"Illustrator" Quotes from Famous Books
 ... if he (Mr. Keen) knew who he (Mr. Carden) was. Mr. Keen replied that everybody knew Mr. Carden, the celebrated painter and illustrator who had created the popular type of beauty known as the 'Carden Girl.' Mr. Carden blushed and fidgeted. (Notes from. Mr. Keen's Observation Book, pp. 291-297.) Admitted that he was the creator of the 'Carden Girl.' ...
— The Tracer of Lost Persons • Robert W. Chambers
... dawn of the Nineteenth Century. An engraver by profession and training, Blake began while still very young to apply his technical knowledge to his wholly original system of literary publication. As a poet he was not only his own illustrator, but his own printer and publisher as well. Beginning with the "Poetical Sketches" and his delightful "Songs of Innocence," down to the fantastic "Marriage of Heaven and Hell," all of Blake's books, with the exception ...
— A History of the Nineteenth Century, Year by Year - Volume Two (of Three) • Edwin Emerson
... Culture a desideratum in her choice of work. Daughters as assistants of their fathers. In law. In medicine. As scientific farmers. Preparation for speaking or writing. Steps in the career of a journalist. The editor. The Advertising writer. The illustrator. Designing ...
— Practical Suggestions for Mother and Housewife • Marion Mills Miller
... town of Vanity, is closely paralleled in many of the cuts; and in both, the architecture of the buildings and the disposition of the gardens have a kindred and entirely English air. Whoever he was, the author of these wonderful little pictures may lay claim to be the best illustrator of Bunyan. They are not only good illustrations, like so many others; but they are like so few, good illustrations of Bunyan. Their spirit, in defect and quality, is still the same as his own. The designer also has lain down and dreamed a dream, as literal, as quaint, and almost as apposite ...
— Lay Morals • Robert Louis Stevenson
... from the government the illustrator has a wide popular support and works for the public in a normal way; and, therefore, illustration has been one of the healthiest and most vigorous forms of modern art. The portrait-painter, too, is producing something he knows to be wanted, ...
— Artist and Public - And Other Essays On Art Subjects • Kenyon Cox
... it's something like this. Miss Hastings' bent on being an illustrator, pays better than teaching, I suppose, or—well, at any rate, that's what she's aiming for,—and she has an idea that if she can only get a series of pictures,—several of them on the same subject, you understand,—accepted ...
— Their Mariposa Legend • Charlotte Herr
... better be. Otherwise she will have to be tremendously clever and say all sorts of brilliant things, and that puts a great burden on the author. If you proclaim boldly at the start that she's a beauty, the illustrator has got to look after her, and the ...
— Henry James, Jr. • William Dean Howells
... given a "tedious brief" account of this interesting research, for which, if it prove too short and unsatisfactory, I can only plead my inexperience in this branch of literature, so deservedly popular at the present day. I am aware that a more skilful illustrator of the immortal bard would have swelled the materials I have touched upon to a good merchantable bulk, comprising the biographies of William Walworth, Jack Straw, and Robert Preston; some notice of ...
— The Sketch Book of Geoffrey Crayon, Gent. • Washington Irving
... and epigrammatic style. Some of the characters are evidently intended for portraits, which anyone living in the London world could easily label—(which by changing "a" into "i" would be the probable consequence)—were he not baffled by the art of the skilful writer, and by the equally skilful illustrator—our Mr. PARTRIDGE—who have, the pair of them, combined to throw the reader off the right scent. The one mistake—not a fatal error, however,—which this authoress has made, is that of getting herself engaged in the last story. Not married, ...
— Punch, or the London Charivari, Volume 104, January 21, 1893 • Various
... down his brush and palette and take up the pen. Mr. Chambers studied art in Paris for seven years. At twenty-four his paintings were accepted at the Salon; at twenty-eight he had returned to New York and was busy as an illustrator for Life, Truth, and other periodicals. But already the desire to write was coursing through him. The Latin Quarter of Paris, where he had studied so long, seemed to haunt him; he wanted to tell its story. So he did write the story and, in 1893, published it under the title of "In the Quarter." ...
