lips curl; Mine the desire Of the god and the girl; But fierier and fleeter, And subtler and sweeter Than the race of the rhythm, the march of the metre, Is the shrilling, shrilling Of the knife in the killing That ends, when it must, (O the throb and the thrust!) In a death, in the dust, The silence, the stillness, of satiate lust, The solemn pause When ...
— Household Gods • Aleister Crowley
... 'Pilgrim's Progress' had not existed. The 'Life of Mr. Badman,' though now scarcely read at all, contains a vivid picture of rough English life in the days of Charles II. Bunyan was a poet, too, in the technical sense of the word, and though he disclaimed the name, and though rhyme and metre were to him as Saul's armour to David, the fine quality of his mind still shows itself in the ...
— Bunyan • James Anthony Froude
... words nearly a century afterwards, 'no necessary adjunct or true ornament of poem or good verse, in longer works especially, but the invention of a barbarous age to set off wretched matter and lame metre.' A similar attempt was made in the course of the sixteenth century in other parts of Europe, and with the same final issue. Gabriel Harvey was an active leader in this deluded movement. When Sidney too, and Dyer, another poet ...
— A Biography of Edmund Spenser • John W. Hales
... translator in the way of duty. And the son of Philip himself, though he bade 'spare the house of Pindarus,' we vehemently suspect, never read the works of Pindarus; that labour he left to some future Hercules. So much for his subjects: but a second objection is—his metre: The hexameter, or heroic metre of the ancient Greeks, is delightful to our modern ears; so is the Iambic metre fortunately of the stage: but the Lyric metres generally, and those of Pindar without ...
— The Uncollected Writings of Thomas de Quincey—Vol. 1 - With a Preface and Annotations by James Hogg • Thomas de Quincey
... no poem in the strict metre is more read than Eben Farrd's "Dinistur Jerusalem" ("The Destruction of Jerusalem"), translated into kindred verse in this volume, unless indeed its popularity is rivalled by Hiraethog's ode on "Heddwch," ("Peace"). Two extracts from the former poem are dealt with, and Hiraethog is represented ...
— A Celtic Psaltery • Alfred Perceval Graves
... Old Clay, and back he comes, and I mounted and off, jist as the crowd came up. The folks looked staggered, and wondered a little grain how it was done so cleverly in short metre. If I didn't quilt him in no time, you may depend; I went right slap into him, like a flash of lightning into a gooseberry bush. He found his suit ready made and fitted afore he thought he was half measured. Thinks I, ...
— The Clockmaker • Thomas Chandler Haliburton
... every reason why the modern reader should have become tired of academic poetry. When poetry divorced itself from music and became the slave of fixed rules of metre which could not be imitated with any real success in English, it sealed its own fate as a beloved visitant to the hearts of the people. Pope and his coterie closed the door on lyrical poets like Thomas Campion, and in their ...
— Confessions of a Book-Lover • Maurice Francis Egan
... readers should be provided with a French metre, with the English yard marked on the back for ...
— Encyclopedia of Needlework • Therese de Dillmont
... the metre has been too violently censured. He found the measures reformed in so many passages, by the silent labours of some editors, with the silent acquiescence of the rest, that he thought himself allowed to extend a little ...
— Preface to Shakespeare • Samuel Johnson
... handle metre, he had sought to rejuvenate the fixed poetic forms. He turned the tail of the sonnet into the air, like those Japanese fish of polychrome clay which rest on stands, their heads straight down, their ...
— Against The Grain • Joris-Karl Huysmans
... their forges Worked the red St. George's Cannoneers; And the "villainous saltpetre" Rung a fierce, discordant metre Round their ears; As the swift Storm-drift, With hot sweeping anger, came the horse-guards' clangor On our flanks. Then higher, higher, higher burned the ...
— Poems of American Patriotism • Brander Matthews (Editor)
... isn't true, I tell you that there is at least a cubic metre in it. It is the method ...
— Maupassant Original Short Stories (180), Complete • Guy de Maupassant
... will be lenient. You children may throw all the stones. It is not poetry to my taste. There's no metre to it, and I should certainly be sorry to think a woman ...
