"Fresco" Quotes from Famous Books
 ... you call your dog?" I asked a ragamuffin who was playing with a nice little terrier in a village street where we ate an at fresco meal of jam-sandwiches with a motor-car ...
— Over There • Arnold Bennett
... It is an oblong square, surrounded by a very high wall, and always kept shut. Within-side there is a spacious corridore round the whole space, which is a noble walk for a contemplative philosopher. It is paved chiefly with flat grave-stones: the walls are painted in fresco by Ghiotto, Giottino, Stefano, Bennoti, Bufalmaco, and some others of his cotemporaries and disciples, who flourished immediately after the restoration of painting. The subjects are taken from the Bible. Though the manner is dry, the drawing incorrect, the ...
— Travels Through France and Italy • Tobias Smollett
... diverging from the main road to find a secluded spot where we could spread our cloth and open our hampers without fear of interruption or, to use a more sinister word, detection. It was rather a jolly affair, that first and last al fresco banquet of ours under the spreading branches of mighty trees and beside the trickling waters of a gay little mountain brook that hurried like mad down to the broad channel of the Danube, now many miles away. The strain of the first few hours had slackened. ...
— A Fool and His Money • George Barr McCutcheon
... consider the question of the decoration of the new Houses of Parliament, sat to examine witnesses, but Haydon was not summoned before them, a slight which he deeply felt. With an anxious heart he set about making experiments in fresco, and was astonished at what he regarded as his success in this new line of endeavour. During the past year, the Anti-Slavery Convention picture, and one or two small commissions, had kept his head above water, but now the clouds ...
— Little Memoirs of the Nineteenth Century • George Paston
... Refectory of the old Dominican Friary attached to the church of Santa Maria delle Grazie, we saw Leonardo da Vinci's famous fresco of the Last Supper. It is on the wall of a large, bare, whitewashed room, this celebrated work being almost the only furniture and decoration. Although in a very bad state of decay and dilapidation, ...
— Fair Italy, the Riviera and Monte Carlo • W. Cope Devereux
... fresco," my particular friend suggested. And from his tone, at once modestly content and artificially careless, I knew that that nursery-rhyme fresco was one of the sights of the pleasure quarter of New ...
— Your United States - Impressions of a first visit • Arnold Bennett
... descriptive geometry, botany, and physical geography. In the third year the course is extended to the theory of decoration, color, form, and proportion; conventionalism, symbolism, the decorative arts, stained glass, fresco painting, tiles, terra-cotta, original designs, specifications, integral calculus, strength of materials, dynamics, bridges and roofs, stereotomy. In the fourth year the student is turned out a finished architect, after a course of the ...
— Scientific American Supplement, No. 446, July 19, 1884 • Various
... had succeeded in persuading himself that he was a great artist, and this conviction constituted his happiness. This much at least could be said of him, that he managed his brush and pencil with remarkable dexterity, and could execute four or five square feet of fresco painting in a few hours. The doctrines of Mount Athos, which place he had visited in his youth, had no more secrets for him; Byzantine aesthetics had passed into his flesh and bones; he knew by heart the famous "Guide to Painting," drawn up by the monk Denys and his ...
— Stories of Modern French Novels • Julian Hawthorne
... see it to-day with bodily eyes in the National Gallery. Indeed, it is no exaggeration to say that where it hangs in that gallery it has not once given me one half-second of real pleasure. It is a third-rate picture now; but even the masterpieces, Perugino's big fresco, Titian's "Bacchus and Ariadne," Pier della Francesca's "Baptism"; have they ever given me the complete and steady delight which that mediocre Sienese gave me at the end of the wintry drive, in the faintly illumined chapel? More often than not, as Coleridge puts it, I have "seen, not felt, ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee
... pleasure without having the slightest desire to perform upon them. [Footnote: My estimate of the rank of water-color amongst the fine arts has steadily risen as the true technical relations of the graphic arts have become clearer to me. Water-color is quite as great an art as fresco, whilst ...
— Philip Gilbert Hamerton • Philip Gilbert Hamerton et al
... the windows had ornamental frames of great depth, but some were blocked up, which gave the facades a sinister aspect; the walls had not only ornamental tablets in stucco, but, in a better light, would have shown rude fresco paintings not unworthy mediaeval Italian dwellings. Many of the fronts resembled the high poops of the castellated ships of three hundred years ago, and they cast a shadow on the muddy pavement. As they resembled ships, the slimy footway seemed the strand where they ...
— The Son of Clemenceau • Alexandre (fils) Dumas
... besides, vast and splendid saloons, destined for grand balls, ought to have a different character from rooms in ordinary occupation: there is between the two species of apartments the same difference as between a splendid fresco and a cabinet picture." ...
— The Mysteries of Paris V2 • Eugene Sue
... out of Amenti, actually, like Osiris, rose from the dead. The picture which a papyrus forty centuries old presents, is the dream of a vision that Michel Angelo displayed, a sketch for a papal fresco. Such indeed was the conformity between the underlying conceptions, that, at almost the first monition, Isis, whose veil no mortal had raised, lifted it from her black breast and suckled there the infant Jesus. Then, presently, in temples that ...
— The Lords of the Ghostland - A History of the Ideal • Edgar Saltus
... They form a khaki fresco on the cab and sides of the giant commissary trucks that raise the dust along the winding white road over the hills. Snorting motorcycles with two men over the motor and an officer in the side car skim ...
— "And they thought we wouldn't fight" • Floyd Gibbons
... have lofty principles ready at hand! The fresco painter must have a sure touch, and a quick hand, and a ...
— Expositions of Holy Scripture: St. John Chaps. XV to XXI • Alexander Maclaren
... painter, but he was by no means a delicate one. His lines, as the story of the circle would lead us to expect, are always firm, but they are never fine. Even in his smallest tempera pictures the touch is bold and somewhat heavy: in his fresco work the handling is much broader than that of contemporary painters, corresponding somewhat to the character of many of the figures, representing plain, masculine kind of people, and never reaching any thing like the ideal refinement ...
— Giotto and his works in Padua • John Ruskin
... a background or as a decoration in themselves. In the latter case any pictures should be set in specially arranged panels and should be pictures of importance, or fresco painting. The walls of the great periods were of this decorative order. They were treated architecturally and the feeling of absolute support which they gave was most satisfactory. The pilasters ran from base or dado ...
— Furnishing the Home of Good Taste • Lucy Abbot Throop
... above referred to, I also dissented from Lowell's statement, in "Al Fresco," that in early summer the dandelion blooms, in general, with the buttercup and the clover. I am aware that such criticism of the poets is small game, and not worth the powder. General truth, and not specific fact, is what we are to expect of the poets. Bryant's "Yellow Violet" ...
— A Year in the Fields • John Burroughs
... spot, for they are in a narrow, dirty court, to which light can scarcely find access. The Ducal Palace now belongs to the Governor. It has been modernised, but in the dark alleys adjoining there are remains demonstrative of its former extent—pictures of the different Doges in fresco on the walls half erased, and little bridges extending from the windows (or doors) of the palace to the public prisons and other adjoining buildings. The view from my albergo (della villa) is the gayest imaginable, looking over the harbour, which is crowded with ...
