"Impressionistic" Quotes from Famous Books
 ... think, because it is presented according to a purely spiritual geography in which the childish drawling of "Witney on the Windrush manufactures blankets," etc., is utterly forgot. Few men have the courage or the power to be honestly impressionistic and to say what they feel instead of compromising between that and what they believe ...
— George Borrow - The Man and His Books • Edward Thomas
... of bed and at her window the next morning early. Her room faced on Gramercy Park, and the early morning sun fell across the little square so sacred to the memory of past glories, and bathed the trees in their new green drapery with a soft, impressionistic colour. Her eyes swept around the square, hastening over the great white apartment buildings, our modern atrocities, to linger over the old houses, which her swift imagination peopled with the fashion and ...
— Bambi • Marjorie Benton Cooke
... Sciences, one fancies one sees the essential John Sargent, working for himself alone without regard to external demands, and doing what he really cares most to do. In such work he is a modern of the moderns and, in the broadest sense of the word, a thorough Impressionist. Not that he shows himself a disciple of Monet or occupies himself with the broken touch or the division of tones—his method is as direct as that of Sorolla and his impressionism is of the same kind—a bending of all his energies to the vivid realization of the effect ...
— Artist and Public - And Other Essays On Art Subjects • Kenyon Cox
... expression of his own wickedness into the portrait of a nice, kind-hearted girl.' M. Zola, in one of his novels, tells us of a young man who, having committed a murder, takes to art, and paints greenish impressionist portraits of perfectly respectable people, all of which bear a curious resemblance to his victim. The development of Mr. Wainewright's style seems to me far more subtle and suggestive. One can fancy an intense personality being created ...
— Intentions • Oscar Wilde
... fraud. This is exactly what we feel with Van Mieris and, though in a less degree, with Gerard Dow; whereas with Jean Van Eyck and Metsu, no matter how far they may have gone, we find them essentially as impressionist as Rembrandt or Velasquez. ...
— The Note-Books of Samuel Butler • Samuel Butler
... Artist." The drawing of detail, for instance, inclines to be blotty; it is no longer affectionately done. At least the pre-Raphaelite in du Maurier is now dead. The artist's early drawings, where his native tastes break into expression, are pre-Raphaelite in feeling. He made a bad impressionist, a thoroughly bad imitator of Keene's success with impressionism. He lost what was most his own when he "threw over" his belief in glamour, and took to laughing at his own enthusiasms; when he ceased to confine his ...
— George Du Maurier, the Satirist of the Victorians • T. Martin Wood
... engaged, under the Queen's supervision, in knitting little woollen garments of shattering hues for the unsuspecting Gnomes, the Princess Royal produced her note-book and read aloud extracts which gave an impressionist bird's-eye view of English Literature from the fourteenth to the close ...
— In Brief Authority • F. Anstey
... tell you the things that Gautier leaves out; they find new, fantastic points of view, discover secrets in things, curiosities of beauty, often acute, distressing, in the aspects of quite ordinary places. They see things as an artist, an ultra-subtle artist of the impressionist kind, might see them; seeing them indeed always very consciously with a deliberate attempt upon them, in just that partial, selecting, creative way in which an artist looks at things for the purpose of painting a picture. In order to arrive at their effects, they shrink from no ...
— Figures of Several Centuries • Arthur Symons
... of more winsome landscape, or the assertive grandeur of mountain and gorge. To me this wayward diversity of spontaneous plant life bespeaks an unconfined, ungauged potentiality of resource; it unveils an ideographic prophecy, painted by Nature in her Impressionist mood, to be deciphered aright only by those willing to discern through the crudeness of dawn a promise of majestic day. Eucalypt, conifer, mimosa; tree, shrub, heath, in endless diversity and exuberance, yet ...