— The Green Mouse • Robert W. Chambers
... "I happen to know the girls. They live down in our part of town, just over in the Village, that is. They have been here six or eight years. One of them was quite a promising young illustrator once. And they're both well-bred—came obviously from good homes. And they've both ...
— Mary Wollaston • Henry Kitchell Webster
... openly declared that of all the ladies of his acquaintance the only one who could accompany him was Olga Ivanovna; then there was a literary man, young but already well known, who had written stories, novels, and plays. Who else? Why, Vassily Vassilyitch, a landowner and amateur illustrator and vignettist, with a great feeling for the old Russian style, the old ballad and epic. On paper, on china, and on smoked plates, he produced literally marvels. In the midst of this free artistic company, spoiled by fortune, though refined and modest, who recalled the existence of doctors only ...
— The Wife and Other Stories • Anton Chekhov
... survived the deluge that followed them. He poured out the wine of life in a limpid stream. It may be fairly said that he did much to give permanency and respectability to the style of literature of which he was at once a brilliant illustrator and illustration. His was a short life indeed, though a merry one, and a sad death. In a strange land, yet surrounded by admiring friends, about to reach the coveted independence he had looked forward to so long, he sank ...
— Marse Henry, Complete - An Autobiography • Henry Watterson
... presented at court, and at once accepted the dedication of the forthcoming work. This was the more generous on the king's part because he must have known himself to have been often satirised and caricatured mercilessly in the Green Bag literature by G. Cruikshank, the intended illustrator. On 15 July 1821 appeared the first number of Life in London; or, 'The Day and Night Scenes of Jerry Hawthorn, Esq., and his elegant friend, Corinthian Jem, accompanied by Bob Logic, the Oxonian, ...
— Musa Pedestris - Three Centuries of Canting Songs - and Slang Rhymes [1536 - 1896] • John S. Farmer
... us in chronological order the flowers, birds, and beasts we meet on our highway and byway travels, tells us how to recognize them, what they are really like, and gives us at once charming drawings in words and lines, for Mr. Mathews is his own illustrator."—Boston Journal. ...
— The Farringdons • Ellen Thorneycroft Fowler
... at djeuner but finishes his cigar en route to work. We were at the edge of Paris before the Illustrator had thrown his away. We were not in the car of ancient lineage but in that relic of other days a real automobile without the great white letters of the army upon its sides and bonnet. Yet we were going into the heart ...
— Defenders of Democracy • Militia of Mercy
... band of select artists is the result. Both, Swanevelt, Pynaeker, Breenberg, Van Laer, Asselyn. But the palm remains with the landscapists of Holland, with Wynants the painter of morning, with Van der Neer the painter of night, with Rusydael the painter of melancholy, with Hobbema the illustrator of windmills, cabins, and kitchen gardens, and with others who have restricted themselves to the expression of the enchantment of nature as she is ...
— Seeing Europe with Famous Authors, Volume 4 (of 10) • Various
... feared is the horse. Nimrod as he is, and the happiest illustrator of the hunting-field that ever was, he seems for ever haunted by a terror of the heels of that noble animal he drew so well—and I ...
— Social Pictorial Satire • George du Maurier
... book is to be illustrated, an illustrator must be engaged, and furnished with a set of early proofs of the book from which to select the points or situations to illustrate. When the drawings are finally approved they are carefully looked over, marked to show the sizes at ...
— The Building of a Book • Various
... mesmerized so strong, though, but what I got sense enough to play it safe by callin' up Vee first. I don't think she was strong for joinin' the reunion until I points out that I might be some shy at wanderin' down into the art-student colony and collectin' a strange young lady illustrator all by myself. ...