— The Greville Memoirs - A Journal of the Reigns of King George IV and King William - IV, Volume 1 (of 3) • Charles C. F. Greville
... not abandon my efforts to speak a new language. Visited the Pantheon—wondrous structure—a sovereign's pride, and a nation's monument. Visited the tombs of the dead; ascended to the dome—magnificent view; fine paintings in fresco. My impressions will never be effaced. This evening was in company with Count Gasparin and his noble father, and Mr. Monod, one of the principal Protestant ministers in Paris. Mr. Monod spoke strongly of Puseyism; mentioned that he was at a school this week where there ...
— The Story of My Life - Being Reminiscences of Sixty Years' Public Service in Canada • Egerton Ryerson
... one of the west-end clubs a fresco has lately been exhibited as a suggestion to the members, shewing the easy and graceful ...
— Normandy Picturesque • Henry Blackburn
... radiance that kept the dancers back, and in her eyes something of Mary's look, as she turned from Calvary. The dancers still kept the position of the figures, the men with their arms about their partners' waists, the women stepping forward; they were like the painted figures of dancers in a fresco. And among them stood Judith, waiting to play her part, waiting to show her world that she could dance and be merry because all was well with her and hers. But the bronzed sons of the saddle hung back, they who a day before would have quarrelled for the honor of a dance. They were afraid of ...
— Judith Of The Plains • Marie Manning
... this way and one another, every one finding something that delighted him above all other things. She herself took a great pleasure in watching a painter, who was standing upon a balcony a little way above her, painting upon a great fresco: and when he saw this he asked her to come up beside him and see his work. She asked him a great many questions about it, and why it was that he was working only at the draperies of the figures, and did ...
— A Little Pilgrim - Stories of the Seen and the Unseen • Margaret O. (Wilson) Oliphant
... After a photograph from the fresco by His friend Giotto, discovered under the whitewash on a watt of the Bargello palace; now in the Museo Nazionale, ...
— The World's Best Poetry Volume IV. • Bliss Carman
... race it was said that they always made an obeisance when the family name was mentioned, and had all their portraits painted with halos round their heads), found herself extinguished in this new radiance. Miss Victoria Capsheaf stuck to the wall as if she had been a fresco on it. The fifty-year-old dynasties were dismayed and dismounted. Myrtle fossilized them as suddenly as if she had been a Gorgon ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... is similar everywhere, but the use of what we may regard as the pigment has possibilities similar to the colours of a painter. The manipulation being of necessity slow, it is more difficult to convey the idea of spontaneity in design than it is in a fresco painting. ...
— Arts and Crafts in the Middle Ages • Julia De Wolf Addison
... of worship, and, in addition, induces all the other ladies present to turn round, or look on one side, for the purpose of seeing what she is wearing; is more of a conversationalist than a speaker; likes chit- chat; would be at home in a conversazione or al fresco tea party, where the attendants walk about, gossip merrily, and, whilst holding a tea cup in one hand, poise with two fingers a piece of delicately- buttered toast in the other—a continental style quite aesthetic and refined in comparison ...
— Our Churches and Chapels • Atticus
... farmers, looking at their lands, and taking long walks alone: during which (as well as when I was in Ireland) I made such sketches as will make you throw down your brush in despair. I wish you would ask at Molteno's or Colnaghi's for a new Lithographic print of a head of Dante, after a fresco by Giotto, lately discovered in some chapel {90b} at Florence. It is the most wonderful head that ever was seen—Dante at about twenty-seven years old: rather younger. The Edgeworths had a print in Ireland: ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... interior of the little house was just such a dainty box as the art of the eighteenth century devised for the pretty profligacy of a fine gentleman. The dining-room, on the ground floor, was painted in fresco, with garlands of flowers, admirably and marvelously executed. The staircase was charmingly decorated in monochrome. The little drawing-room, opposite the dining-room, was very much faded; but the Countess had hung it with ...
— Honorine • Honore de Balzac
... muddy grass-plats. A familiar figure in a battered straw hat and scanty green cloak was advancing in his direction; the wind, blowing back the fringe of disfiguring short hair, disclosed a pure unbroken line of delicate profile, strangely simple, and recalling the profiles in Botticelli's lovely fresco in the Louvre. Miss Price, for it was she, carried a painting-box, and under one arm a stretcher that gave her infinite trouble whenever the wind caught it. As she passed, the Painter half started ...
— Different Girls • Various
... all sat gracefully about, while Sir Lionel and the chauffeur worked—Young Nick under the car, looking sometimes like a contortionist tying himself into lover's knots, sometimes like a miniature Michelangelo lying on his back to paint a fresco. I hope, though, that Michael never had half the trouble finding his paints and brushes that Nick had to get at his tommies and jemmies, and dozens of strange little instruments. He lay with his mouth bristling with giant pins, and had the air of a conscientious ...
— Set in Silver • Charles Norris Williamson and Alice Muriel Williamson
... itself May the 26th, as you perceive by the date; but I am writing to you by the fire-side, instead of going to Vauxhall. If we have one warm day in seven, "we bless our stars, and think it luxury." And yet we have as much water-works and fresco diversions, as if we lay ten degrees nearer warmth. Two nights ago Ranelagh-gardens were opened at Chelsea; the Prince, Princess, Duke, much nobility, and much mob besides, were there. There is a vast amphitheatre, finely gilt, painted, and ...
— Letters of Horace Walpole - Volume I • Horace Walpole
... excentric^, eccentric; outstanding; extrinsic &c 6; ecdemic [Med.], exomorphic^. Adv. externally &c adj.; out, with out, over, outwards, ab extra, out of doors; extra muros [Lat.]. in the open air; sub Jove, sub dio [Lat.]; a la belle etoile [Fr.], al fresco. ...
— Roget's Thesaurus of English Words and Phrases: Body • Roget
... entirely unconnected. There is a series of jumps from one situation to another, with gaps and interruptions of considerable length, which break the chain of events. It is for this reason that, instead of seeing a historical fresco, we see a whole gallery of sketches, executed with subtle artistry, but insufficiently connected with the main action of ...
— Contemporary Russian Novelists • Serge Persky
... each breast as much as it will hold of the new strong wine of love: and, for fear they should take cold by exposure, cover them quickly up with a quantity of obscure classical quotations, a few familiar allusions to an unknown period of history, and a half-destroyed fresco by an early master, varied every now and then with a reference to the fugues or toccatas of ...
— Every Man His Own Poet - Or, The Inspired Singer's Recipe Book • Newdigate Prizeman
... province of Terra di Otranto, in the year 1639. Early in life he visited Venice to study the colouring of the Venetian masters. He returned a successful, not a meritorious painter. In 1660 he was at Naples, where he executed a large fresco work, 'Christ healing the Sick,' for the Jesuit College. This painting, we are told, was conspicuous for its brilliant colour ...
— Art in England - Notes and Studies • Dutton Cook
... dignity. It is, perhaps, the most absolute bequest of past centuries which we have had, unchanged, in domestic use till the present time. You may see a loom like the Yankee one shown here in Giotto's famous fresco in the Campanile, painted in 1335; another, still the same, in Hogarth's Idle Apprentice, painted just four hundred years later. Many tribes and nations have hand-looms resembling our own; but these are exactly like it. Hundreds of thousands of men and women of the generations of these ...