— Such is Life • Joseph Furphy
... which may be in part ascribed to a widening of his artistic horizon and a consciousness of what others were doing, both around him and abroad. In its whole handling and character his late is different from his early manner. It begins at this time to take on a blurred, soft, impressionist character. His delight in rich colouring seems to wane, and he aims at intensifying the power of light. He reaches that point in the Venetian School of painting which we may regard as its climax, when there is little strong local colour, but the canvas seems illumined from within. There ...
— The Venetian School of Painting • Evelyn March Phillipps
... to experiment with sound waves. I remembered that once in a while some of these wild Bohemian friends of yours warbled post-impressionist love-songs into your phonograph. It stood the strain, and so must be a good one. It is too late now to get one in a shop; will you lend me the whole outfit, with the recording attachment as well, ...
— The Voice on the Wire • Eustace Hale Ball
... two of his little things the other day at the Impressionist Exhibition in Piccadilly. They are very ...
— Children of the Ghetto • I. Zangwill
... serve little other end than to supply a convenient mark of identification. How can we define in a sentence words like renaissance, philistine, sentimentalism, transcendental, Bohemia, pre-Raphaelite, impressionist, realistic? Definitio est negatio. It may be possible to hit upon a form of words which will mark romanticism off from everything else—tell in a clause what it is not; but to add a positive content to the definition—to tell what romanticism ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers
... by luxurious accessories. They called him the Master of Chiffon, at Julien's; when he threw overboard his old friends and joined the new crowd, their indignation was great. His title now was the Ribbon Impressionist, and at the last salon of the Independents, Falcroft had the mortification of seeing a battalion of his former companions at anchor in front of his picture, The Lady with the Cat, which they reviled for at least an hour. He was an American who had lived his life long in ...
— Visionaries • James Huneker
... background of the battlemented walls with the low gates and narrow windows which seem to relieve the liveliest of the coloured groups against the neutral tints of the North, and how this was intensified when the neutral tints were touched with the positive hue of snow. In the same merely impressionist spirit I would here attempt to sketch some of the externals of the actors in such a scene, though it is hard to do justice to such a picture even in the superficial matter of the picturesque. Indeed it is ...
— The New Jerusalem • G. K. Chesterton
... anybody."[49] This sounds dangerously like dilettantism. It suggests the method of what in our day is called impressionism, one of the most delightful forms of literary entertainment when practiced by a master of literature. The impressionist's aim is to record whatever impinges on his brain, and though with a writer of fine discernment it is sure to be productive of exquisite results, as criticism it is undermined by the impressionist's assumption that every appreciation is made ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... to Poitiers, where he studied jurisprudence and was also employed as tutor in the college of St. Marceon. In the 'Diary' of his nephew, who was a great literary impressionist, and whose pages preserve for us the very 'form and pressure' of the scenes he describes, many incidents are related of his Continental life which disclose his character as a youth. During the third year of Melville's ...
— Andrew Melville - Famous Scots Series • William Morison
... tumbling hair, that made me think of living grasses on a field in June. Thus her head was partially turned from me, and the moonlight, catching her outline, just revealed it against the wall like an impressionist picture. Strange hidden memories stirred in the depths of me, and for a moment I felt that I knew all about her. I stared about me quickly, nervously, trying to take in everything at once. Then the purring sound grew much louder ...
— Masterpieces of Mystery In Four Volumes - Mystic-Humorous Stories • Various
... of the impressionist school," he said sadly; "on the contrary, the business of the artist is to paint what he knows to be there," and he gazed complacently at his own canvas, which had the appearance of a spirited drawing of a fortified place, or of the contents of a child's ...
— Colonel Quaritch, V.C. - A Tale of Country Life • H. Rider Haggard
... dear boy. I understand and respect your objection. You have made her famous already by your impressionist portrait of her, and I hear you are to do a more elaborate picture 'in the fall.' Now, Dal, you know you admire her immensely. She is lovely, she is charming, she hails from the land whose women, when they possess charm, unite with it a freshness and a piquancy which place ...
