"Libretto" Quotes from Famous Books
 ... departed this Vale of Tears, to hear an opera from his pen, both for his benefit, and for the glory of his country. Chopin took this admonition to heart sufficiently to ask a friend to prepare for him a libretto; but that is as far as the project ever went. Chopin must have felt instinctively that his individual style of miniature painting would be as ineffective on the operatic stage, where bold, al fresco painting is required, as his soft and dreamy playing would have been ...
— Chopin and Other Musical Essays • Henry T. Finck
... you able to think, permit me gently to disillusion you; and if you are imbued with the flattering faith that after studying these chapters you will suddenly be able to sit down and write a successful playlet, monologue, two-act, musical comedy libretto, or even a good little "gag," in the words of classic vaudeville—forget it! All this book can do for you—all any instruction can do—is to show you the right path, show precisely how others have successfully essayed it, and wish you luck. Do you remember the brave ...
— Writing for Vaudeville • Brett Page
... at the Casino Theatre, N.Y., the following musical comedies: "The Girl and the Wizard," starring Sam Bernard; "Havana," with James T. Powers (made the American version of this libretto); "The Prince of Bohemia," with Andrew Mack, and "Mlle. ...
— The Art of Stage Dancing - The Story of a Beautiful and Profitable Profession • Ned Wayburn
... tenor always satisfied our ideal of Apollo, and the soprano were always as sylph-like as she is described in the libretto, even then I should doubt the average operatic chorus being regarded by the connoisseur as a cheap and pleasant substitute for a bas relief from the Elgin marbles. The great thing required of that operatic chorus is experience. The young and giddy-pated the chorus master has no ...
— Idle Ideas in 1905 • Jerome K. Jerome
... it only appeals to our senses, and nobler thoughts are altogether {4} wanting. Nevertheless the opera finds favor by reason of these advantages, which are supplemented by an interesting, though rather improbable libretto. ...
— The Standard Operaglass - Detailed Plots of One Hundred and Fifty-one Celebrated Operas • Charles Annesley
... are better than the "Ode to Blue-Eyed Ann," probably Mrs. Smollett. But the courageous author of "The Tears of Scotland," had manifestly broken with patrons. He also broke with Rich, the manager at Covent Garden, for whom he had written an opera libretto. He had failed as doctor, and as dramatist; nor, as satirist, had he succeeded. Yet he managed to wear wig and sword, and to be seen in good men's company. Perhaps his wife's little fortune supported him, till, in 1748, he produced "Roderick ...
— Adventures among Books • Andrew Lang
... Mark's was Heinrich Schuetz, a great revolutionist in German music, whose chief work, and the first German opera, was "Dafne," written to a libretto by Rinuccini, possibly the same one used by Peri. When he was thirty-four, he married on June 1, 1619, a girl named Magdalena, who is described as "Christian Wildeck of Saxony's land steward's bookkeeper's daughter," which description Hawkins compares to that of "Pontius ...
— The Love Affairs of Great Musicians, Volume 1 • Rupert Hughes
... wander near To kiss this plant of unaspiring art— Translate it, even in the heavenly sphere, As the libretto of a maiden's heart. ...
— War Poetry of the South • Various
... of those known to be appreciative, he was a tireless marvel. Allison was a frequent visitor at Waller's quarters and here his idea germinated for an American opera. At that time he had no intention of writing the libretto but, after outlining the plot, at Waller's urgent request he wrote the scenario. Waller was enthused by Allison, the past master in creating enthusiasm, to a point where he had entered into its spirit and was composing ...
— The Dead Men's Song - Being the Story of a Poem and a Reminiscent Sketch of its - Author Young Ewing Allison • Champion Ingraham Hitchcock
... buttonhole, but no one sings him a song. In the opera he is not on the stage during the bridesmaids' chorus. I have not been able to find out whether the quaint pretty verses are by Friedrich Kind, who founded the libretto of the opera on a story by August Apel, or whether he borrowed them from an older source. German brides wore myrtle and their friends wove a wedding wreath for them long before ...
— Home Life in Germany • Mrs. Alfred Sidgwick
... The loathsome operatic brood which it spawned, Not matched by the composer or his imitators since, Mascagni's account of how it came to be written, et seq.—Verga's story, et seq.—Story and libretto compared, The Siciliano, The Easter hymn, Analysis of the opera, et seq.—The prelude, Lola's stornello, The intermezzo, "They have ...
— A Second Book of Operas • Henry Edward Krehbiel
... reciprocated) with the daughter of his captor, Khan Konchak. An opportunity of escape being offered, Prince Igor seizes it, but Vladimir's dear heart is divided between passion and patriotism, and before he can make up his mind the chance of freedom is gone. A study of the so-called "libretto" showed that this was the only thing in the opera that bore any resemblance to a dramatic situation. Figure, therefore, my chagrin when I discovered that the character of Vladimir Igorievich had been cut clean out of the text of ...
— Punch, or the London Charivari, Vol. 146, June 17, 1914 • Various
... fellow, when possible I always studied a play or libretto quite carefully over, by myself, (sometimes twice through) before seeing it on the stage; read it the day or two days before. Tried both ways—not reading some beforehand; but I found I gain'd most by getting that sort of ...
— Complete Prose Works - Specimen Days and Collect, November Boughs and Goodbye My Fancy • Walt Whitman
... first thing to do," he insisted. "Indispensable preliminary. You can't enjoy the opera without a libretto. Come along." ...