— Home Life in Colonial Days • Alice Morse Earle
... outer walls of the principal temple are wretched daubs in fresco, representing the state of eternal punishment. Some of the figures are being roasted, twitched with red-hot pincers, partly baked, or forced to swallow fire. Others again, are jammed between rocks, or having pieces of flesh cut out of their bodies, ...
— A Woman's Journey Round the World • Ida Pfeiffer
... found save solitude. I stood to-day before the mutilated fresco of Morone, my rapture of six years ago, and hated it with unreasoning hatred. The Madonna belied the wreath-supported inscription above her head, "Miseratrix virginum Regina nostri miserere," and greeted me with a pitiless simper. The unidentified martyr on the left stared ...
— The Morals of Marcus Ordeyne • William J. Locke
... history and of criticism has given us the opportunity to reach a comprehension of the most peculiar formulas. Our culture is sufficiently broad to allow us to perceive the beauty of an Egyptian fresco or an Assyrian bas-relief as well as of a Byzantine mosaic or a painting of the Renaissance. We have therefore no excuse for remaining inaccessible to the art of the Far East and we have surely all the mental vigor that is requisite in order ...
— Chinese Painters - A Critical Study • Raphael Petrucci
... the present occasion to give any detailed account of the fresco decorations painted by Giorgione and Titian on the facades of the new Fondaco de' Tedeschi, erected to replace that burnt down on the 28th of January 1505. Full particulars will be found in Crowe and Cavalcaselle's often-quoted work. ...
— The Earlier Work of Titian • Claude Phillips
... of the Dioscuri was visited next. It is in the Via dei Mercurii, and is a very interesting and extensive ruin, and contains some handsome fresco paintings. After this they visited many other houses, a description of which is not necessary; they were all like the Villa of Diomede, though less interesting; and among them all there was the same general character. In all these only the lower stories remained, though in a few a ...
— Among the Brigands • James de Mille
... made their way up town and presently entered the door of a ramshackle structure standing midway of a block lined by similar buildings. They walked into a darkened room, and the Wildcat saw a fresco of gleaming ...
— Lady Luck • Hugh Wiley
... represented the Crucifixion. The head of the Saviour bore a large crown of gilded thorns, and from the wound in His left side flowed a continuous stream of red gouts of blood, extraordinarily intense in colour (and intensity of colour is no common quality in fresco-painting). At the foot of the cross stood a Roman soldier, with two female figures in dark-coloured drapery a little to the right, and in the background a man clad in a loose dark upper coat, which reached a ...
— Old Fires and Profitable Ghosts • A. T. Quiller-Couch
... hall of the Chateau, the scene of the gorgeous feasts of the Intendant, was brilliantly illuminated with silver lamps, glowing like globes of sunlight as they hung from the lofty ceiling, upon which was painted a fresco of the apotheosis of Louis XIV., where the Grand Monarque was surrounded by a cloud of Condes, Orleanois, and Bourbons, of near and more remote consanguinity. At the head of the room hung a full-length portrait of Marquise de ...
— The Golden Dog - Le Chien d'Or • William Kirby
... post-direction for the Eilwagen, we felt at liberty to choose our time of departure. For the present, therefore, acting as our own masters, we leisurely sauntered out of doors, admired the clean, attractive exterior of the roomy inn, and smiled at the fresco of the huge elephant, which, possessed of gigantic tusks and diminutive tail, carried a man, spear in hand, on his back. A giant bearing a halbert, accompanied by two youths in tunics, completed the group. An inscription informed us that this was the first elephant ...
— Lippincott's Magazine, Volume 11, No. 26, May, 1873 • Various
... to get the fellows of them 'till the good weather for riding is over. The stuttering wit declared, that the only secret which Cropdale ever kept, was the place of his lodgings; but he believed, that, during the heats of summer, he commonly took his repose upon a bulk, or indulged himself, in fresco, with one of the kennel-nymphs, under the portico of St Martin's church. 'Pox on him! (cried the bookseller) he might as well have taken my whip and spurs. In that case, he might have been tempted to steal another horse, and then he would have ...
— The Expedition of Humphry Clinker • Tobias Smollett
... smaller well-furnished room, called the quadro, which was the usual reception-room; and beyond it were the dining and sleeping rooms, and the nursery. They all opened into an inner court-yard, the walls of which were ornamented with fresco paintings; and part of it was laid out as a flower-garden, with a fountain in the centre. From it one door led to the kitchen, and another to the stable. The windows were mostly in the roof, as were those in Pompeii and many ancient cities; indeed it was ...
— Manco, the Peruvian Chief - An Englishman's Adventures in the Country of the Incas • W.H.G. Kingston
... and he gathers round him all that makes life full-toned and harmonious, from the grand timbre of draught-ale and the organ-thunder of hunting, to the piccolo and tintinnabulum of Poker and maraschino. His life is a fresco-painting, on which some Cyclopaean Raphaelite has poured his rainbows from a fire-engine of a ...
— Twenty-One Days in India; and, the Teapot Series • George Robert Aberigh-Mackay
... them would be impossible here, while almost every important church had an altar dedicated to him. An altar of St. Ninian was endowed by the Scottish nation in the Carmelite Church at Bruges in Catholic ages. There is a portion of a fresco on the wall of Turriff Church, Aberdeenshire, which bears the figure of St. Ninian. The burgh of Nairn was placed under his patronage. Many holy wells bore his name: at Arbirlot, Arbroath, Mains and Menmuir (Forfarshire); Ashkirk (Selkirkshire); Alyth, Dull (Perthshire); ...
— A Calendar of Scottish Saints • Michael Barrett
... those works of Carrache which I would recommend to the student are not often found out of Bologna. The "St. Francis in the midst of his Friars," "The Transfiguration," "The Birth of St. John the Baptist," "The Calling of St. Matthew," the "St. Jerome," the fresco paintings in the Zampieri Palace, are all worthy the attention of the student. And I think those who travel would do well to allot a much greater portion of their time to that city than it has been ...
— Seven Discourses on Art • Joshua Reynolds
... a semblance of resource avails us— Shade so finely touched, love's sense must seize it. Take these lines, look lovingly and nearly, Lines I write the first time and the last time. He who works in fresco, steals a hair-brush, Curbs the liberal hand, subservient proudly, Cramps his spirit, crowds its all in little, Makes a strange art of an art familiar, Fills his lady's missal-marge with flowerets. He who blows thro' bronze, may breathe thro' silver, Fitly serenade a slumbrous princess. He who ...
— Robert Browning: How To Know Him • William Lyon Phelps
... which are occupied by statues, all arranged in exquisite variety of attitude, so as to appear to be offering to whoever approaches them the rare flowers which it is the duty of the attendants to place in their hands. The ceiling is painted in fresco, in patterns and colours harmonising with those on the mosaic floor. The cornices are of silver, and decorated with mottoes from the amatory poets of the day, the letters of which are formed by precious stones. In the middle of the ...
— Antonina • Wilkie Collins
... however, not peculiar. (See Rossi, pp. 34, &c.) It is perhaps worth while mentioning that by the antro dell' Aurora was no doubt intended the room in the castle, said to have formed part of the private apartments of Leonora, still known as the sala dell' Aurora, from a wretched fresco on the ceiling by the ...
— Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England • Walter W. Greg
... Ralph imparts to a lime-box, or pig-sty, a negro hovel, or an Irish shanty, all the romance, artistic elegance and finish of a first-class manor-house, or Swiss cottage, inlaid with alabaster and fresco, surrounded by elfin bowers, grand walks, bee ...
— The Humors of Falconbridge - A Collection of Humorous and Every Day Scenes • Jonathan F. Kelley
... and went at once into the library where the earl usually sat. Strange contrast it was between the spacious apartment, with its lofty octagon walls laden with treasures of learning; book-shelves, tier upon tier, reaching to the very roof, which was painted in fresco; every ornamentation of the room being also made as perfect as its owner's fine taste and lavish means could accomplish, and this owner, this master of it all, a diminutive figure, sitting all alone by the vacant fireside—before him a little ...
— A Noble Life • Dinah Maria Mulock Craik
... the names of the owners over the doors are still legible, and the fresco-paintings on the inner walls are still quite fresh and beautiful. The public fountains are adorned with shells formed into patterns; and in the room of a painter there was found a collection of shells in perfectly good order. A large quantity ...
— Wonders of Creation • Anonymous
... fresco, and most picturesque O; And while round the chamber astonished I go, I think Dan Maclise's it baits all the pieces Surrounding ...
— Ballads • William Makepeace Thackeray
... vouchsafe any great warmth of greeting, except upon sure ground of observation. Soon, however, his look grew kindly and genial, (not that it had ever been in the least degree repulsive, but only reserved,) and Leutze allowed us to gaze at the cartoon of his great fresco, and talked about it unaffectedly, as only a man of true genius can speak of his own works. Meanwhile the noble design spoke for itself upon the wall. A sketch in color, which we saw afterwards, helped us to form some distant and flickering notion of what the picture will ...
— Atlantic Monthly, Vol. 10, No. 57, July, 1862 - A Magazine Of Literature, Art, And Politics • Various
... Grand Canal, comprising in its scheme of decoration a Curtius on horse-back and a flying Mercury which according to Vasari became the talk of the town.[25] Here, at any rate, was a field in which even Titian himself, seeing that he had only at long intervals practised in fresco painting, could not hope to rival Pordenone. The Friulan, indeed, in this his special branch, stood entirely alone among the painters of ...
— The Later works of Titian • Claude Phillips
... Eternity to restore the spirit to self-possession, and perhaps none turns from it wholly dismayed. Kitty, at any rate, took heart from some works of art which the cliff wall displayed near the water's edge. One of these was a lively fresco portrait of Lieutenant-General Sherman, with the insignia of his rank, and the other was an even more striking effigy of General O'Neil, of the Armies of the Irish Republic, wearing a threatening aspect, and designed ...
— A Chance Acquaintance • W. D. Howells
... casas son de piedra. Muchas casas en nuestro pais son de madera. El tejado de nuestra casa es plano. No son planos todos los tejados. Los tejados de las iglesias son generalmente en declive. En el verano subimos al tejado por la noche, porque alli hace mas fresco que en la casa. En frente de la casa esta un pequeno parque. Alli jugamos a la pelota en la primavera y en el verano. Jugamos tambien al tenis y en el ...
— A First Spanish Reader • Erwin W. Roessler and Alfred Remy
... think so yourself, be yet assured of this, that though certain effects of glow and transparencies of gloom are not to be reached without transparent color, those glows and glooms are not the noblest aim of art. After many years' study of the various results of fresco and oil painting in Italy, and of body-color and transparent color in England, I am now entirely convinced that the greatest things that are to be done in art must be done in dead color. The habit of depending on varnish or on lucid tints for transparency, makes the painter ...
— The Elements of Drawing - In Three Letters to Beginners • John Ruskin
... were but luxurious dozing and half-waking, then the palace of the Ptolemies were indeed an Elysium, with its soft-footed, silent, swift, intelligent Oriental servants; rooms where the eye grew weary of rare sculpture or fresco; books drawn from the greatest library in the world—the Museum close at hand; a broad view of the blue Mediterranean, ever changing and ever the same, and of the swarming harbour and the bustling city; and gardens upon gardens shut off from the outside by lofty walls—some great enclosures ...
— A Friend of Caesar - A Tale of the Fall of the Roman Republic. Time, 50-47 B.C. • William Stearns Davis
... the wind (see illustration), as marvellous for rhythm, power, and invention as the blast-whipped brambles and naked bushes that crest a scarped brow above the jealous husband who stabs his wife, in Titian's fresco at Padua. Again, the unspeakable tragedy of the stooping figure of Jesus, who is being dragged by His hair up the steps to Annas' throne, in the Little Passion, is rendered by lines instinct with the ...
— Albert Durer • T. Sturge Moore
... frances, -a French. Francia France. Francisco Francis. francmason freemason. frase f. phrase, sentence. fratricida fratricidal. frecuente frequent. freir to fry. frenetico frantic. frente f. front, forehead; —— a, facing. fresal m. strawberry plant. fresco fresh, cool. frescura freshness, impudence. frio cold, frigid, m. cold, chill. frito (from freir) fried. frivolo frivolous. frontera frontier. fruta fruit. fruto fruit. fuego ...
— Novelas Cortas • Pedro Antonio de Alarcon
... Borromeo. It was over this gateway as well as over the gateway of Fenis (no. 53), that he told me there ought to be a fresco of Fortune with her Wheel (Memoir, ch. xx.) The Rocca Borromeo, Angera, and Arona are mentioned in Alps and Sanctuaries, ch. xxiv. (new edn., ch. xxiii.), and several times in the Memoir, e.g. ...
— The Samuel Butler Collection - at Saint John's College Cambridge • Henry Festing Jones
... The fresco on my bedroom ceiling is made mysteriously attractive by a wilderness of mythologic animals and a crowd of cherubic heads, wings and legs, on a background of clouds; the mystery being that the number of cherubic heads does not correspond with the number of extremities, one ...
— Penelope's Postscripts • Kate Douglas Wiggin
... Pisa. We were presented to the Grand Duchess, who was very civil. We spent the summer at Siena, and had a cheerful airy apartment with a fine view of the hills of Santa Fiora, and with very pretty arabesques in fresco on the walls of all the rooms, some so very artistic that I made sketches of them. In these old cities many of the palaces and houses are decorated with that artistic taste which formerly prevailed to such an extent in Italy, and, which has now ...
— Personal Recollections, from Early Life to Old Age, of Mary Somerville • Mary Somerville
... fern-hunting and flower-gathering, the vicar frequently popping upon the little picnickers unawares, whilst they were watching the rabbits and rabbitikins combing out their whiskers under the fir-trees, and Jupp and Mary getting an al fresco tea ready ...
— Teddy - The Story of a Little Pickle • J. C. Hutcheson
... apse of the old cathedral of Salamanca is a fresco of the Last Judgment, perhaps by the Castilian painter Gallegos. Over the retablo on a black ground a tremendous figure of the avenging angel brandishes a sword while behind him unrolls the scroll of the Dies Irae and huddled clusters of plump little naked people fall away into ...