— The House of Torchy • Sewell Ford
... Stockton was in Bok's office, A. B. Frost, the illustrator, came in. Frost had become a full-fledged farmer with one hundred and twenty acres of Jersey land, and Stockton had a large farm in the South which was a financial ...
— The Americanization of Edward Bok - The Autobiography of a Dutch Boy Fifty Years After • Edward William Bok
... be already familiar with his work. Besides, I always feel that it is an impertinence to describe pictures in their presence. Mr Clarke's speak for themselves. They speak for Perrault too. It is seldom, indeed, that an illustrator enters so thoroughly into the spirit of his text. The grace, delicacy, urbanity, tenderness, and humour which went to the making of Perrault's stories must, it seems, have also gone in somewhat similar proportions to the making of these delightful ...
— The Fairy Tales of Charles Perrault • Charles Perrault
... admires that inconvenient and gawky muddle of ironwork and Flemish architecture, the London Tower Bridge. When before this, temerarious anticipators have written of the mighty buildings that might someday be, the illustrator has blended with the poor ineffectual splutter of the author's words, his powerful suggestion that it amounted simply to something bulbous, florid and fluent in the vein of the onion, and L'Art Nouveau. But here, it may be, ...
— A Modern Utopia • H. G. Wells
... matter, and knows the East End well, he has been selected—shall we put it on somebody's recommendation?—to accompany the artist, and to supply the reading matter, the letter-press I think you call it; in fact, to write up to our illustrator's pictures; and that he is to be decently paid for his trouble. He must do something graphic, something stirring, something to wake up lazy people in the West End to a passing sense of what he calls their responsibilities. That'll ...
— Philistia • Grant Allen
... directions opposite several "single and married houses," with small gardens in front and the rear, known as STAMFORD VILLAS, where, at No. 2, resided, in 1836 and 1837, Mr. H. K. Browne, better known, perhaps, by his sobriquet of "Phiz," as an illustrator of popular periodical works. ...
— A Walk from London to Fulham • Thomas Crofton Croker
... never have attempted the representation of Irving as a mummer, nor literally as Irving disguised as this one or that one, but as Irving—the artistic exponent of other great artists' conceptions—Irving, the greatest illustrator of the greatest men's creations—he himself ...
— The Story of My Life - Recollections and Reflections • Ellen Terry
... and we have the merest fragments of them. In the last pre-Christian and the first two post-Christian centuries, however, there were several writers, portions of whose works have survived and are of great biological importance. Among them we include Crateuas, a botanical writer and illustrator, who greatly developed, if he did not actually introduce, the method of representing plants systematically by illustration rather than by description. This method, important still, was even more important when there was no proper system of botanical nomenclature. Crateuas ...
— The Legacy of Greece • Various
... by the help of a ready pen and of the pencil of a skilful illustrator, has given us in this handsome volume a number of attractive pictures of distant places.... It is good to read and pleasant to ...
— A Versailles Christmas-Tide • Mary Stuart Boyd
... though it had been beautifully printed. But this turned out to be a delusion, for the type-setting had been truly awful. It does seem sad that an author, a well-known one at the time, could take the trouble to write a good book, that he should use a good publisher, and a good illustrator, a good book-binder, only to have the whole thing let down by very poor type-setting. And that goes on down to proof-reading, too, for the publisher should have checked all this as ...
— The Cliff Climbers - A Sequel to "The Plant Hunters" • Captain Mayne Reid
... another obscure master: artists like Hook and Burne-Jones had admired his pictures; Ruskin had mentioned his backgrounds twice or thrice in "Stones of Venice." But no writer had noticed his extraordinary interest as an exponent of the mythology of the Middle Ages, as the illustrator of poetical folk-lore derived from those antique myths of Greece, and newly presented by the ...
— The Life of John Ruskin • W. G. Collingwood
... Neeland's Mills, who has had years more study than you have, more years of advantage, and who now is an illustrator without anything in particular to distinguish him from the several thousand other ...