— Mae Madden • Mary Murdoch Mason
... have added to their tragedy! And how much have we lost, toward a true appreciation of their dramatic art, by losing almost utterly not only the laws of their melody and harmony, but even the true metric time of their odes!—music and metre, which must have surely been as noble as their poetry, their sculpture, their architecture, possessed by the same exquisite sense of form and of proportion. One thing we can understand—how this musical form of the ...
— Literary and General Lectures and Essays • Charles Kingsley
... second category. "Treasure," and "The Apple-Jelly-Fish-Tree," and "Short Story" are the only poems in the book which seem to follow a clearly rhymed pattern. If any misguided schoolmistress had ever suggested that a poem should have rhyme and metre, this book would never have been "told." In "Moon Doves," however, there is a distinctly metrical effect without rhyme. But the great majority of the poems are built upon cadence, and the subtlety of this little girl's ...
— Poems By a Little Girl • Hilda Conkling
... horse came back. A good deal of the road is like a bad staircase, with no particular banisters, and a well of 1000 feet with the sea at the bottom. Your heart would rejoice over the great heaths. I saw one, the bole of which split into nearly equal trunks; and one of these was just a metre in circumference, and had a head as big as a moderate-sized ash. Gorse in full flower, up to 12 or 15 feet high. On the whole a singular absence of flowering herbs except Cinerarias and, especially in Teneriffe, Echium. I did not chance to see a Euphorbia in Madeira, ...
— The Life and Letters of Thomas Henry Huxley Volume 3 • Leonard Huxley
... mythology. The poem is divided into cantos, written not in blank verse but in stanzas. Several stanza-forms are commonly employed in the same poem, though not in the same canto, except that the concluding verses of a canto are not infrequently written in a metre of more ...
— Translations of Shakuntala and Other Works • Kaalidaasa
... series of results when applied in its various forms to the solution of fundamental problems. To mention only a few of those that have helped to establish Michelson's fame, we may recall that our exact knowledge of the length of the international metre at Sevres, the world's standard of measurement, was obtained by him with an interferometer in terms of the invariable length of light-waves. A different form of interferometer has more recently enabled him to measure the minute tides within the solid body of the earth—not the great tides of ...
— The New Heavens • George Ellery Hale
... vocative case). There can be no doubt however, that this is incorrect. The true reading is nadharmam which I have adopted. The Bombay text reads na cha dharmam. The introduction of the article cha needlessly makes the line incorrect as to metre. ...
— The Mahabharata of Krishna-Dwaipayana Vyasa, Volume 2 • Kisari Mohan Ganguli
... dramatists from the limitations imposed by realistic scenery has not been sufficiently insisted upon as an element in their art. Theirs was a true drame libre, having its analogies with the present attempts of the vers-librists to free poetry from its restrictions of rhyme and metre. But while the tendency of poetry has always been away from its restrictions, the mise-en-scene in the drama has continually, with the attempts to make it conform to nature, tightened its throttling bands on the real ...
— A Librarian's Open Shelf • Arthur E. Bostwick
... Early he went to that far bourne "From whence no travellers return." Thomas M. Blasdell, step this way, And tell me how you feel to-day? You thought I'd pass and let you go, Old twisted groove! but 'tis not so, Like charcoal, brimstone and salpetre. I'll touch you off now in short metre. 'Tis long since first your eye, my man, Along the rifle barrel ran; The "crotch" or "globe" was all the same, If you could only see the game. Or the "bulls-eye," the missile flew Into its centre straight and true, In the old days when practiced ...
— Recollections of Bytown and Its Old Inhabitants • William Pittman Lett
... thou shalt stay?' Devastator of the day! Know, each substance and relation, Thorough nature's operation, Hath its unit, bound and metre; And every new compound Is some product and repeater,— Product of the earlier found. But the unit of the visit, The encounter of the wise,— Say, what other metre is it Than the meeting of the eyes? Nature poureth ...