— Rosinante to the Road Again • John Dos Passos
... great Hall, up a most spacious staircase, the walls and ceiling of which were covered with an allegorical fresco by Verrio, wonderfully bright and well preserved; and without caring about the design or execution, I greatly liked the brilliancy of the colors. The great Hall is a most noble and beautiful room, above a hundred feet long and sixty high and ...
— Passages From the English Notebooks, Complete • Nathaniel Hawthorne
... celebration of this sacrament is called a sacrifice for two reasons. First, because, as Augustine says (Ad Simplician. ii), "the images of things are called by the names of the things whereof they are the images; as when we look upon a picture or a fresco, we say, 'This is Cicero and that is Sallust.'" But, as was said above (Q. 79, A. 1), the celebration of this sacrament is an image representing Christ's Passion, which is His true sacrifice. Accordingly the celebration ...
— Summa Theologica, Part III (Tertia Pars) - From the Complete American Edition • Thomas Aquinas
... the image of Gregory. "Have you said your prayer?" he asked absent-mindedly making conversation. Oh, yes, he was informed, they did that with Martha. "I'll say mine again," Gregory volunteered. Again—a picture of a child, in a halo of innocence, praying at a paternal knee to a fresco of ...
— Cytherea • Joseph Hergesheimer
... of the Apennines, close to the sea-coast between Genoa and Spezzia, is a marine villa, that once belonged to the Malaspina family, in olden time the friends and patrons of Dante. It is rather a fantastic pile, painted in fresco, but spacious, in good repair, and convenient. Although little more than a mile from Spezzia, a glimpse of the blue sea can only be caught from one particular spot, so completely is the land locked with hills, covered with groves of chestnut and olive orchards. From the ...
— Venetia • Benjamin Disraeli
... The floors are inlaid, and immense mirrors in sumptuous frames hang on the walls. Vice can see her own image all over the establishment. The ceiling is superbly decorated with bas-reliefs in carton-pierre, like those in Mr Barry's new Covent Garden Theatre; and fresco paintings, executed by Viotti, of Milan, and Conti, of Munich; whilst the whole is lighted up by enormous and gorgeous chandeliers. The apartment to the right is called the Salle Japanese, and is used as a dining-room for a monster table d'hote, held ...
— The Gaming Table: Its Votaries and Victims - Volume I (of II) • Andrew Steinmetz
... down the long college corridors, the eyes fall upon palm and statue, upon frieze and fresco, and the carbon copies of immortal paintings. Everywhere there are the inspirations of sculpture and architecture, of music, literature, and art. Beauty is in and about the place in which one thinks and works. This is the undying charm of Oxford—the gathering traditions of centuries, the ...
— The Warriors • Lindsay, Anna Robertson Brown
... the result, you true daughter of Eve; every one of you understand wheedling. Those two mischievous imps of mine are almost as great adepts as their mother. Hey, Beulah, no whispering there! You look as wise as an owl. What am I to do next? Paper the walls and fresco the ceilings? Out ...
— Beulah • Augusta J. Evans
... is a pic-nic. Glasgow folk have even more, we believe, than the average share of stiff dinner parties when in town: we never saw people who seemed so completely to enjoy the freshness and absence of formality which characterize the well-assorted entertainment al fresco. We were at one or two of these; and we cannot describe the universal gaiety and light-heartedness, extending to grave Presbyterian divines and learned Glasgow professors; the blue sea and the smiling sky; the rocky promontory ...
— The Recreations of A Country Parson • A. K. H. Boyd
... with it, and made the connection patent to all? She fused everything, and filled him with it and it with him: the mounting tones of violins and trumpets, the sparkling quincunxes of the girdling balcony-front, the wide band of fresco which ran in unison with the arches of glittering bulbs above their heads, the circling and swaying throng—all the sheen and splendor of ...
— With the Procession • Henry B. Fuller
... pr. n. m. Franco. franja f. fringe, band, border. frentico, -a frenzied, mad, furious, frantic. frente f. brow, face, head, forehead, intellect; —— a opposite, in front of, before; a su —— straight ahead. fresco, -a fresh. frescura f. coolness, luxuriant verdure, freshness. fro, -a cold, indifferent, unsympathetic, unruffled; sangre fra sang-froid, coolness, calmness. fro m. cold. frvolo, -a frivolous. fruncir knit (the brow). fuego m. fire, ardor, flame, passion; ...
— El Estudiante de Salamanca and Other Selections • George Tyler Northup
... requires no ordinary degree of skill to arrange, with simplicity and perspicuity, such great masses as Shakspeare uses to bring together: more of drawing and perspective are required for an extensive fresco painting, than for a small oil picture. In renouncing the intermixture of comic scenes when they no longer understood their ironical aim, they did perfectly right: Southern still attempted them in his Oroonoko, but in his hands they exhibit a wretched appearance. With ...
— Lectures on Dramatic Art - and Literature • August Wilhelm Schlegel trans John Black
... a profusion of precious marbles, mosaics, columns, and statues. Parts of the demolished palace of Nero were incorporated in the substructions of the Baths of Titus. The beautiful arabesques and plaster reliefs which adorned them were the inspiration of much of the fresco and stucco decoration of the Italian Renaissance. At Spalato, in Dalmatia, are the extensive ruins of the great Palace of Diocletian, which was laid out on the plan of a Roman camp, with two intersecting avenues (Fig. 64). It comprised a temple, mausoleum, basilica, and other structures besides ...
— A Text-Book of the History of Architecture - Seventh Edition, revised • Alfred D. F. Hamlin
... reading, Dechartre, seated on the couch near Countess Martin, talked of Dante with enthusiasm as the best sculptor among the poets. He recalled to Therese the painting they had seen together two days before, on the door of the Servi, a fresco almost obliterated, where one hardly divined the presence of the poet wearing a laurel wreath, Florence, and the seven circles. This was enough to exalt the artist. But she had distinguished nothing, she had not been moved. And then she confessed that ...
— Serge Panine • Georges Ohnet
... access, is the fortified cave-castle of Guillaume Taillefer, son of Raymond IV., Count of Toulouse, who was created Lord of Quercy in 972. Nearly on the level of the river is a cave half walled up, with traces of fresco on the walls, of course much later than the time of Taillefer. A modern house has been built on the platform that has been levelled, and much of the wall demolished; the upper fortified cave has an opening in the wall, pointed, of the thirteenth or fourteenth century. ...
— Castles and Cave Dwellings of Europe • Sabine Baring-Gould
... making and beautifying, inside and out. No other church has had much more than a tithe of such toil. The Sistine Chapel in Rome is wonderful enough, with its frescoes; but what is the labour on a fresco compared with that on a mosaic? Before every mosaic there must be the artist and the glass-maker; and then think of the labour of translating the artist's picture into this exacting and difficult medium and absolutely covering every inch of the building with it! And that is merely ...
— A Wanderer in Venice • E.V. Lucas
... and S. John the Baptist, which has been much extolled. On the Canto al Mercatale, also in Prato, in a shrine opposite to the Nuns of S. Margherita, and near some houses belonging to them, he painted in fresco a very beautiful Madonna, with a choir of seraphim, on a ground of dazzling light. In this work, among other things, he showed art and beautiful judgment in a dragon that is at the feet of S. Margaret, which is so strange and horrible, that it is revealed to us as a ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol. 04 (of 10), Filippino Lippi to Domenico Puligo • Giorgio Vasari
... in Wroughton Church, Wilts (Vol. viii., p. 411.).—The figure was painted in fresco, not on a pillar, but on the spandril-space between two arches. The vestments, as far as I can make out, are an alb, a tunicle and a cope, and mitre. The hands do not appear to hold anything, and I see nothing to show it to represent ...