— The Dark Star • Robert W. Chambers
... story of a bird courtship and marriage with its attendant feast and tragedy, all followed by the long dirge of No. 142, constitutes one of the longest nursery novels. Its opportunities for the illustrator are very marked, and a copy illustrated by the children themselves would be an addition to the ...
— Children's Literature - A Textbook of Sources for Teachers and Teacher-Training Classes • Charles Madison Curry
... as Broadway, and it is part of the charm of them to American eyes, the sky looks down on almost as many "things" as the ceiling, and "things" are the joy of the illustrator. Furnished apartments are useful to the artist, but a furnished country is still more to his purpose. A ripe midland English region is a museum of accessories and specimens, and is sure, under any circumstances, to contain the article wanted. This is the great ...
— Picture and Text - 1893 • Henry James
... suffered. Hence his work is dramatic. Again Botticelli had far wider sympathies than most of his contemporaries. He was a friend of the Medici, a neo-Platonist, a student of theology with the poet Palmieri, an illustrator of Dante, and a devoted follower of Savonarola. Of the part that women played in his life we know nothing: in fact we know less of him intimately than of almost any of the great painters; but this ...
— A Wanderer in Florence • E. V. Lucas
... bringing out the juvenile books in "the English method." But Mr. Edwin Pearson, in his delightful discussion of "Banbury Chap-Books," has also stated that the wood-cut frontispiece in the first American edition of "Goody Two-Shoes," printed by Thomas, was engraved by Bewick, the famous English illustrator. A comparison of the reproduction of the Bewick engraving in Mr. Pearson's book with the frontispiece in Thomas's edition shows so much difference that it is a matter of regret that Mr. Pearson withheld his authority for attributing to Bewick the representation of Margery Two-Shoes. ...
— Forgotten Books of the American Nursery - A History of the Development of the American Story-Book • Rosalie V. Halsey
... did Rembrandt sketch, that one of the great printers made a proposition to his father to take the boy until he was twenty-one, and pay the father a thousand florins a year for the lad's services as an illustrator. The father accepted the proposition; and the next day brought around another Harmenszoon, who he declared was just as good. But the bookmaker was stubborn and insisted on having a certain one or none. So ...
— Little Journeys to the Homes of the Great, Volume 4 (of 14) - Little Journeys to the Homes of Eminent Painters • Elbert Hubbard
... said Tompkins, decidedly. "Look here. He's an illustrator, I know that much. As soon as you find out where he lives, call with one of your manuscripts and ask him if he'll illustrate it. That will ...
— The Mystery of Murray Davenport - A Story of New York at the Present Day • Robert Neilson Stephens
... illustrator, this book is a jewel rarely to be found nowadays. Not a whit inferior to its predecessor In grand extravagance of imagination, ...
— Slow and Sure - The Story of Paul Hoffman the Young Street-Merchant • Horatio Alger
... know the very "mark and figure" of this spaniel, the late able illustrator of so many topographical works (Mr James Storer) published in his "Rural Walks of Cowper"[49] a figure of Beau, from the stuffed skin in the possession of Cowper's kinsman, the ...
— Heads and Tales • Various
... so doing, he should aid to build up a formidable naval rival of England. The man who seeks to undo all this, to destroy what Bourbon and Bonaparte sacrificed so much to effect, is the heir of Bonaparte, and the expounder and illustrator of Napoleon's ideas; and the power that places herself resolutely across his path, and will not join in his plot to erase us from the list of nations is—England! In a romance such a state of things would be pronounced too absurd for invention; but in this every-day world ...