— Poems - Household Edition • Ralph Waldo Emerson
... them, asking them to read the verse after you, word by word, and then sing it with you. I will gladly supply, at bare cost, Song Rolls in Chinese, containing familiar gospel hymns translated into Chinese and so conformed in metre to the English original that the time remains unchanged, and the teachers can sing the English words, if desirable, while the Chinese use their own. There is no more effective preaching of the gospel than that ...
— The American Missionary, Volume 43, No. 6, June, 1889 • Various
... iambic, strongly stopped off before and after, so that there is no possibility of avoiding it in reading. I venture to say that no real parallel can be found to this in Cic., it stands in glaring contradiction to his own rules about admitting metre in prose, Orator 194 sq., De Or. III. 182 sq. Solam censebant ... tale quale esset: probably from Plato's Tim. 35 A thus translated by Cic., Tim. c. 7 ex ea materia quae individua est et ...
— Academica • Marcus Tullius Cicero
... now, suppose that we strip all poetry of song and rhythm and metre, there will remain speech? ...
— Gorgias • Plato
... rallied by his family on his inconstancy of purpose, but he pleaded in extenuation that versatility had very marked charms of its own. He produced one day a copy of verses, written in the Gilbertian metre, to illustrate his mental attitude, and they strike me as so neatly worded, that I will ...
— The Days Before Yesterday • Lord Frederick Hamilton
... has it, but things of archaeological and ethnological value. For such an undertaking I was, as the Institute well knows, not prepared. I attempted to dig, indeed, though quite alone, but soon came to the conclusion that the time consumed in excavating one metre of decayed and crumbling stones and earth would be more satisfactorily employed in other directions; paving the way for the exhaustive labors ...
— Historical Introduction to Studies Among the Sedentary Indians of New Mexico; Report on the Ruins of the Pueblo of Pecos • Adolphus Bandelier
... graces, The age to come would say 'This poet lies; Such heavenly touches ne'er touch'd earthly faces.' So should my papers, yellowed with their age, Be scorn'd, like old men of less truth than tongue, And your true rights be term'd a poet's rage And stretched metre of an antique song: But were some child of yours alive that time, You should live twice, in it and ...
— The Hundred Best English Poems • Various
... contact of ancient civilised men, and cannot stand ours, it follows that our race is presumably tougher than the ancient; for we have to bear, and do bear, the seeds of greater diseases than those the ancients carried with them. We may use, perhaps, the unvarying savage as a metre to gauge the vigour of the constitutions to whose ...
— Physics and Politics, or, Thoughts on the application of the principles of "natural selection" and "inheritance" to political society • Walter Bagehot
... expression of mere personality, by the medium of some sublimated form of reverie, the thought blended and tinged in the subtlest gradations, without the clumsy necessity of sacrificing the sequence of thought to the barbarous devices of metre and rhyme, or to the still more childish devices of incident and drama. Flaubert, it will be remembered, looked forward to a time when a writer would not require a subject at all, but would express emotion and thought directly rather than pictorially. To ...
— At Large • Arthur Christopher Benson
... there was nothing specially characteristic to make this desirable (as e.g., in the case of Islwyn, where I have thrown some of my translations into sonnet form) or where—as in the Song of the Fisherman's Wife—the metre, even if it could be reproduced, would not in English harmonise with the meaning. I ought perhaps to ask pardon beforehand for the audacity with which I have treated Ieuan Glan Geirionydd's famous ...
— Welsh Lyrics of the Nineteenth Century • Edmund O. Jones
... opportunity to say that my translation of BEOWULF, of which the last reprint was issued in 1910, is not in prose, as some have misconceived it, but it is in the same metrical form as the translations in the present volume,—an accentual metre in rough imitation of the original. I agree with Professor Gummere and others that this is a better form for the translation of Old English poetry than plain prose. It was approved by the late Professor Child nearly thirty years ago, as noted in the Preface to the second edition of ...
— Elene; Judith; Athelstan, or the Fight at Brunanburh; Byrhtnoth, or the Fight at Maldon; and the Dream of the Rood • Anonymous |