— Notes and Queries, Number 215, December 10, 1853 • Various
... He said he had no time to look into them, and so he referred the whole case to the Lord Treasurer Danby, an officer of his court, whom he requested to examine into the affair. Dr. Tong, therefore, laid his papers before Danby, while the king went off the next day to Windsor to examine the new fresco paintings and the other ...
— History of King Charles II of England • Jacob Abbott
... group of some half-dozen forest giants that arch overhead with such superb loftiness. But in all the world there is no cathedral whose marble or onyx columns can vie with those straight, clean, brown tree-boles that teem with the sap and blood of life. There is no fresco that can rival the delicacy of lace-work they have festooned between you and the far skies. No tiles, no mosaic or inlaid marbles, are as fascinating as the bare, russet, fragrant floor outspreading about their feet. They are the acme of Nature's architecture, and ...
— Legends of Vancouver • E. Pauline Johnson
... stairs, and Peace was convinced in her own mind that they had really gone for good, than a change came over her. She was sitting erect in a stiff-backed chair in one corner of the room, while her companion in misery sat huddled in the opposite corner, staring at the fresco of flags above her head. Both looked dreadfully woe-begone, and as if the tears were very near the surface, for punishment sat heavily upon these two light-hearted spirits, particularly as such severe measures did not seem ...
— The Lilac Lady • Ruth Alberta Brown
... the author has comparatively little to say; but the work is valuable as regards the subject generally, and might have been published with advantage to the public. The artist delivered also lectures on "The Beautiful and the Picturesque," as well as on "Fresco Painting." ...
— English Caricaturists and Graphic Humourists of the Nineteenth Century. - How they Illustrated and Interpreted their Times. • Graham Everitt
... great hall of the Rathhaus the noble Processional of Durer was the more precious, because his Triumph of Maximilian somehow suggested Mantegna's Triumph of Caesar. There was to be a banquet in the hall, under the mighty fresco, to welcome the German Emperor, coming the next week, and the Rathhaus was full of work-people furbishing it up against his arrival, and making it difficult for the custodian who had it in charge to show it properly to strangers. She ...
— Henry James, Jr. • William Dean Howells
... thirty or so little tables covered by red cloths with a white design stood ranged at right angles to the deep brown wainscoting of the underground hall. Bronze chandeliers with many globes depended from the low, slightly vaulted ceiling, and the fresco paintings ran flat and dull all round the walls without windows, representing scenes of the chase and of outdoor revelry in mediaeval costumes. Varlets in green jerkins brandished hunting knives and raised on high ...
— The Secret Agent - A Simple Tale • Joseph Conrad
... in, Nelly and Sophy were available but al-fresco, copulation impossible, and the long tramp or ride to ——— to the baudy house not to my taste. I had now no excuse for going to the farm, and no Pender. So one morning I set off for London. Just as the train started Molly and her mother ...
— My Secret Life, Volumes I. to III. - 1888 Edition • Anonymous
... Church of Assisi there is an ancient fresco representing five of the companions of St. Francis. Above them is a Madonna by Cimabue, upon which they are gazing with all their soul. It would be more true if St. Francis were there in the place of the Madonna; one is always changed into the image of what one admires, and they resemble their ...
— Life of St. Francis of Assisi • Paul Sabatier
... features of the case, you will be able to add others. We shall endeavor in the present volume always to paint things in bold fresco style and leave the miniatures to you. According to the characters concerned, the indications which we are describing, veiled under the incidents of ordinary life, are of infinite variety. One man may ...
— The Physiology of Marriage, Part I. • Honore de Balzac
... eloquence at the suggestion of shame. In places the shadow deepens: death intrudes itself on the scene, as among other [175] things "a great disguiser," blanching the features of youth and spoiling its goodly hair, touching the fine Claudio even with its disgraceful associations. As in Orcagna's fresco at Pisa, it comes capriciously, giving many and long reprieves to Barnardine, who has been waiting for it nine years in prison, taking another thence by fever, another by mistake of judgment, embracing others in the midst of their music and song. The little mirror of ...
— Appreciations, with an Essay on Style • Walter Horatio Pater
... marble; the window, though a mere black rent in ragged plaster, is encircled by a garland of vine and fronted by a thicket of the sharp leaves and aurora-colored flowers of the oleander; the courtyard, overgrown by mournful grass, is terminated by a bright fresco of gardens and fountains; the corpse, borne with the bare face to heaven, is strewn with flowers; beauty is continually mingled with the ...
— Modern Painters, Volume IV (of V) • John Ruskin
... old churches. I went in one the other day, and I was looking up at the rafters, and I saw a sort o' picture there, and I said, "Ullo—they've been advertising Pears' Soap here, or something." But when I looked again, it was only an old fresco. I was so little interested I walked ...
— Punch, or the London Charivari, Vol. 103, October 1, 1892 • Various
... There is an old church there, with high Gothic windows full of painted glass, quaint carving, strange tombs, and a suit of knightly armour hanging between two tattered banners, which the sexton says were carried some time in the wars. Tradition says also, that there is a fine old painting in fresco, whitewashed over from the Reformation, but of that I know nothing. The town had other antiquities. Its stocks were a marvel of age and efficiency. A ducking-stool for scolds yet remained in the courthouse, beside the beam with which they ...
— Chambers's Edinburgh Journal, No. 453 - Volume 18, New Series, September 4, 1852 • Various
... the wall of a temple, the arch of an aqueduct, rose crowned with wall-flower and weeds out of the rank grass, the briars and nettles, the heaps of broken masonry and plaster, among which shone beneath the darting lizards, scraps of vermilion wall-fresco, the chips of purple porphyry or dark-green serpentine; long avenues of trees early sere, closed in by arum-fringed walls, or by ditches where the withered reeds creaked beneath the festoons of clematis and wild vine; solemn ...
— The Countess of Albany • Violet Paget (AKA Vernon Lee)
... continuous gaiety amongst a brilliant cosmopolitan world of men and women who for the most part lived in palaces, surrounded with art and luxury. Here in Rome on every side was to be found the Cult of the Beautiful. Wonderful temples, gems of classical sculpture, masterpieces of colour in oil and fresco—the genius and the aspirations of men rendered permanent for us by Art; but the Temples, those silent emblems of man's worship of an Unknown God, with their surroundings of lovely nature, affected me ...
— The Prodigal Returns • Lilian Staveley
... in the sides of the dresser mirror, and the boxing gloves on the wall, and his tennis racquet with one string broken (he had always meant to have that racquet re-strung) and his track shoes, relics of high school days, flung in one corner, and his gay-colored school pennants draped to form a fresco, and the cushion that Josie Morenouse had made for him two years ago, at Christmas time, and the dainty white bedspread that he, fussed about because he said it was too sissy for a boy's room—oh, I can't tell you what he saw as he sat and stared at that worn ...