— The Rosary • Florence L. Barclay
... had got into the garden, but he had not been a very adroit reptile. He had shown his fangs; and the woman had promptly bruised his head and had given him an eye like an Impressionist sunset, which for several days he had to hide from the ...
— Kimono • John Paris
... since, for all his sly pretence of quoting imaginary authorities, we have really only his unsupported word for the superlative genius of Charles Strickland, the stockbroker who abandoned respectable London to become a Post-impressionist master, a vagabond and ultimately a Pacific Islander. The more credit then to Mr. MAUGHAM that he does quite definitely make us accept the fellow at his valuation. He owes this, perhaps, to the unsparing realism of the portrait. Heartless, utterly egotistical, without conscience ...
— Punch, or the London Charivari, Vol. 156, May 7, 1919. • Various
... details. When they found Browne asserting that 'Cato seemed to dote upon Cabbage,' or embroidering an entire paragraph upon the subject of 'Pyrrhus his Toe,' they could not help smiling; and surely they were quite right. Browne, like an impressionist painter, produced his pictures by means of a multitude of details which, if one looks at them in themselves, are discordant, and extraordinary, and ...
— Books and Characters - French and English • Lytton Strachey
... uncritical nor by the supersensuous the supernatural in the old and discredited sense of an arbitrary and miraculous revelation. Mysticism is not superstition, nor are the insights of the poet the whimsies of the mere impressionist. But he insists that the humanist, in his ordinary definition of experience, ignores or denies these superrational values. In opposition to him he rests his faith on that definition of experience which underlies Aristotle's statement that "the intellect is dependent upon intuition ...
— Preaching and Paganism • Albert Parker Fitch
... while I adore your creations for the sake of you; but you must also remember that the world would cease to worship you if your genius began to decline, while I should love you just the same if you took to painting sign-posts and illustrating Christmas cards—even if you became an impressionist." ...
— The Farringdons • Ellen Thorneycroft Fowler
... Berners existed, but the account of her given by Borrow in Lavengro and The Romany Rye is in all probability coloured, just as her stature was heightened by him. If she were taller than he, she must have appeared a giantess. Borrow was an impressionist, and he has probably succeeded far better in giving a faithful picture of Isopel Berners than if he had been photographically ...
— The Life of George Borrow • Herbert Jenkins
... and be in the land of clairvoyance, clairaudience, and in the astral and atmospherian, or pass farther out and register in his surface brain the wonders and laws of etherian, and celestial worlds. He is at one with the world of the sensitive, the impressionist and the medium, and in the deeper states of vision he can see and read the memory tablets of the universe. In the higher registrations he becomes cosmo-voyant and cosmo-audient, he can see and hear through space and through ethers as the common eye looks through ...
— Freedom Talks No. II • Julia Seton, M.D.
... true impressionism—a system to which Fuller was always constant in later life, and which he developed grandly. He was, however, as far removed as possible from that cheap, shallow, and idealess school of French painters whose wrongful appropriation of the name "Impressionist" has prejudiced us against the principle that it involves. The inherent difference between them and Fuller lies in this—he exercised a choice, and thought the beautiful alone to be worthy of description, ...
— The Bay State Monthly, Volume I. No. VI. June, 1884 - A Massachusetts Magazine • Various
... of artistic life the novel is full of interest. There is little doubt that the character of Claude Lantier was suggested by that of Edouard Manet, the founder of the French Impressionist school, with whom Zola was on terms of friendship. It is also certain that Pierre Sandoz, the journalist with an idea for a vast series of novels dealing with the life history of a family, was ...
— A Zola Dictionary • J. G. Patterson
... Japanese Buddhism, showing this religion both on its theological side and as a practical working influence. Thirdly, it introduces us to a host of Tibetan persons, one after another, presenting not a vague, impressionist account of them, but individuals with whom he lived on intimate equal terms in daily social intercourse. And in the fourth place it gives us what we may take to be an authoritative account of the whole social system of Tibet—the ...
— Personality in Literature • Rolfe Arnold Scott-James |