— The Real Adventure • Henry Kitchell Webster
... The libretto of "I Puritani" is one of the poorest ever furnished to Bellini, but the music is some of his best. It is replete with melodies, which are not only fascinating in their original setting, but have long been favorites on the concert-stage. The opera is usually performed in three acts, but ...
— The Standard Operas (12th edition) • George P. Upton
... tutte,' his next work, was produced at Vienna in January, 1790. It has never been so successful as its two predecessors, chiefly on account of its libretto, which, though a brisk little comedy of intrigue, is almost too slight to bear a musical setting. The plot turns upon a wager laid by two young officers with an old cynic of their acquaintance to prove the constancy of their respective sweethearts. After a touching leave-taking they return ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild
... covered with sandy yellow down, and with something obscene in their every movement; their way of raising the opera-glass, of unfolding a handkerchief, of reclining on the cushion in front of the box or turning over the pages of the libretto—hands instinct with vice. ...
— The Child of Pleasure • Gabriele D'Annunzio
... up her fan and handed it to her without bowing, and always rose when she entered the room. Mrs. Barker's scant schoolgirl knowledge was touched by this gentleman, who spoke French fluently, and delicately explained to her the libretto of a risky opera bouffe. And now she had finally yielded to a meeting out of San Francisco—and an ostensible visit—still as a speculator—to one or two mining districts—with HER BROKER. This was the boldest of her steps—an original idea of the fashionable Van Loo—which, ...
— The Three Partners • Bret Harte
... music and morals; but there is no doubt that Tostee's grand reception was owing mainly to the personal favor which she enjoyed here and which we do not vouchsafe to every one. Ristori did not win it; we did our duty by her, following her carefully with the libretto, and in her most intense effects turning the leaves of a thousand pamphlets with a rustle that must have shattered every delicate nerve in her; but we were always cold to her greatness. It was not for Tostees ...
— Suburban Sketches • W.D. Howells
... which he had thoughtfully provided himself. To gratify my curiosity he read me the tale of Susanna and the Elders. Being young, my first notion was that I had chanced on a capital subject for an opera; and I actually thought for ten minutes of commencing at once on a libretto. Later I remembered the censor, and realised for the first time that in England, when a subject is unfit for a drama, it is treated as an oratorio. As soon as possible I bought Handel's "Susanna" instead, and found that Handel curiously—or ...
— Old Scores and New Readings • John F. Runciman
... by Boz." The familiar story of "Pickwick," its early conception and its final publication, is well known. Its first publication (in parts) dated from 1836-37. About this time Dickens had another bad attack of stage-fever, and wrote a farce, "The Strange Gentleman," the libretto of an opera called "The Village Coquettes," and a comedy, "Is She His Wife?" more particularly perhaps for amateur representation, in which he was very fond of taking part. "Oliver Twist," a courageous attack on the Poor Laws and Bumbledom, followed in 1838, though ...
— Dickens' London • Francis Miltoun
... fugitive kind which seem to have taken a permanent place in popular regard. John Howard Payne, a native of Long Island, a wandering actor and playwright, who died American consul at Tunis in 1852, wrote about 1820 for Covent Garden Theater an opera, entitled Clari, the libretto of which included the now famous song of Home, Sweet Home. Its literary pretensions were of the humblest kind, but it spoke a true word which touched the Anglo-Saxon heart in its tenderest spot, and, ...
— Initial Studies in American Letters • Henry A. Beers
... unwomanly, man-seeking Elvira, the vengeful Anna, the insignificant Ottavio, the light-headed and shallow-hearted Zerlina), and live only in the beautiful music which the prodigality of genius has wasted upon so poor a theme. Not even that libretto could degrade the pure, serious, and essentially innocent character of Mozart's conceptions; but, in turn, his refined musical conception has been unable to lift the subject from the mire of Da Ponte's delineation. We know that page after page has been written to unfold the mystic ...
— Continental Monthly, Volume 5, Issue 4 • Various
... England in the new Palace of Westminster, a matter decided fifty years later, than Punch gravely mooted the question—"Shall Poet Bunn have a Statue?" Then when his reign at Drury Lane was resumed, and opera was his grand enterprise, Bunn became Punch's "Parvus Apollo," while Scribe's libretto to Donizetti's music was to be "undone into English" by the Poet himself; and the persecuted manager was throughout the subject of some of the happiest and most ...
— The History of "Punch" • M. H. Spielmann
... editions of the same work; and sometimes the confusion is complicated by different versions having been prepared by the composer himself. This is notably the case with Gluck's Orphee, first written to an Italian libretto by Calzabigi and produced at Vienna. When Marie Antoinette called her former Viennese singing-master, Gluck, to Paris, she gave him an opportunity of displaying his genius by facilitating the production ...
— Style in Singing • W. E. Haslam
... hearts with a rapture rarely felt. Yet, as but a moment before we had laughed to see Nebuchadnezzar's crown shot off his head by a squib visibly directed from the side scenes,—at the point when, according to the libretto, "the thunder roars, and a bolt descends upon the head of the king,"—so but a moment after some new absurdity marred the illusion, and we began to look about the theatre at the audience. We then beheld that act of dimostrazioni which I have mentioned. In one of the few boxes sat a young and ...
— Italian Journeys • William Dean Howells
... was singing the mad scene in Lucia for the last time in that season, and she had never sung it better. The Bride of Lammermoor is the greatest love-story ever written, and it was nothing short of desecration to make a libretto of it; but so far as the last act is concerned the opera certainly conveys the impression that the heroine is a raving lunatic. Only a crazy woman could express feeling in such an ...
— The Primadonna • F. Marion Crawford |