— Buttered Side Down • Edna Ferber
... unqualified. There was something about these ladies—in their simple, but noble grace, in their half-Gallic, half-classic beauty, in a jocund buoyancy mated to an amiable dignity—that made them appear to the scholar as though they had just bounded into life from the garlanded procession of some old fresco. The resemblance was not a little helped on by the costume of the late Revolution (most acceptably chastened and belated by the distance from Paris). Their black hair, somewhat heavier on Clotilde's head, where it rippled once or twice, was knotted en Grecque, and adorned only with the ...
— The Grandissimes • George Washington Cable
... warriors—the whole being surrounded by the image of a feathered serpent—Can, his family name, whilst the walls of the two apartments, or funeral chambers, in the monument raised to his memory, were decorated with fresco paintings, representing not only Chaacmol's own life, but the manners, customs, mode of dressing of his contemporaries; as those of the different nations with which they were in communication: distinctly recognizable ...
— Vestiges of the Mayas • Augustus Le Plongeon
... thee repose where Tully once was laid, Or seek some ruin's formidable shade: 30 While fancy brings the vanish'd piles to view. And builds imaginary Rome anew. Here thy well-studied marbles fix our eye; A fading fresco here demands a sigh: Each heavenly piece unwearied we compare, Match Raphael's grace with thy loved Guide's air, Carracci's strength, Correggio's softer line, Paulo's free stroke, and ...
— The Poetical Works Of Alexander Pope, Vol. 1 • Alexander Pope et al
... with its monstrous torments, its wells of flames, its ocean with seven bitter waves: ice, fire, blood ... a rudimentary rendering of legends interpreted in their turn by Dante in his poem, and Giotto in his fresco.[326] The thought of Giotto especially, when reading those sermons, recurs to the memory, of Giotto with his awkward and audacious attempts, Giotto so remote and yet so modern, childish and noble at the same time, who represents devils ...
— A Literary History of the English People - From the Origins to the Renaissance • Jean Jules Jusserand
... shown sepulchres that were entered by steps and passages, and coated with very hard stucco, on which were pictures in fresco of festoons of olive and vine leaves alternated, these leaves being diversified sometimes with tints of autumnal brown, also trees of palm or olive, with birds upon their branches; the birds being all of one kind, with long tails, and coloured bright ...
— Byeways in Palestine • James Finn
... indeed, in our latitude, the pledge of May. It comes when the grass is short, and the fresh turf sets off its "ring of gold" with admirable effect; hence we know the poet is a month or more out of the season when, in "Al Fresco," he makes it bloom with ...
— The Writings of John Burroughs • John Burroughs
... entered the kiosk together. Two women, veiled, and two eunuchs of the guard, received them in an antechamber. And then they passed into a room which ran nearly the whole length of the kiosk, opening on one side to the gardens, and on the other supported by an ivory wall, with niches painted in green fresco, and in each niche a rose-tree. Each niche, also, was covered with an almost invisible golden grate, which confined a nightingale, and made him constant to the rose he loved. At the foot of each niche was a fountain, but, instead of water, each basin was replenished with the purest quicksilver.[31] ...
— Alroy - The Prince Of The Captivity • Benjamin Disraeli
... place, its quiet, its solemnity, the perspective of its aisles, and the conspicuous grace and precision of its traceries, combine to give you the sensation of having entered a true Gothic cloister. And if you walk round it hastily, and, glancing only at a fresco or two, and the confused tombs erected against them, return to the uncloistered sunlight of the piazza, you may quite easily carry away with you, and ever afterwards retain, the notion that the Campo Santo of Pisa is the same kind ...
— Val d'Arno • John Ruskin
... from Olympus. Then they had wandered out into the gardens, and were lounging away the morning under the spell of their magical picturesqueness. Roderick declared that he would go nowhere else; that, after the Juno, it was a profanation to look at anything but sky and trees. There was a fresco of Guercino, to which Rowland, though he had seen it on his former visit to Rome, went dutifully to pay his respects. But Roderick, though he had never seen it, declared that it could n't be worth a fig, and that he did n't care to look at ugly things. He remained stretched on his ...
— Roderick Hudson • Henry James
... 'The Last Supper of Leonardo da Vinci.' A reproduction of the head of our Blessed Lord, taken from the fresco (photograph), is given in the quarto edition of Southwell's complete Poems in the Fuller Worthies' Library—none the less precious that it pathetically reveals the marks of Time's 'effacing fingers.' No engraving approaches the 'power' ...
— The Prose Works of William Wordsworth • William Wordsworth
... No, happen whatever may happen, Time, I suppose, will subsist; the earth will revolve on its axis; People will travel; the stranger will wander as now in the city; Rome will be here, and the Pope the custode of Vatican marbles. I have no heart, however, for any marble or fresco; I have essayed it in vain; 'tis vain as yet to essay it: But I may haply resume some day my studies in this kind. Not as the Scripture says, is, I think, the fact. Ere our death-day, Faith, I think, does pass, and Love; but Knowledge abideth. Let us seek Knowledge;—the rest must come and ...
— Atlantic Monthly, Vol. 1, No. 7, May, 1858 • Various
... black and white stone, not ceiled, and its beams painted, was furnished with one of those enormous sideboards with marble tops, required by the war waged in the provinces against the human stomach. The walls, painted in fresco, represented a flowery trellis. The seats were of varnished cane, and the doors of natural wood. All things about the place carried out the patriarchal air which emanated from the inside as well as the outside of the house. The genius of the provinces preserved everything; nothing was new or old, ...
— The Jealousies of a Country Town • Honore de Balzac
... marked: in addition to the black and white of his mother's skin, he had gray and yellow mottled in all over him. Jim thought it looked as if his skin had been painted, so he named him Fresco. ...
— The Hunter Cats of Connorloa • Helen Jackson
... painter could mix his colours with the water of the wet plaster which was put upon the walls of the churches. This method of painting upon "fresh plaster" (which was generally called "fresco" or "fresh" painting) was very popular for many centuries. To-day, it is as rare as the art of painting miniatures in manuscripts and among the hundreds of artists of our modern cities there is perhaps ...
— The Story of Mankind • Hendrik van Loon
... are no better canoe-men on the coast. They ship only on board the Bristol ships, and they have more than once flogged a cruel skipper caught ashore. Passing King George's Town, we halted (11 A.M., January 23) opposite the river and settlement of Fresco, where two barques and a cutter were awaiting supplies. Fresco-land is beautified by perpendicular red cliffs, and the fine broad beach is feathered with cocoas which suggest kopra—the dried meat of the split kernel. At 3.15 P.M. came Grand Lahou—Bosman's ...
— To The Gold Coast for Gold, Vol. II - A Personal Narrative • Richard Francis Burton and Verney Lovett Cameron
... high-swung carriages, and young bloods dashing by in their curricles. The tables before the coffee-houses were thronged with idlers taking their chocolate and reading the gazettes; and here and there the arched doorway of a palace showed some gay party supping al fresco in a garden hung ...
— The Valley of Decision • Edith Wharton
... Twenty-ninth street. The interior is very large and very beautiful. The altar is of pure white marble, and its adornments are of the richest description. The church is decorated with a series of excellent fresco paintings of a devotional character. The altar piece, representing The Crucifixion, is a magnificent work. The music is perhaps the best in the city. The church will seat nearly 4000 ...