— The Atlantic Monthly, Volume 13, No. 75, January, 1864 • Various
... peasants and portraits, made three or four years later, possess almost a Rembrandt strength, unfortunately passion for the grotesque and the fanciful often lending a touch of caricature. Downright ugliness must have had an especial charm for the future illustrator of the Inferno, his unconscious models sketched by the way being uncomely as the immortal Pickwick and his fellows of Phiz. A devotee of Gothic art, he reproduced the medival monstrosities adorning cornice and pinnacle in human types. Equally devoted to nature out of doors, ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards
... encouraged. The first two issues of one thousand copies each had been bought up. Of the third an edition of six thousand was published and distributed FREE, so that the business men of Austin, Texas, might know what a good medium was at hand for their advertising. The editor and proprietor and illustrator of The Rolling Stone was Will Porter, incidentally Paying and Receiving Teller ...
— Rolling Stones • O. Henry
... the contrary. The bristly-haired specimen who is ostentatiously making a sketch of her is Castleton Flaunt, the illustrator." ...
— Little Miss Grouch - A Narrative Based on the Log of Alexander Forsyth Smith's - Maiden Transatlantic Voyage • Samuel Hopkins Adams
... certain impressiveness, in its gloomy monotony, not unlike that of Quarles' "Divine Emblems." Like the "Emblems," too, "The Grave," has been kept from oblivion by the art of the illustrator, the well-known series of engravings by Schiavonetti from designs by ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers
... Cities" Hablot K. Browne's connection with Dickens, as the illustrator of his books, came to an end. The "Sketches" had been illustrated by Cruikshank, who was the great popular illustrator of the time, and it is amusing to read, in the preface to the first edition of the first series, published in 1836, how the trembling young ...
— Life of Charles Dickens • Frank Marzials
... was asked by Chapman and Hall to write the letterpress for a series of sporting plates to be done by Robert Seymour who, however, d. shortly after, and was succeeded by Hablot Browne (Phiz), who became the illustrator of most of D.'s novels. In the hands of D. the original plan was entirely altered, and became the Pickwick Papers which, appearing in monthly parts during 1837-39, took the country by storm. Simultaneously ...
— A Short Biographical Dictionary of English Literature • John W. Cousin
... supply these in the picture of humanity is the distinct office of fiction, which, while free in many respects, should still be essentially true. The poetry and fiction of a country should be the worthy companion to its history. The true poet should be the interpreter and illustrator of life. While the historian describes events and the outward lives of men, the poet penetrates into the inner life, and portrays the spirit that moves them. The historian records facts; the poet records feelings, ...
— Handbook of Universal Literature - From The Best and Latest Authorities • Anne C. Lynch Botta
... this purpose he started the Ballad Society in 1868. He himself edited some particularly interesting "Ballads from Manuscripts," and an elaborate account of Captain Cox's Ballads and Books in a new edition of Robert Laneham's Letter on the Entertainment at Kenilworth in 1575. The veteran Ballad illustrator, Mr. William Chappell, undertook to edit the "Roxburghe Ballads," and produced nine parts, when the Rev. J.W. Ebsworth took the work off his hands. Mr. Ebsworth had previously reproduced the "Bagford Ballads," and he is ...
— How to Form a Library, 2nd ed • H. B. Wheatley
... which consisted of two thousand copies, was condemned by both author and illustrator, for the pictures did not come out well. All purchasers were accordingly asked to return their copies, and to send their names and addresses; a new edition was prepared, and distributed to those who had sent back their old copies, which the author gave ...
— The Life and Letters of Lewis Carroll • Stuart Dodgson Collingwood
... of Lancelot Brown, however, not to discuss his merits, but as the principal and largest illustrator of that taste in landscape-gardening which just now grew up in England, out of a new reading of Milton, out of the admirable essays of Addison, out of the hints of Pope, out of the designs of Kent, and which was stimulated by Gilpin, by Horace Walpole, and, still more, ...
— The Atlantic Monthly, Volume 13, No. 77, March, 1864 • Various
... his work. He is the musical illustrator of Shakespeare, Virgil, and Goethe. But what a painter!—the Delacroix of music, who makes sound blaze forth amidst effulgent contrasts of colour. And withal he has romanticism in his brain, a religious mysticism that carries him ...
— His Masterpiece • Emile Zola |