— Lights and Shadows of New York Life - or, the Sights and Sensations of the Great City • James D. McCabe
... a village with an independent life, is now Brighton; but nothing can harm its little English church, noticeable for a fresco of the murder of Thomas a Becket, a representation dating probably from the ...
— Highways & Byways in Sussex • E.V. Lucas
... for bedroom conveniences. Of this, Fig. 4 shows the front side;—covered first with strong canvas, stretched and nailed on. Over this is pasted panel-paper, and the upper part is made to resemble an ornamental cornice by fresco-paper. Pictures can be hung in the panels, or be pasted on and varnished with white varnish. To prevent the absorption of the varnish, a wash of gum isinglass ...
— The American Woman's Home • Catherine E. Beecher and Harriet Beecher Stowe
... case of the use of books as ornaments, but it illustrates in a bizarre way what is a not uncommon use. There is this to be said for that illiterate millionaire: well-bound books are excellent ornaments. No decoration with wall paper or fresco can make a parlor as attractive as it can be made with low bookshelves filled with works of standard authors and leaving room above for statuary, or pictures, or the inexpensive decoration of flowers picked from one's own garden. I am inclined ...
— The Guide to Reading - The Pocket University Volume XXIII • Edited by Dr. Lyman Abbott, Asa Don Dickenson, and Others
... echoed Diana, with an involuntary lift of the eyebrows, and she looked round the immense hall, with its costly furniture, its glaring electric lights, and the band of bad fresco which ran round its ...
— The Testing of Diana Mallory • Mrs. Humphry Ward
... 'baldachin', 'balustrade', 'bandit', 'bravo', 'bust' (it was 'busto' as first used in English, and therefore from the Italian, not from the French), 'cameo', 'canto', 'caricature', 'carnival', 'cartoon', 'charlatan', 'concert', 'conversazione', 'cupola', 'ditto', 'doge', 'domino'{17}, 'felucca', 'fresco', 'gazette', 'generalissimo', 'gondola', 'gonfalon', 'grotto', ('grotta' is the earliest form in which we have it in English), 'gusto', 'harlequin'{18}, 'imbroglio', 'inamorato', 'influenza', 'lava', 'malaria', 'manifesto', 'masquerade' ('mascarata' ...
— English Past and Present • Richard Chenevix Trench
... must, of course, have a carriage; but this clever person was not content with doing things in an ordinary way, but set up three. While her house was being prepared,—which she ordered to be done by the first artists in their way, the walls being painted in fresco,—she drove down to Brighton in her travelling carriage, with four horses and two outriders. She gave an order for the furnishing of her house to the amount of L4000, and commissioned from Hatchett, the celebrated coachmaker, ...
— Blackwood's Edinburgh Magazine, Volume 59, No. 364, February 1846 • Various
... pioneers in the advance guard, and they often discover new countries, suggesting solutions. There is there a borderland which belongs to them, between the conquered, the definitive truth, and the unknown, whence the truth of to-morrow will be torn. What an immense fresco there is to be painted, what a stupendous human tragedy, what a comedy there is to be written with heredity, which is the very genesis of families, of societies, and ...
— Doctor Pascal • Emile Zola
... only by lamps and torches. They were generally without ornamentation. The grand halls, on the contrary, and some of the narrower chambers, were decorated on every side, first with sculptures to the height of nine or ten feet, and then with enamelled bricks, or patterns painted in fresco, to the height, probably, of seven or eight feet more. The entire height of the rooms was thus from sixteen ...
— The Seven Great Monarchies Of The Ancient Eastern World, Vol 2. (of 7): Assyria • George Rawlinson
... embroidered silk. Polychrome figures of saints and Eighteenth Century hangings with mythological scenes were reflected in the deep azure mirrors above the consoles. The vaulted ceiling was painted in fresco, with an assemblage of gods and goddesses seated on clouds, whose rosy nudity and bold gestures contrasted sharply with the dolorous visage of a great Christ which seemed to preside over the salon, occupying a wide space on the wall between two doors. The Popess recognized ...
— The Dead Command - From the Spanish Los Muertos Mandan • Vicente Blasco Ibanez
... said that Maestro Biaggio, master of ceremonies to Paul III., having accompanied the Pope on a visit that His Holiness made to see Michael Angelo's fresco when it was about half finished, allowed himself to express his own ...
— Great Pictures, As Seen and Described by Famous Writers • Esther Singleton
... recumbent effigy of the bishop, in richly-worked robes, beneath a canopy, richly groined, with foliated bosses at the intersections of the ribs. On the walls at the east and west ends may still be seen the remains of fresco painting, representing in each case two angels. Beneath the staircase leading up to the throne is a very fine decorated arcade, containing several shields bearing the bishop's and other arms. The whole structure was originally richly coloured and ...
— Bell's Cathedrals: The Cathedral Church of Durham - A Description of Its Fabric and A Brief History of the Episcopal See • J. E. Bygate
... in a manner to outdo Solomon in all his glory, and she was conveyed in a perfectly new motor car. When Margaret, looking on from beyond the pond, saw her descend from the machine, she could not help thinking of a dreadful fresco she had once seen on the ceiling of an Italian villa, representing a very florid, double-chinned, powerful eighteenth-century Juno apparently in the act of getting down into the room from her car, to the great ...
— Fair Margaret - A Portrait • Francis Marion Crawford
... this fresco, the last work finished, had dissatisfied me in one particular. 'That beautiful young face,' said I, 'appears not ...
— Imaginary Conversations and Poems - A Selection • Walter Savage Landor
... by this proud fellow were as splendid as himself; finer cattle never flew over Epsom Downs, the Heath of Ascot, or Doncaster Course—pure bloods, every one of them, and such as might have served Guido as models for his famous fresco of the chariot of Apollo; but Guido's steeds, although they are represented tearing away furiously, are lubberly drays, compared with the slim, graceful, ...
— Graham's Magazine Vol. XXXII No. 2. February 1848 • Various
... made overtures to the Skyeman, concerning the possession of his picture in her own proper right. In her very simplicity, little heeding, that like a landscape in fresco, it could ...
— Mardi: and A Voyage Thither, Vol. I (of 2) • Herman Melville
... difficult to be serious with a man who declines to take one seriously, Matt forced a grin and departed, with the light intimation that he would return in three days, and if the check was not forthcoming then he would fresco Kelton's office ...
— Cappy Ricks • Peter B. Kyne
... NICCOLO (1512—1571), a celebrated fresco-painter of Modena, whose best works are there and at Bologna. He accompanied Primaticcio to France, and assisted in decorating the palace at Fontainebleau (1552—1571). His pictures exhibit a combination of skill in drawing, grace and natural colouring. Some of his easel pieces in oil ...
— Project Gutenberg Encyclopedia
... have not had such moments of despondency in the face of a great task? In such moments I have often called to mind one of those parables of Nature which are everywhere around us, unseen and unheeded, like those exquisite fresco angels of the old masters, in dim corners of ancient churches, blowing silent trumpets of praise and adoration and touching mute viols into mystic melodies which are lost to us. So thin has the material veil ...
— The Power of Womanhood, or Mothers and Sons - A Book For Parents, And Those In Loco Parentis • Ellice Hopkins |
